Domain Review Eastern - October 30, 2019

PEOPLE & PROPERTY OF MELBOURNE

OCTOBER 30-NOVEMBER 5, 2019

SPRING RACING JEWEL OF THE CUP CARNIVAL

LOUIS THEROUX

A M A ZING TA LES FROM BEHIND THE CA MER A

RETIREMENT LIVING ON FOR YOUNG AND OLD

REAL ESTATE LET THE LIGHT SHINE IN

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The editor’s desk

NICOLE CLEARY

There has never been a more crucial time to have a filmmaker like Louis Theroux in our midst, with his documentaries into subcultures, uncomfortable realities, and the complexities of humans who exist on the fringes. As journalism becomes more about quick bites, in an increasingly busy world Theroux’s deep dives into some of the world’s weirdest subjects cover a path less and less travelled. He interviews without judgment, and yet his cynicism – when required – is palpable. He is our cover feature, ahead of a January 2020 Australian tour, including a Melbourne show. ●

TIPPY TOES \ Don’t be caught out carrying heels home

SLICE OF LIFE \ The Park precinct at Flemington during

after the last race this spring ; Bared’s pretty Pheasant

the Melbourne Cup Carnival (starting November 2) is

heel (here in tangerine nubuck) has plenty of spunk but

dishing up Duke’s Pizza (above), Agathe Patisserie, Son

with a comfy and supportive insole. ● bared.com.au

In Law and lots more. ● flemington.com.au

THE EDIT What we love at Domain Review

OUR COVER \ British documentary filmmaker Louis Theroux, photographed in London by Carsten Windhorst.

MORE TO LOVE ONLINE Go to domain.com.au/domain-review General inquiries \ 9249 5226 \ editorial@domain.com.au Editor \ Emily Power Deputy editor \ Jessica Dale Senior designer \ Colleen Chin Quan Designer \ Emma Staughton Group picture editor \ Kylie Thomson Editorial assistant \ Hailey Coules Managing editor \ Alice Stolz Chief consumer officer \ Jason Chuck Chief executive officer Domain Group \ Jason Pellegrino Real estate sales director \ Mitch Armstrong \ 0438 820 767 mitch.armstrong@domain.com.au

Is your mag missing? Distribution \ 1800 032 472 distribution@domainreview.com.au

REVIEW Domain Review is published by Domain Holdings Australia Limited and is printed by Elephant Group (Aust) Pty Ltd, 24c Victoria Street Windsor VIC 3181. All material is copyright.

EASTERN

Retail sales \ retailsales@sales.domain.com.au

SUN SEEKING \ With new executive chef Jonathan

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guests on November 1, with Altus restaurant, pool, and

and be seen this summer. ● portseahotel.com.au

five-star surrounds. ● hotelchadstone.com.au

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FIRST PERSON

“ I am Sandra Bader ” … a canine massage therapist In my old life, I studied anthropology and worked in

academia for a bit. But it wasn’t where I saw myself.

After that I did a course in therapeutic massage, remedial massage and shiatsu for humans, and then migrated to dogs because I realised it’s really hard on my body working with humans.

My dog was also having problems. He was limping so I thought, why don’t I apply what I know to him? There are so many massage therapists for humans out there, but hardly any for dogs. After doing a course in canine myofunctional therapy, I started my business, Paws4Paws, five years ago.

A lot of my “clients” are old dogs with arthritis and general stiffness. But I also have younger dogs.

Generally, their owners take them to the park, but don’t warm them up. There’s a lot of small injuries, pulled muscle fibres.

I also do palliative care with old dogs. I’ve lost a few clients already over the past five years, which is very sad. I’m with them until the end and just try to keep them more comfortable and alleviate the pain.

Canine massage therapy is slowly getting more popular here. But in saying that, a lot of people still don’t know it exists. So when I tell people what I do, they’re surprised and some people are quite critical at first. But then I explain the benefits and people see it makes sense.

I go to my clients’ houses because it is easier for me and for the dog to relax. They know the environment and they know the smells and the owner is there. I am with the dog wherever the dog is more comfortable.

It’s about building a relationship really. If the dog’s hyperactive, it can take three or four sessions until the dog really relaxes completely. With other dogs, their nature’s a bit slower and calmer. It depends on what the issue is, and if they’re in pain.

It’s different with humans because I can talk to a human and say, “OK, this might hurt a little bit or might be a bit tender, just communicate with me and let me know what’s going on”. That doesn’t work with a dog, obviously.

It’s finding that balance between doing my work and telling or showing the dog, “look it’s OK, I’m not going to hurt you”. ● ● paws4paws.com.au

As told to

L A R I S SA H A M ●

Ph o t o

J U LIA N KI N G M A

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COVER STORY

B DARK MATTERS Chronicler of the weird, Louis Theroux is bringing his live show to Melbourne’s stage.

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JA N E R O C CA

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ritish documentarian Louis Theroux never planned a career as a storyteller beyond his first journalism gig aged 21 at a San Jose newspaper, and thanks filmmaker Michael Moore for giving him the chance to seek beyond it.

Theroux has spent the past 25 years making documentaries about cults, sex workers, UFOs, Nazis and polygamists and takes his viewers where few dare to go – face to face in some rather confronting situations.

“I wasn’t that successful working in print. I mean I enjoyed people telling me their story and writing about their obsession in a news article, but after a few years I met Michael Moore and it changed my life,” Theroux says.

“Michael saw something in me I didn’t see in myself and sent me off to do a report for his new show TV Nation and it was at that moment I thought ‘maybe this is something I could do’.”

When TV Nation ended, Theroux created Weird Weekends for the BBC. It had a successful run between 1998-2000.

He went deep into cults and religious groups who believe the world is coming to an end, teasing out the extreme point of view for compelling viewing.

Then came When Louis Met from 20002002, interviewing various British

“I have always been interested in forming human relationships with people who are on the fringe.”

“The subject of mental health has always interested me, and at times it can be very emotional to be that up close and personal in someone’s journey,” he says.

“What I try to do is destigmatise mental health and yet try to find a way to get these people who are vulnerable and acting as normal as they can in their circumstances to not be afraid to show it.”

Theroux returns to Australia for a new stage show, Without Limits, after he last visited in 2016.

Hosted by Julia Zemiro and featuring special guest Shirley Phelps-Roper, who starred in his 2007 documentary The Most Hated Family in America, Theroux will delve into the making of his documentaries, his encounters with various subcultures and an extraordinary catalogue of work.

“In divided times, the sensitive nuanced approached is even more valuable and you have to hold your nerve,” he says of his approach.

“You have to go to difficult places and tell your story as best you can.”

A compelling exploration of US college rape was a difficult documentary to make, according to Theroux.

“The Night in Question was about allegations of sexual assault on campuses in America and following a guy accused of

BBC / RICHARD ANSETT

celebrities. It included a segment with the late BBC radio personality Jimmy Saville who, years after it aired, was charged with 500 sex offences. He died in 2011.

“I have always been interested in forming human relationships with people who are on the fringe and building bridges with them with the view of understanding them in a fuller way,” Theroux says.

The 49-year-old father of three, who lives in London, was born in Singapore to an American father (writer Paul Theroux) and a British mother. He has written a new book, a memoir Gotta Get Theroux This about his life on camera, the inner machinations of his mind and his odd career choice.

His memoir reveals a child who was anxious; admitting it was this that drove him to become totally work focused for a long period of time.

“Nowadays, I really take each year as it comes,” he says. “It wasn’t until making Weird Weekends in 1998 for the BBC that I thought I would have a whole career making shows for TV. I have never allowed myself to think this is my permanent job. But I’ll take it.”

Theroux has covered topics of mental health – from post-partum psychosis to the confronting nature of dementia and the importance of touch during memory loss – which have even left him lost for words.

rape,” he says. “We didn’t know where the story would go, but knew there was a moral and ethical tension that exists between the urge to respect due process and not rush into judgment and the seriousness of rape.

“That’s the heart of the matter in what we do and what I love about documentary making. The fact those two completely valid ethical imperatives do come into conflict sometimes makes the process very difficult at times.”

Theroux says making documentaries since US President Donald Trump entered the White House has opened up the playing field. “I think the world has changed a lot since Trump came into power,” he admits.

“Trump was a twinkle in the eye of the American voting public all those years ago, and I think now we find a world transformed in his image in certain respects.

“For me, as a student of weirdness, I feel as though my niche pursuit of people who are in different ways strange, dangerous or unconventional, have taken the White House hostage, which I think is fascinating. I think because of the nature of what I do, I have a unique insight into that in some way.” ● LOUIS THEROUX WITHOUT LIMITS \ January 19, 2020, the Plenary at Melbourne Convention and Exhibition Centre. ● mcec.com.au

Louis Theroux, left, says he holds his nerve to tell a story; pictured in Louis Theroux: Dark States – Murder in Milwaukee.

BBC

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Get ready to make your next retirement move

Artist impressions.

Construction has commenced. Move in next year from $649,000.

Retirement living never looked so good as it does at The Orchards Templestowe. With construction on brand new, architect designed apartments underway, you can make your move in 2020. Live in your own private sanctuary with expansive open plan living and full height windows. European oak floors, private balconies, Caesarstone benchtops and Miele appliances are some of the many stunning apartment features at The Orchards. Find out more about why moving to The Orchards next year could be the right move for you at our weekly morning tea, every Thursday at 10am.

Apartments are selling fast from $649,000. Make the right retirement move and call us today on 9842 1589 or learn more at theorchardsliving.com.au Display suite: Tuesday to Thursday, 10am to 4pm or by appointment.

107 Andersons Creek Rd, Doncaster East

SPRING RACING

Watch this space Kennedy evokes its hallmark style and attention to detail inside the Birdcage at the Melbourne Cup Carnival.

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hey don’t call it “Millionaires’ Row” for nothing. Occupying prime real estate in the Birdcage brings lofty expectations of design greatness, and the Kennedy marquee – an international collaboration between the Australian luxury watch house, an Italian design firm and Swiss construction specialists – is bringing the dazzle to this year’s spring racing carnival.

Kennedy has been a fixture of the Birdcage at Flemington since 2017, but this is the first year executive chairman James Kennedy has taken the leap to a trackside position.

And he didn’t leave things to chance when it came to entertaining his guests across the four-day carnival, recruiting the talents of Italian design house La Cellula for a bespoke marquee that takes

L A R I S SA D U B E C KI

inspiration from the leather, wood and brass of racing stables and elevates them to high-luxe.

“We’ve moved to the front row this year and have embraced the fact we can create the height and space to get visibility onto the track. For us the marquee is all about celebrating a day at the races,” Kennedy says.

A Melbourne Cup Carnival marquee is not something a company enters into lightly – the design and execution and wow-factor has to be pitch-perfect – and the all-new Kennedy marquee is a collaboration as meticulous as the workings of one of its famous timepieces.

There was a telling synchronicity in the partnership with Swiss company Expomobilia, a long-time collaborator with La Cellula that brought the designs to life and had them shipped, flat-pack style, to Australia. The production specialists have been heavily involved with the installation and execution of leading

“The materials and the colour scheme are designed to convey the feeling of entering a prestigious club.” watch brands at the prestigious annual Baselworld Watch and Jewellery Show.

“Expomobilia is one of the key players in Baselworld, so we had a conversation with them earlier this year, spoke to them about the Melbourne Cup Carnival and our pavilion and the rest is history,” Kennedy says.

The two-level marquee with a track-facing first-floor terrace was inspired by the elegance of the equestrian sports, while also obliquely referencing the Kennedy values of tradition and quality.

“The materials and the colour scheme are designed to convey the feeling of entering a prestigious club, combining the art of design and

equine grace,” says La Cellula designer Ottavio Di Chio.

Clad in a semi-transparent metal mesh facade, the pavilion plays with natural light, while materials – natural oak and brown leather through to the use of topstitching and burnished brass – recreate the warm authenticity of a racing club. A horseshoe-shaped lounge and suspension lamps tie in the theme, along with a striking series of equine photographs by Giana Terranova.

The marquee’s Exhibition of Wonders – a showcase of selected timepieces from the world’s best watchmaking brands, including Rolex, Patek Philippe, IWC, Panerai, Cartier, Tudor and Ulysse Nardin – is not only a point of difference, it was also the area requiring the highest attention in design, Di Chio says. ●

Kennedy’s Birdcage marquee’s design reflects “equine grace”.

● kennedy.com.au

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RETIREMENT LIVING

Young at heart Preschoolers became a fountain of youth for retirement home residents, and charmed Australia.

NIGEL WRIGHT

T

here’s a moment in the second episode of ABC’s runaway reality hit Old People’s Home For 4 Year Olds that executive producer Debbie Cuell recalls as a standout.

Eric, 85, is leading superheroloving youngster Aiden around a remembrance walk at their retirement village.

But the four-year-old is puzzled.

“What was the war?” he says.

His elderly friend goes on to carefully explain how “people like him” fought each other and died.

B E VA N ’ S 9 4T H B I R T H DAY PA R T Y

“It was a poignant moment and the look of shock on this four-year-old’s face was quite evident,” Cuell says.

“That was just one of the scenes that really stayed with me.”

It wasn’t the only highlight in the show that quietly won its time slot when it aired on the ABC this year.

Cuell and a team of producers worked tirelessly to pull together the kind of reality series that had never been shown before in Australia.

Based on a unique social experiment where a group of older retirement home residents are

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“To see how (the children) brought these older Australians out of themselves and got them moving again – it was very moving.” brought together with a group of preschoolers, audiences witnessed how inter-generational contact can improve the health and wellbeing of the elderly.

Over seven weeks, two groups of 11 older Australians and 10 preschoolers came together for activities each day in a specially designed preschool built within the retirement home.

It is exceptionally moving, with moments of sadness intertwined with spontaneity and joy.

Cuell says she can understand why the concept resonated so well with Aussie audiences.

“I think because everybody has parents, either alive or no longer alive, and has probably seen them age and go through the same issues and then

The executive producer says she has always lobbied for and worked on the kind of programs she believes can reach out and touch the audience.

Old People’s Home For 4 Year Olds was no exception.

“What a privilege to bring two vulnerable but delightful age groups

you see these four-year-olds who are so unaffected by life yet.

“They are not sneaky. They are pure.

“To see how they brought these older Australians out of themselves and got them moving again – it was very moving.

“It offers a lot of hope.”

A veteran of television producing, Cuell can’t help but shed a tear when talking about the broader impact the program may have had.

“In a way it has helped highlight the problems we will all face and that we should always look out for others and be cared for in the same way,” Cuell says.

“We all get so busy. It’s easy to forget.”

U P

N OW

A ARON L ANGMAID

together in the hope of capturing something that could change the way we look after our ageing population,” she says.

But filming was not without its challenges.

Selecting the correct production team to work with the two groups that were generations apart and were vulnerable in different ways took time and careful consideration.

“Our duty of care to the groups was paramount,” Cuell says.

“We needed patience, understanding, and respect for each and every one of the participants.” ●

Resident Brian with preschooler Ruby on ABC’s Old People’s Home for 4 Year Olds.

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THE WISPY ONE DOM A IN REV IEW

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KEW \ 6 BARRINGTON AVENUE 3

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Appealing to downsizers looking for a well-maintained place to call home, this contemporary Kew residence offers a serene sanctuary. Floor-to-ceiling windows in the main living and bedroom areas draw in generous natural light, and light is a big feature of the north-facing private garden. The main bedroom has a designer en suite and walk-in wardrobe, and looks out to the courtyard. Living and accommodation areas are separated to maintain privacy. In winter, a stone fireplace brings additional warmth, while high ceilings keep the home feeling airy and modern. In a picturesque tree-lined street, Kew Junction, public transport and local schools are easily accessible. ● MEGAN WHITFIELD Agent: Marshall White, David Smith 0402 361 680 Price: $1.9 million-$2.09 million Auction: 10.30am, November 2

Open your camera and hover your phone over the app code to view the listing

BALWYN NORTH \ 3 SWEYN STREET 5

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This generously-sized family home has been in the one family for many years. The property has been wellmaintained, with a manicured garden and welcoming open-plan living and entertaining spaces. A formal dining room leads into the stylish granite kitchen, with additional living and dining spaces coming off the opposite entrance, making entertaining a seamless process. Each of these rooms look across to a peaceful garden terrace, with room for kids to run around. The main bedroom comes fitted with an en suite and walk-in wardrobe. With four additional bedrooms and schools and shops nearby, this home is ideal for raising a family in. ● MEGAN WHITFIELD Agent: Jellis Craig, Simon Lord 0407 337 557 Price: $1.75 million-$1.925 million Auction: noon, November 2

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LOUVRETEC

The Architects Choice

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40 OFF

$

12430386-LB45-19

We do it all from deck sanding, cleaning and sealing through to timber maintenance.

Residential & Commercial.

101998

Bea t spri the n rush g 12424398-RC33-19

DeckSeal specialize in the restoration & preservation of timber decks. Our services extend to timber screens, benches, boxes, cladding, doors, windows & also concrete cleaning & sealing.

Mary’s Little Lambs EARLY LEARNING CENTRE

Mary’s Little Lambs

Family owned and operated since 1999

OPENING ROOFS

EARLY LEARNING CENTRE “We make a difference”

Modern boutique purpose built facility

27 Medway Street, Box Hill North LOUVRE SHUTTERS

LOUVRES & OPENING ROOFS U Registered building practitioners LOUVRETEC MELBOURNE U Master builder of the industry TRIED, TESTED, TRUSTED U We service all of Victoria Discover our significant range of Opening Roofs for your patio or deck, Sun Louvre systems and Outdoor Blinds including our range of Rectangular shaped Louvreline Panels, Sliding & Bi Folding Shutters.

Call today for an obligation free consultation 30 Frankston Gardens Drive, Carrum Downs

TAKING ENROLMENTS NOW

SUN LOUVRE

12413569-RC12-19

OPENING ROOFS

We offer quality care from 2 months to 6 years old.

Fully Government Accredited 4 year old Kinder program Monday – Friday 7.00am – 6.30pm

Phone 9898 6974 03 9770 4184

louvretecmelbourne.com.au

www.mll.com.au

To advertise on this page phone Karen on 9115 1904

12426129-SN36-19