PEOPLE & PROPERTY OF MELBOURNE
THE D E SIG N E DITIO N
MAKING MELBOURNE OU R CIT Y ’S N E X T L A NDM A RK BUILDINGS
TIME OUT
THE ART OF RELAXATION
SMART WORK
SCHOOLS MAKING A STATEMENT
ACT ONE
CUTTING EDGE OF THEATRE
B AY S I D E & P O R T P H I L L I P
JUNE 16-22, 2021
MAKE THE MOST OUT OF YOUR LAND
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C o mp i l e d b y
HAILEY COULES
The editor’s desk
It may have been an international journalist who dubbed Melbourne “marvellous” way back in the 1880s but the moniker has stuck and been adopted. Through the city’s tough times, historical and more recent, Melburnians have known there’s much that this city has to celebrate and be proud of. It’s this pride that has kept creativity and enterprise constant, even when the chips are down. In this week’s issue, we take a look at Marvellous Melbourne’s design excellence, and highlight ingenuity and creative endeavour across different fields and specialities. We hope you enjoy it. ●
FEET FIRST \ Footwear label Bared has teamed up with
PHONE A FRIEND \ On June 20 you can tune in to the
Aboriginal artist Lakkari Pitt on a limited-release sneaker
Asylum Seeker Resource Centre Telethon for World
dubbed the Hornbill Lakkari. They will donate $50 from
Refugee Day. They aim to raise vital funds to support
every pair to Children’s Ground. ● bared.com.au
over 7000 asylum seekers each year. ● asrc.org.au
GOING PLACES Things to do & see in Melbourne
OUR COVER \ AAMI Park, by Cox Architecture Photographed by Charlie Kinross
INDEPENDENT SCHOOLS GUIDE Head online: domain.com.au/news/ domain-digital-editions General inquiries \ 9249 5226 \ editorial@domain.com.au Editor \ Jemimah Clegg Editorial producer \ Hailey Coules Group picture editor \ Vashti Newcomb Senior designer \ Colleen Chin Quan Graphic designer \ Emma Staughton National managing editor \ Alice Stolz Group director, Consumer \ Jason Chuck Chief executive officer Domain Group \ Jason Pellegrino Real estate sales director \ Ray van Veenendaal \ 0438 279 870 ray.vanv@domain.com.au Retail sales \ retailsales@sales.domain.com.au
Is your mag missing? Distribution \ 1800 032 472 distribution@domainreview.com.au
REVIEW Domain Review is published by Domain Holdings Australia Limited and is printed by Elephant Group (Aust) Pty Ltd, 24c Victoria Street Windsor VIC 3181. All material is copyright.
B AY S I D E & P O R T P H I L L I P
Editorial director \ Adrian Lowe
FRENCHY CHIC \ Melbourne designers Emily Gillis
CURIOUS TREAT \ The Truffle Melbourne Festival at
and Zachary Frankel have collaborated to create “door
Queen Victoria Market is on June 19-20; shoppers can
jewellery” handles in two styles – Egg and Croissant.
