FINE ASIAN ART MONDAY 16 MAY 2022
DORE & REES EST. 1868
AUCTION SALEROOMS, VICARAGE STREET, FROME BA11 1PU 01373 462257 www.doreandrees.com
Fine Asian Art Monday 16 May 2022
10:30am Lots 1-357 V ew ng
Fr day 13 May 10am to 4pm Saturday 14 May 10am to 4pm Sunday 15 May 10am to 4pm
Head of Sale
Lee Young lee.young@doreandrees.com 01373 462257 / 07825 426555
Enqu r es
enqu r es@doreandrees.com
Catalogue
£10 ( nclud ng p&p)
Dore & Rees
Auct on Salerooms V carage Street Frome BA11 1PU 01373 462257 www.doresandrees.com
Cover llustrat ons
Front: Is de front: Ins de back: Back:
lot 141 (deta l) lot 276 (deta l) lot 276 (deta l) lot 141 (deta l)
Information for Bidders and Buyers The follow ng notes w ll g ve you the most mportant nformat on regard ng how to b d and buy. Please keep an eye on the auct on catalogue l sted at doreandrees.com/upcom ngauct ons where any spec fic arrangements for auct ons w ll be kept updated. The full Terms and Cond t ons of Sale can be found at doreandrees.com (l nk at the bottom of the webpage) and also pr nted at the back of th s catalogue. Cond t on Reports Cond t on reports w ll be ava lable up to 48 hours before the auct on, requests are to be subm tted v a the lot deta ls page of the auct on catalogue l sted at doreandrees.com/upcom ng-auct ons
Add t onal Images
Add t onal mages may be requested up to 48 hours before the auct on, please subm t your requests the lot deta l pages of the auct on catalogue l sted at doreandrees.com/upcom ngauct ons
Depos ts
Depos ts may be requested for h gh value lots n advance of the auct on. Depos ts can be pa d by deb t card or BACS payment and w ll be refunded n the event that you are not the Buyer of the lot.
Reg strat on
Reg strat on closes at 5pm on the day before the auct on. New b dders are requested to prov de the follow ng: • Name, address, telephone number and ema l • Two forms of dent ficat on - A passport or photograph c dr v ng l cense - A ut l ty b ll or document show ng proof of name and address When reg ster ng to b d onl ne v a doreandrees.com or v a easyl veauct on.com, you w ll be requested to prov de your bank or cred t card deta ls to complete 3D secure authent cat on.
B dd ng
In person – jo n us n the saleroom By absentee b ds – you can subm t your absentee b ds v a doreandrees.com By telephone – a l m ted number of telephone l nes w ll be ava lable for the auct on, bookable on a first come first serve bas s Onl ne – b d l ve onl ne v a doreandrees.com, easyl veauct on.com and the-saleroom.com, charges apply.
Buyer’s Prem um
As a Buyer, you w ll pay the Hammer Pr ce, Buyer’s Prem um of 30% of the Hammer Pr ce ( nclus ve of VAT), any art sts resale r ght royalty payable on the sale of the Lot and any further VAT due
Payment Methods
Purchases can be pa d by BACS, Deb t Card, Cred t Card (up to a l m t of £500 f a d stance payment) or Cash (up to a l m t of £8,000 n person). Payment s due w th n 5 work ng days of the auct on.
Collect on and Sh pp ng
Once pa d for, lots can be collected from Dore and Rees by appo ntment. We can recommend sh ppers to ass st w th the collect on and transport of lots to you.
Order of Sale Lots 191-24
Bronzes and Sculpture
Lots 125-193 Ceram cs
Lots 194-223 Enamels, Hardstones, S lver and Jewellery Lots 224-267 Works of Art
Lots 268-284 Pa nt ngs and Text les Lots 285-293 Books
Lots 294-309 Furn ture
Lots 311-344 Japanese Ceram cs and Works of Art
Lots 345-359 Islam c and South-East As an Works of Art
How to find the Saleroom Dore and Rees s centrally located n Frome, Somerset; about a 10 m nute walk from the stat on w th d rect tra ns from London Padd ngton, operated by Great Western Ra lways (www.gwr.com). Dore and Rees Auct on Salerooms V carage Road Frome BA11 1PU 01373 462 257
Photography: Dom n c Brown
Layout & Des gn: Edd e Hams
Pr nt ng: Quay D g tal, Port shead
Asian Chronology IMPERIAL CHINA Qn 221-207 BC Han Western Han 206 BC-AD 9 Xn AD 9-25 Eastern Han AD 25-220 Three K ngdoms Shu (Han) 221-253 We 220-265 Wu 222-280 Southern dynast es (S x Dynast es) Western J n 253-316 Eastern J n 317-420 L u Song 420-479 Southern Q 479-502 L ang 502-557 Chen 557-589 Northern Dynast es Northern We 380-535 Eastern We 534-550 Western We 535-557 Northern Q 550-577 Northern Zhou 557-581 Su 589-618 Tang 618-906 F ve Dynast es 907-960 L ao 907-1125 Song Northern Song 960-1126 Southern Song 1127-1279 Jn 1115-1234
REPUBLICAN CHINA Republ c People’s Republ c
1912-1949 1949-
Yuan M ng Hongwu J anwen Yongle Hongx Xuande Zhengtong J ngta L anshun Chenghua Hongzh Zhengde J aj ng Longq ng Wanl Ta chang T anq Chongzhen Q ng Shunzh Kangx Yongzheng Q anlong J aq ng Daoguang X anfeng Tongzh Guangxu Xuantong
1279-1368 1368-1308 1399-1402 1403-1424 1425 1426-1435 1436-1449 1450-1456 1457-1464 1465-1487 1488-1505 1506-1521 1522-1566 1567-1572 1573-1620 1620 1621-1627 1628-1644 1644-1661 1662-1722 1723-1735 1736-1795 1796-1820 1821-1850 1851-1861 1862-1874 1875-1908 1909-1911
Bronzes and Sculpture
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LEE YOUNG @ DORE & REES
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BRONZE CENSER
17TH / 18TH CENTURY of compressed globular form, w th tw n Buddh st l on mask handles 13cm d am Provenance: From a Pr vate Somerset Collect on £500-800
2
BRONZE CENSER
18TH CENTURY n the archa c style w th tw n Buddh st l on mask handles 15cm w de Provenance: From a Pr vate Somerset Collect on £200-400
3
BRONZE ARCHAIC STYLE VASE
QING DYNASTY, 18TH / 19TH CENTURY @Descr pt on:the squat flared form vessel decorated w th archa st c blades, 13.5cm h gh; together w th a BRONZE CENSER, QING DYNASTY, of compressed globular form, 12cm d am (2) Provenance: From a Pr vate Somerset Collect on £200-400
4
PAIR OF BRONZE BALUSTER JARS
LATE QING DYNASTY one decorated w th myth cal beast and Buddh st emblems, the other w th floral panels, each bears an apocryphal seal mark 10cm h gh £100-200
FINE ASIAN ART, MONDAY 16 MAY 2022
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LARGE BRONZE CENSER
17TH / 18TH CENTURY @Descr pt on:the assoc ated stand bears apocryphal Xuande s x character mark, of baluster form, the unders de w th a styl sed medall on 16cm h gh, 25cm d am Provenance: Acqu red n Ch na by Capta n Charles Oswald L ddell (1854-1941). L ddell l ved n Ch na between 1877 to 1913, and thence by descent £1000-2000
6
LARGE IRON TRIPOD BRAZIER
LATE MING / EARLY QING DYNASTY of compressed globular form, the s des w th an archa st c scroll band and tw n dragon handles, ra sed on three cloud cast feet, bears an apocryphal Xuande s x character mark 37cm w de Provenance: From a Prom nent Scott sh Collect on £800-1200
7
LARGE GOLD-SPLASHED BRONZE TRIPOD CENSER
QING DYNASTY, 19TH CENTURY the compressed globular body w th arched handles, ra sed on three con cal feet 18cm d am £800-1200
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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LEE YOUNG @ DORE & REES
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GOOD SILVER-INLAID TRIPOD BRONZE CENSER
QING DYNASTY, 18TH / 19TH CENTURY the compressed globular s des w th tw n doubleelephant mask scroll handles, nla d w th a key-fret band and styl sed cloud scrolls 28cm w de Provenance: From a Prom nent Scott sh Collect on £1000-1500
9
BRONZE TRIPOD CENSER
20TH CENTURY of cyl ndr cal form, ra sed on a fitted hardwood stand, seal mark 12cm d am £800-1200
10
SMALL BRONZE TRIPOD CENSER
LATE QING DYNASTY of compressed globular form 9cm w de £100-200
FINE ASIAN ART, MONDAY 16 MAY 2022
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LARGE ARCHAISTIC BRONZE CENSER, FANGDING LATE MING / QING DYNASTY, 17TH / 18TH CENTURY
body s ra sed on four columnar legs and s cast n rounded rel ef on each s de w th a taot e mask and a band of confronted ku dragons, flanked and d v ded upr ght blades w th vert cal handles, w th tw n upr ght handles, ra sed on a fitted carved hardwood base, unders de bears apocryphal nscr pt on ‘T an gong zha Wen Wang j a wu’ 29.5cm h gh, stand 6.5cm h gh Provenance: From a Pr vate W ltsh re Collect on £1500-2500
12
BRONZE LIBATION CUP WITH HARDWOOD COVER
MING DYNASTY, 16TH / 17TH CENTURY the s des decorated n rel ef w th oppos ng scaly dragons 8.5cm h gh £200-400
13
GILT-BRONZE SCROLL WEIGHT
LATE MING DYNASTY modelled as a Buddh st l on, 6.5cm long; together w th a SMALL BRONZE FIGURE OF A SCHOLAR AND A LION SEAL, QING DYNASTY, 18TH / 19TH CENTURY (3) £200-400
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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BRONZE BUDDHIST LION CENSER AND COVER
17TH CENTURY cast seated on t h nd legs w th mouth open hold ng a tassel t ed w th two co ns, one foot rest ng on a ball 23cm h gh £800-1200
15
LARGE BRONZE BUDDHIST LION CENSER AND COVER
17TH CENTURY the feroc ous beast seated w th head turned to one s de, clutch ng a tasseled ball 33cm h gh £1000-1500
FINE ASIAN ART, MONDAY 16 MAY 2022
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LARGE BRONZE AND ENAMEL ELEPHANT-FORM CENSER
QING DYNASTY, 19TH CENTURY modelled as the capar soned beast stand ng four square w th head turned sl ghtly to one s de 30cm h gh Provenance: From a Pr vate Scott sh Collect on £800-1200
17
PAIR OF BRONZE CAPARISONED ELEPHANT-FORM ALTAR VASES
LATE QING DYNASTY the beasts stand ng four square carry ng lotus and ausp c ous decorated vases on the r backs, each w th tw n ruy -form handles 42cm h gh Provenance: From a Prom nent Scott sh collect on £1000-1500
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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GILT BRONZE FIGURE OF A LAMA
19TH / 20TH CENTURY the figure wear ng a long flow ng robe open at h s chest, seated on a deer pelt 14cm h gh Provenance: From a Pr vate W ltsh re collect on £300-500
19
GILT BRONZE FIGURE OF GUANYIN AND CHILD
20TH CENTURY shown stand ng on a double lotus base 13cm h gh Provenance: From a Pr vate W ltsh re collect on £200-400
20
GILT BRONZE FIGURE OF GUANYIN
SONG DYNASTY OR LATER modelled seated n royal ease (rajal lasana) w th the r ght arm gracefully rest ng atop the bent r ght knee 13cn h gh Provenance: Pr vate London Collect on £300-400
FINE ASIAN ART, MONDAY 16 MAY 2022
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LARGE GILT-BRONZE FIGURE OF GUANYIN
LATE QING DYNASTY modelled seated n dhyanasana w th a ra sed r ght hand, wear ng log flow ng robe open at the chest, back bears apocryphal Yongle s x character mark 41.5cm h gh Provenance: From a Prom nent Scott sh Collect on £300-500
22
SILVER-INLAID BRONZE FIGURE OF GUANYIN
YUTANG SHISOU MARK, 17TH / 18TH CENTURY the bodh sattva s cast w th a serene express on, both hands rest ng on the ra sed r ght knee wh lst the left hand holds a scroll, bes de a vase, the back bears the s gnature Yutang Sh sou 36cm h gh Provenance: From a Prom nent Scott sh Collect on, acqu red from Chr st e’s New York, 27th Sep 2017, lot 20 £2000-4000
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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GILT BRONZE FIGURE OF OF A SIX-ARMED BODHISATTVA
TIBET, 19TH CENTURY cast w th a contemplat ve express on shown seated n vajraparyanka atop a double lotus base 21cm h gh Provenance: From a Pr vate W ltsh re collect on £100-150
24
LARGE CARVED STONE FIGURE OF A BUDDHA
MING DYNASTY (1368-1644) shown wear ng long flow ng robe open at the chest, seated on a lotus throne, traces of old pa nt 66cm h gh £400-600
Ceramics
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BLUE & WHITE BOTTLE VASE
KANGXI PERIOD (1662-1722) the s des pa nted n tones of underglaze blue w th ausp c ous tems 18.5cm h gh £1200-1800
26
FINE BLUE AND WHITE LIBATION CUP
QIANLONG SEAL MARK AND PROBABLY OF THE PERIOD the s des finely pa nted n tones of underglaze blue w th blossom ng leafy stems, w th a dragon-form handle and key-fret decorated flared foot 7cm h gh, 13cm long £800-1200
27
SMALL UNDERGLAZE-BLUE CELADONGROUND VASE
