Limbo - between humans

Li-Ying Wu Limbo (2010) Between Humans for sinfonietta, 2 mezzo-sopranos & tape Dur. 35’

SCORE

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Limbo Between humans For Sinfonietta, 2 Mezzo-­Sopranos and Tape Flute Oboe Clarinet in Bb db. Bass Clarinet in Bb Bassoon French Horn in F Trumpet in C db. Piccolo Trumpet in Bb Bass Trombone 2 Percussionists Piano Accordion 2 Mezzo-­‐Sopranos Violin 1 Vionlin 2 Viola Cello Double Bass

Notation Woodwinds:

Breath-­‐tone: Exhalation

Breath-­‐tone: Inhalation

Stop the breathing (breath-­‐tone exhalation/ inhalation) with the tongue Multiphonics Flute:

Clarinet:

Brass:

Breath-­‐tone: Exhalation

Breath-­‐tone: Inhalation Percussion Perc 1:

Vibraphone Tam Tam (large) Pedal Bass Drum Spring coil (high)

Perc 2:

Marimba Timpani (32’’) Tam Tam (medium) Bass Drum (note: only l.v. when it is indicated in the score) Harp Tuning key gliss.: Use the metal end of the tuning key. (If it has a plastic sleeve, simply remove it). Pluck the string with finger two of your left hand, and use your right hand to run the tuning key down the vibrating string. Striking with palm: Striking the indicated strings with palm Scordatura:

Please prepare in advance. (The scoring does not change – without notated microtones)

Piano:

Damping the indicated pitch by one hand, and play on the keyboard with another hand. Mezzo Sopranos: 1.) Whispering: the indicated rhythm of the words has to be precise. The words should be whispered short and almost like a witch is doing her incantation. (Microphone is on while whispering) 2.) Triangle notehead: triangle notehead is indicated the 'exhalation breathing sound'. The text in brackets is indicating the shape of the singers’ lips. Which means -­‐ exhaling with shape of the lips as the word 'hu', ‘a’, and etc. 3.) Square notehead: square notehead is indicating the 'inhalation breathing sound'. The text in brackets is indicating the shape of the singers’ lips. Which means -­‐ exhaling with shape of the lips as the word 'hu', ‘a’, and etc. 4.) Normal singing with words in brackets: singers are actually doubling acoustic instruments, which has wawa mute on and so on. The text in brackets is imitating the sound of the trumpet (for example) with wawa mute, and change the lips' shape gradually. 5.) Main idea for singing Limbo: Please avoiding operatic way of singing. The whole piece is expressing the inner conflict between ONE woman's emotional and rational sides. Sing it in a plain, clean and straightforward way of expressing

Strings: s.p.: Sul ponticello s.p. extremo: Sul ponticello extremo s.t.: Sul tasto N.: Ordinary position N.-­‐-­‐-­‐-­‐-­‐-­‐s.p.: moving from ordinary position to sul poticello s.p. -­‐-­‐-­‐-­‐-­‐s.p. extremo: moving from sul ponticello to sul ponticello extremo

Limbo Scene 1

Statico con sonore

Li-Ying Wu

q = 60

Breath tone (toneless)

Flute

Horn in F

3 —j & 16 f> 3 ã 16

Percussion 1

? 16 3

Tape

3 16

Piano

∑

t 16 3

∑

Violin II

3 ‰ † 16

pizz.

Violoncello

? 16 3

∑

Contrabass

? 16 3

∑

8

ã ±

Hn.

Ó

8

Tape 8

Pno.

Vln. I

Vln. II

Vc.

Cb.

t Ó t Ó

8

† Œ † Œ ? ?

∑

∑

44

∑

∑

∑

∑

∑

44 œ -œ p

Œ

Ó

Ó

tam 44 tam œ Œ

Ó

Ó.

floor tom

44 wπ 44 ˘œ R f ˘œ R f

Ó

Œ

Ó.

w∑

Ó

44

∑

Ó

44

∑

Ó.

44 wæ π

w

œ-

w

˘œ ‰. R Œ f sempre ˘œ ‰. R Œ f sempre ‰

w

˙ >

w

˘œ ‰ ≈ R Ó f ˘œ ‰ ≈ R Ó f

Ó Ó

‰

Ó.

‰

Ó.

‰

∑

Ó

Œ

˘œ ≈ R ‰

∑

Ó

Œ

Breath tone (toneless) without mouthpiece

y p

∑

∑

œ J

j œ- w p

∑ ∑

j œ- w

˘œ ≈ R ‰

∑

∑

∑

∑

wæ

wæ

æ.

wæ

wæ

wæ

wæ

Ͼ. P

Ͼ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

w

˘œ R ‰. Œ ˘œ R ‰. Œ

w Ó Ó

˙

˘œ ≈ R ‰ Œ

˙

˘œ ® ÔR ‰ . Œ

wæ

wæ

wæ

wæ

wæ

wæ P

wæ

wæ

Breath tone (toneless) without mouthpiece

> ‰ — J ƒ

Ó.

–

Œ

Œ

‰ œ Ó J

Ó

Œ.

Ó

Œ.

j œ ˙ > F

˙ ˙ > P

Ó.

∑

j b œæ wæ π

wæ

Œ ‰ —– – ‰ Œ J f

‰

œ œπ

j œœ P

Ó.

∑

œ -œ

Ó.

4 4

∑

ã

B. Tbn.

f

∑

Breath tone (toneless) without reed

∑

ã

∑

∑

t 16 3

3 pizz. † 16 ‰

Cl.

∑

∑

Violin I

8

r ¿ 44

∑

Œ.

∑

Œ. wæ f wæ f

2010©Li-Ying Wu

Ó

j œ ˙ > ˘œ R ≈ Ó ˘œ R ≈ Ó

w w

˘œ ‰ R ≈ Œ Œ ‰

∑

w w

˘œ R ≈ Ó

˘œ ˘œ ‰ R ≈ Œ Œ ‰ R ≈ Ó wæ

wæ

wæ

wæ

∑ ˘œ ‰ R ≈ Œ

∑

˘œ ‰ R ≈ Œ

∑ wæ P

wæ P

2

Scene 1

?

∑

16

Perc. 1

∑ œ

16

Tape

Vln. II

Vc.

Cb.

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

t

∑

t

∑

˘œ † ‰ R ≈ Œ

˘œ Œ ‰ . ® RÔ

† Œ ? ?

b wæ æ

b ˙æ.

? ≈ œr ‰ Œ œ > ç 23

Ó

Tape

&

∑

?

∑

23

Hp.

w f

w

w f

w

˘œ ˘œ ‰ R ≈ Œ ‰ . RÔ ®

Vln. I

∑

Vln. II

Vc.

Cb.

† Œ ? ?

˘œ ‰. R Ó

∑

Ó

w

˘œ ≈ R ‰

∑

˘œ R ‰. Œ

Œ

˘œ ‰. R Ó

Ó

‰ jŒ b œf

Ó

∑

˘œ ≈ R ‰ Œ

∑

Œ

‰ jŒ # œf ˘œ R ‰. Œ

˘œ ‰ ≈ R Ó

Œ

˙æ subp

œ

wæ

wæ

˙æ

˙æ

wæ ƒ

˙æ

˙æ subp

œ

Œ.

Ó

ç

∑ Ó

r b œœ ˙˙ > Ï sempre r # œœ ˙˙ > ˘œ ‰ R ≈ Œ ∑

‰ Œ ˘œ ‰ R ≈ Œ Œ

˘œ ‰. R

‰ j b œ ˙æ çp ‰ j b œ ˙æ çp

∑

∑

∑

∑

∑

∑

∑

∑

Tape goes on, from here there's no more clear cue Tape part will fade out before the written part.

∑

b ––– l.v. >

‰ Œ ‰ Œ

˘œ ≈ R ‰ Œ

˙æ

∑

l.v.

Ó

wæ ƒ

j œœ Ó â ç Œ ‰ œ Ó J

b ––– >

‰ œ bœ > ƒ ‰ # œœ >

Œ

˙æ

Œ.

ç

Œ.

˙æ

r ≈ ‰ Œ j ‰ ‰ ‰ Œ .. b œ. œf ç t r ‰. Œ Œ .. j‰ Œ # œ. œ œ†

∑

˘œ ‰. R Œ Œ

Œ.

jÓ #œ ƒ> jÓ #œ ƒ>

Ó

Strike the strings with palm

wæ

t

23

Œ.

w

Œ

∑

wæ

23

Pno.

œœ â ç

Ó ∑

23

Perc. 1

∑

∑

16

Vln. I

∑

∑

16

Pno.

∑

&

16

Hp.

Œ

∑

t

‰ w˙ . ww

ord.

b œœ > Ï

j œœ œœ œœ > > >

sempre

˘œ ‰ R ≈ Œ Œ

œ

j œœ œœ > ˙˙ ..

‰ Œ Œ ‰. r œœ b b œœ œjœ b œjœ b b œœ > > > > > œœ

# ww >

˘œ ˘œ ˘œ ‰ R ≈ ‰ ≈ R Œ Œ ≈ R ‰

˘œ ˘œ ˘œ ˘œ ˘œ ≈ R ‰ Œ R ‰ . ‰ . R ≈ R ‰ Œ R ‰ . ‰ .

wæ

wæ

wæ

wæ

wæ

wæ

wæ ƒ

wæ ƒ

ww w˙ .

j‰ Œ œœ

Œ

ww œ œ ˘œ

˘œ ‰ ≈ R Œ Œ ≈ R ‰

˘œ ˘œ ˘œ ˘œ R ≈ R ‰ Œ R ‰ . ‰ . R

ww

˘œ ‰ R ≈ Œ ƒ

wæ

wæ

wæ

wæ

Œ ∑

∑

b b œœ >

˘œ ‰ R ≈

∑

‰. œ ˙. R > ‰ j # œœ ˙˙ .. >

∑

˘œ ˘œ ‰ R ≈ Œ Œ ‰ R ≈ ƒ wæ Ï wæ

Ï

3

Scene 1

30

Tape

∑

30

&

Hp.

t Ó. t

30

Pno.

t

Vln. II

Ï

ww

ww

ww

ww

˘œ † ‰ R ≈ Œ Œ ‰ ƒ ˘œ † ‰ R ≈ Œ Œ ‰ ƒ

Vc.

?

Cb.

?

∑

j ‰ Œ Œ ‰. r œœ b b œœ >

b b œœ >

30

Vln. I

∑

˘œ R ≈ Ó . ˘œ R ≈ Ó .

˘œ ‰ R ≈

j‰ œœ

Œ Œ

‰ . œr ˙ . œ- ˙ . Ï ‰ j # œœ ˙˙ .. -

˘œ ‰ R ≈

b b œœ >

∑

∑

∑

∑

∑ Ó.

ww

ww

ww

ww

ww

ww

∑

Ó.

∑

Ó.

˘œ ‰ R ≈ ˘œ ‰ R ≈

∑ b b œœ >

∑

j ‰ Œ Œ ‰. r œœ b b œœ >

∑

∑

Ó.

∑

∑

Ó.

wæ

wæ

wæ

wæ

wæ

wæ

wæ

wæ

wæ

wæ

wæ

wæ

wæ

wæ

j‰ Œ œœ

Ó

∑

∑

∑

∑ ˘œ ‰ R ≈

∑

˘œ ‰ R ≈

∑ wæ p

wæ p

38

Tape

&

∑

t

∑

38

Hp.

Vln. II

Vc.

Cb.

∑

∑

Œ Ó

∑

∑

†

∑

∑

Ó.

†

∑

∑

Ó.

38

Vln. I

b b œœ >

∑

? ?

˘œ ‰ R ≈ ç ˘œ ‰ R ≈ ç

wæ

wæ

wæ

wæ

wæ

wæ

wæ

wæ

∑ Ó

Œ

b b œœ >

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ó.

∑

∑

∑

∑

Ó.

wæ π wæ

˘œ ‰ R ≈ ˘œ ‰ R ≈

∑

Ó.

∑

Ó.

wæ

wæ

wæ

wæ

wæ

wæ

wæ π

wæ

wæ

wæ

˘œ ‰ R ≈ ˘œ ‰ R ≈

Limbo Scene 2

Li-Ying Wu Sempre espressiva, ma dolce delicattissimo q = 54 /(‰=108)

† 44 Ó Piano

t 44

œ≈ R ‰ p

Œ

√ mw & 44

∑ œ

Œ

∏

N

Accordion

& 44

∑

Mezzo-Soprano 2

Violin I

& 44

whispering

4 &4 Ó

dazz-ling

˙

Ó.

Vib. freely

∑

4 ≈ π œ œ ≈ œ œ Œ ‰ ≈ œ œ œ œ ≈ ‰ ≈ œ œ ≈ œ œ Œ ã 4 dazz-ling

∑ Ó

whispering

Mezzo-Soprano 1

Œ.

∑

∑

œR ≈ Ó

dazz-ling crys-tal

∑

dazz-ling

ã

‰

∑

‰

≈ œ œ œ œ ≈ ‰

dazz-ling

π œ ≈ R

orb

dazz-ling crys -tal

≈ œ œ ® œ ® œ œ ® œ œ ‰ cris - py

orb

cris - py

œ

˙

s.p. estremo sempre

Ø

LI-Ying Wu © 2010

≈

spark-ling

P >œ ‰ Œ J orb!

œ ‰ R

Œ

kœ J

w

orb

‰

Ó

P ‰ >œ Ó J orb!

2

Scene 2

Fl.

&

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

4

Cl.

Bsn. 4

Hn.

Tpt.

B. Tbn.

4

Perc. 1

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

4

?

∑

∑

∑

&

∑

∑

∑

∑

t 4

&

(√) m ww

Acc. 4

ã

Mezzo 1

4

Vln. I

Vln. II

Vla.

Ó

& & &

P ‰ >œ Œ J

-

-

∑ œ. ∏

Œ

∑

-

œ kœ. J J ∏

∑

∑ ∑

(p)

œR ‰.

legato

Ó

Œ

-

-

∑

π ‰ œ œŒ

Π-

-

-

∑

Vc.

&

∑

∑

∑

Cb.

&

∑

∑

∑

(p) -œ œ‰ R ≈ Œ ‰ R ≈ Ó

Ó.

œœ ˙˙ J ∏

Vib. freely

Œ.

Normal

∑

π ‰ œ Ó J

∑

∑

œ- ‰ Ó J

∑

glass

œ. æ

· ‰ œJ æ Ø

∑

∑

Œ

·œ .. æ

s.p. estremo

b· · . ‰ ≈ ≈ b æœJ æœ . 3 Ø

s.p. estremo

∑ ∑

orb

jœ. æ π ·œ .. æ π ·œ .. æ π

jœ ∏

Ó

∑

∑ nœ æ ∏

∑

(P)

^

∑

cris-py

π

^

∑

Ó

w

Ó

^

∑

∑

∑ Œ.