learn about and taste the world wonder that is the
● emilygillis.com.au; zacharyfrankel.com
truffle. ● qvm.com.au
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C O M M A BAT H H O U S E , CREMORNE
WELLNESS Modern bathhouses
are drawing on ancient practices. Wo r d s
LI SA M A RI E C O RS O
I
t can be difficult to switch off in the modern world. Our phone is constantly pinging with messages, social media notifications and work emails asking us to do that thing we planned to do tomorrow, today. At home, it’s much the same with the everyday chores and life admin required as part of our domestic lives. Finding a way to escape from it all seems almost impossible, but a selection of Melbourne bathhouses promises that for an hour or two, at least, we can. “A bathhouse is a neighbourhood place where you can come and bathe with different modalities,” says Mary Minas, who, alongside her business partner Freya Berwick, co-founded Collingwood bathhouse Sense of Self. “It’s also a place of social connection, a place to come together and share our differences but also unite in the commonalities we all have in our lives.” Minas was originally drawn to the bathhouse experience in her early 20s when she bathed in the hammam at the Grand Mosque of Paris. “My French-Tunisian friend and her mum would go every week, and I got to go when I was visiting. The experience opened up my eyes to what real bodies look like and the different stages of life,” she remembers. Her first soak left a lasting impression. As a filmmaker, Minas planned to make a documentary on bathhouses through the ages and went on what she calls a “bathhouse odyssey” through Europe, North Africa and Japan, but while she was researching her film, she changed tack: “I thought, I want to bring the bathhouse to Melbourne.” Minas partnered up with Berwick, and their years-in-the-making bathhouse recently opened in
JESSICA TREMP
TESS KELLY
Rinse, repeat Collingwood, a place they’ve purposefully built to bring the community together. “There’s something special about coming to the bathhouse to commune with others,” she explains. When designing Comma bathhouse in Cremorne, founder Susie McIntosh had one goal: to help people switch off. “Everyone is so busy and stressed, and we all have a million things on, so we just want to help people tune out for an hour,” she says. Typically the bathhouse experience offers various hot-cold bathing options, where after an initial cleanse, the guest rotates between soaking in a mineral or magnesium hot tub or pool, taking a dip in a cold pool, spending some time in a Finnish or infrared sauna, then tipping a pail of cold water onto themselves to cool down. The idea is to move at your own pace. Now, that’s relaxing. ● ● sos-senseofself.com; commaspaces.com
Sense of Self, Collingwood (& left)
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COVER STORY
A city’s architecture speaks to its character, so what do Melbourne’s best buildings – past and present – say about our state capital?
T
icking off a handful of what he judges to be among the buildings that established Melbourne as a city of substance, Melbourne University emeritus professor of history Stuart Macintosh says “some, like Parliament House, are obvious; others, like the Queen’s Hall at the State Library of Victoria, are not”. Macintosh, the immediate past chairman of the august Heritage Council, nominates the elegant 1856 space of Queen’s Hall as signalling Melbourne’s emergence as an ambitious, confident state capital – even if it was still young when the glass-ceilinged facility opened as a public library and museum. “It was one of the few [in the world] of such a scale placed in the very centre of a city,” he says. “Libraries were the way to use wealth to civilise newcomers”. The newcomers of the age were the tens of thousands of diggers attracted to Victoria’s gold rush. “Gold transformed Melbourne and allowed the
building of our Parliament House on a grander scale than any other in Australia,” Macintosh says. “The Royal Exhibition Building has to be mentioned. The second half of the 19th century was the age of exhibitions, and although it’s not a particularly distinguished Joseph Reed building, this is the only exhibition building left in the world.” Constructed in 1880-81, “it’s an extraordinary statement of international aspiration”. “Another great building is William Wardell’s Gothic Revival St Patrick’s Cathedral that took 70 years [between 1858 to 1939] to develop in a combination of bluestone and sandstone.” Macintosh says that, with its many church spires and still perceptible hills such as the Spring Street elevation and even Jolimont and Princes hills, “in the late 19th century guidebooks were describing Melbourne as being a city like Rome that is sited on seven hills”.
One tower that remains unobscured by the 21stcentury high-rise clutter is that belonging to Government House, completed south of the Yarra in 1871. “Modelled in the Italianate style on Queen Victoria’s Osborne House [on the Isle of Wight], it is again beyond the scale of any other government house in other states,” Macintosh says. Another “extraordinarily fine building” Macintosh knows well is the sublime sandstone Melbourne University residential campus Newman College, designed by Walter Burley Griffin. “It is a wonderful, very specific and imaginative work for which Griffin also designed the furniture”. These structures were all saying, “We are the biggest and the best!” he says. “To the end of the 19th century, Melbourne kept the lead as the financial and commercial capital of Australia.” Looking at more recent Melbourne constructions, architect, commentator and presenter of the television program Restoration Australia, Stuart Harrison, contends there are quite a few that argue for Melbourne maintaining the mantle as the nation’s cultural capital.
“A great building with terrific digital technology.” - STUART HARRISON
THEY BUILT THIS CITY Wo r d s
6
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J E N N Y B R OW N ●
Ph o t o s
C H A R LI E KI N R O S S
The Commons in Brunswick by Breathe Architecture, above & below; AAMI Park stadium by Cox Architecture, main.
