Pt. 1: Portfolio - Dewobroto Adhiwignyo (2023)

Page 1

THE

urban development

urban design

landscape design

architecture

DEWOBROTO ADHIWIGNYO

urban planning

INTER DISC CIP LINAR RIAN


architecture

Address Jln. Pertani 3 No. 61 RT006/ RW03 Kompleks PT Pertani (Persero), Kel. Duren Tiga, Kec. Pancoran, Jakarta Selatan – 12760 DKI Jakarta, Indonesia Home Phone +62 21 794 5 117 Mobile Phone +62 813 888 21 800

landscape design

E-mail dewobroto.setrodjojo@gmail.com WhatsApp & Telegram +62 813 888 21 800 Skype live:dewobroto.setrodjojo LINE p.kanisius.dewobroto

DEWOBROTO ADHIWIGNYO

DEWOBROTO ADHIWIGNYO

urban design urban planning

THE INTERDISCIPLINARIAN

urban development


THE

urban development

urban design

landscape design

architecture

DEWOBROTO ADHIWIGNYO

urban planning

INTER DISC CIP LINAR RIAN



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PORTFOLIO architecture ▪ landscape design ▪ urban design ▪ urban development ▪ urban planning

2014–2023


TABLE OF CONTENTS

7

PREFACE

INTRODUCTION 10

Curriculum Vitae

14

Projects by Location

SELECTED PROJECTS 18

Akhsawijaya Office: Mixed-Use Office & Commercial in a High-Density Residential Area | DKI Jakarta, Indonesia Date: August 2023 | Type: Architecture

24

Terrasavva (Teras Sawah): PT Pupuk Indonesia Niaga Office | DKI Jakarta, Indonesia

30

Transcendence – a Synthesis Between Wellness and Mindfulness: Neo-Atavism in Horizontal Monumentalism | St. Moritz, Switzerland

Date: February 2023 – March 2023 | Type: Architecture

Date: January 2021 – March 2021 | Type: Architecture, Landscape Design

38

Ruangsisip House: Lucid Spaces in Motion | South Tangerang, Indonesia

54

Cakranusa Wanantara: the New Capital City of Indonesia | East Kalimantan, Indonesia

80

Collective Memory of Historic Urban Traces, Morphology, and Identity in Urban Revitalization: Case Study of a Former Jewish Quarter | Vilnius, Lithuania

Date: February 2019 – July 2019 | Type: Architecture, Other (Interior Design)

Date: October 2019 – December 2019 | Type: Urban Design, Urban Development, Urban Planning

Date: March 2017 – September 2017 | Type: Architecture, Landscape Design, Urban Design, Urban Development

104

Cordahi House of Culture: Arts and Cultural Center | Alexandria, Egypt

124

Izbat Burj Rasheed: Urban Development in the Face of Climate Change | Rasheed, Egypt

158

Ambavastu: Low-Cost Public Housing | Bandung, Indonesia

176

The Wall: Interactive Playground | Vilnius, Lithuania

Date: October 2016 – January 2017 | Type: Architecture

Date: March 2016 – July 2016 | Type: Urban Development Date: January 2014 – May 2014 | Type: Architecture

Date: September 2016 | Type: Other (Design & Build Workshop)

* All images, photographs, tables, and diagrams are sourced from author(s), unless otherwise stated.

4


Table of Contents

SELECTED ARTWORKS 186

Drawings, Sketches, and Paintings

196

Calligraphies

198

Graphic Arts and Form Compositions

206

Logo Design and Branding

GRADUATION CERTIFICATES AND ACADEMIC TRANSCRIPTS 210

Master of Science (M.Sc.)

218

Bachelor of Arts / Sarjana Desain (S.Ds.)

222

Bachelor of Architecture / Sarjana Teknik (S.T.)

Brandenburg University of Technology – Cottbus, Germany; Cairo University – Cairo, Egypt ▪ Urban Design – Revitalization of Historic City Districts Bandung Institute of Technology – Bandung, Indonesia ▪ Interior Design Parahyangan Catholic University – Bandung, Indonesia ▪ Architecture

228

Other Certificates

234

Notes

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

ANNEXES

5


ARCHI

Architecture

L-DES

Landscape Design

U-DES

Urban Design

U-DEV

Urban Development

U-PLAN

Urban Planning

OTHER

Other

INTRO

Introduction

PROJ

Selected Projects

ARTW

Selected Artworks

GC&AT

Graduation Certificates and Academic Transcripts

ANNEX

Annexes

6


Preface

PROFILE SUMMARY Dewobroto Adhiwignyo Architect and Urban Designer I am an architect and urban designer who has professionally been working and teaching on various challenges and scales of projects, from architecture to urban planning and development, both independently and in a team, since 2018. My research and design interests include architecture, urbanism, and human settlement studies within historical, cultural, and socio-behavioral perspectives. After graduating from Parahyangan Catholic University, Indonesia, with a B.Arch. (Hons) in architecture in 2014 and from Bandung Institute of Technology, Indonesia, with a B.A. (Hons) in interior design in 2015, I continued my studies at Brandenburgische Technische Universität, Germany (home university) and Cairo University, Egypt, and I graduated in 2017 with a M.Sc. in urban design – revitalization of historic city districts. My master’s thesis about the revitalization of the former Jewish Quarter in Vilnius, Lithuania, provides a proposal of urban design and heritage policies towards the development of the former Jewish Quarter that has been losing its historical and cultural significance since the end of World War II. In 2019, my team’s proposal, “Cakranusa Wanantara,” was selected into the top 25 finalists of the national planning and development competition of the new capital city of Indonesia (“Sayembara Gagasan Desain Ibu Kota Negara”). I have been a certified member of the Indonesian Institute of Architects (IAI) since 2019 and a certified member of the Indonesian Institute of Urban Designers (IARKI) since 2022. In 2022, I mentored a team of Pelita Harapan University architecture students to become the 1stplace winner at the national stage of “Architecture Student Competition” Saint-Gobain 2022, an annual international architecture student competition organized by Saint-Gobain and PT Cipta Mortar Utama (MU). The team represented Indonesia at the international competition stage in Warsaw, Poland. In the same year, I also acted as initiator, committee chief, curator, and brand & marketing strategist of “ArchUPH Wave 2022,” an annual architecture exhibition organized by the Department of Architecture, Pelita Harapan University. The exhibition has been regarded as one of Indonesia’s most well-recognized architecture student exhibitions. DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

I love exploring cities and experiencing various cultures, as it is part of my professional fields of expertise in architecture and urbanism, as well as my interests in human social behaviors and cultures. Furthermore, it enhances my ability to interact socially and professionally with people in a cosmopolitan and culturally diverse atmosphere. In addition to my experience of growing up in Southeast Asia (Indonesia), my experience of living and socializing in Western Europe (Germany), Eastern Europe (Lithuania), and the Middle East (Egypt) for two and a half years during my master’s studies brings me a unique understanding and open-minded approaches to diversity and inclusivity in architecture and urbanism, which broaden my horizon in embracing collaborative & holistic design thinking. Aside from my professional fields of expertise in architecture, urbanism, and human settlement studies, I have keen interests in anthropology, cinema, graphic design, history, philosophy, poetry, sociology, and visual arts. I have also been a “Member in Good Standing” (MiGS) of Mensa International / Mensa Indonesia since 2011.

