Domain Review Moonee Valley - March 10, 2021

PEOPLE & PROPERTY OF MELBOURNE

MARCH 10-16, 2021

THRILL SHOW CLASSICS IN A NEW LIGHT

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JASON GRECH

BRINGING MELBOU RN E’S GL A M BACK

M O O N E E VA L L E Y

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C o mp i l e d b y

H AI L E Y C O U L E S

The editor’s desk

SIMON SHIFF

Even if you’re not someone to keep up with the latest trends, it’s hard not to get a little caught up in the excitement of the Melbourne Fashion Festival. Whether you’re front and centre at every runway, or just prone to spotting the well-dressed heading to a show, the festival brings a buzz to the city. In its 25th year, MFF has done that ever-popular pandemic pivot to bring not only live shows, but online runways to enjoy from home.

The focus this year will be on local talent, and as our cover star, fashion designer Jason Grech says, “my city has always informed what I create”.

We can’t wait to see it. ●

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GOING PLACES ALBERT NAMATJIRA, MacDONNELL RANGES AT HEAVITREE GAP, NATIONAL GALLERY OF VICTORIA, MELBOURNE PRESENTED BY ESSO

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M O O N E E VA L L E Y

Real estate sales director \

OVER THE BRIDGE \ A foodie boom has been

CLIMATE CULTURE \ Opening March 12 at the NGV,

happening in Williamstown of late and there is no

the Big Weather exhibition explores Aboriginal and

better place for date night than Modern Australian

Torres Strait Islander knowledge of weather systems

haunt Porters. ● porterswilliamstown.com

and land. ● ngv.vic.gov.au

AUSTRALIA PTY LTD, 2018 © NAMATJIRA LEGACY TRUST/LICENSED BY COPYRIGHT AGENCY, AUSTRALIA

Things to do & see in Melbourne

OUR COVER \ Jason Grech, shot in his Melbourne studio, Photographed by Kristoffer Paulsen

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COVER STORY

T

he Melbourne Fashion Festival has always wooed the big names – from burlesque star Dita Von Teese and curve model Ashley Graham to ’90s supermodel Helena Christiansen. But for the festival’s 25th anniversary, the spotlight is on local – where traditional and digital runways give us a pandemic-era serve of fashion week with a difference.

While front row schmoozing might be replaced by socially distant air-kissing for now, there’s nothing quite like celebrating the bricks and mortar of what makes our city the fashion capital of Australia, no matter what the format.

From digital runways filmed at Redwood Forest in East Warburton, Ponyfish Island and URBN Surf, to traditional ones held at the NGV, State Library and Timber Yards, it’s the return of street style as it wakes from a pandemic slumber that is hotly anticipated.

“Nobody does street style like Melbourne,” says Melbourne Fashion Festival CEO Graeme Lewsey.

“MFF has always been about getting dressed up with friends and coming to the festival. People who attend always look fantastic; the festival is their stage to show off. Street style brings a mass euphoria, everyone is watching, and everyone is looking forward to seeing more of that this time.”

M

elbourne designer Jason Grech is returning to MFF for a fourth year.

A career highlight was in 2019 when supermodel Ashley Graham wore his dress as part of the closing runway show. “It was totally electrifying,” says Grech.

Best known for couture red-carpet gowns – Sophie Monk’s gold dress at the Logies is but one – Grech was inspired for his latest collection while dancing in a club on New Year’s Eve. “There’s a little bit of disco, a lot of Studio 54, and I’m channelling the 1980s supermodel too,” says Grech, who works from his 240-square-metre studio and showroom in Little Leveson Street, North Melbourne.

Grech is synonymous with Melbourne party gowns, and says women want to dress up again.

He started making linen tea towels during lockdown but is back surrounded by silk, lace and tulle. His chic party palette of white, black and

A celebration of Melbourne life This year’s fashion festival turns the spotlight on everything that makes our city Australia’s queen of the rag trade. copper with a surprise pop of colour is returning with a vengeance this season.

“My city has always informed what I create,” Grech says. “In the past, I’ve turned to the Spencer Street Station architecture for inspiration, and this time it was about me stepping out of isolation and getting on the dancefloor – a reminder we all like to mingle and feel part of something special.

Grech will be sitting front-row with his 90-yearold mother Gemma during his runway show, and says she’s responsible for his work ethic.

“She’s my biggest fan and has attended most of the shows. I’m the youngest of 10, and yes, she’s very proud of me, but the pressure is on to make sure she’s impressed too,” Grech says.

Stylist-turned-shoe-designer Lana Wilkinson will make her runway debut as part of the Runway Finale. She remembers buying a white Nicola Finetti dress she spotted on international model and blogger Candice Lake, who wore it at the festival in 2017.

“It’s definitely a pinch-me moment,” says Wilkinson of her debut. “It’s my first runway with the festival, which feels like I have come full circle.

“To be styling the finale runway with designers I have worked with over the years feels amazing; it’ll be the ultimate adrenalin rush.

“And seeing Melbourne come back to life will be the best way to celebrate our industry; it’ll get people excited about being in Melbourne again.”