The first that comes to mind is “my favourite building and a standout in Melbourne”, Roy Ground’s 1968 National Gallery of Victoria. “So simple but it is a very rich building that takes bluestone and does something different with it,” he says. Nearby Federation Square (circa 2002) – in his view, “Melbourne’s lounge room” – is another that the founding director of Harrison White Architects nominates as having stood the test of time. “It shows that if you spend the money and do it really well in quality materials, it goes really well.” ARM or Ashton Raggett McDougall’s two-part redevelopment of the 1934 ziggurat that is the Shrine of Remembrance is admired “as a great piece of work that revitalised a great Melbourne building with four new [semi-subterranean] courtyards”. “How do you work with such a well-known Melbourne building and make it better? But ARM added a whole extra layer to what is already a wonderful building”. Though not universally appreciated, the 2010 development of “the big soccer balls”, or geodesic domes, of AAMI Park by Cox Architecture, is, “a great building with terrific digital technology”. Although the premise of questioning Harrison was to ascertain which of the very recent Melbourne projects he would judge as being worthy of being around in the next century, he admits he is “struggling with the recent completions”. The most recent work he will praise is John Wardle Architecture’s sensationally original 2019 music academy, The Ian Potter Southbank Centre. Considering residential work, he quickly adds Breathe Architecture’s 2014 sustainable multiresidential prototype Brunswick development, The Commons, “as having held up very well and given a whole new identity to that part of the inner city”. Like Macintyre, Harrison also has to range out of town to name projects of such interest and integrity that they will prevail through the ages. “It’s not a building but a landscape project by TCL [Taylor Cullity Lethlean], he says. Opened in 2006, the outpost of The Royal Botanic Gardens at Cranbourne “has taken a while but it’s turning into a great contemporary landscape project with some wonderful little buildings within it”. Another project “not many people know about” and that they wouldn’t automatically associate with the idea of great Melbourne buildings is Robert Simeoni Architects’ Seaford Lifesaving Club. “It is a wonderful timber community building,” Harrison says, “by a wonderful architect, that has aged really well. It’s a great example of the kind of buildings we need more of.” ●
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Sell it, rent it or just sit tight Follow your home on Domain to see what your next move should be.
Visit domain.com.au/owners
STAGE
M A RY O ’ B RI E N
G
lued to our screens for lavish shows such as Bridgerton or The Crown, we’ve grown accustomed to scene-stealing outfits. Behind the bright lights and glamour of the Melbourne Theatre Company is a team of creative people who research, design, source and sew those sparkling costumes that appear on stage. In a nondescript building in Southbank, away from the theatres, lies the MTC headquarters – the place where sets are made, costumes are designed and dreams are sewn into life. Racks of clothes spill out into the corridors of the costume department, a vast space containing thousands of outfits from previous shows. Wardrobe manager Keryn Ribbands juggles the different productions with a staff that can range from eight people on a standard play to 40 on a fullblown period drama. “Our biggest challenge quite often – particularly on a period show – is meeting the budgetary guidelines,” Ribbands says. For period shows, hats play an important role and the MTC has milliner Phillip Rhodes, who is known for his beautiful creations. In An Ideal Husband, he made a hat for Lady Markby (played by Gina Riley) and a matching one for her dog.
WI G - MAKE R, J U RG A CE LIKIE N E
MELANIE SHERIDAN
WARD RO B E MANAG E R, KE RYN RIB BAN DS
M T C C O S T U M E D E S I G N E R , J O H N VA N G A S T E L
In the next office, Jurga Celikiene often spends 50 to 60 hours making a wig for a character. First the wig-maker chats with the designer and director to see what they want, she sources the hair (yak hair is particularly good) and then measures the actor’s head. Hand-knotting the strands is the really timeconsuming part. Rhodes also takes care of jewellery and Celikiene does make-up. Costume-maker John Van Gastel, who comes from a family of tailors, is working on a “tear-away” outfit for The Truth. A quick change is required during the play so the shirt, jacket and trousers are sewn together as one piece with two big zips at the sides so the actor can be unzipped in seconds. Awaiting a return to the stage is the Broadway comedy The Lifespan of a Fact, about the battle over truth and the value of storytelling. Starring Nadine Garner, Steve Mouzakis and Karl Richmond, it looks at the experience of an intern at a literary magazine. While contemporary, costume designer Kat Chan sketched every clothing detail. After searching books of fabrics and swatches,
Ribbands finally sourced a special blue fabric for the editor’s trousers from Western Australia. Not surprisingly, Ribbands believes costumes are integral to the success of a show. “If an actor doesn’t feel they’ve got the right costume, or feel comfortable in their costume, they are not going to give their best performance.” ● THE LIFESPAN OF A FACT \ Fairfax Studio, Arts Centre ● mtc.com.au
T H E LI F E S PA N O F A FAC T CA S T
JEFF BUSBY
Wo r d s
TIM GREY
That’s sew-biz
Meet the creatives behind the costumes of our theatre stars.
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ART & DESIGN
In plain sight
W
hen Yarraville artist Maree Clarke goes on a 1000-kilometre road trip collecting roadkill between Melbourne, Mildura, Broken Hill, Hay, Deniliquin and back, she makes sure there are a few portable coolers in her car. “If you see a dead roo on the road, you have to stop; that to us is gold,” says Clarke. “I’ll spend five days collecting dead animals and a week preparing them when I return. You always need the Esky, or that smell will seep through the car and won't leave if you don't seal it properly.” Clarke, a Mutti Mutti, Yorta Yorta, and BoonWurrung/Wemba Wemba woman, is a senior curator and exhibition manager at the Koorie Heritage Trust in Melbourne and does art mentoring via the Victorian Aboriginal Child Care Agency. She has spent the past three decades reclaiming south-
Wo r d s
Waste collections in Bayside We’re switching how often we empty general waste and food and green waste bins in 2022.
General waste bins will be emptied fortnightly
Food and green waste bins will be emptied weekly
JA N E R O C CA ●
From 1 July 2022 food and green waste bins will be emptied weekly general waste bins will be emptied fortnightly. Recycling and hard waste services are not changing.
Why we are changing Thanks to the 30,000 households using our food and green waste recycling service, Bayside’s waste going to landfill has dropped to record lows. At the same time: food waste still makes up 36% of general waste bin contents waste charges are increasing as landfill sites fill up and costs rise smelly food sitting in food and green waste bins for two weeks concerns many residents households recycling their food waste via the food and green waste bin report their general waste bins are half full we want to do more in response to the Climate Emergency and reduce Bayside’s emissions. We are switching collections to encourage residents to put more of their food waste into the food and green waste bin. If you are not already using the food and green waste service, sign up at bayside.vic.gov.au/GoGreen
east Australian Aboriginal art and cultural practices – sharing elements lost through colonisation. Retrieving dead animals is part of that, but her output is much broader. Now, a major retrospective Ancestral Memories at the NGV’s Ian Potter Centre celebrates her artistic work. It’s where you’ll find many of her art jewellery pieces that incorporate kangaroo teeth, river reed and echidna quills. But this is not art for fashion’s sake – her connection to culture and land runs much deeper. Clarke’s work covers photography, printmaking, sculpture, jewellery, video and glass. In the exhibition, rarely seen black-and-white photographs that bring to life key figures and events in Melbourne during the 1990s are on show, plus lenticular prints and photographic holograms. New
Ph o t o s
J U LIA N KI N G M A
How can we support you? We are seeking community feedback to help plan future waste services following the switch. This includes developing free, tailored services for residents with specific waste needs who meet eligibility criteria. Take our survey today yoursay.bayside.vic.gov.au/waste-collection Pick up a paper survey at* Bayside libraries Bayside seniors’ centres Bayside City Council, 76 Royal Ave, Sandringham Come to a drop in session* We will be at Bayside libraries, farmers markets and shopping centres. *Subject to Victorian Government COVID-19 restrictions.
Find out more yoursay.bayside.vic.gov.au/waste-collection Scan the QR code
Feedback closes 9 July 2021
3022
10
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work includes Born of the Land Next Generation, which features 11 of her nieces and nephews. “I have been pushing for the past 30 years to put Victorian Aboriginal art on the map,” Clarke says. “It would be great if people could look in their own backyard before looking north and try to recognise what is happening in the south-east – it’s still like we're still invisible,” she says. Indigenous art curator Myles Russell-Cook says Clarke should already be a household name but hopes the retrospective will introduce her work to more people. “The exciting thing about what Maree does is bridge the dialogue between the historical and the contemporary,” he says Myles Russell-Cook. “She takes customary practices and reimagines them in a contemporary way.” ● Maree Clarke is on a mission to put ‘invisible’
MAREE CLARKE, ANCESTRAL MEMORIES \
Victorian Aboriginal art
At The Ian Potter Centre until October 2
on the map.
