2024.06.05 FINE JEWELLERY AND WATCHES at Dore & Rees Auction Salerooms

FINE JEWELLERY AND WATCHES

to include Jewellery from the Collection of the Late Mrs. Henry T. Ford II

WEDNESDAY 5 JUNE 2024 at 2pm

Cover illustrations

Front cover: lot 312

Inside front: lot 234

Inside back: lot 383

Outside back lot 311

Fine Jewellery and Watches

Wednesday 5 June 2pm

Lots 200-386

Viewing

Saturday 1 June 11am to 3pm

Sunday 2 June11am to 3pm

Monday 3 June 10am to 4pm

Tuesday 4 June 10am to 4pm

Morning of sale from 9am

Head of Sale

Susan Rumfitt susan.rumfitt@doreandrees.com 01373 462257

Enquiries enquiries@doreandrees com

Dore & Rees

Auction Salerooms Vicarage Street Frome BA11 1PU 01373 462257 w w w doresandrees com

Information for Bidders and Buyers

The following notes will give you the most important information regarding how to bid and buy.

Please keep an eye on the auction catalogue listed at auctions.doreandrees.com/auctions/ where any specific arrangements for auctions will be kept updated

The full Terms and Conditions of Sale can be found at doreandrees com (link at the bottom of the webpage) and also printed at the back of this catalogue

Condition Repor ts

Condition reports will be available up to 48 hours before the auction, requests are to be submitted via the lot details page of the auction catalogue listed at doreandrees.com/upcoming-auctions

Additional Images

Additional images may be requested up to 48 hours before the auction, please submit your requests the lot detail pages of the auction catalogue listed at doreandrees com/upcomingauctions

Deposits

Deposits may be requested for high value lots in advance of the auction Deposits can be paid by debit card or BACS payment and will be refunded in the event that you are not the Buyer of the lot

Registration

Registration closes at 5pm on the day before the auction. New bidders are requested to provide the following:

• Name, address, telephone number and email

• Two forms of identification

- A passport or photographic driving license

- A utility bill or document showing proof of name and address

When registering to bid online via doreandrees.com or via easyliveauction.com, you will be requested to provide your bank or credit card details to complete 3D secure authentication

Bidding

In person – join us in the saleroom

By absentee bids – you can submit your absentee bids via doreandrees com By telephone – a limited number of telephone lines will be available for the auction, bookable on a first come first serve basis Online – bid live online via doreandrees.com, easyliveauction com and the-saleroom com, charges apply.

Buyer’s Premium

As a Buyer, you will pay the Hammer Price, Buyer’s Premium of 30% of the Hammer Price (inclusive of VAT), any artists resale right royalty payable on the sale of the Lot and any further VAT due

Payment Methods

Purchases can be paid by BACS, Debit Card, or Cash (up to a limit of £8,000 in person) Payment is due within 5 working days of the auction.

Collection and Shipping

Once paid for, lots can be collected from Dore and Rees by appointment We can recommend shippers to assist with the collection and transport of lots to you

Diamond Grading

At the back of the catalogue you can find a page explaing how Dore&Rees refer to the colour and clarity of diamonds

Important note re illustrations

Please note that the illustrations are not necessarily to scale.

Order of Sale

Lots 200-351 Fine Jewellery including

The Collection of The Late Mrs. Henry T. Ford II and

A Private Collection of Contemporary Jewellery

Lots 360-386 Watches

Gemmological Certificates

The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Dore and Rees and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer. All weights and measurements provided are approximate only Prospective purchasers should assume that all coloured stones sold by Dore and Rees have been treated unless otherwise stated to the contrary in the catalogue description Stones are commonly treated to enhance their colour and clarity Sapphires and rubies are commonly heat treated and emeralds commonly oiled Jade/jadeite is often bleached, polymer/resin filled or dyed

Please contact Dore and Rees for more clarification on treatment in individual lots. Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA

How to find the Saleroom

Dore and Rees is centrally located in Frome, Somerset; about a 10 minute walk from the station with direct trains from London Paddington, operated by Great Western Railways (w w w gwr com)

Dore and Rees

Auction Salerooms

Vicarage Road

Frome BA11 1PU 01373 462 257

Photography: Dominic Brown Layout & Design: Eddie Hams

Gemstones

IMPORTANT INFORMATION FOR BUYERS

Historically many gemstones have been subjected to a variety of treatments to enhance their appearance Certain enhancements, such as heating, are commonly used to improve colour or transparency in rubies and sapphires. Emeralds are also frequently treated, usually with oils or resin, for the same purpose. Other methods, including staining, dyeing, coating or irradiation, may have been used on other gemstones including Jade and associated hardstone that may have been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments

The international jewellery trade has generally accepted these methods

Heat enhancement of colour is usually permanent, however, in some cases; this may have an impact on the durability of the gemstone Gemstones that have been oiled may require re-oiling after a number of years in order to retain their optimum appearance

It is, in suitable cases, Dore & Rees’s policy to obtain gemmological reports from internationally recognised gemmological laboratories describing certain gemstones sold by Dore & Rees. In the event that Dore & Rees have been given, or have obtained, reports for any lot in the sale these reports will be mentioned in the catalogue description. However, it is not feasible for Dore & Rees to obtain a gemmological report for each gemstone offered for sale by Dore & Rees. If no report is published in the catalogue prospective buyers should assume that the gemstones may have been enhanced by some method However, please note that there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone Prospective buyers should be aware that Dore & Rees’s pre-sale estimates assume that gemstones may have been subjected to such treatments

ALL DIMENSIONS, WEIGHTS ARE APPROXIMATE

DIAMOND GRADING TERMS

Where printed in the catalogue, estimated diamond grades for colour and clarity are intended as guides for prospective buyers Dore & Rees do not guarantee these estimated grades due to the limitations of mounts and settings

DIAMOND COLOUR

CIBJO

Exceptional White + (EW+)

Exceptional White (EW)

Rare White + (RW+)

Rare White (RW)

White (W)

Slightly Tinted White (STW)

Tinted White (TW)

Tinted Colour (TC)

Fancy Colour

DIAMOND CLARITY

GIA

Flawless (FL)

Internally Flawless (IF)

Very Very Slightly Included (VVS) VVS1 / VVS2

Very Slightly Included (VS) VS1 / VS2

Slightly Included (SI) SI1 / SI2

Included (I) I1 / I2 / I3

Loupe Clean (LC)

Very Very Small Inclusions (VVS) VVS1 / VVS2

Very Small Inclusions (VS) VS1 / VS2

Small Inclusions (SI) SI1 / SI2

Pique (P) P1 / P2 / P3

EXPLANATION

Face up colourless

Face down colourless

Face up colourless

Face down slightly tinted

Face up slightly tinted

Face down obviously tinted

Face up obviously tinted

Face down obviously tinted

Face up definite colour

EXPLANATION

Shows no inclusions or blemishes under 10x magnification

Shows no inclusions and only insignificant blemishes under 10x magnification

Minute inclusions, which are difficult, even for an experienced grader, to locate under 10x magnification

Minor inclusions, observable with effort under 10x magnification

Noticeable inclusions under 10x magnification

Obvious inclusions, visible to the unaided eye, face up These may affect the stone’s beauty and durability

CIBJO

Auctioneer’s Welcome

Susan Rumfitt, Head of Jewellery, comments: We are looking forward to our forthcoming jewellery sale which includes a fabulous pair of Aluminiumnium Earrings by JAR, from the jewellery collection belonging to the Late Mrs. Henry T. Ford II.

There is a lovely selection of Victorian jewellery to choose from including a

About Susan

Susan Rumfitt is delighted to be partnering with Dore & Rees Susan’s passion for jewellery and her intimate knowledge brings a unique dimension to these joint auctions The early part of her career was spent with Christie’s and then she joined Phillips. Susan has built up a loyal following, offering advice to collectors, buyers and sellers of fine jewellery.

She is also active in assisting clients with their jewellery valuations, repairs and redesign requirements. Susan also runs an extensive lecture program at her gallery in Harrogate, which focuses on jewellery history and design.

Susan is a Freeman of the Worshipful Company of Goldsmiths’, an accredited lecturer for the Arts Society, as well as a regular jewellery expert on the BBC’s Antiques Roadshow.

diamond hair brooch and a beautiful pearl and diamond brooch designed as a shell. The sale also includes an interesting selection of contemporary jewels including stacking rings by Wendy Ramshaw and a Perspex brooch by Nuala Jamison

Fine Jewellery

200

ELIZABETH TAYLOR JEWELLERY SALE CATALOGUES

13th December 2011, Christie’s New York

£300-£500

‘DRESSES’; AUCTION CATALOGUE OF THE SALE OF DRESSES FROM THE COLLECTION OF DIANA, PRINCESS OF WALES

25th June 19917, Christies, New York

£100-£200

203

A SET OF VICTORIAN GOLD, TURQUOISE AND MOTHER OF PEARL BUTTONS, CIRCA 1880

circular mother of pearl plaque with a collet set turquoise and a border of chased gold

Complete with fittings ‘Stamped 18CT’

Total weight including fittings 14 6gms

Each button measures 1.4cm diameter

£150-£250

A L ATE VICTORIAN CAMEO AND SILVER GILT BRACELET, CIRCA 1890

the ten oblong plaques carved with classical maidens.

Marked ‘935’

Total weight 16.7gms

20cm long

£120-£180

205

A CHALCEDONY AND GOLD BROOCH

the oval chalcedony plaque carved with a classical scene, within a pierced mount

Total weight 18 7gms

5 8cm x 5cm

FOUR VARIOUS CHALCENDONY SET SEALS

Total weight 23gms

£200-£300

206

AN EARLY NINETEENTH CENTURY GOLD AND AMETHYS FOB

SEAL, CIRCA 1830

the amethyst engraved with a motto, within a two colour gold mount with flower head detail

AN AMETHYST SEAL

engraved with a motto and a motto within a shield

Total weight 63 8gms

1 2cm x 1cm x 1cm

A PALE PURPLE GLASS PL AQUE CIRCA 1880 depicting a coaching scene

Total weight 11.9gms

3cm x 2cm x 0 6cm

£120-£180

207

A VICTORIAN AGATE AND GOLD FOB SEAL, CIRCA 1880 the oval carnelian engraved with a crest, within a gold mount

Total weight 19 8gms

3.4cm x 3cm

A VICTORIAN CARNELIAN AND GOLD FOB, CIRCA 1880 the oval carnelian within a gold mount.

