Christian Winther Christensen Concerto for a Movie Loop (2012) for video & chamber orchestra Dur. 7’
SCORE
T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk
Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg
= Make the accent with as much sound as possible. Used when you play with particuæar techniques = Make the accent with as much sound as possible. Used when you play particuæar = Make the accent withwith as much sound techniques as possible. Used when you play with particuæar techniques
Christian Winther Christensen Concerto for a Movie Loop (2012) for video & chamber orchestra Dur. 7’
PLAYING TECHNIQUES The score is transposed
PLAYING TECHNIQUES "f" = as loud as possible. Is used with techniques where not very much sound is generated. PLAYING TECHNIQUES The score is transposed
PLAYING TECHNIQUES The score"pis "
transposed
= with avoidtechniques sound completely, where even though sound from the f = as loud as possible. Is used action itself cannot always be avoided. notloud veryasmuch soundIsisused generated. possible. with techniques where "f" ==as as loud as possible. Is used with techniques where not very much sound is generated. not very much sound is generated. " p " = avoid sound completely, even though sound from the action itself cannot always be avoided. Winds = avoid sound completely, even though sound from the p " " " "
itself cannot always be avoided. Winds = action avoid sound completely, even though sound from the
action itself cannot always Air. be Useavoided. the notated fingering in order to obtain the right frequency.
–
Winds Winds
Air. Use the notated fingering in order to obtain the right frequency.
Air. Use the notated fingering in order to obtain the right frequency. Air. Use the notated fingering in order to obtain the right frequency.
– – –
–
A glissando air.in As the previous example the fingering A glissando withwith air. As thein previous example use the use fingering to obtain the right frequency. to obtain the right frequency.
A glissando with air. As in the previous example use the fingering to glissando obtain thewith rightair. frequency. Woodwinds A As in the previous example use the fingering Woodwinds to obtain the right frequency.
j
Woodwinds Woodwinds
‹
Noise the notated Noise fromfrom the notated key. key.
Noise from the notated key. Noise from the notated key.
+
[whistle Tongue pizzicato. [whistle only]only] Tongue pizzicato.
œ
[whistle only] Tongue pizzicato. [whistle only] Tongue pizzicato. Y
[whistly Cover the entire mouthpiece with [whistle only]only] Cover the entire mouthpiece with the lips.the lips.
[whistly only] Cover the entire mouthpiece with the lips. [whistly only] Cover the entire mouthpiece with the lips.
+
[whistly Tongue-ram [whistle only]only] Tongue-ram (pizz.)(pizz.)
Y.
[whistly only] Tongue-ram (pizz.) [whistly only] Tongue-ram (pizz.)
# –æ
– J
[whistle only] A weak flutter-tongue simultaneously with a
[whistle only] A glissando. weak flutter-tongue simultaneously downwards Articulate this strongly.with a downwards glissando. Articulate this strongly.
[whistle only] A weak flutter-tongue simultaneously with a downwards glissando. Articulate thissimultaneously strongly. [whistle only] A weak flutter-tongue with a ~~~~~ downwards Articulate this strongly. œ . (uglissando. ) [whistle only] Bisbigliando [whistle only] Bisbigliando [whistle only] Bisbigliando [whistle only] Bisbigliando
‡.
[only clarinet and bassoon] Slap-tongue.
[only clarinet and bassoon] Slap-tongue.
‹ ‹
Key-noise. As many keys as possible. Key-noise. As many keys as possible. 1) with the right hand,hand, 2) with2)the leftthe hand. 1) with the right with left hand.
‹
j b‹
Make a glissando onlykey-noise. with key-noise. Make a glissando only with
Brass
Brass
!
˜.
˜.
Hit with the hand on theonmouthpiece. Hit with the hand the mouthpiece.
M
Make the same hit ashitinas theinprevious example, only this timethis with the with mouth. Make the same the previous example, only time the mouth. ThisThis will not be nearly as strong but can be articulated better. will not be nearly as strong but can be articulated better.
‹ ‹ ‹
[only horn]horn] MakeMake a noisy changechange between the F horn the and Bb horn. [only a noisy between the and F horn the Bb horn.
˜.
˜.
F
close
B
F
open
– –
[only[only for horn] CloseClose the horn hand to hand open horn. for horn] thewith hornyour with your to open horn. [only[only for trumpet] CloseClose the harmon to opentoharmon. for trumpet] the harmon open harmon. TheThe arrow is theislevel the two modes. arrow the between level between the two modes.
II
Timpani & Percussions
Timpani & Percussions
O &= =
j œ œ J
p
!
" "
–
–
– –
– – R
First note (with the graphic tuning fork) : Enable the Tuning fork.
FirstSecond note (with graphic tuning fork): Set Enable Tuning notethe (with the glissando): the the tuning forkfork. on the timpani Second note (with the glissando): Set the tuning fork on the timpani and make a glissando with the pedal. and make a glissando with the pedal.
Scratch softly on the drumhead.
Scratch softly on the drumhead.
Rub on the instrument with a soft stick.
RubMake on thea instrument with without a soft stick. regular sound without too many deflections. regular sound too Make manyadeflections.
Strings
Strings j
œ œ J
>
˘
‹ ‹
A short quick glissando the bridge thatisthere is only for the bow. A short and and quick glissando close close to theto bridge that there only place forplace the bow. At the same time with bow pressure. The result is without sound, only a short noise. At the same time with bow pressure. The result is without sound, only a short noise.
Hammer on. 1)on. Hold on the on fingerboard after theafter action. Hammer 1) fingers Hold fingers the fingerboard the action. 2) Move fingers from from the fingerboard during during the action. 2) Move fingers the fingerboard the action.
j ‹
Hammer on glissando Hammer on glissando. ‹
J
Ÿ~~~ # ·œ ~~~~~~ j ·
bœ æ
"·
·‚
Tremolo between artificial harmonics and normal harmonics. Tremolo between artificial harmonics and normal harmonics. At the timetime makemake a bowa tremolo as fastas asfast possible. At same the same bow tremolo as possible. TheThe sound should be ugly sound should be and uglynoisy. and noisy.
R
Damp the strings with the the bow. left hand a micro second before stopping the bow. second beforelightly stopping
‡ ‡ R
Make a glissando with the bow). bow). Make a glissando withleft thehand left (without hand (without Refrain fromfrom a hard on theon first Refrain a attack hard attack thenote. first note. Make the sounds with the fingernails. Make the sounds with the fingernails.
#
po
Damp the strings lightly with the left hand a micro
III
œ. J col legno
Strike the string the back-side theor in the cases where a pencil is used, Strike the string with with the back-side of the of bow bow or in the cases where a pencil is used, with the side of the pencil. The pitch is very important. with the side of the pencil. The pitch is very important.
col legno
.$ J
LikeLike the previous example but without a pitch.a pitch. the previous example but without
– Bow onbridge. the bridge. Bow on the
1) Bow fromfrom sul ponticello to sul tasto. j 1) Bow sul ponticello to sul tasto. Ó Ó 2) Bow from sul tasto to sul ponticello. 2) Bow from sul tasto to sul ponticello. Ó Ó J TheThe stroke should be exactly perpendicular (not skew). stroke should be exactly perpendicular (not skew).
"""""""""""""""""""
# # ·œ
the previous example buta with LikeLike the previous example but with pitch.a pitch.
˜
Swing the bow thesoair so it willaproduces Swing the bow in theinair it produces sound. a sound.
J
IV
INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in C Timpani Percussion 1 Percussion 2 Violin I Violin II Viola Violoncello Double Bass
THE SCORE IS TRANSPOSED
Concerto Andante q = 72 Flute
3 &4
!
!
Oboe
3 &4
!
!
3 &4
!
!
? 43
!
!
? 43
!
!
Horn in F
& 43
!
!
Trumpet in C
3 &4
!
!
Timpani
?3 4
!
!
Clarinet in B b
Bassoon
Percussion 1
Percussion 2
Piano
3 ã 4 ã 43 3 &4
?3 4 œ. œ. f
Violin I
& 43
Violin II
& 43
Viola
B 43
Cello
? 43
Double Bass
?3 4
!
! ! ! !
3 8
! !
œ.
38 ‰
58 II# œ f
œ.
38 ‰
‰ –– PJ
58 # œ #œ f 5 #œ 8 #œ f
œ. œ.
38
œ. œ. œ. >
5 # Ͼ 8 f 5 8
!
58
!
5 ‰ #œ 8 F # œ œ# œ 5 # œ œ# œ ‰ 8
!
non div.
58
!
non div.
58
!
non div.
!
!
œœ ..
6
!
3 8
+ 3 œj ‰ Œ 4 fl F 3 ! 4
3 8
f
! #˙. #˙.
œœ ..
5 #œ 8# œ f 58 I œ
!
!
!
f 5 # œœ 8 f
!
!
#œ. #œ.
5 8
œœ ..
# œœ
Christian Winther Christensen
5 8
6
Waterfall
#œ
R "‰‰ Œ.
œ. œ. @
#œ œ @ f @ #œ œ f œ@ #œ f
@ œ. œ. œ@. œ. œ œ
1
Œ
3 4 j ‰ Œ ‡ fl F ! 43
Œ
a2
j
– ‰ J P
43
!
!
43
!
3 8
!
3 4
!
3 8
!
3 4
!
soft stick
j –
3 œ. " œ 8 R æJ # 38 ~~~~ œ ‰ J # 3 8
‰ 43 œ. " ‰ Œ R Birds œ~~~ 43 ! J
Triangle
3 4
tempo 40
3 8
tempo -40
38
!
38 3 8 r 3 ‡. œ " 8 ‡. ‡. "f " non div. r œ " 38 ‡‡ .. ‡. "f "
non div.
58 # œ f 5 #œ 8 f
œ # œ# œ œ# œ
Wood Block
a2
Œ
Wood Block
3 4 œ. œ. f
! #œ. #œ.
43
!
!
43
!
!
3 4
!
‡ ‡ 43 ‡ " ‰ Œ R ‡ 3 ‡‡ " ‰ Œ 4 R
Œ Œ
!
6
Fl.
Ob.
Cl. (B b)
Bsn.
& &
!
&
!
?
!
?
!
Hn. (F)
&
!
Tpt. (C)
&
!
?
!
6
6
Timp.
85
f 58 # œœ f 5 8 # # œœ f 85 œ
38 ‰
‰
85 # œ f
œ.
38 ‰
85 # œ #œ f 5 8 ## œœ f
œ. œ.
38
œ. œ. œ. >
f
85 # Ͼ f 85
ã
!
85
!
85 ‰
6
Vln. I
Vln. II
Vla.
Vc.
D.B.
& & B ? ?
#˙. #˙. ! ! ! ! !
!
œ.
Perc. 2
?
38
!
!
Pno.
!
œœ ..
ã
&
œœ ..
38
3 8
Perc. 1
6
œœ ..
# œœ
85
#œ
#œ
#œ #œ œ œ#œ
#œ œ 85 @ f
@ 85 # œœ f 58 œ@ #œ f 5 8 #œ f 5 8 #œ f
6
!
Wood Block
!
Waterfall
œ # œ# œ œ# œ 6
‰
#œ
R "‰ ‰ Œ.
– PJ
j –
3 a2 ‰ Œ 4 j ‡ fl F ! 43
!
43
!
3 8
!
3 4
38
!
43
soft stick
38 œ. " R # 38 ~~~~ œ J # 38
œ æJ
‰
‰
Triangle
‰
38
œ@. œ.
38
œ@. œ.
38
œ
r ‡. œ " 38 ‡ . ‡. "f "
!
43 Œ
Œ
!
43 Œ
Œ
‡ 3 ‡‡ " ‰ Œ 4 R
non div.
‡ 3 ‡‡ " ‰ Œ 4 R
r œ " 38 ‡‡ .. ‡. "f "
non div.
2
38 # ‡. ‡. # 38 ‡. ‡. #
‰
3 4
3 4 ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡.
43
!
3 4
!
38
!
43
38
!
43
Œ
#œ. #œ. Œ
3 r" ‰ 8 ‹
43
3 8
!
!
‰
!
43
43 Œ
38 r " ‰ ‹
43
Wood Block
43 œ . œ. f
# Y. p
!
!
tempo -40
‰ ‹ J "f " ‰ n ‹j "f "
43
II
38
œ~~~~ 43 J
Birds
tempo 40
38
. 43 œR " ‰ Œ
38
a2
!
j –
A
Œ
43
– J P
œ. œ. @
œ
+ j 43 œ ‰ Œ fl F Œ 43 Œ
a2
38 œ . æ %
43
Bass drum
38
43
tempo 0,25
38
43
!
-$ – ‰ J P -$ – ‰ J P -$ – ‰ J P
& 38 -– J
Œ
3 8
Œ
3 8
& 38 -– J & 38 -– J
‰
‰
43
‰
‰
43
‰
‰
43
! Ÿ~~~~~~~~~~~~~~~~
œ. #
œ
3 4 3 4
äj 3 &4 Y ‰ Œ P 3 (II)r " ‰ Œ &4 Y I
Œ
11
Fl.
Ob.
Cl. (B b)
Bsn.
& 43 Œ
Hn. (F)
Tpt. (C)
? 43
!
3 &4
!
3 &4
!
? 43
!
3 ã 4
!
11
Timp.
Perc. 1
Perc. 2
ã 43
& 43
11
Pno.
Œ Œ
3 &4
?3 4 œ. œ. f
Vln. I
43 Œ
Vln. II
43 Œ
Vla.
43 Œ
11
9 8 #Y. ( p) ‰ ‹ 98 r " ‰ ‰ Œ . Œ. J ‹ "f " I j 9 . ‰ ‹ 8 r" ‰ ‰ ‰ ‰ j . # œ œ ‹ "f " o % (I) 98 #‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ (2) ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. p I 9 Œ. ‰ Œ. 8 #œ. œ # p+ 9 Œ. ‰ . r‰ Œ . 8 p # œ9 ! 8 Œ
3 &4 Œ
11
äj 3 " ‰ ‰ r 4 Y ‰ Œ . #Y Y P p 3 r" ‰ Œ r" ‰ ‰ 4 Y Y. Y
98 Π.
!
98
98 Π.
!
Œ Œ Œ
Vc.
?3 4
!
D.B.
? 43
!
œ. æ
98
& 98 –- ‰ ‰ Œ . J & 98 –- ‰ ‰ Œ . J
98
œ
œ.
Œ.
3 4
!
3 4
! !
43
!
98
3 4
!
3 4
Œ.
Œ
Œ.
43 Œ
Œ
3 4
!
43
!
Œ
‰.
9 œ. 8 æ %
!
œ. æ
Œ.
& 98 –- ‰ ‰ Œ . J
Œ.
& 98 –- ‰ ‰ Œ . J
98
Œ.
!
& 98 –- ‰ ‰ Œ . J
9 8
>œ . J p
o
‰
tempo 0,25
9 8 -$ – ‰ J P -$ – ‰ J P -$ – ‰ J P
j #œ . œ % I
œ. æ
98
! #œ. #œ.
r" ‰ ‰ ‰. ‹
98 Π.
!
43 Œ
3
r" ‰ ‰ Œ. ‹
98 #‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. p I 9 Œ. ‰ Œ. 8 #œ. œ # p+ 9 Œ. ‰. r‰ Œ. 8 p # œ9 ! 8
Œ.
œ.
‰ ‹ 98 J "f " a2 ‰ ‹j 98 "f "
!
43 Œ
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9 8 #Y.
43
3 4 œ. œ. f
!
œ. #
Œ
r" ‰ ‰ . #Y Y p r"‰ ‰ Y Y.
Œ
43
!
& 98 –- ‰ ‰ Œ . J
9 8
œ. æ
Œ
98 Π.
3 4 Œ
43
Œ.
tempo 0,25
9 8 -–$ ‰ J P -–$ ‰ J P -–$ ‰ J P
>œ . J p
soft
Gong
9 œ. 8 æ %
! #œ. #œ.
‰.
!
43 Œ
Œ
Œ. !
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
œ. #
œ
œ.
œ.
B 15
Fl.
& . #Y
& Yr " ‰ ‰ # Y .
Ob.
&
Cl. (B b)
&
Bsn.
r"‰ ‰ Y #Y Y.
?
! #‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡.
&
!
&
!
&
!
15
?
!
ã
!
15
Hn. (F)
Tpt. (C)
Timp.
Perc. 1
Perc. 2
!
ã œ. æ
œ. æ
r"‰ ‰ Y
" 43 3 4
Pno.
3 4
!
&
Vln. II
!
&
Vla.
!
B
15
Vln. I
Vc.
D.B.
? ?
! Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ.
œ.
œ.
!
Œ Œ
œ. œ. P # œœ .. P # œœ .. P (I)
#œ. P
Œ
f
!
Œ
!
#œ #œ œ œ# œ 6
3 4 #œ f
œ # œ# œ œ# œ
‰
6
‰ œœ
&
œ
œœ
œ œœ 6
œ
6
‰
R"‰
Œ
œ œ #œ œ #œ œ œ Œ
3 4 #˙ f
43 ‰ # œ . f
4
f ¬
" "
f #œ a 2 #œ ‰ –. J " " j ‰ fŒ # # œœ
#œ. #œ.
" "
# # œœ ..
œ. œ. f
Œ
Œ
Œ
Œ
j –
# œœ J ‰ Œ
# # œœ ..
!
Œ
‰ ' ‰. bœ J R "p" # !
2 4
Œ
Œ
j –
42
‰
2 4
–
42
f
" "
‰ ‹ ‹ ‹ 42 "f " 3 ‰ ‹ ‹ ‹ 42 3 "f " 42 B F B
Œ
B F B
! & ¥ ==
42
Œ
a2
j #œ ‰ Œ
#œ.
!
43 # œ œ œ œ œ # œ œ Œ œ f œ œ #œ œ 34 #œ œ œ Œ #œ f
j –
œ ‰ Œ J
'
2 4 2 4
!
!
#œ
œ œœ
¬
!
!
3 ? 4 ‰ #œ 3 4 #œ
Œ
Œ
3 4
!
!
Œ
3 4
œ. æ
Œ
Œ
43 # ˙ f 3 4 #˙ f 34 ## ˙˙
tempo 0,25
?
f ˙
f ˙ 34 # ˙ f 3 4 # # ˙˙ f 3 ‰ #œ. 4 #œ. ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ . . . . . . . . f
15
&
#˙
2 4
!
2 4
accel. 1 til 10
#œ. #œ.
2 4
rall. 10 til -0.6
!
!
2 4
!
!
42
!
!
42
Œ ‰ " & # ·r ' # œ % sul D # > ‹ Œ ‰" R p
j #· # œ j #œ
Œ
Œ
Œ
Œ
?
2 4 42
Fl.
& 24
!
38 ‰
Ob.
2 &4
!
3 8
19
Cl. (B b)
Bsn.
2 &4 Π2 &4
Tpt. (C)
!
Perc. 1
Perc. 2
43
38
j œ %
2 4 ˙
2 &4
!
3 8
!
2 4
!
3 4
? 24
!
38
!
43
!
42 # ˙æ # 42 !
!
2 4
!
!
42
ã 24
& 24 ? 24
Vla.
B 24
Vc.
? 24 Œ ? 24 Œ
!
3 8
!
38 38
!
& 24 & 24
38
!
2 ã 4
Vln. II
D.B.
!
Œ
!
19
Vln. I
42
& 24 ‹R " ‰
19
Pno.
!
!
F
!
43
!
‰
38
a2
2 4
2 ˙ 4 (II)
Œ
19
Timp.
(I)
!
42
!
œ 3 œ. R 8 % 3‰ 8
‰.
42
sul A sul D
!
38 j – "f " 38 ‰
! ‰
solo
sul D sul A
– "f "
Ÿ~~~~ 38 j œ· (œ ) #
j –
–
j –
38
j –
solo
42
!
!
42
!
!
42
!
‰
Ÿ~~~~~ j ‰ ·œ (œ ) #
5
!
3 8 3 8 3 8
!
38
#˙. #˙. f ˙. ˙. f
!
38
!
3 8
#˙. f
!
38
˙
f
Π! !
non div.
@ 43 # # ˙˙ .. f tutti non div. 34 # ˙ . #˙. @ f tutti 43 # ˙ . f
&
#˙. f
œ. " ‰ Œ R Triangle P o ‰ . +œ œ œ. " ‰ Œ R P Triangle
!
Œ
43
43
38
!
#˙. 34 # ˙ . @ f
?
!
!
˙
f " #œ f
non div.
! !
j –
" #œ
43
42
– J
3 4
accel. 0 til -0.8
42
!
43
rall. -1 til 0
42
!
38
# # ˙˙ ..
f 3 # # ˙˙ .. 4 f 3 œ 4 P 3 4 œ P 43 # # ˙˙ ..
? 24 r " ‰ – 19
Hn. (F)
+ + " œ r " R œ I
(I) (II)
!
tempo 0
!
Œ Œ
38 3 8 38 38
!
38
!
38
!
38
!
38
!
38
& 38
24
Fl.
Ob.
Cl. (B b)
Bsn.
3 &8 3 &8
Tpt. (C)
43
!
(II)
!
3 &8
!
?3 8
!
& 38
24
Hn. (F)
!
!
3 &8
3 &8 ? 38 æ œ. %
Perc. 1
Perc. 2
ã 38 ã 38 3 &8
24
Pno.
?3 8
3 4 3 4
P #˙. P ˙. #˙. P ˙.
!
3 4
Vla.
B 38
!
Vc.
?3 8
!
D.B.
? 38
!
!
4 Π4
3 8 3 8 3 8
!
!
43 Œ
!
3 8
38
!
3 &8
!
˙. ˙. P #˙. #˙. P
!
Vln. II
44 ‰
3 8
43 ˙ . P 43
!
!
!
!
Vln. I
38
!
3 4 #˙. P 3 4 ˙˙ .. P
3 4
accel. 0 til -2
!
!
P
!
& 38
24
3 4
˙.
43
24
Timp.
(I)
3 4 ˙. 34 # ˙ . @ P 3 4 # ˙˙@.. P 3 ˙ 4 ˙ @ P 3 4 ˙. P 43 ˙ . P
! !
4 4
4 ‰ 4
4 Ó 4
#q
j Y %
r Y " ‰ ‰
r – " Œ % –J
Œ
Œ
43
bY Y " ‰ J R % !
Œ
3 4
r " ‰ ‹ "f " fl r " ‰ ‹ "f " fl !
Œ
3 4
?
a2
‰
Œ
43
j ˜ "f " fl
‰
Œ
3 4
& == q
I
Œ
3 4 3 4
!
4 4
!
44 Ó
!
3 8
!
4 Ó 4
!
38
!
43
38
!
44 œ œj ‰ Œ Ó J # Birds Cowbell 44 Œ œ " œ~~~~ Ó # Waterfall Triangle 44 Œ œ œ " " œ~~ Ó R # 4 4
3 4
œ. " ‰ Œ ! R Triangle P o Œ ‰ . +œ œ œ. " ‰ Œ R P Triangle
!
!
& ==
Œ Œ
38
!
M
j ˜ "f " fl a2
3 8
!
!
38
!
44 Ó
!
3 8
!
4 Ó 4
!
3 8
!
4 Ó 4
!
3 8
!
4 4
!
!
38
!
44
!
stop
!
3 8
6
!
4 4
M
!
3 4
43 43 3 4
¬
43
¬
3 4
P P ¬ P
3 4 3 4 43
C
& 43 Œ
29
Fl.
Ob.
Cl. (B b)
Bsn.
3 œ &4 œ P 3 &4 œ P & 43 œ P œ ? 43 œ P
Œ
œ. œ.
a2
‰
– J " " j f œ œ. œ œ.
œ.
j #œ œ .
œ.
j #œ œ .
œœ ..
# œœ œœ .. J
' "
Tpt. (C)
Timp.
?3 Π4
Perc.
‰
ã 43 & 43 ? 43
j œ
œ œ P
œ. œ.
"
!
"
a2
Œ
‰
Œ
‰.
!
& ¥ ==
bœ R #
œ J
'
j nœ œ . nœ œ .
"
‰
D.B.
?3 Π4
Œ
‰
!
4 4
!
38
!
44
Œ
!
3 8
!
4 4
!
!
!
!
38
44
#Ÿ·œ ~~~~~~~~~~~~~~~~~~~~~~ j b œ· " æ æ " ‰ 38 æ æ R R Ï sul A
!
!
j #œ
3 8
Œ
F
44
!
Œ ‰
!
44
Œ
j #· # œ
38
44
!
43 –R " ‰
" & # ·r ' # œ % sul D # > ‹ R " p
!
j œ %
38
Vla.
Œ
B
!
4 4
!
!
Œ
F
4 4
!
!
Œ
Œ
‹‹‹ ‹ " ‰ Œ R 3 "f " B
I + + " œ r " 44 R œ
œ 3 œ. R 8 % 38 ‰ ‰
‰.
Œ
r " –
!
Œ
Œ
3 8
‰
43 –R " ‰
Vc.
! Œ
Œ
Vln. II
? 43 Œ
Œ
f
3 – 4 R " ‰
Œ
38 ‰
–
Vln. I
29
!
!
!
29
Pno.
' J "p"
– J "f "
a2
Œ
" "
?3 j ‰ Œ Œ 4 ˜ fl + harmon (only 1. trumpet) Œ & 43 j ‰ Œ ˜ fl
29
‰
"
29
Hn. (F)
j ' –j ‰
‰
&
38
sul D
! !
Œ
Œ
Œ
Œ
7
Œ Œ
Œ Œ
‰
– "f "
j –
sul D sul A
–
j –
44 4 4
38 j –j – j ‰ – J – "f " solo Ÿ~~~ 38 ‰ B j ‰ œ· œ #
44
!
44
3 8
!
4 4
Ÿ~~~ j 38 œ· œ #
?
solo
!
44
& 44 Œ
#– æ P
33
Fl.
Ob.
Cl. (B b)
Bsn.
4 &4
r 4 œ &4 œ "‰ Œ
Hn. (F)
4 Ó 4
4 &4 Œ
Perc. 1
?4 4
4 ã 4 Œ
open
– I "f "
33
ã 44 Œ
!
11 16
!
!
!
11 16
!
!
Ó
!
11 16
!
!
Ó
!
11 Π16
Ó
!
r" ‰ –
II
?
1. trumpet with harmon
Timp.
j –
? 44 ‹ " ‰ Œ ‹ "f " 33
Tpt. (C)
D
%¬
r" ‰ Œ – #
Ó
œ " œ~~~ Ó p Waterfall œ œ " " ~~ œÓ R p
Cowbell
Birds
!
!
11 16
!
!
!
!
!
!
!
!
11 16
!
!
Œ
11 16
!
!
·
11 ·r‚ " ‰ Œ 16 fo
11 16
!
!
!
?4 4
11 16
!
!
Vln. I
4 &4
!
Vln. II
4 4
Vla.
B 44
4 &4
33
Pno.
33
Vc.
?4 4 4 4
D.B.
?4 4
Q & ==
sul D
$ · p
!
Ó
!
tutti
! !
$ &· p
Ó
!
?
‹ J p
r ·‚ " ‰ f o
· sul D
j ‹ p
tutti
Q & ==
‰
Œ
Ó
#œ œ œ
Œ
œ œ œ
p ‰
p
# œ œ œJ ‰ ‰ p gliss.
Œ
11 16 Œ
11 b œæ 16 b œ f 11 16 b œ æ f 11 16 b œ æ f
div.
‰
gliss.
Œ
!
11 16
Perc. 2
Œ
Œ
œ œ œJ ‰ p 8
Œ
‰.
œ œ F $j Œ œ. œ. P $ Œ œ. J P $ Œ œ. J P
" & # œj F I
11 16
!
Triangle
!
r "" œ
bœ
!
- harmon (only 1. trumpet)
close
!
Œ
11 16
r "" Œ bœ œ F
! r"‰ Œ bœ b œæ bœ f bœ æ f bœ æ f
œ
$j Œ œ. œ. P $ Œ œ. J P $ Œ œ. J P
œ
Ÿ~~~ œ (u)
bisbigliando
&
!
!
!
!
43 Œ
&
!
!
!
!
3 4
&
!
!
!
!
&
!
!
!
Œ
bœ
r "" Œ œ
37
Fl.
Ob.
Cl. (B b)
Bsn.
? Œ
bœ
37
Hn. (F)
Tpt. (C)
Timp.
Perc. 1 Perc. 2
Pno.
& #˙
Vln. II
Vla.
Vc.
j œœ . J.
˙˙
" œj F
Œ
˙˙
" -j œ . b œ b ˙˙ J F
Ó ˙
43
!
85
43
!
85
43
!
85
j œœ . J.
1. trumpet without harmon I
?
!
!
!
!
ã
!
!
!
!
3 4
37
!
!
!
!
!
!
!
!
3 4
!
&
?
&
!
&
!
B r" ‰ Œ bœ ? b œæ bœ f ? bœ æ f
Œ Œ
II
!
!
! ! œ œ
$j œ. œ. P $ œ. J P
r" ‰ Œ bœ b œæ bœ f bœ æ f
Œ Œ
œ œ
$j œ. œ. P $ œ. J P
b œæ bœ f bœ æ f
œ œ
$j œ. œ. P $ œ. J P
ΠΠ9
r" ‰ Œ bœ b œæ bœ f bœ æ f
Œ Œ
œ œ
$j œ. œ. P $ œ. J P
!
5 8
Πpizz. dolce
3 4 Œ
!
5 8 85
!
3 4 Œ
5 8
! !
3 4
!
! r" ‰ Œ bœ
43
!
!
85
5 8
j œœ . J.
43
37
ã
Œ
j œœ . J.
˙˙
bœ
!
5 8
3 4
&
a2
D.B.
j œ .œ II J -
bœ
r "" Œ œ
85
" " r ‡. P r " " œ I
!
37
Vln. I
r "" Œ œ
Œ
3 4
Œ Ø (II) Ÿ~~~~ bisbigliando œ (u ) Œ Œ Ø (a 2) j – Œ Œ – P r" ‰ Œ Œ ‡. (I)
œ
#
Ÿ~~ # ·œ
5 8
‰ . æ 85 R Ï 5 Œ 8
3 4 b œr " ‰ Œ
Œ
43 Œ
5 8 ‚ ·. · Fo col legno œ. ‰ . R 85 p
43 Œ
solo
$ · # Œ
5 8
Fl.
& 58
!
!
!
43
!
Ob.
5 &8
!
!
!
3 4
!
42
Cl. (B b)
Bsn.
5 &8
!
!
!
3 4 Œ
5 &8
!
!
!
3 4 Œ
?5 8
!
!
!
3 4 Œ
5 & 8 Œ.
?
& 58 Π.
?
42
Hn. (F)
Tpt. (C)
Perc.
!
? 58
!
ã 58 & 58
42
Pno.
Vln. I
?5 8
3
–. –. –. "f " 3
–. –. –. "f "
Vln. II
Vla.
B 58
!
!
43
!
!
!
!
!
!
43
Vc.
?5 8
!
? 5 ‹j ‰ ‰ Œ 8 "f "
˙ % Œ
‰ ‰ 3
(I)
!
Ÿ. ~~~~~~~~~~~~~ ~~·j # ·œ ~~ . arco
æ Ï
æ
! ! !
bœ
!
3 4
sul A sul D
!
3 4 Œ
‰
!
43 Œ
Œ
!
3 4 Πsul D sul A
3 4 ‰
! 10
solo
j – "f "
– J
4 4
38
44
solo
j –
‰
44 44
!
44
38
!
44
3 8
!
3 8
!
38
!
44
Œ
3 8
!
4 4
Œ
3 8
!
Œ j –
4 4
!
3 8
Ÿ~~~~ j ‰ ·œ œ #
j –
3 8 j ‰ ‰ –. p 38 j ‰ ‰ –. 38 !
j 38 j ‰ ‰ ‡. ‡. #
!
j – "f "
4 4 4 4
38
Œ
4 4
!
3 r" ‰ ‰ 8 œ
!
!
Ÿ~~ # ·œ .. ~~~~~~~~~~~~~~~~~~~~~~~~ ·j bœ 3 ‰ æ æ 4 æJ Ï
44
3 œ"‰ ‰ 8 R
%
II
43
!
!
Œ
3
!
!
œ
I
3 3 3 3 –. –. –. 4 –. b –. – b – – – b – . . . . . –. b –. 3 3 34 j ‰ j ‰ ‰ Œ Œ. Œ ‰. ‰. j –. –. –. –. –. p # –. a2 3 Œ. ! j‰ ‰ Œ 43 b –. –. –. b –. "f "
Œ.
j ‰ ‰ Œ –.
!
~~~~~~~~~~~~~~~~ ~~ j 42 . b œ· 5æ æ &8
5 &8
D.B.
II
& 58 42
Timp.
I
38 –. # 3 8 a2
– J
j –
‰
Ÿ~~~~ j ·œ œ ‰ #
4 4
!
4 4 &
?
4 4
4 4
˙ ˙
E
& 44 r " ‰ Œ –
47
Fl.
˙˙ 4 &4 # dolce 4 ˙ &4 ˙ # dolce ? 44 ˙˙ #
dolce
Ob.
Cl. (B b)
Bsn.
Tpt. (C)
Perc. 1
Perc. 2
!
˙˙
Ó
!
Ó
!
# ˙˙
Ó
!
Ó
!
Ó
!
!
42
Ó
!
2 4
Ó
!
42 42
4 &4
!
!
!
!
!
!
2 4
? 44
!
!
!
!
!
!
42
!
!
!
!
!
!
!
!
!
!
!
42
!
!
!
!
!
!
!
!
!
!
!
!
42
4 ã 4
ã 44 œJ ‰ Œ % Bass drum
& 44 ?4 4
Ó
4 &4 w #
j œ œ.
dolce
4 &4 w #
j œ œ.
?4 4 w #
j œ œ.
B 44 w #
dolce
? 44 œj ‰ Œ #
Ó
w
œ ˙
˙
˙
j œ œ.
dolce
pizz. dolce
D.B.
Ó
!
tutti
Vc.
˙ #˙
42
!
tutti
Vla.
# # ˙˙
!
!
dolce
Vln. II
# # # ˙˙
Ó
!
47
Vln. I
Ó
˙˙
!
!
47
Pno.
!
!
47
Timp.
!
? 44
47
Hn. (F)
Ó
dolce
!
˙
3
2 4
2 4
˙
œ œ. J
˙
œ œ J
œ 2 J 4
˙
j œ œ
œ 42 J œ 2 J 4
w
3
œ #˙
˙
#˙
j œ œ.
˙
w
3
œ ˙
˙
˙
j œ œ.
˙
œ œ J
˙
w
œ #˙
˙
#˙
œ J
œ.
˙
œ œ #œ 2 J J 4
#œ ‰ Œ J
Ó
3
j‰ Œ œ
Ó
! 11
!
42
& 24
Fl.
Ob.
Cl. (B b)
Bsn.
˙˙
Tpt. (C)
˙ & 24 ˙
43
!
& 24 # ˙˙
43
!
? 24 ˙˙
43
!
Œ # œ ‹ fl > "f " F a2 j 11 16 ‹ ‹ ‰ Œ P J 11 Œ 16 #‡ "f " ‹ > Ffl a2 11 16 ‹j ‰ Œ
? 24
!
43
!
11 Π16
!
2 &4
!
3 4
!
11 16 Œ
!
?2 4
!
3 4
!
11 16
53
Timp.
Perc. 1
Perc. 2
ã 24 Œ ã 24 Œ & 24
53
Pno.
? 24
Wood Block soft stick
! !
43
!
43
Vln. I
2 ˙ &4
3 4
Vln. II
& 24 ˙
43
Vc.
?2 ˙ 4
3 4
? 24 j ‰ Œ #œ
$ 34 ¬ .
!
sul D
sul D
(the next 4 bars)
arco
P
11 Π16
‰.
Œ
‹ #‡ > Ffl "f " j ‹ ‰ Œ
j ‰. b˜ "f " fl a2
Œ
‰
Œ
‰
o + " " œ œœ œ ‰ " Œ R
Œ Œ
Bass drum
äœ J p
"
3
Œ
11 16 b œœ Ø
11 œ. #˘‹ 16 F col legno 11 œ. #˘‹ 16 F col legno
11 – ‰ 16 R "f "
+
‰.
‰.
Œ # œ ‹ > Ffl "f " j ‹ ‰ Œ
‰.
Œ
‰.
‹ J
j ‰. b˜ fl
Œ
‰
Œ
‰
o + " " œœœ œ ‰ " Œ R
äœ J
Œ
‰.
b‹ J
j ‰. b˜ fl
!
‰.
‹ #‡ > Ffl "f " j ‹ ‰ Œ
‰.
b‹ J
j ‰. b˜ fl "f "
Triangle
11 16
‹ J
a2
!
11 Π16
‰.
‰.
Œ # œ ‹ > Ffl "f " j ‹ ‰ Œ
‰.
"
3
Œ
j ‰. b˜ fl j ‰. b˜ fl !
!
!
!
!
!
J.
'
'
'. J
'
'
'. J
. J
'
'
'. J
'
'
'. J
Ÿ~~~ ·œ (œ ) ‰ ‰ . J arco
Ÿ~~~ ·œ (œ ) ‰ ‰ . J arco
‰.
" Π12
o " " œœœ
äœ J
Œ
!
div.
(the next 4 bars)
!
‰.
11 16 œœ Ø
!
Vla.
‰
+
div.
!
3 4
‰
11 16
!
B 24 ˙
11 16
P b ‹J
‰ œ " 43 œ " ‰ Œ Œ R R # ~~~~~~~~~~~ ‰ œ 43 œ " ‰ Œ Œ J R #
53
D.B.
+
!
53
Hn. (F)
F
43
53
Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ . J
col legno
arco
Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ . J
col legno
arco
!
Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ . J
col legno
arco
Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ . J
col legno
arco
!
"
3
+
Fl.
Ob.
Cl. (B b)
Bsn.
Tpt. (C)
Perc. 1
Perc. 2
Vln. II
D.B.
85
‰ Œ
Ó
!
43
!
!
85
‰ Œ
Ó
!
43
!
!
85
‰ Œ
Ó
!
43
!
!
85
!
!
3 4
!
!
j ‰. b˜ fl
4 4
!
!
3 4
!
!
5 8
!
44
!
!
43
!
!
85
!
!
!
!
5 8
!
!
5 8
‰.
Œ
‰.
‰
j ‰. b˜ fl
4 4
‹ >" "f ? j ‹
#‡ Ffl ‰
b‹ J
?Œ &Œ
‰
? + ã œR ‰
" Œ
㠌
+ harmon (only 2. tp.)
o 4 + " " œœœ 4 œ " ‰ Œ R
äœ J
Œ
"
3
?
4 4
!
&'
'
'. J
&'
'
'. J
B œ.
#˘‹
? œ.
#˘‹
Ÿ~~~ ·œ ( œ ) ‰ J arco
Ÿ~~~ ·œ ( œ ) ‰ J arco
!
Wood-Blok 4 œo+ " ‰ Œ 4 R P
4 œ"‰ Œ 4 R
!
&
col legno
Vc.
!
Œ
col legno
Vla.
!
&
58
Vln. I
43
‰.
58
Pno.
!
Œ
58
Timp.
Ó
‰.
‹ J
G
‰ Œ
Œ
&
58
Hn. (F)
44 j ‹ > "f " 44 j ‹ > "f " 44 j ‹ > "f " 44 j b‹ > "f "
‹ # flœ > "f " F j ‹ ‰ &
58
!
Ó
!
3 4
Ó
!
3 4
r b œ 44 œ " ‰ Œ R
5 8
5 8
!
3 4 œ. œ. f
#œ. #œ.
Ó
!
43
!
!
85
Ó
!
43
!
!
85
!
r œ 44 œ " ‰ Œ R
3 4
Ó
&
5 8
#˙. #˙.
‰.
4 4
!
!
3 4
!
!
5 8
‰.
44
!
!
43
!
!
85
!
3 4
!
!
5 8
?
col legno
. 4 'J ‰ Œ 4 F
Ó 13
# œœ
œœ ..
f 5 # œœ &8 f
œœ ..
& 58
63
Fl.
Ob.
Cl. (B b)
Bsn.
5 & 8 # # œœ f ? 58 œ
5 & 8 #œ #œ f I & 58 # œ
Hn. (F)
Tpt. (C)
Timpani
? 5 # œæ 8 f 5 ã 8
Timp.
Perc. 1
Perc. 2
!
ã 58
!
5 &8 ‰
63
Pno.
?5 8
#œ
#œ
#œ #œ œ œ# œ 6
#œ 5 œ &8 @ f non div. @ & 58 # œœ f non div.
63
Vln. I
Vln. II
B 58 # œœ@ f ? 5 #œ 8 f
non div.
Vla.
Vc.
? 58 # œ f
arco
D.B.
6
‰
4 Ó 4
œ. œ.
œ. œ. @
– PJ
– J P
j –
j –
!
?
38
!
3 8
!
38
‰
3 8
4 4
‰Œ Ó
close
44 Ó
!
3 8
tempo -40
r " ‰ ‹
Œ
7 8
Ó
‰. –
78
Ó
r Œ ‹ b‹
r "‰ Œ b˜ fl
Ó
7 8
Ó
78
œ æ %
‰ Œ
close
b– – # "f "
‹ J
j –
!
!
!
Œ
Ó
œ æ
‹ J
J
!
Bass drum
4 4
tempo 40
Ó
open
b– – # "f "
44
!
38
open
7 8
r " ‰ Œ ‹ ‹ "f " J r Œ ‰. ‹ b‹ "f " J – jŒ – #
f
‹ J
I
44
Œ
Œ
4 r "‰ Œ Ó 4 b˜ Pfl
M
78
Ó
a2
44 Ó
Œ
Ó
– ‰ ‹ – J p "f " r ‰ ‹ "
Œ
" "
44 Ó
‰
2. trumpet with harmon II
R" ‰ ‰
Œ
‰
– ‰ ‹ – J p "f " a2 r ‰ ‹ "
4 Ó 4
!
3 8
#œ
œ # œ# œ œ# œ
!
38 ‰
œ. >
63
3 8
œ.
œ.
f
44 Ó
38 ‰
œ.
63
!
3 8
œœ ..
f ?5 # œ 8 f
38
I
Œ
78
7 8 Œ
78 78 7 8
!
!
4 4
!
!
7 8
3 8
!
4 4
!
!
7 8
œ@. œ.
38
!
44
!
!
78
œ@. œ.
3 8
!
4 4
!
!
7 8
œ.
3 8
!
7 8
œ.
38
!
78
non div.
‡. ‡ .. ‡ "f "
‡‡ .. ‡. "f "
non div.
‡ 4 ‡‡ " ‰ Œ Ó 4 R ‡ 44 ‡‡ " ‰ Œ Ó R 14
& 78 Ó
67
Fl.
Ob.
Cl. (B b)
Bsn.
& 78
7 &8 Ó 7 &8 Ó ? 78 Ó ?7 Ó 8 ?7 r "‰ Œ 8 b˜ fl close open 7 ‰ Œ &8 b– – # "f "
67
Hn. (F)
Tpt. (C)
‰ 44
!
44
!
‰
‰ 44
Perc. 1
‰.
Perc. 2
7 ã 8 Ó & 78
67
Pno.
?7 8
Vln. I
& 78
Vln. II
& 78
Vla.
B 78
Vc.
?7 8
67
D.B.
? 78 ? 78
‹ J
–
Œ. ! œ æ
‹
!
! ! ! ! ! ! ! !
!
‰ 44 4 4
!
!
44
!
2 4
42
– % ! !
4 r" ‰ 4 – 44 r " ‰ ‡. # 4 4
2 4
!
4 4
2 4
!
44
– "‰ R f II + r" ‰ Y fl F !
2 4 Œ
!
r ‰ 44 ‹ b‹ J
42 – p 42 Œ
!
‰ 44
j –
Œ.
?7 8 7 ã 8
r ‹ j"
r ‹ " ‰
67
Timp.
H
– ‰ ‹ – J p "f " !
(I)
4 4
! Œ
Ó
Œ
Ó ! !
4 4
!
2 4
!
4 4
!
4 4
!
2 4
!
4 4
!
‰ 44
!
2 4
!
4 4
!
4 4
44
$ 44 · p
sul D
44 Ó
sul D
44 Ó
4 ‹J ‰ 4 p gliss. 44 # œ œ œ p gliss. # 44 ‰ œ œ p
Œ
!
2 4
! ·
!
42
!
4 4
Q & ==
2 4
!
r ·‚ " ‰ Œ f o Q & $ == · · p j ‹ ‰ Œ p Ó
42
!
24 ·r‚ " ‰ Œ fo j 24 ‰ · Œ · #J
(harm. gliss.)
2 j 4 · ·‰ Œ J # 24 !
Œ œœ œ Œ p œ œ œ J ‰ ‰ œ J ‰ 42 p 15
!
(harm. gliss.)
4 4
!
44
!
4 4
!
Q & ==
$ 44 · p
·
44 Ó 44 Ó
4 ‹J 4 p
‰
Œ
r ·‚ " ‰ Œ f o Q & $ == · · p j ‹ ‰ Œ p Ó
44 # œ œ œ Œ œ œ œ Œ p p gliss. 44 ‰ # œ œ œJ ‰ ‰ œ œ œJ ‰ p p gliss.
!
71
Fl.
Ob.
Cl. (B b)
Bsn.
&
Tpt. (C)
Perc. 1 Perc. 2
&
!
Ó
?
!
Ó
?
!
Ó
?
!
&
!
r"‰ Œ b˜ fl
?
!
ã ã
Vln. I
Vln. II
Vla.
Vc.
b– #
–
? $ & · p
·
r & ·‚ " ‰ fo
Œ
B Ó
? ‹J
Œ
Œ
Ó
? #œ œ œ p
Œ
œ œ œ p
? ‰ # œ œ œJ ‰ ‰ p
2 4
‹ J
r " ‰ – "f "
Œ
2 4
! !
Œ
2 4 2 4 42 2 4
open
2 4
2 –$ 4 # 2 –$ 4 # 2 4
Ó ! Ó
r "" œ
bœ f
r "" œ
bœ f
I
11 16
!
!
!
!
11 16 11 16 11 16
!
11 16
!
– – !
2 4
!
!
!
œ œ œJ ‰ p
42
!
2 4
!
j œ .œ II J F
! !
11 16
!
Œ
16
&
- harmon (only 2. tp.)
42
!
‰ Œ
!
!
!
‹ J
11 16
r 42 ‹ " ‰
!
Ó
œ æ %
r ·‚ " ‰ Œ fo
Œ
‹ J
11 16
11 16 # ˙ F
!
r ·‚ " ‰ Œ f o Q & $ == · · p j ‹ ‰ Œ
!
2 4
–
!
Ó
11 16
11 16 Œ
r Œ ‹ b‹ "f " J jŒ
!
‰
gliss.
‹ J
‹ f 2 ‰ 4
" "
– ‰ Œ – pJ r ‹ " Œ
!
!
Q & ==
Œ
42
11 16 Œ
#
close
Œ
I
!
–
!
gliss.
D.B.
f r ‹ " ‰ ‹ "f " J ‰.
" "
M
!
&
71
Ó
!
71
Pno.
– ‰ ‹ – J "f " p r ‰ ‹ "
!
71
Timp.
Ó
&
71
Hn. (F)
I
!
11 – 16 J ‰ Œ "f " 11 – 16 J ‰ Œ "f " 11 16 Œ
11 æ 16 bb œœ f 11 b œ 16 æ f 11 16 b œ æ f
div.
Œ
‰. ‰.
œ œ F j Œ œ. œ. P $ Œ œ. J P $ Œ œ. J P
Ÿ~~~~ œ (u)
bisbigliando
&
!
!
!
43 Œ
&
!
!
!
3 4 Œ
Ob.
&
!
!
Cl. (B b)
&
!
!
75
Fl.
Bsn.
? Œ
r "" Œ œ
bœ
j œœ . J.
75
Hn. (F)
& ˙ ˙ & Œ
" j œII F
Œ
2. trumpet without harmon
Tpt. (C)
Timp.
Perc. 1 Perc. 2
Pno.
Vln. II
Vla.
Vc.
D.B.
Œ ˙
Œ r "" Œ œ
bœ
Œ
I
j œœ . J.
" -j bœ œ. J F
Œ bœ
j œœ . J.
˙˙
j œ. œ. J
b˙ ˙
!
75
!
!
!
!
!
!
3 4
!
B j ‰ Œ bœ ? b œæ bœ f ? bœ æ f
Œ Œ
! œ œ
$ j œ. œ. P $ œ. J P
j Œ bœ b œæ bœ f bœ æ f
‰ Œ Œ
œ œ
$ j œ. œ. P $ œ. J P
j Œ bœ b œæ bœ f bœ æ f
‰ Œ Œ 17
5 8
Πpizz. dolce
3 4 Œ
$ j œ. œ. P $ œ. J P
!
5 8
!
3 4 Œ
r j œ œ
!
5 8 85
!
3 4
!
!
5 8
!
&
85
!
3 4 43
!
!
3 4
!
!
5 8
!
!
!
!
5 8
!
&
85
!
ã
?
!
3 4
!
&
5 8
!
! !
!
85 Π.
! !
Œ
85
43
? ã
(a 2)
– P I " " r 43 r " ‰ Œ ‡. ‡. P ! r " " 43 œ
75
75
Vln. I
˙˙
!
43
Œ Ø Ÿ~~~~~ bisbigliando œ (u ) Œ Ø j – Œ Œ
?
a2
–. –. –. "f "
! ! ! !
# Ÿ·œ ~~~~~~~~~~~~~~~~~~~~~ ·j . bœ 5 . ‰ æ 8æ æ R Ï Œ
5 8
!
3 4 b œj ‰ Œ
Œ
5 8
!
3 4 Œ
5 ! 8 · . ·‚ Fo col legno œ. ‰ . R 85 ‹j ‰ ‰ Œ p "f "
43 Œ
œ #
solo
$ · # Œ
3
!
!
!
!
&
!
!
!
!
&
!
!
!
!
&
!
!
!
!
!
!
!
!
80
Fl.
&
Ob.
Cl. (B b)
Bsn.
?
? j ‰ ‰ Œ –.
80
Hn. (F)
Tpt. (C)
Timp.
Perc. 1
Perc. 2
Pno.
Vln. I
Vln. II
Vla.
Vc.
D.B.
Œ.
3
–. –. –.
3 ? j ‰ ‰ Œ Œ. –. –. –. –. 3 . Œ & j‰ ‰ Œ b –. –. –. b –. "f "
Œ.
!
!
!
!
ã
!
!
!
!
80
!
!
!
!
!
!
!
!
&
?
!
!
Ÿ # ·œ ..~~~~~~~~~~~~~~ ·j 80 bœ ! ! æ æ & arco Ï Ÿ # ·œ ..~~~~~~~~~~~~~~~~ j #Ÿ·œ ..~~~~~~~~~~~~~~ j b œ· b œ· ! æ æ æ & æ Ï Ï B
? ?
! ! !
! ! !
3 4
2 4
!
43 Œ
œ
Œ
3 4 Œ
%
II
˙ % Œ
43 Œ
42
I
2 4
‰ ‰ 3
(I)
j 42 ‡. #
3
?
!
42
!
3 3 3 34 –. –. –. –. b –. –. b –. – – b – – b – . . . . . 3 3 3 j ‰ . . j& j‰ ‰ Œ Œ. Œ ‰ ‰ 4 –. –. –. –. –. p # –. 3 3 Œ. ! j‰ ‰ Œ 4 b –. –. –. b –.
j‰ ‰ Œ –.
80
ã
43
!
3 4
!
3 4
!
43
! ! !
!
3 4 Œ
!
3 4 Œ
!
3 4 ‰
! 18
2 4 2 4 2 4
!
Ÿ~~ # ·œ .. ~~~~~~~~~~~~~~~~~~~~~~~~ ·j bœ 3 ‰ æ æ 4 æJ Ï
sul D sul A
43 ‰
Πsul A sul D
‰ Œ
‰
solo
j – "f "
– J
2 4
Πj Р"f "
j –
solo
Ÿ~~~~ j ‰ ·œ œ #
j –
j –
2 4
42
!
3 4
2 4
2 4
!
3 4
42
‰
– J
j –
‰
Ÿ~~~~ j ·œ œ ‰ #
&
2 4 2 4
Œ
2 4
Œ
42
& 24
!
85
Fl.
Ob.
Cl. (B b)
Bsn.
2 &4
r 2 œ &4 œ " ‰ Œ
Tpt. (C)
Perc. 1
Perc. 2
Vla.
Vc.
D.B.
" "
!
2 ã 4 ã 24
? 24 2 &4
!
4 4
!
2 &4
sul E
!
4 Ó 4
! Ÿ~~~~~~~~~~~~~~ ˙o œ
Ø solo Ÿ~~~~~~~~~~~~~~ 2 &4 · ˙œ b! Q Ø & == Ÿ~~~~~~~~~~~~~~ 2 B 4 b· !˙ œ Ø Ÿ~~~~~~~~~~~~~~ ?2 4 · ˙ œ Ø 24
!
‹ f b>‹ > ‰ –. j ‰ – b ‹ "f " >
F
B
44 Ó
F
B
‚
4 ‚‚ ‰ 4 ‚ # 4 r" ‰ 4 ‹ # 44 r " ‰ ‹# tutti
4 r" ‰ 4 ‹ # tutti
F
B
‹" ‰
Ó
–.j ‰ –
‹ >
Ó –.j Ó –
Waterfall
Waterfall
r" ‰ –. –. –. –. –. –. –. –. –. p
Œ Œ Œ Œ
!
!
!
Ó
‡ ‡ ‰ ‡‡ J j ‡ ‡ ‡ ‡ ‡‰ ‡ ‡ ‡ J "f "
j ‡ ‡ ‡ ‡
‰
‡ ‡ ‡ ‡ J
. . . . # œ. œ œ. œ œ. œ œ. œ
&
#
$$$$$$$$$$$$$$$$$$$$$$
#· · ‰ # œJ œ #
Ó ! 19
Ó Ó !
!
‰. ‰. ‰.
Œ
o " " œ œœ
Triangle
Œ
Bass drum
!
11 16
äœ " 3 J p
!
tutti div.
! col legno
‰.
‰ j ‰. b˜ fl "f " ! ‰ j ‰. b˜ fl "f "
11 16
!
j ‡ ‡ ‡ ‡
‰.
!
11 16
~~~~~~~~~~~~~~~~~~ 11 Œ ˙ œ " ‰ Œ 16 R Triangle + 11 Œ Ó œ œ œ œ œ œ œ " 16
!
j ‡ ‡ ‡ ‡
11 16 Π11 Π16
Œ
!
~~œ ‰ ~~œ ‰ # ~~ ‰ œ ‰ ~~œ #
‡ ‡ ‡ ‡ J "f " ‰
?
!
F
!
44
44
‹
–
" "
4 Ó 4 B
‹" ‰ –.j ‰
4 4
85
Vln. II
f
‹
?2 4
solo
Vln. I
f 44 Ó
" "
Ó
‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ J J J J J J J J
4 ‹ ‹ ‹ ‹ ‹‹ ‹‹Ó 4 "f " 44 !
85
Pno.
f 4 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹Ó 4 " "
?2 j ‰ Œ 4 p –. ! & 24 a2
11 16
‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ J J J J J J J J
4 Ó 4
85
Timp.
44 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ Ó
?2 4 j ‰ Œ ‡. ?2 ! 4 85
Hn. (F)
!
+ ! Œ # œ ‹ >" Ffl "f 11 ‹j ‰ Œ ‹ ‹ ‹ ‹ ‹ ‹ ‹ " 16 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J PJ 11 Œ ‹ ‹ ‹ ‹ ‹ ‹ ‹ " 16 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ # fl‡ "f " J J J J J J J "f " > F 11 j ‰ Œ " 16 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ b‹ ‹ ‹ ‹ ‹ ‹ ‹ b‹ "f " J J J J J J J P J 11 j Œ ‰ " 16 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ b‹ "f " b ‹J ‹J ‹J ‹J ‹J ‹J ‹J P J J
11 16 œœ Ø tutti div. 11 16 b œœ Ø
J. . J
(the next 8 bars) ˘‹ Ÿ~ # ·œ (œ ) ‰ ‰ . . 11 B 16 œ J F col legno arco sul D Ÿ~ (the next 8 bars) 11 œ. #˘‹ ·œ ( œ ) ‰ ‰ . 16 J F col legno .' ? 11 J Œ ‰ ‰. 16 F
sul D
col legno
arco
+ #œ fl F ‰
89
Fl.
Ob.
Cl. (B b)
Bsn.
&
‹ > "f " j ‹ & &
‹ > "f " ? j ‹
‹ J
#‡ Ffl ‰
b‹ J
?Œ
89
Hn. (F)
Tpt. (C)
&Œ
Œ
‰.
Œ
‰.
Œ
‰.
Œ
‰.
j ‰. b˜ fl ‰ j ‰. b˜ fl
?
Perc. 1
Perc. 2
+ ã œR ‰ ã Œ
! " Œ
&
?
‹ J
#‡ Ffl ‰
b‹ J
Œ Œ
o + " " œ œœ œ ‰ R
äœ J
Œ
89
Pno.
‹ > "f " j ‹
‰
89
Timp.
‹ >" " f j ‹
+ #œ fl F ‰
"
3
Œ
Œ
‰.
Œ
‰.
Œ
‰.
Œ
‰.
‹ > "f " j ‹ ‹ > "f " j ‹
j ‰. b˜ fl ‰ j ‰. b˜ fl ‰
! " Œ
‹ J
#‡ Ffl ‰
b‹ J
Œ Œ
o + " " œ œœ œ ‰ R
äœ J
Œ
+ #œ fl F ‰
"
3
Œ
Œ
‰.
Œ
‰.
Œ
‰.
Œ
‰.
‹ > "f " j ‹ ‹ > "f " j ‹
j ‰. b˜ fl ‰ j ‰. b˜ fl ‰
! " Œ
‹ J
#‡ Ffl ‰
b‹ J
Œ Œ
o + " " œ œœ œ ‰ R
äœ J
Œ
+ #œ fl F ‰
"
3
Œ
Œ
‰.
Œ
‰.
Œ
‰.
Œ
‰.
j ‰. b˜ fl ‰ j ‰. b˜ fl ‰
! " Œ
o " " œ œœ
äœ J
Œ
!
!
!
!
!
!
!
!
Vln. I
&'
'
'. J
'
'
'. J
'
'
'. J
'
'
'. J
Vln. II
&'
'
'. J
'
'
'
'
'
˘ œ. # ‹
˘ œ. # ‹
arco
'. J
'
arco
'. J
‰.
˘ œ. # ‹
col legno
Ÿ~~~ ·œ (œ ) ‰ J
'. J
‰.
col legno
89
˘ B œ. # ‹ col legno
Vla.
? œ. #˘‹ col legno
Vc.
D.B.
?
Ÿ~~~ ·œ (œ ) ‰ J arco
Ÿ~~~ ·œ (œ ) ‰ J arco
!
‰. ‰.
col legno
˘ œ. # ‹
col legno
Ÿ~~~ ·œ ( œ ) ‰ J Ÿ~~~ ·œ ( œ ) ‰ J arco
‰.
col legno
‰.
col legno
˘ œ. # ‹
!
Ÿ~~~ ·œ ( œ ) ‰ J Ÿ~~~ ·œ ( œ ) ‰ J arco
!
20
˘ œ. # ‹
arco
Ÿ~~~ ·œ (œ ) ‰ J arco
!
‰. ‰.
"
3
+ & ‹ # flœ > "f " F j ‹ ‰ &
Œ
‰.
Œ
‰.
Œ
‰.
Œ
‰.
?Œ
‰
&Œ
j ‰. b˜ fl
‰ j ‰. b˜ fl
93
Fl.
Ob.
Cl. (B b)
Bsn.
‹ J
&
‹ # fl‡ > "f " F ? j ‰ ‹ b‹ J
93
Hn. (F)
Tpt. (C)
?
93
Timp.
Perc. 1
Perc. 2
+ ã œR ‰
" Œ
㠌 &
?
Vln. II
D.B.
‰.
Œ
‰.
Œ
‰.
Œ
‰
Œ
j ‰. b˜ fl
‰ j ‰. b˜ fl
‹ J
‹ # fl‡ > "f " F j ‰ ‹ b‹ J
"
3
" Œ
Œ
Œ
‰.
Œ
‰.
Œ
‰
43
!
Œ
‰
j ‰. b˜ fl
3 4
!
!
43
!
‹ # fl‡ > "f " F j ‰ ‹ b‹ J
o + " " œœœ œ ‰ R
äœ J
"
Œ
" Œ
j ‰. b˜ fl
+ harmon
Œ
!
Ÿ~~~ ·œ ( œ ) ‰ J arco
!
‰.
‰ Œ
Œ
‰ Œ
Œ
‰ Œ
Œ
"
3
Wood-Blok 3 œo+ " ‰ Œ 4 R P
43
r œœ 3 4 R"‰ Œ
'. J
'
'
'. J
'
'
'. J
r b œœ 43 R " ‰ Œ
‰.
col legno
˘ œ. # ‹
Ÿ~~~ ·œ ( œ ) ‰ J
‰.
3 4
!
˘ œ. # ‹
Ÿ~~~ ·œ ( œ ) ‰ J
‰.
3 4
!
œ.
Ÿ~~~ ·œ ( œ ) ‰ J
#˘‹
Ÿ~~~ ·œ ( œ ) ‰ J
col legno
œ.
arco
arco
col legno
‰.
!
arco
arco
! 21
Œ
!
'
#˘‹
Œ
!
'
‰.
Ÿ~~~ ·œ ( œ ) ‰ J arco
Œ
3 4
'. J
'
‰ Œ
+ o " " œ œ œ 43 œ " ‰ Œ R
äœ J
!
col legno
?
‰.
!
'
#˘‹
Œ
!
'. J
? œ.
‰.
‹ J
3
43 j ‹ > "f " 43 j ‹ > "f " 3 4 j ‹ > "f " 43 j b‹ > "f "
Œ
!
'
B œ.
+ ‹ # flœ > F "f " j ‹ ‰
!
&' #˘‹
!
Œ
'
col legno
Vc.
Œ
&'
col legno
Vla.
‰.
'. J
93
Vln. I
Œ
o + " " œœœ œ ‰ R
äœ J
Œ
93
Pno.
!
+ ‹ # flœ > F "f " j ‹ ‰
. 3 'J 4 F
Œ Œ
col legno
‰ Œ
Œ
&
!
24
&
!
24 Œ
&
!
24
&
!
24
!
?
!
2 Π4
‰
?
!
24
&
!
97
?
!
ã
!
2 4
!
97
!
24
!
97
Fl.
Ob.
Cl. (B b)
Bsn.
97
Hn. (F)
Tpt. (C)
Timp.
Perc.
Pno.
&
?
K
43
! j ‹ ‰ ‹ p J
43
œ
p
43 œœ p 43 # œ œ p 3 4
!
j ‹ b‹ "f " J
œ #œ œ
˙
!
œ œ
œœ œœ "
œœ # # œœ œœ .. œœ ˙˙ .. a2
œœ ‹ # œœ œœ .... œ ˙ !
!
85 Π5 8
‰
j –j ‰ #– # p I
!
43 3 4
!
!
24
!
43
!
2 4
!
3 4
!
!
3 4
!
!
5 8
!
3 – 4 J Øp 3 4
43
!
!
!
43
85
43
!
!
!
24
! !
÷
3 4
!
!
Vln. II
&
!
2 4
!
÷
3 4
!
!
Vla.
B
!
2 4
!
÷
3 4
!
!
?
!
2 4
!
÷
3 4
!
!
!
43
!
r 85 r " ‰ Œ . Œ Œ ‰. – – "f " # with harmon open close 5 Œ Œ ‰. r 8 r " ‰ Œ. – – "f " #
2 4
D.B.
85
2 4
!
3 4
close
open
!
?
œ œ
"
‰ " Y Y " 43 R R P ! 43
43
&
Vc.
85 Π85
!
Vln. I
97
"
$ ¬
arco
!
# 22
5 8 Œ
85
43
!
43
‰ Œ.
3 4
‰ Œ.
3 4
>˜ Œ . J "f " 5 8 ‰ >˜J Œ . "f "
3 4
5 8 >˜J "f " 5 8 >˜J "f " 5 8 ‰
– –
‰ ‰
43
3 4
& 5 – – – 3 8 R " ‰ ‰ " R R " 4 P "f "
& 43
!
42
& 43
!
42 Œ
3 &4
!
2 4
102
Fl.
Ob.
Cl. (B b)
Bsn.
& 43 ?3 4
Tpt. (C)
Timp.
Perc.
j ‹ p
!
? 43
!
42
!
& 43
!
42 2 4–
? 3 ¬. 4 ã 43
!
42
3 &4
!
2 4
102
‹ J
‰
!
2 4Œ
102
43
!
!
102
Hn. (F)
!
42
L
‰
j ‹ b‹ "f " J
43
bœ I
p
3 4 b b œœ p I 43 œ bœ II p 3 4
œ œ œ
˙
œ œ
!
"
!
œœ œœ œœ œœ # œœ œœ !
œœ œœ "
b ˙˙ a2
˙
!
œ œ
"
58 Π58
" Y Y " 43 R R P ! 43
5 8
!
58 Œ
43
!
Œ
Œ
‰.
r 58 r " ‰ – – "f " # open close 5 r 8 r" ‰ – – "f " #
!
43
!
Œ
Œ
‰.
– " ‰ R
3 4
!
!
5 Π8
!
43
!
!
58
!
!
3 4
!
!
5 8
!
close
open
2 4
!
3 4
!
!
5 8
Vln. I
÷ 43
!
2 4
!
3 4
!
!
Vln. II
÷ 43
!
2 4
!
3 4
!
!
5 >˜ 8 J "f "
Vla.
÷ 43
!
42
!
43
!
!
Vc.
÷ 43
!
2 4
!
3 4
!
!
D.B.
3 4
!
2 4
!
3 4
$ ¬
arco
!
# 23
5 >˜ 8 J "f " 58 ‰ 5 ‰ 8 –
–
3 4 j j‰ #– – # p I
!
!
102
‰
5 8
?3 4
Pno.
‰
43 3 4
Œ.
43
Œ.
43
‰
" –. J Øp
3 4 43 3 4
!
3 4
‰
Œ.
3 4
‰
Œ.
3 4
>˜ Œ . J "f "
43
>˜ Œ . J "f "
5 – 8 R " ‰ "f "
‰
3 4 & – – 3 " R R " 4 P
& 43
!
24
& 43
!
24 Œ
3 &4
!
2 4
107
Fl.
Ob.
Cl. (B b)
Bsn.
3 &4
Tpt. (C)
Perc.
!
! !
!
Œ
‰
j # – –j # p
Œ Œ
43
! Œ
!
j ‹ p !
!
‹ J
43
‰
3 4 3 4
!
‰
?3 4
!
2 4
!
!
!
!
24
!
!
!
!
43
2 – 4
– " ‰ R
!
!
!
3 4
!
!
!
!
3 4
!
!
!
!
43
!
!
!
3 4
& 43
!
? 3 ¬. 4 3 ã 4
!
2 4
& 43
!
24
?3 4
!
2 4
!
Vln. I
÷ 43
!
24
!
Vln. II
÷ 43
!
2 4
!
Vla.
÷ 43
!
2 4
Vc.
÷ 43
!
2 4
107
D.B.
‰
" Y Y " ‰ R R P + Y " ‰ R P
2 Π4
107
Pno.
‹ J
‰
!
107
Timp.
2 4
j ‹ p
Œ
?3 4 107
Hn. (F)
!
!
43
!
24 Œ
j ‹ "f "
!
b‹ J
!
Œ
‰
j ‹ "f "
b‹ J
3 4 3 4
>˜ J "f "
‰
Œ
!
!
43
‰
Œ
!
!
3 4
!
‰
Œ
!
!
3 4
!
‰
>˜ J "f "
Œ
!
!
3 4
!
43
$ –
arco
#
>˜ J "f "
–
>˜ J "f "
– " ‰ R "f "
‰ 24
& " –R –R " ‰ P
Œ
M
bœ 3 &4 p
(I)
112
Fl.
Ob.
Cl. (B b)
Bsn.
& 43
& 43 b b œœ p I 3 & 4 bœ bœ II p ?3 4 ? 43
Tpt. (C)
Perc.
! œœ œœ .. œ œœ .. œ !
˙ 42
7 œ 16
42
7 16
!
85 Œ
!
œ œ
"
85
œœ
b˙ 42 b ˙
7 œœ 16
œœ œœ "
85
œœ
42 ˙
7 16 œ
"
85
a2
2 4
!
!
!
& 43
!
42
!
? 43
!
42
!
112
Timp.
œ
42
112
Hn. (F)
œ œ.
7 16
œ œ !
j ‰ ‹ p
!
24 Œ
j ‹ ‰
!
24
!
!
24
!
2 Π4
‰
(II)
5 8 Œ.
‰
‹ J
‰
j ‹ "f "
b‹ J
‹ J
7 ‰ ‰ " " r 85 r " ‰ 16 – – "f " #
Œ.
24
!
- harmon
Œ.
24
!
7 16
!
24
!
open
close
7 ‰ ‰ " " r 85 r " ‰ 16 – – "f " # open
!
close
85
3 ã 4
!
2 4
!
7 16
!
5 8
!
2 4
!
& 43
!
42
!
7 16
!
85
!
24
!
112
?3 4
!
2 4
!
7 16
!
5 8
Vln. I
÷ 43
!
2 4
!
7 16
!
Vln. II
÷ 43
!
2 4
!
7 16
5 8 >˜J "f "
!
Vla.
÷ 43
!
2 4
!
7 16
!
5 8 ‰
Vc.
÷ 43
!
2 4
!
7 16
!
5 8 ‰
D.B.
43
!
42
!
7 16
!
85
Pno.
24
!
112
25
5 8 >˜J "f "
!
2 4
‰
Œ.
2 >˜ 4J
‰
Œ
‰
Œ.
2 >˜ 4J
‰
Œ
>˜ J "f "
Œ.
2 ‰ 4
>˜ J
Œ
Œ.
2 ‰ 4
>˜ J
Œ
!
24
>˜ J "f "
!
!
j ‹ b‹
J
!
117
&
&Œ
j ‹ ‰
Ob.
&
!
Cl. (B b)
&
!
?Œ
‰
?
!
Fl.
Bsn.
117
Hn. (F)
Tpt. (C)
Timp.
Perc. 1
Perc. 2
Pno.
Vln. II
Vla.
Vc.
D.B.
‹ J
!
j Œ ‹ b‹
‰
J
!
!
ã
!
117
÷ >˜ J ÷ >˜ J ÷ ‰ ÷ ‰
Œ.
! œœ J
œœ ..
œœ J
85 r " ‰ b˜ "f " fl M 5 r " ‰ 8 b˜ fl "f "
!
# œœ .. #
42 2 4
! !
42 ˙˙
4 Ó 4
44 Ó
Œ.
42
!
44 Œ
Œ.
2 4
!
4 Π4
!
42
!
44 Œ
!
85
!
42
!
44
!
!
5 8
!
2 4
!
4 4
!
!
Œ
‰
ΠΠΠ!
5 8
!
>˜ J >˜ J ‰ ‰
Œ
85
‰
Œ
85
Œ
5 8
Œ
85
>˜ J >˜ J
!
!
r j 58 " b œ œ bœ œ
‰
?
col legno
. 58 b>‹ ‰ "f " p sul A
2 4
œ. œ.
!
42 ˙ ˙
4 Ó 4
!
!
44 Ó
!
42
!
44 Ó
!
2 4
!
4 Ó 4
!
42
!
44 Ó
Œ. 26
42
!
44 Ó
38
ƒ ˙˙
3 8
ƒ ˙
38
˙ ƒ ‰&œ œ f œ ‰ œ 3
œ ˙ œ ˙
38
œ ˙ œ ˙
3 8
‰ œ œ æ˙ 3 f ƒ
38
f 3
!
Œ
38
‰ . +œ œ 38 P
Triangle
3 8
!
44 w w
42
3 8
ƒ b ˙˙
4 Ó 4 !
38
ƒ ˙
44 Ó
2 4 # ˙˙ 42
˙
44 Ó
85
‰
>˜ J
bœ 85 " b œR p I 5 8 " n œœ R II p 85
– J
M
!
!
>˜ J
J
without harmon
?
?
j ‹ b‹
!
117
&
‹ J
!
&
117
Vln. I
j ‹ ‰
!
ã
85 Y – . . F p 5 8
! Œ
+
N
38 ˙ b & ˙ æ arco ƒ non div. æ & b˙ ˙ arco ƒ arco non div.
non div.
&
˙æ b˙ ƒ
?
arco
˙ ƒ
arco
˙ ƒ
38 38 3 8 38 38
& 38 3 &8
122
Fl.
Ob.
Cl. (B b)
Bsn.
& 38
Tpt. (C)
3 &8
2 4
Perc. 2
‰
!
5 8 Œ
‰
3 &8
!
2 4
!
3 &8
!
2 4
!
? 38
!
42
!
? 38
3 . ã 8 œR " ‰ Po . 3 ã 8 œR " ‰ 3 &8
85
!
!
!
Triangle
Perc. 1
42
!
85 Œ
2 4 r " ‰ Œ ‡. # ! 42
122
Timp.
! !
122
Hn. (F)
!
42
2 4
‰
2 4
122
stop
85
!
5 8
Vln. I
& 38
!
42
!
÷
Vln. II
3 &8
!
2 4
!
÷
Vla.
3 &8
!
2 4
!
÷
Vc.
? 38
!
42
!
÷
D.B.
? 38
!
o ˙ n 42 ! p
&
85 >˜J "f " 5 8 >˜J "f " 5 8 ‰ 85 ‰
" "
‹ J
j ‰ # – –J # p
42
!
2 4Œ
‰.
42 ‰ .
II
f
2 4
" "
‹ J
42
!
2 4
!
‰
Œ.
2 4
!
‰ – J Øp
‰
‰
! !
42 –R
2 4
42 >˜J
Œ.
‰
Œ.
>˜ J "f " >˜ J "f "
Œ.
2 4Œ
Œ.
42 Œ
27
!
2 4
‰
‰
Œ
® – – – 42 – ® " ‰ ‰ ®– – – RÔ Bongo scratsch # ®– – – – ®" ‰ 42 ‰ RÔ #
Bongo scratsch
!
‚ 58 ·R " ‰ fo
" ‰
‹ J
!
Œ.
‰
r ‹
r ‹ Œ
‰
5 8
tempo -1
sul A
M
!
!
122
2 4
5 8 j ˜. P M 5 8 j ˜. P 5 8 Œ
?3 8
Pno.
!
85 Œ
!
42
‰
‰
85 ?
f
!
5 8 Œ
I
" Y Y " R R P I r ‰ " ‹ I
2 4 >˜J
& " –R –R " P
42
!
‰
Œ
‰
Œ >˜ J >˜ J !
‰ ‰
!
126
Fl.
Ob.
Cl. (B b)
Bsn.
&
‹ J
Tpt. (C)
Timp.
Perc. 1
Perc. 2
?
!
!
?
!
!
?
!
!
&
!
!
?
!
!
ã – ®" ‰ RÔ ã ‰
Vln. II
÷ >˜ J
®– – – – ® " ‰ RÔ ‰
!
? ÷ >˜ J
‰
® – – – – ®" ‰ RÔ
&
126
Vln. I
‹ J
!
126
Pno.
r ‹ Œ
‰.
!
126
Œ
‰
Œ
a2
+3 Y. b Y. Y. "f "
Œ
!
3
3 Y. Y Y Y 85 . . .
‹ " ‰ ‹ "f " –. j ‰ – b‹ > "f " –. ‰ b‹ > "f "
œo +œ " œo +œ " p Birds ~ ‰ œ. " R p
‹ > j‰ –
–. j ‰ –
‹ >
–.
j –
42
5 8
!
2 4
5 8
!
2 4
œo +œ " œo +œ " 85 Œ
‰
!
42 42
Bongo
®– – – # ~~~~~~~~~~~~~~~~~~~~~~~~~ ~ œ~. " œ. " 85 œ œ œ " R
!
‰
‰
85
!
85
!
scratsch
2 4 42 42 42 42
!
‰
Œ
!
85
!
42
‰
Œ
!
5 8
!
2 4
÷ Œ
>˜ J
‰
Œ
>˜ J
‰
!
&
Vc.
÷ Œ
>˜ J
‰
Œ
>˜ J
‰
!
?
!
!
5 8
Vla.
D.B.
85
‰
85 r " ‰ Œ . – f ‰ 85 –. –. –. –. –. –. –. –. p
! !
!
r " ‹ 42 ‹ "f " J 2 4
5 8 ‹ " ‰ ‹
42
!
5 8 Œ
!
!
>˜ J
Y. Y .
‹ J
Triangle
!
>˜ J
3
b¬ p
®– – – – ®" ‰ RÔ
! ‰
r ‹
‰.
&
126
Hn. (F)
‹ J
r ‹ Œ
& ‰.
!
r ‹ Œ
‰.
&Œ
O
!
! 28
. œ. œ. œ. œ. œ. œ. œ. # œ 5 ‰ 8 # $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ # · · 58 ‰ # œJ œ ‰ # j soloœ œ 5 8 Œ ‰ ‰ &R " # col legno
÷
2 4
÷
42 2 4
& 24
!
2 &4 Œ
‰.
130
Fl.
Ob.
Cl. (B b)
Bsn.
& 24
Tpt. (C)
Perc. 1
Perc. 2
Pno.
Vln. II
Vla.
Vc.
D.B.
J
r ‹ Œ
‰.
‹ J
r ‹ ‰
38 ‰ .
!
38
!
!
3 8
!
?2 4
!
!
3 8
!
?2 4
!
!
3 8
!
& 24
!
!
38
!
? 24
!
!
38
‰ ® – – – – ®" ‰ ‰ ®– – – ã 24 – ®" ‰ RÔ RÔ Bongo 2 ‰ ® scratsch – – ®" ‰ ‰ ® – – – – ®" ‰ ã 4 – – RÔ RÔ # 130 ! ! & 24 ? 24
÷ 24 >˜ J "f " ÷ 24 >˜ J "f " ÷ 24 Œ ÷ 24 Œ & 24
! ‰
Œ
‰
Œ >˜ J "f " >˜ J "f " !
! >˜ J
‰ ‰
>˜ J Œ Œ
‰
Œ
‰
Œ
3 8 38
‰
>˜ J
‰
44
‹ J
3
3
3
! !
44 ‹ " ‰ ‹ " ‰ Ó ‹ ‹ "f " 4 –. j ‰ –. j ‰ Ó 4 – – b‹ ‹ > > "f " 4 ‰ –. j ‰ – . jÓ 4 – – b‹ ‹ > > "f " 4 4
r" ‰ – f
b¬ p 44 Ó
!
44 Ó
!
44
Œ
–. –. –. –. –. –. –. –. p
j œ ˙@ % Triangle 44 œo +œ " œo +œ " œo +œ " œo +œ " Ó ‰ – ®" ‰ RÔ p ~~~~~~~~~~~~~~~~~~~~~ Birds ~ ~. ~ – – 4 . . ‰ ® – – ®" 4 ‰ œ " œ " œ " ˙ R RÔ p
38
!
38 >˜ J
>˜ J
!
38
4 4
!
!
130
Vln. I
‹ J
r ‹ 38 ‹
‰.
44 Y b Y Y Y Y Y Y Y3 Y Ó . . . . . . . . . "f "
!
?2 4
130
Timp.
r ‹ Œ
!
130
Hn. (F)
!
r ‹ Œ ‹ "f " J
& 24 ‰ .
38
+
3 >˜ 8J 38 ‰ 3‰ 8
!
44
!
‰
‰
‰
4 4
!
‰
>˜ J
44 Ó
&
>˜ J
4 Ó 4
! 29
44
‰
‰
38
!
&
44
!
# œ. œ. œ. œ. œ. œ. œ. œ.
col legno
#
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
#· · ?‰ # œ œ J #
Fl.
Ob.
Cl. (B b)
&
& ‹ "f "
& ‹ "f " & ‰ ?
a2
Bsn.
?
134
Hn. (F)
Tpt. (C)
‹ J ‹ J
Perc. 1
Perc. 2
‹ J
‹ J
‹ J
‹ J
‹ J
‹ J
‹ ‹ ‹ Ó
j n ‡. ‡. ‡. ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J –. j ‰ Œ Ó –
b‹ > "f "
P
2 4 24 24
24 ‰
?
!
24
~~~ ã œR " ‰ Œ
?
!
2 4 2 4
!
&
2 4
!
j # –. –. "f " j # –. –. "f " !
2 4
Ó
!
$ $ ‰ j # # œ-· œ-·
Vln. I
& Ó
Vln. II
Vla.
Vc.
÷
! !
& ?
! j œ
D.B.
&
œ & R "‰ Œ #
Ó
2 4
58 58 58
5 8
–. –. –. –.
# –.
–.
–. –. –. –. ‰
!
‰
Bongo
! !
!
‰
24
!
5 8
œ bœ œ œ œ œ œ œ Ø j j non div. j ‡ ‡ j ‡ ‡ ‡ 2 ‡‡ 5 ‡‡ ‡‰ ‡ ‰ ‡ 4 ‡ 8 ‡ ‡ ‡ ‡ ‡ ‡ ‡ J "f " j ‡ ‡ ‡j ‡ ‡ non div. ‡ ‡ ‡ ‡ ‡ ‡ 5 ‰ 24 ‰ ‡ ‡‰ ‡ ‡ 8 ‡ J J "f " j œœ 24 R " ‰ Œ 58 Œ
j ‡ ‡ ‡ ‡
‰ ‡ ‡ ‡ ‡ J
j ‡ ‡ ‡ ‡
‰ ‰
!
24
!
2 4
!
2 4 ÷
! ‡ ‡ ‡ ‡ J
24
® – – – 24 – ®" ‰ ‰ ®– – – RÔ Bongo # 2 ‰ ®scratsch – – ®" ‰ 4 – – RÔ # scratsch
Œ.
tutti
÷ j ‡ ‡ ‡ ‡
‰ ‡ ‡ ‡ ‡ J ‰
j ‡ ‡ ‡ ‡
!
24
!
5 r " ‰ 8 ‹ fl
f
" "
" "
‹ J
‹ J
‰
‰
f
r ‹ Œ
24
‰
r ‹
‰.
2 ‰. 4
‰
–.
!
2 Π4
‰
# –.
5 8
30
24
!
5 Π8
!
! arco
–.
P
5 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ 8 ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J 5 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ 8 ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J 58 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J 58 ‹ b‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J
5 8
!
$ 2 4 œ-·
# –.
58
!
solo violin
134
– J
‰
!
!
!
‰
!
&
ã
– J
j æ–
!
24 ‰
!
134
Pno.
2 4
‹ ‹ ‹ Ó
134
Timp.
j æ 24 # –
!
134
2 >˜ 4J "f " 2 >˜ 4J "f "
! ‰
Œ
‰
Œ
‰
÷
2 Π4
>˜ J "f "
‰
‰
÷
24 Œ
>˜ J "f "
‰
j œ
œ R "
24
!
&
!
&Œ
‰.
138
Fl.
Ob.
Cl. (B b) Bsn.
‹ J
&
?
Tpt. (C)
Perc. 1
Perc. 2
‹ J
r ‹ Œ
‰.
‹ J
!
r ‹ Œ
‰.
‹ J
r ‹ Œ
‰.
‹ J
!
r ‹ Œ
‰.
‹ J
!
?
!
!
!
!
&
!
!
!
!
?
!
!
!
!
ã – ®" ‰ RÔ
‰
ã ‰
®– – – – ®" ‰ RÔ
&
?
‰
‰
®– – – – ®" ‰ RÔ
®– – – – ®" ‰ RÔ
‰
‰
®– – – – ®" ‰ RÔ
®– – – – ®" ‰ RÔ
‰
‰
®– – –
®– – – – ®" ‰ RÔ
!
!
!
!
!
!
!
!
Vln. I
÷ >˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
Vln. II
÷ >˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
Vla.
÷ Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Vc.
÷ Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
&
!
138
D.B.
!
! 31
‹ J
! !
®– – – – ®" ‰ RÔ
r ‹
‰.
!
138
Pno.
r ‹ Œ
‰.
!
!
138
Timp.
‹ J
!
!
138
Hn. (F)
r ‹ Œ
r ‹ Œ
& ‰.
!
!
&
!
&Œ
‰.
142
Fl.
Ob.
Cl. (B b)
Bsn.
Tpt. (C)
Perc. 1
Perc. 2
‹ J
r ‹ Œ
‰.
‹ J
r ‹ Œ
‰.
‹ J
!
!
r ‹ Œ
‰.
‹ J
r ‹ Œ
‰.
‹ J
!
!
r ‹ Œ
‰.
!
!
!
!
!
!
?
!
!
!
!
!
&
!
!
!
!
!
?
!
!
!
!
!
ã ‰
‰
® – – – – ®" ‰ RÔ
® – – – – ®" ‰ RÔ
&
?
‰
‰
® – – – – ®" ‰ RÔ
® – – – – ®" ‰ RÔ
‰
‰
® – – – – ®" ‰ RÔ
® – – – – ®" ‰ RÔ
‰
‰
® – – – – ®" ‰ RÔ
® – – – – ®" ‰ RÔ
‰
‰
®– – –
® – – – – ®" ‰ RÔ
!
!
!
!
!
!
!
!
!
!
Vln. I
÷ >˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
Vln. II
÷ >˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
Vla.
÷ Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Vc.
÷ Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
&
!
142
D.B.
!
! 32
!
‹ J
‹ J
!
ã – ®" ‰ RÔ
r ‹
‰.
?
142
Pno.
‹ J
r ‹ Œ
‰.
!
r ‹ Œ
‰.
!
&
142
Timp.
‹ J
‹ J
142
Hn. (F)
r ‹ Œ
r ‹ Œ
& ‰.
!
!
&
!
&Œ
‰.
r ‹ Œ
r ‹ Œ
‰.
147
Fl.
Ob.
Cl. (B b)
Bsn.
& ‰.
‹ J
Tpt. (C)
Perc. 1
Perc. 2
r ‹ Œ
‰.
‹ J
‹ J
‰.
r ‹ Œ
r ‹ Œ
‰.
‹ J
‹ J
r ‹ Œ ‹ J
r ‹ ‰
38
!
11 16
‹ J
11 16
!
?
!
!
!
!
3 8
!
11 16
&
!
!
!
!
3 8
!
11 16
‰ ®– – – ã – ®" ‰ RÔ – – ã ‰ ® – – ®" ‰ RÔ &
?
!
!
!
38 ‰ .
!
!
!
11 16
!
!
?
!
‹ J
r ‹ 38
‰.
11 16
!
!
?
147
Pno.
r ‹ Œ
38
!
!
147
Timp.
‰.
!
&
147
Hn. (F)
‹ J
!
38
!
11 16
!
3‰ 8
scratch on the timpani
38
11 16
3 8
®– – – p – ®" ‰ ‰ RÔ !
3 8
!
11 16
‰ ®– – – – ®" ‰ RÔ ‰ ® – – – – ®" ‰ RÔ
‰ ®– – – – ®" ‰ RÔ ‰ ® – – – – ®" ‰ RÔ
‰ ®– – – – ®" ‰ RÔ ‰ ® – – – – ®" ‰ RÔ
!
!
!
!
!
!
!
!
38
‰
11 16 11 16
11 16
!
Vln. I
÷ >˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
38 >˜ J
‰
‰
&
11 16
Vln. II
÷ >˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
>˜ J
‰
Œ
3 >˜ 8J
‰
‰
&
11 16
Vla.
÷ Œ
‰
3‰ 8
B
11 16
Vc.
÷ Œ
‰
3‰ 8
‰ >˜ J
?
11 16
147
D.B.
&
>˜ J >˜ J
!
‰
Œ
‰
Œ
>˜ J >˜ J
‰
Œ
‰
Œ
>˜ J >˜ J
!
! 33
‰
Œ
‰
Œ
>˜ J >˜ J
!
3 8
‰ >˜ J !
11 16
Q
11 & 16
152
Fl.
Ob.
Cl. (B b)
Bsn.
11 & 16
+ Œ # œ ‹ > Ffl "f "
11 & 16 11 & 16 ? 11 16
Tpt. (C)
‹ # fl‡ > F "f "
? 16 11 Π11 Π& 16
Perc. 1
Perc. 2
11 ã 16 Œ 11 Œ ã 16 11 & 16
152
Pno.
? 11 16
! ‰ j ‰. b˜ fl "f " ! ‰ j ‰. b˜ fl "f " !
Vla.
Vc.
D.B.
col legno
‰
‰.
‰.
b‹ J
j ‰. b˜ fl
‰ j ‰. b˜ fl
Œ
!
‰
Œ
‰
äœ J
3
" Œ
‰.
äœ J
3
" Œ
äœ " J
Œ
!
!
J.
'
'
'. J
'
'
'. J
'
. J
'
'
'. J
'
'
'. J
'
Ÿ~~ .œ # ˘‹ ·œ (œ ) ‰ ‰ . J
col legno
arco
Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ . J arco
Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ . J
col legno
!
arco
! 34
'
œo+ " ‰ Œ R P
Wood-Blok
r œœ R"‰ Œ
r b œœ " ‰ Œ R
'. J
arco
arco
!
‰.
‰. ‰.
!
Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ . J
col legno
‰.
!
Ÿ~~ .œ #˘‹ ·œ (œ ) ‰ ‰ . J
col legno
‰.
!
'. J
'
‰.
!
3
!
col legno
j ‰ Œ b˜ fl
o + " " œ œœ œ " ‰ Œ R
!
Ÿ~~ .œ # ˘‹ ·œ (œ ) ‰ ‰ . J
‰.
!
!
arco
j ‰ Œ b˜ fl
j ‰. b˜ fl
!
col legno
‰.
j ‰. b˜ fl
!
arco
j ‰ Œ ‹ > "f " j ‰ Œ b‹ "f " fl
‰.
!
‰.
o + " " œœœ œ ‰ " Œ R
Œ
‰.
‰.
#‡ Ffl ‰ Œ
Œ
j ‰ Œ ‹ > "f " œ "‰ Œ R
œ. J
Œ
! o + " " œœœ œ ‰ " Œ R
‰.
b‹ J
‰ j ‰. b˜ fl
Œ
j ‰. b˜ fl
‰.
‹ > "f " j ‹
‰.
‰ œJ œ # Œ ‹ # fl‡ > "f " F j ‹ ‰ Œ
‰.
œ. J
+ Œ # œ ‹ fl > "f " F ‰ # œJ œ p œ "‰ Œ R
!
˘‹ ·Ÿ~~ # . 11 œ (œ ) ‰ ‰ . B 16 œ J F sul D arco (the next col legno Ÿ~~ 4 bars) ˘ . ? 16 11 œ # ‹ ·œ (œ ) ‰ ‰ . J F 11 ! & 16 (the next 4 bars)
Œ
o + " " œœœ œ ‰ " Œ R Bass drum %3 äœ " Œ Œ Œ J p Œ
arco div.
11 & 16 b œœ Ø sul D
‰
œ. J ‰.
Triangle
arco div.
Vln. II
!
‹ # fl‡ > "f " F j ‹ ‰ Œ b‹ PJ Œ
+ Œ # œ ‹ > Ffl "f " œ "‰ Œ R
‰.
Œ
‰.
11 & 16 œœ Ø
152
Vln. I
‰.
Œ
? 16 11 –Kr ®" ‰ Œ
152
Timp.
! !
152
Hn. (F)
‰.
+ Œ # œ ‹ > Ffl "f " ‰ #œ œ J %
col legno
tutti
!
.' J ‰ Œ F
‰.