● ngv.vic.gov.au/exhibition/maree-clarke
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Transformative spaces EDUCATION School buildings are becoming sophisticated. Wo r d s
EMILY BARTLETT
R
eflecting light from a contemporary glassed entrance, the new building at St Leonard’s College in Brighton East is a professionalstandard performing arts centre designed by ARM Architecture, of Melbourne’s Hamer Hall and Recital Centre fame. The Leonardian Centre is the piece de resistance of a $57-million school extension, which also includes 11 new classrooms, a lecture theatre and an underground car park. “We wanted something iconic, something with wow factor,” says St Leonard’s principal Stuart Davis. “You often see cars stopping for people to have a better look.” A co-educational independent school, St Leonard’s College joins a growing number of
EFFIE MANN
Australian schools engaging high-profile architectural firms to modernise and energise their learning spaces and facilities. But it’s also about more than simply turning heads, cautions Davis. “We are focused on bringing quality performances to bayside, to benefit the local community,” he says. “But also, to give our students access to these performers so they can learn from them.” It’s a sentiment Ian McDougall of ARM Architecture says resonated with the firm. “We are engaged in the arts, and we are a great fan of the role the arts play in being a fully rounded human being,” he says. Along with the challenges of designing a space that can host traditional school functions as well as professional music performances, ARM also had to
Bayside’s School of Choice Visit St Leonard’s College
St Leonard’s College is one of Australia’s premier �������������������������������������������� students from ELC3 to Year 12. Join us for a College tour to explore our �������������������������������������������������� ������������������������������������������������� �����������������������
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stleonards.vic.edu.au |
consider the existing school buildings and the surrounding streets. “A building has two responsibilities,” McDougall says. “One is that its interior must function and work to meet every functional demand, but it also has a responsibility on the outside as a citizen in the city of buildings. “And that’s where we try to get to when we’re working on a design. That a building’s community embraces it when it’s first done, and the embracing continues because it continues to work and it fulfils that need in the community.” That yearning for connection, and an evolving appreciation for how architecture can aid learning, is responsible for the rising sophistication in educational architecture, says Australian Institute of Architects national president Tony Giannone. “Recently, there has been a focus on the quality of learning spaces as we’ve become more aware that quality design leads to quality learning,” he says. On the other side of Melbourne, Research Primary School is also feeling the transformative power of good design. A collaboration between
St Leonard’s College, Leonardian Centre.
architects Kennedy Nolan and the Victorian Schools Building Authority has led to the upgrade of its junior school, shortlisted in the 2021 Victorian Architecture Awards. Dated classrooms were replaced with rooms that embrace fresh air and natural light, opening onto each other for collaborative learning. “There are glass doors everywhere, and the kids can spill
outside and learn outside of their classrooms as well,” says principal Fiona Vale. “It all just makes so much more sense; it’s beautiful.” Architect Patrick Kennedy notes building for children is particularly appealing because “of the potential to shape the way they understand space, light, sound and materials - childhood memories can be so formative and positive”. ●
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Exclusive to
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A DV ER T IS IN G F E AT UR E
HOME LIFE
NICOLE REED
J O H A N N A O C CA S I O N A L C H A I R , O T WAY C O N S O L E & O T WAY S I D E TA B L E
Timeless design
Y
of the most iconic pieces found across Australian homes, cafes, and institutions today. Hutchinson discovered his passion for furniture design – a practice he describes as the meeting point of art and engineering – at the tail end of an industrial design degree. Today he
Try these
ou might not know him by name, but if you follow Australian design, you’ll likely recognise Justin Hutchinson’s work. Having worked for and collaborated with some of the industry’s biggest names, the furniture designer has created some
heads his own design studio, Urban Commons, while also being the design director of Kett – the Australian furniture label of Cosh Living, which offers a range of designer furniture sourced locally and internationally. Hutchinson joined forces with Cosh directors Colin Kupke and Shane Sinnott in 2016. In the past five years, over 210 unique products have been released by the brand. Kett furniture is designed in Melbourne and predominantly made in Australia. Inspiration is drawn from the Great Ocean Road coastline, which Hutchinson distils into Kett’s distinct lines, shapes, and colour palettes to capture an unmistakable Australian sensibility. The coastal grasslands of Johanna Beach are referenced in the Johanna Occasional Chair – a classic piece that reflects the rolling green landscape adjacent to the iconic Victorian coastline. Similarly, the elegant proportions and refined timber form of the Otway Dining Table reflects the giant forests of Cape Otway. Both items are exclusively made to order by Kett in Melbourne. “I think that’s something that people are really looking for; a brand that not only tells an Australian story but also supports Australian design and manufacturing,” says Hutchinson. More recently, Kett released the Frame Living System – their largest
HAYDN CATTACH
The inspiration for Kett furniture comes from our coastline. Wo r d s A M E LIA BA R N E S
Justin Hutchinson of Kett.