7


INTRO


INTRODUCTION


CURRICULUM VITAE PERSONAL INFORMATION Dewobroto Adhiwignyo | Architect & Urban Designer [available upon request] [available upon request]

Home dewobroto.setrodjojo@gmail.com | Work diaxtal@gmail.com [available upon request]

Issuu https://issuu.com/dewobroto.adhiwignyo LinkedIn https://www.linkedin.com/in/dewobroto-adhiwignyo-343371118/ Instagram https://www.instagram.com/adhiwignyo/ Facebook https://www.facebook.com/dewobroto.adhiwignyo/

Sex Male | Place & Date of Birth Jakarta, Indonesia – 13 January 1992 | Nationality Indonesia Driving License(s) A, C (Indonesia)

Professional & Academic Field(s) Architecture, Urbanism, Human Settlement Studies Other Interests Anthropology, Cinema, Graphic Design, History, Philosophy, Poetry, Sociology, Visual Arts

WORK EXPERIENCE April 2018 – Present

INTRO

February 2023 – September 2023

10

Architect & Urban Designer

DIAXTAL Studio ▪ Self-Employed (Freelance) ▪ Full-Time ▪ I work as a freelance architect & urban designer for various challenges and scales of projects, from architecture to urban planning & development, both project-based and research-based, both independently and in a team.

Senior Architect & Urban Designer

ALIEN Design Consultant / PT Alien Bangun Nusantara – DKI Jakarta, Indonesia ▪ Full-Time ▪ I worked as a senior architect & urban designer for various projects from the private and public sectors: 1) PT Pupuk Indonesia Niaga Office – Jakarta, Indonesia | typology(s): high-rise, office, commercial. 2) Bank Syariah Indonesia Office – Bogor, Indonesia | typology(s): mid-rise, office, commercial. 3) Bank Mandiri Office – Kendari, Indonesia | typology(s): high-rise, office, commercial. 4) PT Nusantara Energi Indonesia Office – Jakarta, Indonesia | typology(s): high rise, office, commercial. 5) Bank of Indonesia Office in Indonesia's New Capital City – North Penajam Paser, Indonesia | typology(s): midrise, office, landscape planning & design. 6) Rutong Integrated Eco-Tourism Village – Ambon, Indonesia | typology(s): master plan, rural development, community development.

August 2021 – July 2022

Lecturer & Researcher

July 2019 – March 2020

Architect & Master Planner

Department of Architecture, Pelita Harapan University – Tangerang, Indonesia ▪ Full-Time ▪ I mentored a team of Pelita Harapan University architecture students to become the 1st-place winner (project: “The Overlay”) at the national stage of “Architecture Student Competition” Saint-Gobain 2022, an annual international architecture student competition organized by Saint-Gobain and PT Cipta Mortar Utama (MU). The team was representing Indonesia at the international stage of the competition in Warsaw, Poland and was competing with 52 other national winners. ▪ I acted as initiator, committee chief, curator, and brand & marketing strategist of “ArchUPH Wave 2022: Hybridtual (Hybrid+Habitual),” an annual architecture exhibition organized by the Department of Architecture, Pelita Harapan University. The exhibition, which was held on 17–26 June 2022 at M Bloc Space – Jakarta, Indonesia, as a hybrid event combining virtual and on-site settings, has been regarded as one of the most well-recognized architecture student exhibitions in Indonesia that gained public attention and media coverage at the national level. ▪ Structural position: student and alumni affairs coordinator of the Department of Architecture. ▪ Areas of specialization: 1) architectural history, theory, and philosophy; 2) urban design and urban studies; 3) sustainable urbanism and human settlements; and 4) heritage and cultural studies. ▪ Modules taught: 1) Architectural Research & Design Studio 1 (compulsory module); 2) Everydayness of Urban Architecture (elective module); and 3) Urban Heritage (elective module). Imageqreator / PT Image Qreator Indonesia – DKI Jakarta, Indonesia ▪ Full-Time ▪ I acted as a master planner and project leader for PT Image Qreator Indonesia’s participation in the national planning & development competition of the new capital city of Indonesia, organized by the National Government of Indonesia, the Ministry of Public Works and Public Housing of Indonesia (KemenPUPR), and the Indonesian Institute of Architects (IAI). The proposal was listed in the top 25 finalists out of 299 proposals. ▪ I worked as lead design architect on several private residential and housing projects in various Indonesian cities: Jakarta, Depok, and Tangerang Regency.


Assistant Architect

Curriculum Vitae

June 2012 – August 2012

CORE 47 Studio – Bandung, Indonesia ▪ Full-Time Internship ▪ I worked as an architectural assistant and a maquette-maker on the architectural and interior design of private houses, cafes/restaurants, and retail stores in Bandung, Indonesia.

EDUCATION October 2015 – March 2018

Master of Science (M.Sc.)

August 2009 – March 2015

Bachelor of Arts / Sarjana Desain (S.Ds.)

August 2010 – July 2014

July 2006 – June 2009

Double-Degree Master’s Program, in Cooperation Between: Brandenburg University of Technology – Cottbus, Germany ▪ Home University October 2015 – February 2016 (1st Semester), March 2017 – September 2017 (4th Semester) Cairo University – Cairo, Egypt March 2016 – August 2016 (2nd Semester) Alexandria University – Alexandria, Egypt September 2016 – February 2017 (3rd Semester) ▪ Urban Design – Revitalization of Historic City Districts, CGPA: 1.6/5.0 (Germany Grading System) Final Project & Thesis: Collective Memory of Historic Urban Traces, Morphology, and Identity in Urban Revitalization: Case Study of a Former Jewish Quarter – Vilnius, Lithuania (Supervisors: Prof. Dipl.-Ing. Heinz Nagler; Prof. Dr. Dalila Elkerdany, B.Sc., M.Sc.; Dipl.-Ing. Christoph Wessling) Bandung Institute of Technology – Bandung, Indonesia ▪ Interior Design, CGPA: 3.54/4.00 (U.S. Grading System) Final Project & Thesis: Architectural and Philosophical Studies of Chinese Culture in Jin De Yuan Temple, Jakarta (Supervisor: Bagus Handoko, S.Sn., M.T.)

Bachelor of Architecture / Sarjana Teknik (S.T.)

Parahyangan Catholic University – Bandung, Indonesia ▪ Architecture, CGPA: 3.36/4.00 (U.S. Grading System) – Best Graduate (Top 5%) Final Project: Ambavastu: Low-Cost Social Housing – Bandung, Indonesia (Supervisor: Dr. Anindhita N. Sunartio, S.T., M.T.) Final Thesis: Variation of Solid-Void Forms on a Streetscape: Open Spaces of a Streetscape as the Results of Urban Form and Land-Use Transformations | Case Study: Jln. Merdeka – Cirebon, Indonesia (Supervisor: Dr. Anindhita N. Sunartio, S.T., M.T.)

