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Dundee Rep Ensemble presents
ALL MY SONS By Arthur Miller Directed by Jemima Levick
FEB/MAR 2019
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If I’m completely honest, on first reading, I missed most of the nuance and richness of All My Sons. I didn’t really understand why Andrew was keen for me to make a return to the Rep to direct it or why people kept telling me that it was their favourite play. One thing was clear; it showed great respect for Greek tragedy in which the protagonist must wrestle with his previous mistakes and face his reckoning, while exploring the father/son relationship. But it turns out – lucky for me – it’s one of those onion like plays that keeps on revealing itself layer by layer. In my early readings there was one central storyline I was obsessed by – that of Kate’s undeterred state of denial around her son being missing in action. At that time I was living through the early days of unbearable grief and a whole new understanding of survival and the value of family was evolving for me. Miller’s writing was so insightful and empathetic that I knew then, I wanted to direct it. Latterly, as loss became the ‘new normal’ and I began to readjust to see again what was happening in the rest of the world, the questions Miller asks around societal and individual responsibility began to materialise further each time I read it. In taking a moment to reflect on what those returning WW2 soldiers believed they fought for, I couldn’t help but wonder where we are headed? How do we learn from the mistakes that came before us and, as Chris asks his Mother, “to be better?” It is testament to Miller’s writing that more riches and beauty have continued to emerge with each day. Exploring all of these and drawing them out with this extraordinarily talented company has been a real joy. Returning to the Rep to direct All My Sons has been – like Chris, Ann and George – a return to the place I grew up. It’s not the garden I ran through but it is where I grew up as a director. Where I met my husband. Where I had my children. Now I see a city that’s a long way ahead of the Kellers. One that's looked back in order to move forward. A city that has evolved to become more internationally outward looking, and strives to be better. It’s wonderful to be back. Jemima Levick, Director
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Dundee Rep Ensemble presents
ALL MY SONS By Arthur Miller
Tue 19 Feb – Sat 9 Mar
Cast Dr Jim Bayliss
Antony Strachan
Joe Keller
Barrie Hunter
Frank Lubey
Ewan Somers
Sue Bayliss
Emily Winter
Lydia Lubey
Leanne Traynor
Chris Keller
Daniel Cahill
Bert
Young Company members Cian Birse & Billy Thomson
Kate Keller
Irene Macdougall
Anne Deever
Amy Kennedy
George Deever
Ewan Donald
Creative Team Director
Jemima Levick
Designer
Alex Lowde
Composer/ Sound Designer
David Paul Jones
Lighting Designer
Chris Davey
Assistant Director
Linzi Mitchell
Thanks to: Bob Hynd and Family; The Plant Market (Growforth Ltd.), Dunfermline; EmmaClaire Brightlyn; Ros Steen; Duncan Anderson Chaperones
Joanne Clark, Ida Hesselmark Niamh O’Loughlin
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Cast Antony Strachan Dr Jim Bayliss Antony has worked extensively in theatre throughout Scotland and beyond with National Theatre Of Scotland, Perth Theatre, Dundee Rep, Carnegie Hall, 360 Entertainment – San Francisco, Adam Smith Theatre, Festival Theatre Edinburgh, Royal Lyceum, Grid Iron, Visible Fictions, Catherine Wheels, Byre Theatre, The Latchmere Theatre, Lemon Tree, Tag Theatre Company and Sheffield Crucible Theatre. Previous work for Dundee Rep Theatre includes: Sunshine on Leith; Much Ado About Nothing; Great Expectations; Death of a Salesman. Television Credits: Mountain Goats BBC 1; Sunset Song Terence Davies; Bob Servant Independent BBC Scotland; Garrow’s Law Twenty Twenty Productions; Gary Tank Commander, Rab C Nesbitt, Will And Greg Sketch Show BBC Comedy Unit; Lip Service Kudos For BBC 3; Hotel Babylon Carnival Productions For BBC; Pramface, Holby City, Sunburn BBC; Inspector Rebus, Taggart SMG; High Times 2, High Times STV; Monarch Of The Glen Ecosse; Border Café Series Hartswood. Film Credits: Whisky Galore Giles MacKinnon; Sunset Song Terence Davies; Redirected Kino Kultas, Emilis Velyvis; Afterlife Gabriel Films; Sylvia Ariel Films; Once Upon A Time In The Midlands Midland Films; 16 Years Of Alcohol 16 Years Ltd; Young Blades Mario Andreacchio; The Trench William Boyd. Radio credits: Mark Nelson’s Guide to Marriage BBC Scotland; Vox Poppers BBC Comedy Unit.