project to date. This module recognises the changing nature of the Australian home, compressing it into an inspired furniture solution that integrates storage and technology. “We call it furniture for walls,” says Hutchinson. Ultimately, what sets Kett apart is their dedication to designing for Australians, by Australians, and their unwavering commitment to quality. “The material selection, the grade of timber and the methods of production have been amazing, and we continue to raise the bar.” Kett is also distinguished by its lack of interest in trends, refusing to adopt the common business model that sees seasonal collections released multiple times a year. “We’re just about timeless design. Something that you buy today will still be beautiful 10 or 20 years from now and become a bit of a legacy product,” says Hutchinson. ● ● coshliving.com.au
1. Kett Otway Armchair and Dining Table. 2. Kett Frame Living System. 3. Kett Johanna Occasional Chair, all available from Cosh Living.
IN PARTNERSHIP WITH
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HOME SWEET HOTEL Situated on the final piece of Melbourne’s original waterfront, Seafarers welcomes to the city Australia’s first 1 Hotel and Melbourne’s first, international hotel-branded residences.
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Comprising just 123 light-filled, immaculately crafted residences, this landmark development places the five-star amenity and services of the world’s leading sustainable luxury hotel at your door, and everything you love about Melbourne, just a river walk away.
A DV ER T IS IN G F E AT UR E
HOME & ARCHITECTURE
G R A N D S CA L E
SEAFARERS \ BRINGING HOTEL LUXURY HOME
S
eafarers’ riverfront residences will have exceptional at-home luxury, with services and amenities expected of a five-star hotel, in a building designed by architectural visionary Nonda Katsalidis. The $500 million mixed-use waterfront precinct will comprise 123 residences plus 277 guest rooms managed by 1 Hotel. The world’s leading eco-luxury group has award-winning hotels around the world including New York, Los Angeles and London. The private residences will have access to 1 Hotel’s services and amenities including chef-catered dinners, 24-hour concierge, pet care, pool, gym, sauna and wellness spa. Sweeping views over the Yarra, parklands and the city enhance the grandly scaled layouts, which feature fully-integrated Italian Snaidero kitchens, Gaggenau appliances and bespoke joinery. The 18-storey Seafarers building will incorporate the site’s 1894 heritage-listed Goods Shed 5. Heritage retention works have just been completed with more than 2200 items salvaged. ● LIZ McLACHLAN
IN PARTNERSHIP WITH
SEAFARERS » seafarers-residences.com. au 731 Flinders Street, Docklands ● Developer \ Riverlee ● Architect \ Fender Katsalidis ● Interior Designer \ Carr ● Landscape Designer \ Oculus FIVE-STAR SERVICE
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LOCATION \ Take the waterfront Yarra Promenade to walk to the city, Southbank, Arts Precinct or Botanic Gardens. There’s a tram stop outside and Southern Cross and Flinders Street stations are nearby. ●
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FEATURE HOUSE ELWOOD \ 6A COLERIDGE STREET 3
3
2
This elegant design by Mills Gorman Architects brings superb contemporary living to an iconic location. Here, among Elwood’s tree-lined poets’ streets, natural materials and an interesting play of textures combine to create a warm and sophisticated home. It begins at the facade with a clever interplay of linear forms, polished rendering and black accents, and continues inside with polished concrete floors at ground level and oak floors upstairs. Brick walls, timber features, and textured glass are presented in a sophisticated palette of soft and medium greys, black and white. Entry to the home is impressive – past a wall of Vintec wine fridges to the stunning living, dining and kitchen area. To the side, with glass sliding doors, is a flexible area – lounge, guest room or study with a built-in desk. Rounded forms in the kitchen are repeated in the living room joinery. The kitchen, with Miele appliances, is a striking contrast of timber storage and white Corian island bench. Adjacent to the kitchen is the combined butler’s pantry and laundry. The living room has a gas log fireplace and a wall of blackframed glass to the tiled entertaining area and smart-phone controlled pool. Upstairs is the bedroom floor. The main bedroom has a large en suite with twin basins, an oval bath and oversized shower, and a deep walk-in wardrobe. The curves in the kitchen and living room are echoed here in the timber vanity unit and a clever window in the bedroom gives views to the
FINAL WORD
city skyline. Two children’s bedrooms, both with built-in wardrobes, share the family bathroom with its separate soaker bath and
“EXCEEDS ALL EXPECTATIONS FOR QUALITY, CREATIVITY, ARCHITECTURE AND
shower, and a light court floods this level with sunshine.
ORIENTATION. BREATHTAKING BY DESIGN AND PERFECTLY LOCATED.”
The house is rated six stars for energy and has underfloor heating in bathrooms and living areas, airconditioning, security and solar panels. The garage has space for one car and another can be parked in the driveway. It is zoned for Elwood Primary School and Elwood College and close to the beach. Transport and Elwood village are close by. ● BEVERLEY JOHANSON property@domainreview.com.au Agent: Chisholm & Gamon, Sam Gamon 0425 702 574 Price: $2.6 million-$2.7 million Expressions of interest: close 11.30am, June 25
Hover your camera over the code to see Domain listings in Elwood
18
DOM A IN REV IEW
SAM GAMON – AGENT
FLINDERS \ 145 MUSK CREEK ROAD 5
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4
vast expanses of glass give the abode
ALBERT PARK \
dining area has a fireplace and faces north.
an earthy, airy vibe. The main bedroom
246 BRIDPORT STREET WEST
Two sets of double doors open to the rear
suite is spacious, and two of the minors are privately situated in the guests’ wing.
deck and garden with car access. The
4
1
1
house is zoned for Albert Park College and
Tree greens and sea blues dominate the
Entertain al fresco on the wraparound
views available pretty much throughout
deck and terrace, and cool off in the
Set on a block of about 323 square
restaurants and Gasworks Art Park. The
this house, but enjoyed most extravagantly
sensitively integrated pool. Various farming
metres, this double-fronted weatherboard
beach is nearby. ●
from the first-floor sky room, with its bar
accoutrements are included. ●
Victorian is in an excellent location and
KAY KEIGHERY
and balcony. Flaunting a contemporary,
Albert Park Primary and close to cafes,
architecturally exceptional and lavishly
potential. Off the central arched hall
appointed residence on about 22 hectares
are four bedrooms, one with a built-in
of rich farmland in an area sought after by
BEVERLEY JOHANSON
just needs a few touches to fulfil its
wardrobe and all with marble or timber
Victoria’s elite, Cypress Estate takes some
Agent: Kay & Burton,
open fireplaces, followed by the bathroom
Agent: Marshall White,
beating for a refined, semi-rural lifestyle.