QING DYNASTY, 19TH CENTURY decorated n tones of underglaze blue w th blossom ng stems 15cm h gh £50-100
28
SMALL BLUE AND WHITE VASE
KANGXI PERIOD (1662-1722) the baluster s des s des finely pa nted n tones of underglaze blue w th an nter or scene of court ers, the reverse w th a verdant rocky outcrop 22cm h gh £1000-2000
FINE ASIAN ART, MONDAY 16 MAY 2022
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BLUE AND WHITE HEXAGONAL BRUSH POT
GUANGXU FOUR CHARACTER MARK AND OF THE PERIOD the shaped s des pa nted n underglaze blue w th three horses 15.5cm h gh £100-200
30
UNUSUAL BLUE AND WHITE PEACH-FORM BRUSH WASHER
LATE QING DYNASTY of double-peach form, pa nted n tones of underglaze blue w th blossom ng stems 10cm w de £200-400
31
PAIR OF PAIR OF LAC BURGAUTE TEA BOWLS
QING DYNASTY, 19TH CENTURY the square s des w th mother of pearl nla d decorat on, 5.5cm w de; together w th a PAIR OF BLUE AND WHITE MINIATURE SQUARE BOXES AND COVERS, QING DYNASTY, 19TH CENTURY 4.2cm w de (4) £150-250
32
BLUE AND WHITE ‘MUSICIANS’ COVERED JAR
QING DYNASTY, 19TH CENTURY the cyl ndr cal s des and cover pa nted w th var ous mus c ans 12cm h gh £80-120
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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BLUE AND WHITE ‘LANDSCAPE’ BOTTLE VASE
QING DYNASTY, 19TH CENTURY the baluster s des pa nted n tones of underglaze blue w th a cont nuous mounta n landscape v ew w th figures, pagoda and fish ng boats w th n ruy and lappet bands, apocryphal Kangx four characater mark 25cm h gh £200-300
34
PAIR OF CHINESE EXPORT BLUE AND WHITE EWERS
QING DYNASTY, 19TH CENTURY each decorated n tones of underglaze blue w th cont nuous mounta n landscape v ews 15.5cm & 16cm h gh Provenance: From a Pr vate W ltsh re collect on £100-200
35
BLUE AND WHITE ‘LOTUS’ JAR
DAOGUANG SIX CHARACTER MARK AND PERIOD the s des w th fine gr sa lle decorat on of scroll ng lotus blossoms, w th n key-fret and lappet bands, hardwood cover 11.5cm h gh Provenance: From a Pr vate W ltsh re collect on £150-250
FINE ASIAN ART, MONDAY 16 MAY 2022
36
LARGE BLUE AND WHITE ‘KRAAK’ BOWL
WANLI PERIOD (1573-1619) pa nted n tones of underglaze blue w th rad at ng petal-shaped panels enclos ng figural and landscape scenes alternat ng w th scroll ng flowers and ausp c ous tems 35cm d am £2000-3000
37
PAIR OF BLUE AND WHITE SLEEVE VASES
QING DYNASTY, 19TH CENTURY each pa nted n tones of underglaze blue w th blossom ng rocky outcrops 39cm h gh Provenance: From a Pr vate W ltsh re collect on £200-400
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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LARGE BLUE & WHITE BRUSH POT
JIAJING SIX CHARACTER MARK, 20TH CENTURY the s des finely pa nted n tones of underglaze blue w th scholars n a garden landscape 17cm h gh, 19.5cm d am £2000-4000
39
LARGE BLUE AND WHITE ROULEAU VASE
19TH / 20TH CENTURY the cyl ndr cal s des finely pa nted w th figures seated on rock, the oppos ng s de w th a myth cal beast cha ned to a post bes de a blossom ng prunus tree 48cm h gh £2000-4000
FINE ASIAN ART, MONDAY 16 MAY 2022
40
BLUE AND WHITE MING-STYLE BRUSHPOT, BITONG
LATE QING DYNASTY the s des pa nted n tones of underglaze blue s mulat ng ‘heap and p l ng’ w th styl sed peony blooms and scroll ng tendr ls , w th lappet and ruy bands 17cm h gh Provenance: From a Prom nent Dorset collect on £5000-10000
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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PAIR OF BLUE AND WHITE ‘PRUNUS AND CRACKED-ICE’ GINGER JARS AND COVERS
QING DYNASTY w th typ cal decorat on throughout 20cm h gh Provenance: From a Prom nent Scott sh Collect on £300-500
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SMALL PAIR OF BLUE AND WHITE ‘PRUNUS AND CRACKED -ICE’ GINGER JARS
QING DYNASTY w th typ cal pa nted decorat on throughout, w th apocryphal four character marks 14cm h gh Provenance: From a Prom nent Scott sh Collect on £300-500
43
LARGE PAIR OF BLUE AND WHITE ‘PRUNUS AND CRACKED-ICE’ COVERED JARS
QING DYNASTY, 19TH CENTURY w th typ cal underglaze blue decorat on throughout, bears apocryphal Kangx four character marks 38cm h gh Provenance: From a Prom nent Scott sh Collect on £300-500
FINE ASIAN ART, MONDAY 16 MAY 2022
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LARGE BLUE AND WHITE CHARGER
KANGXI PERIOD (1662-1722) finely pa nted n tones of underglaze blue w th a hunt ng scene framed w th n a w de r m decorated w th s x panels dep ct ng mounta n landscape v ew, fol age and b rds, all reserved aga nst a styl sed repeat ng geometr c ground 47cm d am Provenance: From a Pr vate London Collect on Acquired at Guest & Gray, London £3000-5000
45
RARE BLUE AND WHITE AND ANHUA ‘BOYS’ BOWL
SHUNZHI FOUR CHARACTER MARK AND OF THE PERIOD pa nted w th four medall ons of boys am dst lotus, on an nc sed ground of lotus scrolls, the nter or w th a further conform ng central medall on, the r m pa nted n brown sl p 20cm d am Provenance: From a Pr vate London Collect on £1500-2500
46
BLUE AND WHITE ‘KRAAK’ STYLE DISH
QING DYNASTY, 19TH CENTURY pa nted w th var ous vegetat ons and ausp c ous emblems 39cm d am £100-150
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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BLUE AND WHITE ‘FLYING-CRANES’ DISH
KANGXI SIX CHARACTER MARK AND OF THE PERIOD pa nted n tones of underglaze blue w th fly ng cranes am dst three of the E ght Treasures (Babao) 15.5cm d am Provenance: From a Pr vate London Collect on £2500-4000
48
BLUE AND WHITE ‘FLYING-CRANES’ DISH
KANGXI PERIOD WITH SIX CHARACTER MARK QI SHI BAO DING ZHI ZHEN (PRECIOUS AS A TREASURED DING OF RARE STONE) pa nted n tones of underglaze blue w th fly ng cranes am dst three of the E ght Treasures (Babao) Provenance: From a Pr vate London Collect on Note: For an almost dent cal example see the above book w th reference Item lll.4.182, Page 486. For a small Shunzh blue and wh te bowl w th the same dent cal mark to ts base see “An Era of Insp rat on: 17th Century Ch nese Porcela n from the collect on of Jul a and John Curt s”, Chr st e’s New York, 16th March 2015, Lot 3537 £2000-3000
49
BLUE AND WHITE ‘DUCK’ DISH
JIAJING SIX CHARACTER MARK, SHUNZHI PERIOD (1664-1661) pa nted n underglaze blue w th three ducks bes de a lotus w th var ous plants and rocks, two further ducks n fl ght overhead, w th n a l ngzh fungus scroll ng border 16.5cm d am Provenance: From a Pr vate London Collect on Note: For an almost dent cal example see “Leap ng the Dragon Gate: The M chael Butler Collect on of Seventeenth-Century Ch nese Porcela n”, by Teresa Canepa and Kather ne Butler, Item lll.3.10, Page 269 £4000-6000
FINE ASIAN ART, MONDAY 16 MAY 2022
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CARVED BLUE & WHITE ‘DRAGON’ BRUSH POT
LATE QING DYNASTY the s des w th a bold scaly dragon chas ng a flam ng pearl am dst clouds, bears apocryphal Wang B ng Rong seal mark 14cm h gh £300-500
51
TWO BLUE AND WHITE ‘PRUNUS’ BOWLS
QING DYNASTY, 18TH / 19TH CENTURY the s des pa nted n tones of underglaze blue w th blossom ng prunus branches, each bears a s x charcater mark 8.5cm & 9cm d am £150-250
52
RARE BLUE & WHITE ‘DOUBLE-SQUARE’ VASE
QING DYNASTY, 18TH CENTURY the shaped angular s des pa nted n tones of underglaze blue w th a rocky outcrop w th gnarly cherry blossom centred by two shou symbols, the reverse bears Song Dynasty poems after L n Bu (9671028), Ba Yuchan (1134-1229 ), and Wang Q 43cm h gh Provenance: From a Pr vate Kent collect on £2500-3500
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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LARGE BLUE AND WHITE ROULEAU VASE
KANGXI PERIOD (1662-1722) the s des finely pa nted n tones of underglaze blue w th warr ors on horse back w th n a cont nuous mounta n landscape scene, w th further figures w eld ng weapons and scholars engaged n le surely pursu ts 47.5cm h gh Provenance: From a Pr vate Dorset collect on £8000-12000
FINE ASIAN ART, MONDAY 16 MAY 2022
54
JARDINIERE-FORM BLUE & WHITE WATERPOT
QING DYNASTY, 18TH / 19TH CENTURY the s des pa nted n tones of underglaze blue w th prunus and p ne trees 15cm d am £1000-1500
55
BLUE AND WHITE MING-STYLE ‘POMEGRANATE’ VASE
YONGZHENG SIX CHARACTER MARK AND POSSIBLY OF THE PERIOD the s des finely pa nted pa nted n tones of cobalt accented by s mulated ‘heap and p l ng’ dep ct ng detached branches of pomegranate, w th n styl sed-ruy and lappet bands 26cm h gh Provenance: From a Pr vate Dubl n Collect on £2000-4000
56
BLUE AND WHITE BRUSH POT, BITONG
QING DYNASTY, 18TH / 19TH CENTURY the s des pa nted n tones of underglaze blue w th scholars and attendants n a cont nuous landscape w th w llow, p ne trees and rocks 18.5cm d am £1000-2000
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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BLUE AND WHITE MING-STYLE MEIPING
LATE QING DYNASTY pa nted n tones of blue w th s mulated ‘heap ng and p l ng’ w th fru t ng branches of peach, pomegranate and lychee, and flower ng branches of tree peony, lotus and prunus, w th n lappet and st ff leaf bands, apocryphal Q anlong seal mark n blue 33cm h gh £2000-3000
58
NEAR PAIR OF ‘KRAAK-STYLE’ BLUE AND WHITE BOWLS
17TH CENTURY the s des pa nted n tones of underglaze blue w th lotus blooms and scroll ng tendr ls 14cm d am £150-250
59
SIX CHINESE BLUE AND WHITE BOWLS
LATE MING / TRASITIONAL PERIOD each pa nted n tones of underglaze blue w th styl sed flower blooms and scroll ng tendr ls largest, 13cm d am, smallest, 8.5cm d am £200-400
FINE ASIAN ART, MONDAY 16 MAY 2022
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LARGE BLUE AND WHITE BALUSTER VASE
LATE QING DYNASTY the s des pa nted n tones of underglaze blue w th figure n a mounta n landscape v ew 57cm h gh £100-200
61
BLUE AND WHITE HEXAGONAL ‘CRACKED-ICE’ VASE
QING DYNASTY, 19TH CENTURY pa nted w th blossom ng prunus branches and buds reserved on a blue washed cracked ce ground, apocryphal Kangx four character mark 30cm h gh £100-150
62
SET OF EIGHT CHINESE EXPORT BLUE AND WHITE PLATES
QING DYNASTY, 18TH CENTURY pa nted n tones of underglaze blue w th flower sprays 23cm d am £100-200 Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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BLUE-GLAZE GARLIC MOUTH VASE
QING DYNASTY, 18TH / 19TH CENTURY the baluster s des covered n a r ch ‘orange-peel’ blue glaze, underglaze blue seal mark 19cm h gh Provenance: From a Pr vate Somerset Collect on £200-400
64
YELLOW-GLAZE BALUSTER JAR
INCISED JIAJING SIX CHARACTER MARK, KANGXI PERIOD the s des covered all over w th a translucent yellowglaze 17cm h gh £600-800
65
CLAIR-DE-LUNE BRUSH WASHER
LATE QING / REPUBLIC PERIOD of globular form, covered n a pale lavender-blue glaze, apocryphal Kangx s x character 9.5cm Provenance: From a Pr vate Scott sh Collect on £800-1200
66
APPLE-GREEN CRACKLE-GLAZED JAR
QING DYNASTY, 18TH CENTURY the baluster s des covered n a crackle-suffused r ch green glaze 14cm h gh £400-600
FINE ASIAN ART, MONDAY 16 MAY 2022
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GREEN-GLAZED BOTTLE VASE
QING DYNASTY, 18TH CENTURY the s des covered all over on a r ch apple-green glaze 16cm h gh £300-500
68
PAIR OF TURQUOISE-GROUND DOUBLE GOURD VASES
QING DYNASTY, 19TH CENTURY the baluster s des covered w th a translucent crackled turquo se glaze 21cm h gh Provenance: From a Pr vate Somerset Collect on £300-500
69
CLAIR-DE-LUNE DOUBLE GOURD VASE
QING DYNASTY, 18TH / 19TH CENTURY the balsuter s des covered n a pale-blue lavender glaze, th nn ng to wh te around the r m and foot, blue seal mark to unders de 19cm h gh Provenance: From a Pr vate Somerset Collect on £200-400
70
SMALL FLAMBE-GLAZE DOUBLE GOURD VASE
QING DYNASTY, 19TH CENTURY the s des covered n a r ch v brant red-glaze h ghl ghted w th lavender, the unders de w th a th n cafe-au-late glaze 16cm h gh Provenance: From a Pr vate Somerset Collect on £200-300
Each lot s subject to a buyer’s prem um of 30% nclus ve of VAT @ 20%.
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71
GROUP OF SEVEN MINIATURE MONOCHROME BOTTLE VASES
QING DYNASTY, 19TH CENTURY compr s ng four turquo se-glaze, two yellow and one pale-green glaze largest 13cm h gh, smallest 10cm h gh Provenance: From a Pr vate Somerset Collect on £300-500
72
CORAL-RED BALUSTER VASE
LATE QING DYNASTY covered n a a mottled r ch coral-red glaze, apocryphal Kangx s x character mark n blue 18cm h gh Provenance: From a Pr vate Somerset Collect on £200-400
73
SMALL FLAMBE-GLAZE VASE
LATE QING DYNASTY the baluster s des covered n a r ch raspberry red glaze, apocryphal seal mark n blue 123.5cm h gh Provenance: From a Pr vate Somerset Collect on £100-150
74
FLAMBE-GLAZE BALUSTER VASE
LATE QING DYNASTY the s des covered n a r ch raspberry-red glaze th nn ng to wh te around the r m 19.5cm h gh Provenance: From a Pr vate Somerset Collect on £100-200
FINE ASIAN ART, MONDAY 16 MAY 2022
75
FLAMBE-GLAZE BOTTLE VASE
LATE QING DYNASTY the sides covered in a rich raspberry-red glaze thinning to a pale mushroom colour around the rim 22cm high Provenance: From a Private Somerset Collection £150-250
76
SMALL FLAMBE-GLAZED VASE
QING DYNASTY, 18TH / 19TH CENTURY the sides covered in a rich mottled red-glaze, apocryphal six character mark in blue 13cm high Provenance: From a Private Somerset Collection £80-120
78
TWO YELLOW-GROUND BOTTLE VASES
QING DYNASTY, 19TH CENTURY each covered in a translucent crackled yellow-glaze 17.5cm & 19cm high Provenance: From a Private Somerset Collection £100-150
77
COPPER-RED GLAZED BALUSTER VASE
20TH CENTURY with an apocryphal Qianlong seal mark in blue 22cm high Provenance: From a Private Somerset Collection £100-200
79
TWO LARGE YELLOW-GROUND VASES
QING DYNASTY, 19TH CENTURY one garlic mouth, the other of bottle form 24cm & 28cm high £200-300
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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80
CELADON-GLAZED GARLIC MOUTH VASE
QING DYNASTY, 19TH CENTURY the shaped sides covered in a pale-green glaze thinning to white around the rim, apocryphal blue seal mark 20cm high Provenance: From a Private Somerset Collection £100-150
83
TURQUOISE-GLAZE VASE
QING DYNASTY, 19TH CENTURY the baluster sides covered in a translucent turquoise glaze 21cm high Provenance: From a Private Somerset Collection £100-150
81
GREEN-GLAZED PEAR SHAPED VASE, YUHUCHUNPING
QING DYNASTY, 19TH CENTURY covered in an apple-green glaze thinning to white around the rim, apocryphal seal mark to underside 19.5cm high Provenance: From a Private Somerset Collection £100-150
84
MIRROR-BLACK GLAZED BALUSTER VASE
QING DYNASTY, 19TH CENTURY the sides covered in a thick blackglaze thinning to white at the rim 20cm high Provenance: From a Private Somerset Collection £100-150
82
BLUE-GLAZE PEAR SHAPED VASE, YUHUCHUNPING
QING DYNASTY, 19TH CENTURY with an apocryphal blue seal mark 19cm high Provenance: From a Private Somerset Collection £100-150
85
LARGE CRACKLED GREENGLAZE VASE
19TH CENTURY the sides covered in a fine translucent green crackled-glaze 25cm high Provenance: From a Private Somerset Collection £50-100
FINE ASIAN ART, MONDAY 16 MAY 2022
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86
THREE MONOCHROME-GLAZED BOTTLE VASES
QING DYNASTY, 19TH CENTURY comprising two with turquoise glaze and the other apple green 18cm & 20cm high Provenance: From a Private Somerset Collection £100-200
87
NEAR PAIR OF TURQUOISE-GLAZE BOTTLE VASES
QING DYNASTY, 19TH CENTURY each covered in a translucent crackled turquoise glaze 24cm high Provenance: From a Private Somerset Collection £200-300
88
FOUR TURQUOISE-GLAZE VASES
QING DYNASTY, 19TH CENTURY of various forms, each covered in a translucent fine-crackle turquoise glaze largest, 24cm high, smallest, 18cm high Provenance: From a Private Somerset Collection £400-600
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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LEE YOUNG @ DORE & REES
89
THREE MINIATURE MONOCHROME-GLAZE VASES
QING DYNASTY, 19TH CENTURY comprising two turquoise glaze baluster vases and a blue-glaze garlic mouth vase 12.5cm & 14cm high Provenance: From a Private Somerset Collection £100-200
90
TWO LARGE TURQUOISE-GLAZE BOTTLE VASES
QING DYNASTY, 19TH CENTURY covered all over with a crackle-suffused turquoise glaze 24cm & 31cm high Provenance: From a Private Somerset Collection £200-400
91
THREE TURQUOISE-GLAZE BOTTLE VASES
QING DYNASTY, 19TH CENTURYeach covered all over in a crackle-suffused turquoise glaze 23, 24 & 25cm high Provenance: From a Private Somerset Collection £200-400
FINE ASIAN ART, MONDAY 16 MAY 2022
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92
THREE TURQUOISE-GLAZE BOTTLE VASES
QING DYNASTY, 19TH CENTURY each covered over all in a crackle-suffused turquoise glaze all approximately 24cm high Provenance: From a Private Somerset Collection £300-500
93
FOUR TURQUOISE-GLAZE BOTTLE VASES
QING DYNASTY, 19TH CENTURY each covered in a cracklesuffused turquoise glaze largest 25cm high, smallest 23cm high Provenance: From a Private Somerset Collection £400-600
94
FOUR TURQUOISE GLAZE BOTTLE VASES
QING DYNASTY, 19TH CENTURY each covered in a cracklesuffused turquoise glaze largest 22cm high, smallest, 19cm high Provenance: From a Private Somerset Collection £400-600
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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95
YELLOW-GLAZED JAR AND COVER
QING DYNASTY, 19TH CENTURY covered all over with a crackle-suffused translucent yellow glaze 20cm high Provenance: From a Private Somerset Collection £200-400
96
FLAMBE-GLAZED BALUSTER VASE
LATE QING DYNASTY the sides covered in a rich raspberry-red glaze streaked with lavender and thinning to a pale mushroom around the rim, blue seal mark 31cm high £200-300
97
FLAMBE-GLAZED VASE, FANG HU
QIANLONG MARK, 20TH CENTURY of square-section pear-shape with tubular handles, the sides covered in a rich raspberry red streaked with lavender and blue, impressed Qianlong mark 31cm high £2000-4000
FINE ASIAN ART, MONDAY 16 MAY 2022
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98
GE-TYPE BALUSTER VASE, HU
YONGZHENG SEAL MARK BUT 20TH CENTURY the sides covered all over in a blueish-grey glaze 14cm high £800-1200
99
RARE ROBINS EGG-GLAZE STAND
QING DYNASTY, 18TH / 19TH CENTURY the dished hexagonal top with a gilt edge, raised on three open scroll supports, raised on a simulated bronze circular foot 13.5cm wide, 14cm high Provenance: From a Private Wiltshire Collection £500-800
100
BLANC DE CHINE EUROPEAN FIGURE
QING DYNASTY, 18TH / 19TH CENTURY the recumbent figure wearing a long gown holding a goblet and a pair of slippers, on a associated carved wood stand 13.5cm long £100-200
101
GROUP OF THREE BLANC-DE-CHINE IMMORTALS BUSTS
LATE QING / REPUBLIC PERIOD raised on fitted hardwood stands 9.5cm high Provenance: From a Private Wiltshire collection £80-120
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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102
BLANC DE CHINE FIGURE OF GUANYIN
QING DYNASTY, 18TH /19TH CENTURY modelled rested on one knee holding a rosary and wearing long flowing robes open at the chest revealing a ‘jewelled’ necklace 18cm high £300-500
103
SMALL DEHUA FIGURE OF GUANYIN
17TH / 18TH CENTURY dressed in a loose robe cascading in voluminous folds, raised on a carved hardwood ‘double-lotus’ stand 12cm high Provenance: Acquired in China by Captain Charles Oswald Liddell (1854-1941), Liddell lived in China between 1877 to 1913, and thence by descent £300-500
104
RARE EXPORT BLANC-DE-CHINE ‘GORDON’ CUP
QING DYNASTY, 19TH CENTURY the cylindrical sides with grisaille decoration depicting an elegant lady seated in a garden, bears inscription ‘to Cs. Gordon with compliments of Wang Chew-King’ 8cm high Provenance: From a Private Scottish Collection. Note: This possibly refers to Major-General Charles George Gordon (1833-1885), also known as ‘Chinese Gordon’, a nickname given to him for his leadership of a force of Chinese soldiers which was instrumental in putting down the Taiping Rebellion £150-250
105
BLANC DE CHINE WINE POT
LATE QING DYNASTY the cylindrical sides applied with three chilong to form the handle, spout and finial, the waist with a tied tasseled band 14cm high £600-800
FINE ASIAN ART, MONDAY 16 MAY 2022
106
CELADON YAOZHOU-TYPE JAR
YUAN OR JIN DYNASTY the sides finely carved with a wide band of scrolling leafy blooming tendrils 13cm high Provenance: from a Private Swiss Collection £600-800
107
SMALL COPPER-RED DOUBLE-GOURD VASE
MING DYNASTY the sides painted with bands of blossoming leafy stems 11cm high £500-800
108
LARGE CELADON ‘DRAGON’ VASE
QING DYNASTY, 18TH / 19TH CENTURY the neck applied with a large scaly dragon, the baluster sides carved with stylised scrolling lotus above a stiff leaf band 38cm high £800-1200
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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109
CELADON CRACKLE-GLAZED BALUSTER VASE
QING DYNASTY, 19TH CENTURY the sides covered in a crackle suffused pale-green glaze 39cm high Provenance: From a Private Wiltshire collection £200-400
110
SMALL CELADON VASE
QING DYNASTY, 19TH CENTURY of baluster form, raised on a carved hardwood stand 10cm high Provenance: Acquired in China by Captain Charles Oswald Liddell (1854-1941). Liddell lived in China from 1877 to 1913, and thence by descent £200-300
111
WHITE CRACKLE-GLAZE BALUSTER VASE
DAOGUANG SIX CHARACTER MARK AND OF THE PERIOD the sides covered in a translucent fine-crackle glaze 18cm high Provenance: From a Private Somerset Collection. Note: The glaze on this present vase suggests it comes from a group of Song-style pieces made during the Qing Dynasties £200-300
112
SMALL CELADON CRACKLEGLAZED JARLET
SONG DYNASTY the baluster sides with twin scroll handles, covered all over in a crackle suffused greyish-green glaze, 6cm high; together with TWO CHINESE GLAZED STONEWRE JARS, 17TH CENTURY, 9cm & 12cm high, TWO SMALL BOWLS, 17TH CENTURY, SMALL CELADON-GLAZED WINE CUP, and a GLAZED POTTERY DISH (7) £100-200
FINE ASIAN ART, MONDAY 16 MAY 2022
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113
CELADON GUAN TYPE OCTAGONAL VASE
QING DYNASTY, 18TH / 19TH CENTURY the baluster sides covered in a thick pale grey glaze suffused with a dark grey crackles 24cm high £500-800
114
SMALL CELADON-GLAZED DOUBLE GOURD VASE
QING DYNASTY, 18TH CENTURY the sides decorated in relief with fruiting leafy tendrils, covered all over in a rich green-glaze 18cm high £500-800
115
SMALL CELADON-GLAZE CRACKLED BOWL
YUAN DYNASTY covered all over in a crackle suffused green-glaze thinning to white around the rim 13cm diam £400-600
116
SMALL GE TYPE LOBED DISH
YUAN / MING DYNASTY covered all over in a crackle-suffused blueish / grey glaze 13cm diam £400-600
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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117
CELADON BARBED DISH
MING DYNASTY OR LATER the shaped dish covered all over in a greyish / green glaze 18cm diam £600-800
118
SMALL CELADON DISH
MING DYNASTY OR LATER the circular dish carved with blossoming stems 16cm diam £600-800
119
TWO CELADON GLAZED RITUAL WINE VESSELS, JUE
MING DYNASTY (1368-1644) 9cm high £200-400
120
YUEYAO CELADON JAR
JIN DYNASTY (265-420 AD) the compressed globular jar with a pair of loop handles, covered all over with a pale sea-green glaze ending in an irregular line towards the foot 27cm diam Note: Sold together with an Oxford Authentication, Thermoluminescence Analysis Report, dated 13th January 2020 £300-500
FINE ASIAN ART, MONDAY 16 MAY 2022
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121
CELADON-GLAZED JAR
SONG DYNASTY (960-1279) the squat baluster sides carved with a band vertical lines around the shoulder and the foot, divided by concentric bands, the short flared neck with a pair of loop handles, covered all over in a pale-green crackle suffused glaze Provenance: formerly in the collection of G R A Murray, Exhibited at the National Gallery of South Africa, Cape Town, Chinese Exhibition, 1953, no.115 £100-200
122
FOUR GLAZED POTTERY JARS
SONG DYNASTY of compressed globular form largest, 10cm high, smallest, 8.5cm high £150-250
123
COLLECTION OF EIGHT EARLY CHINESE POTTERY WARES
SONG / MING DYNASTY comprising a YUAN / MING CELADON BARBED DISH, 12.5cm diam, a SONG DYNASTY QING BAI SMALL BOWL, 12.5cm diam, a SONG DYNASTY DISH WITH CLOUD PATTERN, 15cm diam, a SMALL AND RARE SONG DYNASTY ‘PHOENIX’ DISH, 12cm diam, a SONG DYNASTY JIZHOUWARE MEASURE OR BOWL, 9.5cm diam, a SONG DYNASTY, CIZHOU GRAIN MEASURE, 11.5cm diam, @lotProvenance:Provenance: Abelita Family Collection (1980-2015), a SMALL AND RARE HENAN EWER, SONG DYNASTY, 10cm high, and a JIAN WARE ‘HARES-FUR’ TEA BOWL, 9cm diam (8) Provenance: Private Somerset Collection £1000-2000
124
SMALL POTTERY FIGURE OF AN ATTENDANT
TANG DYNASTY (618-907) 18.5cm high £80-120
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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125
RARE PAIR OF TURQUOISE-GLAZED ‘LOTUS’ PILGRIM FLASKS
MING DYNASTY, 16TH CENTURY the flattened ovoid sides each decorated with lotus blossoms, covered all over in a rich turquoise and amber glaze 19.5cm high £800-1200
126
PAIR OF YIXING POTTERY BOWLS ON STANDS
REPUBLIC PERIOD of compressed globular form, each with twin chilong handles, raised on tripod stands 11cm wide £200-300
127
YIXING POTTERY COVERED RICE POT
LATE QING / REPUBLIC PERIOD the sides craved with magpies perched in blossoming prunus brnaches 24cm wide £300-500
FINE ASIAN ART, MONDAY 16 MAY 2022
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128
131
129
130
128
YIXING BROWN CLAY ‘GONGJU’ TEAPOT AND COVER
QING DYNASTY of compressed globular form with a bronze scroll handle, lid incised 13cm high (handle up) £200-400
129
TWO CHINESE YIXING STONEWARE TEAPOTS
QING DYNASTY, 19TH CENTURY one decorated in relief with a tiger and a scaly dragon, the other smaller example inscribed to the base ‘Shanshui zuo zhuren, Yigong’ (2) 9cm & 7cm high £150-250
130
TWO YIXING POTTERY TEAPOTS
QING DYNASTY, 19TH CENTURY each of naturalistic form 8cm & 9cm high £100-150
131
YIXING ENAMELLED TEAPOT AND COVER
REPUBLIC PERIOD the cylindrical sides decorated in coloured enamels with a continuous mountain landscape, impressed seal mark 12cm high £150-250
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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132
COLLECTION OF ELEVEN SWATOW WARE BOWLS
LATE MING DYNASTY various underglaze decoration largest, 17.5cm diam, smallest, 12cm diam £200-400
133
PAIR OF CHINESE GREEN-GLAZE PARROTS
QING DYNASTY, 19TH CENTURY modelled perched on naturalistic tree stumps 22cm high £100-200
134
BLUE AND CELADON-GLAZED GROUP
QIANLONG PERIOD (1736-1795) modelled standing wearing long flowing robes, on a naturalistic base 17cm high £400-600
FINE ASIAN ART, MONDAY 16 MAY 2022
135
PAIR OF CHINESE EXPORT PUG DOG FORM CANDLESTICKS
CIRCA 1840-60 the recumbent pups modelled in mirror image 10.5cm high £1500-2500
136
MATCHED PAIR OF CHINESE EXPORT FAMILLE ROSE PUG DOG FORM CANDLESTICKS
CIRCA 1840-60 the recumbent pups painted throughout with blossoming leafy scrolls 10cm high £1500-2500
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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137
UNDERGLAZE-BLUE AND YELLOW ENAMEL ‘DRAGON’ BOWL
KANGXI SIX CHARACTER MARK AND OF THE PERIOD painted with two five-clawed dragons amidst clouds and flames in pursuit of ‘flaming pearls’ above a band of overlapping lotus petals encircling the base, the interior painted centrally with a further dragon medallion, all decorated in yellow enamel reserved on a deep cobalt blue ground 14cm diam Note: Acquired Sotheby’s, London, Fine Chinese Ceramics & Works of Art, 6 November 2013, lot 117 For similar example see: Christie’s, London, Fine Chinese Ceramics and Works of Art, 7th Nov 2011, lot 316 £8000-12000
FINE ASIAN ART, MONDAY 16 MAY 2022