^

∑

∑

s.p. estremo

‰ Ó

^

‰ Ó

*circle-brush on the log drum's suface with a 30 cm plastic ruler according to the given rhythm

∑ Ó

∑

p

log drum

œR ‰.

∑

Ø

orb!

ã

Mezzo 2

π

œ.

∑

∑

˙˙

∑

&

4

∑

con sord.

∑

œ‰ R ≈ p

Ó.

Œ

œ ˙ R ∏

∑

†

Pno.

∑

‰.

&

?

Perc. 2

Piccolo Trumpet in Bb

Lœ

Ó.

nœ. æJ ≈ Œ π ·œ .. ≈ Œ æJ Ø ·œ .. æJ ≈ Œ Ø Ó.

Ó

∑

Ó

∑

Ó

∑ s.p. estremo

b œ· ∏

∑

∑

w· ∑

3

Scene 2

Fl.

&

∑

Ob.

&

∑

10

Cl.

Bsn.

w

& w

p

?

∑

∑

∑

∑

∑

∑

∑

?

∑

Pno.

?

∑

∑

†

∑

t

∑ ˙˙

10

ã

π P ‰ — —. J

ã & Ó

10

Vln. I

Vln. II

Vla.

Vc.

Cb.

& Ó &

P

Ó.

œ. ≈ RÔ ®‰ Œ F œ. pizz. ≈ ® RÔ ‰ Œ F

œ J

π

œ

Œ

‰

π œ ‰ Œ J

‰

p

Ó

Ó

‰

∑

∑

œ.

Vibraphone motor off

‰

Œ

œ. œ.

‰.

∑ Ó.

Ó

‰

∑ F ˙.

œ.

∑ ‰.

‰

œ œ R p œ J ‰ F

m ww ∑

Ó.

∑

π œ œ ‰ Œ

∑

∑

∑

∑

∑

∑

drop

æ

æ

lœ æ

æ

æ

æ ∑

Ó

∑

œ Œ J

s.p. estremo

∏

P

∑

cris-py

s.p. estremo

arco

p

w

Ó.

∑

œ.

drop

L˙

∑ ∑

3

∑

∏

∏

l.v.

∑

∑

Ó

arco

w Œ

arco

mœ.

∑

Vib. freely

∑

∑

‰

∑

cortale

∑

√ mœ ˙ J π

(hu)

& w· p &

œœ ..

∏ ‰ Œ

pizz.

∑ Ó

‰ m œJ π

Ó.

∑

∑

∑

&

Œ

œ. ≈ R ‰ Œ p

Ó

œœ œœ .. R ≈ p π

10

p

∑

&

Acc.

Mezzo 2

˙.

∑

&

Mezzo 1

œ. π

∑

10

∑

∑

‰

10

∑

Ó

∑

& Ó

Perc. 2

P

Œ

∑

Tpt.

10

∑

Œ

œ

∑

∑

Perc. 1

∑

Œ π

˙

∑

&

B. Tbn.

Ó.

œ ‰ J π

∑

Hn.

10

˙.

œ ‰ J p

p œ œ æ æJ ‰ p

s.p. estremo

b ˙· ∏ ∑

Œ

∑ w¥

œ J ∏

>œ R ≈ p

P

‰

œ œ dazz -ling

· · ≈ ≈ æœ æœ 3 π

s.p. estremo

Ó. ˙·

∑

arco

˙· ∑

4

Scene 2

œ ˙ m œœ ˙˙ J π

& Œ.

15

Fl.

Ob.

Cl.

Bsn.

∑

&

∑

Ó.

w

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

?

Ó ∑

∑

& w ?

&

Acc.

˙

∑

t (√) ˙˙ .. p

15

&

15

ã ã

15

& & ·œ .. & æ

Vc.

& w·

Cb.

&

‰ . œR ˙ π

Œ

>œ R ≈ ‰ Œ

p >œ ‰ R ≈

∑

˙

p

∑

Ó

l.v.

>œ ≈ R ‰ Œ F

∑

^

log drum

∑

(p)

legato

Ó

œ ‰ Œ J π

Œ

∑

*circle-brush on the log drum's suface with a 30 cm plastic ruler according to the given rhythm

^

^

(f)

œR ‰. Ó p

^

‰

mœ

∑

15

Vla.

∑

∑

† Œ

Vln. II

∑

∑

15

Vln. I

∑

?

15

Mezzo 2

∑

∑

œ & J ‰ Œ π

Mezzo 1

∑

∑

Tpt.

Pno.

∑

∑

&

Perc. 2

∑

∑

Hn.

Perc. 1

∑

œ œœ ‰ Œ J π

&

15

B. Tbn.

˙ ˙˙ P

^

Lœ J π

Ó

(p)

œœ‰ R ≈ Œ ‰ R ≈ Ó

Ó. ∑

∑

∑

∑

Ó

∑

∑

∑

Ó.

∑

∑

Œ œ- ‰ ‰ J

π ‰ œ- Ó J

∑

∑

Ó

∑

∑

∑

Ó

∑

∑

π œ- ‰ Œ J

∑

globe

Œ

∑

globe

∑ ∑ ·œ .. æ p

∑

Ó

· ‰ œJ æ π

∑ Œ

∑ ˙· p

Ó ∑

·œ .. æ F N. b · ·. ‰ ≈ ≈ b æœJ æœ . 3 π N.

∑ ∑

·œ .. æ

·œ .. æ F

·˙ .. æ π ·˙ .. æ π

loco

∑

˙˙

œœ J ‰ Œ

j ‰ b œ· π

s.p. estremo

∑

‰ m œJ ∏

pizz.

œœ .. ‰ @ B.S.

Vib. freely

˙

œ mœ. J @

œ- Œ J

∑

œ œ‰ Œ

∑

orb

cris-py

Œ

Ó.

∏

orb

√œ. R ‰. p

Œ

∑

∑

∑

∑

∑

w·

w· ∑

‰ mœ. π

Vibraphone

∑

Vib. freely

∑

∑

Ó

∑

Œ π

w

∑

5

Scene 2

& Ó

‰

21

Fl.

Ob.

Cl.

Bsn.

&

∑

œ

Œ

& œ ? 21

Hn.

&

Tpt.

& ‰ m œJ p

B. Tbn.

Perc. 1

Perc. 2

& w ?

Vln. II

∑

∑ ˙

& @œ p

Œ

‰

Œ

‰

π

Normal

drop

œ.

Vib. freely

π

œ Œ J

b b ·œ ·œ ·œ .. ‰ ≈ ≈ & æR æJ æ 3 π

Vla.

s.p. estremo

Vc.

Cb.

& œ· b œ·æ π &

æ œ· .. P

∑

æ œ· ..

j ·œæ .. ≈ Œ π

‰

w

F

3

∑

∑

∑

˙

Ó

π

∑

œœ ‰ @J P π

B.S.

(f) ‰

œœ .. @

Ó ∑

cresc.

F

‰ Œ

œ

w

Vib. freely

∏

f

Œ

Œ

(F) ‰ — –Ó (hu)

œ. R ≈ Ó p

Œ.

j m· ‰m œ· .. m œ Œ P p

Œ Œ Ó

ΠN.

æ œ· .. π

b· · · ≈≈b æœ æœ æœ 3 π N.

æ œ· .. F

‰

N.

b œ· .. P

·œ æ F

·œ æ

j ·œæ .. ≈ Œ π ·œ .. J ≈ Œ p

f

œ.