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Barrie Hunter Joe Keller Barrie has worked consistently in theatres across Scotland and the UK with companies such as the Royal Lyceum Theatre Edinburgh, Tron Theatre, Perth Theatre, Dundee Rep, Borderline, Theatre Babel, Citizens Theatre and the National Theatre of Scotland. Previous work for Dundee Rep includes: Gagarin Way, The Yellow on the Broom, The 39 Steps, Passing Places, Spring Awakening, August: Osage County, The Resistible Rise of Arturo Ui, Death of a Salesman, The Cheviot, The Stag and the Black, Black Oil, Much Ado About Nothing, Love Song, Witness for the Prosecution, The Mill Lavvies, Sunshine on Leith, Gypsy and Macbeth. Recent theatre credits include: Stones in His Pockets and Whisky Galore Mull Theatre/Citizens Theatre; Descent Òran Mór; Rough Island Mull Theatre/Òran Mór; The Drawer Boy Mull Theatre; Three Sisters Òran Mór; Ane Pleasant Satyre of the Thrie Estaitis AandBC Theatre; The Government Inspector Communicado/ Aberystwyth Arts and Betrayal Citizens Theatre. TV and film credits include: The Angels’ Share Sixteen Films; Fast Romance Icklefix Films; Rab C Nesbitt Comedy Unit/BBC; The Field of Blood Slate North/BBC; Dear Green Place Effingee/BBC; Jess the Border Collie BBC; Still Game Effingee; Stacey Stone BBC and Velvet Soup BBC. Radio credits include: Jonathan Watson’s Big Society Comedy Unit; Watson’s Wind-Up Comedy Unit/BBC and Hand in Glove BBC.
Ewan Somers Frank Lubey Ewan trained at the Royal Central School of Speech and Drama and was the 2016 recipient of the Dundee Rep Graduate Scheme. Theatre credits include: Much Ado About Nothing (Ian Charleson Award nomination), Love Song, Little Red and the Wolf and Witness for the Prosecution (Dundee Rep), Cyrano de Bergerac (National Theatre of Scotland), Macbeth (Stafford Gatehouse), Faithful Ruslan: The Story of a Guard Dog (Belgrade Theatre Coventry and Glasgow Citizens Theatre), Travels With My Aunt, Rapunzel, Lot and His God and Lanark (Glasgow Citizens Theatre), Tomorrow (Vanishing Point, International Tour), Snow White and the Seven Dames and Aladdin (Perth Theatre) and Dick McWhittington (Perth Concert Hall). Screen credits include: Outlander (Sony/Starz/Leftbank).
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Emily Winter Sue Bayliss Emily has been a member of Dundee Rep Ensemble for the past 19 years. Previous work with Dundee Rep includes: The Snow Queen, The Yellow on the Broom, The 39 Steps, Passing Places, Deathtrap, A Christmas Carol, The Maids, August: Osage County, The Resistible Rise of Arturo Ui, Monstrous Bodies, Death of a Salesman, The Cheviot, the Stag and the Black, Black Oil (2016 national tour), Much Ado About Nothing, Love Song, Witness for the Prosecution, The Witches, Midsummer (a play with songs), The Cheviot, the Stag and the Black, Black Oil (2015), Great Expectations, Titus Andronicus, The Gamblers (co-production with Greyscale Theatre Company), Cars and Boys, And Then There Were None, The BFG, Hecuba, Victoria, Kora, Time and the Conways (co-production with the Royal Lyceum Theatre Edinburgh), The Snow Queen, Whisky Galore – a Musical!, She Town, The Tempest, Forfeit (a co-production with Òran Mór), Steel Magnolias, Cinderella, Mary Queen of Scots Got Her Head Chopped Off (co-production with the Royal Lyceum Theatre Edinburgh), The Rise and Fall of Little Voice, A Doll’s House, Talking Heads (actor and director), Sweeney Todd: the Demon Barber of Fleet Street, The Elephant Man, The Cherry Orchard, Peer Gynt (co-production with National Theatre of Scotland, 2007 and 2009 national tour), Mother Courage and Her Children, Les Parents Terrible, Romeo and Juliet, Playhouse Creatures, Sunshine on Leith, Hansel and Gretel, Sweet Bird of Youth, A Midsummer Night’s Dream, Monkey, The Talented Mr Ripley, Gypsy, The Graduate, A Lie of the Mind, Macbeth, Scenes From an Execution, Dumbstruck!, The Danny Crowe Show, Flora the Red Menace, as well as Dancing at Lughnasa, The Duchess of Malfi, Nightflights, Pants, Measure for Measure, The Seagull,Mince?, The Winter’s Tale, Plague, Cabaret, The Playboy of the Western World, All My Sons and Sexual Perversity in Chicago. Emily was also assistant director on Gagarin Way and Who’s Afraid of Virginia Woolf? and directed The Shape of a Girl.
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Leanne Traynor Lydia Lubey Leanne graduated from the Liverpool Institute for Performing Arts (LIPA) in 2018. Stage credits include: The Night of the Knight of the Burning Pestle, Nell, Liverpool Institute for Performing Arts (2018), Girls Like That, Girl 4, Liverpool Institute for Performing Arts (2017), Hedda Gabler, Juliana, Liverpool Institute for Performing Arts (2017), Made in Dagenham: The Musical, Ensemble, Liverpool Institute for Performing Arts (2017), The Tempest, Gonzalo, Liverpool Institute for Performing Arts (2017), Once a Catholic, Mother Peter, Dundee and Angus College (2015), The Wonderful World of Dissocia, Insecurity Guard/Dot, Dundee and Angus College (2014), Tick Tock, Lily, Edinburgh Fringe Festival (2014), She Town, Frances, Dundee Rep Theatre (2012). TV credits include: This is England ’90, Kelly, Liverpool Institute for Performing Arts (2017). Leanne is on the Graduate Actor Trainee Scheme supported by the Robertson Trust.
Daniel Cahill Chris Keller Daniel is from Glasgow and studied at the Royal Conservatoire of Scotland. His theatre credits include The First Dance (Òran Mór), Macbeth (Stafford Gatehouse Theatre), Shift (National Theatre of Scotland), Small World (National Theatre of Scotland/National Theatre), James I, James II and James III (National Theatre of Scotland/National Theatre), Lot and His God (Citizens Theatre), Macbeth (Perth Theatre), Truant (National Theatre of Scotland) and Blackout (Thickskin Theatre). TV/Film credits include Cassette (Parkhouse Pictures), Pumped (BBC3), Anna And The Apocalypse (Blazing Griffin), Blackout (Oscar Films), Exodus 21:24 (Blazing Griffin), Outpost 3: Rise of the Spetsnaz (Cinema 3), River City (BBC Scotland). Director/Creative credits include Jump, Run Free Jamaica, Jump Trinidad and Tobago (National Theatre of Scotland) and Rock, Whitenoise and Bring Your Own (Thickskin Theatre). Daniel is trained in martial arts and parkour. He has worked extensively in the world of physical theatre with companies such as Frantic Assembly, National Theatre of Scotland and Thickskin Theatre.
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Irene Macdougall Kate Keller Irene has been a member of Dundee Rep Ensemble for the past 19 years. Previous work with Dundee Rep includes: The Snow Queen, The Yellow on the Broom, Deathtrap, A Christmas Carol, The Maids, August: Osage County, Death of a Salesman, George’s Marvellous Medicine, Monstrous Bodies, The Resistible Rise of Arturo Ui, The Cheviot, the Stag and the Black, Black Oil (2016 national tour), Little Red and the Wolf, Witness for the Prosecution, The Witches, Midsummer (a play with songs), The Cheviot, the Stag and the Black, Black Oil (2015), Blood Wedding (co-production with Graeae and Derby Theatre), James and the Giant Peach, The Glass Menagerie, Woman in Mind, The BFG, Hecuba, Victoria, Kora, Time and the Conways (co-production with the Royal Lyceum Edinburgh), The Snow Queen, She Town, The Tempest, Cinderella, Futureproof (co-production with the Traverse Theatre), Anna Karenina, What Love Is and Forfeit (both co-productions with Òran Mór), The Rise and Fall of Little Voice, Sleeping Beauty, A Doll’s House, Talking Heads (actor and director), Sweeney Todd: the Demon Barber of Fleet Street, The Elves and the Shoemakers, Equus, The Elephant Man, The Cherry Orchard, Peer Gynt (co-production with National Theatre of Scotland, 2007 and 2009 national tour), Who’s Afraid of Virginia Woolf? (winner of CATS 2009 Best Actress Award), Mother Courage and Her Children, Les Parents Terribles, Romeo and Juliet, Sunshine on Leith, Sweet Bird of Youth, Gypsy, The Graduate, The Visit, A Lie of the Mind, Twelfth Night, Macbeth, A Midsummer Night’s Dream, The Duchess of Malfi, The Seagull, Dancing at Lughnasa, Plague, Mince?, Cabaret, Playboy of the Western World and many more. For Dundee Rep, Irene has directed The 39 Steps, Much Ado About Nothing, Whisky Galore and Talk to Me Like the Rain and Let Me Listen... Irene has worked extensively in theatre, radio and television, and is a founder member of the acclaimed Stellar Quines Theatre Company.
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Amy Kennedy Anne Deever Amy graduated from the Royal Conservatoire of Scotland in 2018 and received the Julia Stewart Award and the Citizens Theatre Society Award. Theatre credits include: NoMa (Tron Theatre Outside Eyes) The Pool of Bethesda, The Jungle Book, Balm in Gilead, Macbeth (Royal Conservatoire of Scotland), Kids (Festival Dei 2Mondi 60 – Special Commendation Prize), Ways to Shine (On the Verge Festival/McLellan Arts Festival), Green Zone (Overcoat Theatre Company), Trainspotting (Citizens Theatre). Radio credits include: Another Time, Another Place (BBC Radio Scotland/Royal Conservatoire of Scotland) Film & Television credits include: The Flu That Killed 50 Million (BBC), You, Me, Chippy and a Boat (RCS Short Film) Amy was involved in the development on The Alicted (Vicki Manderson and Finn den Hertog). Most recently, she was Assistant Movement Director on Peter Pan 2018 (Royal Conservatoire of Scotland) Amy is on the Graduate Actor Trainee Scheme supported by the Robertson Trust.
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Ewan Donald George Deever Ewan trained at Queen Margaret University College, Edinburgh. Previous work for Dundee Rep includes: The Snow Queen, Gagarin Way, The 39 Steps, Passing Places, Deathtrap, A Christmas Carol, August: Osage County, The Resistable Rise of Arturo Ui, Monstrous Bodies, Death of a Salesman, George’s Marvellous Medicine, The Cheviot, the Stag and the Black, Black Oil, Much Ado About Nothing, Love Song, Witness for the Prosecution, Sunshine on Leith, Sweet Bird of Youth, A Midsummer Night’s Dream, The Talented Mr Ripley, The Graduate, The Visit, Merlin the Magnificent and Macbeth. Theatre credits include: The Lion, the Witch and the Wardrobe Royal Lyceum Theatre Edinburgh; Dunsinane National Theatre of Scotland/Royal Shakespeare Company; The Three Sisters, An Imagined Sahara, An Arab Woman Speaks and Ramallah Tron Theatre; This Is Ceilidh PW Productions; Ane Pleasant Satyre of the Thrie Estaitis AandBC Theatre; Be Silent or Be Killed, From These Parts and Rapid Departure Right Lines Theatre; King Lear Citizens Theatre; The Prince: the Johnny Thomson Story Ambassador Theatre Group; Midsummer (a play with songs) Traverse Theatre; Wake Me in the Morning, Saint One, Saint Catherine’s Day, Baltamire and The Seagull Òran Mór; The Not-So-Fatal Deal of Grandpa Fredo Vox Motus; Walden Magnetic North; Little Red Riding Hood The Arches; Sleeping Beauty, Cinderella, Mother Goose, The Odd Couple (female version), Death of a Salesman, Proof, Sinbad and the Lost Princess and The Little Foxes Perth Theatre; Othello and A Midsummer Night’s Dream Bard in the Botanics and Damages Rapture Theatre. TV work includes: New Town, Whatever It Takes and River City BBC.
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Creative Team Jemima Levick Director Jemima is Artistic Director and Chief Executive of Stellar Quines Theatre Company. Prior to that, she was Artistic Director of Dundee Rep. She trained at Queen Margaret University, Edinburgh and on a Scottish Arts Council Director Traineeship with the Royal Lyceum Theatre. Since joining Stellar Quines, she has directed Bingo! A New Comedy Musical (co-produced with Grid Iron), The Lover (co-produced with the Royal Lyceum Theatre & Scottish Dance Theatre) The Last Queen of Scotland (commissioned and supported by Dundee Rep & the National Theatre of Scotland) and The 306: Day (a co-production with the National Theatre of Scotland, Perth Theatre & the Red Note Ensemble). During her time at Dundee Rep she directed more than 18 productions, including The Witches, Great Expectations, The Glass Menagerie, Time and the Conways, A Dolls House, Anna Karenina, The Elephant Man and Beauty and the Beast. As a freelance director and producer she has worked with a number of companies, including the Royal Lyceum Theatre, the National Theatre of Scotland, A Play a Pie and a Pint, Borderline, The Traverse, Paines Plough and the BBC. Upcoming projects include This Girl Laughs, This Girl Cries and This Girl Does Nothing, a commission for the Imaginate Edinburgh’s International Children’s Festival (and tour) and Fibres by Frances Poet for Stellar Quines and the Citizens Theatre.
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Alex Lowde Designer Alex read Drama at Hull University before training in design at Motley. Victory Condition (Residenz Theater); Flood (HKYAF); random/generations (Chichester Minerva); The Fall of The Master Builder (West Yorkshire Playhouse); Persuasion (Manchester Royal Exchange); Pygmalion (Headlong/West Yorkshire Playhouse); Dutchmen (Young Vic); Three Sisters (Lyric Belfast); Stinkfoot (The Yard); Greek – costume (BAM/ Scottish Opera); Fröken Julie (Aarhus Theatre); August Osage County (Dundee Rep); Krapp’s Last Tape (Sheffield Theatres); Edward II – costume (National Theatre); Rigoletto (Wexford Opera); Enjoy – West Yorkshire Playhouse; ’Tis Pity She’s A Whore (Wanamaker Playhouse); Excursions of Mr Broucek (Opera North/Scottish Opera); One for the Road/ Victoria Station (Young Vic); Lines (The Yard); Linda – costume (Royal Court); She Town (Dundee Rep); The Lion’s Face (ROH2); The Marriage of Figaro (Lyceum); Blake Diptych (Laban Dance/Southbank Centre); The Gentle Giant – (ROH Education); A Doll’s House (Dundee Rep); While You Lie (Traverse); Machinal – costume (Almeida); Game – costume (Almeida); Takin’ Over the Asylum (Lyceum/Citizens); The Nose (ROH2); Body of An American (The Gate); The Elephant Man (Dundee Rep); Tobias and the Angel (Young Vic).
David Paul Jones Composer/Sound Designer David Paul Jones is an Edinburgh-based composer, pianist, vocalist and songwriter. His work explores atmospheric and emotive soundworlds via acoustic and digital forms from solo piano music, songs and larger-scale vocal works, to ambient music and sound designs for theatre and dance. His theatre work comprises of a series of soundtracks and performances including Enlightenment House (National Trust For Scotland); Last Woman Left (Royal Conservatoire of Scotland); Right Now (Traverse Theatre Edinburgh, Bush Theatre London and Ustinov/Theatre Royal Bath co-production); Tracks Of The Winter Bear, The Tree Of Knowledge (Traverse Theatre Company); Great Expectations and The Maids (Dundee Rep); Butterfly (Ramesh Meyyappan); Caged, Pobby & Dingan, Something Wicked This Way Comes (Catherine Wheels); Elizabeth Gordon Quinn, Our Teacher’s A Troll, Mary Queen Of Scots Got Her Head Chopped Off, The Missing (National Theatre Of Scotland); Those Eyes That Mouth, The Devil’s Larder, Barflies, What Remains and Jury Play (Grid Iron), his chamber opera The Songbird and The Green Snake (National Theatre Of China). His international work includes projects and performances throughout Europe, Australia, South America, Middle East, USA and China. He is the recipient of several awards including the Glenfiddich Spirit Of Scotland Award for Music in recognition of his contribution to the theatre and music industry in Scotland. His recorded work is available on Linn Records.
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Chris Davey Lighting Designer Previous designs for Dundee Rep Anna Karenina, The Firebird, Sweeney Todd, Who’s Afraid of Virginia Woolf, Beauty and the Beast, Romeo and Juliet, Peer Gynt (Dundee Rep). Chris won the TMA Best Lighting Design for Dial M for Murder (WYP) and Beyond the Horizon (Northampton) and three CATS Best Design Awards for Anna Karenina at Lyceum Edinburgh, Beauty and the Beast and Peer Gynt at Dundee Rep. He has designed extensively for Shared Experience Theatre, Royal Court, Hampstead Theatre, Lyric Hammersmith, Royal Exchange Manchester, West Yorkshire Playhouse, Royal Lyceum Edinburgh, Citizens’ Theatre Glasgow, Birmingham Rep and Manchester International Festival. Recent designs include 42nd Street (Chatelet, Paris); Vamos Cuba (Sadler’s Wells); 1984 (Northern Ballet); Great Expectations (West Yorkshire Playhouse); Sweeney Todd (Welsh National Opera, La Monnaie, Brussels); The Car Man, Lord of the Flies (Matthew Bourne’s New Adventures, Sadler’s Wells, National and International Tours); Carlos Acosta Classical Farewell (Royal Albert Hall); The Driver’s Seat (National Theatre of Scotland); The Best Man, The Shawshank Redemption, Dial M for Murder, High Society and Wonderful Town (National Tours); Eventual Progress, Salieri Variations (Ekaterinburgh Opera and Ballet Theatre, Russia). Current and future designs: Witness for the Prosecution (County Hall London); Touching the Void (Bristol Old Vic, Northampton, Lyceum Edinburgh and tour); Switzerland (Ambassadors Theatre); Doctor Dolittle (Music and Lyrics National Tour); The Magic Flute (Opera North); Sweeney Todd (Copenhagen); 42nd Street (Lyric Theatre Chicago).
Linzi Mitchell Assistant Director Linzi studied Theatre and Sociology at The University of Glasgow. She has worked in community theatre for Theatre Workshop Edinburgh and Scottish Opera. This is Linzi's first experience working with Dundee Rep.
Supported by a Federation of Scottish Theatre Assistant Director Bursary with funding from Creative Scotland.
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Staff Artistic Director (Dundee Rep) /Joint-Chief Executive Andrew Panton Executive Director/Joint-Chief Executive Liam Sinclair DUNDEE REP ENSEMBLE Ewan Donald, Barrie Hunter, Irene Macdougall, Ann Louise Ross, Emily Winter THE ROBERTSON TRUST GRADUATE APPRENTICE ACTOR SCHEME Ross Baxter, Danielle Jam, Amy Kennedy, Chiara Sparkes, Leanne Traynor Season Production Photographer Tommy Ga-Ken Wan ARTISTIC ASSOCIATES Movement Emily-Jane Boyle Music/Singing Claire McKenzie Voice Jean Sangster ADMINISTRATION Director of Finance and HR Heather Mackintosh Senior Finance Officer Pamela Reid Payroll and Finance Officer Shirley Kitch Producer & Programme Manager Viktoria Begg Artistic Planning Coordinator Joanne Clark Stage One Producer Carla Marina Almeida MARKETING Marketing Manager Gemma Henry Marketing Associate Sean Millar Marketing Associate Seher Sultan Marketing Officer Carly Gilchrist DEVELOPMENT Head of Development Tara Quinn Development Officer Robyn Donoghue PRODUCTION Head of Production Gavin Harding Deputy Production Manager Courtland Evje Design Assistant/Scenic Artist Leila Kalbassi Company Stage Manager Lesley Neilson Stage Manager David Sneddon Deputy Stage Manager Emma Skaer Assistant Stage Manager Debbie Campbell Head of Workshop Lenny Whittet Chief Stage Technician Graeme Taylor Assistant Carpenter Neil Simpson Head of Sound Maciej Kopka Chief Electrician Richard Abbey Deputy LX Nate Lamb Head of Wardrobe Cate Mackie Wardrobe Assistants Meg Davies, Sally Cram, Rachel Johnson Wardrobe Trainee Darren McFawns
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REP ENGAGE Head of Rep Engage Gemma Nicol Education & Pathways Associate Heather Cassidy Participation & Young Artists Associate Lisa Williamson Community, Health & Wellbeing Associate Amanda Lowson Dramatherapist: Children & Young People Kyle Blears Dramatherapist: Adults (Maternity Cover) Lizzie Palmer Administrator Karen Robertson Rep Engage Trainee Abbey Adams Youth Theatre Practitioner Lewis Fraser ASPIRE Drama Artists Hayley Blakeman, Amanda Glover, Ellen Shand Dramatherapy Support Worker Eleni Daskalaki Creative Assistants Izaac Gaines, Fin Avison, Blair Morris, Claire Bain, Paul McDonald, Jacob Dudgeon, Adele Kinmond, Ann Manzi, Farrah Fawcett, Rachel Bichard, Josef Boon, Anjini Snape, Tsen Day-Beaver, Claire Flynn, Pippa Cowling, Ryan Hay, Ria McLeod, Heather Cochrane, Jenna Corker SCOTTISH DANCE THEATRE General Manager Amanda Barnett Senior Producer Aiyana D’Arcangelo Head of Creative Learning Dawn Hartley Head of Production Emma Jones Rehearsal Director Naomi Murray International Producer Nelson Fernandez Marketing Manager Sarah Leary Creative Learning Coordinator Felicity Beveridge Digital Marketing Associate Graham Webster Press & PR Consultant Owen O'Leary Audience Development Associate Lottie Barker Company Technician Adam McCall Dancers Kieran Brown, Harry Clark, Adrienne O’Leary, Luigi Nardone, Jessie Roberts-Smith, Oscar Pérez Romero, James Southward, Pauline Torzuoli, Johanna Wernmo Apprentice Dancers Reece Calver, Molly Danter, Giorgia Pirozzi Apprentice dancers are postgraduate students who work with the company as part of their coursework at London Contemporary Dance School. Support Workers Rhian Davidson, Shannon Dray, Jorja Follina, Katie McFarlane, Jessica McIntosh, Taine McKinstray, Aislinn Mulholland, Sam Mulholland, Amelia Newton, Kirstin Way, Niamh O’Loughlin, Jourdan Walker, Kirsten Wallace, Naomi Watt, Carmen Berbel, Kirsten Ellis, Ida Hesselmark, William Currie, Freya McIntosh, Francesca Till OPERATIONS Head of Operations Sarah Loveday Visitor Experience Manager Andrew Manzi Visitor Services Duty Manager Carol Watson Visitor Services Supervisors Amelia Newton, Rob Currie Restaurant & Events Manager Eve Moore Bar & Restaurant Supervisor Amanda Montgomery Facilities Manager Jaci Stewart Maintenance Operative Garry Brown Visitor Service Assistants (Bar, Restaurant, Auditorium & Box Office) Jade Anderson, Nikki Anderson, Hayley Blakeman, Georgia Cairns, Coren Childs, Rob Currie, Marissa Dempsey, Caroline Faessler, Sam Flint, Jeff Hannan, Clare Heggie, Ellie Hughes, Nadine Klink, Sarah Lindsay, Henry Loan, Michael Lumby, Katie Lumsdaine, Jessica McIntosh, Beth MacLeod, Ross McNeill, Kiera Marshall, Renata Merciai, Tracy Morton, Dawn Mullan, Oran Murphy Head Chef Sandy Cooney Chefs Ross Marshall, David Milligan Kitchen Porter Andy Murdoch BOARD OF DIRECTORS Chair Edward Troughton Board Members William Differ, Scott Greig, Lesley Larg (Vice Chair), Cllr Ken Lynn, Cllr Richard McCready, Stewart Murdoch, Mariam Okhai, Alix Meekison
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Conceived and written by
John and Gerry Kielty with the Dundee Rep Ensemble Directed by
Ewan Donald
Touring community centres across Dundee, Fife, Angus and Perthshire Tue 28 May – Sat 22 June 7pm Tickets £5
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Box OďŹƒce and Restaurant 01382 223530 Dundee Rep and Scottish Dance Theatre Limited is a Registered Company No: SC021201 Scottish Charity Registered No: SC017315 Dundee Rep and Scottish Dance Theatre Limited gratefully acknowledges support from: