Daniel Gilmartin 255740 OUIL501 Context Of Practice 2 Bibliography “At the end of the twentieth century, with shopping escalating to a scale, density, and pervasiveness that operates more effectively as landscape than architecture, shopping composes enticing environments where sound, scent, light, air and even plants are all manipulated to extract the desired response from consumers” Inaba, J. Chung, C. Koolhaas, R. Leong, S. (2001). The Harvard Design School Guide to Shopping: Taschen. 142. “The escalator accommodates and combines any flow, efficiently create smooth transitions between one level and another, and even blurs the distinction between separate levels and individual spaces” Inaba, J. Chung, C. Koolhaas, R. Leong, S. (2001). The Harvard Design School Guide to Shopping: Taschen. 136. “…one of the most important inventions, enabled textile workers to make up to fifty times more cloth than they could by hand” Kubesh, K. McNeil, N. Bellotto, K (2001). In The Hands Of A Child; The Industrial Revolution. 16. “Looking" became a part of the shopping process. More and more of the middle and upper class women had time to spend looking for clothing, furnishings and more. Store fronts became more elaborate with the addition of expensive glass windows drawing the shoppers into their stores to view more of their wares, thus "looking" became synonymous with "window shopping”.” (Malheiro, logicmgmt, 1999). Malheiro, B. (1999). Effect of the Industrial Revolution on Victorian Consumerism. Available: http:// logicmgmt.com/1876/overview/victorian_shopping/ind_revolution.htm. Last accessed 4th April 2016. “educated people to want objects and played a crucial role in determining the essentials of middle-class life and aspirations” Abelson, E (1989). When Ladies Go A-Theiving. New York: Oxford University Press. “the more time a shopper spends in a shop the more likely it is that he or she will buy something.” Baumann, S (2012). IKEA And The Psychology Of Shopping: Grin Verlag. 2. €21.846 billion in 2009 statista (2015). Annual revenue of the Ikea Group worldwide from 2001 to 2015. Available: http:// www.statista.com/statistics/264433/annual-sales-of-ikea-worldwide/. Last accessed 3rd April 2016. “psychological weapon” “Our furniture showrooms are designed to give our customers lots of ideas for every area of the home including your kitchen, bedroom and living room” Tozer, J. (2011). Why shoppers find it so hard to escape from Ikea: Flatpack furniture stores are 'designed just like a maze'. Available: http://www.dailymail.co.uk/femail/article-1349831/Ikea-design-stores-mazes-stopshoppers-leaving-end-buying-more.html. Last accessed 8th January 2016. “In today's consumer culture the mall is the center of the universe.” Feinburg, R. Meoli, J. (1991). A Brief History Of The Mall. Available: http://www.acrwebsite.org/volumes/ 7196/volumes/v18/NA-18. Last accessed 4th April 2016. “When an arrow points to a location it helps the viewer filter out the extraneous and focus on where the arrow leads” Bradley, S. (2014). How To Direct A Viewer’s Eye Through Your Design. Available: http://vanseodesign.com/ web-design/direct-the-eye/. Last accessed 4th April 2016. “It is the architectural equivalent of a hyperbole, inviting visitors into a world full of exclamation points.” Sanes, K. (). Las Vegas: Postmodern City of Casinos and Simulation. Available: http:// www.transparencynow.com/vegas.htm. Last accessed 8th January 2016.
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