˙

∏

∑ ∑

Œ‰

˙ ‰ f π

(F) —–Ó

Ó

Œ‰

·œ .. æJ ≈ Œ π

Ó

j . · mœ . F

Ó

s.p.

Œ

N.

Ó. ·œ

s.p.

p

j ‰ b œ·æ π

N.

‰ œ· .. F

m ·œ .. J p

œ.

p

>œ ‰ R ≈

œ ‰J f π

˘œ ‰ R ≈ ƒ

Œ

∑ ·œ .. æ f

b· · · ‰ ≈ ≈ b œR æœ æ˙ æ 3 π

Ó

lœ p

∑

(hu)

>œ ≈ R Ó

œ æp m m œœ

∑

vacuum

œ. ‰ R ≈ Œ ‰

Œ

œ ˙ Œ ‰J π

f ‰

flt.

∑

œ

π Œœ œ ‰ Ó

s.p.

N.

Ó.

œ. ‰ π

Ó

Ó.

Ó.

∑

œ.

∑

‰ ∑

al

nœ æ p

∑

Ó

>œ R ≈ Ó

∑

Normal

Œ

(f) >– ≈ Œ R

Ó

Ó.

œ‰ R ≈ Œ ‰

w p

∑

∑

œ

Œ

∑

∑

Vib. freely œœœ œœ œ. J @ F ∏

Ó

∑

∑

œœ .. œœœ J ≈ ‰ . @R P π

Œ

∑

F

∑

Ó

∑

∑

Œ

Œ

∑

∑

œR ‰. Ó P

mœ J Ó p

∑

∑

Œ.

Œ

Œ‰

∑

œ π

∑

‰

œ.

∑

∑

·œ ·œ .. æ æ π

ord. œ-

∑

∑ ·œ æ P

œ J π

Ó.

(hu)

s.p. estremo

œ

∑

(hu)

∑

Œ

∑

∑

(p) ‰ — —. J

˘œ R ≈ ‰ Œ f

&

Ó

˙. P

Ó

cys-tal

& Ó

Œ

∑

˙.

Œ

œ. œ. ≈ J æ p f flt.

˙.

jœ. π

œœ œœ ˙˙ J‰ ‰ 3 P π

œœ‰ Œ

(√)

Lœ.

∑

drop

Ó

œ J‰ P

∑

Vib. freely

œ ‰ J

ã

P

P

˙˙

21

Vln. I

∑

∑

21

Mezzo 2

‰

∑

œœ & @ p

ã

Ó

>œ ‰ R ≈ Ó f

21

Mezzo 1

Ó

∑

t

21

∑

l.v.

† Œ

Acc.

π

∑

21

Pno.

w

˙.

? 21

œ.

æ æ œ· ˙· f

s.p.

≈

·œ b b ·œ æ π

j ·œæ .. ≈ Œ π

N.

Œ Œ m m ˙· p

·œ

6

Scene 2 A

˙ æ &

27

Fl.

Ob.

Cl.

Bsn.

F

& ˙ æ

F

˙˙ .. & ˙. ? &

Tpt.

& ˙.

Perc. 1

Perc. 2

œ.

? † Ó t w

27

w

Acc.

&

Œ

‰ Ó

f

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

p

œ ‰ Œ J ∏ ∑

∑

∑

˙ p

j œ l.v.‰ Œ ∏

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

l.v.

∑

∑

∑

>œ ‰ R ≈ Œ f ∑

27

&

œœ ‰ œ J f

∑

27

Pno.

Ó

f

? &

– ¿ f

∑

Hn.

27

Œ

∑

27

B. Tbn.

¿ J ‰ Œ

jet whistle

^

(p)

^

˙

∏ ∑

∑

log drum *

˙

ã

^

Ó ^

tam tam (arco)

˙ ∏ ^ (p)

legato

(P)

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

œ R ≈ ‰ Œ ƒ ƒ

Ó

Ó

Ó

?

27

Mezzo 1

ã

∑

∑

∑

∑

∑

∑

∑

∑

Mezzo 2

ã

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

·˙ ∏

& Ó.

27

Vln. I

Vln. II

Vla.

(√)

& Ó &

Vc.

&

Cb.

&

¥w

arco

s.p.

b ·œ

w

w

w

s.p.

j ‰ m œ· .. p f N.

∑ ¥w

œ ‰ J ∏

ƒ

ƒ

∑

∑

∑

∑

∑

∑

∑

∑

∑ ∑ ·w ∏

·w

s.p.

∑

Ó ·w

∑

s.p.

∑

·w π

Ó. ·w

∑ ∑

∏

√s.p. Kœ

∏

∑ ∑

7

Scene 2

˙˙

π

p

&

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

‰ Ó

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

Bsn.

35

Hn.

Tpt.

B. Tbn.

35

Perc. 1

Perc. 2

ã ? Ó

6.

(p)

6

6

6 (f)

Œ

∑

∑

∑

&

mœ ˙ J Œ. ∏

Vibraphone arco

tam tam arco

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

ã

Ó

˙ ∏

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π œ Œ

∑

∑

∑

∑

Œ

35

B.S.

35

∑

ã ã

35

Vla.

6.

∑

π

?

35

Vln. II

6.

∑

∑

∑

∑

&

Vln. I

∑

∑

Ó

∑

Acc.

Mezzo 2

6

∏

˙ p

∑

∑

& Ó

Mezzo 1

∑

∑ 6 J

+ œ.

+ o ≈ j mœ . ˙ ∏ π

j˙. π

˙

∑

Ó π

†

35

Pno.

∑

Œ

harmon mute

Œ

L˙.

Œ

L ˙˙ ..

Fl.

35

&

(√) w &

∑ ∑

√œ ‰ æJ π

œ æ

Œ

Ó ∑

&

∑

Normal singing

(o)

&

∑

∑ w

&

Cb.

&

∑

-

(o)

∑ ∑

·w ∏

∑ ∑

·w π

r‰ Œ Ó – π.

-

π k ‰ œ.

Ó

∑

∏

·w

Vc.

(wa)

w

π

∑

∑

-

-

-

p œ . k œ. Œ

(o)

∑

& ·w

Ó

Normal singing

p ˙

π ˙

Œ

-

Ó

-

∑

-

-

∑

-

∑

(wa)

√N. kw

œ k˙ æ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ∑

·˙ ∏

Ó

·w ∏

·w π

s.p.

∑

∏

·w ∏ ∑

p

∑ ∑

∑

œ

∏

8

Scene 2

Fl.

&

∑

Ob.

&

Cl.

Bsn.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

43

Hn.

Tpt.

B. Tbn.

&

+ o & ≈ m œj. ˙ . ∏ π ? ∑ œ

43

Perc. 1

Perc. 2

&

ã w π

Œ π

+ j ‰ Œ œ ∏

Ó

l.v.

∏

l.v.

Œ

∑

Mezzo 2

43

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

Vln. I

Vln. II

Vla.

&

& Ó &

Œ ∑

√N. Kœ w ‰ J ∏

-

√ œ œ . . ‰ mæœJ æœ ∏ p

‰

∑

∑

(√) w

∑

∑

∑

∑

∑

∑

∑

∑

&

Πp

˙.

∑

∑

∑

43

-

‰ œ. π

Ó

∑

∑

-

œ J ‰ Œ p

∑

∑

-

π

∑

43

&

Ó

con sord.

Œ

∑

∑

∑

∑ ∑

Acc.

Mezzo 1

˙. p m˙. Œ π

∑

∑

43

j˙. π

˙.