Total weight 13 7gms

2.8cm x 3.5cm

£100-£200

208

TWO VICTORIAN CARNELIAN AND GOLD SEALS, CIRCA 1850 the carnelian plaque set within an elaborate chased mount 3.3cm x 2.5cm

A VICTORIAN CARNELIAN AND AGATE WATCH KEY, CIRCA 1850

3 8 X 1 5cm

Total weight of group 31 6gms

£150-£200

209

FOUR AGATE SWIVEL SEALS; A BLOOD STONE FOB AND A MALACHITE FOB, CIRCA 1880 the malachite fob chipped.

Total weight 25 2gms

210

A VICTORIAN GOLD MOUNTED CARNELIAN AND AGATE SEAL, CIRCA 1850

the carnelian plaque engraved with a crest, within a gold mount with a faceted agate mount (chipped)

6.8cm x 20.2cm

Total weight 36 7gms

£100-£150

211

A VICTORIAN CARNELIAN, BLOODSTONE AND GOLD FOB, CIRCA 1860

the carnelain faceted handle mounted with a silver collar above a gold mount with scroll detail, to a bloodstone circular plaque

Total weight 10 6gms

4 8cm long

Bloodstone plaque 0 9cm diameter

£80-£120

212

A NINETEENTH CENTURY CARNELIAN RING, CIRCA 1880

the oval carnelian carved with a lady and gentleman’s head in profile within a gold mount, on plain band

Ring size Q 1/2

Total weight 1 8gms

A CARNELAIN AND GOLD RING, CIRCA 1890

the carnelian plaque carved with a head gentleman’s head in profile, the ring with chased shoulders

Ring size N

Total weight 1 6gms

A BLOODSTONE AND GOLD RING, CIRCA 1880

the oval bloodstone plaque carved with a stag’s head within a gold mount, to plain band

Ring size K 1/2

Total weight 4 1gms

£120-£180

213

TWO VICTORIAN CITRINE AND GOLD SWIVEL FOBS, CIRCA 1880

each faceted citrine on a gold mount

Each hallmarked for 9 carat gold

Total weight of two fobs 29 2gms

A VICTORIAN CITRINE AND GOLD SEAL, CIRCA 1880

the citrine mounted within a scrolling gold mount

Total weight 15 6gms

3.5cm x 2.2cm

£80-£120

214

A VICTORIAN AGATE AND GOLD FOB SEAL, CIRCA 1840 the agate engraved with motto and sun dial motif, within a fluted gold mount

Total weight 9.2gms

2 5cm x 1 9cm

A VICTORIA CARNELIAN AND GOLD FOB SEAL, CIRCA 1870 the carnelian engraved with a crest and motto within a chased and scroll mount.

Total weight 20 2gms

3 5cm x 2cm

£100-£200

215

A VICTORIAN ROCK CRYSTAL AND GOLD FOB, CIRCA 1830 the circular fob inset with three dice, the reverse engraved with scroll detail.

Total weight 5 4gms

A VICTORIAN GOLD LOCKET, CIRCA 1850 the circular locket within a gold chased mount, on a chased ring 2 2cm diameter

Total weight 6gms

A VITORIAN ROCK CRYSTAL AND GOLD LOCKET, CIRCA 1880 the circular locket within a gold mount

Total weight 9 2gms

2.4cm diameter

A NINETEENTH CENTURY ROCK CRYSTAL AND GOLD BOX , CIRCA 1840 the oblong box with plain gold mount

2 3cm x 1 6cm x 0 4cm

1 5cm diameter

£200-£300

216

FOUR NINETEENTH CENTURY HARDSTONE AND GOLD SEALS

set with bloodstone, quartz, or amethyst seals.

Total weight 30 2gms

£100-£200

217

A NINETEENTH CENTURY CARNELIAN SET CLOAK PIN, CIRCA 1880

the carnelian bead with flower head details with chain and second pin

Main pin measures 9cm long

Total weight 18 1gms

A CARNELIAN AND GOLD BROOCH, CIRCA 1850 the oval carnelian carved with a lady holding a cross, within a gold mount

Brooch pin fitting

Total weight 3 4gms

2 3cm x 1 5cm

A CARNELIAN AND GOLD BROOCH, CIRCA 1890 the oblong plaque carved with a lion and a putti, within a gold scroll mount

Brooch pin fitting

Total weight 5.9gms

4cm x 1 8cm

£150-£200

218

AN NINETEENTH CENTURY GLASS AND GOLD SEAL RING the oval glass plaque depicting a winged putti within a gold mount, on a plain band

Total weight 11 3gms

Ring size L

£80-£120

219

A GARNET AND GOLD NECKLACE, CIRCA 1840-50 the uniform row of oval flat-cut garnets, in closed back collet setting, suspending seven pear oval-cut garnets to the front, with integral clasp

Unmarked

Total weight 12 6gms

40cm long

£600-£800

220

A GEORGIAN CIRCULAR MOURNING LOCKET, CIRCA 1790

the circular en grisaille plaque depicting a lady, within a locket decorated with black enamel and gold border to the front and a depicting the profile of a gentleman to the reverse, on a hoop pendant

Total weight 23 7gms (worn)

A MOURNING RING, CIRCA 1790

the oval en grisaille plaque depicting an urn on a plinth, the white enamel band with inscription

‘Mary Ronalds OB 1779 AET 23’ (worn)

Total weight 3 6gms

£200-£300

221

A GOLD RING, CIRCA 1800

of cross over design with flower detail throughout

Total weight 3.9gms

Ring size Q 1/2

£150-£200

222

A GEORGIAN ENAMEL PENDANT AND CHAIN, CIRCA 1800

the pink and white enamel egg, on a faceted steel chain

Total weight 16 7gms

Egg measures 3cm x 1cm

Chain 114cm long

AN ENAMEL GLOBE PENDANT

2cm diameter

AN ENAMELLED BALL LOCKET

£250-£350

223 AN EARLY NINETEENTH CENTURY GREEN STONE AND DIAMOND RING, CIRCA 1820

the cushion-cut green stone, in fluted closed back gold setting, between old brilliant-cut diamonds in collet set

Unmarked

Total weight 3 8gms

£70-£100

224

A PAIR OF GEORGIAN GOLD AND DIAMOND EARRINGS, CIRCA 1790

of pod design with gold leaf detail and rose-cut diamond detail, mounted in silver, possibly later hook fittings

Total weight 13 1gms

£200-£300

225 AN EARLY NINETEENTH CENTURY CITRINE GARNET AND SEED PEARL BROOCH, CIRCA 1840

the oval mixed-cut citrine claw set within a border of half pearls within an outer border of garnets

Engraved to the reverse with an inscription.

Brooch pin fitting

Total weight 6 4gms

3cm x 2 7cm

£100-£200

226

No lot

£2000-£3000

227

A VICTORIAN GARNET NECKLACE AND A PAIR OF EARRINGS, CIRCA 1840

the necklace set with oval and circular-cut garnets suspending a pendant drop, all set within gold closed back settings, integral clasp, and a pair of earrings.

Necklace 33cm long Pendant 4cm x 2cm

Earrings 2cm long

Total weight 25gms

£500-£700

228

A CHARM BRACELET

the oblong link chain suspending eighteen various charms, including a Gondola, a sea horse, guilloche enamel hearts and a dice

Marked ‘750’

Total weight 50gms

£800-£1200

229

AN EARLY NINETEENTH CENTURY DIAMOND, SILVER AND GOLD CROSS PENDANT

set throughout with table and rose-cut diamonds, articulated surmount, mounted in silver and gold

Total weight 18.6gms

8 5cm x 4 7cm

£400-£600

230

A PAIR OF ANTIQUE DIAMOND EARRINGS

each drop of ribbon tied scrolling petals and leaves, circa 1820, later converted to earrings with post and butterfly fittings

Set in silver and gold

3 5cm long

Total weight 11.5gms

£1000-£1500

231

A DIAMOND FLOWER BROOCH, CIRCA 1860 the flower head set with nine old brilliant-cut diamonds, collet and closed back settings, with diamond set leaves, on a gold stem

Brooch pin fitting

Mounted in silver and gold

Total weight 4 7gms

4cm long

£200-£300

232

A LATE VICTORIAN DIAMOND FLOWER BROOCH, CIRCA 1890 of floral spray design, set throughout with old brilliant-cut diamonds, brooch pin fitting

Mounted in silver and gold

Total weight 4.1gms

4 4cm long

£80-£100

233

A VICTORIAN PEARL AND DIAMOND FLOWER BROOCH, CIRCA 1880 of spray design set throughout with old brilliant-cut diamonds and half pearls

Mounted in gold

Total weight 11 3gms

4.5cm x 2.8cm

£250-£350

A MID VICTORIAN DIAMOND AND BAROQUE PEARL BROOCH, CIRCA

1850

the baroque pearl nestled within a mount modelled as a shell and set throughout with old brilliant-cut diamonds

Mounted in silver and gold

Brooch pin fitting

Unmarked

Mounted in silver and gold

Total weight 8gms

2 6cm x 2 3cm

Presented in Streeter & Co tooled jewellery case

£800-£1200

235

A CAMEO AND DIAMOND BROOCH, CIRCA 1860

the blue ‘truquoise coloured’ tassie cameo, claw set within a border of twenty six cushion-cut diamonds within an outer border of twenty cushion-cut diamonds, above a pierced gallery.

