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Dundee Rep Ensemble presents
GAGARIN WAY By Gregory Burke Directed by Cora Bissett
OCT/NOV 2018
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When Andrew asked me to come and direct Gagarin Way here at the rep, I will admit I was excited and hesitant in equal parts to begin with. Gagarin Way first exploded onto the Scottish then world stage 17 years ago with such blazing effect, timeliness, and urgency, to become something of a Scottish classic, it's hard to know how you approach that play almost 2 decades on in a very different world where seismic events have occurred, shaped, and changed us. And yet, in a play which asks serious questions about a community which has been repeatedly failed by economics, and you have at the core, characters searching for a political belief system which would give them some sort of control of their world, you have at once a play which speaks to the moment very differently and vitally each time it is staged. And right now in a world where global politics govern so much of our lives, the play feels almost prophetic.
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It was well documented at the time that Gregory wrote the play as a bit of an experiment, having very little or no theatre experience, having dropped out of an Economics degree at Stirling Uni. This feels incredible when you ďŹ rst read the play, which is a brilliantly structured bullet-proof page turner, which he disguises as a laugh out loud black comedy, then lulls you into thinking it's a popular styled heist story, before you gradually realise this is a deeply moral play asking big questions about where can the average person place any belief, hope or faith in any party or political system. I love the authenticity and music of the Fife dialect which Gregory so masterfully captures. Being a Fifer myself, the rapid ďŹ re nihilistic rants of Eddie were strangely redolent of the lads from the desolate ex-mining towns of Methil, Cardenden or Lochgelly whom I was at school with. It would be easy to simply play the characters as stock roles; psychopath, deluded old communist, corporate baddie, naive idealistic student. However, I think what myself and the cast all enjoyed mining from the script was the fragility and contradictions in each of these men, as Eddie notes 'there’s a crisis of masculinity happening, didn't you know?' I think in each of them, under the bravado, the jadedness, the misguided complete adherence to an outdated notion, is a lost man, so failed and forgotten or chewed up and used by the enormous machine of global capitalism that they have no idea what to hold onto, what might be 'noble', or what might make their life meaningful. It's ridiculously funny, pained, political, and tragic in equal parts. Cora Bissett Director
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Dundee Rep Ensemble presents
GAGARIN WAY By Gregory Burke
Tue 16 Oct – Sat 3 Nov
Cast Eddie
Ewan Donald
Gary
Michael Moreland
Frank
Barrie Hunter
Tom
Ross Baxter
Creative Team Director
Cora Bissett
Designer
Emily James
Lighting Designer
Katharine Williams
Composer / Sound Designer
Niroshini Thambar
Assistant Director Emily Winter Fight Director
EmmaClaire Brightlyn
Associate Fight Director
John Winchester
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Cast Ewan Donald EDDIE Ewan trained at Queen Margaret University College, Edinburgh. Previous work for Dundee Rep includes: The 39 Steps, Passing Places, Deathtrap, A Christmas Carol, August: Osage County, The Resistable Rise of Arturo Ui, Monstrous Bodies, Death of a Salesman, George’s Marvellous Medicine, The Cheviot, the Stag and the Black, Black Oil, Much Ado About Nothing, Love Song, Witness for the Prosecution, Sunshine on Leith, Sweet Bird of Youth, A Midsummer Night’s Dream, The Talented Mr Ripley, The Graduate, The Visit, Merlin the Magnificent and Macbeth. Theatre credits include: The Lion, the Witch and the Wardrobe Royal Lyceum Theatre Edinburgh; Dunsinane National Theatre of Scotland/Royal Shakespeare Company; The Three Sisters, An Imagined Sahara, An Arab Woman Speaks and Ramallah Tron Theatre; This Is Ceilidh PW Productions; Ane Pleasant Satyre of the Thrie Estaitis AandBC Theatre; Be Silent or Be Killed, From These Parts and Rapid Departure Right Lines Theatre; King Lear Citizens Theatre; The Prince: the Johnny Thomson Story Ambassador Theatre Group; Midsummer (a play with songs) Traverse Theatre; Wake Me in the Morning, Saint One, Saint Catherine’s Day, Baltamire and The Seagull Òran Mór; The Not-So-Fatal Deal of Grandpa Fredo Vox Motus; Walden Magnetic North; Little Red Riding Hood The Arches; Sleeping Beauty, Cinderella, Mother Goose, The Odd Couple (female version), Death of a Salesman, Proof, Sinbad and the Lost Princess and The Little Foxes Perth Theatre; Othello and A Midsummer Night’s Dream Bard in the Botanics and Damages Rapture Theatre. TV work includes: New Town, Whatever It Takes and River City BBC.
