2023.06.28 FINE JEWELLERY AND WATCHES at Dore & Rees Auction Salerooms

FINE JEWELLERY AND WATCHES

WEDNESDAY 28 JUNE 2023 at 2pm D

Cover illustrations

Front cover: lot 291

Inside front: lot 287

Inside back: lot 345

Outside back lot 203

Fine Jewellery and Watches

Wednesday 28 June 2023

2pm

Lots 200-349

Viewing

Saturday 24 June 11am to 3pm

Sunday 25 June 11am to 3pm

Monday 26 June 10am to 4pm

Tuesday 27 June 10am to 4pm

Morning of sale from 9am

Head of Sale

Susan Rumfitt

susan rumfitt@doreandrees com

01373 462257

Enquiries enquiries@doreandrees.com

Catalogue £10 (including p&p)

Dore & Rees

Auction Salerooms

Vicarage Street

Frome BA11 1PU 01373 462257

w w w doresandrees com

Information for Bidders and Buyers

The following notes will give you the most important information regarding how to bid and buy.

Please keep an eye on the auction catalogue listed at auctions.doreandrees.com/auctions/ where any specific arrangements for auctions will be kept updated

The full Terms and Conditions of Sale can be found at doreandrees com (link at the bottom of the webpage) and also printed at the back of this catalogue

Condition Repor ts

Condition reports will be available up to 48 hours before the auction, requests are to be submitted via the lot details page of the auction catalogue listed at doreandrees.com/upcoming-auctions

Additional Images

Additional images may be requested up to 48 hours before the auction, please submit your requests the lot detail pages of the auction catalogue listed at doreandrees com/upcomingauctions

Deposits

Deposits may be requested for high value lots in advance of the auction Deposits can be paid by debit card or BACS payment and will be refunded in the event that you are not the Buyer of the lot

Registration

Registration closes at 5pm on the day before the auction. New bidders are requested to provide the following:

• Name, address, telephone number and email

• Two forms of identification

- A passport or photographic driving license

- A utility bill or document showing proof of name and address

When registering to bid online via doreandrees.com or via easyliveauction.com, you will be requested to provide your bank or credit card details to complete 3D secure authentication

Bidding

In person – join us in the saleroom

By absentee bids – you can submit your absentee bids via doreandrees com

By telephone – a limited number of telephone lines will be available for the auction, bookable on a first come first serve basis

Online – bid live online via doreandrees.com, easyliveauction com and the-saleroom com, charges apply.

Buyer’s Premium

As a Buyer, you will pay the Hammer Price, Buyer’s Premium of 30% of the Hammer Price (inclusive of VAT), any artists resale right royalty payable on the sale of the Lot and any further VAT due

Payment Methods

Purchases can be paid by BACS, Debit Card, Credit Card (up to a limit of £500 if a distance payment) or Cash (up to a limit of £8,000 in person) Payment is due within 5 working days of the auction

Collection and Shipping

Once paid for, lots can be collected from Dore and Rees by appointment We can recommend shippers to assist with the collection and transport of lots to you

Diamond Grading

At the back of the catalogue you can find a page explaing how Dore&Rees refer to the colour and clarity of diamonds

Important note re illustrations

Please note that the illustrations are not necessarily to scale.

Order of Sale

Lots 200-310 Fine Jewellery

Lots 311-349 Watches

Gemmological Certificates

The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Dore and Rees and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer All weights and measurements provided are approximate only Prospective purchasers should assume that all coloured stones sold by Dore and Rees have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity Sapphires and rubies are commonly heat treated and emeralds commonly oiled Jade/jadeite is often bleached, polymer/resin filled or dyed.

Please contact Dore and Rees for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA

How to find the Saleroom

Dore and Rees is centrally located in Frome, Somerset; about a 10 minute walk from the station with direct trains from London Paddington, operated by Great Western Railways (w w w gwr com)

Dore and Rees Auction Salerooms

Vicarage Road

Frome BA11 1PU

01373 462 257

Gemstones

IMPORTANT INFORMATION FOR BUYERS

Historically many gemstones have been subjected to a variety of treatments to enhance their appearance Certain enhancements, such as heating, are commonly used to improve colour or transparency in rubies and sapphires. Emeralds are also frequently treated, usually with oils or resin, for the same purpose. Other methods, including staining, dyeing, coating or irradiation, may have been used on other gemstones including Jade and associated hardstone that may have been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments

The international jewellery trade has generally accepted these methods

Heat enhancement of colour is usually permanent, however, in some cases; this may have an impact on the durability of the gemstone Gemstones that have been oiled may require re-oiling after a number of years in order to retain their optimum appearance

It is, in suitable cases, Dore & Rees’s policy to obtain gemmological reports from internationally recognised gemmological laboratories describing certain gemstones sold by Dore & Rees. In the event that Dore & Rees have been given, or have obtained, reports for any lot in the sale these reports will be mentioned in the catalogue description. However, it is not feasible for Dore & Rees to obtain a gemmological report for each gemstone offered for sale by Dore & Rees. If no report is published in the catalogue prospective buyers should assume that the gemstones may have been enhanced by some method However, please note that there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone Prospective buyers should be aware that Dore & Rees’s pre-sale estimates assume that gemstones may have been subjected to such treatments

ALL DIMENSIONS, WEIGHTS ARE APPROXIMATE

DIAMOND GRADING TERMS

Where printed in the catalogue, estimated diamond grades for colour and clarity are intended as guides for prospective buyers Dore & Rees do not guarantee these estimated grades due to the limitations of mounts and settings

CIBJO

Exceptional White + (EW+)

Exceptional White (EW)

Rare White + (RW+)

Rare White (RW) White (W)

Slightly Tinted White (STW)

Tinted White (TW)

Tinted Colour (TC)

Fancy Colour

DIAMOND CLARITY

GIA

Flawless (FL)

Internally Flawless (IF)

Very Very Slightly Included (VVS) VVS1 / VVS2

Very Slightly Included (VS) VS1 / VS2

Slightly Included (SI) SI1 / SI2 Included (I) I1 / I2 / I3

CIBJO

Loupe Clean (LC)

EXPLANATION

Face up colourless

Face down colourless

Very Very Small Inclusions (VVS) VVS1 / VVS2

Very Small Inclusions (VS) VS1 / VS2

Small Inclusions (SI) SI1 / SI2

Pique (P) P1 / P2 / P3

Face up colourless

Face down slightly tinted

Face up slightly tinted

Face down obviously tinted

Face up obviously tinted

Face down obviously tinted

Face up definite colour

EXPLANATION

Shows no inclusions or blemishes under 10x magnification

Shows no inclusions and only insignificant blemishes under 10x magnification

Minute inclusions, which are difficult, even for an experienced grader, to locate under 10x magnification

Minor inclusions, observable with effort under 10x magnification

Noticeable inclusions under 10x magnification

Obvious inclusions, visible to the unaided eye, face up These may affect the stone’s beauty and durability

Auctioneer’s Welcome

Our highlight for the June sale, writes Susan Rumfitt, is the beautiful Fabergé Rat with an impeccable provenance, along with the stunning magnifying glass set with jargoons and the French malachite dish.

Following this introduction, you can read all about the history of the owner of the three items, The Honourable Patrick George Edward Cavendish Acheson MVO, DSO, RN (1883-1957) and how he was associated with The Royal Family and the Romanovs. We have been given permission, by his descendants, to reproduce family photographs showing The Honourable Patrick with the Royal Family and the

About Susan

Susan Rumfitt established ‘Susan Rumfitt Fine Jewellery ’ in Harrogate in 2006 and is delighted to be expanding her business and partnering with Dore & Rees Susan’s passion for jewellery and her intimate knowledge will bring a unique dimension to these joint auctions. The early part of her career was spent with Christie’s and then she joined Phillips. Susan has built up a loyal following, offering advice to collectors, buyers and sellers of fine jewellery She is also active in assisting clients with their jewellery valuations, repairs and redesign requirements Susan also runs an extensive lecture program at her gallery, which focuses on jewellery history and design. Susan is a Freeman of the Worshipful Company of Goldsmiths’, an accredited lecturer for the Arts Society, as well as a regular jewellery expert on the BBC’s Antiques Roadshow.

Romanovs. Geoffrey Munn has very kindly written an introduction for the Fabergé Rat, highlighting the inspiration of netsukes on Fabergé for the subject matter.

Within the sale we also have pieces from The Dr Christopher Morris, Collection, Shropshire An eclectic mix of antique and contemporary pieces which complement the remaining lots in the sale. From delicate and feminine garland style jewellery to the very striking contemporary world of Cartier and Louis Vuitton, this sale has something for all tastes.

We look forward to welcoming you to Dore & Rees

LOT291

FABERGÉ:ACARVINGOFARATINGREYCHALCEDONY,THEBODY,FURANDTAILWORKEDIN THEMANNEROFAJAPENESENETSUKE.THEEYESSETWITHROSECUTDIAMONDS £15000-£25000

JapaneseworksareartwerelittleknownintheWestuntilthe1850’swhenanumberof commercialagentsbegantoimportthemtoEuropeandAmerica.Oneofthesewasafirm calledYamanakasituatedinSt.Petersburg,oppositethatofFabergéintheNevskyProspect, sellingcarvedivories,bronzes,enamelsandnetsukecarvings.Themeticulousobservationof naturewhichcharacterisedJapanesecraftsmanshipcausedanaestheticrevolutioninthe WestanditiswidelyacknowledgedasthegermoftheArtNouveaumovement.

However,CarlFabergéwasparticularlyfascinatedbynetsukecarvingsandcollectedthem personallyandsomeofhisbestanimalcarvingswereinspiredbythem.LiketheirJapanese predecessorsFabergé’slapidariesrepresentedeverydetailoftheirmodelsintheround includingfur,feathers,feet,clawsandsometimesthegenderofthesubject.Inthiscasethe ratisclearlyinspiredbyanetsukefromtheKyotoschoolandpossiblybyaparticularartist calledOkatori(seeNetsuke:AComprehensiveStudyBasedontheM.T.HindsonCollection,by NeilDavey.1982.Cataloguenumbers199and200).

ForsimilarstudiesofratsandmicebyFabergésee‘FabergéandJapan’,byGeoffreyMunn. TheAntiqueCollector.1987.