Brooch harness fitting and retractable pendant hoop

Mounted in gold

Total weight 11 7gms

3cm x 2 5cm

£500-£700

236

A FRENCH VICTORIAN GOLD AND PEARL LOCKET, CIRCA 1870

the central oval section pavé set with half pearls within an outer border of half pearls with beaded detail, above an undulating mount with six half pearl collets and a ropework border, the outer edge with scroll work detail, the reversed with hinged locket, on an articulated hinged bale

French Control Mark

Total weight 18 2gms

5 5cm x 3 2cm

£200-£300

237

A VICTORIAN ENAMEL BROOCH, CIRCA 1860, the oval enamel plaque depicting a scene of Lake Geneva, within a gold mount, to an outer oval frame, brooch pin fitting

The reverse marked ‘Chillon Paint Jour sel Henry’

Total weight 8.1gms

4cm x 3 5cm

AN EDWARDIAN GOLD AND SEED PEARL LOCKET, CIRCA 1890 the circular locket with a surround of half pearls

Total weight 13gms

4cm

£100-£150

238

A LATE VICTORIAN GOLD AND TURQUOISE PENDANT, CIRCA 1890

the circular turquoise cabochon, above a scroll work ground, on a fancy link chain

Locket measures 2cm x 1cm

Length of Chain 60cm

Total weight 6 9gms

£80-£120

239

A VICTORIAN TURQUOISE AND GOLD RING of belt and buckle design set with two turquoise stones

Hallmarked for 12 carat gold

Total weight 3 7gms

A L ATE VICTORIAN TURQUOISE, SEED PEARL AND GOLD BROOCH, CIRCA 1890

modelled as three leaves set with turquoise and half pearls

Total weight 2.6gms

3 5cm x 2 5cm

A TURQUOISE AND DIAMOND BROOCH, CIRCA 1880 the heart shaped turquoise within a rose-cut diamond surround Hallmarked for 9 carat

Total weight 2 7gms

5cm long

A VICTORIAN SEED PEARL AND PERIDOT RING, CIRCA 1890 the flower head set with six half pearls within a flower head setting centred by peridot

Marked 18ct

Total weight 1.5gms

Ring size L 1/2

A L ATE VICTORIAN GOLD AND SEED PEARL BROOCH, CIRCA 1890 modelled as three shells each inset with a pearl, on a knife edge bar Marked 9ct

Total weight 2 7gms

£200-£300

240

A ROCK CRYSTAL, PEARL, ENAMEL AND GOLD LOCKET PENDANT, CIRCA 1870 the circular rock crystal locket within a border of twelve half pearls, each spaced by a panel of turquoise enamel, on an articulated gold, turquoise and half pearl bale, lacking locket reverse

Total weight 18 5gms

4 5cm x 3 2cm

A VICTORIAN TEXTURED CIRCULAR LINK CHAIN, CIRCA 1850 on a textured barrel clasp

92cm long

Total weight 16gms

£300-£500

241

A LATE VICTORIAN JAPONISME BROOCH

the two cranes set with half pearls and turquoise with ruby eyes, against a four colour gold lake scene, locket reverse and brooch pin fitting

Total weight 20 4gms

4 5cm x 3 5cm

£400-£600

242

AN AMETHYST AND SEED PEARL PENDANT, CIRCA 1890

the square-cut amethyst millegrain collet set suspending a scrolling mount centered by a half pearl suspending three knife edge bars, the central drop with a square-cut millegrain set amethyst, with four half pearls, suspending a knife edge drop with two pairs of half pearl set petals, with either side a knife edge bar with two half pearl set petals and pear-cut amethyst drop, the whole on a trace-link chain

Marked ‘15’

Total weight 9.5gms

Length of necklace 42cm

Pendant drop 7.7cm

£300-£400

243

AN ARTS AND CRAFTS GARNET AND QUARTZ BROOCH

the centre set with a cabochon-cut aventurine quartz, within a border of four circular mixed-cut amethysts and four oval cabochon-cut garnets within an undulating border of white enamel with red and green dots, the silver mount with flower and scroll work detail to the reverse. Brooch pin fitting

Total weight 10 7gms

3cm diameter

A SILVER AND GARNET BRACELET, CIRCA 1900 set with thirteen cabochon-cut garnets, within silver mounts and spaced by oval links

Total weight 8.71gms

£500-£700

244

A LATE VICTORIAN GARNET SEED PEARL, ENAMEL AND GOLD BROOCH PIN, CIRCA 1890

the circular mixed-cut garnet millegrain set within a border of seed pearls and green guilloche enamel beads, on brooch pin fitting

Mounted in gold, unmarked

Total weight 2 9gms

3 7cm long

AN EDWARDIAN DIAMOND AND PEARL BROOCH

the central seed pearl within a square mount set with nine seed pearls and four old brilliant-cut diamonds, between diamond set mounts on tapering knife edge bar, brooch pin fitting

Stamped ‘P 15CT’

Total weight 3 9gms

5.8cm long

A L ATE VICTORIAN GOLD AND SEED PEARL BROOCH, CIRCA 1890 the seven half pearls set in flower formation within a circular double gold mount, on a knife edge bar

Marked ‘15CT’

Total weight 3 3gms

6 5cm long

£200-£300

245

AN AMETHYST AND PEARL BROOCH, CIRCA 1880

the oval mixed-cut amethyst collet set within a double border of half pearls.

Mounted in gold, unmarked

Total weight 12 2gms

Brooch pin fitting 5 5cm x 3 7cm

Cased

£200-£300

246

AN ETRUSCAN REVIVAL DIAMOND, GOLD AND SEED PEARL PENDANT, C1880

the old brilliant-cut diamond star set within a navette shaped mount set with a border of seed pearls, bead work and an outer border of half pearls each in individual setting, on plain hinged bale, locket reverse

Unmarked

Total weight 14gms

4.5cm x 3cm

£100-£150

247

AN ETRUSCAN REVIVAL BROOCH, CIRCA 1860

the oblong brooch, slightly domed, decorated throughout with bead and rope work detail

Brooch pin fitting

Total weight 7 7gms

6cm long

A L ATE VICTORIAN GOLD TIE PIN, CIRCA 1890

modelled as a ram’s head.

Total weight 2 8gms

8cm long

A L ATE VICTORIAN GOLD TIE PIN, C1890

modelled as a bull’s head with coloured eyes

Total weight 4 4gms

7cm long

TWO STICK PINS

£150-£200

248

A LATE VICTOIRAN BASALT, PEARL AND GOLD MOURNING

LOCKET, CIRCA 1890

the oval basalt plaque, inset with a half pearl and a gold border, to an outer border of half pearls, glass locket reverse

Total weight 27 8gms

4.5cm x 2.8cm

£120-£180

249

A VICTORIAN AGATE CAMEO BROOCH, CIRCA 1860

the oval onyx carved to depict a classical lady within a gold mount.

Brooch pin fitting

Total weight 16 7gms

3 5cm x 2 8cm

A VICTORIAN AGATE AND GOLD RING, CIRCA 1890

the agate carved to depict a gentleman in profile with a laurel headdress

Mounted in gold

Total weight 2gms

£80-£120

250

A LATE VICTORIAN GOLD AND DIAMOND BIRD BROOCH, CIRCA 1890

modelled as a Swallow in flight with diamond set eye

Brooch pin fitting

Total weight 6gms

4 5cm wide

£120-£180

251

A LATE VICTORIAN ENAMEL AND GOLD BRACELET, CIRCA 1890

composed of eight figure of eight links, and eight square links with rounded corners, all with green guilloche enamel decoration and pearls highlights.

Integral clasp and safety chain

Unmarked

Total weight 18gms

Inside diameter 6 2cm approx

7mm width

£600-£800

252

AN ENAMEL, SEED PEARL AND DIAMOND BROOCH, CIRCA 1890

the navette shaped mount, set to the centre with a row of old brilliantcut diamonds (one deficient), above a red guilloche enamel ground, to an outer border of seed pearls, brooch pin fitting

Mounted in silver and gold

Unmarked

Total weight 6.6gms

£80-£120

253

A REVERSE ROCK CRYSTAL, GOLD AND ENAMEL PENDANT, CIRCA 1900

the navette shaped rock crystal depicting sprigs of Rosemary, within an undulating frame of white enamel detail, circular hoop

Engraved to the reverse ‘Rosemary 14 March 1910’

Total weight 3 7gms

3 5cm x 1 8cm

£120-£180

254 A LATE NINETEENTH CENTURY GOLD VICTORIAN LONG CHAIN

with later clasp

Total weight 31 4gms

149cm long

£700-£1000

255

A VICTORIAN MARQUISE DIAMOND CLUSTER RING, CIRCA 1880

set with fifteen old brilliant-cut diamonds, above pierced gallery and between old brilliant-cut diamond shoulders.

Mounted in silver and gold

Total weight 4 3gms

Ring size P

£600-£800

256

A VICTORIAN DIAMOND SPRAY BROOCH, CIRCA 1870

the ribbon tied floral spray set with old brilliant and rose-cut diamonds with a pear cut diamond to one of the sprays, brooch pin fitting

Mounted in silver and gold

In fitted box

Total weight of brooch 10gms

6 5cm long

£200-£300

257

A MID VICTORIAN DIAMOND HAIR ORNAMENT, CIRCA 1870

the curved frame set with a central row of nineteen old brilliant-cut diamonds, each four claw set within square mounts, with a trefoil mount terminal set with a rose-cut diamond, with nineteen trefoil mounts, above and below the central section, each set with a rose-cut diamond

Detachable Brooch Pin Fitting

Mounted in silver and gold

Total weight 35 4gms

£800-£1200

258

A LATE VICTORIAN DIAMOND AND GOLD BANGLE, CIRCA 1880

the upper section with thirteen old brilliant-cut diamonds, graduating in size and fancy claw set above a pierced gallery, on a plain hinged bangle.

With safety chain

Unmarked

Total weight 13 8gms

Internal diameter 6 8gms

£2000-£3000

259

A VICTORIAN OPAL AND GOLD PENDANT, CIRCA 1880

carved to depict George and The Dragon, within a rock crystal locket, with a trace link chain.

Total weight 18 7gms

Locket measures 4cm x 2 5cm

£800-£1200

260

A PAIR OF LATE NINETEENTH CENTURY PASTE EAR PENDANTS

of girandole design, set throughout with circular mixed-cut paste in closed back silver settings

Post and butterfly fittings

6cm long

Total weight 15gms

£80-£120

261 AN EDWARDIAN PASTE PENDANT

the pierced and scrolling mount set with circular white paste stones and suspending three pear-cut pink paste drops, on a trace-link chain, with white paste circular surmount to an oval link long chain

Total weight 16 3gms

Length of chain 77cm

Pendant measures 8cm x 5cm

£100-£200

262 A PASTE NECKLACE

of geometric Art Deco design

Total weight 26 2gms

Chain 32cm long

Pendant drop 6 5cm long

£200-£300

263

A GEORGIAN PASTE AND CRYSTAL LOCKET, CIRCA 1830 the oval crystal locket with gold mount, within a paste surround, with scroll surmount.

