B RA N D ING & VISUAL IDENTITY
Eddie Lin Graphic Design Portfolio
EDITORIAL DESIGN
PRINT DESIGN
M OT I O N G R A P H I CS
UI / UX
2018 Selected Works
00
Truth
28
Anydoor
46
Refugees From The Crowd
76
Next Rebranding
100
Print Your Future Home
126
Takasan Brand Identity
148
Fluidity of Language
158
Motion Graphics
E D D IIE E L IN GR A PHIC G RA P HIC D ESIGN PO RTFO LIO DE S IG N PO RTFO LIO
Copyright © 2018 All rights reserved. No part of this publication may be reproduced, or stroed in a retrieval system or transmitted in any form digitally or physically without getting prior permission from Eddie Lin. Final Notes Photography used in any of the project that was not taken by Eddie Lin are credit accordingly in the projects.
SELECTED WO R KS 2018 WORKS 2018
2
PROJ E CT 00 ECT
3
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
00 Table of Contents
4
5
PROJ ECT 00
00
Truth
28
Anydoor
46
Refugees From The Crowd
76
Next Rebranding
100
Print Your Future Home
126
Takasan Brand Identity
148
Fluidity of Language
158
Motion Graphics
E D D IE I E L IN GR A PHIC D E S IG I G N P O RTFO LIO
01 Truth
A Chinese Type Experiment Project
SELECTED WORKS 2018
00 6
01
PROJ E CT 01 ECT TRU TH
Objective
This project is an experiment combining Chinese characters with elements of other typography systems found in Thai, Tibetan, Hindi, Burmese, Arabic, Russian, and Hebrew.
Approach
I selected seven proverbs about the true value of existence by remarkable people around the world. Then, I covered the Chinese characters with temperature-sensing ink. When a hand is placed on the postcards the proverbs appear. These phrases might guide to enlightenment for those who dare to apply them on a daily basis through self-exploration and personal commitment. This brings an experiential quality to the texts just as in a search for truth and meaning. Experiential discovery transforms design into a life lesson.
PROJ ECT N AM E
Y EAR
CAT EG O RY
Truth
Spring, 2013
Print Design
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
02
Project PROJ ECT0101 Tr ut TH h TRU
03
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
04
PROJ ECT 01 TRU TH
05
I E L IN GR A PHIC E D D IE I G N P O RTFO LIO D E S IG
SELECTED WORKS 2018
06
PROJ ECT 01 TRU TH
07
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
08
PROJ ECT 01 TRU TH
◀ “You won’t lose, if you never give up.“ — Aitthipat Kulapongvanich Founder of Tao Kae Noi Seaweed, Thailand
09
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
10
PROJ ECT 01 TRU TH
◀ “Anger doesn’t hurt people, but hurt yourself.“ — Dalai Lama Religious Leader, Tibet
11
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
12
PROJ ECT 01 TRU TH
13
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
14
SELECTED WORKS 2018
“Parents are bow, children are arrows, fired ◀ toward the future by parents.“ — Khalil Gibran Poet, Lebanon
PROJ E CT 01 ECT TRU TH
15
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
16
SELECTED WORKS 2018
“Miracles sometimes occur, but one has to ◀ work terribly hard for them.“ — Chaim Weizmann Statesman, Israel
PROJ E CT 01 ECT TRU TH
17
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
18
PROJ ECT 01 TRU TH
19
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
20
PROJ ECT 01 TRU TH
◀ “The truth of pretense is more frighteul than demon.“ — Rabindranath Tagore Poet, India
21
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
22
PROJ ECT 01 TRU TH
◀ “The truth of freedom is fearless.“ — Aung San Suu Kyi Democracy Politician, Burmese
23
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
24
PROJ ECT 01 TRU TH
◀ “The path to happiness is looking for the truth, not discovering it.“ — Leo Tolstoy Novelist, Russia
25
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
26
E CT 01 PROJ ECT TRU TH
27
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
02
Anydoor
UI/UX Design for an App that Reduces Unconscious Bias
28
29
PROJ ECT E CT 02 A NYD OOR
Objective
Networking creates more possibilities for life or career. However, after interviewing some volunteers about networking, I found that some people feel discriminated against because of their gender, race, or age. Therefore, this project aims to create a networking app that helps people build their networks without unconscious bias and make friends with people from different backgrounds.