Geoffrey Munn OBE, MVO

Patrick Cavendish and Princess Victoria

Members of the Royal Family, invited guests and the officers on the Royal Yacht

Letter appointing Patrick Acheson a ‘Member of the Fifth Class of the Royal Victorian Order

PROVENANCE

PROPERT Y OF THE DESCENDANTS OF CAPTAIN THE HONOUR ABLE PATRICK GEORGE

EDWARD CAVENDISH ACHESON MVO, DSO, RN, 1883-1957

Member, Royal Victorian Order (M.V.O.) in 1904

Distinguished Service Order (D.S.O.) 1915

Order of St. Stanislas of Russia 2nd Class with Swords

Croix de Guerre

Commanding officer of the British Naval Flotilla on the Rhine 1919-1921

Son of Archibald Brabazon Sparrow Acheson, 4th Earl of Gosford and Lady Louisa Augusta

Beatrice Montagu

Louisa was the daughter of 7th Duke of Manchester and Louise von Alten Luise was known as the ‘Double Duchess’, as she subsequently married 8th Duke of Devonshire and it was understood within the family that Louisa was actually the daughter of Devonshire hence the long-lasting connection with the Devonshires and Chatsworth.

Patrick’s three sisters were the subject of John Singer Sargent’s 1902 painting of ‘The Acheson Sisters’ currently in the Devonshire Collection and on display at Chatsworth

Career

In 1902, upon graduation from the Dartmouth Royal Naval College, Britannia, Patrick was commissioned as a Sub-Lieutenant in the Royal Navy Promoted to Lieutenant in 1904 he was posted to HM Yacht Victoria and Albert In the same year he was created MVO 5th class for his services to the Royal Family (a typical recognition for officers serving aboard the yacht) At one point he served as Flag Lieutenant to Admiral Sir John Fisher. As Lieutenant-Commander, he was posted aboard HMS Inflexible in November 1912. As a result of the First Balkan War and the general build -up of tensions across Europe British naval forces in the Mediterranean were shifted at this time, with a Battle Cruiser Squadron including HMS Inflexible remaining at Malta while most other ships were withdrawn to Gibraltar and home waters. Upon the outbreak of hostilities in August, 1914 Patrick remained aboard Inflexible and would be party to many of the major naval engagements of the war Starting with the pursuit of the German cruisers SMS Goeben and SMS Breslau, to duties in the North Sea in support of air raids on the coast of Germany, the Battle of the Falkland Islands, on to the Dardanelles (awarded a DSO), and back to the North Sea in time for the engagement at Jutland Patrick’s eye-witness account is held by the Imperial War Museum

Near the war’s end, Patrick was given command of a newly established Rhine Patrol Flotilla based in Cologne as part of the occupation of the Rhineland. Taking a flotilla of nearly 80’ motor launches (ML’s) across the Channel, up the Seine through Paris, on the Marne to the Marne Rhine Canal, to Strasbourg and then north along the Rhine to Cologne Patrick established the Royal Navy’s presence as part of the larger British Army of Occupation

During this period Patrick was entertaining visiting dignitaries including Field Marshall Haig, Churchill, French General Mangin and HRH The Duke of Connaught.

Royal Family Connections

Patrick served on the Royal Yacht HMY Victoria and Albert and would have been present during the Russian Imperial Visit to Cowes, 1909 which included Emperor Nicholas II of Russia (Nikolai II Alexandrovich Romanov) and the Grand Duchess Olga the eldest daughter of Nicholas and Alexandra The mother of Nicholas, The Dowager Empress Maria, and her grand -daughter Olga are to be seen in several photos taken aboard the Royal Yacht Also, there are photos of Princess Victoria and Princess Maud (later Queen of Norway), the daughters of Edward VII and Queen Alexandra Patrick was known to be particularly close to Princess Victoria who corresponded with him personally

Alexandra (Princess of Wales and subsequently Queen, being the wife of Edward VII) was Sponsor (godmother) to Patrick Acheson and his sisters.

Various family members were in Queen Alexandra’s household 4th Earl of Gosford (Patrick’s father) was Vice Chamberlain to her household 1901-22 Louisa, Countess of Gosford (4th Earl’s wife and Patrick’s mother) was Lady of the Bedchamber. Alice Stanley Countess of Derby (Patrick’s aunt) was Extra Lady of the Bedchamber and her daughter, Lady Victoria, was one of the Women of the Bedchamber. Alice and Louisa were daughters of the ‘Double Duchess’ (wife of first the Duke of Manchester, and subsequently wife of the Duke of Devonshire).

Patrick attended numerous shooting parties at Chatsworth, Bolton Abbey and Sandringham in the company of both Edward VII and George V and he spent much of his early life and every childhood Christmas at Chatsworth

Late in the 1890s, while staying at Chatsworth, Prince Albert (later Edward VII) is said to have sent a mince-pie over to young Patrick’s table, commending it specifically to him. As Patrick set upon the pie with relish, he quickly discovered that it was filled with mustard! Stories of other practical jokes played on him by King Edward VII have been passed down the family

Patrick’s parents were very much part of the Marlborough House set led by the Prince and Princess of Wales, later King Edward VII and Queen Alexandra Queen Alexandra remained friends with Louisa Gosford after the death of her husband and there are in existence a number of personal letters, some of which mention Patrick specifically Louisa was also a great friend of Queen Mary, wife of George V and was made Dame of the British Empire in 1920 and a Dame of Grace of the Order of St John.

Dowager Empress of Russia, Duchess Olga and Queen Maud of Norway on board the Royal Yacht

Fine Jewellery

200

A HAND PAINTED GEORGIAN PORTRAIT PANEL PENDANT the oval plaque depiciting an older lady with lace headdress, within a surround of cushion-cut paste stones

Jump ring pendant fitting

Total weight 16 5gms

5cm x 3.5cm (including jump ring)

AN OVAL MINIATURE DEPICTING A YOUNG BOY within an oval engraved frame to an undulating oval border and engraved bale

Total weight 7gms

4cm x 2 2cm

AN OVAL MINIATURE DEPICTING A YOUNG BOY within an engraved border with ribbon tied surmount and engraved bale

Total weight 5 1gms

3.6cm x 1.6cm

£150-£200

201

A NINETEENTH CENTURY DIAMOND, EMERALD AND ENAMEL

LOCKET, CIRCA 1840 the circular locket with a border of rose-cut diamonds, surmounted by a coronet with black and white enamel detail and three circular-cut emeralds and two old brilliant-cut diamonds, each claw set, with plain hoop

In Fattorini & Sons box

Total weight 6.1gms

4 2cm x 2 9cm

Provenance: The Dr Christopher Morris Collection, Shropshire

£200-£300

202

A GOLD AND GREEN GLASS POSY RING CIRCA 1700-1740 the collet set glass above a band inscribed ‘IN ESPRIT’ and with diamond motif decoration.

Unmarked

Total weight 0 7gms

Ring size F

£400-£600

203

A GEORGIAN QUARTZ , EMERALD AND RUBY BROOCH, CIRCA 1800

the central oval-cut dendritic quartz within a border of thirty cushioncut emeralds and further border of twenty-seven mixed-cut rubies, all collet set in closed back setting within a foliate border

In fitted box by The Goldsmiths & Silversmiths Company

Total weight 18 2gms

3 3cm x 3 1cm

£1000-£1500

204

AN EARLY NINETEENTH CENTURY ENAMEL AND GOLD

MOURNING BROOCH, CIRCA 1840

the central rectangular locket inset with plaited hair within a border of black enamel with scroll detail, within a textured oblong mount.

Brooch pin fitting

Unmarked

Total weight 4gms

2cm long

AN EARLY NINETEENTH CENTURY GOLD AND SEED PEARL BROOCH, CIRCA 1830

the oblong central glass locket within a border of half pearls

Brooch pin fitting

Unmarked

Total weight 4gms

2 2cm long

£120-£180

205

AN EARLY NINETEENTH CENTURY GOLD AND ENAMEL

MOURNING BROOCH, CIRCA 1820

the central oblong glass locket inset with hair, within a black enamel border with a chased scroll work border, engraved to the reverse with an inscription for 1824.

Total weight 4 9gms

2cm long

A TURQUOISE, ENAMEL AND GOLD BROOCH, CIRCA 1820 set to the centre with four turquoise cabochons, within a rope work border and outer border of white enamel detail

Total weight 3 2gms

1 8cm long

AN EARLY NINETEENTH CENTURY TURQUOISE AND GOLD MOURNING

BROOCH, CIRCA 1820

the oblong glass locket inset with plaited hair within a chased gold mount, with four circular turquoise cabochons

Brooch pin fitting

Total weight 1 9gms

1 9cm long

Provenance: The Dr Christopher Morris Collection, Shropshire

£100-£150

206

AN AGATE AND GOLD BROOCH, CIRCA 1840

the oval agate plaque within a chased foliate border

Brooch pin fitting

Unmarked

Total weight 17 6gms

5.2cm x 3.5cm

£150-£200

207

AN EARLY NINETEENTH CENTURY HARDSTONE CAMEO BROOCH, CIRCA 1840

the central hard stone cameo carved with a classical god within a chased scrolling mount set with eight oval cameos, including malachite, lapis lazuli and carnelian

Later brooch pin fitting and pendant hook

Unmarked

Total weight 17.8gms

5 7cm x 4 6cm

Cased

£600-£800

208

AN EARLY NINETEENTH CENTURY CARNELIAN AND GOLD

RING

carved with a gentleman’s head in profile, within a collet mount with ridged detail, on plain band

Marked with maker’s mark ‘W H T’ and ‘9 375’

Total weight 8.2gms

Ring size K1/2

£300-£500

209

A COLLECTION OF NINETEENTH CENTURY UNMOUNTED CAMEOS

two coral and eight hard stone cameos all carved with classical heads

The agate cameos measure 1 4cm x 1cm

The coral cameos measure 1 1cm x 0 5cm and 1 1cm x 0 9cm

£200-£300

210

A LATE VICTORIAN CORAL NECKLACE, CIRCA 1890 the fringe necklace composed of a graduating row of tapering coral drops with flat backs and spaced by pairs of faceted coral beads, on a contemporary silver clasp

Total weight 32 7gms

45cm long

A L ATE VICTORIAN CORAL NECKLACE, CIRCA 1890 the graduating row of polished beads, on a bolt ring clasp Clasp marked ‘375’

Total weight 11 3gms

39 5cm long

A PAIR OF LATE VICTORIAN CORAL EAR PENDANTS, CIRCA 1890 the tapering polished drops, on trace-link chain, to a coral button on screw back fittings

4cm long

Total weight 4 3gms

£150-£200

211

A PINK VICTORIAN CORAL NECKLACE, CIRCA 1890 graduating row of polished beads on a barrel clasp