Total weight 7 2gms

3 5cm x 2cm

TWO NINETEENTH CENTURY PASTE BROOCHES, CIRCA 1830 the oblong brooch and oval brooch each with blue enamel ground below paste set mounts

2 5cm x 1cm & 2 2cm x 1 8cm

Total weight 7.9gms

A VICTORIAN PASTE BROOCH, CIRCA 1890

modelled as two monkeys, set throughout with circular cut paste with red paste eyes

Some paste deficient

9cm x 3 5cm

Total weight 9 6gms

A VICTORIAN PASTE AND FAUX PEARL BROOCH, CIRCA 1890 modelled as a Swallow in flight

3cm x 2.8cm

Total weight 2 2gms

£300-£500

264

DAVID ANDERSEN: AN ENAMEL BUTTERFLY BROOCH

decorated with powder blue guilloche enamel wings and black enamel body

Signed ‘Norway Sterling 925’

4 5cm wide

Total weight 6gms

A SCANDINAVIAN ENAMEL BUTTERFLY BROOCH

the large butterfly of blue and orange enamel decoration. Brooch pin fitting

Marked ‘925S’

9cm wide

Total weight 32gms

£70-£100

265

A TIGER’S EYE NECKLACE

Length 41cm approximately

Total weight 270gms

£80-£120

266

A DIAMOND CROSS PENDANT

set with twelve brilliant-cut diamonds on a plain hoop

Hallmarked for 18 carat gold.

Total weight 2 3gms

3.5cm x 1.8cm

£80-£120

267

A VICTORIAN A PEARL RING, CIRCA 1850

the five graduating half pearls, between carved shoulders, plain hoop

Unmarked

Total weight 2.1gms

A GRADUATED SEED PE ARL NECKLACE

Total weight 1.2gms

TWO FAUX PEARL NECKLACES

one with a cultured pearl and diamond cluster clasp.

£300-£500

268 A GOLD ARTICULATED FISH PENDANT ON GOLD CHAIN

with a green stone set eye

Unmarked

Total weight 10 7gms

£100-£150

269

A RUBY AND DIAMOND BRACELET

the thirteen oval mixed-cut rubies, four claw set between pairs of diamonds and gold sections, integral clasp and safety clasp

20 5cm long

Marked 14k

Total weight 9 1gms

£400-£600

270

A RUBY AND DIAMOND RING

the five circular-cut rubies and three brilliant-cut diamonds channel set in v-shaped mount

Unmarked

Total weight 2 5gms

Ring size K

£200-£300

271

A DIAMOND RING

the cross over design ring channel set with brilliant-cut diamonds

Hallmarked for 9 carat gold

Total weight 2gms

Ring size O 1/2

£200-£300

272

HIRSCH: A SINGLE STONE DIAMOND RING

the emerald-cut diamond four claw set, between pierced shoulders on plain band

Stamped ‘Hirsch’

Total weight 3 8gms

Ring size Q

£600-£800

273

CORAL FLOWER BROOCH

carved as a rose, on a brooch fitting

Stamped ‘14k’

Total weight 14 7gms

3 5cm wide

£70-£100

274

A ROPE WORK NECKLACE

marked for 18 carat gold

Total weight 39 6gms

A JADEITE SET BRACELET

Total weight 9 7gms

TWO EARRINGS

Total weight 6 5gms

£800-£1200

275

A JADEITE PENDANT with tourmaline bead

Total weight 16 9gms

6cm x 4cm

A NEPHRITE CARVED PLAQUE WITH BEADS

Total weight 11gms

4 5cm x 1 5cm

A JADE PENDANT

Total weight 7gms

£300-£500

276

A PAIR OF DIAMOND EAR STUDS

each brilliant-cut diamond four claw set

Post and butterfly fittings

Total weight 1 3gms

£80-£120

277

A CULTURED PEARL NECKLACE

the uniform row of cultured pearls on a shaped clasp set with three graduating cultured pearls

Clasp marked ‘9ct’

Total weight 51 8gms

81cm long including clasp.

A CULTURED PEARL NECKL ACE

the graduating cultured pearls on a simple hook clasp.

Total weight 12 4gms

84cm long

£150-£200

278

A HALF HOOP DIAMOND ETERNITY RING

the seven brilliant-cut diamonds set with bar links between, in white gold mount, to a yellow gold band.

Hallmarked for 18 carat gold

Total weight 3 7gms

Ring size N 1/2

£300-£500

279

LACLOCHE;

A LEATHER JEWELLERY BOX

the oblong leather box with gold tooling and inlaid address of LACLOCHE FRERES 15 RUE DE LA PAIX PARIS, to the reverse

9.7cm x 5.5cm x 1.7cm

£70-£100

280

A LATE VICTORIAN STAR SAPPHIRE AND GILT SCENT BOTTLE

the cabochon-cut star sapphire within a diamond surround to an outer border of turquoise stones, mounted in gilt

Total weight 44 4gms

6cm high and 2cm diameter

£80-£120

281 A CULTURED PEARL NECKLACE WITH RUBY AND DIAMOND CLASP

the two uniform rows of cultured pearls on a ruby and diamond swirl clasp

The clasp marked ‘14K’

Total weight 70 7gms

Total length 49cm

£200-£300

282

A SHELL CAMEO BROOCH, CIRCA 1880

carved to depict dancing maidens within a woodland scene, within a gold mount to an outer scroll mount

Brooch pin fitting

Hallmarked for 9 carat gold 1968

Total weight 45 4gms

£100-£200

283

AN AUSTRO HUNGARIAN SILVER AND ENAMEL BROOCH, CIRCA 1890

modelled as a George and the Dragon Knight decorated with varicoloured enamel to front and back

Total weight 13 2gms 4cm x 3cm

A QUANTIT Y NINETEENTH OF LOOSE BEADS GILT PANELS

£70-£100

284-286

No lots

287

AN OPAL RING

the oval cabochon-cut opal fancy collet set, between split shoulders to plain hoop

Hallmarked for 18 carat gold

Total weight 3 8gms

Ring size M 1/2

A SAPPHIRE ETERNIT Y RING

set with circular mixed-cut sapphires.

Total weight 2 6gms

Ring size L

AN EGYPTIAN SYNTHETIC COLOUR CHANGE CORUNDUM RING

the circular mixed-cut stone claw set within pierced mount, to plain hoop

Hallmarked for 18 carat gold

Total weight 3gms

£300-£400

288

A DIAMOND AND GOLD RING

the square modified brilliant-cut diamond weighing 1 carat, collet set in undulating diamond set shoulders

Hallmarked for 18 carat gold

Total weight 12.5gms

Ring size M 1/2

Accompanied by Gemmological Institute of America Report Number 2116093374, stating that the diamond is

Carat weight: 1 carat

Colour: G

Clarity SI2 No Fluorescence 1 CARAT

GIA Certificate: 2116093374

£2000-£3000

289

A SAPHIRE AND DIAMOND RING

the oval cut sapphire four claw set within a bezela of twelve brilliant-cut diamonds, claw set above pierced shoulders on plain hoop

Hallmarked for 18 carat gold

Total weight 4 5gms

Accompanied by GIA Report 1478629371 stating that the sapphire weights 3 38 carats and is a natural Sapphire of Sri Lanka Origin, with no indication of heating

Ring size N1/2

£9000-£11000

290

A SAPPHIRE AND DIAMOND RING

the cushion-cut sapphire four double claw set between baguette-cut diamond set shoulders

Total weight 6 5gms

Ring size N1/2

Accompanied by GIA Report Number 1478629358, stating that the sapphire weighs 2.82 carats and is a Natural Sapphire Geographic Origin Cambodia with no indications of Heating

£4600-£5600

291

A TOURMALINE AND DIAMOND RING

the pear-cut tourmaline rub over set within a bezel of sixteen brilliantcut diamonds, above basket setting

Total weight 9.8gms

Ring size N1/2

Accompanied by GEMRESEARCH SWISS LAB REPORT

Stating that the it is a Natural Tourmaline “Cuprian-Elbaite” weighing 5 38 carats

The stone contains minor elements (including copper) such as found in tourmalines from Paraiba (Brazil) (Accuracy as testing in mounting permits)

£20000-£30000

292

A MULTI-ROW BEAD NECKLACE

Total weight 185g

Length 45cm plus pendant section 15cm

£80-£120

293

A SUITE OF CIRO JEWELLERY NECKLACE AND EARRINGS of gilded metal and blue stone detail

Total weight 191g

Length approx 48cm

£70-£100

294

AN ART DECO GREEN GLASS SAUTOIR the oblong facet pendant drop with flower head detail to a sautoir set with thirty six square-cut pastes with oblong silver link spacers

Total weight 48 1gms

One glass paste loose from necklace 49cm drop

A COLLECTION OF PASTE JEWELLERY to include

A BUT TERFLY BROOCH

Marked BSK

A PASTE FLOWER BROOCH, of spray design set with five ‘citrine coloured’ paste stones

A WHITE PASTE BROOCH of star design

A BLUE AND WHITE PASTE BROOCH of undulating design

£80-£120

295

MIRIAM HASKELL: A FAUX PEARL AND GILT NECKLACE

the heart shaped pendant with chased scroll work and faux pearl clusters, encasing paste decoration and suspending a faux pearl drop, on a herringbone link long chain with faux pearl spaces and a faux pearl cluster clasp, with a pair of matching clip earrings

Marked ‘Miriam Haskell’

52.5cm long

Pendant measures 7cm x 4cm

£150-£250

296

MIRIAM HASKELL: A FAUX PEARL NECKLACE

the two graduating rows of faux pearls on a faux pearl and paste clasp and a pair of matching earrings

Marked ‘Miriam Haskell’

Necklace 42cm long including clasp

A PAIR OF FAUX PEARL CLUSTER EARRINGS of flower spray design

Unsigned 4 5cm x 4cm

£150-£200

The Collection of the Late Mrs. Henry T. Ford II

Lots 297-312

Dore & Rees are delighted to be selling pieces from the jewellery collection of the Late Mrs. Henry T. Ford II. A collection of her jewellery was sold at Christie’s in December 2020 to great acclaim.

Kathleen DuRoss Ford was part of an affluent American elite who enjoyed bringing English country house style to their homes Married to Henry T Ford II in 1980, they both enjoyed collecting and furnished their homes with the stunning artworks and homewares befitting members of one the America’s most famous families.

The Late Mrs Henry T Ford II’s jewellery collection reflects an appreciation of the unusual as well as exquisite pieces Amongst the pieces being sold at Dore & Rees are a pair of gold and diamond clips circa 1950 and a range of fashion jewellery by Chanel Her costume jewellery collection was extensive A sense of fun is reflected in pieces in the form of frogs and tortoises

As a keen collector, it is not surprising to have a pair of aluminium earrings by JAR, (Joseph Arthur Rosenthal) modelled as a ‘Violet’ flowers, amongst her boxes of costume jewellery. They are delightful, reflecting style and grace, attributes so well known of the Late Mrs Henry T Ford II

Turville Grange, Buckinghamshire, the home of the Late Mrs Henry T Ford

297

A COLLECTION OF COSTUME JEWELLERY

an eclectic range of costume jewellery to include a frog brooch set with green and white paste stones; a pair of turtle ear clips; a group of gilded jewellery

£100-£200

298 A LARGE COLLECTION OF COSTUME JEWELLERY

£80-£120

299

A LARGE COLLECTION OF COSTUME JEWELLERY

£80-£120

300

A LARGE COLLECTION OF COSTUME JEWELLERY

£80-£120

301

AN ECLECTIC COLLECTION OF COSTUME JEWELLERY

INCLUDING

a gilded fruit bracelet, marked ‘MADE IN FRANCE’; Two enamel brooch lockets, A ‘CLANDESTINE’ abstract brooch, a pair of Italian ear clips, a gilt tassle ring, a ‘MARYSE BOXER’ scarf ring (?), a pair of enamelled clips, a zebra bangle, various bracelets, heart earrings, heart ring, paste set bow

£70-£100

302

A INDIAN GILDED METAL AND GEM SET BANGLE

of pierced scrolling design, set with vari-coloured gemstones including white sapphires, tourmalines and emeralds

Total weight 22gms

5 6cm inside diameter

11mm width

£60-£80

303 A TIGER’S EYE NECKLACE

the uniform row of tiger’s eye beads spaced by gilt beads

Total weight 126gms

84cm long

£60-£80

304

FOUR PAIRS OF EARRINGS BY KENNETH J. LANE

each with clip fittings

Marked Kenneth J Lane

£60-£80

305

A PAIR OF CHANEL EARRINGS

each circular earring set with an embossed four leaf clover plaque above a white ground, to a border of ropework detail.

Clip fittings

Marked ‘CHANEL’ to the reverse

Total weight 59gms

4 8cm diameter

£80-£120

306

A CHANEL OVAL LINK BRACELET AND NECKLACE, MARKED ‘CHANEL MADE IN FRANCE’

the two sections connecting together with hook fastenings.

Total necklace weight 331g

Each section measures 40cm in length

A CHANEL BRACELET with T-bar fastening

Total weight 94gms 21 5cm long

£150-£250

307 A VINTAGE RUE CAMBON CHANEL MEDALLION ON OVAL LINK CHAIN

Total chain length 80cm approx

Medallion diameter 7cm

Total weight 196g

£150-£250

308 A CHANEL NECKLACE WITH PERSPEX PANELS

three acrylic citrine-coloured circular panels on snaked chain with hand shaped clasps

87cm long

Diameter of circles is 42mm

2 panels detached and one badly broken

£30-£50

309

A PAIR OF UNUSUAL CHANEL WIRE WORK EARRINGS

with clip fastenings.

Marked ‘Chanel 98 Made in France’

6.5cm diameter

Weight of each earring is 9gms

£60-£80

310

THREE CHANEL BANGLES AND TWO BANGLES (NOT SIGNED)

SILVER COLOURED CHANEL BANGLE

6 2cm inside diameter 7mm width

L ARGER BLACK CHANEL BANGLE

6 5cm inside diameter 8mm width

SMALLER BL ACK CHANEL BANGLE

6 5cm inside diameter 5mm width

T WO UNSIGNED BANGLES

both 6 6 cm inside diameter 3 and 4cm width

£100-£200

311

A PAIR OF GOLD AND DIAMOND CLIPS, CIRCA 1950 each modelled as a shell with scroll surmount set with thirty two brilliant-cut diamonds.

Clip fittings

Marked ‘14K’

Total weight 52gms

£800-£1200

JAR: A PAIR OF ALUMINIUM

‘VIOLET’ EARRINGS

with clip fittings

Flowers signed ‘JAR’

Total weight 6 6gms

3 2cm wide

Note:

Joseph Arthur Rosenthal, known as JAR has become one of the finest contemporary jewellery designers of the 21st Century JAR worked at Bulgari in New York in 1977 and then returned to Paris where he opened his own workshop and jewellery store with his partner Pierre Jeannet His pavé set jewels incorporated various coloured gemstones which stand out against the dark metal alloys that he uses to create breathtaking jewellery.

In 2013, his creativity and craftsmanship were honoured with a retrospective at the Metropolitan Museum, New York He was the first living ‘artist of gems’ to be honoured with a retrospective.

In 2002 JAR exhibited at Somerset House, London. The exhibition was an enormous success 145 pairs of ‘Pansy’ earrings, made of aluminium were sent, by JAR, to the clients who had leant pieces to the show as a thank you. A further 1,000 pairs were made for sale at the exhibition Visitors snapped them up within days Other pieces that were made for sale were ‘Geranium’,’Ivy’ and ‘Violet’ earrings

£800-£1200

Contemporary Jewellery from a Private Collection

Lots 313-320

313

A CITRINE, GOLD AND DIAMOND RING

the marquise-cut citrine within a gold mount composed of marquise shaped pierced sections, with six marquise-cut diamond highlights to a band composed of marquise pierced gold sections.

Ring Size L 1/2

Total weight 18.6gms

£1500-£2000

314

CITRINE, SILVER AND GOLD RING

the oval mixed-cut citrine collet set in a heavy silver and gold band with bead work detail

Possibly by Eileen Coyne Ring size S

Total weight 22.3gms

£500-£700

315

A GOLD ABSTRACT RING

makers mark “W M (D)”

Hallmarked for 9 carat London 1978

Total weight 5 8gms

Ring size J 1/2

A GOLD ABSTRACT RING of pierced triangular sections

Hallmarked for 9 carat gold. Maker’s mark ‘W M (D)’

Total weight 4 5gms

Ring size O

£100-£200

316

NUALA JAMISON: AN ACRYLIC AND SILVER BROOCH

the square brooch of clear acrylic with green circles Brooch pin fitting

Hallmarked for Nuala Jamison London 1974

4cm x 4cm x 0 8cm

Total weight 26.2gms

Nuala Jamison (1948-2016)

Nuala’s work reflects the importance of colour and light in jewellery Nuala was born in Lurgan County Armagh and went on to study Jewellery Design at Central St Martins in London She graduated in 1972 and went onto design for the fashion designer Jean Muir.

In the 1980s Nuala partnered with Caroline Broadhead and named their line of acrylic jewellery ‘C&N’ The acrylic designs would not only include bright combinations of colours but would sometimes have a weathered appearance, which was produced by shaping the pieces with a pumice over several weeks.

Nuala’s work is now held in public collections world wide and she continues to be respected as an innovative designer

£200-£300

317

A SILVER AND TITANIUM BROOCH, CIRCA 1960 the circular plaque with raised circular mounts of varying colours

5 4cm diameter

Total weight 32 8gms

£200-£300

318

CATHERINE MANNHEIM: AN ABSTRACT SILVER BROOCH

the hammered silver square with locket inset with a silver grid containing chrysoprase and opal hearts

Maker’s mark ‘CM’ London 1972

Total weight 31.4gms

4 5cm x 4 5cm

Catherine Mannheim

Catherine’s beautiful jewellery can be found in many public collections, including the Victoria & Albert Museum, London; The Worshipful Company of Goldsmiths’ and the West Midlands Jewellery Collection. Catherine trained at the Central School of Art and the Werkunstschule, Dusseldorf and is now based in Clerkenwell, London Her work is greatly admired for its innovative use of coloured golds with fine gemstones

£200-£300

319

WENDY RAMSHAW: AN AMETHYST, GARNET, AND GOLD RING ON AN ACRYLIC STAND

the ring composed of twelve bands, set with a collet set cabochon amethyst, garnet or citrine. One band lacking gemstone. Each band marked for Wendy Ramshaw and Hallmarked for 18 carat gold 1970

Total weight of rings 20 4gms

Ring size M1/2

Stand 9cm high, 2 2cm diameter

Wendy Ramshaw CBE, RDI (1939-2018)

Wendy Ramshaw’s work is original and mind blowing Her jewellery was made to be worn but also became sculptures when not worn, due to the beautiful stands upon which the jewellery was displayed Her work is on display worldwide, including, The Victorian & Albert Museum, London; British Museum, London; National Gallery of Australia, Canberra and The Metropolitan Museum of Modern Art, Kyoto. These locations are just a few of the 70 plus public Collections that include her work

She began her studies in 1956 in fabric design at Newcastle’s College of Art and then went onto Reading University where she met her partner, David Watkins Wendy began to design ‘self-assembly’ paper jewellery and was spotted by the fashion designer Mary Quant, who went on to stock her work in the early 1960’s.

Wendy’s work has been recognised as of immense importance in modern British Jewellery design and her work and contribution was celebrated in 1982 in a retrospective at the Victorian & Albert Museum, London

£600-£800

320

A GOLD PEARL AND SAPPHIRE PENDANT

the semi circular plaque set with a cabochon sapphire, suspending three rows of sapphire beads and seed pearls with gold wire work and gold feather like terminals, on a fancy link gold chain Cased Maker’s mark ‘B Z’ London 1979

£500-£700

Other Properties

322

A DIAMOND AND ENAMEL EGG PENDANT, CIRCA 1900

blue guilloche enamel egg with a band of white stones

On a simple gold hoop

Marked ‘585’ 960

Total weight 4 3gms

£80-£120

323 AN ART NOUVEAU ENAMEL, DIAMOND AND PEARL NECKLACE, CIRCA 1890

set with an old brilliant-cut diamond within a pink irridescent enamel flower head, within a pink and green enamel scrolling surmount, with a pearl drop on a diamond scroll surmount, with a two row flat link chain

Brooch pin fitting

Marked ‘14K’

Pendant measures 5cm x 2 5cm

Chain measures 56cm long

Total weight 23 6gms

£1000-£1500

324

A CULTURED PEARL NECKLACE ON AN ART DECO DIAMOND CLASP

the uniform row of cultured pearls on an oblong clasp set with two rows of five old brilliant-cut diamonds

Total weight 45.8gms

51cm long including clasp

£700-£1000

325

AN ART DECO EMERALD BRACELET

the uniform row of step-cut emeralds in articulated settings, concealed clasp

Stamped ‘750’

Total weight 24 5gms

Total length 17.5cm

£2000-£3000

326

AN ART DECO EMERALD RING, CIRCA 1930

channel set with step-cut emeralds

Total weight 5 2gms

Ring size P1/2

£700-£1000

327

A RUBY AND DIAMOND BROOCH, CIRCA 1960

the six oval mixed-cut rubies in flower head formation with seven brilliant-cut diamonds, the scrolling leaves and stem set throughout with diamonds

Total weight 11 8gms

Measures 6cm x 2 5cm

£200-£300

328

A SAPPHIRE BRACELET

set with three circular-cut diamonds to the centre and pear-cut sapphires, to an articulated chevron link bracelet strap, integral clasp

Unmarked

Total weight 17 3gms

20 5cm long

£500-£700

329

A SAPPHIRE AND DIAMOND THREE STONE RING

the oval mixed-cut sapphire, set between brilliant-cut diamonds, above pierced shoulders on plain hoop, mounted in white gold

Hallmarked for 18 carat gold

Total weight 5 3gms

Ring size Q 1/2

£800-£1200

330 A GOLD BRACELET

the articulated bracelet of elaborate scroll link design

Marked ‘750’

Total weight 134 6gms

22cm long

2 5cm wide

£4500-£5000

331

AN 18 CARAT GOLD BROOCH

designed as a horseshoe and riding crop, the horseshoe with textured surface

Hallmarked for 18 carat gold

Total weight 10 6gms

7cm x 4cm

£300-£400

332

A THREE COLOUR GOLD BRACELET, CIRCA 1950 designed as a belt, the clasp set with six circular-cut rubies

Marked for 9 carat gold.

Total weight 67gms

19cm Long

2 2cm Wide

£1200-£1500

333

AN AQUAMARINE SEED PEARL PENDANT, CIRCA 1900 the circular pendant set with six circular mixed-cut aquamarines, millegrain collet set and each spaced by pairs of half pearls, suspended on a knife edge bar, with an aquamarine collet on a tracelink chain

Total weight 3.1gms

Pendant 4 5cm long

Necklace 38 5cm long

£100-£150

334

AN EDWARDIAN PEARL AND DIAMOND BAR BROOCH the central flower head set with two half pearls and three old brilliantcut diamonds, on a knife edge bar with pearl set terminals.

Mounted in silver and gold

Total weight 2.7gms

4cm long

AN EDWARDIAN PEARL AND DIAMOND BAR BAR BROOCH the central pear between rose-cut diamond set petals on a knife edge

platinum bar

Total weight 0 9gms

2 8cm long

AN EARLY VICTORIAN GOLD AND EMER ALD BROOCH, CIRCA 1850 of cluster formation

Total weight 3.2gms

2 5cm diameter

£300-£500

335

CARTIER: A RUBY AND DIAMOND TIE PIN, CIRCA 1900 the circular mount set with old brilliant-cut diamonds to one side and mixed-cut rubies to the other

Signed ‘Cartier Paris’ and French Control Mark

Total weight 3 5 carats

7cm long

Hoop 1 2cm diameter

£200-£300

336

A SINGLE STONE DIAMOND RING

the brilliant-cut diamond estimated to weigh 1 4 carats, eight claw set between pierced shoulders on plain platinum hoop

Hoop stamped ‘PLAT’

Total weight 3 1gms

Ring size O 1/2

approximately 1 4 carats

£3500-£4500

337

A SAPPHIRE AND DIAMOND PLAQUE RING, CIRCA 1915

the square-cut sapphire rubover set within a border of twelve old brilliant-cut diamonds in platinum setting, above pierced gallery, between pierced shoulders and plain hoop.

Stamped ‘18ct PLAT’

Total weight 2.4gms

Ring size M 1/2

£200-£300

338

AN EDWARDIAN RUBY ETERNITY RING

channel set with step-cut rubies, engraved borders

Total weight 2 5gms

Ring size M 1/2

£120-£180

339

AN EDWARDIAN BLACK OPAL AND DIAMOND RING

the oval-cut opal millegrain collet set within a border of twenty eight old brilliant-cut diamonds in rub over setting, above pierced gallery and shoulders

Stamped ‘18ct PLAT’

Total weight 4 1gms

Ring size O with ring spring

£500-£700

340

A RUBY AND DIAMOND RING, CIRCA 1900

the three circular mixed-cut rubies and two old brilliantcut diamonds claw set within pierced and carved mount and carved shoulders, to plain hoop.

Marked ‘18’

Total weight 3.5gms

Ring size R 1/2

£80-£120

341

A PAIR OF RUBY, DIAMOND AND ROCK CRYSTAL EARRINGS, CIRCA 1880

each cushion-cut ruby set with in a diamond set star mount, above a circular rock crystal mount

Post and butterfly fittings.

11mm diameter

Total weight 4 9gms

£120-£180

342

SAPPHIRE AND DIAMOND BROOCH, CIRCA 1880 the domed mount set to the center with a brilliant-cut diamond, within a border of six oval mixed-cut sapphires, above a border of two rows of brilliant-cut diamonds with six baguette-cut diamond highlights, all set above two further borders of brilliant-cut diamonds.

Brooch pin fitting

Presented in Garrard & Co box

Total weight 17 3gms

4 5cm diameter

£7000-£9000

343

A SAPPHIRE AND DIAMOND RING, CIRCA 1900 the circular mixed-cut sapphire collet set within a six ray star set with rose-cut diamonds, within a similarly set flower head mount, between pierced shoulders, on plain hoop

Stamped 18ct Plat

Total weight 3 6gms

Ring size I 1/2

£80-£120

344

A SAPPHIRE AND DIAMOND RING

the emerald-cut sapphire four claw set between brilliant-cut diamonds. Hallmarked for 18 carat gold

Total weight 3gms

Ring size Q 1/2

£200-£300

345

A SAPPHIRE AND DIAMOND RING, CIRCA 1880

the oval mixed-cut sapphire, cut down collet set, within a border of ten cushion and old brilliant-cut diamond, cut down collet set, between diamond set scroll shoulders, on plain hoop.

Unmarked

Total weight 4 4gms

Ring size M 1/2

£2000-£3000

346

AN ART NOUVEAU SAPPHIRE AND DIAMOND RING, CIRCA 1900

the pear-cut sapphire eight claw set below a trefoil of old brilliant-cut diamonds with two smaller old brilliant-cut diamonds on arched decorative shoulders set with old brilliant-cut diamonds on plain gold band

Total weight 4 9gms

Ring size T

£700-£1000

347

A THREE STONE DIAMOND RING

the three graduating old brilliant-cut diamonds in undulating settings, between pierced tapering shoulders

Marked 18ct

Total weight 2 9gms

Ring size

£80-£120

348

A VICTORIAN DIAMOND CLUSTER BROOCH, CIRCA 1890 the old brilliant-cut diamond collet set above two rows of old brilliantcut diamonds all collet set in cluster formation

Brooch harness fitting and retractable pendant hoop.

Mounted in silver and gold

Total weight 6.9gms

2 5cm wide

£300-£500

349 A FIVE STONE DIAMOND RING

the five graduating cushion-cut diamonds, each claw set, between tapering shoulders

Unmarked

Total weight 3 5gms

Ring size Q 1/2

£1000-£1500

350

A PAIR OF DIAMOND CLU STER EARRINGS, CIRCA 1880/1890 of flower cluster design, the central old brilliant-cut diamond within a collet setting, within a border of eight old brilliant-cut diamonds, screw back fittings

Later Rhodium plated

Total weight 4gms

1 3cm diameter

£400-£600

351

RUBY AND DIAMOND HALF HOOP ETERNITY RING

the seven square-cut rubies channel set with seven brilliant-cut diamonds to each side of the gallery, to plain white gold mount.

Total weight 7 7gms

Ring size P 1/2

£700-£1000

£X X X

Watches

360 A GOLD PAIR CASED VERGE WATCH

Signed Thomas Cox, Kimcote, AD 1791, later dial and hands, inner case plain, the outer with monogram within an engraved floral border, London 1793, 49mm; and a gold watch key (2)

£1200-£1500

361

A SILVER FRONTED TIMEPIECE

enamel dial signed S D Neill, Belfast, Subsidiary seconds, case with easel back, Birmingham 1897, 75 x 65mm, in velvet travelling case

£40-£60

362

A NICKEL CASED GOLIATH WATCH

keyless lever 8 day movement, dial signed Finnigans Limited, Manchester and Liverpool, case plain, 73mm; with silver fronted easel case, London 1904

£100-£150

363 A NICKEL CASED GOLIATH WATCH

8 day keyless lever movement, white enamel dial, case plain, 69mm; with leather case.

£30-£40

365 A GOLD PLATED OPEN FACE KEYLESS LEVER WATCH

Signed Crescent St, Waltham, Mass Adjusted no 4724896, gold jewel settings, micrometer adjustment, case engraved with birds and flowers, 53mm

£100-£150

364

A GOLD PLATED HUNTING CASED KEYLESS LEVER WATCH by AWW Co Waltham, jewelled to the centre, micrometer adjustment, in a plain case 52mm; an open face keyless lever watch by Limit, Signed dial and movement, and a gold plated keyless lever watch, jewelled to the centre, Swiss unsigned (3)

£150-£200

366 A NICKEL KEYLESS LEVER GOLIATH WATCH dial signed Longines, subsidiary seconds, glazed curvette, 67cmm

£80-£120

367

A NICKEL CASED KEYLESS LEVER WATCH

Signed Vanguard, Waltham, Mass, no 7022685, gold jewel settings, micrometer adjustment, lever set, 58mm

£100-£150

368

A NICKEL CASED KEYLESS LEVER WATCH

Signed Appleton, Tracy and Co, Waltham, Mass, no 12002916, gold jewel settings, micrometer adjustment, lever set, 57mm

£70-£100

369

THREE AMERICAN NICKEL CASED KEYLESS LEVER WATCH

two by Elgin National Watch Co, one by AWW Co, Waltham, and a silver open faced watch by A W W Co H M Birmingham, 1903. (4)

£90-£120

370

A NICKEL CASED KEYLESS LEVER WATCH white enamel dial signed Waltham, USA, Vanguard, 23 jewels, fully signed movement no 29452283, in a Denison case, back engraved, H S 3 with MOD arrow

£100-£150

371

A SILVER KEYLESS LEVER WATCH dial and movement signed Buren, Grand Prix, in a guilloche case Birmingham 1957, with Buren box, and a silver keyless lever watch, dial signed J W Benson, London, Swiss movement, guilloche case, Birmingham 1926 (2)

£120-£150

372

A SILVER OPEN FACE WATCH

Signed Fattorini and Sons, Bradford, a Swiss silver watch, a silver lever watch by Kay’s, a nickel cased watch by Limit, a blued steel watch by Noni, a nickel cased stop watch and a quantity of base metal chains

£70-£100

373

A SWISS 14CT GOLD AND ENAMEL LADY’S FOB WATCH

keyless cylinder movement, dark blue translucent enamel dial over a guilloche ground, back decorated with gilt fleur-de-lys, 24mm with associated ribbon fob

£300-£400

374

A SWISS 18CT GOLD LADY’S FOB WATCH

lever movement gilt dial in a foliate engraved case 35mm, with a Swiss 18ct gold chain of fancy design, and a seal (3)

£500-£600

375 A SWISS 14K GOLD KEYLESS CYLINDER FOB WATCH

gilt dial, in a florally engraved case, 33mm

£150-£250

376

OMEGA: A STAINLESS STEEL AND GOLD DIAMOND SET LADY’S QUARTZ CONSTELLATION “MY CHOICE” WRISTWATCH

REF 13687100, no 58811285, signed Mother Of Pearl dial, diamond set bezel, on integral steel bracelet with gold central bars, 22 5mm with box, certificates and slip case. Purchased 2004

£700-£900

377

ROLEX REF 1936, CASE NUMBERED 35894; A 9 CARAT GOLD RECTANGULAR WRISTWATCH

signed silvered dial with raised Arabic numerals and subsidiary seconds, signed 15 jewel movement, the case with stepped lugs, import marks Glasgow 1937 34 x 20mm Rolex 18k buckle to strap

£1000-£1500

378 AN 18CT GOLD LADY’S WRIST WATCH

signed silvered dial with baton numerals, with Omega flexible bracelet, 17mm and a steel Omega lady’s Wristwatch, signed silvered dial with subsidiary seconds (2)

£400-£600

379 AN OMEGA CONSTELLATIONS STEEL LADY’S WRISTWATCH

signed silvered dial, on integral linked bracelet with Omega clasp, 24mm with Omega pouch

£200-£300

380 A SILVER CASED VERGE WATCH

igned Jho Roskell, Liverpool, no 6995, Arabic numerals, both cases plain Chester 1806 54mm

£100-£140

381

A SILVER QUARTZ WRIST WATCH BY ROTARY

signed black dial with date aperture, on leather strap with Rotary buckle, 36mm

£80-£120

382

A SILVER WRISTWATCH

gilt movement signed Longines, 15 jewels, black enamel dial, subsidiary seconds, screw back case, import marks London 1930, later steel bracelet 33mm

£200-£300

383

OMEGA: A STEEL W WII PILOTS WRISTWATCH

signed silvered dial, centre seconds, signed 16 jewel movement numbered 9739942 case back engraved A M 6B/159, A3130, circa 1943, 34mm

£800-£1200

384

ROLEX: A GOLD AND STEEL OYSTER PERPETUAL LADYDATEJUST

Ref 79173 no P823xxx, signed silvered dial with baton numerals, with jubilee bracelet, 26mm, circa 2000

£1200-£1500

385 JAEGER LECOULTRE: A STEEL MEMOVOX WRIST WATCH

silvered dial signed Jaeger-LeCoultre Automatic, Centre seconds, raised baton numerals, central alarm setting disc, case plain, 36mm. on later steel bracelet

£350-£450

386 A STEEL AND GOLD LADY’S WRIST WATCH

Signed Champagne dial, stone set minerals, gold bezel, on Ebel flexible bracelet, 29mm

£250-£300

END OF SALE

THE RESIDENCES OF THE L ATE MRS. HENRY T. FORD II

JULY, 10:30am Viewing: Saturday 29 June 10:00 to 16:00 Sunday 30 June 10:00 to 16:00 Monday 1 July 10:00 to 16:00 Tuesday 2 July 10:00 to 16:00

Conditions of Sale

BUYERS

This document acts to confirm the terms and conditions under which Dore & Rees, acting as agent, will sell Lots by auction to Buyers on behalf of Sellers 1

11. Our Status

a. We act as agent to sell the Lots on the Seller’s behalf by auction

b You will pay the Hammer Price, with Buyer’s Premium at 25% together with VAT at the prevailing rate and any applicable charges within 5 working days following the Auction in which the Lots are purchased by you

c We will always treat your data with care, personal details are held securely and will not be sold Our Privacy statement is available at www.doreandrees.com

12. The Estimate

a The estimate is a guide to help you gauge how much you might have to spend to purchase the Lot.

b Estimates can change, they are not definitive and should not be thought of as the sale price

c. Estimates do not include the Buyer’s Premium or VAT at the prevailing rate and any applicable charges

d Estimates may be altered by a saleroom notice or announcement by the auctioneer before the Lot is offered

13 Buyer’s obligations and undertakings

a You warrant to us and to the Seller that:

i. you will not bid on a Lot you do not intend to pay for

ii you have the funds to complete the purchase at the total value of Hammer Price, Buyer’s Premium together with VAT at the prevailing rate and any applicable charges;

iii. the funds are not connected with any criminal activity including tax evasion, and that you are neither under investigation nor have you been charged with or convicted of money laundering, terrorist activities or other crimes

iv if the Lot you purchased is to be removed to a country outside the UK, all duties, taxes and licences on the export of the Lot are your responsibility

b. If you, the Buyer, decide to exercise your right to cancel, we are entitled to account directly to the Seller for any applicable refund and we shall retain on account amounts to compensate the Seller should the Lot be damaged or tampered with by you

c. You will indemnify us and the Seller in full on demand against all claims, costs or expenses incurred by us or the Seller as a result of any breach by you of any of the obligations in this clause

14. Inspection of Lots

a As we act on behalf of the Seller, we are dependent on information provided by the Seller about their Lots. We may inspect Lots and will act reasonably in taking a general view about them However we are normally unable to carry out detailed examinations of Lots to check their condition in the way a Buyer would do

b We strongly recommend that you attend the auction viewing in person if possible. You are responsible for your decision to bid for particular Lot If you bid on a Lot, including by telephone,

absentee bid or online bidding, we will assume that you have carefully inspected the Lot and satisfied yourself regarding it’s condition.

c Please note that the Lots (in particular second hand Lots) are unlikely to be in perfect condition Lots are sold ‘as is’ (i.e. as you see them at the time of the auction) Neither we nor the Seller accept any liability for the condition of secondhand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/or which the inspection of a Lot by the Buyer ought to have revealed

15. Descriptions and condition

a Our descriptions of the Lot will be based on i i Information provided to us by the Seller of the Lot (for which we are not liable); and i ii Our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

b We will give you a number opportunities to view and inspect the Lots before the auction You (and any independent consultants acting on your behalf ) must satisfy yourself about the accuracy of any description of a Lot We shall not be responsible for any failure by you or your consultants to properly inspect a Lot

c Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently

16 Registration, Bidding and the Buyer

a You are required to register to bid by 5pm on the day before the auction. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a absentee bid.

b If you wish to bid on high value Lots, the registration deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks

c We reserve the right to require deposits at the point of Registration on high value Lots Deposits are refundable after the auction if you are not a successful Bidder

d Lots will be invoiced to the name and address on the Registration Form

e Absentee bids may be left with us in writing indicating the maximum amount to be bid against a Lot (excluding Buyer’s Premium and/or VAT and any applicable charges) We will execute absentee bids as cheaply as possible having regard to the Reserve (if any) and competing bids If two Bidders submit identical absentee bids we may prefer the first bid received (where this can reasonably be ascertained). Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable.

f Telephone bidding is offered on a first come first serve basis on high value lots Neither we nor our employees or agents will be responsible for any failure to execute your telephone bid, unless our failure to do so is unreasonable

g Bidding online is available via doreandrees com and our auction partners EasyLiveAuction com Please refer to EasyLiveAuction com for their charges and terms and conditions

h We reserve the right to refuse to register you if you do not provide us with all the information and documentation that we ask for at our discretion

i We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

j We may refuse to accept any bid if it is reasonable for us to do so

k. Bidding increments will be at our sole discretion (and in line with standard auction practice)

l The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price Any dispute about a bid will be settled at our discretion We may reoffer the Lot during the auction or may settle the dispute in another way We will act reasonably when deciding how to settle the dispute

17 Anti-Money Laundering Regulation

a We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 (or equivalent) or more.

b Buyers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which they are bidding in order to meet the requirements of the regulations

18 The Purchase price

a As Buyer, you will pay:

i The Hammer Price;

ii Buyer’s Premium of 25% of the Hammer Price

iii Any artists resale right royalty payable on the sale of the Lot

iv Any VAT due11

19. VAT

a You are responsible for the payment of any VAT applicable on the Hammer Price and Buyer’s Premium due for a Lot

b We will charge VAT at the current rate at the date of the auction

10. Artist’s Resale Right

a. From mid February 2006, living artists are entitled by law to receive a resale royalty each time their work is resold by or to and art market professional. From January 2012, the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and the beneficiaries of these artists

b. An artwork must be resold for more than 1000 euros Hammer Price (or equivalent) to qualify for the right The rates applicable are calculated as a percentage of the Hammer Price and are set out on a sliding scale from 4% to 0 25% The charge is exclusive of VAT We reserve the right to pass all the cost to the Buyer of the qualifying artwork

11. The contract between you and the Seller

a The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction

b You may directly enforce any terms in the Terms and Conditions of Sale - SELLER against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms and Conditions - SELLER.

c If you breach these Terms and Conditions –BUYER, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim

d We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot)

e In addition to any other rights we may have to cancel a contract for sale under these Terms and Conditions – BUYER, in the event:

i You are in breach of your warranties in clause 3; or

ii We have not completed our enquiries pursuant to the Money Laundering Regulations and related legislation to our satisfaction; or

iii We have reason to believe that the transaction might be unlawful for any reason, or that the sale might put us under any civil or criminal liability, we may delay the completion of the sale, delay a release of a Lot or cancel the sale of a Lot.