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138
YELLOW AND GREEN-ENAMELLED DRAGON BOWL
KANGXI SIX CHARACTER MARK AND OF THE PERIOD the sides finely incised and decorated with green enamel with two scaly dragons in pursuit of a flaming pearl, all beneath a classic scroll band at the rim and reserved on a rich yellow ground, the interior with a medallion enclosing a shou character 10cm diam Provenance: Acquired in China by Captain Charles Oswald Liddell (1854-1941). Liddell lived in China between 1877 to 1913, and thence by descent £1500-2500
139
LEMON-YELLOW GROUND ‘MEDALLION’ COVERED BOWL
QIANLONG BLUE SEAL MARK AND OF THE PERIOD the ‘orange-peal’ glazed sides decorated with four foliate medallions and scrolling tendrils 11cm diam. Provenance: Acquired in China by Captain Charles Oswald Liddell (1854-1941). Liddell lived in China between 1877 to 1913, and thence by descent £800-1200
140
DOUCAI ‘FLORAL’ SQUARE BOWL
YONGZHENG PERIOD (1723-1735) the sides finely painted with floral sprays depicting the flowers of the four seasons, prunus, peony, lotus and chrysanthemum 8cm wide Provenance: European private collection £400-500
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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141
LARGE RUBY-RED GROUND FAMILLE ROSE ‘SCHOLAR AND BOYS’ VASE
REPUBLIC PERIOD the baluster sides finely decorated in polychrome enamels with scholar and boys engaged in various pursuits, apocryphal Qianlong seal mark in red Provenance: From a Private Scottish Collection, acquired from Lyon & Turnbull, Edinburgh, 8th January, 2005, lot 109 £3000-5000
142
CORAL-RED FAMILLE ROSE SUPPER SET
TONGZHI SEAL MARK AND OF THE PERIOD the central square-from bowl encircled by eight crescent-shaped bowls, each painted with alternating flowering vases and auspicious items, reserved against a coral-red ground centred by gilt shou symbols 36cm wide £1000-1500
FINE ASIAN ART, MONDAY 16 MAY 2022
143
POWDER-BLUE-GROUND GILT-DECORATED ROULEAU VASE
LATE QING DYNASTY the sides finely decorated with panels depicting mountain landscape views and exotic birds amidst flowers and foliage 47cm high £2000-4000
144
FAMILLE VERTE DECORATED ‘KUIXING AND DRAGON’ BRUSH-POT BITONG
KANGXI PERIOD (1662-1722) the cylindrical sides finely painted with Kuixing and a dragon, the reverse with a calligraphic poem and a red seal mark 13cm high Provenance: Private Swiss Collection before 2010 £1500-1800
145
PORCELAIN ENAMELLED TURQUOISE-GROUND WATERPOT
DAQING TONGZHI NIANZHI MARK, REPUBLIC PERIOD the sides decorated with magpies amongst blossoming branches 9cm diam £400-600
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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146
GROUP OF TWELVE FAMILLE VERTE COVERED BOWLS AND STANDS
LATE QING DYNASTY / REPUBLIC PERIOD each painted with chickens beside verdant rocky outcrops 9.5cm (bowls) & 14cm (saucers) diam £200-400
147
FINE FAMILLE ROSE VASE, CONG
REPUBLIC PERIOD the sides painted with blossoming stems and exotic birds, apocryphal Qianlong seal mark in red 24.5cm high PROVENANCE : Private Oxfordshire Collection Note: Vase has a light fitting but, has not been drilled £300-500
148
CELADON-GROUND FAMILLE ROSE ‘QUAIL’ DISH
QIANLONG BLUE SEAL MARK AND OF THE PERIOD enamelled with a pair of quails in a garden of rocks and peony reserved against a bluish / green ground 19.5cm diam Provenance: From a Private Somerset Collection. Note: For a near identical pair see - Christie’s London, 11th November 20-15, lot 626 £500-800
FINE ASIAN ART, MONDAY 16 MAY 2022
149
A PAIR OF CHINESE EXPORT IMARI-DECORATED PLATES
QIANLONG PERIOD (1736-1795) painted in tones of underglaze blue, iron-red and gilt with blossoming stems 21.5cm diam Provenance: From a Private Somerset Collection £300-500
150
FAMILLE ROSE ‘BUDDHA AND BOYS’ GROUP
20TH CENTURY modelled as Buddha seated with five children climbing on his arms and leg, impressed seal mark to base 24cm high £300-500
151
FINE FAUX-BOIS FAMILLE ROSE ‘BOYS’ BRUSHPOT
REPUBLIC PERIOD the square sides finely painted with alternating panels depicting boys engaged in leisurely pursuits and poems, reserved against a reddish-brown simulated wood ground, the interior and underside with a turquoise-glaze, bears an apocryphal Qianlong seal mark in red 10.5cm high Provenance: from a Private London Collection £800-1200 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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152
PAIR OF FAMILLE VERTE ‘MYTHICAL BEAST’ VASES
KANGXI PERIOD (1662-1722) of square baluster form, the sides painted with alternating panels of qilins and ducks in verdant landscape views £2000-3000
153
FINE FAMILLE ROSE ENAMEL OCTAGONAL DISH YONGZHENG PERIOD (1723-1735)
finely decorated with an elegant lady and boys surrounded by vases, urns and auspicious items, within a coral-red gilt enriched border painted with sepia and grisaille landscape medallions 30cm diam £1000-1500
154
FINE YELLOW-SGRAFFITO-GROUND FAMILLE ROSE VASE
LATE QING DYNASTY the sides finely decorated with stylised lotus, bats and and blossoming leafy tendrils, apocryphal Qianlong four character mark in red 19cm high Provenance: From a Private Scottish Collection £1000-2000
FINE ASIAN ART, MONDAY 16 MAY 2022
155
GOOD YELLOW-GROUND FAMILLE ROSE VASE
QING DYNASTY, 19TH CENTURY the sides finely painted with two panels depicting boys and elegant ladies in a fenced verdant garden setting, reserved against a yellowground painted with blossoming scrolling tendrils 20cm high Provenance: Acquired in China by Captain Charles Oswald Liddell (1854-1941). Liddell lived in China from 1877 to 1913, and thence by descent £8000-12000
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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156
LARGE YELLOW-GROUND FAMILLE ROSE ‘DRAGON’ DISH
QING DYNASTY, 19TH CENTURY painted in brightly coloured enamels with a fiveclawed scaly dragon chasing a flaming pearl amidst clouds and flame scrolls, the underside similarly decorated with two further dragons 37.5cm diam Provenance: Private Scottish Collection £1000-1500
157
CHINESE EXPORT ‘HUNTING’ PUNCH BOWL
QIANLONG PERIOD (1736-1795) the sides richly decorated in colours with large panels of fox hunting scenes after James Seymour 29cm diam £400-600
158
CHINESE EXPORT ARMORIAL GRAVY BOAT AND STAND
QIANLONG PERIOD (1736-1795) bears Scottish coat of arms a crest in form of an arm holding up a coronet and the Latin motto ‘VIRTUTIS GLORIA MERCES’, flanked by a serpent and a dove, with the motto ‘WISE AS THE SERPENT, HARMLESS AS THE DOVE’, below is a naked figure chained to the coat of arms 19cm & 20cm long Note: A dish from the same service is in the British Museum Collection, museum no. Franks. 1417 £400-600
FINE ASIAN ART, MONDAY 16 MAY 2022
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159
FAMILLE ROSE BOWL
JIAQING SEAL MARK, 19TH CENTURY the interior painted with a fruit and bats medallion, the exterior with brightly coloured butterflies, fruits and flowers 13.5cm diam £300-500
160
GROUP OF SIX IRON-RED TEA WARES
QING DYNASTY, 19TH CENTURY comprising four tea bowls, a low bowl and a bowl cover (6) low bowl, 12cm diam £150-250
161
FAMILLE ROSE SGRAFFIATO BOWL
DAOGUANG RED SEAL MARK, 20TH CENTURY the sides finely painted with elegant ladies in boats and pagoda 12cm diam £400-600
162
FAMILLE ROSE WINE POT
LATE QING DYNASTY the sides painted with scholars and elegant ladies 9cm high £200-300
163
FINE MINIATURE FAMILLE ROSE BOTTLE VASE
REPUBLIC PERIOD the sides painted in coloured enamels with blossoming leafy stems 8cm high £200-300 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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164
FINE FAMILLE ROSE ‘PHOENIX’ JAR
REPUBLIC PERIOD the baluster sides painted with two phoenix within a blossoming rocky outcrop, the reverse bears a poem?, apocryphal Qianlong red seal mark 18.5cm high £500-800
165
LARGE FAMILLE ROSE VASE
QING DYNASTY, 19TH CENTURY the tapered cylindrical sides finely painted with coloured enamels with a rich verdant blossoming rocky outcrop 46cm high £400-600
166
FINE FAMILLE ROSE ‘WU SHUANG PU’ SQUARE FORM VASE
QING DYNASTY, 19TH CENTURY painted with figures inscribed with their respective names and titles 39cm high £400-600
FINE ASIAN ART, MONDAY 16 MAY 2022
167
LARGE QIANJIANGCAI ENAMELED VASE
CHENG MEN (1833-1908), DATED 1882 of baluster square-form with twin Buddist lion mask handles in lapisblue, finely painted with a figure on a donkey beside verdant mountains, the reverse with two cranes perched in a pine tree, bears inscription ‘Walking alone on the back of a donkey, the cloud and green mountains approaching nearer, made by Xuělì Chéngmén, in the 9th month, autumn of the year ren-wu (1882)’ 46cm high Provenance: Private West Country Collection, inherited from the owners Grandfather in the early 1980’s. Note: Cheng Men was a porcelain painting master active during the late Qing dynasty. He practiced in the qianjiang enamelling style, which is characterised by its use of a restrained palette in pale washes, giving the porcelains painted in this style the look of watercolours. This style is said to be based on literati painting, and was popular during the late Qing and early Republic period £5000-10,000
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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PAIR OF FAMILLE ROSE DISHES
QIANLONG PERIOD (1736-1795) each painted in coloured enamels with elegant ladies and boys in garden views 23cm diam £400-600
169
LARGE FAMILLE VERTE COVERED JAR
QING DYNASTY, 19TH CENTURY the baluster sides painted with panels depicting dragons a lions 40cm high Provenance: From a Private Wiltshire collection £300-500
FINE ASIAN ART, MONDAY 16 MAY 2022
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CHINESE EXPORT ARMORIAL SAUCE TUREEN AND COVER
QIANLONG PERIOD (1736-1795) decorated with scrolling foliage, the domed cover with a flower finial, the sides with twin iron-red handles 21cm wide £400-600
171
PAIR OF CHINESE EXPORT ARMORIAL DISHES
QIANLONG PERIOD (1735-1796) each bearing a central armorial shield, with gilt and flower spray decorated borders 16cm wide £400-600
172
RARE PERSIAN MARKET FAMILLE VERTE WINE EWER AND COVER
KANGXI PERIOD (1662-1722) the shaped baluster sides painted with panels of exotic birds amidst verdant, blooming rocky outcrops, the tall hexagonal foot with panels of flowering stems reserved against a trellis-ground 36cm high Provenance: From a Prominent Scottish Collection £300-500
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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173
CORAL-GROUND ‘IMMORTALS’ BOWL
QING DYNASTY, 19TH CENTURY brightly enamelled around the exterior with eight leafshaped panels enclosing an Immortal, divided by bejewelled mythical beasts and within bands of xi characters and Precious Objects, the interior with a lotus medallion 23cm diam Provenance: From a Prominent Scottish Collection £300-500
174
FINE CORAL-RED ‘PEONY’ SAUCER DISH
QIANLONG SEAL MARK IN BLUE AND OF THE PERIOD the sides painted with four large peony blooms and scrolling tendrils, all reserved against a rich coral-red ground, the white interior painted with five iron-red bats 16cm diam. Provenance: Acquired in China by Captain Charles Oswald Liddell (1854-1941), Liddell lived in China between 1877 to 1913, and thence by descent. Note: it is likely that this dish belongs a group of porcelains which were made at the imperial kilns in Jingdezhen for the Emperor Qianlong during the early years of his reign. These pieces were highly prized at the Qing court and were especially admired by the Emperor himself, who had them displayed in the Palace of Heavenly Purity in the Forbidden City £2000-4000
FINE ASIAN ART, MONDAY 16 MAY 2022
175
FAMILLE ROSE YELLOW-GROUND HEXAGONAL DISH
GUANGXU PERIOD painted with flower blossoms, bats, scrolling tendrils and shou symbols 23.5cm wide £200-300
176
FAMILLE ROSE CRICKET CAGE
QING DYNASTY, 19TH CENTURY painted with a long scaly dragon amidst flower scrolls and auspicious items, apocryphal Qianlong seal mark 12cm wide £200-300
177
FAMILLE ROSE YELLOW-GROUND ‘DAYA ZHAI’ BOWL
LATE QING / REPUBLIC PERIOD painted with brightly coloured peony blossoms reserved against a yellow ground, bears mark and a cartouche 11.5cm diam Provenance: From a Private Kent collection £100-200
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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178
FAMILLE ROSE HEXAGONAL TEAPOT
REPUBLIC PERIOD the sides finely painted with elegant ladies in a verdant fenced garden, red seal mark, 12.5cm high; together with TWO FAMILLE ROSE COVERED BOWLS, REPUBLIC PERIOD, 8cm high (3) £200-300
179
LARGE CHINESE ‘MANDARIN-PALETTE’ PUNCH BOWL QIANLONG PERIOD (1736-1795)
painted with four panels of Chinese figures on garden terraces, reserved on an iron-red diaper ground, the interior with a further central figural panel, raised on a hardwood stand 36cm diam £3000-5000
FINE ASIAN ART, MONDAY 16 MAY 2022
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FAMILLE ROSE SEAL PASTE BOX AND COVER
GUANGXU SIX CHARACTER MARK AND OF THE PERIOD finely painted with a scholar and attendant 12cm diam £400-600
181
CHINESE EXPORT TUREEN AND COVER
QIANLONG PERIOD (1736-1795) the sides painted with ribbon tied blossoming stems, with a pomegranate finial and twin rabbit head handles 36cm wide, 18cm high £400-600
182
CHINESE EXPORT FAMILLE ROSE MEAT DISH
QIANLONG PERIOD (1736-1795) decorated with a peacock and a smaller peahen, beside a large cluster of peonies, the rims painted with floral sprays within spearhead and diaper borders 41cm wide £200-300
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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183
FAMILLE VERTE ‘LANDSCAPE’ VASE
20TH CENTURY the sides painted with a continuous mountain landscape, inscribed verso and with a red six character mark and hardwood stand 36cm high £300-500
184
PAIR OF SMALL YELLOW-GROUND GREEN AND AUBERGINE-ENAMELLED ‘DRAGON’ DISHES
JIAQING SEAL MARK, LATE 19TH / EARLY 20TH CENTURY incised to the interior and enamelled in aubergine and green with two five-clawed dragons in pursuit of the flaming pearl, the underside incised and enamelled in green with cranes in flight amongst clouds 14cm diam Provenance: From a Private Wiltshire Collection £1000-2000
185
FAMILLE VERTE PLATE
QING DYNASTY, 19TH CENTURY painted with auspicious items, Tongzhi red seal mark 22cm diam £80-120
FINE ASIAN ART, MONDAY 16 MAY 2022
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LARGE PAIR OF FAMILLE ROSE COVERED JARS
QING DYNASTY, 19TH CENTURY the baluster sides painted with immortals and two iron-red bats, the covers with boys 32cm high £400-600
187
FAMILLE ROSE ‘100-BUTTERFLIES’ CELADON GROUND CHARGER
QING DYNASTY, 19TH CENTURY painted throughout in brightly coloured enamels with butterflies of various size, reserved against a celadon ground and with a wide gilt border 41cm diam £700-1000
188
LARGE PAIR OF FAMILLE ROSE CANTON VASES
QING DYNASTY, 19TH CENTURY the baluster sides painted with panels depicting court life 62.5cm high £700-1000
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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FINE FAMILLE ROSE ‘EROTIC’ SNUFF BOTTLE
JIAQING / DAOGUANG PERIOD the cylindrical sides finely decorated in coloured enamels with an opposing group of three amorous figures, hardstone coral stopper 8cm high PROVENANCE : Private Oxfordshire Collection £200-300
190
FINE FAMILLE ROSE ENAMELLED PORCELAIN SNUFF BOTTLE
PROBABLY IMPERIAL, JINGDEZHEN KILNS, DAOGUANG FOUR-CHARACTER SEAL AND OF THE PERIOD the sides finely painted with two pairs of doves in a verdant landscape, with twin iron red mask handles 6cm high Provenance: Private Oxfordshire Collection £300-500
192
TWO FAMILLE ROSE EROTIC SNUFF BOTTLES
QING DYNASTY, 19TH CENTURY each painted with amorous couples, jadeite stoppers 6.5cm & 8cm high Provenance: Private Oxfordshire Collection; Sotheby’s, 18th July, 1994, lot 281 £300-500
191
CHINESE EROTIC SNUFF BOTTLE
QING DYNASTY, EARLY 19TH CENTURY the flattened ovoid sides painted with interior scenes of amorous couples 8.5cm high Provenance: Private Oxfordshire Collection £200-400
193
FAMILLE ROSE MOULDED SNUFF BOTTLE PROBABLY IMPERIAL, JINGDEZHEN KILNS, JIAQING FOUR-CHARACTER SEAL MARK IN IRON RED AND OF THE PERIOD (1796-1820)
the sides finely moulded with Shoulao with a crane and the other side with two immortals, standing on clouds against a formalised wave ground 7cm high Provenance: Private Oxfordshire Collection £100-200
Enamels, Hardstones and Silver
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CANTON ENAMEL TEAPOT
QIANLONG PERIOD (1736-1795) the globular sides finely painted with scholars and attendant in verdant blossoming rocky outcrops 15cm high, 24cm high (with handle raised) £2000-3000
195
CANTON ENAMEL ‘LOTUS’ TRIPOD CENSER AND COVER
QING DYNASTY, 19TH CENTURY the pierced gilt-metal cover surmounted by a Buddhist lion finials, the globular sides with lion mask handles, decorated with scrolling lotus and tendrils, bears apocryphal Qianlong four character mark in blue 20cm high £250-350
196
SMALL CLOISONNE ENAMEL TROPOD CENSER AND COVER
20TH CENTURY decorated in coloured enamels with scrolling lotus blossoms, surmounted by a Buddhist lion final and raised on three dragon mask feet 17cm high Provenance: From a Private Wiltshire collection £100-150
FINE ASIAN ART, MONDAY 16 MAY 2022
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SET OF FOUR GRADUATED CANTON ENAMEL BOXES
QING DYNASTY, 19TH CENTURY each painted with scenes of courtiers, reserved against a green ground largest, 9.5cm diam, smallest, 4.5cm diam Provenance: From a Private Wiltshire collection £150-250
198
LARGE CHINESE CLOISONNE ‘DOUBLESQUARE’ VASE
20TH CENTURY the sides decorated in relief with flowering urns and auspicious items, raised on a hardwood stand 40cm high Provenance: From a Private Wiltshire collection £100-200
199
CANTON ENAMEL FAMILLE ROSE ‘LOTUS’ DISH
LATE QING DYNASTY the shaped dish decorated with lotus blossoms reserved against a turquoise ground 21.5cm wide Provenance: From a Private Wiltshire Collection £200-300
200
FAMILLE ROSE ENAMEL ‘LOTUS’ BRUSH WASHER
LATE QING DYANSTY bowl is moulded and decorated as a lotus blossom 12cm wide £100-200
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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UNUSUAL CHINESE CLOISONNE VASE
CIRCA 1970 the baluster sides with twin scroll handles, decorated in coloured enamels with panels depicting athletes engaged in various sports, raised on a tall pedestal foot 44cm high £200-400
202
GROUP OF SIX CARVED GREEN HARDSTONE FIGURES
LATE QING / REPUBLIC PERIOD comprising an elephant on hardwood stand, two birds on hardwood stands, two rams with hardwood stands, and a laughing buddha largest 11cm high, smallest 6cm high £300-500
203
CARVED JADE DOUBLE-PEACH’ PLAQUE
QING DYNASTY, 19TH CENTURY mounted in a hardwood table screen plaque, 11.5cm diam, screen 24cm high £500-800
FINE ASIAN ART, MONDAY 16 MAY 2022
204
FINE CARVED POLYCHROME PAINTED SOAPSTONE FIGURE OF A LOHAN
QING DYNASTY, 18TH CENTURY modelled as the reading figure wearing flowing garments and resting a rock 11.5cm high £3000-5000
205
PAIR OF CARVED HARDSTONE SEALS
LATE QING DYNASTY each carved in low relief with fish amongst crashing waves 6cm high £80-120
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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FINE CARVED JADE TURTLE AND CHILONG GROUP
MING DYNASTY depicting two chilongs on the back of a turtle, the stone of a greyishceladon colour with extensive black patches skilfully utilised to render the head of the turtle and the two chilongs 7cm long £2000-3000
207
SMALL CARVED YELLOW JADE ELEPHANT
QING DYNASTY, 18TH / 19TH CENTURY modelled as the beast standing four square with its tail and trunk turned to opposing sides 3.5cm high £500-800
208
CARVED AGATE TRIPOD CENSER
QING DYNASTY, 19TH CENTURY raised on three lion-mask feet and flanked by dragonhead handles suspending loose rings, and below the domed cover surmounted with a Buddhist lion final 12cm high £300-500
FINE ASIAN ART, MONDAY 16 MAY 2022
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GROUP OF TWENTY NINE JADE AND HARDSTONE ARCHERS RINGS
MING / QING DYNASTY together with FIVE SMALLER JADE RINGS (34) £500-1000
210
UNUSUAL ARCHAISTIC BROWN JADE RITUAL ORNAMENT
QING DYNASTY (1644-1912), OR EARLIER the bevelled ornament carved as three tapering discs 31cm long Provenance: From an Archaeologist’s Collection £200-400
211
JADE AXE HEAD NEOLITHIC PERIOD, 2ND OR 3RD MILLENNIUM BC
of flared bevelled form with a single pierced hole 16.5cm long Provenance: From an Archaeologist’s Collection £200-400
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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JADE AXE HEAD POSSIBLY LIANGZHU CULTURE, CIRCA 3300-2200 BC
the bevelled axe flaring towards the cutting edge and with a single hole pierced 28cm long Provenance: From an Archaeologist’s Collection £200-400
213
CARVED JADE PENDANT
QING DYNASTY, 18TH / 19TH CENTURY in the Han style, modelled as a recumbent pig, the stone of celadon russet colour with traces of calcification 10cm long £300-500
214
CARVED WHITE JADE, SILVER AND ENAMELLED TRINKET BOX
LATE QING / REPUBLIC PERIOD the oval white jade cover carved with a chilong, the sides enamelled with peony and scrolling tendrils 6.5cm wide £500-800
215
CARVED SOAPSTONE FIGURE OF GUANYIN
LATE QING DYNASTY raised on a square base 18cm high £80-120
FINE ASIAN ART, MONDAY 16 MAY 2022
216
CHINESE EXPORT SILVER KETTLE ON STAND
WANG HING, HONG KONG OR CANTON, CIRCA 1900 of compressed globular form with a simulated bamboo handle and spout, the sides decorated in high relief with a large scaly dragon, the X-shaped conforming stand with a silver plated burner 27cm high (with handle raised) 832 grams £400-600
217
CHINESE EXPORT SILVER COCKTAIL SHAKER
SHING FAT, CANTON & SHANGHAI, 1880-1930 the sides decorated in relief with exotic birds amongst blossoming prunus 27cm high 556 grams £300-500
218
TWO CHINESE SILVER CONDIMENT POTS
LATE QING DYNASTY stamped HM, 6cm high; together with a CHINESE SILVER VESTA CASE, AND A SALT AND PEPPER POT (5) 216 grams. Provenance: Private Oxfordshire Collection £150-250
219
CHINESE SILVER THREE PIECE TEA SET
TSUN TSUN, LATE QING DYNASTY of globular form the sides with simulated bamboo handles and each decorated in relief with scaly dragons chasing a pearl teapot, 15cm high, 830 grams £2500-3500
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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PAIR OF SMALL CHINESE SILVER EXPORT VASES
WANG HING, HONG KONG, LATE 19TH CENTURY the compressed baluster sides embossed with scenes of courtiers, the shoulders set with twin dragon handles 7cm high £300-500
221
LARGE CHINESE EXPORT SILVER BOX
LATE 19TH CENTURY the rectangular box decorated throughout in relief with warrior and courtiers in landscape views, mark possibly Feng Xiang 24cm wide, 1480 grams £1500-2500
222
CHINESE EXPORT SILVER ‘DRAGON’ BOX
WANG HING, HONG KONG, CIRCA 1900 the circular box decorated in relief with two ferocious scaly dragons, opening to a gilt interior 9cm diam, 179 grams £100-200
223
CHINESE SILVER CIRCULAR BOX
WANG HING, HONG KONG, EARLY 20TH CENTURY with engine turned decoration, 9cm diam; together with TWO CHINESE EXPORT SILVER NAPKIN RINGS, LATE 19TH / EARLY 20TH CENTURY 244 grams £120-180
Works of Art
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LARGE CARVED CINNABAR LACQUER FIGURE OF SEATED BUDDHA
LATE 19TH CENTURY modelled wearing long flowing loose robe open to reveal his large belly, raised on an oval pedestal base 39cm high £200-300
225
LARGE CARVED HUANGHUALI FIGURE OF A SEATED BUDDHA
QING DYNASTY, 19TH CENTURY the seated figure wearing a flowing robe open to reveal his large belly, holding a rosary in his right hand, raised on a hardwood base 15cm high £200-400
226
CARVED BAMBOO FIGURE OF AN IMMORTAL
QING DYNASTY, 19TH CENTURY shown seated on a naturalistic base 13cm high Provenance: From a Prominent Private Cumbrian Collection £300-500
227
LARGE CARVED HARDWOOD FIGURE OF SHOULAO
QING DYNASTY, 19TH CENTURY the standing figure shown holding a peach and staff 39cm high Provenance: From a Prominent Private Cumbrian Collection £300-500
FINE ASIAN ART, MONDAY 16 MAY 2022
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BAMBOO CARVED FIGURE OF GUANYIN
QING DYNASTY, 18TH / 19TH CENTURY modelled standing in a long flowing robe holding a ruyi sceptre in one hand and a rosary in the other, with a Buddhist lion at her feet 23cm high Provenance: From a Private Scottish Collection £300-500
229
FINE CARVED BOXWOOD FIGURE OF A LADY
LATE QING DYNASTY the standing figure wearing a long flowing robe and swan-form tiara 21cm high Provenance: From a Prominent Private Cumbrian Collection £300-500
230
CARVED ROOTWOOD FIGURE
17TH / 18TH CENTURY shown standing holding a ruyi sceptre, raised on a associated carved base 12cm high (including base) Provenance: From a Private Scottish Collection £250-350
231
CARVED ROOTWOOD FIGURE OF A BOY
QING DYNASTY, 18TH CENTURY modelled standing on a rockwork base wearing a long flowing winter robe 14cm high Provenance: From a Private Scottish Collection £250-350
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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FINE CARVED CINNABAR LACQUER CIRCULAR BOX
QING DYNASTY, LATE 18TH / EARLY 19TH CENTURY the sides finely carved with scholars and attendants within mountain landscape views 13cm diam £2000-3000
233
CINNABAR LACQUER COVERED BOX
QING DYNASTY, 19TH CENTURY carved with a panel of two fishermen within a landscape view 12.5cm diam £80-120
FINE ASIAN ART, MONDAY 16 MAY 2022
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CINNABAR LACQUER BOTTLE VASE
QING DYNASTY, 19TH CENTURY the sides carved in relief with figures in a continuous mountain landscape 17cm high £300-500
235
CINNABAR LACQUER BOX
QING DYNASTY, 19TH CENTURY carved with scholars and attendant figures within a mountainous landscape view 16cm wide £100-200
236
SMALL CHINESE EXPORT DIORAMA
LATE QING DYNASTY depicting two fighting cockerels within a flowering outcrop 12cm high, 13cm wide £80-120
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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PAIR OF HUANGHUALI TREE TRUNK-FORM BRUSHPOTS
QING DYNASTY, 18TH / 19TH CENTURY each of cylindrical naturalistic form, carved to simulate the trunk of a tree 13.5cm high Provenance: From a Prominent Private Cumbrian Collection £8000-12000
238
HUANGHUALI SCROLL POT
LATE QING DYNASTY of gently waisted cylindrical form 25cm dia, 25cm high Provenance: From a Prominent Private Cumbrian Collection £800-1200
FINE ASIAN ART, MONDAY 16 MAY 2022
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PAIR OF HUANGHUALI LIBATION CUPS
17TH / 18TH CENTURY of typical form, each naturalistic carved in high relief with flower blossoms and leafy stems, bronze lined 10.5cm wide Provenance: From a Prominent Private Cumbrian Collection £300-500
240
BAMBOO LIBATION CUP
LATE QING DYNASTY of naturalistic form, carved as a blossoming lily 9.5cm high Provenance: From a Prominent Private Cumbrian Collection £300-500
241
SMALL BAMBOO ‘PRUNUS’ LIBATION CUP
17TH / 18TH CENTURY naturalistically carved with blossoming prunus Provenance: From a Prominent Private Cumbrian Collection. Note: See a related bamboo ‘prunus tree-trunk’ cup, 18th century, which was sold at Christie’s New York, 1718 March 2016, lot 1339 £300-500
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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CARVED BAMBOO LIBATION CUP
QING DYNASTY, 18TH / 19TH CENTURY of naturalistic carved form Provenance: From a Prominent Private Cumbrian Collection £400-600
243
LARGE BUFFALO CARVED HORN LIBATION CUP
20TH CENTURY of archaistic form, apocryphal seal mark 13cm high £200-400
244
CARVED BAMBOO WATER DROPPER
QING DYNASTY, 19TH CENTURY the sides carved with naturalistic overlapping lily pads, the sides and domed cover surmounted by crabs 7.5cm high Provenance: From a Prominent Private Cumbrian Collection £300-500
FINE ASIAN ART, MONDAY 16 MAY 2022
245
CARVED HUANGHUALI BRUSH STAND
LATE QING / REPUBLIC PERIOD modelled as a lily pad carved in relief with a crab and a crayfish 21.5cm wide Provenance: From a Prominent Private Cumbrian Collection £200-300
246
CARVED BOXWOOD ‘PINE TREES’ BRUSH WASHER
20TH CENTURY of naturalistic form 12cm wide £300-400
247
CARVED HUANGHUALI PEACH-FORM BOX
LATE QING DYNASTY of naturalistic form 14cm wide Provenance: From a Prominent Private Cumbrian Collection £200-400
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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CARVED BOXWOOD FIGURE OF GUANYIN
LATE QING DYNASTY modelled as the deity emerging from a clam shell 8cm high Provenance: From a Prominent Private Cumbrian Collection £80-120
249
CARVED BOXWOOD RUYI SCEPTRE
20TH CENTURY formed as an insect resting on a leafy bamboo stem 20cm long Provenance: From a Prominent Private Cumbrian Collection £150-250
250
YIXING STONEWARE BRUSHPOT
LATE QING / REPUBLIC PERIOD the cylindrical sides carved with leafy bamboo and inscribed 14cm high £200-400
251
CARVED BAMBOO BRUSH POT
REPUBLIC PERIOD the cylindrical sides carved in low relief with fishermen, pagoda and pine trees within a mountain landscape 11cm high £100-150
FINE ASIAN ART, MONDAY 16 MAY 2022
252
FINE CARVED BAMBOO BRUSHPOT
QING DYNASTY, BY SHI CHENGZHI the sides finely in relief with scholars and their attendants engaged in various pursuits in a continuous mountain landcsape with pine trees and pagoda, inscribed ‘Qingxi shicheng zhi zhi’ 15.5cm high Provenance: From a Private Kent collection £8000-12000
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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PAIR OF CARVED GILTWOOD PANEL IN HARDWOOD FRAMES
QING DYNASTY, 19TH CENTURY the pierced panels each carved with officials and scholars engaged in various leisurely pursuits amongst pagodas and pavilions 73cm wide, 57cm high £300-500
254
AN ORNATE AND INTRICATE 19TH CENTURY CANTONESE IVORY CARD CASE
decorated with scenes of figures and courtiers amongst pagodas in a garden landscape 10.5 x 6.5cms £80-120
255
AN INTRICATELY CARVED 19TH CENTURY CANTONESE CARD CASE
depicting figures, perhaps the emperor on one side and empress on the other, with figures in attendance, including a musician in gardens and pagodas 10.5 x 6.5cms £80-120
FINE ASIAN ART, MONDAY 16 MAY 2022
256
RARE HUANGHUALI ‘TREASURES’ BOX
QING DYNASTY, 18TH / 19TH CENTURY the hexagonal box finely carved throughout with overlapping stylised ‘crashing-waves’ centred by a lotus blossom, opening to reveal an interior lotus stem and further crashing waves enclosing five shaped panels inscribed with poems written by the Qianlong Emperor, the underside also inscribed with a further poem 22cm wide Provenance: Private Yorkshire Collection formed in Asia £2000-4000
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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A CANTONESE 19TH CENTURY IVORY CARD CASE
decorated with scenes of figures amidst buildings and by quays with boats 10.5 x 5.5cms £100-150
258
A CHINESE 19TH CENTURY IVORY NEEDLE CASE
of cylindrical form, decorated with a dragon and birds 16cm long £100-150
259
A LARGE CHINESE IVORY CARVING OF AN IMMORTAL
holding a lotus flower mounted on a stained wooden base 30cms £100-200
260
A CHINESE IVORY CARVING OF A SAGE RECLINING UNDER A DRAGON
EARLY 20TH CENTURY emanating from a base of stylised clouds 22cms £80-120
FINE ASIAN ART, MONDAY 16 MAY 2022
261
A CHINESE 19TH CENTURY CARVED IVORY FIGURE OF A ‘DOCTOR’S LADY’
in repose with one arm over her head with a stained wooden platform base 20cms long £80-120
262
CARVED BUFFALO HORN DOCTOR’S OR MEDICINE DOLL
LATE QING DYNASTY of typical form 14cm long £200-300
263
CARVED BUFFALO HORN FIGURE OF A DEER
QING DYNASTY, 19TH CENTURY modelled recumbent with its head turned backwards 7.5cm high Provenance: From a Private Scottish Collection £300-500
264
FINE SILVER MOUNTED BAMBOO OPIUM PIPE
QING DYNASTY, 19TH CENTURY bears a square gold lacquer seal ‘Baiyun jushi & Mingyun’ and inscribed with a poem ‘Whistling sound of clouds and mists, away from the human world, Immortal world, the flavour is at one with the metal pipe, inscribed by Master White Cloud’ 55.5cm long £200-400 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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AN EARLY 20TH CENTURY CHINESE TRADE DOLLAR
CIRCA 1918 £80-120
266
CHINESE EXPORT PAINTED FAN
LATE QING DYNASTY painted with a village scene within a mountain landscape view, the reverse with a calligraphic poem Provenance: Acquired in China by Captain Charles Oswald Liddell (1854-1941). Liddell lived in China between 1877 to 1913, and thence by descent £200-300
267
PAINTED FAN BY
LATE QING DYNASTY painted with scene depicting a fortress, fisherman and a village with a continuous mountain landscape, the reverse with a calligraphic poem Provenance: Acquired in China by Captain Charles Oswald Liddell (1854-1941). Liddell lived in China between 1877 to 1913, and thence by descent £200-300
Paintings and Textiles
FINE ASIAN ART, MONDAY 16 MAY 2022
268
FANG ZHAOLING (1914-2006)
FIGURES IN A BOAT ink and colour on paper, mounted, un-framed, stamp and signature 110cm x 35cm
Provenance: from a Private Collection acquired in Hong Kong Note: For similar work by Zhaoling see: Poly Auction, Hong Kong, 3rd of April 2017, lot 452 Estimate upon request
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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PU RU (1896-1963)
BOATING ink and colour on paper, mounted, unframed 136cm high, 69cm wide
Provenance: Private Collection acquired in Hong Kong Estimate upon request
FINE ASIAN ART, MONDAY 16 MAY 2022
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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270
CHINESE SCHOOL
LATE MING / EARLY QING DYNASTY colour and ink on paper, depicting an immortal on a deer and his attendant 130cm x 81cm £800-1200
271
FINE CHINESE REVERSE PAINTING GLASS PAINTING
QING DYNASTY, 19TH CENTURY finely painted with an elegant lady kneeling beside an altar, titled ‘TEMPLE OF THE SUN’, in a giltwood frame 34cm wide, 41cm high £1000-1500
FINE ASIAN ART, MONDAY 16 MAY 2022
272
SET OF FOUR CHINESE RICE PAPER PICTURES
QING DYNASTY, 19TH CENTURY each finely painted with flowering baskets, framed 20cm high, 15.5cm wide £600-800
273
SET OF FOUR CHINESE RICE PAPER PICTURES
QING DYNASTY, 19TH CENTURY each finely painted with flowering baskets or vases, framed 29cm x 18cm £600-800
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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CHINESE SCHOOL (19TH CENTURY)
ink and colour on paper, depicting an official and attendants on a terrace 74cm x 54cm £150-250
275
GOOD CHINESE FOUR FOLD SCREEN
QING DYNASTY, 19TH CENTURY the panels painted with birds amidst a verdant landscape, with signature and artist red seal mark top right 152cm x 90cm (opened) £100-200
FINE ASIAN ART, MONDAY 16 MAY 2022
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Detail
276
ATTRIBUTED TO QIU YING (1494-1552) ONE HUNDRED BEAUTIES
ink and colour on silk, each laid onto a wood panel, inscribed and signed Qiuying Shifu, also bears artist seal, further seals reading Xingong Zhen Shang, Yizhou jian Shang and Yizhou Zhen Cang; the two inscription signed Wang Shideng, two further seals read Deng and Qingyangiun, another signed Qian Gu and Shubao 145cm high x 469cm wide Provenance: Acquired by the owner’s grandfather in the 1960s, thence by decent £30000-50000 See illustratiions overleaf
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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FINE ASIAN ART, MONDAY 16 MAY 2022
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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CHINESE EXPORT PAINTING
20TH CENTURY oil on board, depicting elegant ladies and boys in a moonlight landscape view, within a lacquer frame 70cm x 101cm £100-200
278
CHINESE SCHOOL (20TH CENTURY)
FROGS AND LILY ink on paper, framed 33cm x 45cm £100-150
279
CHINESE SCHOOL (19TH CENTURY)
FOREIGN TRIBUTE BEARERS in colour on silk laid onto board, bears title ‘Manbang Jingong Tu’, two indistinct seals Provenance: Acquired by the owner’s grandfather in the 1960s, thence by decent £2000-3000
FINE ASIAN ART, MONDAY 16 MAY 2022
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TWO BLUE SILK ‘DRAGON’ SKIRT APRONS
QING DYNASTY, 19TH CENTURY The two pleated sections each with nine dragon roundels above two further confronted dragons chasing flaming pearls, amidst clouds and fire scrolls, over knotted peonies and foaming waves, with terrestrial diagram and lishui stripe hems 144cm long approx £200-400
281
BLUE SILK EMBROIDERED COAT
LATE QING DYNASTY finely embroidered in coloured silk thread with brightly coloured flowers and roundels depicting elegant ladies, 105cm long; together with a JAPANESE EMBROIDERED RED SILK SHAWL, LATE MEIJI / TAISHO PERIOD, 120cm long approx. (2) £80-120
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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FINELY EMBROIDERED UNCUT BLUE SILK CHILDS ‘DRAGON’ ROBE
QING DYNASTY, 19TH CENTURY the blue ground is worked in couched gold and silver threads and satin stitch with five-clawed dragons confronting flaming pearls amidst bats, clouds and flame scrolls, the terrestrial diagram and lishui stripe hem and cuffs with auspicious emblems 133cm x 147cm (all in), embroidered robe, 129cm (hem to hem) x 111c, (cuff to cuff) £800-1200
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TWO CIVIL SILK RANK BADGES
QING DYNASTY, 19TH CENTURY each woven with an egret in flight amidst clouds, above crashing waves with leaping fish, framed as one 31cm wide, 28cm high £200-400
284
IMPERIAL YELLOW SILK EMBROIDERED PANEL
KANGXI PERIOD (1662-1722) worked in couched threads and satin stitch with two five-clawed dragons, above the terrestrial diagram and crashing waves, framed 64cm long, 45cm wide £800-1200
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
Select Interiors Inviting entries
Enquiries: Guy Tayler guy.tayler@doreandrees.com 01373 462 257
Dore & Rees Vicarage Street, Frome BA11 1PU 01373 462 257 www.doreandrees.com
Books
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REGINA KRAHL, CHINESE CERAMICS: THE ANTHONY ROTHSCHILD COLLECTION, VOLS. I-II, LONDON, 1996
the Eranda Foundation, two volumes, beige cloth, slip case, various colour illustrations Provenance: From a Prominent Private Dorset Collection £300-500
286
COLLECTION OF TWENTY EIGHT REFERENCE BOOKS AND CATALOGUES
relating to Chinese furniture, ceramics and jade £30-60
FINE ASIAN ART, MONDAY 16 MAY 2022
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COLLECTION OF TWENTY FOUR REFERENCE BOOKS AND CATALOGUES
relating to Chinese art, ceramics and furniture £30-60
288
LARGE QUANTITY OF AUCTION CATALOGUES
mostly Sotheby’s and Christie’s Asian art catalogues approximately 260 £300-500 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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COLLECTION OF ASIAN ART AUCTION CATALOGUES
mostly Sotheby’s and Christie’s Chinese and Japanese art (qty) £150-250
290
LARGE COLLECTION OF JAPANESE ART REFERENCE BOOKS
mostly porcelain, netsuke and colour prints, including small quantity of Duruma Arts magazine (qty) £200-400
FINE ASIAN ART, MONDAY 16 MAY 2022
291
LARGE COLLECTION OF CHINESE ART REFERENCE BOOKS
including some narrative volumes about China and the Far East £200-400
292
LARGE COLLECTION OF AUCTION ASIAN CATALOGUES
mostly Sotheby’s and Christie’s Chinese art (qty) £200-400 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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SMALL QUANTITY OF ARTS OF ASIA MAGAZINES
dating from the 1970s and the 1980s £50-100
Furniture
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FINE PAIR OF ZITAN ARMCHAIRS
LATE QING DYNASTY each elaborately carved in Rococo style with Europeaninfluenced lotus, acanthus and foliate trails, the backsplat of vase form supporting the shaped crest-rail surmounted by a fanned lappet-form headrest, the curved arms supported by acanthus-form pillars, the rectangular seat enclosed within a frame surmounting a recessed waist above a curved apron carved with floral scrolls and ruyi heads, all raised on four cabriole legs joined by plain rectangular peripheral stretchers and ending in squat square bun feet 114cm high, 60cm wide Provenance: From the same Scottish Family collection as a pair of Imperial Zitan chairs which were sold at Christie’s, Hong Kong, Important Chinese Ceramics and Works of Art sale, 3rd of December 2008, lot 2503. Note: The present pair of chairs exemplifies the influence of Western cabinet-making techniques and decorative motifs on Chinese furniture during the Qing dynasty. Beginning in the early Qing dynasty, foreign tradesmen and firms brought European-made items and built trading houses in European styles in China. At the same time, the Jesuits arrived in Beijing and entered the Emperor’s service as court artists. They not only produced western-designed objects but also influenced architectural design, the most prominent example being the Chang Chun Yuan (Garden of
Everlasting Spring) in the Summer Palace. As a result of such commercial and cultural exchange, Europeaninfluenced decorative arts objects, in particular furniture, began to appear in and outside the imperial court.The architectural crest of the two chairs and the Westernized lotus and acanthus motifs of the surface carving are all drawn from the repertoire of Rococo art. The fanned lappet-shaped headrest surmounting the crest-rail clearly resembles a shell, another typical Rocaille motif. These motifs remind one of the identical carved decorations on the European-style complex of buildings in the Garden of Everlasting Spring. We can only imagine what the furniture looked like in the series of palaces, pavilions and terraces of the Yuanmingyuan as it is now only a place of memories. These ornate, pseudo-Rococo designs satisfied the self-indulgent taste of the royal household.For similar examples see Tian Jiaqing: Classic Chinese Furniture of the Qing Dynasty, p. 42, pl.26; a similar chair from the Qing Court, is in Treasure of the Ming and Qing Dynasty Palace Furniture, Vol. 1, Beijing, 2007, pl. 18 and another Western influenced chair, pl. 88; Sotheby’s New York, Collection of Lt. Col. Robert Gray Peck, 19th March 2014, lot 400; Christie’s Hong Kong, 2nd December 2008, lot 2508. Estimate upon request
FINE ASIAN ART, MONDAY 16 MAY 2022
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FINE CARVED HUANGHUALI MARBLE INSET CIRCULAR TABLE
QING DYNASTY, 19TH CENTURY the circular top with a gadrooned edge, the pierced frieze carved with fruiting vines, raised on a pedestal support ornately carved throughout with stiff leaves and berried leafy tendrils, ending in four scroll feet surmounted by lotus blooms 83cm high, 198cm diam £8000-12000
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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GOOD PAIR OF CARVED HUALI-WOOD STANDS
QING DYNASTY, 19TH CENTURY the circular tops with inset marble panels surrounded by a band carved with leafy tendrils and flower blooms, the open frieze similarly carved with lotus blooms, raised on four cabriole legs surmounted by further lotus blooms and ending with stiff leaf carved scroll feet, all united by openwork under tiers 56cm diam, 80cm high £2000-4000
297
GOOD HUALI-WOOD CARVED AND FAMILLE VERTE PORCELAIN MOUNTED TRIPOD TABLE
QING DYNASTY, 19TH CENTURY the circular top inset with a famille verte porcelain panel painted with gardens scenes with pagoda and figures engaged in various leisurely pursuits, above a pierced frieze carved with stiff leaf and scrolling berried tendrils, raised on an acanthus carved turned column and a tripod base 78cm high, 60cm diam £1500-2500
FINE ASIAN ART, MONDAY 16 MAY 2022
298
CARVED HUANGHUALI MARBLE INSET CORNER TABLE
QING DYNASTY, 19TH CENTURY the serpentine shaped top above an ornate pierced frieze carved with a deer, pine trees and berried vines, raised on two dragon mask carved carbriole legs united by an under tier 77cm high, 90cm wide £1500-2500
299
SMALL CARVED HARDWOOD KANG TABLE
LATE QING DYNASTY the rectangular top above a dragon carved openwork frieze, raised on four short cabriole legs 53cm wide, 17cm high Provenance: Formerly in the collection of Professor B. Lofts £200-400 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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GOOD CHINESE EXPORT HARDWOOD TABLE
QING DYNASTY, MID 19TH CENTURY the shaped top with inset pink variegated marble panel, over an ornate well carved frieze of fruiting and flowering branches, raised on bold carved cabriole legs united by an x-shaped stretcher 125cm wide, 82cm high, 59cm deep £6000-9000
FINE ASIAN ART, MONDAY 16 MAY 2022
301
GOOD CHINESE HUALI-WOOD DESK
QING DYNASTY, 19TH CENTURY the front fitted with four drawers on square form legs united by a latticework under tier 121cm wide, 83cm high, 65cm deep £400-600
302
CHINESE EXPORT HARDWOOD AND MOTHER OF PEARL INLAID SIDE TABLE
QING DYNASTY, 19TH CENTURY in the European Rococo-style, the shaped top finely inlaid with flowering branches in a rocky outcrop, above and ornate scroll carved and inlaid frieze, raised on four cabriole legs 105cm wide, 76cm high, 55cm deep £400-800 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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SIX FOLD LACQUER, JADE AND HARDSTONE SCREEN
LATE QING DYNASTY WITH 18TH / 19TH CENTURY JADES each leaf decorated with figures in a riverside landscape with blossoming flowers and various vegetation, surmounted by quatrefoil panels centred by bold raised gilt buddhas on a double lotus throne, the apron panels with raised lacquer decorated with birds amongst fruiting and flowering branches, all reserved against borders of bats and auspicious items amidst cloud scrolls, on mother-of-pearl inlaid black lacquer grounds, the reverse decorated with further panels of river landscapes, with crane amongst pine and auspicious blessings Each leaf 183cm x 41cm £10000-15000
FINE ASIAN ART, MONDAY 16 MAY 2022
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FOUR FOLD LACQUER SCREEN
QING DYNASTY, 19TH CENTURY decorated with scenes of figures and animals engaged in various leisurely pursuits, the reverse with birds and flowers 183cm high, 163cm wide £400-600
FINE ASIAN ART, MONDAY 16 MAY 2022
305
THREE ASSORTED CHINESE STANDS
LATE QING / REPUBLIC PERIOD 25cm, 16.5cm and 20cm diam £150-250
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FOUR CARVED HARDWOOD STANDS
QING DYNASTY, 19TH CENTURY largest, 16cm diam, smallest, 9cm diam £300-500
307
CARVED HARDWOOD DISPLAY STAND
LATE QING DYNASTY the multi-levelled tiers with stylised dragon spandrels, raised on four key-fret bracket feet 55cm wide, 21cm high, 11cm deep Provenance: From a Private Scottish Collection £300-500
308
GOOD HARDWOOD VASE STAND
QING DYNASTY, 19TH CENTURY with a jadeite finial, raised on stylised ruyi-form bracket feet 58cm high Provenance: From a Prominent Private Cumbrian Collection £400-600
309
CANTON CARVED SANDLEWOOD MIRROR
QING DYNASTY, 19TH CENTURY the original circular plate within an ornate ‘temple’ carved frame with figures, pagoda and trees 32cm wide, 45cm high Provenance: From a Prominent Private Cumbrian Collection £200-400
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
Fine Asian Art Next auction: November 2022
Entries invited Enquiries: Lee Young lee.young@doreandrees.com 01373 462 257 / 07825 426555
FINE BLUE AND WHITE ‘DRAGON’ SNUFF BOTTLE
DAOGUANG FOUR CHARACTER MARK AND OF THE PERIOD Provenance: Part of a Private collection acquired in Shanghai or Hong Kong from the 1930s onwards
Dore & Rees Vicarage Street, Frome BA11 1PU 01373 462 257 www.doreandrees.com
Japanese Ceramics and Works of Art
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JAPANESE KUTANI PORCELAIN GROUP
MEIJI PERIOD (1868-1912) modelled as playful puppies 13cm high £100-150
311
JAPANESE SATSUMA AMIDA BUDDHA
MEIJI PERIOD (1868-1912) modelled wearing long flowing robe open at the chest 26cm high £100-150
312
PAIR OF JAPANESE KO-IMARI BLUE AND WHITE DISHES
EDO PERIOD, 18TH CENTURY painted in tones of underglaze blue in the Chinese Ming-style 15.5cm diam £200-300
313
LARGE JAPANESE PAINTED POTTERY FIGURE OF AN IMMORTAL
LATE EDO / EARLY MEIJI PERIOD the seated figure wearing long hooded flowing robe, painted to simulate lacquer 30cm high £100-150
FINE ASIAN ART, MONDAY 16 MAY 2022
314
JAPANESE PORCELAIN VASE
BY TOMINAGA GENROKU (1859-1920) the baluster sides finely painted with ducks in a continuous winter landscape, signed on the underside 21cm high £300-500
315
JAPANESE AUBERGINE GLAZE HUFORM VASE
BY SEIFU YOHEI III (1851-1914) the baluster sides covered all over with a rich crackle-suffused aubergine glaze, underside bears six character mark 34cm high Provenance: From a Private Wiltshire Collection £800-1200
316
LARGE JAPANESE ARITA ‘THE THREE FRIENDS’ BOWL
EDO PERIOD, 17TH CENTURY the sides finely painted in underglaze blue with panels of pine, bamboo and prunus 34cm diam £2000-3000
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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JAPANESE IMARI BARREL FORM GARDEN SEAT
MEIJI PERIOD (1868-1912) the lobed sides painted with panels depicting figures and pagoda in verdant landscape views 48cm high £600-800
318
JAPANESE KAKIEMON JAR
EDO PERIOD, 18th CENTURY the baluster sides enamelled in red, green, blue and yellow with a broad band of chrysanthemums and peonies within a rocky outcrop, later metal rim 22.5cm high Note: For a similar jar see: Bonhams, London, Fine Japanese Art, 17 May 2012; see also: The Metropolitan Museum - The Harry G. C. Packard Collection of Asian Art, Gift of Harry G. C. Packard, and Purchase, Fletcher, Rogers, Harris Brisbane Dick, and Louis V. Bell Funds, Joseph Pulitzer Bequest, and The Annenberg Fund Inc. Gift, 1975 - Accession Number: 1975.268.524 £200-400
319
JAPANESE IMARI JAR AND COVER
EDO PERIOD, 18TH CENTURY decorated in the typical palette with blossoming stems and branches, the domed lid surmounted by a lion finial 46cm high £400-600
FINE ASIAN ART, MONDAY 16 MAY 2022
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PAIR OF JAPANESE IMARI TRUMPET VASES
EDO PERIOD, 18TH CENTURY the side decorated with verdant fenced garden views 22cm high £150-250
321
JAPANESE BLUE AND WHITE BARBED DISH
MEIJI PERIOD (1868-1912) painted with panels of landscape views and flowering stems within a crashing wave border 31cm diam £80-120
322
JAPANESE BLUE AND WHITE SQUARE-FORM DISH
MEIJI PERIOD (1868-1912) painted in tones of underglaze blue with a mountain landscape scene 30cm wide £50-100
323
JAPANESE BLUE AND WHITE IMARI BOWL
LATE EDO PERIOD painted with two phoenix in flight 25cm diam £50-100
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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324
IWAKURA KOUGUNHI BY UTAGAWA YOSHIHARU
THE BATTLE OF IWAKURA BUSHO theree woodblock prints, 1868 (3) £100-200
325
JAPANESE IRON AND MIXED METAL TSUBA
EDO PERIOD decorated in relief with a bridge and a straw hut beside a meandering river, 7cm wide; together with a JAPANESE CLOISONNE ENAMEL TSUBA, MEIJI PERIOD, 8cm wide (2) £100-200
326
JAPANESE KOMAI MIXED METAL CIGARETTE CASE
LATE MEIJI / TAISHO PERIOD decorated with mount Fuji, bears Komai seal mark 8cm wide £80-120
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327
JAPANESE WOODBLOCK ‘EROTIC’ BOOK
LATE EDO / MEIJI PERIOD comprising 17 partially hand coloured prints £200-300
328
FINE JAPANESE CLOISONNE BOX, ATTRIBUTED TO HAYASHI KODENJI III
MEIJI PERIOD (1868-1912) the sides finely decorated in coloured enamels with an eagle perched within a blossoming branch, another bird flying overhead, all reserved against a midnight blue ground 10.5cm wide £800-1200
329
JAPANESE KATANA
EDO PERIOD, 17TH CENTURY signed Mutsu no-kami Toshinaga (active. 1673-1681) the fittings restored between 2004 and 2006 by The Japanese Sword Shop, Usagiya blade, 69cm long Provenance: Private Somerset Collection purchased from The Japanese Sword Shop, Usagiya, Japan £1500-2500 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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330
BUKAI KAIJOU BY KO KENSHIN
CHINESE WEAPONRY six volumes, Edo period, printed in 1661 (6) £200-400
331
JAPANESE MEIJI PERIOD SILK SCROLL PAINTING OF KWANON AT WATERFALL
in original fully signed double tomobako, artist signed and sealed Kano Hogai 1828-1888 £300-500
FINE ASIAN ART, MONDAY 16 MAY 2022
332
VERY FINE QUALITY JAPANESE ARTICULATED IVORY CRAB OKIMONO
MEIJI PERIOD (1868-1912) realistically modelled with articulated legs and claws 14cm wide £700-900
333
FINE JAPANESE STAINED IVORY ARTICULATED CRAYFISH OKIMONO
SIGNED, MEIJI PERIOD (1868-1912) realistically modelled with articulated legs, tail and antennae 34cm long approx £700-900
334
FINE JAPANESE CARVED IVORY FIGURE OF A PIGEON
MEIJI PERIOD (1868-1912) realistically carved (lacking feet) 21cm long £1000-2000
335
A JAPANESE 19TH CENTURY IVORY OKIMONO OF A RECLINING MOTHER READING
her child playing next to her with a toy ‘wheel-along’ bird, signed 14cms long £80-120 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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A JAPANESE 19TH CENTURY IVORY OKIMONO OF A RECLINING MALE FIGURE
poised with a tea bowl in his right hand, his ruffled clothing nicely depicted, signed 13cms long £80-120
337
A JAPANESE 19TH CENTURY IVORY OKIMONO OF A LION ATTACKING A CROCODILE
the lioness grasping its back, the crocodile with open jaws and shell inset eyes, signed 26cms long £80-120
338
A LARGE JAPANESE 19TH CENTURY IVORY SECTIONAL OKIMONO OF A ‘WOODSMAN’
his foot jauntily upon a rock and shouldering a large axe variously strung with a dead bird and rabbit, wearing a straw rain cape, an inro suspended from his belt, signed 16cms high £100-150
FINE ASIAN ART, MONDAY 16 MAY 2022
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JAPANESE SOFTWOOD AND MOTHER OF PEARL INLAID STAND
LATE EDO / MEIJI PERIOD each tier inlaid with figures in landscape views 32cm wide, 41cm high £100-200
340
LARGE JAPANESE BRONZE AND MIXED METAL KORO,
MEIJI PERIOD (1868-1912) finely inlaid and overlaid with gold silver and shakodo birds amidst flora and mythical beasts, the lid surmounted with a gold inlaid Kirin 46cm high £1500-2500
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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MONUMENTAL JAPANESE BRONZE TIGER OKIMONO
MEIJI PERIOD (1868-1912) the tiger finely detailed as he strides purposefully in an aggressive pose, raised on the original naturalistic base bearing seal mark 114cm long £4000-6000
342
JAPANESE BRONZE COVERED KORO
MEIJI PERIOD of boat-shape form, the pierced cover surmounted by a qilin, the twin handles cast with lion mask, the sides decorated in relief with panels of minogame and qilin 23cm high Provenance: From a Private Wiltshire collection £200-300
FINE ASIAN ART, MONDAY 16 MAY 2022
343
LARGE JAPANESE BRONZE MIXED METAL AND SILVER INLAID VASE
MEIJI PERIOD (1868-1912) cast in five sections, the flared rim neatly cast with three phoenix in flight and berried vines to the underside, the baluster body decorated with two Samurai warriors, flanked by twin ornate handles forms a birds perched amongst pine trees, below hexagonal support below applied with six phoenix and with mixed metal panels of rats, a tiger, a deer, a serpent, hares, and a dragon, the whole raised on an ornamented openwork circular base with four pierced bracket feet, together with a Victorian ebonised pedestal vase, 80cm high, pedestal, 104cm high £1500-2500
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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GOOD JAPANESE KUTANI AND IMARI PORCELAIN MOUNTED LACQUER CABINET ON STAND
MEIJI PERIOD (1868-1912) the cabinet fitted with an arrangement of doors and drawers, mounted throughout with assorted porcelain panels finely painted with dragons, cranes, crashing waves, blossoming flowers and various vegetation, all reserved against a gilt-trellis decorated black lacquer ground, raised on a conforming stand 106cm wide, 168cm high, 41cm deep Provenance: Private Dorset collection, acquired from House & Sons. in 1974 £15000-25000
FINE ASIAN ART, MONDAY 16 MAY 2022
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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FINE JAPANESE EMBROIDERED-SILK FOUR FOLD SCREEN
MEIJI PERIOD (1868-1912) finely worked with a large tiger and leafy bamboo, the tiger shown startled by the falling leaves, within a gilt-metal mounted black lacquer frame 182cm high, 64cm wide (each fold) £2000-4000
346
LARGE JAPANESE EMBROIDERED PANEL
18TH / 19TH CENTURY depicting seated figures leisurely pursuits, framed 85cm x 115cm £400-600
Islamic and South-East Asian Works of Art
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347
SAFAVID GLAZED POTTERY TILE
17TH CENTURY depicting a young man holding a flower, in an old wooden collector’s box 16.5cm wide Provenance: Private London Collection £300-500
348
LARGE BRONZE CAIRO WARE CHARGER
LATE 19TH CENTURY the circular dish finely inlaid throughout with silver and copper with script and scrolling stylised leafy tendrils 50.5cm diam Provenance: From a Private Scottish Collection £800-1200
349
QAJAR BRASS BOWL
19TH CENTURY the sides engraved with bands of inscriptions and stylised leafy scrolls 20cm diameter £450-550
FINE ASIAN ART, MONDAY 16 MAY 2022
350
QAJAR BRASS, SILVER AND GILT-METAL KASHKUL
PERSIA, 19TH CENTURY the body decorated with panels inscriptions and scrolling leafy tendrils 24cm wide £1000-1500
351
UNUSUAL SAFAVID GREEN-GLAZED EWER
17TH / 18TH CENTURY with later 19th century metal mounts, the large globular body covered all over in a rich apple-green glaze 40cm £2000-3000
Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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LEE YOUNG @ DORE & REES
352
GOOD QAJAR DAMASCENED STEEL SHIELD
PERSIA, 19TH CENTURY with four raised bosses between engraved panels of leafy blossoms, within inscribed bands 43cm diameter £2000-3000
353
LARGE ISLAMIC COPPER BOWL
19TH CENTURY the sides engraved with stylised arabesque panels of animals and leafy scrolls 38cm diam £450-550
354
IMPRESSIVE COCO DE MER KASHKOOL
19TH CENTURY with a fitted metal chain and mounts 28cm long £800-1200
FINE ASIAN ART, MONDAY 16 MAY 2022
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355
TINNED COPPER VASE AND COVER
PERSIA, 19TH CENTURY the sides decorated with panels of figures and animals 34cm high £400-600
356
TINNED COPPER BOWL
PERSIA, 19TH CENTURY the rim decorated with an inscribed band 19cm diam £400-600
357
BRONZE FIGURE OF AN INFANT KRISHNA
INDIA, 19TH CENTURY the figure shown kneeling, raised on a stepped square pedestal base 15cm high Provenance: From a Private Wiltshire collection £100-200
358
COPPER FIGURE OF A MYTHICAL BEAST
SOUTH EAST ASIAN, 18TH / 19TH CENTURY modelled striding purposefully with its head turned to one side 11.5cm long £100-200 Each lot is subject to a buyer’s premium of 30% inclusive of VAT @ 20%.
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LEE YOUNG @ DORE & REES
359
A FINE ANGLO-INDIAN 18TH CENTURY VIZAGAPTAM IVORY AND ROSEWOOD TEA CADDY
the meandering foliate ivory borders decorated with lace, the lid with an inlaid ‘tree’ and ornate cast bronze swing handle, the interior with blue velvet lining and fitted with three compartments containing two cut glass canisters with silver lids, each engraved with the arms of the Egerton family, the front with a fancy shaped and engraved escutcheon with key 14 x 22.5 x 13cms Provenance: Private Somerset Collection acquired Woolley & Wallis, 11th January 2017, Lot 338 The coat of arms signify the marriage of William Egerton (17261783) to Mary Kirke (1727-). They had six children. The Egerton’s were important landowners. One of the family was made Viscount Brackley, later Earl of Bridgewater. Another became the Duke of Bridgewater who was a well-known industrialist. The Egerton’s own Tatton Park in Cheshire £500-1000
END OF SALE
Dore & Rees and Susan Rumfitt Fine Jewellery are pleased to announce the launch of joint auctions commencing in July
Jewellery 6 July 2022 at 10.30am
Inviting entries until late May
Enquiries: Susan Rumfitt, Phoebe Baker enquiries@doreandrees.com 01373 462 257 Susan Rumfitt
Dore & Rees Vicarage Street, Frome BA11 1PU 01373 462 257 www.doreandrees.com
Phoebe Baker
Conditions of Sale BUYERS
This document acts to confirm the terms and conditions under which Dore & Rees, acting as agent, will sell Lots by auction to Buyers on behalf of Sellers. 1 11. Our Status a. We act as agent to sell the Lots on the Seller’s behalf by auction. b. You will pay the Hammer Price, with Buyer’s Premium at 25% together with VAT at the prevailing rate and any applicable charges within 5 working days following the Auction in which the Lots are purchased by you. c. We will always treat your data with care, personal details are held securely and will not be sold. Our Privacy statement is available at www.doreandrees.com
12. The Estimate a. The estimate is a guide to help you gauge how much you might have to spend to purchase the Lot. b. Estimates can change, they are not definitive and should not be thought of as the sale price. c. Estimates do not include the Buyer’s Premium or VAT at the prevailing rate and any applicable charges. d. Estimates may be altered by a saleroom notice or announcement by the auctioneer before the Lot is offered.
13. Buyer’s obligations and undertakings a. You warrant to us and to the Seller that: i. you will not bid on a Lot you do not intend to pay for ii. you have the funds to complete the purchase at the total value of Hammer Price, Buyer’s Premium together with VAT at the prevailing rate and any applicable charges; iii. the funds are not connected with any criminal activity including tax evasion, and that you are neither under investigation nor have you been charged with or convicted of money laundering, terrorist activities or other crimes iv. if the Lot you purchased is to be removed to a country outside the UK, all duties, taxes and licences on the export of the Lot are your responsibility. b. If you, the Buyer, decide to exercise your right to cancel, we are entitled to account directly to the Seller for any applicable refund and we shall retain on account amounts to compensate the Seller should the Lot be damaged or tampered with by you. c. You will indemnify us and the Seller in full on demand against all claims, costs or expenses incurred by us or the Seller as a result of any breach by you of any of the obligations in this clause. 14. Inspection of Lots a. As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Lots. We may inspect Lots and will act reasonably in taking a general view about them. However we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do. b. We strongly recommend that you attend the auction viewing in person if possible. You are responsible for your decision to bid for particular Lot. If you bid on a Lot, including by
telephone, absentee bid or online bidding, we will assume that you have carefully inspected the Lot and satisfied yourself regarding it’s condition. c. Please note that the Lots (in particular second hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of secondhand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed.
15. Descriptions and condition a. Our descriptions of the Lot will be based on i. Information provided to us by the Seller of the i Lot (for which we are not liable); and i ii. Our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). b. We will give you a number opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. c. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 16. Registration, Bidding and the Buyer a. You are required to register to bid by 5pm on the day before the auction. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a absentee bid. b. If you wish to bid on high value Lots, the registration deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. c. We reserve the right to require deposits at the point of Registration on high value Lots. Deposits are refundable after the auction if you are not a successful Bidder. d. Lots will be invoiced to the name and address on the Registration Form. e. Absentee bids may be left with us in writing indicating the maximum amount to be bid against a Lot (excluding Buyer’s Premium and/or VAT and any applicable charges). We will execute absentee bids as cheaply as possible having regard to the Reserve (if any) and competing bids. If two Bidders submit identical absentee bids we may prefer the first bid received (where this can reasonably be ascertained). Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable. f. Telephone bidding is offered on a first come first serve basis on high value lots. Neither we nor our employees or agents will be responsible for any failure to execute your telephone bid, unless our failure to do so is unreasonable. g. Bidding online is available via doreandrees.com and our auction partners EasyLiveAuction.com.
CONDITIONS OF SALE
h. i. j. k. l.
Please refer to EasyLiveAuction.com for their charges and terms and conditions. We reserve the right to refuse to register you if you do not provide us with all the information and documentation that we ask for at our discretion. We may bid on Lots on behalf of the Seller up to one bid below the Reserve. We may refuse to accept any bid if it is reasonable for us to do so. Bidding increments will be at our sole discretion (and in line with standard auction practice). The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.
17. Anti-Money Laundering Regulation a. We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 (or equivalent) or more. b. Buyers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which they are bidding in order to meet the requirements of the regulations. 18. The Purchase price a. As Buyer, you will pay: i. The Hammer Price; ii. Buyer’s Premium of 25% of the Hammer Price iii. Any artists resale right royalty payable on the sale of the Lot iv. Any VAT due11 19. VAT a. You are responsible for the payment of any VAT applicable on the Hammer Price and Buyer’s Premium due for a Lot. b. We will charge VAT at the current rate at the date of the auction.
10. Artist’s Resale Right a. From mid February 2006, living artists are entitled by law to receive a resale royalty each time their work is resold by or to and art market professional. From January 2012, the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and the beneficiaries of these artists. b. An artwork must be resold for more than 1000 euros Hammer Price (or equivalent) to qualify for the right. The rates applicable are calculated as a percentage of the Hammer Price and are set out on a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. We reserve the right to pass all the cost to the Buyer of the qualifying artwork.
11. The contract between you and the Seller a. The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. b. You may directly enforce any terms in the Terms and Conditions of Sale - SELLER against a Seller to the extent that you suffer damages and/or
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loss as a result of the Seller’s breach of the Terms and Conditions - SELLER. c. If you breach these Terms and Conditions – BUYER, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. d. We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot) e. In addition to any other rights we may have to cancel a contract for sale under these Terms and Conditions – BUYER, in the event: i. You are in breach of your warranties in clause 3; or ii. We have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or iii. We have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, we may delay the completion of the sale, delay a release of a Lot or cancel the sale of a Lot.
12. Payment a. Immediately following your successful bid on a Lot you will: i. Pay to us the Total Amount Due by one of the following methods: 1. BACS 2. Debit Card 3. Credit card – up to a limit of £500 if a distance payment 4. Cash – up to a limit of £8,000 in person
13. Title and Collection of Lots a. While you are bound by the contract for the purchase of the Lot from the fall of hammer on your successful bid, ownership in the Lot will not pass to you until you have paid us in full the Total Amount Due in cleared funds for that Lot; b. You may not claim or collect your Lot until you have paid for it and ownership has passed to you. c. You will (at your own expense) collect any Lots that you have purchased and paid for either: i. Not later than 5 working days following the day of the auction II. Not later than 5 working days following the date that we have received payment of the Total Amount Due in cleared funds, if later. 14. Storage of Lots a. If you do not collect the Lot within the time period set out in above, you will be responsible for any reasonable removal, storage and insurance charges in relation to the Lot. b. The risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. c. If you do not collect the lot that you have paid for within 90 days after the auction we may sell the Lot. We will pay the proceeds of any such sale to you, we will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot.
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DORE & REES AUCTIONEERS
15. Remedies for non-payment or failure to collect purchases a. Please do not bid on a lot if you do not intend to buy it. If your bid is successful, these Terms and Conditions of Sale - BUYER will apply to you. This means that you will have to carry out your obligations set out in these Terms and Conditions of Sale - BUYER. If you do not comply with these Terms and Conditions of Sale BUYER, we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: i. Take action against you for damages for breach of contract ii. Reverse the sale of the Lot to you and/or any other Lots sold by us to you; iii. esell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8. Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; iv. Remove, store and insure the Lot at your expense; v. f you do not pay within 5 days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the Total Amount Due; vi. Keep that Lot or any other Lot sold to you until you pay the Total Amount Due vii. Reject or ignore bids from you or your agent at future auctions or impost conditions before we accept bids from you; and / or viii. If we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. b. We will act reasonably when exercising our rights under clause 7. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms and Conditions.
16. Forgeries a. A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a forgery. 17. Data Protection a. We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.
18. Liability a. Save as set out in these Terms and Conditions, we exclude to the fullest extent permitted by law all warranties and conditions, whether express or implied by statue, common law or otherwise. b. Nothing in these Terms shall operate to exclude or limit the liability of a party in respect of death or personal injury resulting from that party’s own negligence, for fraud or for any liability that cannot be excluded or limited under applicable law.
c. No party to these Terms shall be liable to any other contract, tort (including negligence) or otherwise for any indirect or consequential losses, or for any loss of profits, loss of good will, loss of revenue, loss of business or loss of anticipated savings. d. Subject to Clauses 10.b and 10.c, our liability to you shall not exceed £5,000, unless your claim relates to an item sold through an Auction in which case our liability to you shall not exceed the greater of £15,000 or the Hammer Price for the relevant Lot. e. We will not be responsible or liable for errors and omissions to execute bids, caused by a loss of internet connection, a breakdown or interruption of the on-line bidding system, or a breakdown or failure of any internet connection, computer or IT system.
19. General a. No party shall have any liability in respect of any delay in performance or non-performance of its obligations under these Terms (other than an obligation to pay) owing to Force Majeure. If a party is affected by Force Majeure it shall notify the other parties as soon as reasonably possible, in any event within 5 days, and shall take reasonable steps to mitigate the effect of the Force Majeure. Subject to Clause 4.b, risk in the Lot remains with you at all times until risk passes to the Buyer. You will indemnify us and our employees and agents, and the Buyer (where applicable) against all losses, damages, claims, costs and expenses suffered or incurred as a result of any claim in respect of the Lot or proceeds of the sale of the Lot. b. Every person on our premises shall be deemed to be there at their own risk and, subject to clause 9.b, shall have no claim against us in respect of accident or loss, however caused. c. hese Terms are governed by in interpreted in accordance with the laws of England and Wales or the laws of Scotland or Northern Ireland if you live there). If you choose to bring proceedings in conjunction with these Terms you must do so in the courts of England and Wales, unless you live in Scotland, in which case you can choose to bring proceedings there, or in Northern Ireland, in which case you can choose to bring proceedings there. d. Any or all part of any term of these Terms that is found to be unfair or unenforceable by a court of competent jurisdiction will be treated as deleted and the remainder of the Terms will continue to govern each of our respective obligations. e. ny notice from you to us must be sent in writing to us at our address detailed on our website. f. f you elect to collect the Lot from us you will bear all associated cost, expenses and duties.)
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CONDITIONS OF SALE
SELLERS
1. Our Status a. You appoint us to act as agent to sell the Lots on your behalf by auction. b. You will pay us the Sellers Commission together with VAT at the prevailing rate. c. We will not include any Lots in an auction until they have been received by us. d. We will pay the Hammer Price, with Seller’s Commission, Loss and Damage Warranty and any other charges incurred deducted and applicable VAT applied at the prevailing rate, to you at 28 working days following the Auction in which the Lots are sold, or if later, 7 days after payment by the Buyer. 2. The Reserve a. We will agree with you the Reserve, which may be higher than the starting bid. b. We shall not publicise the Reserve. c. We may bid on your Lot up to an amount equal to the Reserve. You may not bid on your Lot under any circumstances, nor maySyou permit any person to bid on your lot on your behalf.
3. Seller’s obligations and undertakings a. You warrant to us and to the Buyer that: i. you are the sole owner of the Lot and that you have full right, title and authority to sell the Lot; ii. you have no reason to believe that it is a Forgery; iii. all Lots sold by you are sold to the Buyer with full title guarantee and free from all encumbrances; iv. you have provided to us all of the relevant information and documents in your possession or control concerning the Lot, including information about its authenticity, history, condition, prior ownership and all such information is complete to the best of your knowledge; v. if the Lot has been removed from a country outside the UK, all duties and taxes on the import of the Lot have been paid, all export and import declarations have been properly made; vi. you will pay any and all duties and taxes that may be due in connection with the sale of the Lot; vii. you have given us notice of any alterations to the Lot of which you are aware; viii. you may not withdraw a Lot from an Auction without our consent. b. If you withdraw a Lot from an Auction without our consent, you will pay to us 15% of the Lot’s estimate and any related costs within 14 days of such withdrawal. c. If the Buyer of your Lot decides to exercise their right to cancel, you agree that we shall be entitled to account directly to the Buyer for any applicable refund and we shall account to you for any sums retained on account of the Lot being damaged or tampered with by the Buyer. d. You will indemnify us and the Buyer in full on demand against all claims, costs or expenses incurred by us or the Buyer as a result of any breach by you of any of the obligations in this clause.
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4. Loss and Damage Warranty a. All Lots held with us are covered by insurance against risk of fire, burglary, water damage and accidental damage except to glass. For this we will charge you 1.5% plus applicable VAT of the Hammer Price for the Lot or the value the Lot would have achieved as assessed by the Auctioneer. b. Subject to this, risk in the Lot remains with you at all times until risk passes to the Buyer. You will indemnify us and our employees and agents, and the Buyer (where appliable) against all loss damage claims costs and expenses suffered or incurred as a result of any claim in respect of the Lot or the proceeds of the sale of the Lot.
5. Anti-Money Laundering Regulations a. We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 or more b. Sellers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which their Lot is to be offered in order to meet the requirements of the regulations. 6. Images and Illustration a. We will take (or authorise others to take) photographs, video and/or produce images of the Lot and will own all intellectual property rights in any such images and may use them for any purpose, and you warrant that there is no restriction on our ability to do so.
7. Unsold Lots a. If at the end of the Auction, your lot is unsold (other than because it was withdrawn) the Lot will be available for After Sale offers. b. Registered Bidders may contact us and offer to purchase a Lot after the Auction. If the bid meets or exceeds the Reserve, we may authorise the sale of your Lot without contacting you and the sale will be completed as if the Lot had been sold during the Auction. If the bid is less than the Reserve, we will contact you. If you accept the bid and wish to proceed, the sale will be completed as if the Lot had been sold during the Auction. c. You may contact us at any time after the Auction to remove your Lot from the After Sale process. d. Subject to agreement with us, your unsold Lot can be re-offered at a future Auction at a revised Estimate and Reserve or can be collected by you, you are responsible for collection and transportation arrangements and costs. 8. Withdrawn Lots a. If we withdraw a Lot from Auction, we will notify you and you will collect the Lot from us within 30 days of our notification. b.You are responsible for collection and transportation arrangements and costs.
9. Forgeries A. A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a Forgery. b. If this is the case, you shall refund to us on demand, the total amount paid to you in relation to the lot plus any costs incurred by us or by the Buyer.
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Midsummer Auction Saturda dayy 18th June, Frome, Somerset.
19 6 5 S u n be a m T ig e r M a rk I I Pro to t y pe ( A F2 0 3) O n e of o n l y fo u r A l p i n e - F o rd p rotot y p e s b u i l t by J e n s e n M oto r s 5 H W D L Q V D O O I D F W R U \ G H Y H O R S P H Q W P R G L Ʈ F D W L R Q V C o n ve r te d f ro m L H D t o R H D i n p e r i o d U n i q u e , i m p o r t a n t a n d w e l l - k n o w n ex a m p l e E s t i m a te: £70, 000 - £9 0, 000 P rev i o u s re s u l t s :
19 91 Fe r ra r i Te s t a ro s s a £ 86 , 50 0 (Oc t ’ 21)
193 9 L a g o n d a V12 S por t s S a l oon £58 , 24 0 ( Fe b ’ 22)
19 62 J a g u a r E-Ty p e Fi xed He ad Co u p e £ 86 , 24 0 (Oc t ’21)
1952 J a g u a r X K120 Ro a d s te r £6 9 , 4 4 0 ( F e b ’ 2 2)
INVITING ENTRIES Saturday 18th June 2022, 2pm at the Auction Salerooms, Vicarage Street, Frome. Viewing Friday 17th and the morning of the sale at the Cheese and Grain in Market Yard, Frome. Free to enter and no seller’s commission - for more details talk to us on (01373) 462257 or visit www.doreandrees.com/motoring
Bidder Registration Form DORE & REES Auction Salerooms, Vicarage Street, Frome BA11 1PU Auction Date:
01373 462 257 www.doreandrees.com
Auction Name:
Title: Name: Address:
Telephone: Email: Identity checks required for new bidders in high value auctions, please provide the following: Photographic ID: a copy of passport or photographic driver’s license Proof of address: a copy of a utility bill, council tax bill Lot
Maximum bid (£)
Lot
Maximum bid (£)
Lot
Bidder Signature
Print Name
Date
Maximum bid (£)
Glossary of Cataloguing Terms Dore and Rees team members are always pleased to discuss individual lots with prospective purchasers prior to the auction, you are welcome to request condition reports. If you require clarification of any terms used in the catalogue please be in touch. We are pleased to discuss lots which may have been altered, repaired, or restored.
The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (i.e. “pearl”) indicates that the piece, or object, may not be what it is purporting to be (i.e. a simulated pearl). If you are in doubt, our specialists are available prior to the auction to offer guidance and advice.
For Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to personally inspect items on which they intend to bid to ensure the colour meets with their expectation. Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion are not to be taken as statement or representations of fact. Dore and Rees reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.
Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers.
Paintings, Drawings and Prints
A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g. JOHN NASH
Attributed to JOHN NASH – in our opinion, a work of the period of the artist which may be in whole or in part the work of the artist.
Studio of JOHN NASH – in our opinion, a work by an unknown hand, which may have been executed in the studio of the artist.
Circle of JOHN NASH – in our opinion, a work from the period of the artist and showing his influence.
Follower of JOHN NASH – in our opinion, a work executed in the style but probably not necessarily by a pupil. Manner of JOHN NASH – in our opinion, a work executed in the style of the artist but of a later date.
After JOHN NASH – in our opinion, a copy of any date after a work by the artist. Signed/inscribed/dated JOHN NASH – in our opinion, the work has been signed/inscribed/dated by the artist.
Bears signature/inscription/date JOHN NASH – in our opinion, the signature/inscription/date are probably not by the hand of the artist. The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt.
The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style.
A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Italian School, circa 1800.
All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.
The use of inverted comas around the name of an artist, or date, in connection with a signature, or inscription (ie. signed “John Nash”) indicates that the signature, or inscription, may have been added by another hand.
Jewellery
The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Dore and Rees and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only. Prospective purchasers should assume that all coloured stones sold by Dore and Rees have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Dore and Rees for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA
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