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Michael Moreland GARY Theatre credits include: Knives and Hens, Richard III (Perth Theatre), Democracy (Rapture Theatre Company & Scottish Tour), A Mad World My Masters (English Touring Theatre), All My Sons (Rapture Theatre Company & Scottish Tour), The Roaring Girl, The White Devil and The Witch of Edmonton (Royal Shakespeare Company), Cinderella (Perth Theatre), Macbeth (Perth Theatre/Tron Theatre), Lady M (Theatre Jezebel), Mother Goose (Perth Theatre), Twelfth Night (Perth Rep), Sunshine on Leith (Dundee Rep Theatre and UK Tour), Hoors (Traverse, Tron & Theatre Royal Bath), Mother Goose (Adam Smith Theatre), The Triumph Of Love and What Every Woman Knows (Royal Exchange Manchester), The Found Man (Traverse Theatre), Gagarin Way (Arts Theatre London), Gagarin Way (Royal National Theatre), Stroma (TAG Theatre Co), Passing Places (Greenwich & Derby), Junk – UK Tour (Oxford Stage Company), The Country Wife (Bridewell Theatre), The Seal Wife (Attic Theatre Company) and Macbeth (Chester Gateway). Television credits include: Doctors BBC, Shetland ITV, Scots Squad Comedy Unit, Bob Servant Independent BBC, Doctors BBC, Gary Tank Commander Comedy Unit, Pete V Life Objective Productions, The Bill ITV, Monarch of the Glen VI Ecosse, Murder Prevention Channel 5, The Bell Rock BBC, Casualty XVIII BBC, A Touch Of Frost Yorkshire Television, Magic Tetra and This Life II World Productions. Film Credits Include: Love, Intrigo – Samaria, Filth, Under the Skin, New Town Killers, 16 Years of Alcohol, A Time To Love and Hogg in The Trench.
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Barrie Hunter FRANK Barrie has worked consistently in theatres across Scotland and the UK with companies such as the Royal Lyceum Theatre Edinburgh, Tron Theatre, Perth Theatre, Dundee Rep, Borderline, Theatre Babel, Citizens Theatre and the National Theatre of Scotland. Previous work for Dundee Rep includes: The Yellow on the Broom, The 39 Steps, Passing Places, Spring Awakening, August: Osage County, The Resistible Rise of Arturo Ui, Death of a Salesman, The Cheviot, The Stag and the Black, Black Oil, Much Ado About Nothing, Love Song, Witness for the Prosecution, The Mill Lavvies, Sunshine on Leith, Gypsy and Macbeth. Recent theatre credits include: Stones in His Pockets and Whisky Galore Mull Theatre/ Citizens Theatre; Descent Òran Mór; Rough Island Mull Theatre/Òran Mór; The Drawer Boy Mull Theatre; Three Sisters Òran Mór; Ane Pleasant Satyre of the Thrie Estaitis AandBC Theatre; The Government Inspector Communicado/ Aberystwyth Arts and Betrayal Citizens Theatre. TV and film credits include: The Angels’ Share Sixteen Films; Fast Romance Icklefix Films; Rab C Nesbitt Comedy Unit/BBC; The Field of Blood Slate North/BBC; Dear Green Place Effingee/BBC; Jess the Border Collie BBC; Still Game Effingee; Stacey Stone BBC and Velvet Soup BBC. Radio credits include: Jonathan Watson’s Big Society Comedy Unit; Watson’s Wind-Up Comedy Unit/BBC and Hand in Glove BBC.
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Ross Baxter TOM Training: The Royal Conservatoire of Scotland Theatre Credits include: The Yellow on the Broom (Dundee Rep), Side Show (the Royal Conservatoire of Scotland), Spring Awakening (the Royal Conservatoire of Scotland / Dundee Rep), London Road (the Royal Conservatoire of Scotland), Chess (the Royal Conservatoire of Scotland / Edinburgh Festival Theatre), Ghost Train (Royal Scottish National Orchestra). Workshops: Raintown (the Royal Conservatoire of Scotland / Dundee Rep), Nethergate (the Royal Conservatoire of Scotland / National Theatre of Scotland / Dundee Rep), BINGO! (Stellar Quines). TV/Film: BBC Children in Need 2016 (BBC Scotland).