Tom Barr Smith 0438 368 020
and a smart new grey and white kitchen
Damian O’Sullivan 0418 566 916
The designer, builder and landscaper come
Price: $14 million-$15.4 million
with a full-height pantry, excellent storage
Price: $3 million-$3.3 million
with accolades. Use of stone, timber and
Contact agent
and premium appliances. The living and
Auction: 12.30pm, June 19
ST KILDA \ 3/17A FITZROY STREET
in the dining room. Reached through the
ELWOOD \ 31 ORMOND ESPLANADE
large butler’s pantry. The main bedroom
lounge and the large, main bedroom, the
3
1
patio makes the perfect perch for sunset
has a huge walk-in wardrobe, balcony and
4
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5
drinks. As a permanent domicile, city/
en suite with bath, double shower and double basins. The house has high-tech
Adorning the bay end of Fitzroy Street,
beach retreat or cut-above Airbnb, this
An innovative and uncompromising
features, a basement garage and zoned
Summerland Mansions oozes 1920s poise
pad shines for historic form, cross-century
transformation of this grand arts and crafts
climate control. ●
while lapping up unthreatened beach and
functionality and location. ●
bungalow puts the main living areas on the
KAY KEIGHERY
Catani Garden vistas. Coddled centrally on the first floor, apartment three is
views over Port Phillip Bay. At ground level
roomy and looking good. Jarrah floors,
are three bedrooms, a retreat and living
high ceilings, multi-paned windows and
area. On the first floor, accessible by lift or
latticework doors consolidate its enduring
BEVERLEY JOHANSON
first floor to take full advantage of sunset
the walnut and marble staircase, the living
cachet. The kitchen and bathroom are
Agent: Belle Property,
and dining area opens to a long terrace
Agent: Belle Property,
stylishly updated. The separate laundry has
Andy Nasr 0422 029 324
and looks out to the heated lap pool and
Todd Newton 0412 568 313
a door to a rear, external staircase. There’s
Price: $1.195 million-$1.295 million
spa. The kitchen is beautifully designed
Price: $9.5 million-$10.5 million
a fireplace in the lounge and bookshelves
Contact agent
with Wolf and Sub-Zero appliances and a
Private sale
DOM A IN REV IEW
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DOM A IN REV IEW
2a
ST KILDA 2/3 Bundalohn Court DISTINCTIVELY DECO METRES FROM ST KILDA BOTANICAL GARDENS In a world of its own yet so close to an array of lifestyle amenities, this Deco apartment with extralarge garage is a secluded secret. Imbued with warmth and character, the interior incorporates living/dining, refurbished kitchen and bathroom with a vintage vibe. Metres from St Kilda Botanical Gardens, and an easy walk to transport, the beach and celebrated Acland and Carlisle Streets.
AUCTION Saturday June 26 at 12.30pm VIEW See website for details
1b
1v
Margaret Duncan 0417 382 686 Tony Pride 0417 300 056 Julian Cannata 0424 717 913
belleproperty.com/st-kilda
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ELWOOD 2/7A Coleridge Street
2 a 1 b 1v
A SPACIOUS TREETOP RETREAT WITH VIEWS Sharing secure intercom entry with only 2 other apartments in a block of 6, this first-floor apartment pairs effortless comfort with intoxicating lifestyle appeal. Enveloped by trees, the layout features balconied living/dining and separate kitchen.
AUCTION Saturday June 19 at 02.30pm VIEW See website for details
Julian Cannata 0424 717 913 Brittany Holley 0434 374 428 Andy Nasr 0422 029 324
Download the app
www.belleproperty.com/st-kilda
DOM A IN REV IEW
21
JAW-DROPPING. Sweeping views from the city skyline to the bay will have you in absolute awe, a picture frame aspect from every room which is truly magical. This fantastic top-floor penthouse apartment showcases true house proportions, across approximately 140 square meters internally and assisted by 135 square meters of an amazing wrap around terrace for outdoor entertaining. Low maintenance, privacy and security are key attractions, in this boutique and low rise Port Melbourne development, ‘Bianca’. • Master bedroom with walk in robes, balcony access, ensuite bathroom with double basin, separate shower and bath • Bedrooms 2 and 3 feature built in robes and balcony access • Sparkling 2nd bathroom • Central powder room • Laundry room • Fully appointed modern kitchen with island bench and breakfast bar • Open plan kitchen, dining and living area 135 square metre (approx.) wrap around terrace EXTRA FEATURES • Security entrance with video intercom and swipe access • Ducted and zoned reverse cycle heating/cooling • Secure undercover garage parking for three cars • 2 storage cages • Access to communal landscaped gardens and BBQ area • On-site building manager
PORT MELBOURNE 704/108 BAY STREET
a b c
Close Thursday 17th June at 6pm $2,450,000 - $2,695,000
Wed 5.30-6pm & Sat 9-9.30am David Lack 0418 996 265 Fraser Lack 0408 340 242 100 Bay Street Port Melbourne 03 8671 3777 SMS the word "704BAY" to 0416 907 829" for detailed information
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