Approach
Since people tend to network at professional events such as conferences, panel discussions, and workshops. I designed a VR event app that allows remote attendee through a VR headset. This app, can also interact with other people who are attending this event. Each profile shows a blurry profile picture and the user’s job position. Real profiles are revealed after a certain amount of conversation. This design helps users to reduce unconscious bias when they are networking.
PROJ ECT N AM E
CLASS
I N ST RU CTO R
Y EA R
CAT EG O RY
Anydoor
Nature of Identity
Walmiki Setlur
Spring, 2017
UI/UX
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
30
PROJ ECT 02 A NYD OOR
31
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
32
PROJ E CT 02 ECT A NYD OOR
33
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
34
PROJ ECT 02 A NYD OOR
35
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
36
PROJ ECT 02 A NYD OOR
37
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
38
PROJ ECT E CT 02 A NYD OOR
39
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
40
PROJ ECT 02 A NYD OOR
41
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
42
PROJ E CT 02 ECT A NYD OOR
43
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
44
PROJ ECT 02 A NYD OOR
45
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
03 Refugees From The Crowd
A Visual System for Gus Van Sant Film Festival
46
47
PROJ E CT 03 ECT R EFU E FU G EES FROM TH E CROW D
Objective
Create a virtual film festival for a chosen film director. Analyze the director’s style and extract a theme that ties all the selected films together. Developing a cohesive visual system for various deliverables such as—posters, catalog, DVD package, flyer, tickets, stationary, and website.
Approach
Gus Van Sant’s films are based on oppressed and marginalized outsiders who struggle against conformity to retain their true identity and integrity. Therefore, I developed a visual system and chose materials to represent their oppression.
PROJ ECT N AM E
CLASS
Refugees From The Crowd
Intergrated Christopher Communication Morlan
I N ST RU CTO R
YEAR
CAT EG O RY
Spring, 2017
Brandinf & Visual Identity
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
48
PROJ ECT E CT 03 RE FU G EES FROM TH E CROW D EFU
49
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
50
PROJ ECT 03 R E FU G EES FROM TH E CROW D
51
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
52
PROJ E CT 03 ECT R EFU E FU G EES FROM TH E CROW D
53
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
54
PROJ E CT 03 ECT R EFU E FU G EES FROM TH E CROW D
55
I E L IN GR A PHIC E D D IE I G N P O RTFO LIO D E S IG
SELECTED WORKS 2018
56
PROJ E CT 03 ECT R EFU E FU G EES FROM TH E CROW D
57
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
58
PROJ ECT 03 R E FU G EES FROM TH E CROW D
59
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
60
Project PROJ ECT0303 Ref uge es Fro m ThTH e Crowd R E FU G EES FROM E CROW D
61
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
62
PROJ ECT 03 R E FU G EES FROM TH E CROW D
63
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
64
ECT PROJ E CT 03 E FU G EES FROM TH E CROW D R EFU
65
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
66
PROJ E CT 03 ECT R EFU E FU G EES FROM TH E CROW D
67
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
68
PROJ ECT 03 R E FU G EES FROM TH E CROW D
69
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
70
PROJ ECT 03 R E FU G EES FROM TH E CROW D
71
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
72
PROJ ECT 03 R E FU G EES FROM TH E CROW D
73
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
74
PROJ ECT 03 R E FU G EES FROM TH E CROW D
75
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
04 Next Rebranding
A Rebranding Project for NEXT founded by Steve Jobs in 1985
76
77
E CT 04 PROJ ECT NEX NE X T REBRAN DIN G
Objective
Rebrand a dead, dying or defunct brand, to give it new life. Create a new marketing strategy and visual system while retaining the companies original essence.
Approach
I chose to rebrand NEXT Inc., the tech company founded by Steve Jobs after he left Apple in 1985. NEXT wanted to design a workstation is powerful enough to run wet lab simulations and cheap enough for college students to use in their dormitory rooms. Steve Jobs, aimed to combine art and science in product design. The new NEXT is going to create a wide range of products and services to encourage people to think outside of the box, and have fun learning new things. The company will collaborate with educational organizations to develop educational opportunities while providing a space for people to showcase their talents and creativity.
PROJ ECT N AM E
CLASS
I N ST RU CTO R
Y EA R
CAT EG O RY
Next Rebranding
Nature of Identity
Hunter Wimmer
Fall, 2017
Branding & Visual Identity
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
78
PROJ ECT 04 NE X T REBRAN DIN G
79
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
80
PROJ ECT 04 NE X T REBRAN DIN G
81
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
N Letter N
+
Collaboration
+
Outside of Box
82
PROJ ECT 04 NE X T REBRAN DIN G
83
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
84
PROJ ECT 04 NE X T REBRAN DIN G
85
E D D IE I E L IN GR A PHIC D E S IG I G N P O RTFO LIO
SELECTED WORKS 2018
86
ECT PROJ E CT 04 NE X T REBRAN DIN G NEX
87
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
88
PROJ ECT 04 NE X T REBRAN DIN G
89
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
90
ECT PROJ E CT 04 NE X T REBRAN DIN G NEX
91
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
92
Project PROJ ECT0404 Nex ra n d in g G NE XtT Reb REBRAN DIN
93
93
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
94
PROJ ECT 04 NE X T REBRAN DIN G
95
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
96
PROJ ECT 04 NE X T REBRAN DIN G
97
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
98
E CT 04 PROJ ECT NEX NE X T REBRAN DIN G
99
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
05 Print Your Future Home
A Conceptual Book Talks About the Future of 3D Printing
100
101
P ROJ ECT ECT 05 05 PROJ P RIINT NT YOUR YOU R FUTURE FU TU RE HHOM PR OM EE
Objective
Generate a conceptual book that focuses on topic near future—The future of 3D printing.
Approach
To make the book look like a 3D printed piece, three different sized books were bound together. The additive binding process also represents how 3D printing works, which is additive manufacturing. Since this book focuses on the usage of 3D printing in the architectural field, I used narrowed columns and repeating type elements in the book to show the technical and mechanical process in both 3D printing and architecture. Hand-written type and illustrations aim to mimic architects’ sketches.
PROJ ECT N AM E
CLASS
I N ST RU CTO R
Y EA R
CAT EG O RY
Print Your Future Home
Type Systems
David Hake
Spring, 2016
Editorial Design
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
102
PROJ E CT 05 ECT PR INT YOUR FUTURE H OM E
103
I E L IN GR A PHIC E D D IE I G N P O RTFO LIO D E S IG
SELECTED WORKS 2018
104
PROJ ECT 05 PR INT YOUR FUTURE H OM E
105
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
106
PROJ ECT 05 PR INT YOUR FUTURE H OM E
107
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
108
PROJ ECT 05 PR INT YOUR FUTURE H OM E
109
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
110
PROJ ECT 05 PR INT YOUR FUTURE H OM E
111
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
112
PROJ E CT 05 ECT PR INT YOUR FUTURE H OM E
113
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
114
PROJ ECT 05 PR INT YOUR FUTURE H OM E
115
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
116
PROJ ECT 05 PR INT YOUR FUTURE H OM E
117
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
118
PROJ ECT 05 PR INT YOUR FUTURE H OM E
119
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
120
PROJ ECT 05 PR INT YOUR FUTURE H OM E
121
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
122
123
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
124
E CT 05 PROJ ECT PR INT YOUR FUTURE H OM E
125
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
06 Takasan Brand Identity
A Brand Identity For A Japanese Restaurant
126
127
PROJ E CT 06 ECT TA KA SAN BRAN D IDEN TITY
Objective
Create a new identity system based on the company’s original essence. Design a series of products with the new identity system. TAKASAN is a Japanese rice bowl restaurant where locals feel comfortable, and travelers can get a taste of authentic Japan.
Approach
I created an “Industrial Zen” brand identity, which is modern yet also slightly shows a traditional feeling. The clean look of the brand and the ambiance creates a relaxed environment to enjoy dining.
PROJ ECT N AM E
CLIEN T
F O U N D ER
Y EA R
CAT EG O RY
Takasan Brand Identity
Takasan Japanese Bowl
Tucker Iida
Spring, 2018
Branding & Visual Identity
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
128
PROJ ECT 06 TA KA SAN BRAN D IDEN TITY
129
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
130
PROJ ECT 06 TA KA SAN BRAN D IDEN TITY
131
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
132
PROJ ECT 06 TA KA SAN BRAN D IDEN TITY
133
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
134
PROJ ECT 06 TA KA SAN BRAN D IDEN TITY
135
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
136
ECT PROJ E CT 06 TA KA SAN BRAN D IDEN TITY
137
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
138
PROJ ECT 06 TA KA SAN BRAN D IDEN TITY
139
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
140
PROJ E CT 06 ECT TA KA SAN BRAN D IDEN TITY
141
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
142
ECT PROJ E CT 06 TA KA SAN BRAN D IDEN TITY
143
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
144
ECT PROJ E CT 06 TA KA SAN BRAN D IDEN TITY
145
E D D IE I E L IN GR A PHIC D E S IG I G N P O RTFO LIO
SELECTED WORKS 2018
146
PROJ ECT 06 TA KA SAN BRAN D IDEN TITY
147
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
07 Fluidity of Language
Two Posters Convey Phenomena About Speech
148
149
PROJ E CT 07 ECT FLU ID ITY I TY OF LAN GUAGE
Objective
Consider the meaning of FLUIDITY in the literal sense as well as the abstract or slang context. Design black & white posters portraying the meaning.
Approach
I represented the concept of fluidity through interpersonal communication by designing which convey phenomena about speech. The first poster is about when people talk. I transformed a paragraph of words into lines, showing the rhythms, speed, and fluidity of language. The second poster is about when people don’t talk— The Spiral of Silence Theory, a mass communication theory which stipulates that individuals have a fear of isolation, and it consequently leads to remaining silent instead of voicing opinions. Dot traced spiral image with not connected dots represents the silence between each individual while large areas of negative space represents the fear of isolation.
PROJ ECT N AM E
Fluidity of Language
CLASS
I N ST RU CTO R
Y EA R
CAT EG O RY
Type Experiments
Stanley Zienka
Fall, 2016
Print Design
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
150
ECT PROJ E CT 07 I TY OF LAN GUAGE FLU ID ITY
151
E D D IIE E L IN GR A PHIC D E S IIG G N P O RTFO LIO
SELECTED WORKS 2018
152
ECT PROJ E CT 07 FLU ID ITY I TY OF LAN GUAGE
153
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
154
ECT PROJ E CT 07 I TY OF LAN GUAGE FLU ID ITY
155
E D D IE I E L IN GR A PHIC D E S IG I G N P O RTFO LIO
SELECTED WORKS 2018
156
ECT PROJ E CT 07 I TY OF LAN GUAGE FLU ID ITY
157
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
08 Motion Graphics
Four Selected Motion Graphics Projects
158
159
E CT 08 PROJ ECT G RAP H ICS MOTION GRAP
Objective
Design promotional pieces by using motion design skills. Tell the story by using the time-based medium. Transform the shape, color, and type smoothly and cohesively.
Approach
The first one is a title sequence for the movie, The Social Network. Since the story is about Mark Zuckerberg and how he built his tech company, Facebook, I used the elements of coding and pixel to indicate the tech vide, fast pace to demonstrate the intenseness of the story. The second one is a promotional piece for a book, Lufthansa + Graphic Design. I briefly demonstrated the visual system of Lufthansa through transforming the visual language of the book and the visual identity of the company from book to screen. The third one is a promotional piece for Gus Van Sant’s Film Festival. This project is related to my project, Refugees From The Crowd. The fourth one is a practice of the principle of motion graphics. For this project, designers will be focusing on listening to music and visualizing it through animation.
PROJ ECT N AM E
CLASS
T EACH ER
Y EA R
CAT EG O RY
Motion Graphics
Motion Graphics 1
Aries Nunez
Fall, 2017
Motion Graphics
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
160
PROJ ECT 08 MOTION GRAP H ICS
161
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
162
PROJ ECT 08 MOTION GRAP H ICS
Movie Title Sequence
The Social Network vimeo.com/239370908
163
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
164
PROJ ECT 08 MOTION GRAP H ICS
165
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
166
PROJ ECT 08 MOTION GRAP H ICS
167
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
168
PROJ ECT 08 MOTION GRAP H ICS
169
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
170
PROJ ECT 08 MOTION GRAP H ICS
Book Trailer
Lufthansa + Graphic Design vimeo.com/247762709
171
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
172
PROJ ECT 08 MOTION GRAP H ICS
173
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
174
PROJ ECT 08 MOTION GRAP H ICS
175
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
176
PROJ ECT 08 MOTION GRAP H ICS
177
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
178
PROJ ECT 08 MOTION GRAP H ICS
Event Trailer
Refugees From The Crowd vimeo.com/239583812
179
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
180
PROJ ECT 08 MOTION GRAP H ICS
181
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
182
PROJ ECT 08 MOTION GRAP H ICS
183
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
184
PROJ ECT 08 MOTION GRAP H ICS
185
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
186
PROJ ECT 08 MOTION GRAP H ICS
Shape To Music
American Dad! vimeo.com/239368913
187
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
188
PROJ ECT 08 MOTION GRAP H ICS
189
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
190
PROJ ECT 08 MOTION GRAP H ICS
191
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
192
PROJ ECT 08 MOTION GRAP H ICS
193
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
00 Special Thanks To
A list of amazing people who have supported me either professionally, financially or emotionally. It is these people who have been a great help to me. I would like to say a special THANK YOU to all of you. If not for you guys, I truly wouldn’t be who I am today.
194
PROJ ECT 00
P ROJECT 00
Dad & Mom
Meng Hung Lin & Shu Mei Chuang
195
Thank you so much for your endless supports, trust, and love to encourage me to chase my dream in the US. You guys are great and successful parents. Love you guys!
Friends
Jason Lu & Kate Liu & Craig Johnson I’ve learned a lot from your guys each time we hangout, we talk, we laugh. Thank you for being my best friends and influencers. All my friends It was a pleasure to make friends with you guys, thank you for your companies and making my life colorful.
Instructors
Mary Scott, Phil Hamlett, Hunter Wimmer, Christopher Morlan, David Hake, Bob Slote, Stanley Zienka, Sandra Isla, Lien Ng, Scott Rankin, Walmiki Setlur, Aries Nunez, Susan Pasley, Civi Cheng , and Jack Yang. Thank you for instructing me and leading me to be a professional designer.
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
PROJ ECT 00
BOOK TITLE
Eddie Lin Graphic Design Selected Works 2013-2018 DESIGNER
Eddie Lin P H OTO G R A P H ER
Eddie Lin EM A I L
eddielin2331@gmail.com PHONE
1(415) 254-1608 WEB SI T E
eddiesclin.com
Copyright Š 2018 All rights reserved. No part of this publication may be reproduced, or stroed in a retrieval system or transmitted in any form digitally or physically without getting prior permission from Eddie Lin. Final Notes Photography used in any of the project that was not taken by Eddie Lin are credit accordingly in the projects.
E D D IE L IN GR A PHIC D E S IG N P O RTFO LIO
SELECTED WORKS 2018
L in kedIn: @e ddie sclin
e d d i e l i n 2 3 3 1 @ g m a i l . co m
In st agra m: @e ddie scl i n_d esi g n
+1(415) 254-1608
B eh an ce : @e ddie sclin_d esi g n
e d d i e s cl i n . co m