Her new shoe collection nods to the ’90s – think gold metallics, a slouch suede studded boot and a pointy Texan snakeskin version, with flats making a comeback too. But what makes Wilkinson’s shoes stand out is her signature embellishment.

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JA N E R O C CA ●

Ph o t o

K R I S T O F F E R PAU L S E N

Melbourne fashion designer Jade Sarita Arnott, who runs the label Arnsdorf, won the Festival’s Sustainability Award in 2019 and continues in her crusade to be her environmental best.

“That was really a big moment for me,” Arnott says of her win. “To be recognised for our sustainable practice — [which] is what my brand is intrinsically about — was totally thrilling.”

Arnsdorf collections are packed with a conscience – Arnott is using recycled wool for her coats and is also working on a movement range (think of dresses with flounce, which is hard to get in sustainable fabrics).

“Women want to make a purchase that reflects their aesthetic and identity as well as their values, and it’s starting to become more prominent now,” Arnott says.

She says her new range features cargo pants, voluminous trackpants, and handkerchief dresses with a high neck – taking inspiration from Star Wars, sci-fi drama The AO and The Neverending Story. “It was all designed in our first lockdown; I swapped going to galleries for inspiration for movie marathons with my family this time.”

Being part of MFF appeals to the independent brand because of its consumer-friendly attitude.

“The festival makes the fashion industry accessible to the community, which is really nice, and lets our clients experience the excitement of the runway and to see the clothes in movement,” Arnott says. ● MELBOURNE FASHION FESTIVAL \ March 11 - March 20, 2021. ● melbournefashionfestival.com.au

“Seeing Melbourne come back to life will be the best ... it’ll get people excited about being in Melbourne again.”

LANA WILKINSON

Fashion designer Jason Grech in his Melbourne studio.

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ART

FOR ART’S SAKE

USING A NEW MEDIUM

A

new digital art gallery has found a permanent home at the Melbourne Convention and Exhibition Centre, with works of impressionist painter Vincent van Gogh set to arrive in autumn.

Don’t expect to find any original paintings by Van Gogh at The Lume; the emphasis here is on a digital transportation that is cerebral and sensory.

More than 150 projectors will beam the Dutch master’s works across a 3000-square-metre space, designed to take you on a journey where the aural is enhanced, fragrance matters and the visual is intended to thrill.

The artist, who sold only one painting during his lifetime — to his art-dealer brother Theo — is best known for The Starry Night (1889), Cafe Terrace at Night (1888) and the Sunflower series.

Bruce Peterson, who also runs Grand Experiences, is the man behind The Lume. A former PE teacher who moved into digital exhibitions 16 years ago, he took a 12-month sabbatical in Italy with his young family. In 2013, he saw a permanent future in the business and bought the Leonardo Da Vinci museum in Rome – which he still runs.

He has created some 200 digital shows, including

Bruce Peterson: Digital exhibitions are ideal for all ages.

The virtual exhibitions designed to shake up the design world.

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Alice in Wonderland and Italian Renaissance Masters, and has been to more than 32 cities.

Peterson says his exhibitions are designed to shake up the traditional art world. He wants to take 19thcentury art and make it appealing to all ages.

“Half of the visitors who attend our overseas shows were aged between 20-35,” he says. “Museums and galleries can’t attract that audience in great numbers these days, and they would love to engage them.

“What we’ve found is a digital exhibition provides a perfect medium for that, but it’s ideal for all ages.”

“We haven’t had anything new like this come to Melbourne for years.”

Van Gogh Alive is designed to be walked through at your own pace in about 90 minutes.

“You come here to see an interpretation of Van Gogh’s art, get a background on who he was and learn about him along the way,” Peterson says.

“We haven’t had anything new like this come to Melbourne for years.

“We have existing galleries like ACMI, but we can always do with a few more cultural institutions to lift our profile even further globally.”

More than bring the heroes of the past to the present, Lume will also nurture local digital artists.

“We have plenty of digital artists who make animated movies in Australia and this will be a platform for them to be featured. Nurturing the next generation is part of our bigger picture too.” ● AUSTRALIA’S DIGITAL ART GALLERY \ Van Gogh Alive tickets go on sale later this month ● thelume.com/melbourne

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EDUCATION & INNOVATION

Helping to control stress

T

oday’s schoolchildren are stressed out, according to any number of studies on the subject over the last decade. And that was before the onset of a global pandemic.

“For the first time in history, school kids have access to a 24-hour news cycle,” says ELTHAM College principal Simon Le Plastrier. “It’s a case of ‘access all areas’, and there’s a lot of negativity and bad news out there.”

A year of remote learning, lockdown and social disconnection has only exacerbated things, says Nakkita Egan, head of students at St Columba, a Catholic girls’ school in Melbourne’s north-west.

Stress manifests itself in different ways for different kids, say experts, but tiredness, poor diet, an inability to concentrate and struggles maintaining

social relationships and regulating emotions are indicators a child is feeling the pressure.

Schools are alert to the correlation between wellbeing and success, so many encourage them to switch off technology and adopt mindfulness and meditation techniques to tackle stress.

Le Plastrier says ELTHAM College has seen incredible transformations in kids after attending tech-free retreats and camping trips.

At the school, students have regular meetings with staff mentors, while older students also offer mentoring support to younger peers.

In St Columba’s pastoral care program, students meet daily with their house groups to discuss current issues and concerns. It’s a model also adopted by Sacré Coeur in Melbourne’s south-east.

2021 COLLEGE TOURS Join us and discover St Columba’s Bookings online at www.columba.vic.edu.au

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GETTY IMAGES

How parents can equip their children to handle pressure.

Wo r d s

Principal Adelina Melia-Douvos says students happily seek guidance from the school’s three psychologists, who work with teachers to deliver “age and stage appropriate” education and advice.

Egan says St Columba has had positive feedback from its series of conversations with the leadership team, in which staff speak to parents about how to communicate with their children and share tips for problem-solving and stress management.

So, what are some pointers for parents?

Egan says sleep is the key. Encouraging students to adopt a healthy sleep routine may mean parents need to restrict screen time and access to technology. A “no devices in the bedroom” rule can be beneficial, as can introducing a regular bedtime.

Le Plastrier says parents should also be aware of what their children are doing online.

“Education surrounding social media is important,” he says, “and it’s a rapidly changing landscape, so parents really need to be ready to adapt. There’s no point in parents having a Facebook account but not fully understanding how it works.”

Educators agree extra-curricular activities are hugely important to a healthy upbringing, provided kids genuinely enjoy the subject, and schedules still allow space for downtime.

“If children are given a chance to express and explore their passions while expanding their social connections, it can actually energise them,” says Melia-Douvos.

EFFIE MANN

Nurturing that closeness within families has a direct impact on student happiness and success, she adds. “Supportive and connected families really do make a difference to the student.”

Parents need to prioritise family time, too. While sharing meals as a family is hugely beneficial, if household schedules don’t align, there are other ways to encourage connection.

“Social media ... is a rapidly changing landscape, so parents really need to be ready to adapt.”

Showing interest in those passions and learnings can also give kids a boost in confidence, Egan says.

Her tip for parents is to ask their child to teach them one thing they learnt that day.

“It encourages closeness and connectedness between the parents and children, but it doubles as a study technique because it further cements the information for the child through the retelling, too.”

SIMON LE PLASTRIER

It’s not the nature of the time that is important, but making the time, Egan says.

Parents can have expectations of their children without plying them with stress and pressure, Le Plastrier adds.

“Children enjoy feeling as though they can and will succeed. Our job is to give them the space and support to give it a go,” he says. ●

She Who Belongs.

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MOONEE PONDS \ 44 MARGARET STREET 3

1

1

Former Essendon player Joel Reynolds is moving on, leaving this refurbished Victorian pile for the fortunate new owners.

The location is old gold. Behind the tuck-pointed facade, two carpeted bedrooms branch off the entrance hall. Both have built-in wardrobes and one has an open fireplace.

The central lounge sports a second fireplace, while the one in the dining room makes it a trio. There’s currently one room on the first floor (the main bedroom with a peaked, limed-timber ceiling and a wall of built-in wardrobes), but extending the level looks highly feasible. Like the front court, the backyard is totally easy-care. Decked, gravelled and sprinkled with a tad of greenery, it culminates at a carport moonlighting as extra al fresco space. ● KAY KEIGHERY

Agent: Jellis Craig, Aaron Leask 0438 655 573 Price: $1 million-$1.1 million Auction: noon, March 20

MOONEE PONDS \ 52 ARDMILLAN ROAD 5

4

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Locals voted this street one of the area’s finest.

Architecturally designed and custom-built, this 18-yearold house does the strip proud. Aside from the extremely roomy, immaculately staged interior, you get an exercisefriendly pool. There are five social areas inside and a sixth attached to the backyard garage. Four sets of folding doors link the open-plan hub with the entertainment terrace, along which a lap pool runs before broadening out to a square conclusion. Up the grand staircase, the three minor bedrooms come with walk-in wardrobes. The retreat opens to a balcony and the main bedroom suite, with sitting area, dressing room and lush en suite, claims a romantic balcony of its own. It’s just a stroll to PEGS Junior School and Moonee Ponds Central. ● KAY KEIGHERY

Agent: McDonald Upton, Joe Zucco 0414 557 895 Price: $3.7 million-$4.07 million

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5 Homestead Road Eltham Offering a lifestyle many can only dream about, this magnificent home reveals unprecedented style, original beauty and fine attention to detail. Revealing a dynamic mix of living areas complemented by a divine kitchen; whilst outdoors, there’s a self-contained 1-bedroom studio, well-tended gardens, a gazebo overlooking the large dam and a French-inspired red-brick courtyard with a water feature.

5

Expressions of Interest Land Aaron Yeats John Le Gros Eltham

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41 Brougham St North Melbourne A landmark property in one of Hotham Hill’s signature double-width streetscapes with a 9.2m frontage, this north facing balconied terrace delivers an exceptional city-fringe family lifestyle with its adaptable design, extensive list of features and enviably easy access to the best of inner-Melbourne. Moments from the open spaces of Royal Park, it’s also walking distance to popular cafes and restaurants

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