Nicolai Worsaae Second String Quartet
Dur. 14’
SCORE
(2010)
T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk
Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg
Nicolai Worsaae (2010) 2nd String quartet [synthetisch, aber trotz allem essbar.] [sympathischen und doch so fern lebendig.]
Violin 1 Violin 2 Viola Cello Electronics (Tape)
Each instrument in the string quartet can either be amplified and mixed with the tape part or performed acoustically. The tape part is supposed to be started by a person, sound engineer or another person capable of such as well as reading a score. The cues for starting each soundfile are notated in the score. Technical requirements: –
Interface
–
Mixer
–
Computer PC/Mac
–
(4 contact microphones)
–
Max 5
max-patch
Three quartertones down. ”Cello-key”. Used to illustrate where on the instrument the bow or finger should be placed. If no specific information is given it's supposed to played with the bow. The small square at the top is the tallpiece. The horisontal line below is the bridge and the large square is the fingerboard. The two horisontal lines going through the fingerboard are the staff lines.
Play with the woodside of the bow on the bridge.
Damp the strings with the hand in order to avoid any clear pitch to be heard.
Open strings-sign used after a damping-sign.
Play at the side of the bridge in order to avoid the strings. Only a ”s-like” sound should occur.
Quatertone up.
Play with the woodside of the bow just in the middle between the fingerboard and the Three quartertones up.
Quartertone down.
bridge.
be played near the heel of the bow. The result must be a cracking sound.
Scratch tone with medium bow pressure between the bridge and the fingerboard. The strings are damped.
Scratch tone with a little more bow pressure than the last ex. but played indicated string(s) behind the bridge. The effect should be a screaming sound.
Going from normal bow pressure to much bow pressure.
Play on the string at the point where the string touches the bridge while moving the finger up and down on the string. By playing a fast tremolo a very silent and fragile sound should occur. If this doesn't work play as close to the bridge as possible.
Scratch tone with maximum bow pressure. Play with the woodside of the bow in fast movements in the indicated direction. Although the strings are supposed to be damped completely a little change in the pitch must be heard.
Drag/push the bow from a position between the bridge and the fingerboard in the direction of the nut in the notated rythm. In order to produce as much friction as possible it should
intense sound are supposed to occur. Almost a distorted sound when playing it as loud as possible.
Play partly with the hair and the wood of the bow in fast movements in the indicated direction while the finger makes a glissando in the same direction. A more rough sound
Tap on the string.
than the previous example is supposed to occur.
Bow on the body of the instrument. The result should be an air-like s-sound.
Tremolo as fast as possible. In this case going from a normal bow position towards the bridge in order to intensify the tone quality.
This is only for the cello (bar 136). When playing this high natural harmonic a very
Pizzicato with a following fast finger tapping on the same note with the finger that damps the string.
Violin I
&
4 8
e = 60
molto sensibile
I I Oœ
Œ
II.
Ø
4 8
J
‰
4 "Screaming sound" -. 8 -. ®‰
®‰
Violin II
F
Viola
Cello
Î
&
rK · œ
4 8
Œ
Î
bb Oœ
Ø
‰
R ≈
F
al pont estr.
œO ∏
œO
II.
.
.
.
q
+ ekk
.
Ï
Œ
. . . ..
Ø
π rK b· bœ
II.
&
Col legno bat.
arco Bow on the body of the violin.
®‰
÷
– J p
Col legno trat. II. & III.
Œ
VVVV VVVV V ∏
Oœ
I.
&
Ø II. Trem. on the bridge on the string. Bow Finger
Ø
EA
© Nicolai Worsaae 2009
A 5
Vln. I
÷
J
‰
Œ
II Oœ II.
&
Vla.
VV V V π
&
Kr · œ
V VΠVVV
Ø
"Screaming sound"
-. J
Ó
Î
Ø
Œ
‰
J
F
∏
Vc.
π
Œ
Col legno bat. II.
.
-. ≈ J
Î
al pont estr.
&
3
œO ∏
-. ≈ J
Î
bb Oœ
≈
&
2
qk
. . . . .
‰
π
÷
Œ
Ø
œO
.
rK b¥ bœ
II.
&
.
Ø
arco
Kr
Vln. II
rK · œ
Œ
Ï
Oœ
I.
Ø
Œ
Trem. on the bridge on the string. Bow Finger
Ø
Bow on the body of the violin. 9
Vln. I
÷
–.
‰
p
&
Œ
m Oœ
al pont estr.
Oœ
II Oœ
µ Oœ
Ø sempre
bb Oœ
Oœ
3
3
3
µ µ Oœ
Col legno trat. II. & III.
VVVVVV
Vln. II
Ø
Vla.
&
V V VVVVVVV VV V V V V V V V V VVVVVVV VVVVVVVV V V VVVVVVVVV V V V V V V V V V V V V V V V π
Ø
Kr ¥ œ
Ø
π
π
m Oœ
al pont estr.
Œ
∑
‰
Oœ
Ø sempre
Ø
µ Oœ
II Oœ
Vc.
π
Ø
3
π
π
Oœ
bb Oœ
B 13
Vln. I
&
m m Oœ 3
VVVVVVVVVV V V V Ø π
Vln. II
Vla.
Oœ
5 8
&
µ µ Oœ
Oœ
m m Oœ
‰
5 8 tratto ≈ VVVV Ø
5 8
5 8 Vc.
Ø
rK O œ
π
rK BO Bœ
I I Oœ
π
Ø
III. arco
bO R ≈ ≈ & b œ J Ø
F
II. & III.
rK ¥ œ
‰
‰
4 qk 8 Oœ. . . . . . . . . O. œ
"Screaming sound"
-. J
Î
Œ
-. ≈ J
3
al pont estr.
&
-. ≈ J
≈
4 8
∏
4
Bow on the body of the violin.
‰
÷
‰
π
K
qk r I œ b O. . . . . . . . . b O. I œ bœ bœ
&
4 8
4 8
œO
–.
Œ
π Kr ¥ œ
Oœ
ord.
&
Œ
Ø
"Creaking sound" play at the heel (frog) of the bow III.
œO
Œ
Ï
‰
- - - - Kr Π-
F
3
3
C 17
Vln. I
Vln. II
÷
&
arco/legno
–.
‰
Œ
π
b b Oœ
Ø
Oœ J
‰
p
II. & III.
VVVVVVVV VVVVVVVV VVVVVVVVVVVVVVV ‰ Finger
Ø
3
Œ
3
Bow
Œ
Kr
‰
B B Oœ J Ø
Oœ
≈
pont.
‰
F
n n Oœ J π
Oœ J
-
≈ ≈
-
≈ ≈
3
3
Î
Ø
p
ord.
"Screaming sound"
-
≈
3
II. & III.
Oœ
≈ ‰
3
ƒ
-
Î
≈
II. & III.
Vla.
Vc.
&
µ µ Oœ
Œ
Ø
- - - - - Kr ΠF
3
3
Oœ J
‰ p
‰
m m Oœ J Ø
Oœ
ord.
‰ nn ÂÂOœ J π F
pont.
Oœ J
Oœ
≈ ‰ 3
ƒ
≈
-
Î
IV.
II. Trem. on the bridge on the string. Bow
Œ
Finger
Ø
π
5
Œ
-. J ƒ
≈
D II. & III.
21
Vln. I
≈ ≈ 3
-
≈
Î
II. & III.
Vln. II
Vla.
Î
≈
-
≈
Î
≈
-
≈ ‰
3
≈
-
‰
≈
Vc.
‰
≈ ≈
3
-
-
≈ ‰
3
≈
≈
-
‰
‰
‰
≈ ≈
-
≈
3
≈
-
> b >œ B >œ ≈ ‰ µ œ ≈ ≈ ≈ ≈ Œ &
3
-
≈
3
-
Ï
‰
J ƒ
J
‰
‰
J ƒ
J
‰&
‰
3
3
3
VVVVVVVVVVVVVVVVVV VVVVVVV 3
∏
P BB Oœ J
∑
Ï
.
II. & III.
Œ
> I >œ b>œ ® œ ® ® ≈
IV.
Ø .
Col legno bat.
.
III.
. . . . .. . . . .
p
. p
F
∏
bb Oœ
bb Oœ J
Ø
π
µO ®b Oœ Oœ ≈ . µ œ
pont. estrem.
Œ
B
∏
5
f
∏ 5
Col legno trat. II. & III.
IV.
J ƒ
-
R
≈ ‰
VV V V VVVVV VV V V V V V V V VVVVVV V V V V V V V VVVVV V V V V V V V VVVVVV VVVVVVV
Ø
p
Ø
p
6
Ø
p
Ø
p
Ø
E 3 26
VVVVVVV
Vln. I
Vln. II
Oœ π
Vla.
B
f
∏
P µ µ Oœ
µ µ Oœ
mm Oœ
Oœ
B B Oœ
Ø
π
Ø
p
Ø
5
∏
f
∏
5
f
5
5
∏
f
5
∏
5
f
f
5
∏
5
bb Oœ
J
∏
b b Oœ J
∏
p
Vc.
Œ
&
‰
œO Ø
BB œO p
3
mmœO p
m œO Ø
7
3
Oœ
µ µ Oœ
p
∏
b Oœ Oœ ®≈ µ µ Oœ Oœ Oœ µ µ Oœ Oœ Oœ bb Oœ Oœ ≈ . B B Oœ Oœ ≈ . n n Oœ Oœ ®® ® ® ≈ . f
5
∏
5
f
f
∏ 5
5
∏
pont. estrem.
3
3
3
≈ ≈ µB œO œO ≈ ≈ œO œO ≈ ≈ nb œO œO ∏ f ∏ f ∏ f
&
∏
P
µOœ Oœ ≈ bb Oœ Oœ Oœ ≈ . BB Oœ Oœ Oœ ®® ® Oœ Oœ ≈ . µB Oœ Oœ ≈ . µ . ≈ ®
Oœ
3
V V VVVVVVV VVVVVVVVVVVVVVV VVVVVVVVVVVVVVV VVVVVVVVVVVVV ΠV
∏ &
pont. estrem.
3
3
3
µB œO ∏
µ µ œO p
5
5
f
∏
3
j m œO ∏
f
5
∏ 3
f 5
j m m œO P
30
Vln. I
Vln. II
µO & µœ
Oœ
m m Oœ
∏
5
f
3
&
∏ 5
j µ µ œO ∏
∏ f 5
5
3
œO
P
3
3
≈ ≈ m œO œO ≈ ≈ µ B œO œO ≈ ≈ œO œO ∏ f ∏ f ∏ f bb Oœ
π
P
f
3
3
BB Oœ
B Oœ Oœ Oœ nb Oœ Oœ Oœ µ µ Oœ Oœ µ . B ≈ ≈ ≈ ® ∏
Vc.
3
O O & ≈ ≈ BBœO œO ≈ ≈ œ œ ≈ ≈ µµœO œO ∏ f ∏ f ∏ f
p
Vla.
3
3
3
π
3
3
3
µ µ Oœ
µ µ Oœ
π
F
Oœ
m m Oœ
π
F
f
µ Oœ Oœ b b Oœ Oœ ® ≈ B B Oœ Oœ Oœ ≈ . Oœ Oœ Oœ ≈ µ B Oœ Oœ ≈ . n b Oœ µ . . ≈ ≈ ® f
5
∏
3
BB œO ∏
5
f
5
∏
∏
5
f
B B œO
8
f
5
∏
B B œO π
F
3
3
3
B B Oœ
bb Oœ
3
≈ ≈ b œO œO ≈ ≈ B B œO œO ≈ ≈ œO œO ≈ ≈ µ µ œO œO ≈ ≈ m œO œO ≈ ≈ µ B œO œO ∏ f ∏ f ∏ f ∏ f ∏ f ∏ f
nn Oœ
b b Oœ
P
3
3
5
j bb œO F
∏
5
f
5
∏
3
j BB œO π
π
f
Oœ ≈ . µµ Oœ Oœ ® ≈ B B Oœ Oœ Oœ ≈ . n n Oœ f
5
∏
f
5
∏
3
œO f
5
f
3
m m œO π
5
∏ j m m œO f
F 34
Vln. I
Vln. II
3
&
3
≈ ≈ œO œO ≈ ≈ b œO ∏ f ∏
B
œO f
∏
Oœ
bO & bœ
f
π
Vla.
≈ B B œO
œO f
≈
∏
œO
œO f
≈ µ µ œO
œO
f
∏
f
∏ f 5
∏
Vc.
&
µ µ œO π
≈ µ B œO
œO ƒ
∏
≈ œO
œO
ƒ
∏
3
3
œO ≈ b œO œO œO
ƒ
∏
3
≈ BB œO
ƒ
∏
m m Oœ
BB Oœ
bb Oœ
b b Oœ
n n Oœ
µ µ Oœ
µ µ Oœ
m m Oœ
π
f
π
f
π
f
π
f
π
f
π
5
5
∏
f
∏
5
5
O. ≈ œ .
f
5
∏
3
n œO f
BB œO π 1
bb œO
f
j I B œO π
Radio noise
∏ 9
BO . ≈ B œ .
Oœ .. f
5
5
∏ 3
œO
f
Oœ Oœ nn Oœ Oœ Oœ .. BO . ≈ ® ®µ œ .
f
f
5
∏ 3
b b œO π
5
∏
Oœ Oœ nb Oœ Oœ Oœ .. ≈
ƒ
5
5
∏
5
3
b b œO
ƒ
œO π
3
œO
m m Oœ
3 3
œO f
3
µµ Oœ
f
5
∏
m œO
3
µ µ Oœ
Oœ Oœ µO . O O . ≈ ®µB Oœ Oœ ≈ . nb Oœ Oœ Oœ . ® ®µ œ . œ œ µ µ Oœ Oœ Oœ .. ≈ 5
≈
3
≈
ƒ
µ µ Oœ .. 5
∏ 3
j m œO ƒ
≈
38
œO ..
œO œO
≈ µ µ œO ..
œO œO
≈
m œO ..
œO œO ƒ
≈ µ B œO ∏
œO ƒ
œO
≈
œO
œO
œO
Vln. I
&
Vln. II
&
ÂÂOœ
B B Oœ
bb Oœ
II Oœ
Oœ
µ µ Oœ
ƒ
π
f
π
µ µ Oœ
F
π
P
B
Oœ .. ≈ µ µ Oœ ..
Vla.
Vc.
∏
&
ƒ
∏
ƒ
5
∏ 3
∏
ƒ
Oœ Oœ µ µ Oœ Oœ Oœ .. B®B Oœ .. ≈ ® 5
j œO π
ƒ
ƒ
∏ 5
5
∏
3
b b œO f
m m œO π
Oœ Oœ O O O. ≈ œ œ œ .
5
ƒ
∏
5
5
µ µ œO F
∏
. ≈ µB Oœ .
ƒ
Oœ .. ƒ
∏ 5
3
j B B œO π
ƒ
∏ 3
5
∏
µ µ œO π
F
ƒ 10
IO ≈I œ
3
b œO
≈
f
∏
œO
œO
f
≈
∏
b b Oœ
p
∏
π
Oœ Oœ ..
II Oœ ≈
≈ µ µ Oœ 5
µ µ œO p
œO
B B Oœ
Oœ Oœ .. 5
œO
ÂÂOœ
π
ƒ
5
j œO f
m m Oœ
Oœ Oœ ..
nO ≈ n œ 5
j ≈ µ B œO ∏
∏ 3
5
f
j µµ œO n ∏
5
∏ 3
Oœ 5
j b b œO π
F
G 42
Vln. I
Vln. II
Vla.
Vc.
& µ B œO
&
B
&
œO
≈
F
∏
rK
I I œO ‰
J
‰
Ø
Oœ ..
≈ µ µ Oœ 5
∏ 3
‰ œO Ø
œO
œO
œO
F
≈ µ B œO
∏
bO ≈ b œ
‰
3
∏ I Oœ I ≈
Oœ Oœ .. 5
œO
F
5
Œ
∏
Oœ Oœ .. 5
F Œ
3
µO ≈ µ œ 5
∏
≈
≈ ≈ µ µ Oœ
Oœ
∏
P
Oœ F
œO
∏
3
P
P
5
∏
œO
3
œO
P
∏
P
3
‰ b b œO
œO
P
∏
∏ 3
œO
∏
3
∏
p
‰
∏
p
5
‰
3
3
∏
µ µ œO
∏
p
œO P
∏
3
j ≈ µ B œO
œO
p
∏
≈ ≈ µ µ Oœ 3
≈ µ µ Oœ 5
p
œO
Oœ
3
Oœ Oœ .. 5
œO
bO ≈ b œ
≈
I I Oœ ≈
Oœ Oœ .. 5
∏
Oœ
3
œO
≈
p
≈ ≈ µ µ Oœ
≈ µ µ Oœ 5
P
≈ µ B œO
Oœ
3
Oœ Oœ .. 5
œO
bO ≈b œ
≈
I Oœ I ≈
Oœ Oœ .. 5
œO
5
‰
Oœ
3
∏
p
Oœ Oœ ..
I Oœ I ≈
p
5
∏
≈ 3
Oœ 5
p
3
∏
‰ b b œO
∏ 11
H 46
Vln. I
Vln. II
&
j œO
≈
&
bO ≈ b œ
Oœ
p
∏
3
Vla.
B
∏
p
Oœ ..
µO ≈ µ œ 5
Vc.
&
œO
P
∏ 3
œO
œO
œO
p
≈ ≈ µ µ Oœ 3
∏
‰
p
p
∏
∏
3
3
∏
m m œO
µ B œO
∏
3
π
Oœ
≈ ≈ µ µ Oœ
∏
3
≈ µ µ Oœ 5
œO p
≈
π
Oœ Oœ .. 5
œO
π
bO ≈ b œ
≈
II Oœ ≈ 5
‰
≈
Oœ
3
Oœ Oœ .. 5
œO
∏
3
5
‰
œO
œO
œO
π
3
∏
π
Oœ Oœ ..
I®I Oœ
π
∏
≈ 5
Ø 5
Ø
3
∏
‰ b b œO
œO
p
12
3
3
∏
œO
∏
≈ ≈II Oœ
Oœ
Ø
3
Ø
Oœ Oœ
IO ≈ . I œ
Oœ Oœ ..
Ø
∏
Ø
∏
5
5
‰
∏
‰
3
œO
∏
≈ m œO
œO
∏
Ø
≈ ≈ nnOœ 3
3
Ø
Oœ ∏
≈ 3
Oœ . ®®®b Oœ Oœ . Oœ Oœ ® ≈ Ø
5
œO π
œO
Oœ
3
. ® ≈ b Oœ . 5
3
œO
Ø
≈ ≈ nnOœ
∏
5
≈ B B œO
∏
Oœ
Oœ
3
j œO
Ø
≈ ≈II Oœ
Oœ
3
j ≈ m œO
œO
3
∏
5
5
‰
3
∏
‰ B B œO
Ø
5
I 50
Vln. I
Vln. II
&
≈ B B œO
œO
Ø
IO & ≈ I œ
Vc.
B
&
Ø
∏
bb Oœ
Oœ Oœ .. 5
œO
π
π 3
œO
∏
≈
3
5
‰
j œO
≈ ≈B B œO
œO
Ø
π
≈ ®b Oœ
Oœ J
5
π
∏
∏
‰
j œO
3
µ µ œO
≈ m œO
3
≈
≈ Oœ ∏
5
∏
œO p
π b Oœ ..
3
≈
π
5
5
∏
∏
‰
3
œO
3
3
3
œO
Oœ
p
∏
p
Oœ I Oœ Oœ .. ≈ . I
Oœ Oœ
œO
∏
5
∏
œO p
13
∏
œO
≈ ≈ Oœ
≈B B œO
p
œO
≈
p
∏
. ≈ . b b Oœ Oœ Oœ .
π ‰
≈ B B œO
œO
Oœ
∏
5
3
π
3
Oœ Oœ
5
œO
≈ ≈II Oœ
Oœ
3
® ≈
œO
∏
π
Ø
3
Oœ
3
Vla.
œO
5
3
‰
p
3
≈ . 5
∏ 3
∏
‰ B B œO
œO
œO
p
∏
p
Oœ Oœ ..
b Oœ 5
≈ 5
p œO
P
3
3
3
5
œO
∏
P
Oœ P
‰
3
≈ ≈B B œO
®b b Oœ
∏
∏
P
Oœ
3
≈ B B œO
œO
∏
≈II Oœ
≈ 3
≈ m œO
∏
‰
® ≈I I Oœ .. 5
3
µ µ œO
5
∏
≈
J 54
Vln. I
Vln. II
&
&
œO
œO
P
≈ Oœ ∏
Vla.
P
Oœ Oœ P
&
œO
F
∏
œO
P
‰
∏
‰
3
≈B B œO
5
œO
œO
F
œO
œO
F 3
œO
∏
∏
P
5
3
≈
3
Oœ ® b b Oœ Oœ .. ≈
b Oœ Oœ Oœ ..
œO
∏
Oœ
∏
∏
≈ m œO
P
3
3
5
3
œO
≈ ≈II Oœ
≈ .
5
Vc.
≈
Oœ
3
B
œO
j ≈ B B œO ∏
≈ ≈ Oœ ∏
F
Oœ Oœ ≈ . I Oœ I 5
P 3
5
∏ ‰
∏
‰
3
F
∏
≈II Oœ
≈ 3
Oœ Oœ .. 5
≈
F
Oœ
3
F
j œO
∏ ≈
5
µ µ œO
F 3
f
∏
F
5
œO
≈ ≈B B œO 3
Oœ
œO f
14
3
œO
3
Oœ
®b Oœ
∏
œO
®≈ 5
‰
b b Oœ ..
3
œO
Oœ Oœ f
3
m m œO
∏ ≈
m œO
≈ B B œO
œO
∏
f
≈ Oœ ∏
5
∏
∏
≈
f
5
‰
œO
≈ ≈II Oœ
Oœ
3
f
3
œO
ƒ
3
‰
∏
∏
‰
ƒ ≈ 3
f
∏
∏
œO
Oœ
3
tratto
Œ
œO
3
m m œO
58
Vln. I
&
œO
≈
∏
3
Vln. II
&
œO
≈B B œO
œO
∏
ƒ
œO
≈ µ B œO
ƒ 3
∏
≈ ≈ Oœ
Oœ
∏
ƒ
3
play at the heel (frog) of the bow
Vc.
&
œO ƒ
‰
∏
‰
ƒ
3
≈ B B œO
≈ ≈ bb œO
œO
∏
ƒ
3
3
ÂÂœO
œO
Ï
‰
∏
‰
≈
≈ B B Oœ ∏
œO
Ï
Oœ Ï
3
3
-
Œ
3
œO
∏
Ï 3
Oœ
3
∏
∏
F
F
3
ƒ
-
Œ
p
œO
≈ II Oœ
≈ 3
œO
œO
IV.
Kr
Vla.
œO
≈ b b œO
µ µ œO
œO
Ï
15
œO
3
‰
j œO
≈ ≈n n Oœ
Oœ
∏
Ï
3
≈ I I œO
3
3
œO
∏
Ï
∏
≈ ≈II œO
œO
∏
Ï
3
œO
Ï
Oœ
∏
Ï
3
‰
ƒ
‰ ÂO Âœ 3
œO Ï
œO
≈ ≈ bb Oœ
.
Œ
f
3
j ≈ b œO
3
‰
∏
‰
3
ÂÂœO
≈
∏ ≈
3
62
Vln. I
& bb œO
œO
Ï
∏
Vln. II
≈ b œO
& ≈ B B Oœ
∏
3
Oœ
3
∏
Ï
œO
≈ ≈II œO
œO
∏
p
3
R
œO
p
3
j ≈ b œO
œO
3
≈ ≈I I œO
œO
∏
p
‰
R
Vla.
Vc.
&
œO
Ï
≈
Ï
3
‰
∏
‰
3
µ µ œO
‰
œO
P
3
3
≈ ≈II œO
œO
∏
p
‰
R
≈
Ï
3
≈
p
∏
I. "Screaming sound"
Œ
j œO
‰
∏
‰
Ï
3
œO
œO
∏ 3
œO
œO
p
3
≈ ≈I I œO
œO
∏
p
≈ b œO
œO
3
≈ ≈II œO
œO
∏
π
œO
∏
p
∏
3
≈ b œO
3
3
≈ ≈I I œO
œO
∏
π
œO
π 3
œO
≈
∏
3
≈ ≈II œO
œO
∏
π
III. & IV.
≈
-
Œ
µ µ œO
œO
p
16
Œ
f
3
‰
∏
‰
3
µ µ œO
œO
p
3
‰
j œO
∏
‰
3
µ µ œO
3
≈
K 66
Vln. I
&
j œO
≈ b œO
π
∏
3
Vln. II
œO
& ≈ II œO
œO
∏
3
œO
π 3
œO
≈ ≈II œO
œO
∏
π
π
≈ ∏ 3
b œO
œO
≈ œO œO
π
Ø
≈
œO
π
œO
∑
j ≈ b œO Ø
œO
π
‰
Ø
∑
∑
÷
∑
÷
Ø
Bow
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
‡
Vla.
∏
Vc.
&
œO
π
‡
Finger
π 3
‰
∏
‰
∏ 3
µ µ œO
œO
π
‡
π 3
‰
∏
Œ
π ∑
Ø
17
‡
∏
π ∑
L
e = 80
-–
Bow on the body of the violin.
-–
Bow on the body of the violin.
70
Vln. I
÷
..
‰
‰
p possibile -–
p possibile
÷
..
‰
‰
p possibile
..
Bow on the body of the violin.
-–
Bow on the body of the violin.
Vln. II
Œ
p possibile
Œ
..
Bow
Vla.
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV .. ..
‡
∏
Vc.
..
Finger
π
‡
∏ ‰
‡
π
play at the side of the bridge in order to avoid the strings.
-
p possibile
∏
π
‡
∏ -
‰
p possibile
18
π Œ
..
M -–
Bow on the body of the violin.
-–
Bow on the body of the violin.
74
Vln. I
÷
‰
‰
p possibile -–
p possibile
÷
‰
‰
p possibile
&
Bow on the body of the violin.
-–
Bow on the body of the violin.
Vln. II
Œ
p possibile
Œ
Bow
Vla.
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
‡
∏
Vc.
‰
‡
Finger
π p possibile
∏
‡
π
∏ b ‹´ B ‹´ b ‹´ ≈ I.
‰
∑
&
19
π
‡
π
∏
Œ
b ‹´ B ‹´ b ‹´ ≈
finger tapping
π
p
‰
´ ‹ ≈ R p
N 78
Vln. I
&
.. Œ
pizz.
œ. ‹ ‹ ‹ ∏
..
Vln. II
.
.
3
3
Col legno bat. II.
œ. ‹ ‹ ‹
. ‰ Bœ ‹ ‹ ‹ ‰
‰
‰
B œ. ‹ ‹ ‹ 3
‰
. . . . ..
Ø
‰
π
.
.
II.
. ‰ Bœ ‹ ‹ ‹‰ 3
Col legno bat.
qk
œ. ‹ ‹ ‹
œ. ‹ ‹ ‹ 3
‰
Col legno bat.
qk
. . . . ..
Ø
p
.
.
II.
‰
œ. ‹ ‹ ‹ ‰
‰
3
ƒ
Œ
Col legno bat.
qk
. . . . ..
Ø
‰
P
.
.
II.
qk
. . . . ..
Ø
‰
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV ..
‡
Vla.
∏ &
´ ´ .. B ‹ ‹ ‰ p
‡
Finger
π ‰
∏ ‰
‡
π
I. pizz. finger tapping
. ´ ´ ≈ b œ B ‹ ‹ ‰ R p P
∏ ´ b œ B ‹´ b ‹´ ≈ ‰ R P F pizz.
finger tapping
20
‡
π
∏
´ œ B ‹´ m ‹´ ≈ R F f
´ ‹´ b ‹´ ‹ ≈ Œ
pizz. finger tapping
π
ƒ
1 8
F
Bow
Vc.
1 8
1 8
∑ ..
∑ & ..
∑ & ..
3 8
3 8
3 8
∏ 1 8
∑ ..
3 8
Off
O 83
Vln. I
Vln. II
Vla.
&
&
&
3 8
3 8
3 8
3 8 Vc.
e = 100 molto agitato
arco
>œ .. J ƒ .. ‰
≈
b ´œ ´ ´ ´ b ´œ f
>œ ‹ ‹ ‹
pizz.
3
ƒ
7
arco
‰
>œ J
≈
3 finger tapping 2 16 ´‹ ‹´ 8 ≈ ƒ
3 16
ƒ
2 ´b ‹ ´ 8 ‹ ≈
finger tapping
ƒ
arco
≈
Kr bœ
>œ J ƒ
≈
3
3
3 2 ´ ´ ´ ´ ´‹ ´‹ m ´‹ ´‹ m ´‹ ´‹ ‹ ≈ 16 b ‹ n ‹ b ‹ 8 m .. ≈ ‰ 3 3 3 ƒ Ï
´ ´ ´ ´
.. . ƒ
≈ ≈?
2 8
f
3
œ p
mœ F
21
≈
≈
ƒ
ƒ
´ ´ ´ ´ ´ ƒ
5
3
Kr‰ œ
π
≈
&
>œ
pizz.
‹ ‹ ‹
3
‰
ƒ
3 2 finger tapping 16 ´ ´ ´ 8 ‹ ‹ m‹ ƒ
3 16 b>œ . J & Ï
..
ƒ
3 finger tapping 2 16 ‹´ ‹´ ‹´ 8 ‰
>œ ≈ & J ƒ
3
Col legno bat.
finger tapping
3 16
≈
play at the heel (frog) of the bow
F
Kr bœ
>œ J ƒ
,
Play 3x
3 finger tapping 2 16 ‹´ b ‹´ ‹´ 8 pizz.>œ ‹ ‹ ‹ ≈ ‰
2 8
,
..
Col legno bat.
‰
´ ´ ´ ´ ´ ´
ƒ
B ..
,
´ ´ ´ ´ ´ ´ ´ ´? . œ. 5
3 8
3 8
3 8
3 8
P 89
Vln. I
Vln. II
Vla.
Vc.
&
&
B
?
3 8
3 8
3 8
..
..
3 16
arco pont. estrem.
œ F
œ
≈ B œ Ï F
œ
≈ Ï 3 16
arco pont. estrem.
bœ F arco pont. estrem.
.. m œ
F
3 8
Q
e = 120
.. œ
pont. estrem.
F
œ
œ
œ
≈ b œ Ï F
≈
Ï
≈
Ï
mœ
F
µœ
F
œ
œ
œ
≈ Ï
≈
Ï
≈
Ï
finger tapping
B‹ ‹ ‹ ÿ ÿ ÿ ƒ finger tapping
b‹ ‹ ‹ ÿ ÿ ÿ ƒ
..
..
3 8
3 8
..
..
pont. estrem.
œ Î
3 16
bœ Î
Î
´ ´ ´ µ‹ ‹ ‹
finger tapping
ƒ
..
3 8
.. œ
pont. estrem.
Î 2
22
≈
Bœ Î
œ
≈
œ
≈
bœ Î
œ
≈
œ
≈
mœ
œ
≈
œ
≈
µœ
œ
≈
pont. estrem.
3 3 finger tapping 16 ´ ´ ´ 8 pont. estrem. m ‹ ‹ ‹ .. .. m œ ƒ
œ
Î
Î
R 3 16
10'' 94
Vln. I
&
Bœ Î
œ
≈
..
∑
3 16
10''
Vln. II
&
bœ Î
œ
≈
..
∑
3 16
10''
Vla.
B
µœ
Î
œ
≈
..
∑
&
3 16
10''
Vc.
?
œ
Î
œ
≈
..
∑
&
23
e = 140
´‹
b ´‹
finger tapping
..
ƒ ´‹
´‹
finger tapping
..
´‹
2 8
ƒ
´‹
b ´‹
finger tapping
..
´‹
2 8
ƒ
.. œ . J p
´‹
2 8
≈
pizz.
‰
>œ ‹ ‹ ‹ ‰
>œ ‹
pizz.
ƒ 3
‹ ‹
‰
≈ œ . f
≈
2 8
3 tapping 16 finger ´ ´ ´ ‹ ‹ ‹
,
2 8
3 16
,
2 8
,
2 8
. . . .
‹´
b ´‹
finger tapping
ƒ
5
5
J
,
ƒ
arco
2 8
3 finger tapping 16 ´‹ ´‹ ´‹
3 16
´‹
4
.
.
mœ . . ƒ
..
..
..
..
S 99
Vln. I
Vln. II
Vla.
Vc.
&
&
&
&
2 8
2 8
2 8
2 8
∑
∑
∑
∑
molto agitato
3 arco 8 >œ J ƒ 3 8
‰
≈
pizz.
>œ
b ´œ ´ ´ ´ b ´œ f
7
arco
‹ ‹ ‹
3
‰
ƒ 3 8
>œ J
≈
3 finger tapping 16 ´‹ ‹´ ≈
2 8
3 16
2 8
ƒ
ƒ
≈
3 ´ ´ ´m ‹ ´‹ m ´‹ ´‹ m ´‹ ´‹ ‹ ≈ 16 b ‹ ≈ finger tapping
Ï 3
3 8 -
.
3
b´‹
finger tapping
´‹
ƒ n ´‹
3 16
≈
ƒ
24
≈
2 8
b ´‹
≈
?
Kr bœ
>œ J ƒ
≈
≈
3
3
´ ´ ´ ´
‰
2 8
f
3
œ p
mœ F
≈
≈
3 16
>œ ≈ & J ƒ
3
Col legno bat.
3 16
Kr bœ
>œ J ƒ
play at the heel (frog) of the bow
F
ƒ
3
arco
´ ´ ´ ´ ´ ƒ
5
3
Kr‰ œ
π
≈
3 16 &
3 16 &
T 104
Vln. I
Vln. II
Vla.
Vc.
&
&
&
3 finger tapping ´‹ 16 ´‹ b ´‹
2 8
ƒ 3 finger tapping ´‹ ´‹ 16 ´‹
2 8
ƒ 3 tapping 16 finger ´‹ b ´‹ ´‹
‰
>œ ‹ ‹ ‹ ≈
b>œ
ƒ
f
pizz.
>œ ‹ 3
‹ ‹
3 8
2 8
‰
2 8
3 8
Col legno bat.
‰
´ ´ ´ ´ ´ ´
ƒ
>œ
≈
&
m >œ
≈
ƒ
3 arco 8 >œ J ƒ
ƒ
ƒ
3 16 b>œ . J & Ï
≈
pizz.
Ï
5
≈
≈
´ b œ ´ ´ ´ b ´œ f
7
3 arco 16 œ.
ƒ
≈
3 16 . œ
∏
3 arco ´ ´m ‹ ´‹ m ´‹ ´‹ m ´‹ ´‹ ‹ ≈ 16 . bœ ≈ 3
3
3 II. & III. 8 ´ ´ ´ ´ ´ ´ ´ ´ . œ ƒ 5
∏
3
3 16
25
œ.
∏
finger tapping
Ï
œ.
2 8
œ.
2 8
œ.
≈
.œ
≈
.œ
≈
2 8 &
≈
F
play at the heel (frog) of the bow
F 2 8
II. & III. Col legno trat.
3
3
´ ´ ´ ´
Col legno bat.
‰
f
∑
109
‰
Vln. I
F
&
≈
Vln. II 3
≈
Vla.
Vc.
&
&
3 arco 16 œ.
ƒ
5
∑
≈
3 ord. 16 arco. œ
∏
3 16 &
œ.
∏
3
´ ´ ´ ´ ´
œ.
2 8
b .œ
arco
∏
œ.
.œ
œ.
.œ
2 8
2 8
II. & III.
≈
‰
≈
F
‰
F
b b Oœ
&
3
3
‰
∏
f
3 16
II. & III.
‰
3 "Screaming sound" 2 al pont estr. 16 8 -œ œ ≈ J J ƒ
F
≈
F "Screaming sound"
‰
26
≈
-œ . J ƒ
≈
œ.
œ.
3 8
∏ 3 16 . œ
rK bO bœ
π
3 arco 16 œ.
&
b .œ
arco
∏ 3 16
œ
œ.
.œ
≈
œ.
.œ
≈
3 8
3 8
3 8
U 114
Vln. I
Vln. II
Vla.
Vc.
3 arco 8 >œ J & ƒ
&
&
V
e = 160 molto agitato
3 8
‰
≈
pizz.
>œ ‹ ‹ ‹ 3
b ´œ ´ ´ ´ b ´œ f
7
arco
‰
3 8
≈
>œ J
´ ´m ‹ ´‹ m ´‹ ´‹ m ´‹ ´‹ ‹ ≈ ≈ Ï 3
3 8 -. ƒ
3 16 . œ
∏
finger tapping
3 16
≈
J
b .œ
arco
∏
3
3
2 8
œ.
∏ rK œ
ƒ
ƒ
3 arco 16 œ. œ.
3 16
œ.
2 8
œ.
arco
≈
Kr bœ
>œ J ƒ
≈
.œ
≈
2 8
.œ
≈
?
≈
play at the heel (frog) of the bow
3
‰
2 8
3
b b Oœ
3
Oœ
al pont estr.
∏
f
≈
∏
Kr bœ
>œ J ƒ
≈
>œ ≈ & J ƒ
b b Oœ
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ b‹
´ ‹
´ ‹
´ ‹
finger tapping
∏ finger tapping
∏
Oœ
≈
∏
f
finger tapping
∏
"Screaming sound"
3
œ p
mœ F
3
Kr‰ œ
‰
π
Off
27
‰ 3
-
ƒ
œ. B œ. arco
119
Vln. I
&
‰
π œ.
Vln. II
‰
Vc.
&
π
b œ.
µ œ.
n œ.
µ œ.
œ.
B œ.
b œ.
b œ.
‰
‰
π
ƒ 3
b œ.
B œ.
arco
Vla.
B œ.
≈
F
arco
&
b œ.
‰
‰
≈
≈
F
ƒ 3
´ ‹
‰
´ ‹
´ ‹
∏ ´ ‹
´ ‹
´ ‹
´ ‹
´ b‹
´ ‹
´ ‹
´ ‹
finger tapping
F
-
´ ‹
finger tapping
∏
finger tapping
∏ ‰
‰ 3
≈
≈
.
≈
≈
.
Col legno bat.
≈
≈
.
œ.
arco
B œ.
b œ.
B œ.
π œ.
arco
π .
B œ.
.
b œ.
µ œ.
.
b œ.
n œ.
.
.
∏
-
‰
ƒ
28
ƒ 3
‰
µ .œ
µ .œ
.
n .œ
F n .œ
F .
3 16
‰
3 16
‰
.
.
3 16 &
3 16
X 125
Vln. I
Vln. II
Vla.
&
&
&
3 finger tapping 16 ‹´ ‹´ ‹´
´ ‹
´ ‹
´ ‹
´ ‹
3 8 ‹´
´ ‹
∏
F
3 finger tapping 16 ´ ´ ´ ‹ ‹ ‹
´ ‹
∏
3 16 ´finger tapping ´ ´ b‹ ‹ ‹
´ b‹
∏
3 16 Vc.
´ ‹
II.
≤ . ∏
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ b‹
3 8 ´ ‹
´ ‹
´ ‹
F
3 8 ´ b‹
´ ‹
F
œ. B œ. arco
≈
≈
π œ.
arco
≈
≈
≈
B œ.
.
.
.
.
‰
F
F
3
29
b œ.
3 16 . µœ
b œ.
n œ.
π
‰
"Creaking sound" play at the heel (frog) of the bow
3 . . 8 -
b œ.
3 16 B œ.
-
Kr ‰
3 16
3 16
µ .œ
µ .œ
F
2 8
.œ
F
≈
‰
≈
‰
2 8
Oœ .. J Ø
≈
2 8 . œ
≈
≈
3 8
3 8
3 8
2 play at the heel (frog) of the bow 3 8 8 Kr F
3
Y 131
Vln. I
Vln. II
Vla.
&
&
&
3 8
3 8
3 8
3 8 Vc.
3 16 B œ. b œ. . . µœ nœ
œ. B œ. b œ. arco
‰
≈
π
4
3 16 . µœ
œ. B œ. b œ. arco
‰
.
≈
B .œ b œ. µ œ. n œ. B œ.
n œ.
µ .œ
π Kr O œ
3 16
3 16 . J F
f
5
.œ
B œ.
b œ. f
≈
´ b‹
≈
´ ‹
finger tapping
∏
´ b‹ R ∏
´ µ‹
finger tapping
´ ‹
´ b‹
´ n‹
´ µ‹
≈
´ ‹
´ ‹
´ b‹
´ n‹
´ ‹
≈
´ ‹
3 8
3 8
3 8 '. . V ' . VVVVVVVVV . VVVVV V V V V V. VVVVVVV . V V V . J VV .VVVVVVV J J J p ∏ p
Col legno trat. II. & III.
∑
. J
∑
30
pont. estrem.
&
O. J ∏ I.
3 8
Z Ritardando
137
Vln. I
Vln. II
Vla.
Vc.
&
&
e = 60
3 8 ´ ´ B ‹ b ‹ µ ‹´
´ ´ ≈ n ‹ B ‹
b ‹´
´ ´ ≈ µ ‹ n ‹
‹´
‹´
‹´ B ‹´
´ ´ ´ ´ ‹ B ‹ b ‹ µ‹
∑
∑
3 8 ´ b‹
´ ‹
´ b‹
´ ‹
´ ‹
´ ‹
´ b‹
´ ‹
∑
∑
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
´ ‹
3 rK 8 . . VV VVV. VVVVVVV V VVVV. VVVVVVVVV V V V . V VVVVVV . VVVVVVVVV VVVV VVVVVV V . . 3 8 O. J & π
≈
∏
‰
‰
O. ≈ J ∏
O. J p
≈
∏
31
‰
‰
—. ≈ J ∏
—. F
142
Vln. I
∑
&
‰
‰
‰
∏
4
Vln. II
∑
&
B B Oœ
Oœ J
molto sensibile
Oœ p
B B Oœ J ∏
4
∑
Oœ J
Oœ p
4
bbOœ
molto sensibile
∑
∏ . . . . ‰ VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV
∏ —
—-
"Screaming sound"
Vc.
&
—-
—
p
—-
—-
—
∏
—-
—-
Ï
32
—
Oœ J
Oœ J
Oœ J
p
Col legno trat. II. & III.
Vla.
B B Oœ J ∏
‰
‰
Oœ p
B B Oœ J ∏
4
b b Oœ ∏
Col legno trat. II. & III.
. . VVVVVVVVVVVVV
∏
∑
147
Vln. I
Vln. II
&
&
Oœ J
Oœ p
B B Oœ J ∏
4
Oœ
b b Oœ J
p
∏
Oœ J
Oœ p
B B Oœ J
∏
4
p
&
bbOœ
p
∏
Oœ p
4
∑
B B Oœ J
Oœ J
Oœ J
Oœ J
∏
p arco II.
‰
∏
∑
Oœ J
Oœ
. . ‰ VVVVVVVVVVVVVVVVVV
Vla.
Vc.
Oœ J
‰
—-
"Screaming sound"
Î
33
p
B B Oœ J
Oœ J
∏
4
b b Oœ
Oœ
∏
p
—
≈ 3
3
≈
—-
Î
Oœ P
B B Oœ J
∏
4
b b Oœ J
∏
"Creaking sound" play at the heel (frog) of the bow
play at the heel (frog) of the bow
f pont. estrem. I.
Oœ
‰
‰
3
—
≈
—-
Î
IV.
- - -
P
3
152
Vln. I
Vln. II
&
&
Oœ J
Oœ P
Oœ J
4
bbOœ
P
∏
3
Vc.
&
—
≈
∏
Oœ J
Oœ
- - - rK‰
Vla.
B B Oœ J
- - P
3
Oœ F
4
B B Oœ J
∏
Oœ J
F
Oœ J
Oœ J
pont. estrem.
Oœ F
4
pont. estrem.
B B Oœ J
π
Oœ J
b b Oœ
Oœ
π
F
Oœ f
4
‰
p
b b Oœ J
p
OO
"Screaming sound"
- - - rK‰
pont. estrem. I.
‰
‰
&
3
( )
Î
III.
‰
B B Oœ J
-.
pont. estrem. I.
‰
F
34
&
—-
"Screaming sound"
Î
Oœ J
Oœ f
Oœ J
O O
( )
—
B B Oœ J
p
4
Oœ f ≈
≈
‰
‰
‰
ord. III. & IV.
?
j œ œ Î
Aa 157
Vln. I
Oœ J
&
Oœ ƒ
B B Oœ J
P
4
Oœ J
e = 80
II. & III.
Oœ
‰
ƒ
‰
‰
Ï
∏
4
-
-
‰
‰
Ï
4
Vln. II
bO & bœ
Oœ J
ƒ
P
Oœ J
b b Oœ
Oœ
‰
F
ƒ
∏
"Creaking sound"
IV.
Vla.
- - - - K‰ - r
P
Vc.
?
"Creaking sound"
œ œ
IV.
f
3
3
‰
‰
- - - - K‰ - r
∑
‰
3
3
‰
35
œ œ Î
≈
-
Ï
-
≈
≈
"Creaking sound"
- - - - K‰ - r f
œ œ
3
3
‰
œ œ Î
-
‰
Ï
4
"Screaming sound"
I.
-
‰
4
"Screaming sound"
≈
Ï
-
≈
≈
"Creaking sound"
- - - - K‰ - r f
œ œ
1 8
-
1 8
1 8
3
3
‰
‰
1 8
Ab 1 8
162
3 8
Vln. I
1 8
3 8
Vln. II
1 8
II. & III.
‰
Ï
Vc.
∑
&
-
‰
≈
-
I.
Ï
-
≈
≈
‰
Î
Ï
-
≈
≈
-
"Creaking sound"
f
≈
Ï
f
3
—-
—
Î
36
-
≈
-
≈
—-
Î
≈
Ï
-
≈
≈
-
f
≈
—-
3
3
"Screaming sound"
Î
1 8
1 8
- - - - K‰ - r
3
—
4
"Screaming sound"
-
&
"Creaking sound"
3
"Screaming sound"
‰
Ï
4
≈
‰
-
‰
- - - - rK‰
3
"Screaming sound"
‰
"Creaking sound"
- - - - rK‰
3
—
-
-
‰
4
"Screaming sound"
3
3 "Screaming sound" 8 I. —-
‰
Ï
4
"Screaming sound"
f
?
‰
3 "Creaking sound" 8 IV.- - - - rK‰
Vla.
1 8
-
1 8
—
≈
1 8
Ac 167
Vln. I
&
1 8
∑
1 8
rK · œ
Ø
J
F 1 8
4 "Screaming sound" -. 8 -. R ®‰ R
Vla.
Î
&
1 8
∑
4 8
Œ
Col legno bat.
Î
al pont estr.
∏
œO
‰
bb Oœ
œO
.
. . . . .. π
R ≈
F
Œ
Ï
37
Oœ
Bow on the body of the violin.
‰
arco
÷
– J π
Col legno trat. II. & III.
Œ
Ø
‰
.
rK b· bœ
II.
&
.
q + ekk
Ø
molto sensibile
"Creaking sound"
®‰
II.
.
Œ
4 "Creaking sound" 8 -
Vln. II
Vc.
4 molto sensibile 8 II. I I Oœ
VVVV VVVV ∏
molto sensibile
I.
&
Ø
Œ
Œ
II. Trem. on the bridge on the string. Bow Finger
Ø
172
Vln. I
÷
J
‰
‰
– J π
J
Kr
Vln. II
Vla.
&
‰
– J π
J
Kr
VVŒ V V V VV VVV π ∏ Kr · œ
‰
VVVV VV Œ V VVVV V V V VVV ∏ ∏ π
Ó
‰
pont. estrem.
Oœ
∏
Oœ
π
‰
Œ
∏
‰
‰
– J π
VVVV ∏
‰
‰
Œ
&
Kr
VVVV
V V VVVV π
pont. estrem.
Oœ
∏
Oœ
π
‰
VV Œ
∏
∏
Œ
?
Vc.
π
Ø
π
38
Ø
π
Ad 176
Vln. I
e = 100
rK · œ
IO &I œ
II.
Œ
Ø
.
qk
. . . . . .. π
Ø
F
Vln. II
J
F
bb Oœ
II.
&
3 8
rK b¥ bœ
"Creaking sound" arco
‰
‰
Ø
F
Œ
Vla.
Vc.
Î
?
Œ
≈ Œ
?
-. J
Î
3
‰
œ œ Î
-. J
≈ Œ
œ œ
≈ Œ
Î 3
‰
‰
&
œ œ Î
Col legno bat.
‰
III.
‰
ƒ
"Creaking sound" arco
Oœ
I.
Kr ¥ œ
‰
Ø
F
‰
39
‰
œ œ Î
3 8
‰
´ ´ ´ ´ ´ ´
ƒ
‰
"Creaking sound" arco
≈
3 8
j œ œ
´ ´ ´ ´ ´ ´
F
"Screaming sound"
-. J
3 8
≈
F
‰
‰
Oœ
pont. estrem.
∏
‹´ B ‹´ b ‹´
finger tapping
œ œ
‰
‰
‰
≈
F
Ae ´ ´ ´ ´ ´ ´
181
Vln. I
ƒ
‰
´ ´ ´ ´ ´ ´
‰
´ ´ ´ ´ ´ ´
‰
ƒ
ƒ
´ ´ ´ ´ ´ ´
‰
ƒ
´ ´ ´ ´ ´ ´
‰
ƒ
‰
II. & III. arco
‰
‰
Ï
‰ 4
"Screaming sound"
≈
Vln. II
.
.
II.
π
.
. . . . ® F
≈
&
≈
finger tapping
‹ ‹ ÿ ÿ F
‹ ÿ
‹ ÿ
‹ ÿ
‹ ÿ
‹ ÿ
‹ ÿ
≈
≈
.
.
II. arco
π
.
. . . . ® F
≈
≈ -≈
≈
I.
-
"Creaking sound"
Vla.
Vc.
&
Oœ
Oœ
‰
P
´ ? I‹
pont. estrem.
∏
≈
≈
‹´ B ‹´ b ‹´
F
Oœ
‰
P I ´‹
∏
≈
‰
pont. estrem.
Oœ
‰
Oœ
P
‰
‰
≈
pont. estrem.
∏
Oœ
‹´ B ‹´ b ‹´
F
Oœ
P I ´‹
‰
´ ‹ B ´‹
∏
- - - - rK‰
IV.
‰
f
—-
3
"Screaming sound"
≈
≈
≈
arco
I.
&
Î 3
40
3
—
≈
186
-
‰
Vln. I
‰
Ï
Vln. II
Ï
-
≈
≈
-
- - - - rK‰
Vla.
f
—-
Vc.
&
Î
f
3
"Screaming sound" I.
—
Ï
≈
-
≈
—-
Î
f
3
—
&
4
≈
Ï
≈
-
&
- - - - rK‰
3
"Screaming sound" I.
‰
Ï
‰
- - - - rK‰
3
-
‰
4
≈
‰
"Creaking sound"
‰
Ï
4
"Screaming sound"
≈
-
‰
—-
3
3
"Screaming sound"
≈
∑
41
I.
Î
&
—
≈
∑
Af 191
Vln. I
Vln. II
&
molto agitato
>œ .. J ƒ
≈
pizz.
>œ ‹
b ´œ ´ ´ ´ b ´œ f
7
arco
‹ ‹
ƒ
3 16
´‹ ´ b ‹ ≈
finger tapping
&
.. ‰
&
3 ´ ´ ´ ´ ´m ‹ ´‹ m ´‹ ´‹ m ´‹ ´‹ ‹ ≈ 16 b ‹ n ‹ b ‹ .. ≈ 3 3 3 ƒ Ï
ƒ 3
‰
>œ J
≈
3 finger tapping 2 16 ´‹ ‹´ 8 ≈
ƒ
ƒ
finger tapping
Vla.
Vc.
.. . ƒ
2 8
3 16
≈ ≈ ?
arco
≈
>œ J ƒ
≈
≈
3
3
´ ´ ´ ´
‰
2 8
f
3
œ p
≈
≈
ƒ
ƒ
5
3
mœ F
42
3 finger tapping 16 ‹´ ‹´ ‹´
´ ´ ´ ´ ´
2 8
≈
ƒ
>œ ≈ & J 3
Col legno bat.
3 finger tapping 16 ‹´ b ‹´ ‹´
Kr bœ
>œ J ƒ
play at the heel (frog) of the bow
F 2 8
Kr bœ
2 8
‰
ƒ
≈
&
3 tapping 16 finger ´‹ ´ ´ ‹ m‹
>œ
‰
‹‹‹
ƒ pizz.
>œ
‹ ‹ ‹
3
..
‰
ƒ 2 8
ƒ
3 16 b>œ . J Kr‰ & œ Ï π
pizz.
2 8
..
Col legno bat.
‰
´ ´ ´ ´ ´ ´
ƒ
..
´ ´ ´ ´ ´ ´ ´ ´ . œ . 5
Ag 197
Vln. I
&
∑
3 16
3 16 Vln. II
3 16 Vla.
Vc.
Semplice
Oœ ..
pont. estrem.
arco
≈ .
∏ arco
≈
2 8
I.
´ ´ ´ ´ ´ ´
ƒ
Oœ
P ≈
2 8
‰
‰
3 16
∏ ´ ´ ´ ´ ´ ´
3 16
ƒ
≈ .
≈
2 8
µ µ Oœ ..
∏
Oœ
∏
P
2 . . . . . 8 ´ ∏
‰
f
5
≈
‰
2 8
3 2 16 8 K . r . V V. VVVVVVVV V V V V V VVVVVVVV Œ . VVVVVV V V V V V V V J J P π π P Col legno trat. II. & III.
3 Col legno bat. 16 I. ´ ´ ´ ´ ´ ´ ≈ ƒ
≈
2 8
´ ´ ´ ´ ´ ´
ƒ
43
‰
3 16
2 8
´ ´ ´ ´ ´ ´
ƒ
3 16
3 16
3 16
‰
3 16
Ah 202
Vln. I
&
3 16
≈ .
Oœ ..
2 8
∏
3 16
P 2 8
Vln. II
3 16 Vla.
3 16 Vc.
Oœ
‰
3 16
∏ 3 16
2 8
µ µ Oœ ..
≈ .
∏
P
arco
≈
I.
´ ´´ ´ ´ ´
ƒ
Oœ
≈
2 8
‰
3 16
‰
∏ 3 16
´ ´ ´ ´ ´ ´
ƒ
3 2 16 8 K . r . V V. VVVVV V V V V VVVVVV Œ VVV VVVVVVVVVV . J J π π P P Col legno trat. II. & III.
2 8
2 8
3 Col legno bat. 16 I.´ ´ ´ ´ ´ ´ ≈ ≈ ƒ
2 8
´ ´ ´ ´ ´ ´
ƒ
44
2 8
m m Oœ ..
≈ .
∏
P
2 . . . . . 8
≈
∏
5
3 arco tratto 16 ® P
‰
3 16 &
≈ .
F
® 7
O.
Oœ
arco
∏
2 8
3 8
‰ ∏
3 . . . . . 8
‰
∏
F
5
®
P
2 8 O.
®
3 8
9
≈
F
3 8 &
Ai 3 8
208
Vln. I
3 8 Vln. II
II. & III.
‰
‰
Ï
≈
Ï
-
≈
≈
-
f
&
Î
f
3
—
≈
—-
Î
≈ .
4
≈
‰
&
Ï
≈
-
3 16
3 16
- - - - rK‰
3
3 "Screaming sound" 8 —-
‰
Ï
4
"Screaming sound"
-
-
‰
3 "Creaking sound" 8 - - - - rK‰
Vla.
Vc.
-
3 16
3
3
—
≈
≈
2 8
B B Oœ ..
∏
P
2 . . . . . 8 ∏
5
F
‰
‰
≈ .
∏ 3 16 . . . . . ∏
5
≈
F
∏
2 8
Oœ ..
2 . . . . . 8 ∏
5
&
F
3 2 16 8 . . V V. VVVVVV V V V V V V V V V V V V V V V V . VVVVVVV J J P π P Col legno trat. II. & III.
3 Col legno bat. 16 I.´ ´ ´ ´ ´ ´ ≈ ≈ ƒ
45
Oœ
3 16
2 8
2 8
´ ´ ´ ´ ´ ´
ƒ
‰
3 16
´ ´ ´ ´ ´ ´
ƒ
≈ ≈
2 8
213
Vln. I
Vln. II
&
&
2 8
Oœ
‰
∏
P 2 8
∑
3 16 ´ ´ ´ ´ ´ Oœ ≈ µ µ Oœ ƒ
3 16
2 8
Vla.
2 8 Vc.
‹ m‹ ÿ ÿ
3 16 rK VVV VVVVVVVVVVVV ≈ ≈ π
P
´ ´ ´ ´ ´ Oœ µ µ Oœ
‰
ƒ
5
finger tapping
m‹ ÿ f
2 8
≈
3 Col legno bat. 16 I.´ ´ ´ ´ ´ ´ ≈ ≈ ƒ
2 8
2 8
arco tratto
P
2 8
3 16
‹ m‹ ‹ ‹ m‹ ‹ ÿ ÿ ÿ ÿ ÿ ÿ
®
´ ´ ´ ´ ´ ´
ƒ
®
3 16
≈
b´‹
´ ‹
≈
3 16
2 8
f
´‹
2 8
´‹
®
P
9
‰
finger tapping
5
3
3
3 16
®
2 8
´ ‹
b´‹
´‹
´‹
®
P
7
2 8
´ ‹
´ ‹
3 16
´‹
arco tratto
´ ´ ´ ´ ´ ´
ƒ
46
´ ‹
3 16
®
3 8
∑
3 8
∑
3 16
3 8 &
9
‰
3 16
3 8
Aj 219
Vln. I
Vln. II
Vla.
Vc.
molto agitato
3 8 >œ J & ƒ
&
&
3 8
3 8
≈
pizz.
‰
b ´œ ´ ´ ´ b ´œ f
>œ ‹ ‹ ‹ ƒ 3
7
arco
‰
finger tapping
≈
>œ J
3 8 -
.
ƒ
´ ´‹ ≈ ‹
finger tapping
2 8
ƒ 3 16
ƒ
´ ´ ≈ m ‹ ‹ m ‹ ‹ m ‹ ‹ ‹ ≈ ÿ ÿ ÿ ÿ ÿ 3 Ï 3
3
3 16
´ ´ ≈ b ‹ ‹
finger tapping
2 8
´ b ´‹ n ´‹ b ‹
2 8
ƒ
3 16
≈ ≈ ?
≈
Kr bœ
>œ J ƒ
≈
≈
3
3
´ ´ ´ ´
‰
2 8
f
3
œ p
mœ F
47
≈
≈
5
3
‹´
2 8
3 tapping 16 finger ´‹ ´ ‹´ ‹
2 8
3 16
2 8
≈
‰
ƒ
´ ´ ´ ´ ´ ƒ
´ ‹´ b ‹
finger tapping
ƒ
>œ ≈ & J ƒ
3
Col legno bat.
3 16
Kr bœ
>œ J ƒ
play at the heel (frog) of the bow
F
ƒ
3 16
arco
Kr‰ œ
π
≈
&
finger tapping
‹ ‹ m‹ ÿ ƒ ÿ ÿ
3 16 b>œ . J & Ï
2 8
pizz.
>œ
‹‹‹
‰
ƒ pizz.
>œ
‹ ‹ ‹
ƒ 3
‰
Col legno bat.
‰
I.
´ ´ ´ ´ ´ ´
ƒ
´ ´ ´ ´ ´ ´ ´ ´ œ 5
Ak 225
Vln. I
&
≈
pizz.
>œ
>œ
‹‹‹
‰
ƒ
f
arco "Screaming sound"
-
Vln. II
Ï
≈
´
≈
´
´
≈
II. & III.
Vc.
≈
f
3
Col legno trat.
F
≈
≈
ƒ
>œ
‰
-
-
Ï
Ï
f
≈
≈
‹ ‹
≈
≈
b>œ
‹´
b ‹´
finger tapping
‹ ‹ ‹
‰
ƒ
F
-
I.
´ ´ ´ ´ ´ ´
ƒ
Ï
‹´
≈
‹´
P
≈
≈
I.
´ ´ ´ ´ ´ ´
ƒ
≈
´ ´ ´ ´ ´ ´
‰
ƒ
≈
≈
‰
‰
≈
≈
possibile
48
´ ´ ´ ´ ´ ´
‰
F
≈
≈
b ‹´
‹´
´ ´ ´ ´ ´ ´
‰
.
´ ‹
‰
ƒ
arco
Col legno bat.
Vla.
‹‹
b>œ ‹ ‹ ‹
.
&
.
Col legno bat.
´ ´ ´ ´ ´ ´
≈
P
≈
≈
p
3
≈
≈
Al 231
Vln. I
Vln. II
&
.. ‰
&
.. ‰
Morendo
B B Oœ
Oœ
arco
Ø ‰ 3
‰
Ø
F m m Oœ
Oœ
Ø
Oœ F
Oœ 3
B B Oœ
‰
‰
Oœ
Ø
‰
Ø
3
Ø
p m m Oœ
‰
Oœ
Ø
..
‰
Oœ
Oœ
p
3
‰ Ø
..
arco play at the heel (frog) of the bow
Vla.
Vc.
..
.. ≈
F
P
≈
≈ 3
3
≈
3
≈
49
..
‰
≈
p
≈
≈
π
≈
..
Nicolai Worsaae April 2010