Domain Review Melbourne Times - June 16, 2021

PEOPLE & PROPERTY OF MELBOURNE

THE D E SIG N E DITIO N

MAKING MELBOURNE OU R CIT Y ’S N E X T L A NDM A RK BUILDINGS

TIME OUT

THE ART OF RELAXATION

SMART WORK

SCHOOLS MAKING A STATEMENT

REAL ESTATE

A PRIZE CLIFTON HILL PAD

MELBOURNE TIMES

JUNE 16-22, 2021

C o mp i l e d b y

HAILEY COULES

The editor’s desk

It may have been an international journalist who dubbed Melbourne “marvellous” way back in the 1880s but the moniker has stuck and been adopted. Through the city’s tough times, historical and more recent, Melburnians have known there’s much that this city has to celebrate and be proud of. It’s this pride that has kept creativity and enterprise constant, even when the chips are down. In this week’s issue, we take a look at Marvellous Melbourne’s design excellence, and highlight ingenuity and creative endeavour across different fields and specialities. We hope you enjoy it. ●

FEET FIRST \ Footwear label Bared has teamed up with

PHONE A FRIEND \ On June 20 you can tune in to the

Aboriginal artist Lakkari Pitt on a limited-release sneaker

Asylum Seeker Resource Centre Telethon for World

dubbed the Hornbill Lakkari. They will donate $50 from

Refugee Day. They aim to raise vital funds to support

every pair to Children’s Ground. ● bared.com.au

over 7000 asylum seekers each year. ● asrc.org.au

GOING PLACES Things to do & see in Melbourne

OUR COVER \ AAMI Park, by Cox Architecture Photographed by Charlie Kinross

INDEPENDENT SCHOOLS GUIDE Head online: domain.com.au/news/ domain-digital-editions General inquiries \ 9249 5226 \ editorial@domain.com.au Editor \ Jemimah Clegg Editorial producer \ Hailey Coules Group picture editor \ Vashti Newcomb Senior designer \ Colleen Chin Quan Graphic designer \ Emma Staughton Editorial director \ Adrian Lowe National managing editor \ Alice Stolz Group director, Consumer \ Jason Chuck Jason Pellegrino Real estate sales director \ Ray van Veenendaal \ 0438 279 870 ray.vanv@domain.com.au Retail sales \ retailsales@sales.domain.com.au

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REVIEW Domain Review is published by Domain Holdings Australia Limited and is printed by Elephant Group (Aust) Pty Ltd, 24c Victoria Street Windsor VIC 3181. All material is copyright.

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MELBOURNE TIMES

Chief executive officer Domain Group \

FRENCHY CHIC \ Melbourne designers Emily Gillis

CURIOUS TREAT \ The Truffle Melbourne Festival at

and Zachary Frankel have collaborated to create “door

Queen Victoria Market is on June 19-20; shoppers can

jewellery” handles in two styles – Egg and Croissant.

learn about and taste the world wonder that is the

● emilygillis.com.au; zacharyfrankel.com

truffle. ● qvm.com.au

C O M M A BAT H H O U S E , CREMORNE

WELLNESS Modern bathhouses

are drawing on ancient practices.

Wo r d s

LI SA M A RI E C O RS O

I

t can be difficult to switch off in the modern world. Our phone is constantly pinging with messages, social media notifications and work emails asking us to do that thing we planned to do tomorrow, today. At home, it’s much the same with the everyday chores and life admin required as part of our domestic lives.

Finding a way to escape from it all seems almost impossible, but a selection of Melbourne bathhouses promises that for an hour or two, at least, we can.

“A bathhouse is a neighbourhood place where you can come and bathe with different modalities,” says Mary Minas, who, alongside her business partner Freya Berwick, co-founded Collingwood bathhouse Sense of Self.

“It’s also a place of social connection, a place to come together and share our differences but also unite in the commonalities we all have in our lives.”

Minas was originally drawn to the bathhouse experience in her early 20s when she bathed in the hammam at the Grand Mosque of Paris.

“My French-Tunisian friend and her mum would go every week, and I got to go when I was visiting.

The experience opened up my eyes to what real bodies look like and the different stages of life,” she remembers.

Her first soak left a lasting impression. As a filmmaker, Minas planned to make a documentary on bathhouses through the ages and went on what she calls a “bathhouse odyssey” through Europe, North Africa and Japan, but while she was researching her film, she changed tack: “I thought, I want to bring the bathhouse to Melbourne.”

Minas partnered up with Berwick, and their years-in-the-making bathhouse recently opened in

JESSICA TREMP

TESS KELLY

Rinse, repeat Collingwood, a place they’ve purposefully built to bring the community together.