Total weight 27gms

40.5cm long (excluding clasp)

A L ATE VICTORIAN RED CORAL NECKL ACE , CIRCA 1890 the slightly graduating row of polished beads on a gold barrel clasp

Total weight 13 9gms

38cm long (excluding clasp)

A PAIR OF LATE VICTORIAN RED CORAL EARRINGS composed of thirteen faceted beads, with gold hoop fittings

Total weight 4 8gms

£150-£200

212

A VICTORIAN GARNET AND GOLD BRACELET, CIRCA 1860 the circular faceted links with pierced spacers and a heart shaped padlock clasp, the clasp with chased decoration and centred by an oval mixed-cut garnet in collet mount, glass locket reverse

Total weight 8.5gms

18 5cm long

Locket measures 2 5cm x 0 9cm

£100-£200

213

A PAIR OF LATE VICTORIAN GARNET EARPENDANTS, CIRCA 1890 each a pear-shaped drop below a trefoil set throughout with facetted garnets on gold hooks

Unmarked

Total weight 6.2g

4 2cm long

A VICTORIAN GARNET CLUSTER RING, CIRCA 1890 the two tiers for rose cut garnets around a central oval rose cut garnet

Unmarked

Total weight 2 8g

Ring size N

A L ATE VICTORIAN WITCHES HEART BROOCH, CIRCA 1890 with central flower set throughout with rose cut garnets

Unmarked

Total weight 2.5g

2cm x 2cm

£150-£200

214

A LATE VICTORIAN FOUR COLOUR GOLD BROOCH, CIRCA 1890

the circular brooch with a central spray of flowers and foliage in varicoloured gold, within a pierced border

Later brooch pin fitting

Unmarked

Total weight 5.3gms

2 2cm diameter

A GARNET AND SEED PEARL BAR BROOCH, CIRCA 1890 the central circular mixed-cut garnet collet on a half pearl set bar brooch.

Brooch pin fitting

Total weight 1.6gms

3 5cm long

A L ATE VICTORIAN GOLD AND TURQUOISE CROSS PENDANT, CIRCA 1880

the cross set with eleven circular turquoise cabochons, the cross with trefoil detail to each point, the reverse with floral detail

Unmarked

Total weight 3 6gms

3cm x 1 1cm

AN ART NOUVEAU PERIDOT, PEARL AND GOLD PENDANT, CIRCA 1900

the elongated scrolling frame set with two circular mixed-cut peridots and half pearl highlights

Total weight 2 1gms

4cm x 1 8cm

£80-£120

215

A SINGLE STONE DIAMOND RING

the old-cut diamond, estimated to weigh 1 5 carats, eight claw set between tapering shoulders on a yellow gold band

Unmarked

Ring size J

Total weight 2.7gms

£2000-£3000

216

A LATE VICTORIAN GOLD, RUBY AND SEED PEARL BANGLE, CIRCA 1880

the upper section designed as a buckle, set with two cushion-cut rubies, the buckle and loop set with half pearls, integral clasp

In fitted ‘Hall & Co’ case

Unmarked

Total weight 12 9gms

5.4cm internal diameter

Provenance: The Dr Christopher Morris Collection, Shropshire

£200-£300

217

A LATE VICTORIAN RUBY AND DIAMOND CLUSTER RING

set with four circular mixed-cut rubies and eight circular-cut diamonds, to tapering moulded shoulders

Unmarked

Total weight 3gms

Ring size M1/2

Provenance: The Dr. Christopher Morris Collection, Shropshire

£100-£200

218

A LATE VICTORIAN RUBY, DIAMOND AND GOLD BROOCH, CIRCA 1880

the circular mixed-cut ruby and two old brilliant-cut diamonds claw and star set on a polished bar with bead and scroll work detail

Hallmarked for 15 carat

Total weight 4 8gms

Provenance: The Dr Christopher Morris Collection, Shropshire

£100-£200

219

A LATE VICTOIRAN RUBY, DIAMOND AND GOLD BROOCH, CIRCA 1880

the circular mixed-cut ruby claw set between old brilliant-cut diamonds, within a polished navette shaped mount, to an outer undulating border with rope-work detail

Hallmarked for 15 carat gold

Total weight 4 2gms

4cm long

A L ATE VICTORIAN GOLD AND DIAMOND BROOCH, CIRCA 1880 the three graduating old brilliant-cut diamonds within an oval polished mount with an outer border of rope-work detail, above a navette shaped mount with bead and rope-work detail, glass locket reverse Brooch pin fitting

Hallmarked for 15 carat gold

Total weight 4 5gms

5cm long

£120-£180

220

A LATE VICTORIAN SAPPHIRE AND GOLD BROOCH, CIRCA 1880

the oval mixed-cut sapphire claw set within a circular mount, above an elaborate mount with pierced, bead work and floral decoration

Hallmarked for 15 carat gold

Total weight 3.9gms

4 7cm long

A L ATE VICTORIAN GOLD AND DIAMOND BROOCH, CIRCA 1880 the old brilliant-cut diamond star set within a rectangular mount above an elaborate double bar brooch with rope work, scroll, fan and bead decoration

Hallmarked for 15 carat

Total weight 3 8gms

2 3cm long

A L ATE VICTORIAN RUBY, SEED PEARL AND GOLD BROOCH, CIRCA 1890 the circular mixed-cut ruby star set within a navette shaped mount with half pearl highlights, within an outer undulating border with bead detail.

Unmarked

Total weight 2 3gms

4 2cm long

A L ATE VICTORIAN JADEITE AND GOLD BROOCH, CIRCA 1890

the polished jade with plain gold cap to each end

Marked ‘18’

Total weight 4 2gms

3 6cm long

£150-£300

221

A LATE VICTORIAN ENAMEL PEARL AND DIAMOND BROOCH, CIRCA 1880

the central half pearl within a seed pearl border with dark blue enamel border and four rose-cut diamonds in triangular mounts, on a slightly arched bar set with two rows of half pearls

Brooch pin fitting

Unmarked

Total weight 5.5gms

3 9cm long

A L ATE VICTORIAN GOLD BROOCH, CIRCA 1890

the central circular motif with rope-work detail within an outer undulating rope-work border, on a plain gold bar with sloping finials

Brooch pin fitting

Unmarked

Total weight 2 7gms

4 2cm long

£80-£120

222

A LATE VICTORIAN ENAMEL, PEARL, ROCK CRYSTAL AND GOLD LOCKET, CIRCA 1890

the locket inset with the portrait of a lady in mourning dress, within a blue guilloche enamel border each section spaced by a half pearl, locket reverse, suspended from a half pearl and blue enamel bale with detachable blue enamel ribbon tied brooch.

Unmarked

Total weight 25 5gms

6cm x 3 2cm

Provenance: The Dr Christopher Morris Collection, Shropshire

£150-£250

223

A LATE VICTORIAN AMETHYST AND SEED PEARL BROOCH, CIRCA 1890

the oval faceted amethyst in a border of seed pearls within a gold wirework frame

Marked 15ct

Total weight 4 1gms

2.5cm x 2.2cm

A L ATE VICTORIAN GOLD BROOCH, CIRCA 1890

the circular gold brooch with panel hairwork to the reverse and base metal pin

Unmarked, Total weight 6 3gms

3cm Diameter

£100-£200

224

AN AMETHYST AND PEARL BROOCH, CIRCA 1870

the cushion-cut amethyst, collet set within a border of half pearls, the reverse chased with foliate detail.

Brooch pin fitting

Marked ‘9ct’

Total weight 5 9gms

2cm x 1 8cm

£300-£400

225

A CITRINE AND PEARL BROOCH, CIRCA 1880

the oval mixed-cut citrine claw and collet set within a border of half pearls with bead detail.

Brooch pin fitting

Marked ‘9ct’

Total weight 8 9gms

2 7cm x 2 2cm

£200-£300

226

A LATE VICTORIAN GOLD AND PEARL NECKLACE, CIRCA 1890

the front composed of three graduating flower heads, spaced by pearl set branches, the central cluster suspending a half pearl cluster drop with half pearl bale

In fitted case by R.L Rennisons

Marked ‘15ct’

Total weight 23 7gms

£600-£800

227

A LATE VICTORIAN PEARL AND GOLD NECKLACE, CIRCA 1890

the front set with a half pearl floral cluster, between graduating knife edge bars set with half pearls and gold bead detail, on an articulated chain of half pearls.

Total weight 19 5gms

39 5cm long

£600-£800

228

A LATE VICTORIAN DIAMOND, TURQUOISE AND GOLD BAR BROOCH, CIRCA 1890

the three old brilliant-cut diamond collets and two cabochon-cut turquoise collets set within knife edge bar

Brooch pin fitting

Unmarked

Total weight 3 4gms

4.9cm long

Provenance: The Dr. Christopher Morris Collection, Shropshire

£100-£200

229

A LATE VICTORIAN SAPPHIRE, TURQUOISE AND SEED PEARL BROOCH, CIRCA 1890

the circular mixed-cut sapphire claw set within a five pointed star, each point set with a rose-cut diamond on a bar brooch with a uniform row of cultured pearls (three deficient), with an oval cabochon-cut turquoise to each end, collet set

Brooch pin fitting

Total weight 4.1gms

5cm long

£150-£200

230

A BLUE ZIRCON, GOLD AND SEED PEARL BROOCH, CIRCA 1890

the circular mixed-cut blue zircon collet set on a knife edge bar with four half pearls either side, with knife edge scroll decoration

Hallmarked for 9 carat gold

Total weight 3 1gms

5 7cm long

A PERIDOT AND GOLD BROOCH, CIRCA 1890

the circular mixed-cut peridot millegrain collet set within a circular knife edge frame, on a tapering polished bar brooch

Marked ‘9CT’

Total weight 3 2gms

Provenance: The Dr Christopher Morris Collection, Shropshire

£80-£120

231

AN AMETHYST AND DIAMOND PENDANT, CIRCA 1900

the oval mixed-cut amethyst collet set within a border of sixteen circular-cut diamonds below a diamond set surmount, suspended from three circular-cut diamonds collet set below a diamond set bow with central circular-cut amethyst Set in white and yellow gold with later chain

Chain hallmarked 375 (for 9ct), London

Total weight 5.3gms

Pendant drop 3cm long, 2cm wide

A PAIR OF AMETHYST AND DIAMOND EAR PENDANTS, CIRCA 1900 designed as a stylised lotus flower of yellow gold and platinum with millegrain detail and set throughout with amethyst and diamonds with a central articulated oval amethyst and articulated amethyst drop all on shepherd's crook fittings.

Unmarked

Weight 4g

4 5cm x 1 8cm

£300-£500

232

AN ART NOUVEAU CATS-EYE CHRYSOBERYL AND GOLD

BROOCH

the circular cabochon-cut cats-eye chrysoberyl six claw set within a scroll and chased foliate mount

Brooch pin fitting

Unmarked

Total weight 6.5gms

4 3cm long

£120-£180

233

OMAR RAMSDEN: A LATE NINETEENTH CENTURY ENAMEL

AND BRONZE GILDED BROOCH

the front depicting three South African Christmas Roses (Hydrangea), two pink and one blue, with green enamelled leaves, within a pale blue enamelled border with gilded wording ‘SPES BONA CAPE TOWN’, the reverse engraved ‘BRONZE GILT SAMPLE BADGE MADE BY OMAR

RAMSDEN LONDON’

Brooch pin fitting

Total weight 6gms

3 1cm diameter

£300-£500

234

A LATE VICTORIAN ENAMEL, GOLD AND DIAMOND BROOCH, CIRCA 1890

the circular enamel plaque depicting a young lady with rose-cut diamond detail to her hair and dress, within a three colour gold circular frame, with floral and scroll decoration

Brooch pin fitting

Unmarked

Total weight 9 1gms

2.7cm diameter

A PAIR OF LATE VICTORIAN ENAMEL, PEARL AND GOLD BAR BROOCHES, CIRCA 1890

each set with three half seed pearls with pale blue enamel decoration between.

One stamped ‘14K’

Total weight 2.7gms

Each brooch 2 5cm long

£150-£200

235

A PAIR OF ENAMEL AND TORTOISESHELL HAIR COMBS IN FITTED CASE BY CHILD AND CHILD, CIRCA 1890-1910 each tortoiseshell comb surmounted by five green guilloche enamelled loops each centred by a circular-cut ruby

In fitted Child & Child Case

Total weight of combs 16gms

Each measures 8.5cm x 5.3cm

£400-£600

236

A COLLECTION OF HAIR COMBS, CIRCA 1890-1910 including

AN ELABORATE TORTOISESHELL HAIR COMB modelled as plumb

21cm x 19cm

A GILDED FLOWER HAIR PRONG the flower mounted on two hair prongs

5cmx 5cm

A BLACK AND CREAM PLASTIC HAIR COMB of elongated design with foliate decoration.

23 5cm x 4 2cm

£100-£200

237

A DIAMOND BIRD BROOCH, CIRCA 1900

the avocet in flight, set throughout with old and rose-cut diamonds, cabochon-cut ruby eye.

In fitted box by The Goldsmiths and Silversmiths Company

Total weight 8 2gms

3 1cm x 2 7cm

£500-£700

238

A VICTORIAN GOLD DIAMOND, RUBY AND SAPPHIRE SET

BUTTERFLY BROOCH, CIRCA 1870

the body set with a pearl and a trefoil of rubies and three graduating rose-cut diamonds, the wings set with either a circular mixed-cut sapphire or a circular mixed-cut ruby, each within a surround of rosecut diamonds

Mounted in silver and gold

Brooch pin fitting

Total weight 7 5gms

2.2cm x 2.2cm

Provenance: The Dr Christopher Morris Collection, Shropshire

£300-£400

239

A VICTORIAN GOLD DIAMOND, RUBY AND SAPPHIRE SET

BUTTERFLY BROOCH, CIRCA 1870

the body set with an old brilliant-cut diamond collet above the abdomen set with three graduating rose-cut diamonds , with ruby cabochon eyes, the wings set with either a circular mixed-cut sapphire or a circular mixed-cut ruby, each within a surround of rose-cut diamonds.

Mounted in silver and gold

Brooch harness fitting

Total weight 5 9gms

2 5cm x 2cm

Provenance: The Dr Christopher Morris Collection, Shropshire

£250-£350

240

A LATE VICTORIAN MOONSTONE AND PEARL BROOCH, CIRCA 1890 set with a heart shaped moonstone within a half pearl border, on a bar brooch with two Swallows set with half pearls. Brooch pin fitting

unmarked

Total weight 3 8gms

4 2cm long

A L ATE VICTORIAN SEED PEARL AND GOLD BROOCH, CIRCA 1890

the central heart motif set with half pearls, on a polished bar with wire work decoration

Marked ‘15CT’

Total weight 3 1gms

4 5cm long

£100-£150

241

A LATE VICTORIAN REVERSE ROCK CRYSTAL INTAGLIO AND GOLD BROOCH, CIRCA 1880

depicting the head of a donkey, on a plain polished gold bar

Brooch pin fitting

Marked ‘18ct’

6 6gms

5 6cm long

A L ATE VICTORIAN GOLD, DIAMOND AND PEARL BROOCH, CIRCA 1880

the central horseshoe set with half pearl and diamond set words

‘GOOD LUCK’ on a polished circular bar with pearl terminals Brooch pin fitting

Registered trade mark to the reverse

Total weight 4 8gms

4.2cm long

£300-£400

242

AN EDWARDIAN RUBY, PEARL AND 9 CARAT GOLD FLOWER BAR BROOCH

the oval mixed-cut ruby with a pearl highlight

Marked ‘9ct’

Total weight 2 1gms4 4cm long

A L ATE VICTORIAN GOLD BAR BROOCH, CIRCA 1890

the owl, perched within a circular mount on a knife edge bar, green stone hightlights to the eyes

Marked ‘9ct’

Total weight 2 4gms

4 9cm long

A CULTURED PEARL AND GOLD BROOCH

the cultured pearl within two polished tapering bars. Brooch pin fitting

Hallmarked for 9 carat gold

Total weight 1 8gms

4 4cm long

Provenance: The Dr Christopher Morris Collection, Shropshire

£80-£120

243

ASPREY: A LATE VICTORIAN DIAMOND AND ENAMEL

PHEASANT BROOCH, CIRCA 1890

the body set with rose-cut diamonds, the head with blue, green and red enamel

In fitted Asprey box

Total weight 3 3gms

3 9cm x 1 5cm

£300-£500

244

A LATE VICTORIAN DIAMOND FOX HEAD PIN, CIRCA 1890 the head set throughout with old-cut diamonds, red stone cabochon cut eyes

Total weight 2.1gms

6cm long

£250-£350

245

A LATE VICTORIAN FOX PIN BROOCH, CIRCA 1890

the realistically modelled fox’s head on an oval pin

Total weight 5 4gms

4 8cm x 1 4cm

£200-£300

246

GOLD AND ENAMEL FLAGS OF THE NATIONS BRACELET

the eighteen enamel plaques each with an enamelled flag to the front with the country name engraved to the reverse, integral clasp

Marked ‘RD358292’

Total weight 14 75gms

17cm long and 0.6cm wide

Provenance: The Dr Christopher Morris Collection, Shropshire

£200-£300

247

A DIAMOND AND ENAMEL REGIMENTAL BROOCH, FOR THE

ROYAL REGIMENT OF ARTILLERY set throughout with diamonds and blue and red enamel. Brooch pin fitting

Marked ‘18ct’

In Gieves box

4cm x 2 5cm

Total weight 7 2gms

Provenance: The Dr Christopher Morris Collection, Shropshire

£200-£300

248

AN ENAMEL AND DIAMOND BROOCH, REGIMENTAL BROOCH

FOR THE KINGS ROYAL RIFLES

the red green and white enamel disc within four diamond set points surmounted by a crown on knife edge bar

By Deakin & Francis Hallmarked for 9 carat gold

Total weight 3 3gms

3.6cm x 1.2cm

£150-£200

249

A PAIR OF 18CT GOLD AND RUBY CUFFLINKS

the barrel cufflinks, each set with two cabochon-cut rubies, oval plaque and ring connections

Hallmarked for 18 carat

Total weight 9 8gms

Provenance: The Dr Christopher Morris Collection, Shropshire

£300-£400

250

A DIAMOND DRESS RING

the oval mixed-cut diamond collet set between tapering baguette-cut diamond shoulders, in rub over setting, on plain band

Hallmarked for 15 carat gold

Total weight 5 2gms

Ring size P 1/2

£700-£900

251

A 9CT GOLD BELCHER CHAIN

Hallmarked for 9 carat

Total weight 18 8gms

59cm long

£200-£250

252

A PAIR OF DIAMOND EARCLIPS

the oval discs pave set with eight-cut diamonds, in two colour mount Clip fittings

Total weight 8 3gms

1.1cm x 0.9cm

£150-£250

253

AN EMERALD AND GOLD HALF HOOP ETERNITY RING channel set with fifteen step-cut emeralds in plain gold mount.

Hallmarked for 18 carat gold

Total weight 4 2gms

Ring size M

Provenance: The Dr Christopher Morris Collection, Shropshire

£150-£200

254

AN EMERALD, SAPPHIRE AND GOLD DRESS RING

the step-cut sapphire and step-cut emerald each in rub over setting on cross over shoulders

Hallmarked for 18 carat gold

Total weight 2gms

Ring size L

Provenance: The Dr Christopher Morris Collection, Shropshire

£80-£120

255

A RUBY AND DIAMOND BAR BROOCH

the two tone bar set with three pairs of circular-cut rubies and two pairs of brilliant-cut diamonds

Hallmarked for 18 carat gold

Total weight 3 9gms

5.2cm long

Provenance: The Dr Christopher Morris Collection, Shropshire

£150-£250

256

A 9 CARAT GOLD BEAR PENDANT

swinging from a fancy link chain.

Hallmarked for 9 carat gold

Total weight 5.8gms

Pendant measures 2 3cm long

Chain measures 44cm long

AN EMERALD AND DIAMOND PENDANT

the pear-cut emerald, collet set within a border of twelve brilliant-cut diamonds, on a tapering plain bale, on a fancy link chain

Pendant hallmarked for 18 carat gold. The Chain hallmarked for 9 carat gold

Total weight 4 7gms

Pendant measures 1 1cm long

The Chain measures 36 5cm long

A VICTORIAN PENDANT DROP, CIRCA 1890

the old brilliant-cut diamond star set within a circular mount with bead work detail, on a fine trace-link chain

Probably converted from an earring

Total weight 1 5gms

Provenance: The Dr Christopher Morris Collection, Shropshire

£150-£250

257

A ROCK CRYSTAL, AMETHYST AND DIAMOND FLOWER BROOCH, CIRCA 1950

designed as an orchid

Double prong brooch fitting

Unmarked

Total weight 24 4gms

6.4cm x 6.2cm

£700-£1000

258

A SAPPHIRE AND DIAMOND BRACELET

set with twenty two oval mixed-cut sapphires spaced by pairs of brilliant-cut diamond collet, with integral clasp and double figure-ofeight safety clasps

Hallmarked for 18 carat gold

Total weight 9 9gms

17 5cm long

£700-£1000

259

AN AMETHYST AND DIAMOND PENDANT

the oval mixed-cut amethyst mounted with a diamond set heart to a diamond set bale.

Hallmarked for 18 carat gold

Total weight 6.9gms

2 5cm x 1 830

£300-£500

260

A SYNTHETIC COLOUR CHANGE CORUNDUM AND DIAMOND

RING

the cushion-cut stone four claw set above pierced gallery, between tapering shoulders set with five brilliant-cut diamonds

Hallmarked for 9 carat gold

Total weight 6 5gms

Ring size N

£400-£600

261

AN AMETHYST AND PINK TOURMALINE RING the pear-cut stones, each three claw set, in cross over formation on plain hoop

Hallmarked for 18 carat gold

Total weight 4gms

Ring size M1/2

Provenance: The Dr Christopher Morris Collection, Shropshire

£80-£120

262

A FRESHWATER CULTURED PEARL NECKLACE the uniform row of forty three pastel coloured off round cultured pearls on an 18 carat white gold ball clasp

Total weight 45cm 45cm long

£300-£500

263

A 20TH CENTURY FANCY LINK 18CT WIDE BRACELET of circular links with applied textured squares Box clasp with two safety catches

Marked, 750, makers mark D,G

Measures 8cm x 3 1cm

Total weight 54gms

£2000-£2500

264

A 20TH CENTURY RIDING CROP AND HORSE SHOE BAR BROOCH

Brooch pin fitting

Marked, 750, makers mark, LPC

Measures 7cm x 3 4cm

Total weight 10 6gms

£350-£500

265

A REVERSIBLE RUBY SAPPHIRE AND DIAMOND

PENDANT NECKLACE

a contemporary reversible pendant featuring one side of square cut rubies and diamonds in a checkerboard design, to the reverse square cut sapphires and diamonds in the same motif, all set in white gold on a tapered fixed bale

Marked 18k

Pendant measures 1 7cm x 0 5cm

Chain length 41cm

Total weight 2gms

£200-£300

266

A CIRCULAR FANCY LINK BRACELET of bar and circle design, with bolt clasp

Marked 9ct

Length 21cm

Total weight 8 6gms

£100-£150

267

A SINGLE STONE DIAMOND PENDANT

the four claw set, round brilliant cut diamond on a split bale

Marked 750

Measures 0.4cm x 0.9cm

Total weight 0 4gms

A THREE STONE DIAMOND RING one diamond missing, claw set to a tapering shank

Marked 750

Ring size P 1/2

Total weight 2.8gms

£150-£200

268

A BAGUETTE CUT DIAMOND LINE BRACELET with links of three baguette cut channel set diamonds

Tongue in groove clasp with two safety catches

Marked 750, London, 2003

Measures 18 5cm

Total weight 15.6gms

£1200-£1500

269

A FANCY LINK CHAIN NECKLACE AND BRACELET both of a hayseed link in yellow gold.

Lobster claw clasps

Marked 375, Birmingham, 200

Necklace length 64 5cm

Bracelet length 20cm

Total weight 42.5gms

£600-£800

268

270

A WHITE GOLD DIAMOND PENDANT AND CHAIN

a diamond shaped pendant set with round cut diamond and a circular central glazed with three individually set loose diamonds all on an articulated bale and snake chain

Marked 750, London, 2001

Pendant measures 3cm x 2 2cm

Total weight 14 2gms

Chain measures 50cm

£600-£800

271

A PINK TOURMALINE PENDANT

a rounded trillion-cut pink tourmaline collet set in a similarly shaped gold frame on an elaborate fixed hinged bale set with five round cut diamonds

Marked 750, London, 1991

Total weight 6.7gms

3 3cm x 1 9cm

£400-£600

272

18CT DIAMOND AND RUBY SET ROUNDELL DESIGN BROOCH

set with eight circular-cut rubies an outer row of eight brilliant-cut diamonds

Hallmarked for 18 carat gold

Total weight 6 1gms

2.7cm Diameter

Provenance: The Dr Christopher Morris Collection, Shropshire

£200-£300

273

BURMESE: A SINGLE STONE RUBY RING, the oval mixed-cut ruby, estimated to weigh 1 1 carats six claw set within a pierced mount, on plain band

Marked ‘PLAT 18CT’

Total weight 3 6gms

Ring size M1/2

Accompanied by The Gem & Pearl Laboratory Certificate 23117, dated 6th May 2023, stating that it is a Natural Ruby with no evidence of Heat Treatment

Origin Opinion: Burma

£2500-£3000

274

A DIAMOND AND GOLD DRESS RING of pierced geometric design set with six brilliant-cut diamond highlights and bead detail

Provenance: The Dr Christopher Morris Collection, Shropshire

£200-£300

272

275

AN AMBER NECKLACDE

the graduating row of polished amber beads on a silver clasp

Total weight 56 7gms

71cm long

£300-£500

276

A LATE VICTOIRAN NEPHRITE JADE AND GOLD BRACELET

the three oblong plaques spaced by navette shaped cabochons, all linked by scroll and bead decorated chain, integral clasp

Marked 9ct

Total weight 9 7gms

17cm long

A NEPHRITE JADE PENDANT

carved to depict an elephant with red stone eye and gold mounts, on a tapering plain bale with trace-link chain

Hallmarked for 9ct gold

Total weight 9 4gms

Pendant measures 3 2cm x 2 2cm

Chain 44cm long

Provenance: The Dr Christopher Morris Collection, Shropshire

£100-£200

277

A TOURMALINE AND GOLD BRACELET, CIRCA 1950

the step-cut vari-coloured tourmalines all four claw set and spaced by an oval polished disc with bead work to the centre, integral clasp

Total weight 17 5gms

16cm long and 0 9cm wide

£400-£600

278

TIFFANY: 18CT GOLD ATLAS RING

the band with Roman Numerals as decoration

Hallmarked for Tiffany & Co, Italy, 18 carat gold

In fitted box

Total weight 9 1gms

Ring size M1/2

Provenance: The Dr Christopher Morris Collection, Shropshire

£300-£350

279

TIFFANY: A 14 CARAT GOLD FLOWER BROOCH

the Orchid with textured leaves

Marked Tiffany & Co ‘14K’ Germany

Total weight 6 7gms

4cm x 4cm

£150-£200

280

TIFFANY: A DIAMOND SET CROSS NECKLACE

the cross set with four flush set, round brilliant cut diamonds, to a gold trace chain.

Marked Tiffany & co, 750

Measures 2cm x 1 5cm

Weight 4 3gms

£250-£350

281

FABERGÉ: A BLUE ENAMEL AND GOLD PENDANT

the guilloche enamel decorated with ‘2000’ and fleur de lys detail, hinge clip fitting.

Marked ‘FABERGÉ’ ‘85/199’ ‘750’

Total weight 6 7gms

Cased

Provenance: The Dr Christopher Morris Collection, Shropshire

£400-£600

282

AL CORO: A GOLD DIAMOND PENDANT AND CHAIN

a mezzaluna pendant of abstract looping design with the front mezzaluna set with two rows of round cut diamonds with fixed bale and mesh chain

Marked 750 Al Coro

Pendant measures 3.5cm

Chain measures 45 5cm

Total weight 13.6gms

£800-£1200

283

GUBELIN: A CULTURED PEARL AND DIAMOND RING

two cultured pearls in a cross over setting, with claw set round cut diamonds, to a tapering bezeled shank

Gubelin maker’s mark 750

Ring size N 1/2

Weight 6 7gms

£1500-£2000

284

LOUIS VUITTON: A GOLD AND ENAMEL CHARM BRACELET

the square link bracelet, suspending five charms, to include, a blue and gold world charm; a hand bag charm; a red enamel and gold Chinese lantern charm, a pair of keys charm; a charm spelling our ‘LOVE’ and a padlock charm which also acts as the clasp.

The bracelet and charms hallmarked for Louis Vuitton

Marked ‘750’

Total weight 132 1gms

Bracelet 18 5cm long

With Louis Vuitton Pouch and Box

£5000-£7000

285

CARTIER: A TRINITY RING

of white, yellow and rose gold polished bands

Marked ‘C’ ‘1997’

Total weight 11gms

Ring size J1/2

£1000-£1500

286

CARTIER: A TRINITY GOLD BANGLE

of polished white, yellow and rose gold entwined bangles

Marked ‘CARTIER ‘1997’ ‘KV351’

Total weight 63 2gms

Inner diameter 6.4cm

£3000-£5000

287

CARTIER: AN 18 CARAT GOLD TRINITY NECKLACE the long chain spaced with five Trinity rings each of white, yellow and rose gold.

Marked ‘Cartier’ ‘750’

Total weight 27gms

120cm long

£3000-£5000

288

CARTIER: A PAIR OF TRINITY EARRINGS of polished white, yellow and pink gold

Post and clip fittings

Marked ‘Cartier 1997’ ‘750’

Total weight 13 9gms

£1000-£1500

289

No lot

Lots 290 and 291

Proper t y of the descendants of Captain the Honourable Patrick George Edward Cavendish Acheson

MVO, DSO, RN, 1883-1957

290

A NINETEENTH CENTURY SILVER, JARGOON AND ROCK CRYSTAL SET MAGNIFYING GLASS

the case set to both sides with a rose-cut crystal plaque surrounded by sixteen pear-cut yellow jagoons, above pierced mount with red stone highlights, to an outer border of circular old-cut jargoons with two clusters of jargoons to the base and top of the mount, the handle with gilded lattice work decoration, the case revealing a magnifying glass with a border of jargoons with gold border around the magnifying glass

Total weight 172 3gms

5 5cm diameter

9 5cm long when closed

16.5cm long when fully opened

Provenance: Passed down through the family from Luise von Alten, wife first of 7th Duke of Manchester and secondly the 8th Duke of Devonshire, known as the Double Duchess to her daughter

Louisa, wife of 4th Earl of Gosford to her daughter-in-law

Norah, wife of Captain The Hon Patrick Acheson

£7000-£10000

291

FABERGÉ: A CHALCEDONY AND DIAMOND RAT, CIRCA 1900 the rat in seated position, with textured body and curling tail, rose-cut diamond set eyes.

Total weight 29 2gms

4 7cm long x 3 5cm high

£15000-£25000

292

A LATE VICTORIAN GOLD, RUBY AND DIAMOND SCENT BOTTLE

the cut glass bottle with gold surmount and hinged lid, inset with a mixed-cut garnet and eight old brilliant-cut diamonds, with dabber stick Total weight 18 8gms

5cm high, 0 8cm diameter

Provenance: The Dr. Christopher Morris Collection, Shropshire

£300-£500

293

A DIAMOND COCKTAIL WATCH

the circular faced watch with diamond set bezel and shoulders on a moire strap, presented in original box

Unmarked

Total weight 12 2g

AN EDWARDIAN DIAMOND WATCH

the diamond set bezel and shoulders on a moire strap, not working, presented in original box

Marked Platinum & 18ct

Total weight 10 8g

£200-£300

294

FERRERO SA A LADY’S PLATINUM DIAMOND SET COCKTAIL WATCH

on moire strap, silvered rectangular dial with Arabic numerals, lever movement signed and numbered 6311, Seal of Geneva poincon; the case set with old cut diamonds, the D end hinged lugs also set with blue stone highlights

14 x 38mm

Weight 14gms

£80-£120

295

A DIAMOND SET PAIR OF OPERA GLASSES, CIRCA 1900

the folding lorgnettes, set with rose-cut diamonds to the handle

French marks

Total weight 32gms

13cm long

Eight diamonds deficient

£700-£1000

296

A PAIR OF ART DECO PASTE EARRINGS, CIRCA 1920 of pendant design, the green moulded pear shaped drop, suspended below two sections of three white paste panels and two oval moulded cabochon green paste beads, mounted in silver with gold hook fittings

Unmarked

Total weight 12 3gms

5 5cm long

AN ART DECO GREEN AND WHITE PASTE BRACELET, CIRCA 1920 composed of twenty four oblong pierced panels, each set with a square-cut green paste set on points to the center, with white paste highlights Mounted in silver

Integral clasp

Total weight 39.4gms

17 4cm long 0 9cm wide

Cased

£80-£120

297

A PAIR OF PASTE SET EAR PENDANTS, CIRCA 1900 the pierced central plaque set throughout with circular-cut paste in flower head formation, suspending three pendant drops Gold hook fittings

Total weight 22 9gms

Total length 9 3cm

£200-£300

298

AN EARLY NINETEENTH CENTURY PEWTER AND PASTE BROOCH, CIRCA 1800 converted from a buckle

Total weight 7 9gms

3 6cm x 2 7cm

A SILVER AND PASTE HAIR CLIP, CIRCA 1900 set with square-cut paste within a scroll gallery Marked ‘935’

Total weight 2 8gms

6xm x 0 4cm

£80-£120

299

A PAIR OF DIAMOND CLIPS, CIRCA 1930-1940 each of a stylised bouquet of flowers with ribbon tied motif, set with brilliant and baguette-cut diamonds, each with a clip fastening converted to a brooch pin fastening In a case by Boucheron

Total weight 31 5gms

Each brooch measures 4 7cm x 3 5cm

£5000-£7000

300

A JADE AND DIAMOND BRACELET, CIRCA 1900 the twenty one slightly graduating jade beads on a barrel clasp set with rose-cut diamonds

Beads graduated from 7mm to 9.5mm

Total weight 20 5gms

19 5cm long

£800-£1200

301

A JADEITE NECKLACE of one hundred and twelve beads on knotted silk, each bead measures 9 7mm

Total weight 166gms

128cm long

£300-£500

302

A PEARL AND DIAMOND CLIP, CIRCA 1930 set with three graduating old brilliant-cut diamonds within a shaped triangular mount set throughout with old brilliant-cut diamonds, suspending a later cultured pearl drop

Clip fitting

Unmarked

Total weight 11 2gms

5 46mm x 3 81mm

£2000-£3000

299

303

A SAPPHIRE AND DIAMOND RING, CIRCA 1920

the emerald-cut, cut cornered sapphire four claw, set above a pretty tapering pierced mount set throughout with old brilliant-cut diamonds.

Ring size K

Total weight 4 7gms

£2000-£3000

304

AN EDWARDIAN DIAMOND CLUSTER RING composed as a flower cluster of eight old- cut diamonds, between diamond set shoulders

Marked 18ct

Total weight 2.8g

Ring size M

£400-£600

305

A SAPPHIRE AND DIAMOND RING, CIRCA 1930 the cushion cut sapphire six claw set within a border of eighteen transitional cut diamonds above a pierced mount and shoulders, to plain band

Ring size R

Total weight 4.4gms

£2000-£3000

306

A DIAMOND AND PEARL CHOKER, CIRCA 1900 of garland design, the diamond set ribbon tied motif suspending a diamond drop with cultured pearl drop within a diamond frame, with diamond set scrolls and bars, mounted on black silk with a diamond set

clasp

In fitted case by Shapland

Total weight 22 8gms

Central decoration measures 9cm x 4cm

307

AN ART NOUVEAU SAPPHIRE AND DIAMOND

RING, CIRCA 1900

the pear-cut sapphire eight claw set below a trefoil of old brilliant-cut diamonds with two smaller old brilliant-cut diamonds on arched decorative shoulders set with old brilliant-cut diamonds on plain gold band

Total weight 4 9gms

Ring size T

£1500-£2000

308

A SAPPHIRE AND DIAMOND BROOCH, CIRCA 1900

the old brilliant-cut diamonds collet set between two similarly set circular mixed-cut sapphires, within a diamond set bow surround, on a knife edge bar set to each side with five old brilliant-cut diamonds and two collet set circular mixed-cut sapphires

Brooch pin fitting

In fitted box by The Goldsmiths & Silversmiths Company

Total weight 8 9gms

7.5cm x 1.3cm

£1000-£1500

309

TWO EDWARDIAN SAPPHIRE AND PEARL BROOCHES

AN OVAL HALF SEED PEARL AND HALF SAPPHIRE BROOCH

with two applied flowers, brooch pin fitting

Unmarked, tests as 18ct gold

Measures 3 5cm x 2cm

Total weight 3gms

A CIRCULAR PEARL AND SAPPHIRE BROOCH with bezel set sapphires and seed pearls

Marked 15ct

Measures 2cm

Total weight 2gms

£200-£300

310

A CULTURED PEARL NECKLACE WITH A LATE VICTORIAN SAPPHIRE AND DIAMOND CLASP

the graduating row of cultured pearls on a late Victorian sapphire and diamond clasp, set with a heart shaped sapphire and a pear shaped mixed-cut diamond, within a diamond set mount

In fitted case by Shapland

Total weight 17 9gms

45 5cm long

£3000-£5000

309

Watches

311

A SILVER KEYLESS LEVER WATCH

the dial and curvette signed John Bennett, London 1883, 49mm, with John Bennett box; another silver keyless lever watch Birmingham 1930 49mm and 9 silver curb link chain (4)

£80-£120

312

A SILVER QUARTER REPEATING HUNTING CASED WATCH signed John Grant, London, no,1756, Pierced balance cock with diamond endstone, white enamel dial, in a guilloche case with milled band, push repeat pendant, London 1824

52mm

£350-£500

313

A SILVER PAIR CASED VERGE WATCH

signed C Churchill, London, numbered 5734, white enamel dial with Arabic numerals, both cases plain, London 1790, 56mm.

£140-£180

314

A SILVER PAIR CASED VERGE WATCH

signed Foxton, Sutton Ashfield, number 700, unusual balance cock with pierced and engraved flags, both cases plain, Birmingham 1813, 56mm

£120-£150

315

A SILVER PAIR CASED VERGE WATCH

signed Eliezr Chater, London, numbered 678, square baluster pillars, blued steel beetle and poker hands, both cases plain, London 1776 49mm

£200-£300

316

A SILVER PAIR CASED VERGE WATCH

signed Jn. Burton, London, numbered 3728, square balluster pillars, enamel dial with Roman numerals and outer Arabic minutes, both cases plain, London 1778.

£200-£300

317

A SILVER PAIR CASED VERGE

signed Hollister, Liverpool, numbered 8953, both cases plain, Birmingham 1835. 57mm dial.

£120-£150

318

A SILVER PAIR CASED VERGE WATCH

signed John Simpson, Garstang, numbered 130, movement with dust cap, Chester 1826, 56mm

£150-£200

319

A SILVER PAIR CASED VERGE WATCH

signed Jos Kember Shaw, numbered 430, square baluster pillars, inner case plain, the outer with evidence of pique work 53mm

£150-£200

320

A SILVER REPOUSSE PAIR CASED VERGE WATCH, PAINTED DIAL

signed J Weldon, London, numbered 2518, fancy pillars and lace borders to the plate, the dial decorated with a waterside scene, inner case plain, the outer repousse with a classical scene, London 1763 52mm

£400-£600

321

A SILVER PAIR CASED VERGE WATCH WITH CHAMPLEVE

DIAL

signed Jas Anson, London, numbered 24115, square baluster pillars, silver dial signed in the centre J. Anson, beetle and poker hands, both cases plain, London 1767 51mm

£300-£400

322

A LATE 17TH/VERY EARLY 18TH CENTURY PAIR CASED VERGE WATCH WITH CHAMPLEVE DIAL AND SINGLE HAND

signed Tho Ethrington, Yorke, tulip pillars, silver dial signed Ethrington, Yorke amongst birds, wheatear engraved border, inner silver case plain, outer plated case with evidence of pin work 58mm

£600-£800

323

AN 18CT GOLD HALF HUNTING CASED KEYLESS LEVER WATCH

signed J W Benson, Ludgate Hill, London to H M The Queen & H R H

The Prince of Wales number 21806, signed white enamel dial in a well engraved case, London 1896, 38mm

£600-£800

324

A 9 CARAT GOLD KEYLESS LEVER WATCH

Swiss movement jewelled to the centre and micrometer adjustment in a plain case, Birmingham 1920, 48mm, and a Swiss silver keyless watch (2).

£300-£350

325

A SWISS 18K GOLD LADY’S FOB WATCH

keyless lever movement in a foliate engraved case, 30mm.

£280-£350

326

AN 18 CARAT GOLD LEVER WATCH

full plate movement signed Josh Eglese, 16 Cornhill, London numbered 2119, gold dial with florally engraved centre, in a guilloche case with foliate engraved bezels, London 1845, 40mm

£600-£800

327

A SWISS 18K GOLD CYLINDER WATCH

bar movement signed C Mathey, Locke, foliate engraved gold dial in a scroll engraved case, c 1880, 39mm, with a yellow metal long chain

£350-£500

328

TUDOR: REF 7914: A STEEL PRINCE OYSTERDATE WRISTWATCH

black honeycomb dial signed Tudor Prince, Oyster date, Rotor self winding; case base with reference number and numbered 192626, on Rolex (USA) bracelet, 34mm, circa 1958, with extra links

£900-£1200

329

LONGINES: A FLAGSHIP QUARTZ WRISTWATCH

gold plated case, signed white enamel dial with date, on original bracelet, 32mm, with box, paperwork and spare links. Circa 2000.

£150-£200

330

DUNHILL: AN ELITE QUARTZ WRISTWATCH

steel and gold plated case, signed black dial with diamante numerals, on original bracelet 31mm with box and paperwork

£100-£200

331

CARTIER: A STAINLESS STEEL AND GOLD OCTAGONAL SANTOS LADY’S AUTOMATIC WRISTWATCH

signed white dial with Roman numerals and centre seconds, on original bracelet, 24mm, circa 1990

£600-£800

332

SMITHS: A MILITARY WRISTWATCH

the black dial signed Smiths Made in England with tritium and MOD logos, centre seconds, manually wound movement in a steel case with fixed bars, the back engraved with MOD numbers c 1969 36mm on khaki NATO strap

£550-£750

333

SEIKO: AN 18 CARAT GOLD QUARTZ WRIST WATCH

signed champagne dial with baton numerals, cushion shaped case with integral flexible bracelet, 33mm, circa 1980s with Seiko box

£900-£1200

334

OMEGA: A 9 CARAT GOLD GENTLEMAN’S WRISTWATCH

signed silvered dial with centre seconds and date aperture in a circular case with presentation inscription to back, on leather strap

Provenance: The Dr Christopher Morris Collection, Shropshire

£200-£300

335

GUCCI: A GOLD PLATED 6000 2 L LADY’S WRISTWATCH

Signed cream dial, quartz movement, stone-set winder, on original Gucci strap, 23mm, with box and paperwork.

£70-£100

336

TISSOT: A 9 CARAT GOLD LADY’S WRISTWATCH

signed silvered dial, signed 17 jewel movement, in a circular case with integral flexible bracelet, 18mm, London 19

£150-£200

337

ROLEX: A STEEL OYSTER PERPETUAL WRISTWATCH

Ref 15000, numbered 7215580; silvered dial signed Rolex, baton numerals and date aperture, Saudi Arabian academic emblem, circa 1982, 34mm.

Provenance: Presented to the vendor by the Crown Prince whilst they were at the International school together

£900-£1200

338

MOVADO A 9CT GOLD GENTLEMAN’S WRISTWATCH

Signed silvered dial with baton numerals, subsidiary seconds, manually wound 3753 movement, British case, London 1958. 36mm.

£250-£350

339

GUCCI: A GOLD PLATED LADY’S WRIST WATCH

Signed Mother of Pearl dial, the model 1500P with quartz movement, on bracelet type band, circa 1997 29 x 17mm with box and booklet dated 1997 from Mallory, Bath

£150-£200

340

SMITHS: A GOLD PLATED ENGLISH WRIST WATCH

silvered dial signed Smiths Astra, National 17, centre seconds, on a Smiths flexible bracelet, 33mm diam, circa 1960s.

£100-£150

341

LONGINES: REF: L6 2222: A GOLD PLATED LADY’S WRISTWATCH

Signed dial with baton numerals, quartz movement in a circular case with flexible bracelet, circa 1990’s 23mm with box and booklets

£200-£300

342

ETERNA: A STEEL ETERNA-MATIC 3003 WRIST WATCH

decorated dark blue dial with baton numerals, centre seconds and date aperture, 34mm diam, on a later leather strap, with booklet, Sold 1976.

£180-£200

343

BENRU S: A STEEL WRISTWATCH

black dial signed Benrus, Shock-Absorber, gilt hands, centre seconds, milled bezel, case back signed and numbered 330 353, circa 1950s, 34mm diameter

£60-£90

344 A STEEL AND GOLD PLATED CHRONOGRAPH WRIST WATCH the champagne dial signed Aero watch, Neuchatel; twin subsidiaries for running seconds and 30 minute recording, base and telemeter scales, the case with plated bezel and chrono buttons

Measures 3.5cm diameter

£200-£300

345

ROLEX: REF 1936, CASE NUMBERED 35894: A 9 CARAT GOLD RECTANGULAR WRISTWATCH

signed silvered dial with raised Arabic numerals and subsidiary seconds, signed 15 jewel movement, the case with stepped lugs, import marks Glasgow 1937 34 x 20mm Rolex 18k buckle to strap

£1500-£2000

346

ROLEX: REF: 279173: A LADY’S GOLD AND STEEL OYSTER

PERPETUAL WRISTWATCH

Lavender dial with diamond numerals, centre seconds, president bracelet 28mm With box and all paperwork, slipcase, spare links

Purchased from Mallory, Bath in 2016.

£5500-£7000

347

OMEGA: A RARE 18CT GOLD “EMERALD” WRISTWATCH BY ANDREW GRIMA

signed “florally” embosed dial with raised baton numerals, the octagonal case numbered ‘5110379, 001’

Manually wound calibre 620 movement, cabouchon set winder Circa 1970, 32 x 32mm, on a shagreen type strap with plated buckle £2500-£3500

348

PINE CABINET OF 7 DRAWERS CONTAINING A VERY LARGE

QUANTITY OF WATCH GLASSES

Height 48cm

Width 31cm

Depth 29cm

£200-£300

349

PINE CABINET OF 7 DRAWERS CONTAINING A VERY LARGE

QUANTITY OF WATCH GLASSES

Height 42cm

Width 29cm

Depth 28cm

£200-£300

END OF SALE

Conditions of Sale

BUYERS

This document acts to confirm the terms and conditions under which Dore & Rees, acting as agent, will sell Lots by auction to Buyers on behalf of Sellers 1

11. Our Status

a. We act as agent to sell the Lots on the Seller’s behalf by auction

b You will pay the Hammer Price, with Buyer’s Premium at 25% together with VAT at the prevailing rate and any applicable charges within 5 working days following the Auction in which the Lots are purchased by you

c We will always treat your data with care, personal details are held securely and will not be sold Our Privacy statement is available at www.doreandrees.com

12. The Estimate

a The estimate is a guide to help you gauge how much you might have to spend to purchase the Lot.

b Estimates can change, they are not definitive and should not be thought of as the sale price

c. Estimates do not include the Buyer’s Premium or VAT at the prevailing rate and any applicable charges

d Estimates may be altered by a saleroom notice or announcement by the auctioneer before the Lot is offered

13 Buyer’s obligations and undertakings

a You warrant to us and to the Seller that:

i. you will not bid on a Lot you do not intend to pay for

ii you have the funds to complete the purchase at the total value of Hammer Price, Buyer’s Premium together with VAT at the prevailing rate and any applicable charges;

iii. the funds are not connected with any criminal activity including tax evasion, and that you are neither under investigation nor have you been charged with or convicted of money laundering, terrorist activities or other crimes

iv if the Lot you purchased is to be removed to a country outside the UK, all duties, taxes and licences on the export of the Lot are your responsibility

b. If you, the Buyer, decide to exercise your right to cancel, we are entitled to account directly to the Seller for any applicable refund and we shall retain on account amounts to compensate the Seller should the Lot be damaged or tampered with by you

c. You will indemnify us and the Seller in full on demand against all claims, costs or expenses incurred by us or the Seller as a result of any breach by you of any of the obligations in this clause

14. Inspection of Lots

a As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Lots. We may inspect Lots and will act reasonably in taking a general view about them However we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do

b We strongly recommend that you attend the auction viewing in person if possible. You are responsible for your decision to bid for particular Lot If you bid on a Lot, including by

telephone, absentee bid or online bidding, we will assume that you have carefully inspected the Lot and satisfied yourself regarding it’s condition

c Please note that the Lots (in particular second hand Lots) are unlikely to be in perfect condition. Lots are sold ‘as is’ (i e as you see them at the time of the auction) Neither we nor the Seller accept any liability for the condition of secondhand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed

15 Descriptions and condition

a Our descriptions of the Lot will be based on i i Information provided to us by the Seller of the Lot (for which we are not liable); and

i ii Our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot)

b We will give you a number opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot

c. Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently

16. Registration, Bidding and the Buyer

a. You are required to register to bid by 5pm on the day before the auction We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a absentee bid

b If you wish to bid on high value Lots, the registration deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks

c We reserve the right to require deposits at the point of Registration on high value Lots

Deposits are refundable after the auction if you are not a successful Bidder

d Lots will be invoiced to the name and address on the Registration Form

e Absentee bids may be left with us in writing indicating the maximum amount to be bid against a Lot (excluding Buyer’s Premium and/or VAT and any applicable charges) We will execute absentee bids as cheaply as possible having regard to the Reserve (if any) and competing bids If two Bidders submit identical absentee bids we may prefer the first bid received (where this can reasonably be ascertained) Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable

f. Telephone bidding is offered on a first come first serve basis on high value lots Neither we nor our employees or agents will be responsible for any failure to execute your telephone bid, unless our failure to do so is unreasonable

g Bidding online is available via doreandrees com and our auction partners EasyLiveAuction com

Please refer to EasyLiveAuction com for their charges and terms and conditions

h. We reserve the right to refuse to register you if you do not provide us with all the information and documentation that we ask for at our discretion.

i We may bid on Lots on behalf of the Seller up to one bid below the Reserve

j. We may refuse to accept any bid if it is reasonable for us to do so

k Bidding increments will be at our sole discretion (and in line with standard auction practice).

l The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion We may reoffer the Lot during the auction or may settle the dispute in another way We will act reasonably when deciding how to settle the dispute

17. Anti-Money Laundering Regulation

a We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 (or equivalent) or more

b. Buyers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which they are bidding in order to meet the requirements of the regulations

18. The Purchase price

a As Buyer, you will pay:

i The Hammer Price;

ii. Buyer’s Premium of 25% of the Hammer Price

iii Any artists resale right royalty payable on the sale of the Lot

iv. Any VAT due11

19. VAT

a You are responsible for the payment of any VAT applicable on the Hammer Price and Buyer’s Premium due for a Lot

b We will charge VAT at the current rate at the date of the auction

10 Artist’s Resale Right

a From mid February 2006, living artists are entitled by law to receive a resale royalty each time their work is resold by or to and art market professional From January 2012, the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright) Royalties will be payable to the families and the beneficiaries of these artists

b An artwork must be resold for more than 1000 euros Hammer Price (or equivalent) to qualify for the right The rates applicable are calculated as a percentage of the Hammer Price and are set out on a sliding scale from 4% to 0 25% The charge is exclusive of VAT We reserve the right to pass all the cost to the Buyer of the qualifying artwork

11. The contract between you and the Seller

a. The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

b You may directly enforce any terms in the Terms and Conditions of Sale - SELLER against a Seller to the extent that you suffer damages and/or

loss as a result of the Seller’s breach of the Terms and Conditions - SELLER

c. If you breach these Terms and Conditions –BUYER, you may be responsible for damages and/or losses suffered by a Seller or us If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

d We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot)

e In addition to any other rights we may have to cancel a contract for sale under these Terms and Conditions – BUYER, in the event:

i You are in breach of your warranties in clause 3; or

ii We have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or

iii We have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, we may delay the completion of the sale, delay a release of a Lot or cancel the sale of a Lot

12. Payment

a. Immediately following your successful bid on a Lot you will:

i Pay to us the Total Amount Due by one of the following methods:

1 BACS

2 Debit Card

3 Credit card – up to a limit of £500 if a distance payment

4 Cash – up to a limit of £8,000 in person

13. Title and Collection of Lots

a While you are bound by the contract for the purchase of the Lot from the fall of hammer on your successful bid, ownership in the Lot will not pass to you until you have paid us in full the Total Amount Due in cleared funds for that Lot;

b You may not claim or collect your Lot until you have paid for it and ownership has passed to you

c You will (at your own expense) collect any Lots that you have purchased and paid for either:

i Not later than 5 working days following the day of the auction

II Not later than 5 working days following the date that we have received payment of the Total Amount Due in cleared funds, if later.

14. Storage of Lots

a If you do not collect the Lot within the time period set out in above, you will be responsible for any reasonable removal, storage and insurance charges in relation to the Lot

b The risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot

c If you do not collect the lot that you have paid for within 90 days after the auction we may sell the Lot We will pay the proceeds of any such sale to you, we will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot

15. Remedies for non-payment or failure to collect purchases

a. Please do not bid on a lot if you do not intend to buy it If your bid is successful, these Terms and Conditions of Sale - BUYER will apply to you

This means that you will have to carry out your obligations set out in these Terms and Conditions of Sale - BUYER If you do not comply with these Terms and Conditions of SaleBUYER, we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:

i Take action against you for damages for breach of contract

ii Reverse the sale of the Lot to you and/or any other Lots sold by us to you;

iii esell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause

8. Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

iv. Remove, store and insure the Lot at your expense;

v f you do not pay within 5 days of your successful bid, we may charge interest at a rate not exceeding 1 5% per month on the Total Amount Due;

vi Keep that Lot or any other Lot sold to you until you pay the Total Amount Due

vii Reject or ignore bids from you or your agent at future auctions or impost conditions before we accept bids from you; and / or

viii If we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

b We will act reasonably when exercising our rights under clause 7 We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms and Conditions

16. Forgeries

a A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a forgery

17. Data Protection

a We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website

18 Liability

a Save as set out in these Terms and Conditions, we exclude to the fullest extent permitted by law all warranties and conditions, whether express or implied by statue, common law or otherwise

b. Nothing in these Terms shall operate to exclude or limit the liability of a party in respect of death or personal injury resulting from that party’s own negligence, for fraud or for any liability that cannot be excluded or limited under applicable law

c No party to these Terms shall be liable to any other contract, tort (including negligence) or otherwise for any indirect or consequential losses, or for any loss of profits, loss of good will, loss of revenue, loss of business or loss of anticipated savings.

d Subject to Clauses 10 b and 10 c, our liability to you shall not exceed £5,000, unless your claim relates to an item sold through an Auction in which case our liability to you shall not exceed the greater of £15,000 or the Hammer Price for the relevant Lot.

e We will not be responsible or liable for errors and omissions to execute bids, caused by a loss of internet connection, a breakdown or interruption of the on-line bidding system, or a breakdown or failure of any internet connection, computer or IT system

19. General

a. No party shall have any liability in respect of any delay in performance or non-performance of its obligations under these Terms (other than an obligation to pay) owing to Force Majeure. If a party is affected by Force Majeure it shall notify the other parties as soon as reasonably possible, in any event within 5 days, and shall take reasonable steps to mitigate the effect of the Force Majeure Subject to Clause 4 b, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where applicable) against all losses, damages, claims, costs and expenses suffered or incurred as a result of any claim in respect of the Lot or proceeds of the sale of the Lot

b Every person on our premises shall be deemed to be there at their own risk and, subject to clause 9 b, shall have no claim against us in respect of accident or loss, however caused.

c hese Terms are governed by in interpreted in accordance with the laws of England and Wales or the laws of Scotland or Northern Ireland if you live there) If you choose to bring proceedings in conjunction with these Terms you must do so in the courts of England and Wales, unless you live in Scotland, in which case you can choose to bring proceedings there, or in Northern Ireland, in which case you can choose to bring proceedings there

d Any or all part of any term of these Terms that is found to be unfair or unenforceable by a court of competent jurisdiction will be treated as deleted and the remainder of the Terms will continue to govern each of our respective obligations

e ny notice from you to us must be sent in writing to us at our address detailed on our website

f f you elect to collect the Lot from us you will bear all associated cost, expenses and duties.)

SELLERS

1 Our Status

a You appoint us to act as agent to sell the Lots on your behalf by auction

b. You will pay us the Sellers Commission together with VAT at the prevailing rate

c We will not include any Lots in an auction until they have been received by us.

d We will pay the Hammer Price, with Seller’s Commission, Loss and Damage Warranty and any other charges incurred deducted and applicable VAT applied at the prevailing rate, to you at 28 working days following the Auction in which the Lots are sold, or if later, 7 days after payment by the Buyer

2 The Reserve

a We will agree with you the Reserve, which may be higher than the starting bid

b. We shall not publicise the Reserve.

c We may bid on your Lot up to an amount equal to the Reserve You may not bid on your Lot under any circumstances, nor maySyou permit any person to bid on your lot on your behalf

3. Seller’s obligations and undertakings

a You warrant to us and to the Buyer that:

i you are the sole owner of the Lot and that you have full right, title and authority to sell the Lot;

ii you have no reason to believe that it is a Forgery;

iii all Lots sold by you are sold to the Buyer with full title guarantee and free from all encumbrances;

iv you have provided to us all of the relevant information and documents in your possession or control concerning the Lot, including information about its authenticity, history, condition, prior ownership and all such information is complete to the best of your knowledge;

v if the Lot has been removed from a country outside the UK, all duties and taxes on the import of the Lot have been paid, all export and import declarations have been properly made;

vi. you will pay any and all duties and taxes that may be due in connection with the sale of the Lot;

vii you have given us notice of any alterations to the Lot of which you are aware;

viii you may not withdraw a Lot from an Auction without our consent

b If you withdraw a Lot from an Auction without our consent, you will pay to us 15% of the Lot’s estimate and any related costs within 14 days of such withdrawal.

c If the Buyer of your Lot decides to exercise their right to cancel, you agree that we shall be entitled to account directly to the Buyer for any applicable refund and we shall account to you for any sums retained on account of the Lot being damaged or tampered with by the Buyer.

d You will indemnify us and the Buyer in full on demand against all claims, costs or expenses incurred by us or the Buyer as a result of any breach by you of any of the obligations in this clause

4 Loss and Damage Warranty

a All Lots held with us are covered by insurance against risk of fire, burglary, water damage and accidental damage except to glass For this we will charge you 1 5% plus applicable VAT of the Hammer Price for the Lot or the value the Lot would have achieved as assessed by the Auctioneer

b. Subject to this, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where appliable) against all loss damage claims costs and expenses suffered or incurred as a result of any claim in respect of the Lot or the proceeds of the sale of the Lot.

5 Anti-Money Laundering Regulations

a. We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 or more

b Sellers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which their Lot is to be offered in order to meet the requirements of the regulations

6 Images and Illustration

a. We will take (or authorise others to take) photographs, video and/or produce images of the Lot and will own all intellectual property rights in any such images and may use them for any purpose, and you warrant that there is no restriction on our ability to do so

7 Unsold Lots

a If at the end of the Auction, your lot is unsold (other than because it was withdrawn) the Lot will be available for After Sale offers

b Registered Bidders may contact us and offer to purchase a Lot after the Auction If the bid meets or exceeds the Reserve, we may authorise the sale of your Lot without contacting you and the sale will be completed as if the Lot had been sold during the Auction If the bid is less than the Reserve, we will contact you If you accept the bid and wish to proceed, the sale will be completed as if the Lot had been sold during the Auction.

c You may contact us at any time after the Auction to remove your Lot from the After Sale process

d. Subject to agreement with us, your unsold Lot can be re-offered at a future Auction at a revised Estimate and Reserve or can be collected by you, you are responsible for collection and transportation arrangements and costs

8. Withdrawn Lots

a If we withdraw a Lot from Auction, we will notify you and you will collect the Lot from us within 30 days of our notification.

b You are responsible for collection and transportation arrangements and costs

9 Forgeries

A A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a Forgery.

b If this is the case, you shall refund to us on demand, the total amount paid to you in relation to the lot plus any costs incurred by us or by the Buyer

AN

Fine Silver

Wednesday 28 June 2023 at 10:30am

Viewing

Saturday 24 June 11am to 3pm

Sunday 25 June 11am to 3pm

Monday 26 June 10am to 4pm

Tuesday 27 June 10am to 4pm

Estimate: £1500-£2000

Enquiries: Duncan Campbell

duncan.campbell@doreandrees.com 01373 462 257 Dore & Rees

Vicarage Street, Frome BA11 1PU 01373 462 257 www.doreandrees.com

EXTRAORDINARY MINIATURE COFFEE & TEA SERVICE ON TRAY

Bidder Registration Form

DORE & REES

01373 462 257

Auction Salerooms, Vicarage Street, Frome BA11 1PU www.doreandrees.com

Auction Date: Auction Name:

Title:

Name:

Address:

Telephone:

Email:

Identity checks required for new bidders in high value auctions, please provide the following:

Photographic ID: a copy of passport or photographic driver’s license

Proof of address: a copy of a utility bill, council tax bill