Senior High School Diploma

State Senior High School 14 Jakarta / SMA Negeri 14 Jakarta – DKI Jakarta, Indonesia ▪ Mathematics and Natural Sciences

LICENSES AND CERTIFICATIONS September 2022 – Present

Indonesian Institute of Urban Designers (IARKI)

December 2019 – Present

Indonesian Institute of Architects (IAI)

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

March 2011 – Present

Certified member — credential ID: 2200408.

Certified member — credential ID: 20413 192 100.

Mensa International / Mensa Indonesia

Member in Good Standing (MiGS) — credential ID: 55926.

WORKSHOP AND VOLUNTEER EXPERIENCE February 2023 – June 2023

Philosophy for Professionals – STF Driyarkara Extension Course

January 2023

Philosophy of Education: “We Learn Not for School, but for Life”

A 16-session course organized by Driyarkara School of Philosophy. The extension course consists of various topics about philosophical values and thoughts and their essences and utilizations in professional realms, presented and discussed by renowned Indonesian writers, scholars, and philosophers. I contributed as a course participant. A 7-session course organized by Basis Magazine as a series of Basis School / “Sekolah Basis” public courses, titled “Non Scholae, Sed Vitae Discimus.” The course consists of seven topics about the philosophy of education, presented and discussed by renowned Indonesian writers, scholars, and philosophers: 1) Pierre Bourdieu: Habitus, Cultural Capital, and Education; 2) Jürgen Habermas: Communication in Education; 3) Religions in Public Sphere; 4) Stoicism: Education as Asceticism; 5) Paolo Freire: Pedagogy of the Oppressed; 6) Adorno’s Aesthetics: Music, Education, and Society; and 7) Rabindranath Tagore: the Freedom of Learning. I contributed as a course participant. 11


July 2022

August 2021 – June 2022

September 2016

October 2012 – July 2013

Bibliometrics Analysis Workshop

An 8-day (88-hour) academic workshop of training for digital data mining in supporting scientific research. Organized by House of Scientific Publication / “Rumah Publikasi Ilmiah” (RPI) Institute. I contributed as a workshop participant.

ArchUPH Wave 2022: Hybridtual (Hybrid+Habitual)

An annual architecture exhibition organized by the Department of Architecture, Pelita Harapan University. The exhibition, which was held on 17–26 June 2022 at M Bloc Space – Jakarta, Indonesia, as a hybrid event combining virtual and on-site settings, has been regarded as one of the most prominent and most well-recognized architecture exhibitions in Indonesia that gained public attention and media coverage at the national level. I contributed as an initiator, chief coordinator, curator, and brand & marketing strategist.

Play East! Summer School 2016

A 14-day design and build workshop organized by Baladilab and sponsored by the German Academic Exchange Service (DAAD). The project aimed to redesign and rebuild school playgrounds in Vilniaus „Versmės“ Katalikiškoji Gimnazija – Vilnius, Lithuania. Project: “The Wall: Interactive Playground.” I contributed as a workshop participant.

“Bhakti Ganva 2013”

A social & humanitarian project organized by the Civil Engineering Student Council and the Architecture Student Council on behalf of the Faculty of Engineering, Parahyangan Catholic University. The project aimed to build a library and donate books for an elementary school lacking educational facilities in Rantaya Village – Bandung, Indonesia. The project was held for the first time in 2013 as a pilot project and pioneering work, and since then has been an annual project of the faculty. I contributed as initiator, co-chief coordinator, and project manager.

August 2012 – September 2012

“Perpustakaan Berjalan” (Mobile Library)

February 2012 – April 2012

“Tertib Lingkungan, Teratur Berlalu Lintas”

November 2011 – December 2011

A social & educational project organized by the Architecture Student Council – Parahyangan Catholic University, in collaboration with the Bandung City Council. The project aimed to design a wagon as a mobile library for children living in rural areas in Bandung, Indonesia. The Bandung City Council sponsored the realization of the wagon prototype. I contributed as initiator and chief of the design division. A social & educational project organized by the Architecture Student Council – Parahyangan Catholic University. The aim of the project was to deliver understanding and awareness of urban environment & ecology and traffic rules to elementary school students in Bandung, Indonesia. I contributed as an initiator and chief of the creative division.

“VastushilpArs”

A social & humanitarian project organized by the Architecture Student Council – Parahyangan Catholic University, in collaboration with Habitat for Humanity. The project aimed to build proper houses for low-income households in a village in Bandung, Indonesia. I contributed as staff of the publication division and as a construction worker.

INTRO

AWARDS, RECOGNITIONS, AND PUBLICATIONS June 2022

1st-Place Winner (National Stage) of “Architecture Student Competition” Saint-Gobain 2022

December 2019

Top 25 Finalists of the National Planning & Development Competition of the New Capital City of Indonesia (“Sayembara Gagasan Desain Ibu Kota Negara”)

An annual international architecture student competition organized by Saint-Gobain and PT Cipta Mortar Utama (MU). As the national stage winner, the architecture student team of Pelita Harapan University was representing Indonesia and was competing with 52 other national winners from Africa, Asia, Europe, the Middle East, North America, and South America at the international stage of the competition in Warsaw, Poland. Project: “The Overlay.” I contributed as a team mentor (students: Cindy Lovanka, Jessica Sanusi, and Vincent Alexis Sutjianto).

A national planning & development competition for the new capital city of Indonesia, organized by the National Government of Indonesia, the Ministry of Public Works & Public Housing of Indonesia (KemenPUPR), and the Indonesian Institute of Architects (IAI). The proposal was listed in the top 25 finalists out of 299 proposals. Project: “Cakranusa Wanantara.” I contributed as a master planner and project leader under PT Image Qreator Indonesia. February 2017

Awardee of Erasmus+ Full-Ride Scholarship

January 2016

“Amor Fati: Bunga Rampai Diskusi Rabuan”

December 2015

12

Erasmus+ full-ride scholarship granted to students for financing their final semester of master’s studies (4th semester — Summer Semester 2017) at Brandenburg University of Technology. A book of philosophical thoughts compilation written by Indonesian scholars and philosophy enthusiasts, published by Penerbit Kanisius on behalf of “Gereja Komunitas Anugerah,” Jakarta. I wrote one article titled “Memaknai Kebahagiaan Melalui Suatu Kontemplasi Eklektik” (“Interpreting Happiness Through an Eclectic Contemplation”).

“Karya Terbaik Calon Arsitek Tanah Air” (“The Best Works of Indonesian Future Architects”)

A book of Sinarmas Land Young Architect Competition 2014 winners’ works compilation, published on behalf of PT Bumi Serpong Damai Tbk. (Sinarmas Land) and the Indonesian Institute of Architects (IAI).


November 2014

Outstanding Student Awards 2015 – Parahyangan Catholic University

Curriculum Vitae

May 2015

Awards for Parahyangan Catholic University students who achieved outstanding accomplishments at the national and international levels during the 2014/2015 academic year.

3rd-Place Winner of “Sinarmas Land Young Architect Competition 2014” (SMLYAC 2014) in the Master Plan Category

A national architecture competition organized by PT Bumi Serpong Damai Tbk. (Sinarmas Land) and Indonesian Institute of Architects (IAI). Project: “BSD Sunburst Greenwalk Office Park,” a mixed-use (office, commercial, residential) area in South Tangerang, Indonesia. In collaboration with Arief F. Fauzan, Bregas V. Prayuko, and Indra Prasasto. July 2014

Best Graduate of the Department of Architecture, Parahyangan Catholic University

June 2014

Nominee of the 23rd Architecture Final Project Awards – Parahyangan Catholic University

June 2011

Nominee of the Best Student Awards 2011 – Department of Interior Design, Bandung Institute of Technology

Awards for architecture students (bachelor’s program) of Parahyangan Catholic University who graduated in the top 5% of the batch (July 2014 — the end of the second term of the 2013/2014 academic year). Best architecture student’s (bachelor’s program) final projects of Parahyangan Catholic University in the second term of the 2013/2014 academic year. Project: “Ambavastu” Low-Cost Social Housing – Bandung, Indonesia.

Awards for interior design students (bachelor’s program) of Bandung Institute of Technology who were in the top 5% of the batch in the 2010/2011 academic year. June 2007

Finalist of “Remaja Ceria Jakarta Timur 2007”

May 2007

2nd-Place Winner of Senior High School Theatre Festival – FISIP, University of Indonesia

A talent selection contest for ambassadors of youth and sport in DKI Jakarta, Indonesia, organized by East Jakarta Youth Center (UPT Gelanggang Remaja Jakarta Timur). A senior high school theatre festival for Jabodetabek region (Jakarta, Bogor, Depok, Tangerang, and Bekasi), organized by the Faculty of Social and Political Sciences (FISIP), University of Indonesia. I contributed as a music & sound composer and arranger for Student Theatre & Performing Arts Club – State Senior High School 14 Jakarta.

ORGANIZATIONS January 2013 – July 2014

Student Association for Environmental and Adventure Activity – Parahyangan Catholic University (Mahitala–Unpar) Member — specialization(s): observation of traditional societies, tribes, and cultures.

Architecture Student Council – Parahyangan Catholic University (HMPSArs–Unpar) Staff at the community service division.

January 2010 – March 2015

Student Film League – Bandung Institute of Technology (LFM–ITB)

August 2006 – June 2009

Student Photography Club – State Senior High School 14 Jakarta

August 2006 – June 2009

Student Theatre & Performing Arts Club – State Senior High School 14 Jakarta

Crew — specialization(s): photography.

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

August 2011 – July 2014

Treasurer (August 2006 – July 2007); vice chairman (August 2007 – July 2008); general supervisor (August 2008 – June 2009). Staff at the music & sound division (August 2006 – July 2007); chief of the music & sound division (August 2007 – July 2008); supervisor of the music & sound division (August 2008 – June 2009).

PERSONAL SKILLS Digital/Computer Skills

Languages

Manual/Hands-on Skills

Other Skills

▪ Graphics: Illustrator, InDesign, Photoshop (Adobe) ▪ 2D and 3D Modelling: ArchiCAD, AutoCAD, Revit, SketchUp (CAD) ▪ 3D Rendering: Lumion, V-Ray, Enscape ▪ Data Mining: OpenRefine, VOSviewer, Tableau Public ▪ Worksheets: Excel, PowerPoint, Word (Microsoft) ▪ Drawing, Sketching, Painting ▪ Calligraphy-Lettering ▪ Maquette- & Physical Model-Making ▪ Sculpting

▪ Indonesian (Native or Bilingual Proficiency) ▪ English (Professional Working Proficiency) ▪ Malay (Professional Working Proficiency) ▪ German (Limited Working Proficiency)

▪ Photography ▪ Storytelling ▪ Academic/Scholarly Writing ▪ Creative Writing (Copywriting, Poetry, Short Story) 13


INTRO

PROJECTS BY LOCATION 14


Projects by Location Vilnius, Lithuania

St. Moritz, Switzerland

Rasheed, Egypt

East Kalimantan, Indonesia DKI Jakarta, Indonesia South Tangerang, Indonesia Bandung, Indonesia

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

Alexandria, Egypt

15


PROJ


SELECTED PROJECTS


ARCHI

AKHSAWIJAYA OFFICE

MIXED-USE OFFICE & COMMERCIAL IN A HIGH-DENSITY RESIDENTIAL AREA DKI Jakarta, Indonesia Site Location Jln. Cipaku I No. 28, Kel. Petogongan, Kec. Kebayoran Baru, South Jakarta – 12170 DKI Jakarta, Indonesia Date August 2-11, 2023 Phase/Status Visioning Proposal Category Individual Project Scale Medium Type Architecture Typology Office, Commercial, Mixed-Use, High-Rise Institution(s) ALIEN Design Consultant Client(s) Private Client

PROJ

Task Designing a high-rise building with office & commercial functions for a private client. The design must be contextual with the heritage context of Kebayoran Baru district, where the site is surrounded by low-rise houses from the 1950s and the 1960s. Description The task was given within just 10 days (8 work days) to be done and presented to the client. The aim is to create a visioning proposal that fulfill the client's needs in terms of optimation of GFA and FAR of the office building. The proposal's contents, consisting of the concept, site plan, floor plans, and 3D renderings, were made individually during the 8 work days period. Three main ideas & approaches are brought in this proposal: 1) being iconic in a simplistic & elegant way; 2) high efficiency, functionality, and durability; and 3) intriguing from the outside, aspiring from the inside. These ideas and approaches are considering the heritage context of the Kebayoran Baru district. Low-rise houses surround the site with pitched-roofs from the 1950s and the 1960s. "Being iconic in a simplistic & elegant way" means the building doesn't need to be 'screaming for attention' to be iconic and noticeable. "High efficiency, functionality, and durability" means the building considers easy-maintenance aspects and optimization of space using geometric shapes. "Intriguing from the outside, aspiring from the inside" means the design must be contextual with the heritage context of Kebayoran Baru district, as well as with the surrounding building typologies that are dominated by low-rise houses with pitched-roof ('jengki' houses) from the 1950s and the 1960s. The commercial facilities are oriented inward toward the site instead of the street. This 'inward orientation' aims to create a commercial space that does not generate a crowd on the street due to the formal character of the surrounding buildings.

"Not only sculpting the form, but also sculpting the space!"


19 DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

Akhsawijaya Office: Mixed-Use Office & Commercial in a High-Density Residential Area | DKI Jakarta, Indonesia


ARCHI

PITCHED ROOF – URBAN TYPOLOGY OF KEBAYORAN BARU HERITAGE DISTRICT The pitched-roof of the ‘sky lounge’ is contextual with the urban typology of Kebayoran Baru heritage district that consists of many ‘jengki’ houses from the 1950s and the 1960s.

NG THE SPACE!

FINS FOR FILTERING THE DIRECT SUNLIGHT The main façade of the building that faces the east is designed with steel fins to reduce the heat from the sunlight.

CONTOURED LANDSCAPE The simplistic landscape design is contextual with the surrounding existing buildings, which are dominated by houses from the 1950s and the 1960s.

ACCENT ELEMENT A yellow ‘box’ as an accent element is given to the white facades of the building. The yellow box is located on the 9th and the 10th floors, functioned as rented offices for exclusive tenants. VERTICAL STACK PARKING Due to limited size of site area, vertical stack parking is used to fulfill the minimum amount of car parking units. VERTICAL ELEMENTS TO GAIN MONUMENTAL EFFECT The piched-roof of the ‘sky lounge’ is extended continuously as vertical elements on the façade to gain monumental effect from human-eye view perspective.

SKY LOUNGE CAFÉ & RESTAURANT 11TH FLOOR (ROOFTOP) GFA: 331.68 M²

OFFICE

PROJ

3RD-10TH FLOOR GFA: 3266.76 M²

CAFÉ & RESTAURANT LOBBY GROUND/1ST-2ND FLOOR GFA: 700.71 M²

SPME BASEMENT GFA: 172.34 M²

20

TOTAL GFA: 4471.49 M²


DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

Akhsawijaya Office: Mixed-Use Office & Commercial in a High-Density Residential Area | DKI Jakarta, Indonesia

Human-Eye View Perspective from Jln. Cipaku I

Bird-Eye View Perspective from Jln. Wijaya I

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2

3

4

1

2

3

4

ARCHI

1

C

C

C

C

B

B

B

B

A

A

A

A

1

2

3

NORTH

4

Basement Floor Plan 1

PROJ

2

3

4

1

2

3

4

NORTH

2nd Floor Plan 2

3

4

C

C

C

C

B

B

B

B

A

A

A

A

1

Ground/1st Floor Plan

22

1

2

3

4

NORTH

1

3rd - 8th Floor Plan

2

3

4

NORTH


2

3

4

1

2

3

Akhsawijaya Office: Mixed-Use Office & Commercial in a High-Density Residential Area | DKI Jakarta, Indonesia

1

4

C

C

C

C

B

B

B

B

A

A

A

A

3 DEVELOPMENT DATA 311thDEVELOPMENT DATA Floor Plan (Rooftop Cafe & Lounge) DESIGN CONCEPT

1

2

3

NORTH

4

1

2

3

4

NORTH

DESIGN CONCEPT

9th Floor Plan 1

2

3

Table of Development Data

4

C

C

B

B

A

A

RASIO KEBU

2

3

4

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

1

SYAR KLB : 100 m2 =

NORTH

RASIO KEBU

KAPASITA SYAR KLB : 100 m2 =

10th Floor Plan

KAPASITA

23

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ARCHI

TERRASAVVA (TERAS SAWAH)

PT PUPUK INDONESIA NIAGA OFFICE DKI Jakarta, Indonesia Site Location Jln. Kalibata Timur I No. 36, Kel. Kalibata, Kec. Pancoran, South Jakarta – 12740 DKI Jakarta, Indonesia Date February 2023 – March 2023 Phase/Status Visioning Proposal Category Group Project Project Team Dewobroto Adhiwignyo, Diara Putra Fadillah Roles and Responsibilities I was appointed as a person in charge (PIC) for this project, working together with a junior architect. Scale Large Type Architecture Typology Office, Commercial, Mixed-Use, High-Rise Institution(s) ALIEN Design Consultant Client(s) PT Pupuk Indonesia Niaga

PROJ

Task Designing a high-rise building with office & commercial functions for PT Pupuk Indonesia Niaga. Description PT Pupuk Indonesia Niaga is one of Asia's largest fertilizer manufacturing companies. PT Pupuk Indonesia Niaga consists of a fertilizer and pesticide holding company, a chemical products holding company, a manufacturing support holding company, and a logistic and commercial holding company. There are three main ideas & approaches that are brought in this proposal: 1) bold & iconic landmark; 2) brand development & public engagement; and 3) hidden paradise & urban oasis. Inspired by the traditional "terasering" ricefield ("sawah") in Indonesia, the podium is separated into several rectangular modules that are connected by open terraces as circulation areas. This aims to optimize the natural air circulation and the natural lighting during the daylight. The rectangular modules of the podium are a metaphor for the ricefield module from Indonesia's agricultural tradition. The site itself is a bottleneck site where the main entrance is relatively small. Hence, there is no need to 'decorate' the building too much since it is not directly visible from the main street (Jln. Raya Pasar Minggu) from a human-eye perspective. The design also aims to optimize the green area of the site, both outside and inside the building, and both horizontally and vertically. Besides, it focuses on human interaction and user experience & user engagement among the employees and the customers of PT Pupuk Indonesia Niaga, as well as among the public.


TERRA + SAVVA “Terra”: Roman Word for “Earth/Land” “Sávva” : Roman Word for “Wise”

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

TERRASAVVA means “Wisdom towards the Earth/Land” (as the Main Philosophy of Fertilizers)

Terrasavva (Teras Sawah): PT Pupuk Indonesia Niaga Office | DKI Jakarta, Indonesia

TERRASAVVA (TERAS SAWAH)

25


ARCHI

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PROJ

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Terrasavva (Teras Sawah): PT Pupuk Indonesia Niaga Office | DKI Jakarta, Indonesia

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Kapasitas Gedung Parkir: 488 Mobil Kapasitas Parkir Basement: 380 Mobil Total Kapasitas Parkir: 868 Mobil

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DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

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9 SKY LOUNGE

OFFICE 20 Floors

COMMERCIAL 4 Floors

BALLROOM PARKING AREA 11 Floors

DROP OFF MALL LOBBY OUTDOOR SPORTS HALL

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27


ARCHI

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2nd Floor Plan

Basement Floor Plan

Ground/1st Floor Plan Ground/1st Floor Plan

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Terrasavva (Teras Sawah): PT Pupuk Indonesia Niaga Office | DKI Jakarta, Indonesia

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4th Floor Plan

Table of Development Data

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DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

Typical Floor (5th-24th Floor) Plan

29


ARCHI

TRANSCENDENCE – A SYNTHESIS BETWEEN WELLNESS AND MINDFULNESS

L-DES

St. Moritz, Switzerland

NEO-ATAVISM IN HORIZONTAL MONUMENTALISM

Site Location High Alpine Resort Town – St. Moritz, Switzerland Date January 2021 – March 2021 Phase/Status Proposal for Switch Competition: Alps Wellness Retreat (AWR) – International Architecture Competition Category Group Project Project Team Bennedictus Bagustantyo, Dewobroto Adhiwignyo, Ilya Saptarini, Patrisius Marvin Dalimartha, William Oktovianus Scale Large Type Architecture, Landscape Design, Other (Interior Design) Typology Fitness Center, Health Club, Hotel, Medium-Rise, Public Building, Resort, Spa, Wellness Center Institution(s) Switch, Studio Lawang (in Collaboration)

PROJ

Task Designing a wellness retreat in the picturesque setting of the Alps that can incorporate different aspects of wellness under a single roof and create a therapeutic and immersive experience for the users through architecture. Description (Manifesto From the Competition Briefs) The fast pace of the 21st century has led to a distorted work-leisure balance among urban settlers. This has caused numerous lifestyle-related mental and physical issues like stress, depression, and other chronic ailments. This has shifted the focus on wellness and its importance in leading a happy and fulfilling life. We are becoming more aware that wellness is more than the absence of disease and is a careful and holistic balance of the mind, body, and spirit. The dialogue has been initiated, and we can see an upsurge in the wellness tourism sector as people demand a more accessible and wholesome experience. Wellness is a modern movement with ancient roots. The tenets of wellness can also be traced to the ancient civilizations of Greece, Rome, and Asia, whose historical traditions have indelibly influenced the modern wellness movement. Practices like yoga, meditation, ayurveda, traditional Chinese medicine, etc., all apply a holistic perspective to achieving health and well-being by cultivating harmony in one’s life. Ancient Greek physician Hippocrates is possibly the first physician to focus on preventing sickness instead of simply treating disease and also argued that ailment is a product of diet, lifestyle, and environmental factors. Designing for health and wellness is inherent to architecture. Great architecture is rooted in real-world outcomes that foster healthier spaces and environments.

“In this project, we put a stark contrast between the form & space of the hotel and the form & space of the spa. The form & space of the hotel are vertically stacked in a rigid way, while the form & space of the spa are horizontally scrambled in a rigidly-organic way; making the spa looks horizontal yet dominant, monumental yet intimate. The horizontally scrambled composition of rectangular masses in the spa is a rhythmical synthesis between organic-natural features of pine trees —existing surrounding elements— and rigid-artificial features of the hotel.”


31 DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

Transcendence: a Synthesis Between Wellness and Mindfulness – Neo-Atavism in Horizontal Monumentalism | St. Moritz, Switzerland


ARCHI L-DES

Mindfulness

In our modern society, it is common to romanticize ‘atavism’ as a cultural tendency associated with a former time’s ways of thinking and acting. However, we can not ignore that concentrating on the present moment can be more meaningful than ruminating over the atavistic allures of the past. Human civilization is constantly evolving, and so does human understanding towards the modern movement of wellness and atavistic values of wellness’ ancient roots. Therefore, in redefining wellness, we find it essential to challenge the status quo of atavistic values by synthesizing it —instead of replacing it or replicating it— with modernistic values to create “mindful wellness.” In this project, we put a stark contrast between form & space of the hotel and form & space of the spa. The form & space of the hotel are vertically stacked in a rigid way, while the form & space of the spa are horizontally scrambled in a rigidly-organic way; making the spa looks horizontal yet dominant, monumental yet intimate. The horizontally scrambled composition of rectangular masses in the spa is a rhythmical synthesis between organic-natural features of pine trees —existing surrounding elements— and rigid-artificial features of the hotel. The form & space composition of the spa are rhythmically well-reconciled with the composition of the existing contour. It becomes part of the contour itself, delivering a ‘back to earth’ sense to the people’s unconscious mind. As a challenger of the status quo of atavistic values, our ‘state of the art’ within this design is that wellness can be much more meaningful and even bold when being redefined into “mindful wellness” through the synthesis of atavistic and modernistic values. Mindful wellness lets people find solitude through a mindful retreat in the present, between their past and future, between their inner and outer realms. The impact given to human’s psychological, physical, and spiritual aspects is also always a synthesis between a thesis and an antithesis: individualizing yet socializing, restricting yet freeing, blurring yet purifying, ordinary yet transcendental.

Mindfulness: “A mental state achieved by focusing one's awareness on the present moment, while calmly acknowledging and accepting one's feelings, thoughts, and bodily sensations, used as a therapeutic technique.” — Oxford English Dictionary

PROJ

Prologue

32

“When being mindful, the boundary between self and space/ surrounding is blurred.” — Dr. Yoko Kawai, Yale School of Architecture


Block Plan 0m

80

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

Proposed by Juhani Uolevi Pallasmaa in 1994, Architecture of the Seven Senses is manifested as a physical environment that allows the seven senses of the human body (visual, tactile/ touch, audial, olfactory/smell, taste, skeletal, and muscular) to naturally ‘engineer’ euphoric feeling through combined images and activities that stimulate a strong emotional response.

Transcendence – a Synthesis Between Wellness and Mindfulness: Neo-Atavism in Horizontal Monumentalism | St. Moritz, Switzerland

Architecture of the Seven Senses

33 5


ARCHI L-DES Meditative Experience in Rest Space: The rectangular-shaped timber structure gives a sense of focused attention due to its framing effect onto the eyesight perspective towards lake view.

Timber Columns on Greenroof as Metaphor of the Existing Pine Trees in and Around the Site

4 7

8

20

13

21

Contrasting Figure-Ground Effect: Framed eyesight towards lake view and mountain from the outdoor terrace, creating a stark contrast between rectangular-artificial shape of the frame and organic-natural shape of the mountain behind it.

Segmented L-Shaped Circulation Lanes

6

Existing Pine Trees

14

Private Mini-Garden Serving as Breathing Void and Light Well for Each Indoor Bath Located Below the Ground Level.

10 9

Drop-Off Area

1

4

PROJ

2 20 22

23 29

34

Public Landscape for Outdoor Sitting

25

26

24

28

29

28

Elevator Hall as Communal Space with Lake View and Surrounding Environment View: Elevator halls that are located in main circulation areas, including its voids —covered with nets—, are fully functioned as communal spaces for small gathering.

3

24

21

17

12

19

Light Well in the Hotel Bringing Sunlight and Fresh Air to Each Private Bathroom Unit

16

11

22

5

15

27

18


Timber as construction material stimulates visual and tactile sensations through its warm ambience, along with taste & olfactory sensations through a therapeutic scent of pinewood. The knocks of footsteps on wood as floor material and the sound of flowing water in the pools stimulate audial sensations. The use of ramp & stairs follows the principle of boundary in motion as proceptive & kinaesthetic architecture, stimulating skeletal and muscular sensations. Breathing Space: Light well along the segmented L-shaped circulation lanes in spa area allows people to experience the outdoors from the sunken (below ground level) space.

Synthesizing, Instead of Dychotomizing Inspired by Hegelian dialectic as comprising three dialectical stages of development: 1) a thesis, giving rise to its reaction; 2) an antithesis, which contradicts or negates the thesis; and 3) the tension between the two being resolved by means of a synthesis. In more simplistic terms, we can thus consider problem → reaction → solution. The formula thesis-antithesis-synthesis is applied in architectural manners through elements in-between contrasting thesis & antithesis of spatial elements (form, light, etc.).

Transcendence – a Synthesis Between Wellness and Mindfulness: Neo-Atavism in Horizontal Monumentalism | St. Moritz, Switzerland

Stimulating Seven Senses, Instead of Five Senses

Escaping Ego-Based Thoughts Rigid Form (Hotel & Reception) Mini-Garden in Each Indoor Bath: Each indoor bath that is located below the ground level has its own private mini-garden that serves as its ‘breathing’ void and light well.

Escaping ego-based thoughts is achieved through social support —synthesis between individualization and socialization— and through the integration of nature within the built-environment — synthesis between natural and artificial elements, as well as between old/existing and new elements.

Ritual serves as the connecting piece between the physical and psychological features — Boyer & Liénard, 2006. Rituals are typically chunked into units of segmented action, which then become sequenced, patterned, and repeated in fixed or bounded ways — Boyer & Liénard Nielbo & Sørensen, 2011, 2015. In this project, a sense of ritualistic movement is achieved through the repetition of segmented L-shaped circulation lanes in spa area.

Outdoor Amphitheatre: Providing Public Space for the Locals in Egalitarian Manners (Escaping Ego-Based Thoughts)

Rigidly-Organic Form (Spa)

Zen Garden - Courtyard: Zen garden is connected with yoga hall and meditation rooms located below the ground level, delivering a sense of solitude & harmony without distracting outdoor views. LEGEND Main Entrance to Hotel & Spa Public Entrance to Restaurant Tunnel Access to Lobby & Reception 4. Elevator Hall 5. Restaurant - Indoor Lounge 6. Restaurant - Outdoor Lounge 7. Restaurant - Kitchen 8. Kid’s Club 9. Outdoor Bath (36 °C in Winter, 30-33 °C in Summer) 10. Sunbathing Deck 11. Indoor Bath (32 °C) 12. Flower Bath (33 °C) 13. Cold Bath (14 °C) 14. Sounding Stone 15. Shower Stone 1. 2. 3.

Organic Form (Existing Trees)

16. Drinking Stone 17. Fire Bath (42 °C) 18. Sound Bath (35 °C) 19. Gymnasium & Fitness Center 20. Toilet and Showers - Women 21. Toilet and Showers - Men 22. Changing Rooms Women (2 Rooms), Men (2 Rooms) 23. Yoga Hall 24. Meditation Room 25. Staff’s Pantry 26. Staff’s Toilet - Women 27. Staff’s Toilet - Men 28. Control Room 29. Water Tank & Pump Room

Meditative Space: Reflective Psychological State of Mind Self-reflection meditation is a set of techniques that are intended to encourage a heightened state of focused attention that provides us insight into our thoughts and aspirations on the unconscious level. In this project, the rectangular-shaped timber structures in front of the rest spaces give a sense of focused attention due to their framing effect onto the perspective of human’s eyesight towards lake view, which is the metaphor of human’s mindsight towards reality. Not Only Stimulative, but Also Manipulative Wellness retreat facility needs to be manipulative (in a positive way) because being merely stimulative is not enough. Beyond spatial stimulants, humans also need spatial manipulants that trigger and control certain behaviors through direct or subliminal interference. 35

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

Ritualistic Space: Repetitive Physical Action


ARCHI

Meditative Experience in the Rest Space

L-DES

The rectangular-shaped timber structure gives a sense of focused attention due to its framing effect on the eyesight perspective towards the lake view.

Contrasting Figure-Ground Effect Framed eyesight towards the lake view and mountain from the outdoor terrace creates a stark contrast between the rectangular-artificial shape of the frame and the organic-natural shape of the mountain behind it.

PROJ

Elevator Hall as Communal Space with the Lake View and the Surrounding Environment View Elevator halls that are located in main circulation areas, including its voids —covered with nets—, are fully functioned as communal spaces for small gatherings.

36


Transcendence – a Synthesis Between Wellness and Mindfulness: Neo-Atavism in Horizontal Monumentalism | St. Moritz, Switzerland

Breathing Space Light well along the segmented L-shaped circulation lanes in the spa area allows people to experience the outdoors from the sunken (below ground level) space.

Mini-Garden in Each Indoor Bath

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

Each indoor bath below the ground level has a private mini-garden that serves as its ‘breathing’ void and light well.

Zen Garden - Courtyard Zen garden is connected with a yoga hall and meditation rooms located below the ground level, delivering a sense of solitude and harmony without distracting outdoor views.

“As a challenger of the status quo of atavistic values, our state of the art within this design is that wellness can be be much more meaningful and even bold when it is being redefined into “mindful wellnes” through the synthesis of atavistic and modernistic values. Mindful wellness lets people find solitude through a mindful retreat on the present, between their past and future, between their inner and outer realms.” 37


ARCHI

RUANGSISIP HOUSE

LUCID SPACES IN MOTION South Tangerang, Indonesia Site Location Bumi Serpong Damai (BSD) – South Tangerang, Indonesia Date February 2019 – July 2019 Phase/Status Proposal (Professional Project) Category Individual Project Scale Small Type Architecture, Other (Interior Design)

PROJ

OTHER

Typology Cluster House, Landed House, Low-Rise, Mass Housing, Private Housing, Residential, Semi-Detached House, Small House, Urban Housing Institution(s) PT Image Qreator Indonesia Client(s) PT Bumi Serpong Damai Tbk. (Sinarmas Land) Task Designing a prototype of private houses for a mass landed-housing (cluster house) project initiated by PT Bumi Serpong Damai Tbk. (Sinarmas Land), a renowned Indonesian real estate & property developer. Description Apart from its social, economic, and environmental dilemmas & agonies at the urban level, when we talk about mass landed-housing, this particular issue always takes place: “The degradation of architectural values due to massive replication and massive repetition of architectural products.” Compared to custom-landed houses that can be proud of their sense of identity and uniqueness, mass landed-houses are less likely to possess values of individual identity and uniqueness of physical and visual-spatial aspects. Therefore, mass landed-houses always require more than just aesthetically pleasing facades as well as aesthetically pleasing space and form compositions. Within a relatively small 72 m² (6 m × 12 m) plot size, Ruangsisip House as mass landed-houses must be gaining things that are less likely to be achieved by custom landed-houses; not just in an innovative way but also in a revolutionary way. As a product of mass landed-houses, both indoor and outdoor spaces of Ruangsisip House are perceived as “spaces in motion” that are lucid, dynamic, and kinetic in progressive ways rather than perceived merely as “spaces in stilllife composition” that are exotic but static in conventional ways The principle of space in motion progressively results in inclusive spaces that are not only generally compatible for various types of activities but also specifically convertible in a modest and simplistic way to maximize the utilization of limited spaces for different types of activities. Every room in this house serves at least two functions: the living/dining area serves both leisure and dining activities; the library & study serves both working/studying and leisure activities; and each bedroom serves sleeping, leisure, and working/studying activities.


― Stanley Kubrick, 1965

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

In terms of mass landed-house design, where its scope of users is broad, general, and unspecific, my approach and philosophy of space in this design are focused more on people’s direct experience over abstraction of space, as not so many people can emotionally react to and interact with spaces at the abstract level.

Ruangsisip House: Lucid Spaces in Motion | South Tangerang, Indonesia

“People react primarily to direct experience and not to abstractions. It is very rare to find anyone who can become emotionally involved with an abstraction.”

39


ARCHI

Collective Block Plan 5

OTHER

0m

UP

0.850

UP

4.000

1.150

0.850

6.000

PROJ

4.000

UP

4.000

1.150

0.850

6.000 2.000

4.000

4.000

1.150

0.850

6.000 2.000

UP

UP

4.000

4.000

1.150

0.850

6.000 2.000

4.000

UP

4.000

1.150

0.850

6.000 2.000

4.000

4.000

1.150

6.000 2.000

4.000

Collective Site Plan 0m

5

Collective South Elevation 0m

40

5


0m 2

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

Isometric View – South-East View

41 Ruangsisip House: Lucid Spaces in Motion | South Tangerang, Indonesia


ARCHI

0.850

4.000

0.850 1.000

1.950

1.050

1.150

0.850

1.150

0.850 1.000

3.500

12 A

A'

14

3.500

UP

13

3 B' 0.850

B' 3.500

0.850

4.000

1.650 1.150

0.850

2.000

0.850

6.000

Ground-Floor Plan 0m

2

2.000 4.000 6.000

1st-Floor Plan 0m

2

1.150 1.150

2.650

2.650 1.000

2

PROJ

2.650

1.800 1.000 0.850

0.850

11

2.650

5.150

2.500

12.000

1.500

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8.500

1.000 4.250

0.850

0.850

0.850 2.600

15

2.250 1.000

12.000 1.200 1.300

2.500

A'

UP

1.750

1.850

1.000 0.850

5.000

4

4.300

5.150

3.250

5

1

42

1.150

13

1.750

6

7

1.810

6.000

2.440

OTHER

9

10

A

2.000

B 8

1.750

0.850

0.850

B

1.150

4.000 1.000


4.000

1.150

0.850

1.150

0.850 1.000

1.150

4.000 1.000

2.000

1.150

2.600

19

0.850

0.850

1.750

0.850

0.850

0.850

B

0.850 2.600

3. Mailbox

1.750

2. Carport

2.000

B

Legend: 1. Main Entrance

1.000

1.750

0.850 1.000

Ruangsisip House: Lucid Spaces in Motion | South Tangerang, Indonesia

0.850

21

2.250 1.250

18. Master Bedroom 19. Master Bathroom

16

12.000

4.250

8.500

3.250

2.250

A

3.500

17. Library & Study

17

ATTIC

A'

VOID

1.250

16. Green Balcony

3.500

14. Bedroom (Type B)

A'

20

2.500

A

13. Bedroom (Type A) 15. Bathroom

6.000

UP

11. Waste Disposal 12. Hammock

8.500

10. Maid’s Bathroom

18

12.000

9. Maid’s Bedroom

DN

2.500

8. Laundry

3.250

7. Lavatory

2.250

6. Kitchen

2.250

1.000

5. Living/Dining Area

1.000

4. Sideyard

20. Guest Bedroom

B'

2.000

0.850

2.000 4.000

1.150

0.850

1.150

0.850

2.000

2nd-Floor Plan

2.000 4.000

6.000

0m

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

B' 0.850

2.650

2.650 1.000

2.650

2.650

2.650

2.650 1.000

AC Outdoor Unit

2.650

Water Storage Tank and

2.650

21. Utility Area (Rooftop):

1.150 1.150

6.000

3rd-Floor Plan 2

0m

2

43


ARCHI

+ 11.200 + 10.200

OTHER

+ 10.000

3rd FLOOR

+ 9.120

2nd FLOOR

+ 6.400

+ 9.000

+ 6.200

1st FLOOR

+ 3.200 + 3.000

GROUND FLOOR

± 0.000

PROJ

- 0.200 - 0.525

0.850

2.000

0.850

2.000 4.000 6.000

Section A-A’ 0m

44

2

1.150 1.150


Ruangsisip House: Lucid Spaces in Motion | South Tangerang, Indonesia

+ 11.200 + 10.200 + 10.000

3rd FLOOR

+ 9.1200

2nd FLOOR

+ 6.400

+ 9.000

+ 6.200

1st FLOOR

+ 3.200 + 3.000

± 0.000 - 0.200 - 0.525

0.850

1.750

0.850

1.810

2.440

4.300

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

GROUND FLOOR

0.850 1.000

5.150

6.000 12.000

Section B-B’ 0m

2

45


ARCHI OTHER PROJ

A Disclaimer: Problems with the Gated Community of Mass Landed-Housing When I was a kid, I grew up in a gated community of mass landed-housing in the city of Bekasi, one of the satellite cities of Jakarta, located in the eastern part of the Jakarta metropolitan area. However, since I started studying architecture and urbanism in 2010, I have never been interested in this kind of ‘American Dream’ typical of urban planning & design. Since then, I have been given to understand and become fully aware that a gated community of mass landed-housing segregates its residents from the ‘real world’ outside the gated housing territory. In a deeper sense of housing, settlement, and urban studies, the gated community of mass landed-housing is also considered to be socially, economically, and environmentally unsustainable and inefficient. For instance, instead of taking a walk or cycling, people who live inside a gated community of mass landed-housing need to take rides with their private automobiles or their private motorcycles for relatively long-distance commuting just for the sake of reaching the commercial area (shophouses/“ruko” or shopping centers area) that is located near arterial roads at the periphery of their gated housing territory. The same habit of commuting is also applied when people need to get out of their gated housing territory for work and school, where they are always dependent on the use of private automobiles and private motorcycles due to the long-distance commuting and the unavailability of public transport within the neighborhood of their gated housing territory. In fact, more automobiles and motorcycles, longer commuting distances, and less accessibility (due to the restricted gateway system) lead to more air pollution, more traffic jams, more wasted time, more wasted money, and fewer people-friendly streets & public spaces. In many developed countries, such as Western European countries, the approach of gated community-minded urban planning & design of mass landed-housing is already being classified as obsolete. Meanwhile, in Indonesia, this approach is still being eminently promoted and glorified by many lessvisionary urban planners & designers and profit-hungry real estate & property developers. It is also still pathetically loved and preferred by many people in Indonesia, including those living in urban areas. Many people may argue that the approach of gated community-minded urban planning & design of mass landedhousing is a matter of safety issues due to higher crime rates in the cities in developing countries and ―with a hipsterish pragmatic argument― that it is eventually a matter of market demands. However, from advanced urban planning & design perspectives, establishing a gated community of mass landedhousing to fulfill the market demands doesn’t solve the safety issues at the basic & holistic levels in the first place.

South Elevation 0m

2

North Elevation 0m

46

2


0m

West Elevation

2

DEWOBROTO ADHIWIGNYO THE INTERDISCIPLINARIAN

0m

East Elevation 2

47 Ruangsisip House: Lucid Spaces in Motion | South Tangerang, Indonesia


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