District Fray Magazine // June 2020

Page 36

Pride During the Pandemic WORDS BY TRENT JOHNSON What will D.C.’s Pride celebration look like this month? This is the million dollar question as the festivities, both official and not, have all been forced to adapt, hit pause or cancel altogether. This June offers no large gatherings in the form of parades and music festivals. There won’t be hours-long dance parties or panels with live audiences in any auditoriums. The in-person aspect of Pride is at the mercy of the pandemic, as people stay home to protect one another. However, D.C. residents on both the creative and planning side don’t intend to pause the spirit of the celebration. The LGBTQ community still has ample opportunities to embrace June as Pride Month with a score of virtual offerings, whether they’re intended to entertain, advocate or educate. “I advise people not to let this diminish your Pride,” says Anderson Wells, better known as The Vagenesis. “Don’t go out and celebrate and do the most, but allow this to be a time where you’re more connected to your community. Educate yourself, connect to people. Whatever it is, try to be who you are and do what you do.”

CREATIVE CELEBRATIONS

Wells, who has still been performing as The Vagenesis from the comfort of his home since the pandemic hit in March, has already been stretching his artistry. Though the differences are obvious – no live audience and thus, no crowd interaction – the drag queen says it’s been an exciting challenge to adapt and push boundaries within the limited space of an apartment. “What’s great about it is the ability to get more creative,” Wells says. “I’m doing songs and looks 34 | JUNE 2020

and performances I couldn’t have done outside of this situation. You see that from a lot of the performers these days. They’re taking risks and trying new stuff. I’m excited to see how that develops and people push their boundaries.” Wells isn’t alone. In the wake of cancellations, Aaron Riggins sought to help LGBTQ performers and artists via the Queer Artist Collective. Riggins, also a curator and programmer for D.C. bar TRADE, says the collective was meant to help ease the effects of closures and cancellations. “It was an instant need to help and take care of them, and [to] immediately start brainstorming ways to raise funds for creative people who are part of our family,” Riggins says of the collective. “We did live and prerecorded shows, and assembled episodes from these artists. Each of those efforts were a vehicle to funnel gifts from our audience directly to these performers.” Both Riggins and Wells speak of an overwhelming sense of community among performers as a diamond in the rough, forged through the pandemic. And because both have been a part of larger events and curated performances, they are hopeful that Pride’s celebration will still be engaging and thoughtprovoking, despite the absence of physical gatherings. “I think previously, Pride was a reason to celebrate and express yourself,” Riggins says. “The sense I get is that the community understands the need to postpone the physical celebrations of Pride. We value the safety of each other and we’re taking care of each other. I think you’ll see some very creative efforts Anderson Wells. Photo courtesy of The Vagenesis.


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