Ross is sponsored by The Robertson Trust Graduate Apprentice Actor Scheme
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Creative Team Cora Bissett DIRECTOR Cora Bissett is a director, actor and singer song writer. She has been an Associate Director with the National Theatre of Scotland since 2014. After graduating from the Royal Conservatoire of Scotland in 1997 Cora worked as an actor for 14 years before launching her production company and flagship production Roadkill written by Stef Smith. Cora is passionate about creating innovative cross-form work rooted in collaboration, and frequently seeks out ‘real life’ stories which feel urgent and untold. Amongst numerous awards for her work, she gained an Olivier for the acclaimed production Roadkill in 2012 for ‘Outstanding Production in an Affiliate Theatre’ during its London transfer and subsequently travelled to site specific spaces in Chicago, Paris and New York. Directing work for NTS includes Glasgow Girls in 2011. The remount of this popular political musical Glasgow Girls, which she co-created with David Greig and directed in 2012 will play the King’s Theatre, Edinburgh and King’s Theatre, Glasgow in Jan 2019. It tells the life affirming story of a group of teenage girls fighting for the rights of their asylum seeking friends and won an 'Off West End' Award for best new musical and an Amnesty International Award for Freedom of Expression in 2016. Rites, a verbatim production about FGM, which was co-produced with Contact Manchester, Adam, a real life story centering on a young Egyptian trans man who settled in Glasgow, written by Frances Poet. She was co-lyricist/composer on Emma Donoghue’s new musical adaptation of her novel Room, which she also directed for its May 2017 opening at Theatre Royal Stratford East. For her own company Pachamama, she has directed GRIT – The Martyn Bennett Story, written by Kieran Hurley and Janis Joplin – Full Tilt, by Peter Arnott. Cora’s first play What Girls Are Made Of, an autobiographical piece of gig-theatre (co-produced by the Traverse Theatre and Raw Material) opened at the Traverse Theatre during the Edinburgh Festival 2018 in which she performed supported by a live band of actor-musicians and was directed by the Traverse Theatre Artistic Director Orla O’Loughlin. The play won a Fringe First award and Herald Angel and will tour across Scotland before heading out internationally in 2019.
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Emily James DESIGNER Following her BA Hons at Edinburgh College of Art, specialising in costume design, Emily James completed a post-graduate design course at Bristol Old Vic Theatre School. During this time she was a finalist for the 1997 Linbury Prize for Stage Design, with her work exhibited at the National Theatre. In 1998, Emily was awarded a design bursary at the Manchester Royal Exchange Theatre, where she designed Jerusalem Syndrome by Amy Rosenthal for the new Studio space. She went on to design Jess Walter’s Terracotta, directed by Marianne Elliott – a co-production for Hampstead Theatre/Birmingham Rep. During ten subsequent years in London, her work has encompassed many genres from new writing to classic plays, musical theatre and opera. Designs include: Freebird – New Vic Studio, Bristol Old Vic; Cyrano de Bergerac, Bugsy Malone – The Drum, Plymouth Theatre Royal; Sitting Pretty – National Tour; The Dream Train – Traverse Theatre, Edinburgh; Peter Grimes – Marlowe Theatre, Canterbury; Master Harold and the Boys – Nuffield Theatre, Southampton; 20,000 Leagues under the Sea (costume designs) – Theatre Royal, Stratford East. Site-specific work includes two large-scale promenade productions for The Dukes Theatre, Lancaster – Grimm Tales and The Canterbury Tales. Both productions took place in the Williamson Park, each involving more than thirty costume designs and numerous settings within the woods. Emily spent three years based in Seattle, where she had the opportunity to work with Seattle Dance Project and choreographer Ellie Sandstrom, designing costumes for Al Poco Tiempo at the Erickson Theatre. Alongside her theatre work, Emily has worked as Resident Design Tutor on the RADA Summer Design School and the Edinburgh based Scenehouse Design Course. Since returning home to Scotland in 2011, Emily has worked on several shows with director Ben Harrison, including Dogstar’s Factor 9, which toured to Sweden and Denmark, and more recently designing Grid Iron’s ambitious Jury Play at the Traverse. She has also recently designed the award-winning National Theatre of Scotland production, Adam, directed by Cora Bissett at the 2017 Edinburgh Fringe, which tours this year to Dundee Rep, Brighton and London.
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Katharine Williams LIGHTING DESIGNER Lighting designs include: Hole (Royal Court Theatre and RashDash); Women In Power (with Blanche McIntyre at Nuffield Southampton); Status (Chris Thorpe and China Plate); All of Me (Caroline Horton and China Plate); The Croydon Avengers (Harrogate Theatre); The Rivals (Watermill); Partus (Third Angel); Flood – Part Four (SlungLow); Two Man Show, The Darkest Corners (RashDash); Education, Education, Education (Wardrobe Ensemble); Instructions for Border Crossings, Going Viral, Error 404 (Daniel Bye); Big Guns (Yard Theatre); Medea (Bristol Old Vic); An Injury (Permanent Red); Am I Dead Yet? (Unlimited); Ode To Leeds (West Yorkshire Playhouse). Writing includes: Walk With Me (VAULT Festival). Katherine was founder of Crew for Calais and was lead artist on the Love Letters to the Home Office project.
Niroshini Thambar COMPOSER/SOUND DESIGNER Niroshini is a musician and composer for theatre and installation. Themes of life history, identity and belonging frequently inspire and thread through her work. Composition and sound design credits include The Arrival (Solar Bear), Secret Life of Suitcases (Ailie Cohen Puppets/ Unicorn Theatre), Twa and The Bridge (Annie George) commissioned for the Commonwealth Games 2014 cultural programme, Valentina’s Galaxy (Frozen Charlotte) commissioned for the Edinburgh International Science Festival 2018 and Glasgow Pixillated a short film by Dfiefoe for the Glasgow 2018 championships cultural programme. Soundtracks as co-composer/co-sound designer include Chronicles (NTS/Project X/Thulani Rachia), the sound design for Drift (Vision Mechanics/Nordland Visual Theatre), From Here to There (La Nua), Cargo (Iron Oxide/Edinburgh Mela) and Moonbeam on a Cat’s Ear (Jabuti Theatre).
EmmaClaire Brightlyn FIGHT DIRECTOR Originally from Canada, EmmaClaire is a freelance actor, fight director and teacher based in Glasgow and Toronto. As well as regularly teaching for the Royal Conservatoire of Scotland, she was part of the first ever International Stage Combat Workshop held in 2016, and was a guest panelist at the 25th Anniversary International Paddy Crean Workshop in Banff, Canada in 2016, where she will be returning as staff in 2018. Fight Directing credits include: Ulster American (Traverse Theatre); Twelfth Night, Cockpit (The Royal Lyceum Theatre); Deathtrap, August: Osage County, Titus Andronicus (Dundee Rep); Richard III, Knives in Hens, Macbeth, The Seafarer (Perth Theatre); The Oresteia Trilogy (Citizens Theatre/NTS); Rapunzel, The Libertine, Miss Julie, The Maids (The Citizen’s Theatre. EmmaClaire also appeared as a featured Gladiator and co-fight captain in Ben Hur Live! (New Arts Concerts, Germany) in 2011. Most recently she has been Fight Arranger on Scottish feature films BEATS (Sixteen Films) and Anna and the Apocalypse (Blazing Griffin), released by MGM/Orion in December 2018.
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Emily Winter ASSISTANT DIRECTOR Emily has been a member of Dundee Rep Ensemble for the past 19 years. Previous work with Dundee Rep includes: The Yellow on the Broom, The 39 Steps, Passing Places, Deathtrap, A Christmas Carol, The Maids, August: Osage County, The Resistible Rise of Arturo Ui, Monstrous Bodies, Death of a Salesman, The Cheviot, the Stag and the Black, Black Oil (2016 national tour), Much Ado About Nothing, Love Song, Witness for the Prosecution, The Witches, Midsummer (a play with songs), The Cheviot, the Stag and the Black, Black Oil (2015), Great Expectations, Titus Andronicus, The Gamblers (co-production with Greyscale Theatre Company), Cars and Boys, And Then There Were None, The BFG, Hecuba, Victoria, Kora, Time and the Conways (co-production with the Royal Lyceum Theatre Edinburgh), The Snow Queen, Whisky Galore – a Musical!, She Town, The Tempest, Forfeit (a co-production with Òran Mór), Steel Magnolias, Cinderella, Mary Queen of Scots Got Her Head Chopped Off (co-production with the Royal Lyceum Theatre Edinburgh), The Rise and Fall of Little Voice, A Doll’s House, Talking Heads (actor and director), Sweeney Todd: the Demon Barber of Fleet Street, The Elephant Man, The Cherry Orchard, Peer Gynt (co-production with National Theatre of Scotland, 2007 and 2009 national tour), Mother Courage and Her Children, Les Parents Terrible, Romeo and Juliet, Playhouse Creatures, Sunshine on Leith, Hansel and Gretel, Sweet Bird of Youth, A Midsummer Night’s Dream, Monkey, The Talented Mr Ripley, Gypsy, The Graduate, A Lie of the Mind, Macbeth, Scenes From an Execution, Dumbstruck!, The Danny Crowe Show, Flora the Red Menace, as well as Dancing at Lughnasa, The Duchess of Malfi, Nightflights, Pants, Measure for Measure, The Seagull, Mince?, The Winter’s Tale, Plague, Cabaret, The Playboy of the Western World, All My Sons and Sexual Perversity in Chicago. Emily was also assistant director on Who’s Afraid of Virginia Woolf? and directed The Shape of a Girl.
John Winchester ASSOCIATE FIGHT DIRECTOR John is a freelance actor based in Glasgow who trained at the Bristol Old Vic Theatre School, where he fell in love with the practice of stage combat and gained his Advanced BADC qualification with the highest grade of “Recommendation”. He has since taken every opportunity he could to play-fight throughout his career and has often been cast in productions for his ability to pretend to get punched and fall over. He has also assisted, and worked as part of the fight team for Scottish Canadian fight director Emmaclaire Brightlyn on several productions including the feature film Anna and the Apocalypse, Tron Theatre’s production The Motherf***er with the Hat and in The Bard In The Botanics 2017 Summer season on their production of Queen Lear. He also choreographed the fights for this year’s Bard Summer season, which included Romeo & Juliet, Edward II and Antony & Cleopatra. He has had training in various physical disciplines including martial arts, gymnastics and clowning.
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Staff DUNDEE REP THEATRE Artistic Director (Dundee Rep) /Joint-Chief Executive Andrew Panton Dundee Rep Ensemble Ewan Donald, Barrie Hunter, Irene Macdougall, Ann Louise Ross, Emily Winter The Robertson Trust Graduate Apprentice Actor Scheme Ross Baxter, Danielle Jam, Amy Kennedy, Chiara Sparkes, Leanne Traynor ARTiSTiC ASSoCiATES Movement Emily-Jane Boyle Music/Singing Claire McKenzie Voice Jean Sangster ADMINISTRATION Director of Finance and HR Heather Mackintosh Senior Finance officer Pamela Reid Producer & Programme Manager Viktoria Begg Artistic Planning Coordinator Joanne Clark Stage one Producer Carla Marina Almeida MARKETING Acting Marketing Manager Gemma Henry Marketing Associate Sean Millar Marketing Associate Seher Sultan Audience Development Assistant Georgia Green DEVELOPMENT Head of Development Tara Quinn Development officer Robyn Donoghue PRODUCTION Head of Production Gavin Harding Technical Manager Ian Dow Design Assistant / Scenic Artist Leila Kalbassi Company Stage Manager Lesley Neilson Stage Manager Katy Nicolson Deputy Stage Manager Catherine Gibbs Head of Workshop Lenny Whittet Chief Stage Technician Graeme Taylor Assistant Carpenter Neil Simpson Head of Sound Maciej Kopka Deputy LX Nate Lamb Head of Wardrobe Cate Mackie Wardrobe Assistants Rachel Johnson, Meg Davies Wardrobe Trainee Darren McFawns
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REP ENGAGE Head of Rep Engage Gemma Nicol Education & Pathways Associate Heather Cassidy Participation & Young Artists Associate Lisa Williamson Community, Health & Wellbeing Associate Amanda Lowson Dramatherapist: Children & Young People Kyle Blears Dramatherapist: Adults Anastasia Anapolytanou Administrator Karen Robertson Rep Engage Trainee Abbey Adams Youth Theatre Practitioner Lewis Fraser ASPiRE Drama Artists Hayley Blakeman, Amanda Glover, Ellen Shand Dramatherapy Support Worker Eleni Daskalaki Creative Assistants Andrew Manzi, Izaac Gaines, Lyn Reekie, Fin Avison, Blair Morris, Claire Bain, Paul McDonald, Jacob Dudgeon, Adele Kinmond, Ann Manzi, Farrah Fawcett, Rachel Bichard, Josef Boon, Freya Purdie, Anjini Snape, Tsen Day-Beaver, Clare Heggie, Pippa Cowling, Ryan Hay, Khaley McKenzie SCOTTISH DANCE THEATRE Artistic Director Fleur Darkin General Manager Amanda Barnett Senior Producer Aiyana D’Arcangelo Head of Creative Learning Dawn Hartley Head of Production Emma Jones Rehearsal Director Naomi Murray international Producer Nelson Fernandez Marketing Manager Sarah Leary Creative Learning Coordinator Felicity Beveridge Digital Marketing Associate Graham Webster Press & PR Consultant Owen O'Leary Audience Development Lottie Barker Company Technician Adam McCall Stage and Tour Manager David Lawson Senior Dancer James Southward Dancers Kieran Brown, Harry Clark, Alison Jaques, Luigi Nardone, Adrienne O’Leary, Jessie Roberts-Smith, Oscar Pérez Romero, James Southward, Pauline Torzuoli Apprentice Dancers Reece Calver, Molly Danter, Giorgia Pirozzi Apprentice dancers are postgraduate students who work with the company as part of their coursework at London Contemporary Dance School. Support Workers Rhian Davidson, Shannon Dray, Jorja Follina, Sarah Greene, Katie McFarlane, Taine McKinstray, Aislinn Mulholland, Sam Mulholland, Amelia Newton, Niamh O’Loughlin, Jourdan Walker, Kirsten Wallace, Naomi Watt, Carmen Berbel, Kirsten Ellis, Ida Hesselmark, Freya McIntosh, Francesca Till OPERATIONS Head of operations Sarah Loveday Visitor Services Manager Andrew Manzi Visitor Services Duty Manager Carol Watson Visitor Services Supervisors Amelia Newton, Rob Currie Restaurant & Events Manager Eve Moore Bar & Restaurant Supervisor Amanda Montgomery Facilities Manager Jaci Stewart Maintenance operative Garry Brown Visitor Service Assistants (Bar, Restaurant, Auditorium & Box office) Jade Anderson, Nikki Anderson, Saoirse Anis, Hayley Blakeman, Thalia Chappell, Coren Childs, Lisa Croll, Rob Currie, Marissa Dempsey, Sam Flint, Jeff Hannan, Clare Heggie, Ellie Hughes, Caitlin Irvine, Nadine Klink, Sarah Lindsay, Henry Loan, Michael Lumby, Katie Lumsdaine, Jessica McIntosh, Beth MacLeod, Ross McNeill, Kiera Marshall, Renata Merciai, Tracy Morton, Dawn Mullan, Olivia Nicolson Head Chef Sandy Cooney Chefs Ross Marshall, David Milligan, Kitchen Porter Andy Murdoch BOARD OF DIRECTORS Chair Edward Troughton Board Members William Differ, Scott Greig, Lesley Larg (Vice Chair), Cllr Ken Lynn, Cllr Richard McCready, Stewart Murdoch, Mariam Okhai
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LET’S BE FRIENDS
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By arrangement with Josef Weinberger Plays Limited
ALL MY SONS Tue 19 Feb – Sat 9 Mar Box Office: 01382 223 530 By Arthur Miller Directed by Jemima Levick Dundee Rep and Scottish Dance Theatre Limited is a Registered Company No: 21201 – Scottish Charity Registered No: SC017315 – Dundee Rep and Scottish Dance Theatre Limited gratefully acknowledges support from:
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Dundee Rep and Scottish Dance Theatre Limited is a Registered Company No: SC021201 Scottish Charity Registered No: SC017315 Dundee Rep and Scottish Dance Theatre Limited gratefully acknowledges support from: