2022.12.06 FINE JEWLLERY AND WATCHES at Dore & Rees Auction Salerooms

FINE JEWELLERY AND WATCHES

Cover illustrations

Front cover: lot 131

Inside front: lot 137

Inside back: lot 178

Outside back lot 138

Fine Jewellery and Watches

Tuesday 6 December 2022

10:30am

Lots 1-184 Viewing Saturday 3 December 11am to 3pm Sunday 4 December 11am to 3pm Monday 5 December 10am to 4pm Morning of sale from 9am

Head of Sale

Susan Rumfitt susan rumfitt@doreandrees com 01373 462257

Enquiries enquiries@doreandrees com

Catalogue £10 (including p&p) Dore & Rees Auction Salerooms Vicarage Street Frome BA11 1PU 01373 462257 www doresandrees com

Information for Bidders and Buyers

The following notes will give you the most important information regarding how to bid and buy.

Please keep an eye on the auction catalogue listed at auctions.doreandrees.com/auctions/ where any specific arrangements for auctions will be kept updated

The full Terms and Conditions of Sale can be found at doreandrees com (link at the bottom of the webpage) and also printed at the back of this catalogue

Condition Reports

Condition reports will be available up to 48 hours before the auction, requests are to be submitted via the lot details page of the auction catalogue listed at doreandrees.com/upcoming auctions

Additional Images

Additional images may be requested up to 48 hours before the auction, please submit your requests the lot detail pages of the auction catalogue listed at doreandrees com/upcoming auctions

Deposits

Deposits may be requested for high value lots in advance of the auction Deposits can be paid by debit card or BACS payment and will be refunded in the event that you are not the Buyer of the lot

Registration

Registration closes at 5pm on the day before the auction New bidders are requested to provide the following:

• Name, address, telephone number and email

• Two forms of identification

A passport or photographic driving license

A utility bill or document showing proof of name and address

When registering to bid online via doreandrees com or via easyliveauction com, you will be requested to provide your bank or credit card details to complete 3D secure authentication

Bidding

In person join us in the saleroom By absentee bids you can submit your absentee bids via doreandrees com By telephone a limited number of telephone lines will be available for the auction, bookable on a first come first serve basis Online bid live online via doreandrees.com, easyliveauction com and the saleroom com, charges apply.

Buyer’s Premium

As a Buyer, you will pay the Hammer Price, Buyer’s Premium of 30% of the Hammer Price (inclusive of VAT), any artists resale right royalty payable on the sale of the Lot and any further VAT due

Payment Methods

Purchases can be paid by BACS, Debit Card, Credit Card (up to a limit of £500 if a distance payment) or Cash (up to a limit of £8,000 in person) Payment is due within 5 working days of the auction

Collection and Shipping

Once paid for, lots can be collected from Dore and Rees by appointment We can recommend shippers to assist with the collection and transport of lots to you

Diamond Grading

At the back of the catalogue you can find a page explaing how Dore&Rees refer to the colour and clarity of diamonds

Important note re illustrations

Please note that the illustrations are not necessarily to scale.

Jewellery at Dore & Rees

Susan Rumfitt established her jewellery gallery in Harrogate in 2006 and is delighted to be expanding her business and partnering with Dore & Rees. The early part of her career was spent with Christie’s and then she joined Phillips.

Susan has built up a loyal following, offering advice to collectors, buyers and sellers of fine jewellery. She is also active in assisting clients with their jewellery valuations, repairs and redesign requirements Susan also runs an extensive lecture program at her gallery, which focuses on jewellery history and design Susan’s passion for jewellery and her intimate knowledge will bring a unique dimension to these joint auctions.

Susan who is a Freeman of the Worshipful Company of Goldsmiths, an accredited lecturer for the Arts Society, as well as a well known expert on the BBC’s Antiques Roadshow, visits Frome regularly for valuations and auctions and assists clients from her base in Harrogate.

The fabulous December sale features gorgeous pieces of jewellery, including an

Phoebe Baker has an eye for quality and passion for antiques, successfully running her own business Nephele’s Gold for a number of years, curating antique and retro

impressive Georgian Cameo rivière and a rare Carved Opal by Wilhelm Schmidt, who was the most important opal cameo carver of the 19th century.

It also includes beautiful examples of contemporary jewellery, Art Deco delights and the always popular Victorian Jewellery. From the antique to the contemporary, this sale is the perfect opportunity to find something in the sale that you could buy and wear!

jewellery for the modern buyer She is now embarking on the next step of her jewellery career by joining the team at Dore & Rees The sustainability side of buying preloved pieces is incredibly important to Phoebe. She loves to see once cherished pieces go to new homes, where they can be appreciated and passed on to future generations, admired for long to come –heirlooms for the next generation

Originally a theatrical costume maker, Phoebe has a talent for precision and detail, alongside a fascination with history. Once you would have found her walking the high wire in the circus field, however these days her feet are firmly (and safely) on the ground

Susan Rumfitt

Phoebe Baker

Glossary of Cataloguing Terms

Dore and Rees team members are always pleased to discuss individual lots with prospective purchasers prior to the auction, you are welcome to request condition reports If you require clarification of any terms used in the catalogue please be in touch. We are pleased to discuss lots which may have been altered, repaired, or restored. The term basically used in conjunction with a date (ie basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration The use of inverted comas around a word or phrase (i e “pearl”) indicates that the piece, or object, may not be what it is purporting to be (i.e. a simulated pearl). If you are in doubt, our specialists are available prior to the auction to offer guidance and advice

For Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark Clearly, references to the colour of jade are subjective and again buyers are advised to personally inspect items on which they intend to bid to ensure the colour meets with their expectation

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion are not to be taken as statement or representations of fact Dore and Rees reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable

Descriptions of property in this catalogue do not always indicate condition, repair or damage Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints

A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e g JOHN NASH

Attributed to JOHN NASH in our opinion, a work of the period of the artist which may be in whole or in part the work of the artist

Studio of JOHN NASH in our opinion, a work by an unknown hand, which may have been executed in the studio of the artist

Circle of JOHN NASH in our opinion, a work from the period of the artist and showing his influence.

Follower of JOHN NASH in our opinion, a work executed in the style but probably not necessarily by a pupil.

Manner of JOHN NASH in our opinion, a work executed in the style of the artist but of a later date

After JOHN NASH in our opinion, a copy of any date after a work by the artist

Signed/inscribed/dated JOHN NASH in our opinion, the work has been signed/inscribed/dated by the artist

Jewellery

Bears signature/inscription/date JOHN NASH in our opinion, the signature/inscription/date are probably not by the hand of the artist

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt

The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style

A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e g Italian School, circa 1800

All reference to signatures, inscriptions and dates refer to the present state of work, i e as at the time of inspection for the purpose of cataloguing

The use of inverted comas around the name of an artist, or date, in connection with a signature, or inscription (ie signed “John Nash”) indicates that the signature, or inscription, may have been added by another hand

The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Dore and Rees and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer All weights and measurements provided are approximate only Prospective purchasers should assume that all coloured stones sold by Dore and Rees have been treated unless otherwise stated to the contrary in the catalogue description Stones are commonly treated to enhance their colour and clarity Sapphires and rubies are commonly heat treated and emeralds commonly oiled Jade/jadeite is often bleached, polymer/resin filled or dyed.

Please contact Dore and Rees for more clarification on treatment in individual lots Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA

Order of Sale

Lots 191 151 Fine Jewellery

Lots 156 159 Coins and Medals

Lots160 186 Watches

How to find the Saleroom

Dore and Rees is centrally located in Frome, Somerset; about a 10 minute walk from the station with direct trains from London Paddington, operated by Great Western Railways (www.gwr.com).

Dore and Rees Auction Salerooms Vicarage Road Frome BA11 1PU 01373 462 257

Fine Jewellery

A 19TH CENTURY GARNET, AGATE AND GOLD PENDANT, CIRCA 1860

set with an oval cabochon cut garnet and a heart shaped yellow agate cabochon, within a heart shaped mount engraved with a foliate design and five polished star reliefs, on a contemporary gold plated belcher chain

Unmarked, pendant tests as 18ct The pendant measures 2 5cm x 2 2cm Length of chain 61cm

Total weight 39gms £150 £200

2

A VICTORIAN GARNET PENDANT, CIRCA 1860

the pear shaped cabochon cut garnet, within a gold surround with leaf detail, to a rock crystal reverse.

Unmarked 3cm x 1.9cm

Total weight 4 6gms £60 £80

3

A VICTORIAN 18CT GOLD BUCKLE RING, 1850

the wide band decorated with trailing ivy leaf decoration to a buckle motif Maker’s mark ‘CBS’, Birmingham 1850 Ring size O

Total weight 6 9gms £350 £450

4

A VICTORIAN GARNET, GOLD AND ENAMEL BROOCH LOCKET, CIRCA 1860 70

the oval cabochon cut garnet in collet mount above a rope work border, the oval mount inset with six pearls, the border wth black enamel decoration Locket Reverse. Brooch pin fitting

The reverse engraved “? Ann Sherriff Married to John Bird Jan 12th 1864’ 5 7cm x 4cm

Total weight 24 4gms

Note: A garnet and gold bracelet by T & J Bragg & Co showing the same enamel decoration is on display at the Victorian & Albert Museum in London A collection of jewellery by T & J Bragg was purchased by the authorities at the South Kensington Museum around 1871 The purpose of the purchase was to distinguish between imitation and inexpensive jewellery at the time, as 9 carat gold had become acceptable in jewellery design but many still associated the use of 9 carat gold with inferior jewellery produced in Birmingham which had been given the name ‘Brumagem’

For T & J Bragg of Birmingham this was a turning point. They were ranked with London makers by ‘The Art Journal’, who said ‘their contribution should forever stamp out the notion that Birmingham produces only cheap and bad jewellery’

T & J Bragg were noted as exhibitors at the International Exhibition of 1862, and the International Health Exhibition of 1884 By 1916 the firm was absorbed into Fattorini & Sons of Bradford, Birmingham and London £600 £800

5

A LATE VICTORIAN GOLD BRACELET, CIRCA 1890

the expandable bracelet formed of stylised S shaped links Marked 9ct 9cm diameter when fully expanded

Total weight 14 3gms £120 £180 6

A VICTORIAN GOLD BANGLE, CIRCA 1890

with chain link decoration either side of a plain polished band with granulation detail to the front and a singular flush set diamond

Marked 9ct

Internal diameter 5 5cm Width 1cm Total weight 12 1gms £120 £180

7

TWO VICTORIAN GOLD CHAIN BRACELETS

one curb link rose gold bracelet with rolled gold heart padlock clasp with a fancy oval link bracelet with box clasp and safety chain

Curb link bracelet Marked 9 375 21cm long Total weight 14 1gms

Fancy link bracelet Marked 9ct 20cm long Total weight 5 6gms £250 £350

8

A VICTORIAN GUILLOCHE ENAMEL, DIAMOND AND GOLD BANGLE, CIRCA 1860

of entwined belt and buckle design, set with old brilliant cut diamonds to the buckle and a single old brilliant cut diamond, star set to the upper scroll section, on an articulated bracelet composed of polished gold square panels and three blue enamelled panels

In fitted case 19 5cm long Total weight 58gms £1500 £2000

A VICTORIAN DIAMOND AND ENAMEL LADYBIRD

BROOCH, CIRCA 1880

set with old cut diamonds in a floral spray motif with a red, white and black enamel ladybird nestled in the centre, on a gold bar brooch terminating with a pearl at either end

Unmarked 5cm long x 1 8cm wide Total weight 6 4gms £300 £400

10

A VICTORIAN PEARL, DIAMOND AND RUBY BEE BROOCH, CIRCA 1890

the pearl forming the abdomen with an old cut ruby to the thorax and the wings set with eight single cut diamonds, mounted on a yellow gold bar brooch. Unmarked, tests as 15ct gold 4 5cm long Total weight 3 7gms £150 £200

11

FOUR EDWARDIAN SEED PEARL BROOCHES including a butterfly, a dragon fly with amethyst, a bird and a bird on a wishbone Butterfly brooch Unmarked 4cm x 1 8cm Total weight 2 8gms Dragonfly brooch Marked 9ct 4 5cm x 1 4cm Total weight 2 8gms Bird brooch Unmarked 3 5cm x 1 8cm Total weight 1.5gms Wishbone brooch Marked 375, Chester, 1910 3 2cm x 1 9cm Total weight 2.1gms £80 £120

12

AN AQUAMARINE SPIDER BROOCH, CIRCA 1890

the body of the spider collet set with a pear cut aquamarine and a single half pearl, on a bar brooch Unmarked 6 4cm long Total weight 4 5gms £120 £180

13

A LATE VICTORIAN SILVER, PASTE AND GILT BROOCH

the horse and Knight set within an oval garter border engraved with scrolling design and set with pink paste. Brooch pin fitting. Unmarked 62mm x 54mm

Total weight 32gms £80 £120

14

A GILT METAL MOUNTED OVAL PORTRAIT MINIATURE

depicting a gentleman in blue coat, painted on mother of pearl under glass Ornate floral gilt metal border Brooch pin fitting

Unmarked 4.2cm x 5.0cm

Total weight 19gms £100 £200

15

A VICTORIAN SWISS ENAMEL AND GOLD BRACELET, CIRCA 1850 60

the five oval panels of Geneva enamels depicting regional Swiss costume with the name of the relevant canton to the reverse of four, all within embossed gold borders and leading to two fancy links and a tongue in groove clasp with matching pendant necklace on a later chain

Bracelet Marked 18ct 18 5cm x 3 4cm

Total weight 31 2gms

Pendant Marked 18ct 4 3cm x 2 9cm

Chain marked 375 22cm

Total weight 12.1gms £800 £1200

16

A VICTORIAN CAMEO BRACELET, CIRCA 1890

each cameo collet set in yellow metal with twisted rope detail, double links, and a concealed clasp.

Unmarked 18cm long

Largest cameo 3cm x 2 3cm Total weight 46 5gms £250 £350

17

A GOLD, PEARL AND ENAMEL BRACELET, CIRCA 1860 80 WITH LATER WATCH INSERT

a wide fancy mesh link bracelet leading to two slide box clasps decorated with dark blue enamel and fringe detail to one side, the central removable element with brooch fitting containing a miniature of a lady with an oval border of seed pearls above a scrolled filigree surround which opens on a spring hinge to reveal a rectangular watch in an oval scrolled surround in a square with dark blue enamel detail Marked 14k

Brooch measures 3.5cm x 2.7cm Bracelet 19cm long Total weight 79.9gms £1500 £2000

18

A LATE VICTORIAN CAT’S EYE CHRYSOBERYL AND OLD CUT DIAMOND RING,

CIRCA 1890

the oval cabochon cut chrysoberyl, claw set within a bezel of twelve old brilliant cut diamonds

Unmarked tests as 18ct gold

Ring size M

Total weight 4.3gms £800 £1200

19

A GEM SET NAVARATNA GOLD RING

of tiered design, set with a circular mixed cut ruby above a bezel of further rubies to a sloping mount set with eight pear cut gemstones, including garnet, citrine and quartz Stamped ‘14K’

Ring size N1/2 Total weight 6gms £100 £150

20

A LATE 19TH CENTURY INDIAN HAIR ORNAMENT, CIRCA 1890

the oval mixed cut pink tourmaline, collet set above a border of ten oval mixed cut various coloured gemstones to a further border of gemstones with scroll detail to the mount, suspending three pearl drops and collet set stones, some lacking

Total weight 12gms 4 5cm long x 3 5cm wide £700 £1000 21

A NINETEENTH CENTURY PEARL, DIAMOND AND GOLD TURBAN ORNAMENT, CIRCA 1880

the central rose cut diamond collet set within a border of lasque cut diamonds to an outer border of seven pairs of baroque pearls with gold pin. 5 5cm long Total weight 6gms

A NINETEENTH CENTURY SILVER AND DIAMOND TURBAN PIN, CIRCA 1890

the rose cut diamond within a silver mount above a floral spray set with three further rose cut diamonds, one diamond lacking. 11cm long Total weight 11 3gms £300 £500

22

A NINETEENTH CENTURY INDIAN WHITE STONE AND GOLD PENDANT

the central red foiled jargon within a heart shaped mount set with various cut jargons, the reverse with floral detail 4.8cm x 3.8cm

Total weight 12 3gms £800 £1000

23

AN ANCIENT EGYPTIAN FAIENCE BEAD NECKLACE

composed of pale blue green cylindrical faience beads dating from the Late Dynastic Period 712 332 BC, fitted with a later gold clasp Length 14 1/2”

In fitted case supplied by Folio Fine Art London. £400 £600

24

A LATE VICTORIAN ENAMEL, DIAMOND, PASTE AND GOLD JABOT PIN, CIRCA 1890

modelled as a pheasant with rose cut diamond body and tail feathers, the head with green, blue and red guilloche enamel decoration, on a gold pin with circular cut paste collet terminal Unmarked, tests as 15ct gold 5 7cm long Total weight gms £200 £250

25

A LATE VICTORIAN GOLD RIDING CROP BROOCH, CIRCA 1890

realistically modelled Stamped 9ct 6.3cm long Total weight 5 1gms

A LATE VICTORIAN FOX HEAD BROOCH, CIRCA 1890 the realistically modelled fox head on a riding crop brooch pin fitting Marked 15 4.5cm long. Total weight 6 2gms £200 £250

26

A VICTORIAN GOLD RIDING CROP BROOCH, CIRCA 1890

the riding crop in tri coloured gold Marked 9ct and 18ct 6 9cm long Total weight 4.5gms

A SQUARE CUT SYNTHETIC SAPPHIRE SET BAR BROOCH, CIRCA 1900 Marked 15 4 4cm long Total weight 2 7gms £160 £180

27

A LATE VICTORIAN RIDING CROP BROOCH, CIRCA 1890

of tricoloured gold, brooch pin fitting Unmarked 6.4cm long. Total weight 5 8gms

A RACING HORSE BAR BROOCH the white gold horse and rider on a yellow gold bar brooch. By Carrington and Co Hallmarked ‘9, 375, Birmingham, 1980’. 3 8cm long Total weight 2 5gms £150 £200

28

ALABASTER AND WILSON FOX PIN modelled as a crouching fox Marked ‘ A&W’ on fox body, pin marked ‘375’, ‘9ct’, Birmingham 1977 7 5cm long Total weight 4.9gms £150 £250 29

A PAIR OF RED ENAMEL AND GOLD CUFFLINKS of open circle design joined by round chain links Cased. Marked 18k Total weight 7 4gms And a set of gilt metal, mother of pearl and enamel dress studs Cased Unmarked. £100 £150

30

THREE VICTORIAN YELLOW METAL ENGRAVED LOCKETS, CIRCA

1890

an oval, heart, and round engraved Victorian lockets one including photographs

Oval locket

Unmarked inc. bale 3.9cm x 2.4cm Total weight 3 8gms

Heart locket Unmarked inc. bale 3.2cm x 2.3cm Total weight 4 3gms

Round locket

Unmarked inc bale 2 8cm x 2 2cm Total weight 4 6gms £80 £120

31

FIVE EDWARDIAN GEM SET BAR BROOCHES

set with an old cut diamond trefoil, an opal, an opal and garnet, and two garnets

Diamond brooch Unmarked 5 5cm long Total weight 4 4gms

Opal brooch Marked 9ct Gold 6cm long Total weight 2 1gms

Opal and garnet brooch Marked 375, Birmingham, 1987 5cm long Total weight 2 2gms

Flower garnet brooch Marked 375, Birmingham, 1979 5 4cm x 1 8cm

Total weight 3 3gms

Garnet brooch Marked 9ct 3 8cm

Total weight 1.4gms £120 £180

32

A COLLECTION OF EDWARDIAN JEWELLERY including three gem set brooches and two paste set pendant necklaces

Amethyst and seed pearl brooch Marked 9ct 2.3cm

Total weight 2 0gms

Demantoid and seed pearl brooch Unmarked 4cm x 1cm

Total weight 3 1gms

Peridot and seed pearl brooch Marked 15ct 4cm x 1 3cm

Total weight 2 6gms Round necklace Marked 9ct inc bale 2 7cm x 2 2cm Chain 52cm long Total weight 3 6gms Pendant Marked 9ct inc bale 3 2cm x 3cm

Chain 42cm long Total weight 1 7gms £200 £300

30

33

A LATE VICTORIAN GOLD BAR BROOCH AND A LATE VICTORIAN TURQUOISE BROOCH, CIRCA 1890

the bar brooch depicting a flower on a piece of bamboo

Marked 9ct, Chester, 1906

16mm x 44mm Total weight 2 2gms

A circular gold brooch bezel set with turquoise cabochons and split seed pearls.

Unmarked 23mm diameter Total weight 2 1gms £80 £100

34

A VICTORIAN GOLD AND PEARL NECKLACE, CIRCA 1870

the fine belcher chain being set with ten pearls

Unmarked, tests as 18ct gold, bolt clasp tests as 9ct

Total length 148cm

Total weight 16.8gms ‘Pearls untested and unwarranted as such’ £200 £300

35

AN EDWARDIAN TURQUOISE AND SEED PEARL SAUTOIRE

composed of seven multi strung seed pearl drops with turquoise terminals, below an oval mixed cut cabochon terminal below two rows of seed pearls with twelve turquoise spacers

Total weight 18 2gms

Total length 86cm including drop £200 £300

36

A TURQUOISE AND GOLD FRINGE NECKLACE, CIRCA 1890 the graduating row of articulated turquoise set drops, two drops with articulated knife edge bars, all suspended from a row of oval cabochon cut turquoise collets to the front and a gold trace link chain to the reverse.

Unmarked 46cm long Total weight 11 5gms £700 £900

37

A VICTORIAN TURQUOISE, DIAMOND AND GOLD BAR BROOCH, CIRCA 1880

the oval cabochon cut turquoise within a heart shaped double border of rose cut diamonds, suspended from a brooch pin with central cabochon cut turquoise collet

Mounted in silver and gold

3cm x 2cm

Total weight 3gms £150 £200

38

AN EARLY 19TH CENTURY TURQUOISE AND GOLD ETERNITY RING, CIRCA 1830

set throughout with circular cabochon cut turquoise stones within cut down collet set closed back gold settings

Unmarked tests as 18ct gold. Ring size M 1/2 Total weight 2.75gms £150 £200

39

A TURQUIOSE AND SEED PEARL BAR BROOCH, CIRCA 1890 of floral design set with a central cabochon cut turquoise within a pearl set flower head, all within a border of turquoise cabochons, on a bar brooch with turquoise and seed pearl details

Brooch pin fitting with safety chain

Marked ‘15ct’

Total weight 4 9gms £80 £120

40

A 19TH CENTURY HALF PEARL AND DIAMOND PENDANT CIRCA 1830

the two pear shaped half pearls within heart shaped mounts set throughout with rose cut diamonds, with rose cut diamond set bow surmount, later diamond set detachable hoop, closed back setting. Probably converted from a ring Unmarked, tests as 18ct gold 18 5mm x 17 5mm Total drop with bail 30mm

Total weight 4 1gms £200 £400

41

AN EARLY NINETEENTH CENTURY HALF PEARL ETERNITY RING, CIRCA 1830 set throughout with half pearls in a closed back setting Unmarked Ring size M 1/2

Total weight 1 7gms £250 £350 42

A LATE VICTORIAN ROCK CRYSTAL AND GOLD LOCKET, CIRCA 1880

the heart shaped locket within a gold mount, with circular pendant hoop, containing a four leaf clover leaf Marked 9ct 2 3cm x 2 3cm

Total weight 8 2gms

A LATE VICTORIAN GOLD BANGLE, CIRCA 1890 of simple wire work design with button top Unmarked Inner diameter 5 7cm

Total weight 3.7gms £100 £150 43

AN EARLY NINETEENTH CENTURY SEED PEARL MULTI STRAND NECKLACE

composed of ten rows of seed pearls

Total length 72cm Total weight 10gms £100 £150

44

A PEARL NECKLACE WITH A DIAMOND AND EMERALD SET CLASP

the graduating row of pearls on anvil clasp set with pearls Pearls measure between 6 7mm and 2 5mm diameter

Unmarked Total length 62cm Total weight 9.9gms Pearls untested and unwarranted as such £400 £600 45

A VICTORIAN AMETHYST AND SEED PEARL BROOCH, CIRCA 1890

the oval mixed cut amethyst within a pearl set border. Unmarked 1 7cm x 1 4cm

Total weight 3 0gms

A LATE VICTORIAN PASTE AND PEARL BROOCH, CIRCA 1890 the cushion cut paste within a border of seed pearls Unmarked 3cm x 2 5cm Total weight 5 9gms £100 £150

46

AN ART NOUVEAU GOLD AMETHYST AND PEARL BROOCH, CIRCA 1890

the oval cut amethyst in undulating gold setting set with four seed pearls and twelve smaller seed pearls Brooch pin fitting.

Mark worn tests as 18ct Gold 3 6cm x 3 3cm

Total weight 9 4gms £150 £200

47

A BELLE EPOQUE DIAMOND AND LATER CULTURED PEARL SET NECKLACE WITH TWO MATCHING DIAMOND BROOCHES

the twin strand of pearls attached to two similar gold and diamond set asymmetric plaques, one with a central diamond set butterfly, the other a flower, with two further similar conforming flower set brooches.

Unmarked

Necklace length 44cm, . Total weight 37 5gms £800 £1000 48 No lot

49

AN EDWARDIAN DIAMOND AND ENAMEL PENDANT, CIRCA 1890

the central collet set old brilliant cut diamond within a black enamel border, to an outer oval frame of twelve collet set diamonds on knife edge bar, to a further border of millegrain set diamonds, below and articulated diamond set mount Set in Platinum

Marked Platinum Measurements 6cm x 2 4cm Total weight 6 6gms £1000 £1200

50

A DIAMOND BAR BROOCH, CIRCA 1900 set to the centre with a millegrain collet set old brilliant cut diamond, within a tapering mount, set throughout with old brilliant cut diamonds. Brooch pin fittingms

Unmarked 7 6cm long Total weight 10 6gms £800 £1000

51

A DIAMOND PLAQUE BROOCH, CIRCA 1900 the rectangular mount set throughout with single cut diamonds Brooch pin fittingms

Marked Pt & 18ct Brooch measures 2 3cm x 1 3cm Total weight 5gms £300 £500

52

AN ART DECO DIAMOND AND PLATINUM RING

the European cut diamond, four claw set, on a pierced millegrain gallery with small pave set diamonds to a tapering carved shank. Diamond measures 6 9mm across Unmarked, tests as platinum

Ring size K

Total weight 3 1gms £1600 £1800

53

FERRERO

SA: A LADY’S PLATINUM DIAMOND SET COCKTAIL WATCH

silvered rectangular dial with Arabic numerals, lever movement signed and numbered 6311, Seal of Geneva poincon; the case set with old cut diamonds, the D end hinged lugs also set with blue stone highlights 14 x 38mm on moire strap £300 £400

54

A LADY’S DIAMOND SET PLATINUM COCKTAIL WATCH

unsigned lever movement, silvered dial with Arabic numerals, rectangular case with articulated lugs set with old cut brilliant diamonds.

14mm x 38mm, on moire strap £400 £600

55

A 20TH CENTURY BLUE ZIRCON PLATINUM RING, CIRCA 1950

the emerald cut, cut cornered zircon four claw set between stepped shoulders to plain tapering hoop

Unmarked tests as platinum

Zircon measures 12 5mm x 10mm

Ring Size O 1/2

Total weight 5.1gms £400 £600

56

AN AQUAMARINE RING

the oval mixed cut aquamarine, claw set above pierced gallery to plain band.

Unmarked tests as 18ct

Aquamarine measures 18mm x 15 2mm and 8 4mm deep

Ring size O Total weight 6 5gms £1000 £1500

57

AN

AQUAMARINE FLOWER BROOCH CIRCA 1900

composed of five oval mixed cut aquamarines, each ten claw set, with circular pink sapphire mixed cut highlight to the centre, mounted on a white gold stem.

Brooch pin fitting Unmarked 3 4cm x 2 3cm wide Total weight 5 7gms £300 £500

58

A PINK SAPPHIRE AND DIAMOND RING

the emerald cut sapphire within a double border of brilliant cut diamonds on a plain band

Ring size P 1/2

Total weight 9 8gms

Accompanied by a laboratory report from The Gem & Pearl Laboratory dated 25th October 2022 stating natural pink sapphire with no evidence of heat treatment £3000 £5000

59

59 60 60

A SPINEL RING AND TWO PASTE SET BROOCHES

AN EDWARDIAN GREEN SPINEL AND DIAMOND RING the square cut spinel, collet set within a pierced undulating border with rose cut diamond highlights, on plain yellow gold band Unmarked, tests as 18ct gold.

Bezel measures 15mm x 16 5mm Ring size P, with later sizing balls

Weight 3 5gms

TOPAZ BROOCH of white metal set with a central pale topaz within a wreath design border set with paste Pin marked Metal

Topaz measures approximately 11 2mm x 11 4mm x 5mm 3 2cm x 2 8cm

Total weight 5.6gms

FLEUR DE LIS BROOCH set with round paste, missing one stone Marked Sterling 3cm x 2 5cm

Total weight 4g £120 £180

THEODORE FAHRNER: BROOCH AND BANGLE a hinged bangle designed as a bow with marcasite and filigree decoration throughout Marked 925 TF Original Fahrner Diameter 6 2cm Total weight 17 8gms

THEODORE FAHRNER; A PASTE SET BROOCH the oval mount set throughout with mother of pearl, coloured paste and a central cultured button faux pear, with brooch and pendant fittings

Unmarked 9 2cm x 5 8cm

Total weight 44gms £200 £300

61

63 62

61

CHANEL: A PAIR OF FAUX PEARL & MULTI COLOUR PASTE EARRINGS

the large drops suspended from a multi coloured cluster of circular domed beads, one applied with entwined ‘C’s”, white paste highlights between the coloured paste beads

Clip fittings

5 8cm long

Total weight 29gms

Signed “Chanel 08 P “ with © copyright symbol and ® registered trademark, “made in France” £400 £600

62

CHANEL: A PAIR OF EARRINGS

each with a figure of Chanel in black, against a hammered ground, within a border of eighteen faux pearls Clip fittings 4cm diameter

Total weight 39gms With box

Signed with Chanel Mark “2 4” with © copyright symbol and ® registered trademark, “made in France” £200 £300

63

CHANEL 1997: A PAIR OF TWO TONE EARRINGS

of dome design with applied gilded entwined ‘Cs’ against a starburst ground Clip fittings

Total weight 24gms 2cm diamneter

Each Signed “Chanel 97 P “ with © copyright symbol and ® registered trademark, “made in France” £200 £300

64

CHANEL: A GILT NECKLACE LATE 1980S, FROM THE ZODIAC COLLECTION, NUMBER 23

the circular plaque depicting a lion, on a chunky link chain

5cm diameter

Total weight 169gms Marked “Chanel 23“ with © and ®, “made in France”. Also with oval TAG

A PAIR OF EARRINGS TO MATCH

3cm diameter

Total weight 28gms

Each Signed “Chanel 23” with © and ®, “made in France” and numbered ‘2669’, £200 £300

65

66

65

CHANEL 1997: A PAIR OF EARRINGS of entwined ‘C’s’ within a fluted border Clip fittings

Total weight 15gms Signed “Chanel 1997 A” with © and ®, “made in France”. With box £200 £300

66

CHANEL 1997: A PAIR OF TWO TONE EARRINGS of dome design with applied gilded entwined ‘Cs’ against a starburst ground Clip fittings

2cm diameter Total weight 26gms Each Signed “Chanel 97 P“ with © and ®, “made in France”. £200 £300

67

TIFFANY & CO SUNBURST EARRINGS

Post and butterfly fittings

Fitted box

Marked ‘Tiffany & Co’ (worn), ‘M.C’ on back of earrings

Posts marked ‘T&Co 750’, London import 1987 1.8cm diameter

Total weight 9 7gms £600 £800

68

PALOMA PICASSO FOR TIFFANY & CO ZIG ZAG BROOCH

18ct gold

Marked ‘Paloma Picasso’ © 19?? Tiffany & Co

Pin marked ‘750’, London import 4 3cm x 3 4cm

Total weight 9 4gms £600 £800

69

PALOMA PICASSO FOR TIFFANY & CO 18CT PLUME BROOCH CIRCA 1980

Cased ‘Paloma Picasso’

Pin marked ‘750’, London import Marked ‘750’ 19?? Tiffany & Co 4 8cm x 2 7cm

Total weight 11 3gms £800 £1000

70

A TIFFANY DIAMOND BAR NECKLACE

The two diamond set letter T’s are horizontally set within a plain oblong on a trace link chain

Marked ‘Tiffany and co.’ AU 750 ITALY

Central bar measures 2 5cm x 0 6cm

Total weight 4.4gms £100 £140

71

A FOPE KALEIDA BRACELET

the mesh 18ct gold link, with an integrated barrel clasp Marked 750, 303 FV, FOPE. Measurements 18 7cm

Total weight 25 6gms £1000 £1200

72

A CARTIER GOLD CHAIN

the Prince of Wales link gold chain with lobster claw clasp and ID tag

Marked 750 © CARTIER 91 with Swiss and Italian marks Cartier M61479 to reverse 23cm long

Total weight 13 5gms £250 £350

73

THEO FENNELL SAPPHIRE RING

an oval cut sapphire collet set in rose gold between two round cut green sapphires collet set in a central white gold panel in a tapered rose gold band

Marked ‘750’, ‘London’, ‘2019’, ‘TF’ Ring size leading edge R

Total weight 31.8gms £1400 £1600

74

A SAPPHIRE AND DIAMOND BRACELET

the yellow gold brick link bracelet with a fold over clasp set with square cut sapphires and round cut diamonds 19cm long Marked ‘750’

Total weight 23.6gms £1000 £1500

75

AN EMERALD, RUBY AND DIAMOND LEOPARD HEAD BRACELET

two leopard heads with ruby eyes and set with square cut emeralds and round cut diamonds bite a central ring, all on a yellow gold brick link strap with a tongue and groove catch with safety clasp Marked ‘750’ 18cm x 2.2cm Total weight 63 2gms £3000 £4000

76

A DIAMOND AND SAPPHIRE SNAKE BANGLE

flush set with a row of mixed cut sapphires throughout the length of snake and further pavé set with small round cut diamonds on an oxidised silver finish, the snake’s eyes being set with two small rubies, hinged, with a bezel set sapphire integrated push clasp

Unmarked 6cm inner diameter, bracelet width 1cm Total weight 71gms £1500 £1800

77

AN ITALIAN GOLD ENAMEL BUTTERFLY BROOCH

the two enamelled butterflies rest on a branch decorated with vari coloured enamelled flowers

Marked 18K Italy

5cm x 3 6cm Total weight 9 4gms £150 £200

78

A DIAMOND DOLPHIN BANGLE

two white brushed gold dolphins jump over a yellow gold hoop beneath a diamond set square on a hinged bangle with safety clasp

Marked 585 Total weight 12.3gms £300 500

79

A CITRINE AND AMETHYST SET BROOCH OF A BEETLE

the white metal body being set with a central oval amethyst cabochon surrounded by mixed cut amethysts, the wings being set with mixed cut citrines with paste set eye

Unmarked 52mm x 42mm Total weight 28 1gms £120 £160

80

A SAPPHIRE LINE BRACELET

composed of twelve articulated panels of horizontally set oval cut sapphires with single vertically set sapphire spacers, all claw set with a lobster claw catch 20cm long Marked 10k

Total weight 17 2gms £200 £300 81

A SAPPHIRE AND DIAMOND CLUSTER RING

the ten claw set oval mixed cut sapphires surrounded by ten high claw set brilliant cut diamonds

Marked 18ct. Ring size K 1/2

Total weight 5.5gms £800 £1000

82

A SYNTHETIC SAPPHIRE RING set with six oval synthetic blue sapphires and thirteen round white gemstones in a gold mount Unmarked Head 2 18cm x 0 9cm

Total weight 5 4gms £150 £150 83

A SCAPOLITE DRESS RING

three purple round cut scapolite stones vertically set between three smaller, round cut scapolite stones in a semi circle all set in yellow gold to ornate shoulders and a plain band Marked 375, Birmingham

Ring size O Head size 1 8cm x 1 4cm

Total weight 4 4gms £120 160

84

AN OVAL SAPPHIRE AND DIAMOND RING

the oval cut sapphire set between two round cut diamonds on a white gold band Marked ‘750’ ‘London’, ‘2005’, ‘1 49’, ‘JS’

Ring size R1/2

Total weight 2 6gms £150 £200

85

A DIAMOND BRACELET WATCH

lever movement Signed Sellita, concealed silvered dial Signed E Brant, integral flexible bracelet, the hinged cover set with round cut diamonds.

15mm diameter

Total weight 29gms £500 £700 86

A CULTURED PEARL AND GOLD SPRAY BROOCH

of foliate design with two textured gold leaves and eleven cultured pearls

5 7cm x 5cm

Marked 14k

Total weight 11gms £60 £80

87

TWO AMETHYST DRESS RINGS

each ring set with rectangular cut amethyst set with four double claws, one with knotted rope gallery, on rose gold bands

Rope gallery ring

Marked 375, London, 1959

Amethyst 16 3mm x 16 3mm

Estimated weight 18 00ct

Total weight 10 7gms

Marked 9, Birmingham, 1972

Amethyst 17 6mm X 12 76mm

Estimated weight 13 25ct

Total weight 4 7gms £220 £280 88

AN AMETHYST RING

the single round mixed cut amethyst within a four claw setting, between tapered shoulders, and plain band

Marked 375, Sheffield, 1976

Ring size N 1/2

Amethyst estimated weight 2 80ct

Total weight 2 4gms £80 £120 89

A CITRINE AND GOLD RING

the central collet set oval mixed cut citrine, the gallery and split shoulder having wire and granulation decoration and a plain 14ct yellow gold band

Polish marks

Ring size R

Total weight 8.2gms £80 £120

Each lot is subject to a buyer’s premium of 30% inclusive of VAT@ 20%

90

A CITRINE AND GOLD RING, CIRCA 1970

the central oval faceted citrine held with four double claws with a gallery of large scallops that form a stylised flower on a polished band

Marked 375, London, 1971

Ring Size Q 1/2

Total weight 5.8gms £150 £200

91

A QUARTZ SET PENDANT NECKLACE, CIRCA 1970

in the style of an openwork three sided lantern with a central oval cut amethyst, citrine, and smoky quartz on a box link chain

Marked 375

Pendant inc bale 4cm x 2 3cm Chain 61cm

Total weight 27gms £200 £300

92

A VICTORIAN CITRINE BROOCH, CIRCA 1890

the oval mixed cut citrine representing a flower bud with leaf and repousse scroll decoration on a semi circular brooch mount

Unmarked 3 6cm x 2 8cm

Total weight 5gms £70 £100

93

A CITRINE PENDANT

the oval mixed cut citrine, four claw set within a pierced gallery

Unmarked 2 9cm x 1 6cm

Total weight 7 9gms £180 £220

94

A FIVE STONE SYNTHETIC COLOUR CHANGE CORUNDUM BRACELET

five round cut synthetic corundum set with four claws on a double chain with an engraved connector to a fancy link chain and fold over clasp with safety chain

Marked 9F 18 3cm long

Total weight 14 9gms £250 £250 95

A CULTURED PEARL

BRACELET

composed of of four uniform rows of cultured pearls with with gold spacer bars, on a pierced decorative box clasp

Marked 14k.

Measurements 17 5cm, pearls measure approx 6mm diameter

Total weight 32gms £300 £500 96

A CULTURED BAROQUE PEARL NECKLACE

simply strung with an integrated cultured pearl clasp 90 pearls in total Unmarked Measurements 82cm

Total weight 62 7gms £300 £500 97

A 20TH CENTURY CHARM BRACELET

21 charms on a fancy link bracelet with bolt ring fastening. Charms include 10 shilling note in capsule, enamel snake, opening double decker bus and lion charm.

Bracelet marked 9ct, seven charms marked 9ct, two marked with Egyptian gold symbols, one marked 14

Total length 22cm

Total weight 50gms £700 £900

98

A FLORAL BRACELET AND NECKLACE

the hinged bangle with a central textured flower above a scrolled open work section to a box clasp and safety catch With a similar necklace with a central textured flower and articulated drop on a scrolled V shaped panel, with further graduating articulated scroll and flower panels to a fancy link chain and S hook clasp

Bracelet

Marked 999 9 SGF and oriental characters Diameter 6cm Total weight 33.3gms

Necklace

Marked with oriental characters 44cm Total weight 37 5gms £1000 £1500 99

A CONTEMPORARY EGYPTIAN BANGLE

the upper section set with tapering lapis lazuli sections, joined at the centre, further inlaid with four small leaf shaped lapis pieces. Hinged with integrated box clasp and square bangle back Marked with the Egyptian symbol for 18ct gold. Internal diameter 57mm, bangle width 38mm, front section graduates from 168mm to 50mm

Total weight 30gms £250 £350 100

A PAIR OF LAPIS LAZULI CUFFLINKS

each set with circular lapis lazuli plaque with fancy post a round post set pair set with lapis lazuli and a bar.

Marked 750

Total weight 10.6gms £100 £120 101

A PAIR OF TURQUOISE AND GOLD CUFFLINKS

the domed mount set with three rows of turquoise to a chain link and bar fitting

Marking worn, tests as 18ct

Total weight 8 6gms £100 £120

102

A CITRINE AND DIAMOND RING, BROOCH AND PENDANT

each with an oval cut lemon citrine surrounded by a halo of brilliant cut diamonds, the ring and pendant having diamond set galleries, bale and shoulders

Pendant

Marked 750, chain 9K Width 2.5cm

Total length of pendant 3cm Total length of chain51cm

Citrine estimated weight 20 6ct Total weight 18gms

Ring Marked 750 Ring size I 1/2 with sizing block Head 2 4cm x 1 9cm

Citrine estimated weight 18 40ct Total weight 15 2gms

Brooch

Marked 750 Width 3 2cm Height 1 6cm

Combined estimated citrine weight 15 00ct Total weight 9 9gms £2000 £3000

103

A CONTINENTAL THREE STONE DIAMOND DRESS RING

the three claw set, brilliant cut, diamonds set between decorative pierced shoulders Set in 15ct rose gold

Marked 585.

Ring size O

Total weight 3.8gms £150 £200 104

A DIAMOND DRESS RING

three brilliant cut central bezel set diamonds surrounded by 12 further bezel set, brilliant cut diamonds To a tapering shank

Marked 18ct, London, 1978

Ring size M 1/2

Total weight 4 8gms £200 £300 105

A SINGLE STONE DIAMOND RING

the brilliant cut diamond estimated to weigh 1 5 carats, eight claw set above a pierced heart gallery and shoulders, to plain hoop. Stamped ‘18ct’

Ring size R Total weight 3 5gms £800 £1200 106

A

SINGLE STONE DIAMOND RING

the brilliant cut diamond four claw set within a tulip gallery, to tapered shoulders and a platinum band Marked 950 Birmingham

Ring size M

Diamond inscribed GIA 1225577663

Stated weight 0.70ct Stated colour/Clarity E SI1

Total weight 3 8gms £700 £900 107

A SINGLE STONE DIAMOND RING

the brilliant cut diamond estimated to weigh 0 4 carats, four claw set on a straight shouldered platinum band

Marked 950 Sheffield, 2002

Ring size O

Total weight 4.7gms £500 £700

108

A PAIR OF DIAMOND EARRINGS

of cuff design, each set with four brilliant cut diamonds, claw set Post and butterfly fittings

Unmarked, probably 18 carat gold Total weight 2 2gms £80 £120

109

AN ART NOUVEAU STYLE GOLD BRACELET

Created from joining organic undulating form links with polished and matte finish

Marked 9ct 375, Birmingham 1961

Length 16cm, width 20mm Total weight 34gms

Together with a brooch created from two of the links on a bar brooch setting.

Brooch setting unmarked Links marked 9, 375

Length 35mm, width 20mm Total weight 6 5gms £500 £600 110

AN OPAL FIVE STONE RING

the five graduated oval opals set in a Victorian style mount

Marked 375, London, date rubbed Ring size O Total weight 3.7gms £150 £200 111

AN OPAL AND DIAMOND ART DECO STYLE RING

the central oval opal cabochon collet set over a plaque set with twenty round cut diamonds on a yellow gold band.

Marked 375, Birmingham, REM Ring size P Total weight 3 2gms £150 £200

112

AN EMERALD AND DIAMOND CLUSTER RING

the central oval cut emerald set above ten round cut diamonds on a yellow gold band

Marked 750, London ATLd

Ring size M 1/2

Total weight 5.8gms £600 £800

113

AN EMERALD AND DIAMOND RING

set with three baguette cut diamonds, collet set within a bezel of twelve brilliant cut diamonds, between tapering shoulders to plain hoop

Marked 750, Birmingham, 2001

Head measures 1 8cm x 1 2cm

Combined estimated emerald weight 0 90ct Combined estimated diamond weight 1.30ct

Total weight 6 6gms £600 £600

114

A DIAMOND BOMBE DRESS RING

a central round cut diamond set above a dome set with eighteen old cut diamonds to trefoil shoulders set with a further four old cut diamond to each side and a yellow gold band

Marked ‘18K’

Ring size Q

Total weight 10.3gms £2200 £2500

115

A SAPPHIRE AND DIAMOND RING

the oval cabochon cut sapphire between trefoils of brilliant cut diamonds to each side, above moulded shoulders to plain hoop.

Ring size L Stamped ‘TF’

Total weight 2 7gms

Tests as 18ct gold £180 £220

116

A RUBY AND DIAMOND THREE STONE RING

the central oval mixed cut ruby between two round cut diamonds on a yellow gold band Marked ‘750’, Sheffield

Ring size J 1/2

Total weight 3.1gms £900 £1000

117

A RUBY, SAPPHIRE AND DIAMOND SPRAY BROOCH, CIRCA 1940

of elaborate spray design of two tone gold, set with five mixed cut sapphires with seven old brilliant cut diamonds below and seven oval mixed cut sapphires above, collet set, with two diamond set ribbons below, two ribbons set with nine round diamonds, Presented with bill of sale from Wartski, dated 1944

Unmarked

Length 9cm Total weight 22 3gms £500 £700

118

A

RUBY AND DIAMOND DRESS RING

the three graduated round mixed cut rubies with four round cut diamond spacers in a yellow gold gallery and plain band Marked 375, Sheffield

Ring size Q Total weight 3 1gms £100 £200 119

A SAPPHIRE & DIAMOND PLAQUE RING, CIRCA 1900

the millegrain square cut sapphire surrounded by twelve millegrain set small old cut diamonds on a pierced gallery to a tapering shank Marked ‘PLAT’ & ‘18ct’. Ring size H 1/2

Total weight 2.47gms £300 £500 120

A RUBY AND DIAMOND GYPSY SET RING

the central cushion cut ruby gypsy set, flanked by two closed back rose cut diamonds, to a tapering shank Marked 18ct, London, 1934

Ring size Q

Total weight 3.6gms £100 £150 121

A DIAMOND LINE BRACELET

composed of forty eight brilliant cut four claw set diamonds with a concealed clasp and safety catch.

Length 18cm Marked 14k Total weight 14gms £1400 £1800

122

A BRILLIANT CUT DIAMOND RING

the central claw set brilliant cut diamond weighing 5 3 carats, in a pierced decorative gallery, flanked either side by three baguette cut diamonds graduating in size, set throughout in platinum

Marked ‘BMS’ 950

Ring size M 1/2

Total weight 8gms £20,000 £30,000

123

A 19TH CENTURY BLOODSTONE INTAGLIO SEAL RING, CIRCA 1830

carved to depict an owl, collet set between engraved shoulders to a plain band

Unmarked, tests as higher than 18ct gold

Head measures 8 2mm x 7mm Ring size M 1/2

Total weight 1 9gms £150 £200 124

A GEORGIAN SHELL CAMEO AND GOLD RIVIERE, CIRCA 1820

the graduating row of twenty one oval shell cameo plaques carved to depict classical men and women in profile, all with trailing vine or leaf detail to the hair, some showing lavender colouration, with oval gold mounts, each linked by circular links chain, the larger central cameo with gold reverse, the back of the necklace with an integral clasp 44cm long

Total weight 42gms £4000 £5000

125

A 19TH CENTURY CAMEO BROOCH, CIRCA 1840

depicting a profile of a gentleman, within an elaborate gold scroll work frame with moulded detail

Unmarked 6 3cm x 7 3cm

Total weight 24gms £600 £800

126

A LATE VICTORIAN SHELL CAMEO BROOCH, CIRCA 1890

depicting a classical figure, possibly Erato, set in a yellow gold mount with scallop and rope decoration and safety chain

Marked 9ct 5cm x 4cm

Total weight 16 9gms £80 £120

127

A VICTORIAN SHELL CAMEO BROOCH, CIRCA 1890

the oval shall cameo carved to depict frolicking putti, within a yellow gold mount, brooch pin fitting with safety chain

Marked 375, Birmingham, 1975 5cm x 3 8cm

Total weight 11gms £80 £120

128

A VICTORIAN SHELL CAMEO AND GOLD RING, CIRCA 1850

carved to depict a classical lady, within a collet setting with twisted border on split shoulders Unmarked, tests as 15ct gold Ring size N 1/2 Total weight 3gms £150 £200

129

A VICTORIAN SHELL CAMEO BROOCH, CIRCA 1890

the shell carved to depict a Bacchante, set in yellow metal mount, with a brooch fitting Unmarked 5 5cm x 4 3cm Total weight 19gms £100 £200

130

A VICTORIAN GOLD AND CORAL CAMEO PENDANT, CIRCA 1880

the oval coral cameo carved to depict the bust of a lady, bezel set within a chased gold mount Brooch pin fitting Unmarked, tests as 18ct gold 3 7cm x 5cm

Total weight 15gms £150 £200

WILHELM SCHMIDT: A CARVED OPAL, CIRCA 1880

the carved opal depicting the head of a warrior, his helmet surmounted by The Sphinx, the reverse host stone also carved

Signed “WILHELM SCHMIDT”

3 1cm x 5 6cm

Total weight 23.5gms

Provenance: From a private collection, acquired in Shanghai or Hong Kong from the 1930s onwards

Note: WILHELM SCHMIDT (1845 1938)

Schmidt was born in Idar Oberstein and at the age of 15 went to Paris and trained with the cameo cutter Arsène There had been a huge interest in Cameos for centuries, but by the time Schmidt had graduated in the 1860’s, that interest was beginning to fade. He eventually settled in London and worked alongside his brother in Hatton Garden who dealt in gemstones He was working with some fabulously rare gemstone specimens and produced pieces for John Brogden, Child and Child and Carlo Giuliano and this helped to raise his profile The big break came when he mastered carving opals His work is exceptional and it is rare to find a signed example

Gertrud Seidmann, a connoisseur of Schmidt's work, explained the importance of Schmidt’s work: "opal cameos, if rare, were not unknown (in the 19th century) but Schmidt had invented a novel technique: instead of carving the whole cameo from precious opal, he used blanks with a thin layer of precious opal overlaying the matrix, in the same way in which the contrasted layers of agates were traditionally used to set off the background."

£6000 £8000

Arts & Crafts Jewellery

132

H G MURPHY AN ARTS & CRAFTS OPAL SILVER AND GOLD PENDANT NECKLACE,

collet set with three graduated oval cabochon cut opals, each collet set within an elaborate tapering setting of fruiting vine work, on a trace link chain

Marked to the reverse with applied Falcon Works plaque and initials ‘HGM’, Within in a gilt tooled green leather box Marked 9C on clasp

Dimensions: Length of pendant: 8cm

Width of pendant 4 3cm

Chain 46cm

Central Pearl 2 8cm x 1 7cm

Opals 4mm diameter Total weight 31g

Note: H G MURPHY (1884 1939) FOR THE FALCON WORKS

A drawing by Murphy for a pendant of similar design, also set with three opals is illustrated, P Atterbury and J Benjamin, The Jewellery & Silver of H. G. Murphy: Arts and Crafts to Art Deco, Antique Collector’s Club: Woodbridge 2005, p 61 £800 £1200

133

VIOLET RAMSAY: AN ARTS AND CRAFTS SILVER, GOLD, OPAL AND PASTE NECKLACE, CIRCA 1900

the oval mabe pearl within a silver rope work mount to an outer border of pierced wire work with circular cabochon cut opal and square green paste collets, the frame with further scroll work, suspended from a mabe pearl surmount, on a fancy link chain with gold detail, the pendant suspends a pearl and paste drop, formally forming part of the bale

Marked 9c on clasp

Pendant inc bale measures 8cm x 4 3cm

Chain 46cm

Central Pearl 2 8cm x 1 7cm

Opals 4mm diameter

Total weight 31gms

Provenance: Property of a descendant of Violet Ramsay

Note: Violet Ramsay’s work was featured in an article in an edition of ‘The Lady’s Realm’ published in 1904 The article was entitled ‘Jewellery Working’ and written by Cyril Davenport , F.S.A.

£1500 2000

134

CHARLES HORNER, AN ARTS AND CRAFTS OPAL ENAMEL AND CHRYSOPRASE BROOCH

of pierced annular design set with green chrysoprase and opal cabochons with heart shaped green and blue enamel leaves.

Marked CH 53mm across Total weight 16 3gms £300 £500 135 No lot

136

A LATE VICTORIAN RENAISSANCE REVIVAL GOLD, ENAMEL, MOONSTONE, PERIDOT AND GARNET BRACELET, CIRCA 1890

set with cabochon cut garnets and moonstone highlights, the square clasp set with cabochon collet set garnets, moonstones and peridots, suspending two chains with a cabochon cut pear shaped peridot, with three curcykar garnet cabochons.

safety chain

17 5 cm long (approx )

Total weight 15 2gms £500 £700

137

AN ARTS AND CRAFTS CHRYSOPRASE, RUBY, DIAMOND AND GOLD PENDANT

the four cabochon cut chrysoprase stones within a closed back gold mount, with a central cushion cut ruby with four diamond highlights, the pendant suspended from an oval bale set with three cushion cut rubies

In fitted case

Unmarked probably 18ct 61mm drop, 45mm width.

Total weight 14 75gms £5000 £7000

138

A VICTORIAN RUBY AND DIAMOND SET WITCHES HEART BROOCH, CIRCA 1880

the central oval mixed cut eight claw set ruby within a heart shaped border with border of thirteen old brilliant cut diamonds to a pierced scroll work mount set throughout with old brilliant cut diamonds. Brooch pin fitting, has been soldered to the reverse, would originally have been detachable Unmarked, mounted in silver and gold

Cased 2 5cm x 2 1cm

Total weight 5 5gms £700 £900

139

A DIAMOND AND SAPPHIRE FIVE STONE RING, CIRCA 1890

the three old brilliant cut diamonds and two mixed cut sapphires set in a carved head

Marked ‘18c’

Ring size N 1/2

Total weight 4 1gms £500 £700

140

A SAPPHIRE AND DIAMOND CLUSTER RING

the circular mixed cut sapphire, within a bezel of sixteen eight cut diamonds above a pierced gallery, the shoulders millegrain set with six round brilliant cut diamonds

With corresponding report 22301 from ‘The Gem and Pearl Laboratory’ dated 25th October 2022, stating that the sapphire is of Sri Lankan origin with no heat treatment evident

Marked ‘18ct’.

Ring size N 1/2

Total weight 3 5gms £1000 £1500

141

AN ART DECO DIAMOND AND GREEN GLASS BROOCH, CIRCA 1930

the central oval mixed cut green glass, collet set within a geometric stylised mount set with eight principal old brilliant cut diamonds, within a diamond set border, with brilliant cut diamond collets to each end.

Brooch pin fitting

Unmarked, Brooch tests as 18ct white gold topped with platinum, brooch pin tests as 14 15ct gold

Measurements 50mm length, 20mm at widest point

Total weight 8gms £700 £900

142

AN EMERALD AND DIAMOND FIVE STONE RING,CIRCA 1890 set with a central emerald cut emerald and two square cut emeralds with two cushion cut diamonds set in a carved head.

Unmarked Ring size N

Total weight 3 9gms £500 £700

143

AN EMERALD AND DIAMOND DRESS RING, CIRCA 1900 the central oval emerald set above six channel set tapered baguette cut emeralds in a border of twenty four diamonds and two keystone diamonds all on a plain band

Marked ‘18k’

Ring size P 1/2

Total weight 3.3gms £150 £250

144

A DIAMOND AND PLATINUM FULL ETERNITY RING set throughout with old brilliant cut diamonds, four claw set, open backed.

Unmarked, tests as platinum

Ring size R

Total weight 3 9gms £200 £300

145

A VICTORIAN DIAMOND SET ARROW PIN, CIRCA 1880

the feathers set with graduating rows of old brilliant cut diamonds, to a central channel set row of old brilliant cut diamonds, the terminal also set with old brilliant cut diamonds

Total length 13.3cm

Total weight 14 3gms

The pin has been redesigned and the feathers have been fitted with a later brooch pin fitting, mounted in silver and gold The brooch lacks diamonds to the stem, feathers and arrows

This lot is also offered with two diamond set drops and two further diamonds which have come loose from the mount

With original fitted box £2000 £3000

146

A LATE VICTORIAN DIAMOND SET JABOT PIN

the Fleur de lys terminal set throughout with old brilliant cut diamonds with rose cut diamond highlights, the terminal set with old brilliant and rose cut diamonds

Mounted in silver and gold

Total length 7 5cm

Total weight 4 7gms £200 £300

147

A NINETEENTH CENTURY PERIDOT AND DIAMOND SET BROOCH, CIRCA 1870

the cushion cut peridot within a border of collet set old cut diamonds

Brooch pin fitting

Unmarked. 2 6cm x 2 6cm

Total weight 11gms £1000 £1500

148

A NINETEENTH CENTURY PERIDOT AND DIAMOND BROOCH, CIRCA 1900

the oval mixed cut peridot within a halo of old cut diamonds with four principal cut diamonds

Brooch pin fitting

Unmarked 2.2cm x 2cm

Total weight 3 6gms £400 £500

149

19TH CENTURY OVAL PERIDOT AND DIAMOND SET BROOCH, CIRCA 1880

the oval mixed cut period within a pierced, scrolling mount set throughout with old cut diamonds

Brooch pin fitting

Unmarked 5cm x 3 5cm

Total weight 13gms £2000 £2500

150

A 19TH CENTURY PERIDOT AND DIAMOND SET DROP PENDANT

the oval mixed cut peridot in an open collet setting, within scrolling mount set throughout with old cut diamonds

Pendant hook.

Unmarked 5cm x 2 7cm

Total weight 14 36gms £2000 £3000

151

A NINETEENTH CENTURY PERIDOT AND DIAMOND SET BROOCH

the oval mixed cut period within a pierced, scrolling mount set throughout with old cut diamonds

Screw brooch pin fitting and hinged concealed pendant loop Unmarked 5 1cm x 3 6cm

Total weight 20 2gms £2500 £3500

Coins and Medals

156

A 15CT WATER POLO MEDAL engraved city water polo championship September 13th 1894 Marked 15, London, 1894. £100 £120

157

22CT GOLD 1982 HALF SOVEREIGN COIN the coin having bust of Queen Elizabeth II Weight approximately 4gms Measures approx 19 3mm diameter £120 £160

158

A GEORGE V SOVEREIGN dated 1913, on 9ct gold chain Weight 22ct 4gms, 9ct 8gms £300 £500

159

A RARE 1823 22CT GEORGE IIII DOUBLE SOVEREIGN on 9ct gold chain Weight 22ct 15.9gms, 9ct 9.4gms £750 £950

Watches

160

A 15CT GOLD WATCH CHAIN of curb link, with dog clip, two bolt rings and T bar Marked 15 Length 54cm Total weight 40 grams £900 £1200 161

A SILVER QUARTER REPAETING HUNTING CASES WATCH signed John Grant, London, no,1756, Pierced balance cock with diamond endstone, white enamel dial, in a guilloche case with milled band, push repeat pendant, London 1824 52mm diameter £600 £900

162

A GOLD PAIR CASED QUATER REPEATING VERGE WATCH signed J. Hubert, London, No.831, Baluster pillars, silver dust cap. White enamel dial with gold arrow hour hand, later minute hand, inner case oierced and engraved with flowers and foliage, the outer engraved 48mm diameter £1500 £2000

163

A SILVER CENTRE SECONDS WATCH unsigned lever movement, dial signed Marine Decimal Chronograph, no 9/55509; stop star slide in the band, Chester 1880. 56mm diameter £60 £80

164

AN 18CT GOLD FREE SPRUNG ENGLISH LEVER WATCH the white enamel dial and full plate movement signed Donne, London, 474, blued steel spiral spring with overcoil London 1873 47mm diameter £700 £1000 165

AN 18CT ENGLISH LEVER WATCH full plate movement signed Savoty & Sons, Cornhill, London, no 15906, florally engraved gold dial with raised numerals, in guilloche case with florally engraved bezels, pendant and bow, London 1844. 43mm diameter £600 £800

166

18CT GOLD ENGRAVED OPEN FACED POCKET WATCH with engraved circular dial, with Roman numerals Marked with the crown, 18. Measures 42mm across Weight 66gms £300 £400

167

WALTHAM: GOLD PLATED HALF HUNTER FOB WATCH the white enamel Roman dial having subsidiary second hands The face signed A W W Co, Waltham Mass £50 £70

168

AN UNUSUAL SILVER GILT NOVELTY CUCKOO CLOCK BROOCH WATCH

17 jewel manually wound lever movement with silvered dial, the case surmounted by a pair of birds, pine cone weights, 45 x 21mm £80 £120

169

A SWISS 18K GOLD HALF HUNTING CASED WATCH cylinder escapement, foliate engraved gold dial, the case engraved with flowers and leaves, chapter ring with blue numerals over a pink ground 37mm diameter £500 £600

170

No lot

171

CARTIER VENDOME: 18CT GOLD TRI COLOUR WATCH on blue leather strap Boxed with suede travel pouch Serial Number 810041257. £1000 £1500

172

GUCCI AN 18CT GOLD AND DIAMOND SET WRISTWATCH

REF 3600J, gilt dial signed Gucci, the G motif logo inset with modern brilliant cut diamonds, on heavy linked bracelet, 27mm £2800 £3200

173

BUECHE GIROD: A 9CT WHITE GOLD LADIES WRISTWATCH bark finish silvered dial with baton numerals, signed 17 jewel movement in a cushion shaped case with integral bark finish flexible bracelet Hallmarked London 1972 18mm diameter £350 £420

174

PINNACLE: LADY’S 9CT GOLD CASED COCKTAIL WATCH having tank case and Arabic dial, on conforming bracelet £120 £160

175

OMEGA: A LADy'S 18CT WHITE GOLD WATCH dial with four horizontal batons and Omega symbol, manually wound lever movement, on integrated flexible mesh bracelet 13.5mm x 16.5mm Weight 39gms £1100 £1300

176

ROLEX: A 9CT GOLD WRISTWATCH the Ultra Prima lever movement ?timed? 6 positions in circular case, import marks London 1922, on later expanding bracelet 25mm. £200 £300

177

ROLEX: A STEEL OYSTER PERPETUAL AIR KING DATE WRIST WATCH

Ref 5700, no 5,4597; silvered dial with gilt baton numerals, centre seconds 34mm diameter £800 £1100

178

ROLEX: AN 18CT GOLD CELLINI WRISTWATCH

Ref 3834, dial signed Rolex Geneve, Cellini, signed calibre 1600 movement, in a rectangular case, 23 x 35mm. C 1970. £800 £1100

179

LONGINES:

A 9CT GOLD QUATRZ WRISTWATCH

Champagne dial with Roman numerals, signed Longines Quartz Presence; centra seconds, date aperture, on integral flexible bracelet with Longines logo to the clasp 31mm diameter With Longines box £600 800

180

A STEEL AND GOLD PLATED WRISTWATCH

by Longines, the back inscribed La Grande Classique de Longines, no 31466326, flexible bracelet 34mm diameter £200 £300

181

OMEGA: SEAMASTER DRESS WATCH MODEL 2903 1959 1960

signed champagne dial with applied gold batons, subsidiary seconds dial, manually wound movement, on later leather strap Serial number 17669380 34mm diameter £300 £400

182

OMEGA: A 9CT GOLD GENTLEMANS

WRISTWATCH

silvered dial signed Omega with applied gold baton and Arabic numerals, subsidiary seconds, manually wound Calibre 266 movement no 15131147, on 9ct expanding bracelet London 1957 33mm diameter £300 £400

183

MARVIN: A 9CT GOLD WRISTWATCH

square champagne dial signed Marvin Revue, Roman numerals, on integral flexible bark finish bracelet, 26mm Hallmarked London 1978 Weight 61gms £900 £1200

184

TUDOR: A STEEL OYSTER

WRIST WATCH

silvered dial signed Tudor Oyster, Shock Resisting, Arabic numerals, centre seconds hand With Bonklip steel strap 33mm diameter £150 £250

END OF SALE

Gemstones

IMPORTANT INFORMATION FOR BUYERS

Historically many gemstones have been subjected to a variety of treatments to enhance their appearance Certain enhancements, such as heating, are commonly used to improve colour or transparency in rubies and sapphires. Emeralds are also frequently treated, usually with oils or resin, for the same purpose. Other methods, including stain ing, dyeing, coating or irradiation, may have been used on other gemstones including Jade and associated hardstone that may have been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treat ments

The international jewellery trade has generally accepted these methods Heat enhancement of colour is usually permanent, however, in some cases; this may have an impact on the durability of the gemstone Gemstones that have been oiled may require re oiling after a number of years in order to retain their optimum appearance

It is, in suitable cases, Dore & Rees’s policy to obtain gemmological reports from internationally recognised gemmo logical laboratories describing certain gemstones sold by Dore & Rees. In the event that Dore & Rees have been given, or have obtained, reports for any lot in the sale these reports will be mentioned in the catalogue description. However, it is not feasible for Dore & Rees to obtain a gemmological report for each gemstone offered for sale by Dore & Rees. If no report is published in the catalogue prospective buyers should assume that the gemstones may have been enhanced by some method However, please note that there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone Prospective buyers should be aware that Dore & Rees’s pre sale estimates assume that gemstones may have been subjected to such treatments

ALL DIMENSIONS, WEIGHTS ARE APPROXIMATE

DIAMOND GRADING TERMS

Where printed in the catalogue, estimated diamond grades for colour and clarity are intended as guides for prospec tive buyers Dore & Rees do not guarantee these estimated grades due to the limitations of mounts and settings

DIAMOND COLOUR

DIAMOND CLARITY

GIA

Flawless (FL)

Internally Flawless (IF)

Very Very Slightly Included (VVS) VVS1 / VVS2

Very Slightly Included (VS) VS1 / VS2

Slightly Included (SI) SI1 / SI2

Included (I) I1 / I2 / I3

CIBJO

Exceptional White + (EW+)

Exceptional White (EW)

Rare White + (RW+)

Rare White (RW) White (W)

Slightly Tinted White (STW)

Tinted White (TW)

Tinted Colour (TC)

Fancy Colour

CIBJO

Loupe Clean (LC)

Very Very Small Inclusions (VVS) VVS1 / VVS2

Very Small Inclusions (VS) VS1 / VS2

Small Inclusions (SI) SI1 / SI2

Pique (P) P1 / P2 / P3

EXPLANATION

Face up colourless Face down colourless

Face up colourless Face down slightly tinted

Face up slightly tinted Face down obviously tinted

Face up obviously tinted Face down obviously tinted

Face up definite colour

EXPLANATION

Shows no inclusions or blemishes under 10x magnification

Shows no inclusions and only insignificant blemishes under 10x magnification

Minute inclusions, which are difficult, even for an experienced grader, to locate under 10x magnification

Minor inclusions, observable with effort under 10x magnification

Noticeable inclusions under 10x magnification

Obvious inclusions, visible to the unaided eye, face up These may affect the stone’s beauty and durability

BIRD

Conditions of Sale

BUYERS

This document acts to confirm the terms and conditions under which Dore & Rees, acting as agent, will sell Lots by auction to Buyers on behalf of Sellers 1

11. Our Status

a. We act as agent to sell the Lots on the Seller’s behalf by auction

b You will pay the Hammer Price, with Buyer’s Premium at 25% together with VAT at the prevailing rate and any applicable charges within 5 working days following the Auction in which the Lots are purchased by you

c We will always treat your data with care, personal details are held securely and will not be sold Our Privacy statement is available at www.doreandrees.com

12. The Estimate

a The estimate is a guide to help you gauge how much you might have to spend to purchase the Lot.

b Estimates can change, they are not definitive and should not be thought of as the sale price

c. Estimates do not include the Buyer’s Premium or VAT at the prevailing rate and any applicable charges

d Estimates may be altered by a saleroom notice or announcement by the auctioneer before the Lot is offered

13 Buyer’s obligations and undertakings

a You warrant to us and to the Seller that: i. you will not bid on a Lot you do not intend to pay for ii you have the funds to complete the purchase at the total value of Hammer Price, Buyer’s Premium together with VAT at the prevailing rate and any applicable charges; iii. the funds are not connected with any criminal activity including tax evasion, and that you are neither under investigation nor have you been charged with or convicted of money laundering, terrorist activities or other crimes

iv if the Lot you purchased is to be removed to a country outside the UK, all duties, taxes and licences on the export of the Lot are your responsibility

b. If you, the Buyer, decide to exercise your right to cancel, we are entitled to account directly to the Seller for any applicable refund and we shall retain on account amounts to compensate the Seller should the Lot be damaged or tampered with by you

c. You will indemnify us and the Seller in full on demand against all claims, costs or expenses incurred by us or the Seller as a result of any breach by you of any of the obligations in this clause

14. Inspection of Lots

a As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Lots. We may inspect Lots and will act reasonably in taking a general view about them However we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do

b We strongly recommend that you attend the auction viewing in person if possible. You are responsible for your decision to bid for particular Lot If you bid on a Lot, including by

telephone, absentee bid or online bidding, we will assume that you have carefully inspected the Lot and satisfied yourself regarding it’s condition

c Please note that the Lots (in particular second hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i e as you see them at the time of the auction) Neither we nor the Seller accept any liability for the condition of second hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed

15 Descriptions and condition

a Our descriptions of the Lot will be based on i i Information provided to us by the Seller of the Lot (for which we are not liable); and i ii Our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot)

b We will give you a number opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot

c. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently

16. Registration, Bidding and the Buyer

a. You are required to register to bid by 5pm on the day before the auction We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a absentee bid

b If you wish to bid on high value Lots, the registration deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks

c We reserve the right to require deposits at the point of Registration on high value Lots Deposits are refundable after the auction if you are not a successful Bidder

d Lots will be invoiced to the name and address on the Registration Form

e Absentee bids may be left with us in writing indicating the maximum amount to be bid against a Lot (excluding Buyer’s Premium and/or VAT and any applicable charges) We will execute absentee bids as cheaply as possible having regard to the Reserve (if any) and competing bids If two Bidders submit identical absentee bids we may prefer the first bid received (where this can reasonably be ascertained) Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable

f. Telephone bidding is offered on a first come first serve basis on high value lots Neither we nor our employees or agents will be responsible for any failure to execute your telephone bid, unless our failure to do so is unreasonable

g Bidding online is available via doreandrees com and our auction partners EasyLiveAuction com

Please refer to EasyLiveAuction com for their charges and terms and conditions

h. We reserve the right to refuse to register you if you do not provide us with all the information and documentation that we ask for at our discretion.

i We may bid on Lots on behalf of the Seller up to one bid below the Reserve

j. We may refuse to accept any bid if it is reasonable for us to do so

k Bidding increments will be at our sole discretion (and in line with standard auction practice).

l The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion We may reoffer the Lot during the auction or may settle the dispute in another way We will act reasonably when deciding how to settle the dispute

17. Anti Money Laundering Regulation

a We are obliged to comply with Anti Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 (or equivalent) or more

b. Buyers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which they are bidding in order to meet the requirements of the regulations

18. The Purchase price

a As Buyer, you will pay:

i The Hammer Price;

ii. Buyer’s Premium of 25% of the Hammer Price

iii Any artists resale right royalty payable on the sale of the Lot

iv. Any VAT due11

19. VAT

a You are responsible for the payment of any VAT applicable on the Hammer Price and Buyer’s Premium due for a Lot

b We will charge VAT at the current rate at the date of the auction

10 Artist’s Resale Right

a From mid February 2006, living artists are entitled by law to receive a resale royalty each time their work is resold by or to and art market professional From January 2012, the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright) Royalties will be payable to the families and the beneficiaries of these artists

b An artwork must be resold for more than 1000 euros Hammer Price (or equivalent) to qualify for the right The rates applicable are calculated as a percentage of the Hammer Price and are set out on a sliding scale from 4% to 0 25% The charge is exclusive of VAT We reserve the right to pass all the cost to the Buyer of the qualifying artwork

11. The contract between you and the Seller

a. The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

b You may directly enforce any terms in the Terms and Conditions of Sale SELLER against a Seller to the extent that you suffer damages and/or

loss as a result of the Seller’s breach of the Terms and Conditions SELLER

c. If you breach these Terms and Conditions BUYER, you may be responsible for damages and/or losses suffered by a Seller or us If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

d We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot)

e In addition to any other rights we may have to cancel a contract for sale under these Terms and Conditions BUYER, in the event:

i You are in breach of your warranties in clause 3; or

ii We have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or

iii We have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, we may delay the completion of the sale, delay a release of a Lot or cancel the sale of a Lot

12. Payment

a. Immediately following your successful bid on a Lot you will:

i Pay to us the Total Amount Due by one of the following methods:

1 BACS

2 Debit Card

3 Credit card up to a limit of £500 if a distance payment

4 Cash up to a limit of £8,000 in person

13. Title and Collection of Lots

a While you are bound by the contract for the purchase of the Lot from the fall of hammer on your successful bid, ownership in the Lot will not pass to you until you have paid us in full the Total Amount Due in cleared funds for that Lot;

b You may not claim or collect your Lot until you have paid for it and ownership has passed to you

c You will (at your own expense) collect any Lots that you have purchased and paid for either:

i Not later than 5 working days following the day of the auction

II Not later than 5 working days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

14. Storage of Lots

a If you do not collect the Lot within the time period set out in above, you will be responsible for any reasonable removal, storage and insurance charges in relation to the Lot

b The risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot

c If you do not collect the lot that you have paid for within 90 days after the auction we may sell the Lot We will pay the proceeds of any such sale to you, we will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot

15. Remedies for non payment or failure to collect purchases

a. Please do not bid on a lot if you do not intend to buy it If your bid is successful, these Terms and Conditions of Sale BUYER will apply to you

This means that you will have to carry out your obligations set out in these Terms and Conditions of Sale BUYER If you do not comply with these Terms and Conditions of Sale BUYER, we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:

i Take action against you for damages for breach of contract

ii Reverse the sale of the Lot to you and/or any other Lots sold by us to you;

iii esell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8. Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

iv. Remove, store and insure the Lot at your expense;

v f you do not pay within 5 days of your successful bid, we may charge interest at a rate not exceeding 1 5% per month on the Total Amount Due;

vi Keep that Lot or any other Lot sold to you until you pay the Total Amount Due

vii Reject or ignore bids from you or your agent at future auctions or impost conditions before we accept bids from you; and / or

viii If we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

b We will act reasonably when exercising our rights under clause 7 We will contact you before exercising these rights and try to work with you to correct any non compliance by you with these Terms and Conditions

16. Forgeries

a A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a forgery

17. Data Protection

a We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website

18 Liability

a Save as set out in these Terms and Conditions, we exclude to the fullest extent permitted by law all warranties and conditions, whether express or implied by statue, common law or otherwise

b. Nothing in these Terms shall operate to exclude or limit the liability of a party in respect of death or personal injury resulting from that party’s own negligence, for fraud or for any liability that cannot be excluded or limited under applicable law

c No party to these Terms shall be liable to any other contract, tort (including negligence) or otherwise for any indirect or consequential losses, or for any loss of profits, loss of good will, loss of revenue, loss of business or loss of anticipated savings.

d Subject to Clauses 10 b and 10 c, our liability to you shall not exceed £5,000, unless your claim relates to an item sold through an Auction in which case our liability to you shall not exceed the greater of £15,000 or the Hammer Price for the relevant Lot.

e We will not be responsible or liable for errors and omissions to execute bids, caused by a loss of internet connection, a breakdown or interruption of the on line bidding system, or a breakdown or failure of any internet connection, computer or IT system

19. General

a. No party shall have any liability in respect of any delay in performance or non performance of its obligations under these Terms (other than an obligation to pay) owing to Force Majeure. If a party is affected by Force Majeure it shall notify the other parties as soon as reasonably possible, in any event within 5 days, and shall take reasonable steps to mitigate the effect of the Force Majeure Subject to Clause 4 b, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where applicable) against all losses, damages, claims, costs and expenses suffered or incurred as a result of any claim in respect of the Lot or proceeds of the sale of the Lot

b Every person on our premises shall be deemed to be there at their own risk and, subject to clause 9 b, shall have no claim against us in respect of accident or loss, however caused.

c hese Terms are governed by in interpreted in accordance with the laws of England and Wales or the laws of Scotland or Northern Ireland if you live there) If you choose to bring proceedings in conjunction with these Terms you must do so in the courts of England and Wales, unless you live in Scotland, in which case you can choose to bring proceedings there, or in Northern Ireland, in which case you can choose to bring proceedings there

d Any or all part of any term of these Terms that is found to be unfair or unenforceable by a court of competent jurisdiction will be treated as deleted and the remainder of the Terms will continue to govern each of our respective obligations e ny notice from you to us must be sent in writing to us at our address detailed on our website f f you elect to collect the Lot from us you will bear all associated cost, expenses and duties.)

SELLERS

1 Our Status

a You appoint us to act as agent to sell the Lots on your behalf by auction

b. You will pay us the Sellers Commission together with VAT at the prevailing rate

c We will not include any Lots in an auction until they have been received by us.

d We will pay the Hammer Price, with Seller’s Commission, Loss and Damage Warranty and any other charges incurred deducted and applicable VAT applied at the prevailing rate, to you at 28 working days following the Auction in which the Lots are sold, or if later, 7 days after payment by the Buyer

2 The Reserve

a We will agree with you the Reserve, which may be higher than the starting bid

b. We shall not publicise the Reserve.

c We may bid on your Lot up to an amount equal to the Reserve You may not bid on your Lot under any circumstances, nor maySyou permit any person to bid on your lot on your behalf

3. Seller’s obligations and undertakings

a You warrant to us and to the Buyer that:

i you are the sole owner of the Lot and that you have full right, title and authority to sell the Lot;

ii you have no reason to believe that it is a Forgery;

iii all Lots sold by you are sold to the Buyer with full title guarantee and free from all encumbrances;

iv you have provided to us all of the relevant information and documents in your possession or control concerning the Lot, including information about its authenticity, history, condition, prior ownership and all such information is complete to the best of your knowledge;

v if the Lot has been removed from a country outside the UK, all duties and taxes on the import of the Lot have been paid, all export and import declarations have been properly made;

vi. you will pay any and all duties and taxes that may be due in connection with the sale of the Lot;

vii you have given us notice of any alterations to the Lot of which you are aware;

viii you may not withdraw a Lot from an Auction without our consent

b If you withdraw a Lot from an Auction without our consent, you will pay to us 15% of the Lot’s estimate and any related costs within 14 days of such withdrawal.

c If the Buyer of your Lot decides to exercise their right to cancel, you agree that we shall be entitled to account directly to the Buyer for any applicable refund and we shall account to you for any sums retained on account of the Lot being damaged or tampered with by the Buyer.

d You will indemnify us and the Buyer in full on demand against all claims, costs or expenses incurred by us or the Buyer as a result of any breach by you of any of the obligations in this clause

4 Loss and Damage Warranty

a All Lots held with us are covered by insurance against risk of fire, burglary, water damage and accidental damage except to glass For this we will charge you 1 5% plus applicable VAT of the Hammer Price for the Lot or the value the Lot would have achieved as assessed by the Auctioneer

b. Subject to this, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where appliable) against all loss damage claims costs and expenses suffered or incurred as a result of any claim in respect of the Lot or the proceeds of the sale of the Lot.

5 Anti Money Laundering Regulations

a. We are obliged to comply with Anti Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 or more

b Sellers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which their Lot is to be offered in order to meet the requirements of the regulations

6 Images and Illustration

a. We will take (or authorise others to take) photographs, video and/or produce images of the Lot and will own all intellectual property rights in any such images and may use them for any purpose, and you warrant that there is no restriction on our ability to do so

7 Unsold Lots

a If at the end of the Auction, your lot is unsold (other than because it was withdrawn) the Lot will be available for After Sale offers

b Registered Bidders may contact us and offer to purchase a Lot after the Auction If the bid meets or exceeds the Reserve, we may authorise the sale of your Lot without contacting you and the sale will be completed as if the Lot had been sold during the Auction If the bid is less than the Reserve, we will contact you If you accept the bid and wish to proceed, the sale will be completed as if the Lot had been sold during the Auction.

c You may contact us at any time after the Auction to remove your Lot from the After Sale process

d. Subject to agreement with us, your unsold Lot can be re offered at a future Auction at a revised Estimate and Reserve or can be collected by you, you are responsible for collection and transportation arrangements and costs

8. Withdrawn Lots

a If we withdraw a Lot from Auction, we will notify you and you will collect the Lot from us within 30 days of our notification.

b You are responsible for collection and transportation arrangements and costs

9 Forgeries

A A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a Forgery.

b If this is the case, you shall refund to us on demand, the total amount paid to you in relation to the lot plus any costs incurred by us or by the Buyer

Name: