Sandra Boss: Bølger (2022 – 24)

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Sandra Boss

Bølger (2022 – 24)

Waves

for clarinet, soprano saxophone, bass flute, violoncello

Dur. 12′

Commisioned by Ensemble Lydenskab

SCORE

T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond

Bølger (2022 – 24)

Waves for clarinet, soprano saxophone, bass flute, violoncello

Dur. 12′

NOTE

Bølger is a piece about waves: the waves that we hear when we are at the sea, and the acoustic sound waves that constantly interfere and mix with each other in order to form what we call timbre – the specific spectral characteristics that make it possible to recognize the sound of an instrument.

In this piece, the timbres of the instruments are constantly explored, as the piece evolves around very few tones that are extended and bent through different playing techniques. The clarinet is in front and plays through a drum that acts as an acoustic amplifier and a timbral expander. The new acoustics of the clarinet appear as both a disturbance and a force or wave that swallows the instrument.

PERFORMANCE NOTES

Clarinet

The clarinet is played through a floor tom, by placing the bell on the floor tom. The clarinet player has a lead function in the piece, and plays rubato in order to find the many different resonances that appear when playing through the drum.

Violoncello

IV string (C) is tuned down, scordatura to G.

Saxophone

All multiphonics are taken from Weiss.

Bass Flute

Multiphonics are taken from Carin Levine

NOTATION

Triangle head: the instrument is to produce an air sound without pitch.

Diamond head: the clarinet is placed with its bell on the floor tom and played through the drum.

Dashed slurs: indicate gradual transition from one tone or timbre to another.

INSTRUMENTATION

Clarinet – extended with floor tom

Soprano saxophone

Bass flute

Violoncello

Percussion

Bass drum, cymbal and tuned gong (Bb)

Mallets: 2 different friction mallets (obtaining different sound quality) and 2 medium soft mallets

C l a r n e t n B b + f o o r t o m

S o p r a n o S a xo p h o n e

Ve r y s l o w a n d exp r e s s i ve

Ru ba t o - f o llow c la rine t

B a s s F u t e

° ¢

V o o n c e o

B ø l g e r & ( A r s o u n d o n y )

P e r c u s s i o n se m pre l e ga t o p o o o p o mf mf f o

∑ ( A r s o u n d o n y ) ( # 8 6 )

( # 8 6 ) o o

S a n d r a B o s s

&

a r o r d a r ∑ a r o r d a r mo lt o ru ba t o ? “A r ” ( d a m p e n s t r n g s w t h p a m f a u t a n d o )

2 2 4 3 2

o o o

( C = G )

C o e g n o t r a t t o U o r d c o l e g o r d c o l e g / W h

o o o mf mf p o o p o mf f p

p u e ga t o po ssi b l e mf p mf p

o o o mf p mf p 3 2 2 4 3 2 2 4 3 2 4 4 4 2 4 4 3 2 2 4 3 2 2 4 3 2 4 4 4 2 4 4 3 2 2 4 3 2 2 4 3

S o p S a x

° ¢ B b C

( a d d t o n e / h a r m o n c s g r a d u a y ) Ÿ~~~~~~~~~~~~~~~~~~~~~~~ U & ( # 8 6 ) ∑ ( # 8 6 ) o o ( a i r ) # 5 8 Ÿ~~~~~~~~~~~~~~~~~~~~~~~ # 1 3 3 U &

P e r c mf mf f o p o G

m o l t o r u b a t o ( a i r ) b s b g o W T ( f u c t u a t e p t c h e s) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ?

C o l e g n o t r a t t o ( C = G ) U o r d c o e g o r

1 mf mf p o mf f p o pi u l e ga t o po ssi b l e mf p mf p o mf p mf p o 3 2 4 4 4 2

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