Domain Review Melbourne Times - March 10, 2021

PEOPLE & PROPERTY OF MELBOURNE

MARCH 10-16, 2021

THRILL SHOW CLASSICS IN A NEW LIGHT

EATING IN A TRIP TO KOREA

JASON GRECH

BRINGING MELBOU RN E’S GL A M BACK

MELBOURNE TIMES

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C o mp i l e d b y

H AI L E Y C O U L E S

The editor’s desk

SIMON SHIFF

Even if you’re not someone to keep up with the latest trends, it’s hard not to get a little caught up in the excitement of the Melbourne Fashion Festival. Whether you’re front and centre at every runway, or just prone to spotting the well-dressed heading to a show, the festival brings a buzz to the city. In its 25th year, MFF has done that ever-popular pandemic pivot to bring not only live shows, but online runways to enjoy from home.

The focus this year will be on local talent, and as our cover star, fashion designer Jason Grech says, “my city has always informed what I create”.

We can’t wait to see it. ●

MANICURED MENU \ Settle in and zone out at SOAK

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GOING PLACES ALBERT NAMATJIRA, MacDONNELL RANGES AT HEAVITREE GAP, NATIONAL GALLERY OF VICTORIA, MELBOURNE PRESENTED BY ESSO

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MELBOURNE TIMES

Chief executive officer Domain Group \

OVER THE BRIDGE \ A foodie boom has been

CLIMATE CULTURE \ Opening March 12 at the NGV,

happening in Williamstown of late and there is no

the Big Weather exhibition explores Aboriginal and

better place for date night than Modern Australian

Torres Strait Islander knowledge of weather systems

haunt Porters. ● porterswilliamstown.com

and land. ● ngv.vic.gov.au

AUSTRALIA PTY LTD, 2018 © NAMATJIRA LEGACY TRUST/LICENSED BY COPYRIGHT AGENCY, AUSTRALIA

Things to do & see in Melbourne

OUR COVER \ Jason Grech, shot in his Melbourne studio, Photographed by Kristoffer Paulsen

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COVER STORY

T

he Melbourne Fashion Festival has always wooed the big names – from burlesque star Dita Von Teese and curve model Ashley Graham to ’90s supermodel Helena Christiansen. But for the festival’s 25th anniversary, the spotlight is on local – where traditional and digital runways give us a pandemic-era serve of fashion week with a difference.

While front row schmoozing might be replaced by socially distant air-kissing for now, there’s nothing quite like celebrating the bricks and mortar of what makes our city the fashion capital of Australia, no matter what the format.

From digital runways filmed at Redwood Forest in East Warburton, Ponyfish Island and URBN Surf, to traditional ones held at the NGV, State Library and Timber Yards, it’s the return of street style as it wakes from a pandemic slumber that is hotly anticipated.

“Nobody does street style like Melbourne,” says Melbourne Fashion Festival CEO Graeme Lewsey.

“MFF has always been about getting dressed up with friends and coming to the festival. People who attend always look fantastic; the festival is their stage to show off. Street style brings a mass euphoria, everyone is watching, and everyone is looking forward to seeing more of that this time.”

M

elbourne designer Jason Grech is returning to MFF for a fourth year.

A career highlight was in 2019 when supermodel Ashley Graham wore his dress as part of the closing runway show. “It was totally electrifying,” says Grech.

Best known for couture red-carpet gowns – Sophie Monk’s gold dress at the Logies is but one – Grech was inspired for his latest collection while dancing in a club on New Year’s Eve. “There’s a little bit of disco, a lot of Studio 54, and I’m channelling the 1980s supermodel too,” says Grech, who works from his 240-square-metre studio and showroom in Little Leveson Street, North Melbourne.

Grech is synonymous with Melbourne party gowns, and says women want to dress up again.

He started making linen tea towels during lockdown but is back surrounded by silk, lace and tulle. His chic party palette of white, black and

A celebration of Melbourne life This year’s fashion festival turns the spotlight on everything that makes our city Australia’s queen of the rag trade. copper with a surprise pop of colour is returning with a vengeance this season.

“My city has always informed what I create,” Grech says. “In the past, I’ve turned to the Spencer Street Station architecture for inspiration, and this time it was about me stepping out of isolation and getting on the dancefloor – a reminder we all like to mingle and feel part of something special.

Grech will be sitting front-row with his 90-yearold mother Gemma during his runway show, and says she’s responsible for his work ethic.

“She’s my biggest fan and has attended most of the shows. I’m the youngest of 10, and yes, she’s very proud of me, but the pressure is on to make sure she’s impressed too,” Grech says.

Stylist-turned-shoe-designer Lana Wilkinson will make her runway debut as part of the Runway Finale. She remembers buying a white Nicola Finetti dress she spotted on international model and blogger Candice Lake, who wore it at the festival in 2017.

“It’s definitely a pinch-me moment,” says Wilkinson of her debut. “It’s my first runway with the festival, which feels like I have come full circle.

“To be styling the finale runway with designers I have worked with over the years feels amazing; it’ll be the ultimate adrenalin rush.

“And seeing Melbourne come back to life will be the best way to celebrate our industry; it’ll get people excited about being in Melbourne again.”

Her new shoe collection nods to the ’90s – think gold metallics, a slouch suede studded boot and a pointy Texan snakeskin version, with flats making a comeback too. But what makes Wilkinson’s shoes stand out is her signature embellishment.

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JA N E R O C CA ●

Ph o t o

K R I S T O F F E R PAU L S E N

Melbourne fashion designer Jade Sarita Arnott, who runs the label Arnsdorf, won the Festival’s Sustainability Award in 2019 and continues in her crusade to be her environmental best.

“That was really a big moment for me,” Arnott says of her win. “To be recognised for our sustainable practice — [which] is what my brand is intrinsically about — was totally thrilling.”

Arnsdorf collections are packed with a conscience – Arnott is using recycled wool for her coats and is also working on a movement range (think of dresses with flounce, which is hard to get in sustainable fabrics).

“Women want to make a purchase that reflects their aesthetic and identity as well as their values, and it’s starting to become more prominent now,” Arnott says.

She says her new range features cargo pants, voluminous trackpants, and handkerchief dresses with a high neck – taking inspiration from Star Wars, sci-fi drama The AO and The Neverending Story. “It was all designed in our first lockdown; I swapped going to galleries for inspiration for movie marathons with my family this time.”

Being part of MFF appeals to the independent brand because of its consumer-friendly attitude.

“The festival makes the fashion industry accessible to the community, which is really nice, and lets our clients experience the excitement of the runway and to see the clothes in movement,” Arnott says. ● MELBOURNE FASHION FESTIVAL \ March 11 - March 20, 2021. ● melbournefashionfestival.com.au

“Seeing Melbourne come back to life will be the best ... it’ll get people excited about being in Melbourne again.”

LANA WILKINSON

Fashion designer Jason Grech in his Melbourne studio.

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Artist impression

Spaces for entertaining.

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ART

FOR ART’S SAKE

USING A NEW MEDIUM

A

new digital art gallery has found a permanent home at the Melbourne Convention and Exhibition Centre, with works of impressionist painter Vincent van Gogh set to arrive in autumn.

Don’t expect to find any original paintings by Van Gogh at The Lume; the emphasis here is on a digital transportation that is cerebral and sensory.

More than 150 projectors will beam the Dutch master’s works across a 3000-square-metre space, designed to take you on a journey where the aural is enhanced, fragrance matters and the visual is intended to thrill.

The artist, who sold only one painting during his lifetime — to his art-dealer brother Theo — is best known for The Starry Night (1889), Cafe Terrace at Night (1888) and the Sunflower series.

Bruce Peterson, who also runs Grand Experiences, is the man behind The Lume. A former PE teacher who moved into digital exhibitions 16 years ago, he took a 12-month sabbatical in Italy with his young family. In 2013, he saw a permanent future in the business and bought the Leonardo Da Vinci museum in Rome – which he still runs.

He has created some 200 digital shows, including

Bruce Peterson: Digital exhibitions are ideal for all ages.

The virtual exhibitions designed to shake up the design world.

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JA N E R O C CA

Alice in Wonderland and Italian Renaissance Masters, and has been to more than 32 cities.

Peterson says his exhibitions are designed to shake up the traditional art world. He wants to take 19thcentury art and make it appealing to all ages.

“Half of the visitors who attend our overseas shows were aged between 20-35,” he says. “Museums and galleries can’t attract that audience in great numbers these days, and they would love to engage them.

“What we’ve found is a digital exhibition provides a perfect medium for that, but it’s ideal for all ages.”

“We haven’t had anything new like this come to Melbourne for years.”

Van Gogh Alive is designed to be walked through at your own pace in about 90 minutes.

“You come here to see an interpretation of Van Gogh’s art, get a background on who he was and learn about him along the way,” Peterson says.

“We haven’t had anything new like this come to Melbourne for years.

“We have existing galleries like ACMI, but we can always do with a few more cultural institutions to lift our profile even further globally.”

More than bring the heroes of the past to the present, Lume will also nurture local digital artists.

“We have plenty of digital artists who make animated movies in Australia and this will be a platform for them to be featured. Nurturing the next generation is part of our bigger picture too.” ● AUSTRALIA’S DIGITAL ART GALLERY \ Van Gogh Alive tickets go on sale later this month ● thelume.com/melbourne

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IN FOR DINNER

Korea in a parcel

I

want everyone to eat salted pollock roe sacks.

But given language is filled with connotations, let’s call them caviar parcels. They’re the most revelatory part of my online order from Mumchan, a family business owned by Alum Choi that offers 60 to 85 traditional Korean dishes at any one time, mostly banchan (side dishes).

Mumchan’s ingredients are seasonal market finds and imported Korean produce, like dehydrated spring mountain vegetables.

Mumchan delivers during the week, with set days for most suburbs. The restaurant in Laverton seats about 20 and the city takeaway store has a few stools for diners to scoff and go.

Wo r d s DINNER FOR MANY

Shortlist and share your favourite properties Tap the star to save properties you love, and invite someone to shortlist with you.

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S O F IA L E VI N

The restaurants have plenty of banchan, plus kimbap – likened to sushi but with ingredients like perilla leaf, kimchi, luncheon ham and cheese – as well as traditional dishes.

The weekly set supposedly serves one couple two to three meals. Add rice and it’s more like four. The caviar parcels, or myeongran-jeot, are a tiny part of it. Minuscule eggs are naturally packaged within a pink membrane. I love the full smack of salt and

O R D E R , E AT, R E PE AT

texture, but if you’re just getting acquainted, mix them through steamed rice with mayonnaise and top with a fried egg and sliced avocado.

My set also contains two soups: galbi ugeoji guk, soybean-based beef short rib and cabbage; and soon doo bu, supple tofu squares and pork-belly slices in a garlicky, gochugaru chilli broth.

Fried chicken, warmed in my air fryer, is escorted by garlic soy sauce and sweet, pickled radish. And that's before we get to the banchan: blanched and stir-fried julienned potato, a lightly fermented white cabbage kimchi and dried anchovies and walnuts in tacky honey-soy dressing.

I can’t resist extras. The standouts are flower-like lotus root slices in sweet, sticky soy and godeungeo kimchi jjim – braised mackerel fillets wrapped in cabbage kimchi that taste like someone else's grandma’s specialty.

Mumchan leaves such an impression that I visit the city shop a few days later to restock for a dinner party. ●

Order in, sweetie Chefs Mia Lin and Thomas Brustis had two babies in lockdown: a little human and Arty Tarty. The latter was born from wanting to create something that would make a person’s day. Homemade jams, purees and compotes are used in six seasonal, single-serve cakes that can be added to dessert boxes.

● Mumchan ● 1b Triholm Avenue, Laverton & 395 Little Bourke Street, Melbourne ● mumchan.com

● artytarty.com.au

THE PROGRESSIVE ALTERNATIVE

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EDUCATION & INNOVATION

Me & My Mentor

ADA HAMMERTON - LEE AND SONYA GERAETS

Y

ear 5 student, Ada Hammerton-Lee, and year 5 teacher, Sonya Geraets, began their journey together at Ivanhoe Girls’ Grammar School a few years ago. Sonya, a former lawyer and barrister, recently received a National Excellence in Teaching Award that acknowledged her support of her students’ wellbeing throughout last year. This year, she and Ada are exploring new subjects together – from resilience to Harry Potter.

ADA SAYS …

I joined Ivanhoe Girls’ in year 3 and Ms G was my first teacher. She taught us about astronomy, the sun and the seasons. I didn’t really understand and Ms G sat with me and explained everything again – she’s very patient.

This year we are learning about resilience and how to develop a growth mindset so we can make the most of opportunities. One fun thing we did was to write pessimistic ideas on sticky notes and then we tore them up and threw them away!

I think, with Ms G’s help, I’ve become more confident. If I’m nervous about a test, I can talk to her and that makes school less stressful. Year 5 is more challenging and the homework is harder but if it wasn’t hard, I wouldn’t be learning anything. I like to do extra-curricular activities and the teachers encourage us to try new things.

I like to write poetry, I play the flute, I play netball and I’m in a few ensembles. I’m also part of a Future Problem Solving team where we think of real-world problems and try to solve them before they happen. Recently we looked at competitive sport and how it can have an impact on children’s stress levels.

There are a lot of things I’d like to be once I leave school – maybe an author or a teacher. I have two younger brothers and I like to play “schools” with them, although they’re not always as keen! I enjoy teaching them things and I like the idea of looking after a class, like Ms G does.

SONYA SAYS …

My parents are teachers and maybe that’s why, initially, I steered away from teaching. They taught

MEETING THE CHALLENGES

internationally and so I lived all over the world and first studied at The London School of Economics. At a young age, I got it into my head that I wanted to be a lawyer and that’s the track I followed.

I studied law and did the Bar Professional Training Course and while I was waiting to do my pupillage – like an internship – I worked as a teaching assistant at the same school as my parents.

Pretty quickly I realised that was what I should be doing. I liked the academic side of law, but it didn’t give me joy. It is a privilege to be in charge of a child’s education. I walk into my classroom each morning and feel so lucky to be doing this job, but I never forget it’s also a huge responsibility.

I completed a Masters of Teaching at the University of Melbourne and did a placement at

Ivanhoe Girls’. As I finished my study, a job came up at this wonderful school and that’s how I ended up first teaching Ada. She is very humble and she can be shy but once you get beyond that, you see her brilliance.

In year 3 we learned about technology of the past and I described ice boxes – what we had before fridges. I explained that people put a block of ice in the top of the box and everything in the bottom compartment stayed cool. Ada popped up her hand and said: ‘but if there were no freezers, where did people get ice from?’ I hadn’t thought of that! It is lovely to be in class with Ada again and I look forward to her challenging me again this year with her great mind. ● SARAH MARINOS

IVANHOE GIRLS’ GRAMMAR SCHOOL \ 123 Marshall Street, Ivanhoe 3079 ● 9490 6222 ● ivanhoegirls.vic.edu.au

IN PARTNERSHIP WITH

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PORT MELBOURNE \ 41 BRIDGE STREET 3

2

1

Just a stroll away from Port Melbourne’s beach, cafes and shops can be found this recently renovated 1900s house.

The ground floor hosts a spacious living and dining room, kitchen and atrium, as well as two bedrooms. The living room boasts high ceilings and extends through bifold doors into a private courtyard garden. But it’s upstairs where you’ll find the jewel in this house’s crown. The large main bedroom opens onto a terrace with city views, and comes with a walk-in wardrobe and spacious en suite. And, on lazy Sunday mornings when the only thing going is breakfast in bed, the built-in dumb waiter will take care of things for you. ● ANDERS FURZE

Agent: Belle Property Albert Park, David Wood 0418 315 114 Price: $1.95 million-$2.1 million Auction: 1pm, March 13

BRUNSWICK \ 26 CANBERRA STREET 3

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2

This renovated, extended Edwardian offers an enticing family sanctuary on a sizable allotment close to Sydney Road. The renovation is geared around bringing light into the house, with fully retractable, double-glazed doors leading from the living room to the surrounding decks. An adjacent study offers plenty of work-from-home potential. The large central bathroom has a claw-foot bath, while the front of the house hosts three bedrooms with built-in fireplaces. The two front bedrooms looking over the front garden. Features include hydronic heating, designer light fittings, original Baltic pine floorboards and off-street parking for two. Going by the name Lochlea, this property extends across 506 square metres. ● ANDERS FURZE

Agent: Jellis Craig Brunswick, Elizabeth Kelly 0431 434 169 Price: $1.55 million-$1.65 million

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Auction: 11am, March 13 DOM A IN REV IEW

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41 Brougham St North Melbourne A landmark property in one of Hotham Hill’s signature double-width streetscapes with a 9.2m frontage, this north facing balconied terrace delivers an exceptional city-fringe family lifestyle with its adaptable design, extensive list of features and enviably easy access to the best of inner-Melbourne. Moments from the open spaces of Royal Park, it’s also walking distance to popular cafes and restaurants

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Motoring

Address: 200 Alexandra Pde FITZROY VIC 3065 (site 90028. RFNSA 3065001) 1. The proposal will involve: • The installation of three (3) new panel antennas on the existing rooftop; • The reconfiguration of existing technologies and addition of new technologies for 3G/4G/5G systems; and • Installation of ancillary equipment such as radio remote units (RRUs), transceivers, amplifiers, antenna mounts, cable trays, feeders, cabling and other equipment.

2. The proposed installations are deemed to be Low-impact Facilities pursuant to the Telecommunications (Low-impact Facilities) Determination 2018 Schedule-Facilities and Areas Part 1-Radio Facilities, Item 4, and Part 3-Low-impact facilities 3.1 Facilities (4)(a) based on the descriptions above.

Consent from council is not required in this instance.

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