“There’s something special about coming to the bathhouse to commune with others,” she explains.

When designing Comma bathhouse in Cremorne, founder Susie McIntosh had one goal: to help people switch off. “Everyone is so busy and stressed, and we all have a million things on, so we just want to help people tune out for an hour,” she says.

Typically the bathhouse experience offers various hot-cold bathing options, where after an initial cleanse, the guest rotates between soaking in a mineral or magnesium hot tub or pool, taking a dip in a cold pool, spending some time in a Finnish or infrared sauna, then tipping a pail of cold water onto themselves to cool down.

The idea is to move at your own pace. Now, that’s relaxing. ● ● sos-senseofself.com; commaspaces.com

Sense of Self, Collingwood (& left)

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COVER STORY

A city’s architecture speaks to its character, so what do Melbourne’s best buildings – past and present – say about our state capital?

T

icking off a handful of what he judges to be among the buildings that established Melbourne as a city of substance, Melbourne University emeritus professor of history Stuart Macintosh says “some, like Parliament House, are obvious; others, like the Queen’s Hall at the State Library of Victoria, are not”.

Macintosh, the immediate past chairman of the august Heritage Council, nominates the elegant 1856 space of Queen’s Hall as signalling Melbourne’s emergence as an ambitious, confident state capital – even if it was still young when the glass-ceilinged facility opened as a public library and museum.

“It was one of the few [in the world] of such a scale placed in the very centre of a city,” he says. “Libraries were the way to use wealth to civilise newcomers”.

The newcomers of the age were the tens of thousands of diggers attracted to Victoria’s gold rush.

“Gold transformed Melbourne and allowed the

building of our Parliament House on a grander scale than any other in Australia,” Macintosh says. “The Royal Exhibition Building has to be mentioned. The second half of the 19th century was the age of exhibitions, and although it’s not a particularly distinguished Joseph Reed building, this is the only exhibition building left in the world.”

Constructed in 1880-81, “it’s an extraordinary statement of international aspiration”.

“Another great building is William Wardell’s Gothic Revival St Patrick’s Cathedral that took 70 years [between 1858 to 1939] to develop in a combination of bluestone and sandstone.”

Macintosh says that, with its many church spires and still perceptible hills such as the Spring Street elevation and even Jolimont and Princes hills, “in the late 19th century guidebooks were describing Melbourne as being a city like Rome that is sited on seven hills”.

One tower that remains unobscured by the 21stcentury high-rise clutter is that belonging to Government House, completed south of the Yarra in 1871. “Modelled in the Italianate style on Queen Victoria’s Osborne House [on the Isle of Wight], it is again beyond the scale of any other government house in other states,” Macintosh says.

Another “extraordinarily fine building” Macintosh knows well is the sublime sandstone Melbourne University residential campus Newman College, designed by Walter Burley Griffin. “It is a wonderful, very specific and imaginative work for which Griffin also designed the furniture”.

These structures were all saying, “We are the biggest and the best!” he says. “To the end of the 19th century, Melbourne kept the lead as the financial and commercial capital of Australia.”

Looking at more recent Melbourne constructions, architect, commentator and presenter of the television program Restoration Australia, Stuart Harrison, contends there are quite a few that argue for Melbourne maintaining the mantle as the nation’s cultural capital.

“A great building with terrific digital technology.” - STUART HARRISON

THEY BUILT THIS CITY Wo r d s

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J E N N Y B R OW N ●

Ph o t o s

C H A R LI E KI N R O S S

The Commons in Brunswick by Breathe Architecture, above & below; AAMI Park stadium by Cox Architecture, main.

The first that comes to mind is “my favourite building and a standout in Melbourne”, Roy Ground’s 1968 National Gallery of Victoria. “So simple but it is a very rich building that takes bluestone and does something different with it,” he says.

Nearby Federation Square (circa 2002) – in his view, “Melbourne’s lounge room” – is another that the founding director of Harrison White Architects nominates as having stood the test of time. “It shows that if you spend the money and do it really well in quality materials, it goes really well.”

ARM or Ashton Raggett McDougall’s two-part redevelopment of the 1934 ziggurat that is the Shrine of Remembrance is admired “as a great piece of work that revitalised a great Melbourne building with four new [semi-subterranean] courtyards”.

“How do you work with such a well-known Melbourne building and make it better? But ARM added a whole extra layer to what is already a wonderful building”.

Though not universally appreciated, the 2010 development of “the big soccer balls”, or geodesic domes, of AAMI Park by Cox Architecture, is, “a great building with terrific digital technology”.

Although the premise of questioning Harrison was to ascertain which of the very recent Melbourne projects he would judge as being worthy of being around in the next century, he admits he is “struggling with the recent completions”.

The most recent work he will praise is John Wardle Architecture’s sensationally original 2019 music academy, The Ian Potter Southbank Centre.

Considering residential work, he quickly adds Breathe Architecture’s 2014 sustainable multiresidential prototype Brunswick development, The Commons, “as having held up very well and given a whole new identity to that part of the inner city”.

Like Macintyre, Harrison also has to range out of town to name projects of such interest and integrity that they will prevail through the ages.

“It’s not a building but a landscape project by TCL [Taylor Cullity Lethlean], he says. Opened in 2006, the outpost of The Royal Botanic Gardens at Cranbourne “has taken a while but it’s turning into a great contemporary landscape project with some wonderful little buildings within it”.

Another project “not many people know about” and that they wouldn’t automatically associate with the idea of great Melbourne buildings is Robert Simeoni Architects’ Seaford Lifesaving Club.

“It is a wonderful timber community building,” Harrison says, “by a wonderful architect, that has aged really well. It’s a great example of the kind of buildings we need more of.” ●

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Transformative spaces EDUCATION School buildings are becoming sophisticated.

Wo r d s

EMILY BARTLETT

R

eflecting light from a contemporary glassed entrance, the new building at St Leonard’s College in Brighton East is a professionalstandard performing arts centre designed by ARM Architecture, of Melbourne’s Hamer Hall and Recital Centre fame.

The Leonardian Centre is the piece de resistance of a $57-million school extension, which also includes 11 new classrooms, a lecture theatre and an underground car park.

“We wanted something iconic, something with wow factor,” says St Leonard’s principal Stuart Davis. “You often see cars stopping for people to have a better look.”

A co-educational independent school, St Leonard’s College joins a growing number of

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EFFIE MANN

Australian schools engaging high-profile architectural firms to modernise and energise their learning spaces and facilities. But it’s also about more than simply turning heads, cautions Davis.

“We are focused on bringing quality performances to bayside, to benefit the local community,” he says.

“But also, to give our students access to these performers so they can learn from them.”

It’s a sentiment Ian McDougall of ARM Architecture says resonated with the firm.

“We are engaged in the arts, and we are a great fan of the role the arts play in being a fully rounded human being,” he says.

Along with the challenges of designing a space that can host traditional school functions as well as professional music performances, ARM also had to

consider the existing school buildings and the surrounding streets.

“A building has two responsibilities,” McDougall says. “One is that its interior must function and work to meet every functional demand, but it also has a responsibility on the outside as a citizen in the city of buildings.

“And that’s where we try to get to when we’re working on a design. That a building’s community embraces it when it’s first done, and the embracing continues because it continues to work and it fulfils that need in the community.”

That yearning for connection, and an evolving appreciation for how architecture can aid learning, is responsible for the rising sophistication in educational architecture, says Australian Institute of Architects national president Tony Giannone.

“Recently, there has been a focus on the quality of learning spaces as we’ve become more aware that quality design leads to quality learning,” he says.

On the other side of Melbourne, Research Primary School is also feeling the transformative power of good design. A collaboration between

St Leonard’s College, Leonardian Centre.

architects Kennedy Nolan and the Victorian Schools Building Authority has led to the upgrade of its junior school, shortlisted in the 2021 Victorian Architecture Awards.

Dated classrooms were replaced with rooms that embrace fresh air and natural light, opening onto each other for collaborative learning. “There are glass doors everywhere, and the kids can spill

outside and learn outside of their classrooms as well,” says principal Fiona Vale. “It all just makes so much more sense; it’s beautiful.”

Architect Patrick Kennedy notes building for children is particularly appealing because “of the potential to shape the way they understand space, light, sound and materials - childhood memories can be so formative and positive”. ●

Be a Gen Girl Join our vibrant Prep to Year 12 community and discover the world of opportunities a Genazzano education can provide.

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Timeless design

Y

of the most iconic pieces found across Australian homes, cafes, and institutions today.

Hutchinson discovered his passion for furniture design – a practice he describes as the meeting point of art and engineering – at the tail end of an industrial design degree. Today he

Try these

ou might not know him by name, but if you follow Australian design, you’ll likely recognise Justin Hutchinson’s work.

Having worked for and collaborated with some of the industry’s biggest names, the furniture designer has created some

heads his own design studio, Urban Commons, while also being the design director of Kett – the Australian furniture label of Cosh Living, which offers a range of designer furniture sourced locally and internationally.

Hutchinson joined forces with Cosh directors Colin Kupke and Shane Sinnott in 2016. In the past five years, over 210 unique products have been released by the brand.

Kett furniture is designed in Melbourne and predominantly made in Australia. Inspiration is drawn from the Great Ocean Road coastline, which Hutchinson distils into Kett’s distinct lines, shapes, and colour palettes to capture an unmistakable Australian sensibility.

The coastal grasslands of Johanna Beach are referenced in the Johanna Occasional Chair – a classic piece that reflects the rolling green landscape adjacent to the iconic Victorian coastline. Similarly, the elegant proportions and refined timber form of the Otway Dining Table reflects the giant forests of Cape Otway. Both items are exclusively made to order by Kett in Melbourne.

“I think that’s something that people are really looking for; a brand that not only tells an Australian story but also supports Australian design and manufacturing,” says Hutchinson.

More recently, Kett released the Frame Living System – their largest

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The inspiration for Kett furniture comes from our coastline. Wo r d s A M E LIA BA R N E S

Justin Hutchinson of Kett.

project to date. This module recognises the changing nature of the Australian home, compressing it into an inspired furniture solution that integrates storage and technology.

“We call it furniture for walls,” says Hutchinson.

Ultimately, what sets Kett apart is their dedication to designing for Australians, by Australians, and their unwavering commitment to quality.

“The material selection, the grade of timber and the methods of production have been amazing, and we continue to raise the bar.”

Kett is also distinguished by its lack of interest in trends, refusing to adopt the common business model that sees seasonal collections released multiple times a year.

“We’re just about timeless design.

Something that you buy today will still be beautiful 10 or 20 years from now and become a bit of a legacy product,” says Hutchinson. ● ● coshliving.com.au

1. Kett Otway Armchair and Dining Table.

2. Kett Frame Living System.

3. Kett Johanna Occasional Chair, all available from Cosh Living.

IN PARTNERSHIP WITH

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A DV ER T IS IN G F E AT UR E

EDUCATION & INNOVATION

Taking the lead

T

hroughout her teaching career, Davina McClure has recognised the importance of fostering leadership skills in students.

An accomplished music teacher, McClure has taught Early Learning Centre and VCE students and every year level in between. Throughout that time, she has encouraged students of all ages to discover their interests, talents and voice.

Only three years into her career, McClure became a faculty head and says the responsibility and the opportunities to collaborate, think creatively and innovate with colleagues, was invaluable. She says effective leadership is a balance between conviction and compassion.

“Conviction comes from having purpose as a leader, and compassion is about understanding that each person is an individual. You have to navigate that balance with respect and authenticity, and that is very much part of the culture at Ivanhoe Girls’ Grammar School,” she says.

McClure began her appointment as Deputy Principal and Head of Senior School this year. One of her favourite responsibilities is working closely with School Captain Winona Lai and School ViceCaptain Charlotte Middleton.

They meet every fortnight to discuss initiatives and any issues, and weekly at Prefect team meetings. Student-led Prefect meetings bring together McClure and year 12 Captains to discuss what is happening in and around the school, brainstorm ideas, and decide on actions to bring projects to fruition.

“Our aspiration that ‘our girls speak for themselves’ is at the core of these meetings,” says McClure. “I support them, but they direct their actions and their outcomes with passion and skill.”

Middleton and Lai have stepped up to take on leadership roles since joining Ivanhoe Girls’ Grammar in year 7. Lai has been part of the Student Representative Council, a Tutor Captain and a School Ambassador. Middleton has held similar posts and has also been a Peer Support Leader to younger students and captained the human rightsfocused Amnesty International Club.

“I enjoy motivating other students to get involved with different activities and interests. I was quite shy but knowing I have the ability to lead people

C H A R L O T T E M I D D L E T O N , DAVI N A M c C LU R E A N D WI N O N A L AI

and to motivate them has definitely helped my confidence and social skills,” says Middleton.

“Leadership helps me meet and work with more people to bring ideas to life,” says Lai. “You can work together on things you feel passionate about, and I think the experience has made me a more caring and passionate person who can help other people find their voice.”

With McClure’s encouragement, Lai and Middleton advocate for other students to discover their leadership capabilities. They and the Prefect team chose an overarching theme for 2021 of “Let’s Own It”, and this positive call to action is a common thread through events and student-led assemblies.

“It encompasses things that are important to us,

such as empowering women in society, encouraging students to embrace and to own who they are as a person, and not to fear judgement. The Prefect Team hope we leave that legacy behind,” says Lai. McClure is proud of the students who step up and embrace the many leadership opportunities at Ivanhoe Girls’ Grammar School.

“The voices of the student leaders in this School are very clear and can bring a great depth of change,” she says.

“Our students leave with high self-efficacy, compassion and a strong belief that they can contribute to the world they will lead. These are beautiful qualities.” ● SARAH MARINOS

IVANHOE GIRLS’ GRAMMAR SCHOOL \ 123 Marshall Street, Ivanhoe ● 9490 6222 ● ivanhoegirls.vic.edu.au

IN PARTNERSHIP WITH

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HOME SWEET HOTEL Situated on the final piece of Melbourne’s original waterfront, Seafarers welcomes to the city Australia’s first 1 Hotel and Melbourne’s first, international hotel-branded residences.

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Comprising just 123 light-filled, immaculately crafted residences, this landmark development places the five-star amenity and services of the world’s leading sustainable luxury hotel at your door, and everything you love about Melbourne, just a river walk away.

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HOME & ARCHITECTURE

G R A N D S CA L E

SEAFARERS \ BRINGING HOTEL LUXURY HOME

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eafarers’ riverfront residences will have exceptional at-home luxury, with services and amenities expected of a five-star hotel, in a building designed by architectural visionary Nonda Katsalidis.

The $500 million mixed-use waterfront precinct will comprise 123 residences plus 277 guest rooms managed by 1 Hotel. The world’s leading eco-luxury group has award-winning hotels around the world including New York, Los Angeles and London.

The private residences will have access to 1 Hotel’s services and amenities including chef-catered dinners, 24-hour concierge, pet care, pool, gym, sauna and wellness spa.

Sweeping views over the Yarra, parklands and the city enhance the grandly scaled layouts, which feature fully-integrated Italian Snaidero kitchens, Gaggenau appliances and bespoke joinery.

The 18-storey Seafarers building will incorporate the site’s 1894 heritage-listed Goods Shed 5.

Heritage retention works have just been completed with more than 2200 items salvaged. ● LIZ McLACHLAN

IN PARTNERSHIP WITH

SEAFARERS » seafarers-residences.com. au 731 Flinders Street, Docklands ● Developer \ Riverlee ● Architect \ Fender Katsalidis ● Interior Designer \ Carr ● Landscape Designer \ Oculus FIVE-STAR SERVICE

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LOCATION \ Take the waterfront Yarra Promenade to walk to the city, Southbank, Arts Precinct or Botanic Gardens. There’s a tram stop outside and Southern Cross and Flinders Street stations are nearby. ●

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CLIFTON HILL \ 7 TURNBULL STREET 4

1

2

This Federation house offers renovation potential (subject to council approval) and sits on a prominent corner block in Clifton Hill, one of the most prized neighbourhoods in Melbourne’s inner north. The distinctive tuck-pointed facade is an eye-catcher from the start, with an arched hallway that leads to the four bedrooms and bathroom at the front of the house. Head out the back for the living area and kitchen-meals room, plus a retreat that doubles as a home office. There is plenty of space for outdoor entertaining, including a covered area. A double garage keeps parking secure and it’s all found moments away from Queens Parade village, opposite Mayors Park. ● ANDERS FURZE

Agent: Nelson Alexander, Luke Sacco 0407 528 040 Price: $2.2 million-$2.3 million Contact agent

116 Rossmoyne Street Thornbury 4

a 2b 1c

With stylish aesthetic with easy functionality, this architecturally designed four bedroom, two bathroom home offers open kitchen/ meals/family, laundry/butler’s pantry, entertaining deck to walkway into parkland, study, BIRs, fourth bedroom/retreat potential, Tesla car charger, zoned heat/cooling and OSP. Near schools, High Street and transport.

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$100 CASH BACK For your old hot water or heater unit WWW.GETSERVICED.COM.AU Licence:31417

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12454729-SG29-20

14 Shiel Street North Melbourne Set amid enchanting gardens and period elegance, this 4-bedroom, 2-bathroom plus study Victorian terrace with extension designed by Architect Norman Day delivers a magical family lifestyle, positioned for Uni High and among lifestyle surrounds. Beneath decorative 11-foot ceilings and adorned with castiron fireplaces, the home offers effortless relaxation and entertaining, providing a refined sitting room and a light-filled family room with hostess kitchen, enriched by tranquil gardens with ROW access.

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EOI Closing Marcus Kassab Trevor Gange Fitzroy

Tuesday 29th June at 2:30pm 0412 987 006 0499 332 211 8415 6100

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