12. Payment

a Immediately following your successful bid on a Lot you will:

i. Pay to us the Total Amount Due by one of the following methods:

1 BACS

2 Debit Card

3 Cash – up to a limit of £8,000 in person

13. Title and Collection of Lots

a While you are bound by the contract for the purchase of the Lot from the fall of hammer on your successful bid, ownership in the Lot will not pass to you until you have paid us in full the Total Amount Due in cleared funds for that Lot;

b. You may not claim or collect your Lot until you have paid for it and ownership has passed to you

c. You will (at your own expense) collect any Lots that you have purchased and paid for either:

i Not later than 5 working days following the day of the auction

II Not later than 5 working days following the date that we have received payment of the Total Amount Due in cleared funds, if later

14. Storage of

Lots

a. If you do not collect the Lot within the time period set out in above, you will be responsible for any reasonable removal, storage and insurance charges in relation to the Lot.

b The risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

c If you do not collect the lot that you have paid for within 90 days after the auction we may sell the Lot. We will pay the proceeds of any such sale to you, we will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot

15. Remedies for non-payment or failure to collect purchases

a. Please do not bid on a lot if you do not intend to buy it If your bid is successful, these Terms and Conditions of Sale - BUYER will apply to you This means that you will have to carry out your obligations set out in these Terms and Conditions of Sale - BUYER If you do not comply with these Terms and Conditions of SaleBUYER, we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:

i Take action against you for damages for breach of contract

ii Reverse the sale of the Lot to you and/or any other Lots sold by us to you;

iii esell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause

8. Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

iv. Remove, store and insure the Lot at your expense;

v f you do not pay within 5 days of your successful bid, we may charge interest at a rate not exceeding 1 5% per month on the Total Amount Due;

vi Keep that Lot or any other Lot sold to you until you pay the Total Amount Due

vii Reject or ignore bids from you or your agent at future auctions or impost conditions before we accept bids from you; and / or

viii If we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

b We will act reasonably when exercising our rights under clause 7 We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms and Conditions

16. Forgeries

a A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a forgery

17. Data Protection

a We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website

18 Liability

a Save as set out in these Terms and Conditions, we exclude to the fullest extent permitted by law all warranties and conditions, whether express or implied by statue, common law or otherwise

b. Nothing in these Terms shall operate to exclude or limit the liability of a party in respect of death or personal injury resulting from that party’s own negligence, for fraud or for any liability that cannot be excluded or limited under applicable law

c No party to these Terms shall be liable to any other contract, tort (including negligence) or otherwise for any indirect or consequential losses, or for any loss of profits, loss of good will, loss of revenue, loss of business or loss of anticipated savings.

d Subject to Clauses 10 b and 10 c, our liability to you shall not exceed £5,000, unless your claim relates to an item sold through an Auction in which case our liability to you shall not exceed the greater of £15,000 or the Hammer Price for the relevant Lot.

e We will not be responsible or liable for errors and omissions to execute bids, caused by a loss of internet connection, a breakdown or interruption of the on-line bidding system, or a breakdown or failure of any internet connection, computer or IT system

19. General

a. No party shall have any liability in respect of any delay in performance or non-performance of its obligations under these Terms (other than an obligation to pay) owing to Force Majeure. If a party is affected by Force Majeure it shall notify the other parties as soon as reasonably possible, in any event within 5 days, and shall take reasonable steps to mitigate the effect of the Force Majeure Subject to Clause 4 b, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where applicable) against all losses, damages, claims, costs and expenses suffered or incurred as a result of any claim in respect of the Lot or proceeds of the sale of the Lot

b Every person on our premises shall be deemed to be there at their own risk and, subject to clause 9 b, shall have no claim against us in respect of accident or loss, however caused.

c hese Terms are governed by in interpreted in accordance with the laws of England and Wales or the laws of Scotland or Northern Ireland if you live there) If you choose to bring proceedings in conjunction with these Terms you must do so in the courts of England and Wales, unless you live in Scotland, in which case you can choose to bring proceedings there, or in Northern Ireland, in which case you can choose to bring proceedings there

d Any or all part of any term of these Terms that is found to be unfair or unenforceable by a court of competent jurisdiction will be treated as deleted and the remainder of the Terms will continue to govern each of our respective obligations

e ny notice from you to us must be sent in writing to us at our address detailed on our website

f f you elect to collect the Lot from us you will bear all associated cost, expenses and duties.)

SELLERS

1 Our Status

a You appoint us to act as agent to sell the Lots on your behalf by auction

b. You will pay us the Sellers Commission together with VAT at the prevailing rate

c We will not include any Lots in an auction until they have been received by us.

d We will pay the Hammer Price, with Seller’s Commission, Loss and Damage Warranty and any other charges incurred deducted and applicable VAT applied at the prevailing rate, to you at 28 working days following the Auction in which the Lots are sold, or if later, 7 days after payment by the Buyer

2 The Reserve

a We will agree with you the Reserve, which may be higher than the starting bid

b. We shall not publicise the Reserve.

c We may bid on your Lot up to an amount equal to the Reserve You may not bid on your Lot under any circumstances, nor maySyou permit any person to bid on your lot on your behalf

3. Seller’s obligations and undertakings

a You warrant to us and to the Buyer that:

i you are the sole owner of the Lot and that you have full right, title and authority to sell the Lot;

ii you have no reason to believe that it is a Forgery;

iii all Lots sold by you are sold to the Buyer with full title guarantee and free from all encumbrances;

iv you have provided to us all of the relevant information and documents in your possession or control concerning the Lot, including information about its authenticity, history, condition, prior ownership and all such information is complete to the best of your knowledge;

v if the Lot has been removed from a country outside the UK, all duties and taxes on the import of the Lot have been paid, all export and import declarations have been properly made;

vi. you will pay any and all duties and taxes that may be due in connection with the sale of the Lot;

vii you have given us notice of any alterations to the Lot of which you are aware;

viii you may not withdraw a Lot from an Auction without our consent

b If you withdraw a Lot from an Auction without our consent, you will pay to us 15% of the Lot’s estimate and any related costs within 14 days of such withdrawal.

c If the Buyer of your Lot decides to exercise their right to cancel, you agree that we shall be entitled to account directly to the Buyer for any applicable refund and we shall account to you for any sums retained on account of the Lot being damaged or tampered with by the Buyer.

d You will indemnify us and the Buyer in full on demand against all claims, costs or expenses incurred by us or the Buyer as a result of any breach by you of any of the obligations in this clause

4

Loss and Damage Warrant y

a All Lots held with us are covered by insurance against risk of fire, burglary, water damage and accidental damage except to glass For this we will charge you 1 5% plus applicable VAT of the Hammer Price for the Lot or the value the Lot would have achieved as assessed by the Auctioneer

b. Subject to this, risk in the Lot remains with you at all times until risk passes to the Buyer You will indemnify us and our employees and agents, and the Buyer (where appliable) against all loss damage claims costs and expenses suffered or incurred as a result of any claim in respect of the Lot or the proceeds of the sale of the Lot.

5 Anti-Money Laundering Regulations

a. We are obliged to comply with Anti-Money Laundering regulations which apply to individuals and businesses who deal in the sales, purchases and storage of works of art with a value of €10,000 or more

b Sellers may be requested to provide photographic ID and proof of address documentation in advance of the Auction in which their Lot is to be offered in order to meet the requirements of the regulations

6 Images and Illustration

a We will take (or authorise others to take) photographs, video and/or produce images of the Lot and will own all intellectual property rights in any such images and may use them for any purpose, and you warrant that there is no restriction on our ability to do so

7. Unsold Lots

a If at the end of the Auction, your lot is unsold (other than because it was withdrawn) the Lot will be available for After Sale offers.

b Registered Bidders may contact us and offer to purchase a Lot after the Auction If the bid meets or exceeds the Reserve, we may authorise the sale of your Lot without contacting you and the sale will be completed as if the Lot had been sold during the Auction If the bid is less than the Reserve, we will contact you. If you accept the bid and wish to proceed, the sale will be completed as if the Lot had been sold during the Auction

c. You may contact us at any time after the Auction to remove your Lot from the After Sale process

d Subject to agreement with us, your unsold Lot can be re-offered at a future Auction at a revised Estimate and Reserve or can be collected by you, you are responsible for collection and transportation arrangements and costs.

8 Withdrawn Lots

a. If we withdraw a Lot from Auction, we will notify you and you will collect the Lot from us within 30 days of our notification

b.You are responsible for collection and transportation arrangements and costs

9 Forgeries

A A sale shall be cancelled and the Buyer shall be entitled to a refund of both the Hammer Price and the Buyer’s Premium if a Lot bought by the Buyer through our Auction is shown to our satisfaction and within 14 days of the Auction to be a Forgery

b. If this is the case, you shall refund to us on demand, the total amount paid to you in relation to the lot plus any costs incurred by us or by the Buyer.

A SILVER GILT VINAIGRETTE WITH CAST TOP BIRMINGHAM 1830 SOLD: £1,300 ROLEX: A STEEL OYSTER PERPETUAL COSMOGRAPH DAYTONA WRIST WATCH SOLD: £19,500 A DIAMOND PENDANT, CIRCA 1900 SOLD: £2,080

EARLY AND FINE SILVER TANK ARD, MADE IN KUTCH, INDIA , C 1870 SOLD: £3,120 FINE SILVER

Contact: Duncan Campbell

w w w.duncan.campbell@doreandrees.com FINE JEWELLERY AND WATCHES

Contact: Susan Rumfitt susan.rumfitt@doreandrees.com