P O R TFOLIO
SZU SHIUAN HUANG INTERIOR DESIGN PORTFOLIO 2015-2018 / DESIGN
INTERIOR DESIGN
15-18
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ONE
HOTEL BRANDING DESIGN
BRAND INTRODUCTION “Tea Soap� inherits the manual soap making technology. Soaps are combined with green tea, natural tea tree seeds and organic raw materials. Having developed the healthiest and most natural floating soap, it is another alternative choice for human who raise awareness about living healthy.
LOGO PROCESS ‘茶山房’which is the Chinese name of ”Tea Soap“ Decomposing Chinese character into "艸人木山户方" Take out the "艸人木" Furthermore, merged three characters into one.
艸
人
木 艸: Plants in space 人: Space related to people 木: Natural materials
Soap changes in appearance as time changes Complete long soap Gradually appearing arc Into uneven heights Finally, generating cracking surface.
The natural manufacturing process is extended to create a natural environment in the space. Turning the space into "Inside out, outside in".
From the feature of floating soap, take out "floating" as an element. Create a sense of floating by designing an upper and lower space.
1 Maintain transparency
2 Divided the void space out
3 Add landscape to the space
4 Extend space to the outdoors
COMFORTABLE PHYSICAL CARE HEALTHY NATURE
SPA
CONCEPT
SPA Design for 5 senses
SPACE IMPLEMENTATION
SOUND
SOUND OF WATER
WATERFALL
FRAGRANCE
WOOD MATERIAL - MEMORY
PENETRATING RAYS, GRILLE
NATURE LANDSCAPE
MIX WITH OUTDOOR
LIGHT AND WIND
HEALTHY DINING
TEA / HEALTHY RESTAURANT
TEA HOUSE
TOUCH
FURNITURE/SPACE MATERIAL
CHANGING SHAPE - BUMP
RELAXATION
RELAX SPACE
FLOATING
STORE & TEA HOUSE
2 5
1 Entrance 2 Waiting Area 3 Store 4 Waterfall 5 Tea House
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3
1
FLOOR INTRODUCTION
1F
STORE, TEA HOUSE
2F
LOBBY
3F - 9F
ROOMS
10F
RESTAURANT
11F
POOL, SPA
SEMI-OUTDOOR LAYER
LOBBY
1
1 Hall 2 Bridge 3 Lobby 4 Resting Area
2
5 Office
4
3
5
1
1
2 2
2
3 3
4
4
3
ROOM
RESTAURANT
1 Suite 2 Tatami Room 3 Standard Room 4 Standard Room
1 Kitchen 2 Buffet 3 Seats
T
POOL SPA 11F Roof Garden Swimming Pool Spa
During traveling, people will rethink what is the meaning of life because of their gradually expanded vision. By designing the spaces to encourage people be out of their comfort zones, and to grow up in the wanderings and
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somehow discovering themselves during the trip.
ORIGIN
THE SIX THINGS YOU MEET WHILE TRAVELING
TWO
EXHIBITION HALL DESIGN
CONCEPT The six things you meet on the journey are to tell the memories of travel which result in conducting self-talk and emotional communication, so that visitors who come to this space can actually experience the elements of travel, and then have a desire to start a trip.
Collecting Memories
Getting Lost
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Making Friends
Going to Local Markets
Pocket Being Picked
Squeezing in a Bus
Square of Stealing
Be aware of your pockets.
In the square area, when people walk on the ground, there will be another footprint displayed and followed by the person's feet. The ground is a display panel that will sense the position of the person. People usually do not conscious about their pocket being picked.
Going to Local Markets People on the high platform will pick the next one to jump. The metal pillars hanging above will produce a lively sound due to human collision.
pick interaction
The hanging metal pillars create a dazzling visual effect due to the different lengths.
bustling
Squeezing in a Bus
crowded uneasy shaking
Narrow walkways which feel like squeezing into a crowded bus. The difficulty of getting inside by using some bubbles wall on both sides to narrow down the width. The floating floor will tilt as the person walks on, making people feel like a bus that shaking while driving.
Display Tickets Area
Floating Floor Area
Exhibition Area
DANS LE NOIR DINING IN THE DARK There are established positions in Paris, London and other regions. Supporting activities related to the disabled for many years. Diners can to have relieved and happy dining quality in the dark. This unique experience will focus and sharpen your senses and enables you to taste a surprising wine & food experience adapted to this unusual context.
Dining with strangers by destiny. In a dark environment, except for sounds and words, everything is unknown. People have conversations with expectation, Guessing each other's appearance, Unknown processes have opened up a sincere dialogue.
Work hard with totally new friends, stepping on a bicycle, Only sufficient power and volume will be triggered a controller to play a film about travel, friendship, and fate.
Making Friends The most beautiful memories are not just the scenery, but people you meet on the journey.
Collecting Memo-
Getting Lost
ries
In the form of exhibition rooms, the walls and even the ceiling are full of pictures. A way of recording for travel by photo wall.
Stock Countdown: One of the walls displays a series of photos. With the timeline advances, numbers of film is slowly counted down to zero. As for the digital memory card, it is an opposite recording method which is slowly accumulated from zero to a few hundred and more. It represents the collection of memories in different ways from ancient times to the present.
Collecting the stories of the tra
and the interesting souvenirs i
Getting lost is the beginning of travel, and you can experience the romance of the city by wandering.
avelers and putting the factors of adventure
into the wooden grilles drawer.
When people walk in exhibition rooms that are divided like a street, High walls without consistent opening direction will make people lose their way. Repeat the same way back and forth, it presents an illusion of getting lost.
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REFLECTED CAF’E
THREE CAFE DESIGN
ANALYSIS
The beauty of the Lijiang River is its mountains, river and human landscape.
+
=
The water of the Lijiang River is
Stilt Houses of Zhuang Nationali-
The mountain view
like a mirror that reflects the the
ty is a semi-dry wooden building.
by the Stilt Houses
view above.
Usually built on the foothills of
light are all in harm
the mountains.
Houses .
BASIS ANALYSIS terrain
w is set off firmly
s. The thick and
The base is located on the bank of Lijiang River in the north of
mony with the Stilt
Yangshuo, Guilin City, Guangxi Zhuang Autonomous Region, China. Xingping is surrounded by mountains and waters, and the scenery is a spectacular view. The Lijiang River is a hilly area, and the terrain is high in the east and low in the west. Xingping is located on the east bank of the Lijiang River, where the Lijiang River turns back and flows another way. There are endless mountains beside the banks of the Lijiang River .
DIAGRAMS Space division Dividing the space into two parts Placing the one with an unsightly outside view into a closed area, And move the visual centre to the side by the shore of the Lijiang River. Designed as a semi-open space with wood gratings.
Hidden Service Spaces Place the service spaces into two square boxes with a mirror-surface material. To avoid the visual interference and disorder that service spaces may cause.
Low-lying Sitting Area On the second floor, the low-lying sitting area is just like a boat on the Lijiang River. Looking at the bright sunshine of the Lijiang River. The time with tha aroma of tea is as peaceful as a slowly drifting boat.
CONCEPT
The wood gratings are like Stilt Houses which become a real scene in space. The mirrored wall is like a river reflecting the scenery, as a role that sets off the beauty. The low-lying seat area seems like a boat on the Lijiang River. Enjoying in the beauty of mountains and rivers. Admiring the performance from the small square box hidden into the wood gratings. With the aroma of tea, taste the meal, and appreciate the beauty of the Lijiang River.
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FOUR
THE FLYING LANTERNS
AIRPORT CUTURAL EXHIBITION DESIGN
Introducing Taiwan by traditional habits and social customs. After all, these things are the closest things to the lives of Taiwanese.
Lantern Festival Apply the sky lanterns during Chinese New Year. It would fly along the Keelung River to the estuary which symbolized a sign of safety
ORIGIN
toward the relatives in the mainland.
CONCEPT
DIAGRAM
Feel it, but can't touch or own it.
To express the emotion contained in the sky lanturns by the diagrams.
Once happened, but can't stay forever.
The sustenance of hope and missing The feeling of parting melancholy
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Drifting away gradually from the ground and the traces of smoke left after Scanned by CamScanner
Place the feelings of yearning on the sky lanterns
A hopeful gaze
METHOD At the end of the rugged staircase, staring at the opposite shore, as if it could touch it, but only can stare it
With the soft and elastic floor, the footprints on the square slowly disappear, but they cannot be captured.
The interaction of heaven and mortal world
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People can stand on one side and stare at installation art of mountains as if the feeling of sending a wish by lanterns toward heaven in the sky. Representing the interaction between the two worlds.
The edge of the platform is just like a seawall. Sit down casually and listen to the story of the sky lantern unfolded slowly.
Like a ship floating on the sea, Quietly stay in the center. The footprints around the seat are like the traces of boats left after crossing the sea. Traces are slowly covered by sea water.
Walking through the empty square, gently left the footprints. As time goes by, because of special floor material, foodrints slowly disappear from sight.
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FIVE
LOGO DESIGN
A logo for a T-shirt For the Eternal Life Church In the purpose of their sixtieth anniversary in 2018 More than a hundred of people wearing the T-shirt
‘Family meets in love, Meeting each other and love their family’ By using the slogan of church,
Simplified into lines and
to be the starting point of design.
added the elements of the cross.
CHURCH
FAMILY
FAMILY
Overlapped lines and colours
Merged and organized
to represent the relationship
all the above diagrams.
between church and family.
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SEVEN
FURNITURE DESIGN for WOODWORKING
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SIX
Andari Fabric Design Competition
MARINE COLOR CHIPS (B-1)
In color psychology, blue is a colour that represents trust, loyalty, and reliability. Not only can it resonate with inner security, but it is also a symbol of peace and tranquility.
DETAILS The upright feet are attached to the upper board, while the L-shaped wood is used as the overall structure. Use a 1/3 hoe to attach with each other with the upright feet, and the middle hoe is an L-shaped. The table legs are presented in three heights, making the porch table no longer a rigid shape.