∑

?

&

L˙.

∑

∑

&

Œ

Œ

†

43

Pno.

B

∑

43

Ó.

∑ -

-

-

-

‰ -

π

∑

3

mAllœ œ œ

Ó

‰

mœ œ œ œ I

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

w

w

π ∑

∏

∑

Vc.

&

∑

∑

∑

Cb.

&

∑

∑

∑

·w ∏

s.p.

N.

∑ ∑

·˙ æ π

·˙

N.

∑ ∑

·˙ ∏

Ó

·w æ ∏ s.p.

∑

Œ

9

Scene 2

Fl.

&

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

?

∑

49

Cl.

Bsn.

Tpt.

B. Tbn.

jw π

p

Ó

Œ

∑

49

Hn.

Lw

&

∑

+ o + m œ œ œ ˙ & ‰ J π p π ?

œ

Œ

∑

π .œ ‰ R ≈ π

Ó

∑

∑

∑

∑

œ. œ. ≈ ‰ Œ Ó π

∑

∑

∑

∑

∑

∑

∑

∑

œ. ‰ ∏

w

∑

Ó ∑

&

Perc. 2

ã

∑

∑

∑

∑

†

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Pno.

49

∑

49

∑

&

Œ

Acc.

&

√œ ‰ mæœJ ∏

∑

Mezzo 1

&

∑

∑

Mezzo 2

&

∑

∑

49

√ N. kœ

& Ó.

49

Vln. I

&

∑

Vla.

&

∑

Vc.

· & w π

Cb.

&

Vln. II

∑

‰

‰

œ ∑

Ó

maskœ œ œ œ

Œ

Œ Œ

m isœ œ

k˙ æ

·˙ ∏

s.p.

∑ ∑

œ

N.

π

‰

3

˙. œ œ œ time, more

∏

w Ó

s.p.

·˙

≈ ‰ Ó

p

∑

∑ N.

∑

π

∑

w

·w ∏

N.

œœ .. æ π

Ó

Ó

Perc. 1

49

∑

π

≈ ‰ Œ

∑

49

∑

Vibraphone arco

œ. œ.

·˙ æ p

¥w π

√N. Kœ Œ ‰ J π

∑

l.v.

∑

P

π

Œ

∑

Œ

π

œ. œ. in my

∑

∑

∑

∑

w

w

p

∑

∑

∑

∑

∑

∑

∑

∑

N.

+ ‰ œ. π

‰ Ó

10

Scene 2

m˙ æ π

w

flt.

& Ó

55

Fl.

∑

∑

&

∑

∑

?

∑

Ob.

&

Cl.

Bsn.

Hn.

&

Tpt.

&

˙

œ J

? Vibraphone (arco)

& Ó

Perc. 2

∑

?

∑ π

œ. J & ≈ ∏

& ‰

55

&

Vln. II

&

Vla.

&

no

(√) w

Cb.

&

>œ R p

Œ

≈ ≈

∑

∑

∑

π

‰

˙.

œ œ

∑

∑

Œ

w

^

∑

Ó.

^

^

r ≈ –.– π

˙.

‰

crotale arco

Ó

(p) ∑

∑

∑

∑

w

˙.

w

w

Œ

3

j bwhere œ œ

∑

P π

n œ. œ. sheltered

‰

Ó

‰

Œ

Ó

∑

Ó

Œ ‰

Œ

Ó

‰

√N. œ ‰ J ∏

w

∑

œ

Ó

œ

very

-

≈ j œ.

œ

thing.

∑ w

√ N. L˙

∏ ∑

·w ∏

N.

m œe œ œ œ œ-

∑

∑ ·w π

∑

œ œ

from

œ J ∏

s.p.

Vc.

∑

(f)

w œ. J ≈

∑

· & w æ ∏

∑

∑

(p)

Ó

˙.

∑

∑

^

∑

& 55

Vln. I

bœ

^

∑

∑

l.v.

log drum *

∑

∑

∑

Vib. freely

55

Mezzo 2

?

w

&

Mezzo 1

˙.

˙

†

55

Acc.

Œ

∑

55

Pno.

‰

∑

œ. œ. œ. œ. œ. ‰ R ≈ ‰ ‰ ≈ ‰ ≈ π

∑

∏

ã

p

Œ

∑

55

Perc. 1

Ó

∑

55

B. Tbn.

æ

w ∑ ∑

∑

∑

bœ

œ J π

11

Scene 2

Fl.

&

∑

42

∑

44

∑

42

∑

6 16

∑

44

∑

6 16

Ob.

&

∑

42

∑

44

∑

42

∑

6 16

∑

44

∑

6 16

42 Œ

breathetone (toneless)

59

Cl.

Bsn.

&

∑

?

∑

Change to Bass Cl in Bb

‰ m œj π

∑

42 Œ

42

≈ — ‰ 44 R F 44 ∑

∑

42

∑

42

∑

44

∑

42

∑

6 16

44 œj ‰ Œ F

6 œ. 16 6 16

44

∑

44 b w F

± p

&

Tpt.

&

∑

42

∑

44

∑

42

∑

6 16

∑

?

∑

42

∑

44

∑

42

∑

6 16

∑

44 Ó .

6 16

∑

4 4

∑

B. Tbn.

59

Perc. 1

Perc. 2

&

Πw

‰.

Vibraphone arco

?

2 4

∑

†

∑

2 4

∑

?

∑

2 4 Œ

∑

42

∑

Ó

42

Ó

42 ‰

59

&

Acc.

œ & R ≈ ‰ Œ

59

P p ≈ ‰ & j ‰ œ œ mœ from

59

Mezzo 1

Mezzo 2

∑

& (√) w &

59

Vln. I

Vln. II

Vla.

j ‰l.v. œ 2 œ . l.v. 4

∑

59

Pno.

π r bœ ˙

(√s.p. ) L˙ & æ & Ó

˙ æ π

p

·˙ ∏ N.

Vc.

&

∑

Cb.

&

∑

π

m mœ œ

∏ bœ

˙ œ ˙. ‰ 44 ‰ J ∏ 4 4

∑

4 4

p j œ ‰ Œ

2 œ 4 J p

‰

Œ

44

6 16 6 16 6 16

Hn.

senza sord.

f

∑

∑

59

∑

breathetone (toneless)

6 16

∑

6 16

œ æ P

6 16

2 4

∑

6 16

∑

4 4

∑

6 16

∑

2 4

∑

6 16

∑

4 4

∑

6 16

r ≈ ‰ 44 – π.

∑

2 4

∑

6 16

∑

4 4

∑

6 16

44

∑

42

∑

6 16

∑

44

∑

6 16

∑

44

∑

42

∑

6 16

∑

44

∑

6 16

≈ Œ

44 Œ

44

∑ ∑

‰

P

Œ

m œe œ œ œ -

‰ j 42 œ very

6 j 16 œ.

mone œ.

-

F

‰.

42

∑

44

∑

42

∑

6 16

∑

44

42

∑

44

∑

42

∑

6 16

∑

44 Ó .

2 4

∑

4 4

∑

2 4

∑

6 16 ‰

42 ·˙

44 ·˙ æ

42

∑

44 ·w ∏

42

∑

44

N.

¥˙ π

p

∑

42 ˙˙

P

6 ‰. 16

6 ·œ .. 16 æ P f

42 ·˙ 42

loco

∑

6 16

·œ .. æR æJ f N.

4 4

b b ·œ .. æJ f

44

∑

44

.. æ æ

44 æ

ã

6 16 6 16

·œ 6 ‰ . æ 16 R ƒ N.

loco

j ·œæ Ó π

6 16

j b œ·æ ‰ Œ π

6 16 6 16

æ ·æ Œ œ π ∑

B

6 16

12

Scene 2

Fl.

6 & 16

∑

43

∑

Ob.

6 & 16

∑

43

∑

Cl.

6 & 16

∑

43 Ó

Bsn.

? 16 6

∑

43

65

6 œ & 16 J π

65

Hn.

Tpt.

B. Tbn.

6 & 16

j ≈ œ . f

Perc. 1

6 & 16

∑

Perc. 2

? 16 6

44

44

∑

3 16

∑

43

∑

44

3 16

∑

43

∑

44

3 16

∑

f

Ó

44

∑

44

∑

3 16

∑

44

∑

3 16

Œ

Œ

Œ

. 34 œ p

œ.

‰ ≈

>œ œ.

43

∑

∑

43

∑

3 16

∑

43 Œ

‰

>œ ≈ R ‰

‰

44 44 44

Straight mute

44

mœ. æ π

3 16

∑

43

∑

∑

43

∑

44

∑

3 16

∑

43

∑

44

6 † 16

∑

3 4

∑

4 4

∑

3 16

∑

3 4

∑

4 4

? 6 16

∑

3 4

∑

4 Ó 4

3 16

∑

3 4

∑

4 4

6 & 16

∑

43

∑

44

∑

3 16

∑

43

∑

44

6 & 16

∑

43

∑

44

∑

3 16

∑

43

∑

44

6 ã 16 ‰ .

p ≈ œ œ

3 4 Œ

65

whispering

pres - sure

6 & 16

∑

Vln. I

6 . & 16 æJ

. æJ

43

Vln. II

6 ‰ & 16

·œ .. æR æJ ƒ

43

65

Vla.

6 ‰. & 16

Vc.

6 ·. & 16 œ . æ ƒ

Cb.

∑

∑

65

Mezzo 2

43

44

65

Mezzo 1

F

∑

44 œ ‰ æJ

mœ. æ f

‰

3 16

∑

65

Acc.

j œ ‰ π

∑

43 Œ

∑

43

65

Pno.

∑

43

44

‰ m œæj 44 ˙æ F

43 ˙

∑

? 16 6 œ. æ

C

B 6 16

b b ·œ .. æJ ƒ

∑

4 ‰ œ 4

œ œ ‰ Œ chang-es!

43

Œ

F

44 ‰ m œ œ ‰ œ œ It's

44 ¥˙ ..

·œ ·˙ æ æ ∏ æ

. 43 . æ 3 4 æ œ 3 ‰ J 4 f

3 16 œ œ œ

Ó

pres - sure chang-es!

∑

æ œ· ∏

P œ œ œ ‰

r ≈ ‰ –.– f

œ· œ·

44 · . ˙.

j b œ·æ œ· ∏

44 · . ˙. 4 4 ·. ˙.

æ œ· ∏ ?

4 ˙. 4 π

for - cing fires!

Œ œ œœœ

‰

all

π π π π

3 m œr ≈ ≈ j 16 œ.

just

Œ Œ Œ Œ œ J f

‰

a

3 4 ‰

œ œ J J

for - cing

43 œ m œ œ œ ‰ ‰ po

-

int

44

F

œ

‰

fires!

j ‰ œ œ œ œ. 3

of

view.

&

4 4 44

3 ¥œ .. 16 J π

. 43 ¥˙ .

44

3 ·j. 16 œ. π

43 ˙· ..

44

3 b ·j. 16 œ. π

43 ˙· ..

44

3 16 ·j. œ. π

3 4 ·. ˙.

4 4

3 16 œJ . p

3 4 ˙.

4 4

13

Scene 2

& 44 Ó .

‰

70

Fl.

Ob.

& 44

∑

Cl.

& 44

∑

Bsn.

? 44

∑

Hn.

& 44

∑

Tpt.

& 44 œ . p

70

B. Tbn.

F

? 44 œ ‰ æJ P

‰

Œ

Perc. 1

4 &4

Perc. 2

?4 4

∑

4 †4

∑

?4 4

∑

& 44

∑

& 44

∑

70

70

Acc.

70

Normal singing

& 44 Œ

70

Mezzo 1

Mezzo 2

Vln. II

Vla.

4 &4 Œ & 44 w· P

Vc.

& 44 · ˙

Cb.

? 44 w

F

Ó

∑

Œ ∑

. ‰ œ p

œ.

‰ Kœ ˙. J π

∑

∑

Ó

∑

∑ œ ‰ J π

Ó. bass drum

Ó

ã

∑

∑

œ- .

‰ ‰

œ mœ œ œ

Œ

is

m(m) ˙

‰ m œ ‰ m œJ œ œ

per

F

-

son

œ mœ. -

‰

Œ

Œ

Kœ æ

˙. æ F

mpres œ œ œ- œ

Kœ

π

∑ w·

∑

P

∑

∑ w· P

Œ

Œ

nal.

∑

Ó

Ó

F œ ≈ œ

˙.

Vib. freely

P

˙

3

˙.

w· π

œ. ≈ J

π

so

∑

Œ

Í

∑

P

∑

w

∑

Ó

very - thing

˙

P

j m œæ π

Ó

r ≈ ‰ Œ – f.

w

æ ˙· P

‰

l.v.

∑

Ó

œ· ∏

∑

∑

Ó

π

‰

∑

∑

-

Ó.

œ.

∑

E

∑

r œ. ≈ ‰ Œ P

Ó

‰ K œJ

Ó

. . > ≈ œ œ ‰ ≈ œR Ó

‰

w

∑

F ‰ K œJ

Œ

∑ ∑

crotale arco

œ ‰ J P

∑

(a)

√ K˙.

∑

∑

˙

‰

∑

Ó

& 44 Ó . . & 44 ·œ .

Ó

∑

F m˙.

70

Vln. I

˙

∑

70

Pno.

œ J p

∑

∏

14

Scene 2

D Fl.

&

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

Cl.

Bsn.

∑

&

. . ≈ œ œ Œ P

? ‰ 74

Hn.

&

Tpt.

& ˙æ

B. Tbn.

?

w

74

Perc. 1

Perc. 2

&

Ó

ã

π

‰

†

∑

?

∑

w œ. & ≈ J

Œ

Œ

P

j œ l.v. Œ p F

tam tam

& ≈ ≈

œ J

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ‰ ˙.

‰

Ó ∑

w

˙.

—Œ R f

. ‰ œR ≈

∑

˙.

w œ œ

74

‰

j Ͼ F

(arco)

74

Acc.

Ó

l.v.

74

Pno.

>œ R ≈ Œ

∑

∑

‰.

∑ ‰

breathetone (toneless)

Œ

Ó

Œ

˙.

Vibraphone arco

Ó

cortale arco

π

˙

∑ ∑

r ≈ Œ –– f

Ó

∑ Œ

F œ R ≈ ‰

˙

Ó

∑ Œ

Ó

3

74

Mezzo 1

&

-

Mezzo 2

Vln. II

& &

√ kœ

π (√) w

Vla.

& Ó

Vc.

& Œ

Cb.

œ

sure

≈

≈ œ Ó œ mœ chang - es,

?

‰ ‰ Œ ≈ œ œ œ œ bœ œ œ threa - tens my dome

F ≈ k œ ≈ J œ

& Ó 74

Vln. I

œ

Oh,

˙ æ

P

please,

œ

π

j ‰ œ

j ·œ π ∑

Ó

·˙

˙·

˙· ..

mœ œ œ œ u

-

‰

œœ ni -

‰

j œ verse.

œ ‰

> Œ œ œ œ œ

∑

√ œ

Ó.

π

¥w π æ œ· P

-

‰

p

w· ∑

n mœ ≈ r ‰ œœ œ -

king

kœ æ F

˙.

œ

∑ w· π

p

sha

˙.

w

·˙ æ P

p j‰ Œ Kœ

f

sto

∑

·˙ ∏

‰

∑

w

∏

‰

Œ

œ- œ. of a

‰

F

∑

œ æ

F

15

Scene 2

Fl.

&

∑

6 16

Ob.

&

∑

6 16

Cl.

& Ó.

78

Bsn.

‰

?

∑

6 16

j œ π

œ. J

‰. ∑

ƒ

∑

‰

43

43 Œ

‰

Œ

Œ

‰

&

∑

6 16

∑

43

∑

Tpt.

&

∑

6 16

∑

43

∑

?

∑

6 16

∑

3 4 Œ

B. Tbn.

78

Perc. 1

Perc. 2

&

ww

6 16 ∑

6 16

†

∑

6 16

?

∑

78

78

ã 78

Pno.

&

Mezzo 2

&

Vln. I

Vln. II

43 Œ

6 16

∑

43

∑

6 16

∑

43

∑

6 16

Œ

43

‰

6 16

∑

3 4 Œ

6 16

6 16

∑

43

œ. F

∑

43 Ó

r 6 œ 16 F>

∑

43

∑

6 16

6 16

∑

43

∑

6 16

> œ J F

bass drum

‰.

‰

‰

mœ.

6 16 ƒ

f

f

∑

6 16 6 16

6 16

∑

43

∑

6 16

∑

6 16

∑

43

∑

6 16

∑

43

∑

6 16

∑

6 16

∑

43

∑

6 16

∑

43

∑

6 16

3 4

∑

6 16

∑

3 4

∑

6 16

6 16

∑

43

∑

6 16

6 . 16 æJ

. æJ

3 4

6 16 ‰

·œ .. æR æJ ƒ

u

6 16

Kœ

-

mœ œ œ œ ni

P

œ.

P

‰ -

˙.

6 16

Vc.

&

∑ ∑

Œ

Œ

∑

3 4 Œ

Œ

‰

·œ .. æR æJ f

3 . 4 æ.

verse!

6 16

&

f 34 œ

6 16 œ.

(√) kw

Vla.

?

∑

j m Ͼ F

6 16

∑

Cb.

6 16

>œ J f

‰

∑

my

p

43 Ó

43

& Œ

œ

f

‰.

∑

∑

>œ ‰ J œ

p (√) œ æ &

l.v.

6 16

6 16

∑

6 16

œ

&

j œ. p

43

6 16

Œ

∑

˙

78

F

tam tam (arco)

l.v.

∑

‰

43

78

Mezzo 1

‰.

l.v.

6 16

ƒ

œ.

∑

Acc.

&

j œœ . .

43

Œ

Œ

Hn.

78

6 ‰. 16

mœ. J

∑

43 œj F

œ.

6 16

43

œ.

B

‰

loco

6 16

‰.

6 16

·œ .. æ f

6 16

‰.

b b ·œ .. æJ f

3 4

æ

43 æ

œ . ‰ R 43 f sempre

æj œ· π

Œ j b œ·æ π æ

·œ ≈ æ R ƒ

loco

‰

6 16 ‰ .

æ œ· π

6 ·œ .. 16 æ f ?

6 œ 16 J

b b ·œ .. æJ ƒ

œ ≈ ≈ J

æ

3 4 æ 3 . 4 . æ 43 æ 43

·œ æ p

·œ .. æ œ· p

œ·

j œ·

j b œ·æ p

j ·œ æj œ· p

· ≈ m œR ƒ

6 16

‰

6 16

‰

6 16

· 6 ≈ ≈ œR 16 3 ƒ

œ

œ

6 16

16

Fl.

6 & 16

∑

Ob.

6 & 16

∑

83

Cl.

Bsn.

Hn.

Tpt.

B. Tbn.

Scene 2

E q = 60

4 4

∑

∑

∑

∑

∑

4 4

∑

∑

∑

∑

∑

4 œj ‰ Œ 4 ƒ

6 & 16 œæ. ? 6 œ. ‰. 16 J F 83 6 ∑ & 16

Change to Cl in Bb

Œ.

lœ

Ó

∑

∑

∑

4 4

∑

∑

∑

∑

4 4

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

6 & 16

∑

4 4

? 16 6 œ. J P

‰.

44 Œ

≈ b œ .. f

œ

lœ ˙. J P π ∑

Perc. 1

6 & 16

∑

44

Perc. 2

6 ã 16

∑

44

∑

∑

∑

∑

∑

6 † 16

∑

44

∑

∑

∑

∑

∑

? 16 6

∑

44

∑

∑

∑

∑

∑

6 & 16

∑

Ó 44 Ó

‰.

83

83

Pno.

83

Acc.

6 & 16

∑

83

6 & 16

Mezzo 2

t

6 & 16 6 .. & 16 J

Vln. II

Vla.

Vc.

Cb.

6 . & 16 J.

.. J

·. 6 œJ . & 16 ƒ

6 ‰ ·œ & 16 ? 16 6 . J

ƒ

.. œ >

Œ

∑

∑

Œ Œ

Ó

‰

‰ 3 j j j ‰ . œ m œ œœ b œœ œŒ R ƒ ‰. r œ m œœ . b œœ ‰

∑

Œ

Ó

∑

‰ Ó

‰.

j œ p

˙.

w

r œ ˙.

w

∑ π œ R ≈ ‰

Œ

f

∑ Ó

∑

a

·œ æ

4 ¥ 4 w π

˙¥ ..

Œ

·œ æ F

4 b ·. ·. 4 œ. ˙. π

w·

˙·

b b œ· ˙· .. π

w·

w·

44 w

Ó

π mœ ‰. R

∑ ¥˙ ..

44

Ó

Ó.

·œ 44 ¥w

∏

.. J

Œ r œ œ m œ œœ ‰ Œ .. Œ R J > ƒ ‰ ‰ Œ j j Œ Œ . œ œ m œJ œœ > The delay effect

a

44

∑

83

Vln. I

44 Ó Ó

4 4

∑

83

Mezzo 1

t

˙.

‰ œ. P

m œœ ..

ƒ

‰

Œ.

¥˙ ..

π

¥w

∑

∑

∑ Ó

œ.

b œ·æ

˙· ..

b w· œ·

≥ j œ ˙ P

w¥

Œ

Ó ≤ j Œ œ ƒ

∑ kœ p

w

17

Scene 2

Fl.

&

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

89

Cl.

Bsn.

œ

Œ

& œ π ? 89

Hn.

&

+ j & ‰ œæ ˙æ. π

Ó

∑

∑

∑

∑

∑

o j œ f

harmon mute

Tpt.

B. Tbn.

?

w

∑

mw π

∑

∑

P

π

∑

∑

∑

∑

Ó

˙ π

w p

+ b˙ π

π

˙ p

˙

∑

∑

∑

∑

∑

∑

Perc. 1

&

∑

∑

∑

Perc. 2

ã

∑

∑

∑

∑

∑

∑

†

∑

∑

∑

∑

∑

∑

?

∑

89

89

Pno.

t Œ ‰ ≈ œ R ƒ 89 t Œ ‰ œJ 89

Acc.

‰ ≈ ‰Œ r j ˙ bœ œ Œ ‰ j œb œ

Œ

π Kœ ‰ J

& Ó.

89

Mezzo 1

Mezzo 2

∑

∑

∑

∑

∑

‰ ≈ œr ˙ ‰ ≈ m œR Œ > ƒ ‰ j Œ œ œ‰ m œJ >

∑

œœ ‰Œ J

F Œ

˙

∑

Ó

Vln. I

Ó

& w¥

Vla.

& œ·æ F

Vc.

&

∑

?

≤ Œ ‰ j kœ f ƒ

˙

t

Œ

˙˙ . .

Œ

ƒ

ww

∑

Ó

‰ bœ.

œ J ƒ

w·

w·

∑ nw

æ œ¥ F

sub

p

b b w¥ π ˙. P

p

‰Œ

n˙

∑

3

Œ

fall

∑

nœ Œ ‰ ≈ m œR œ ‰ Œ

∑

a

∑ æ œ·

˙¥ .. b ˙· .. π

Ó

p ‰ ˙- b œ- .

p Kœ m Œ ‰ œ œŒ

I

Vln. II

Cb.

‰ j œ ‰ ‰ b œ≈ œ R J F ‰ j œœ œ≈ œ . J

∑

π nœ ‰ ≈ œ œR ≈ ‰ Ó

∑

∑

&

3

Ó

∑

π

Ó

Ó

I

a

89

p Kœ ‰œ œ Œ

Would

p œ & R ≈‰ Œ

∑

?

˙· .. π

∑

∑

w¥

∑

∑

w· r ≈ ‰ Ó œ p

Œ

˙· .. ∑

∑

∑ ˙· ..

w· ‰ œj œ - œƒ

˙˙ ..

Œ

P

w p

æ b b œ·

18

Scene 2

Fl.

&

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

&

∑

∑

?

∑

∑

∑

?

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

95

Cl.

Bsn.

95

Hn.

Tpt.

B. Tbn.

?

˙. ˙.

œ œ π

Ó.

∑

F

P

Œ

∑ ‰ œ. π

∑

˙ P

π

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Perc. 1

&

∑

∑

∑

∑

∑

∑

Perc. 2

ã

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

95

95

Pno.

† t t

95

Acc.

t

ww w

˙.

w

˙.

j œ ‰ F Œ

95

Mezzo 1

f . . K œR ≈ ‰ mœ œ

p3 & Œ ‰ mœ Kœ œ Ó .

Ó

π & Œ ‰ ≈ m œr œr ≈ ‰ Œ

π P Œ ‰ ≈ r j ‰ Œ mœ œ

& ·˙ æ π F

¥w

95

in - to

Mezzo 2

dark-ness

m

95

Vln. I

Vln. II

&

∑

Vla.

&

∑

Vc.

Cb.

·˙ π

w

Ó. p

‰ œ . œ ≈ œ œj ‰ . no

way

ã

Speaking

back

∑

∑

π œ œ Œ ‰ œ Œ J

dark-ness!

with

∑

Ó.

‰ j œ ƒ ‰. r œ >

Ó.

∑

∑

∑

‰œ œ ‰ œ ‰Œ J no way

∑

back?

∑

m

¥w

w· Ó.

¥w ∑

∑

F

Œ

‰ j ∑ œ ƒ ‰ . r r ≈ ‰ Œ Ó œ œ

∑

& ·æ · . œ b ˙. F π ?

with

Ó.

Ó

P r ‰ ≈ b œ. œ

≤ ‰. r œ ƒ

∑

b w· π

˙· ..

w·

w·

r ≈ ‰ Œ Ó œ

b œ·æ

∑

·˙ æ π

·˙ F π

¥w

æ œ· F

b ˙· .. π

w·

∑

∑

∑

∑

∑

∑

19

Scene 2

Fl.

&

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

101

Bsn.

101

Hn.

Tpt.

B. Tbn.

& ‰ ?

+ j l œ œ .. π

Perc. 2

& ã

Ó

Œ ∑

101

Pno.

† t Ó

Œ

t

∑

101

Acc.

t

101

101

Mezzo 1

Mezzo 2

∑

ã

r ≈ ‰ Œ œ

Vln. II

Vla.

Vc.

Cb.

‰ œr ≈ . p p ‰ r ≈ b œœ >

with no way back?

& Ó

Œ

& ¥˙

Ó

& b ·æ b˙ π

? ≈ ≤j œ. ƒ

f œ J ‰

F Œ

˙· π Ó

∑

Ó

∑

∑

∑

∑

∑

∑

be - ing

K˙.

Œ

Tape part in

ΠΠf

&

∑

œ J ƒ p K˙.

Ó

Time

w¥

˙¥ ..

w·

w·

w· ∏

w·

w·

w·

π

Ó

Ó.

P œ J ‰ p œ

sil-ly!

w¥

≤ ≈ j ≈ Œ œ ƒ

n˙

Ó.

∑

˙

∑

‰ Œ

‰ bœ. p

a

w

∏

∑

Ó

w

Œ

j‰ œœ œ P f

∑

‰ b œj ˙ ˙. . œ ‰‰ ≈ œ R J F ‰ j œœ œ≈ œ . ww J Normal singing

‰ ∑

∑

‰ ≈ œr ˙ Œ ‰ ≈ m œR > ƒ ‰ j Œ œ œ‰ m œJ >

Ó

∑

∑

lœ. œ mœ œ ≈ J R ≈ ‰ ‰ √

Πp

œ

∑

Ó

∑

& w·

∑

∑

stop!

&

∑

j b œ . ≈ Ó >

Œ

P œ œ ‰ œ œ œ œ Ó dark-ness!

∑

ƒ ‰ ≈ r j ‰ Ó œ œ

Ó

101

Vln. I

bass drum

‰ b œj > F

Ó.

∑

∑

101

Perc. 1

o r œ Œ f

‰ b œj ƒ

œ >

K˙ æ æ œ· ∑

Œ

P

Ó

æ b b ˙· π wæ p

˙· F π

20

Scene 2

m˙

&

∑

∑

Ob.

&

∑

∑

∑

Cl.

&

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

Bsn.

106

Hn.

Tpt.

B. Tbn.

& Ó ?

∑

Perc. 2

∑

Vla.

Vc.

Cb.

P

∑ ∑

∑

Œ

∑

ΠVibraphone arco

+ o mœ ‰ æJ π ‰ j b >œ F

∑ ∑

+ o ˙ æ

constantly open and close

bœ

r ≈ ‰ Œ œ ˙ Œ

œ

œ æ

F

Œ

Ó ∑

ww

∑

∑

∑

∑

∑

∑

t

∑

∑

∑

∑

∑

∑

t

˙.

w

Œ

w

˙.

&

∑

&

f ‰ Ó

&

œ.

?

Œ P Œ ‰. ‰ r j ‰ œ . b œ œœJ ‰ ƒ

w

w

w¥

˙· ..

Œ

f

Ó.

∑

Œ

∑

·w æ π

‰.

≤ r œ ƒ

Œ

Œ Ó

Œ

Œ

Ó

Ó

∑

‰ œJ F ‰ ≈

∑

r bœ ƒ

-

re

-

∑

F Œ

F

trie - a

-

ble

pizz.

Ó

∑ æ w¥

æ m ˙· .. π F

·w

sub

pp

∑ æ œ¥ f

m ˙· .. sub pp

Œ

‰

·w ∑

cortale arco

∑

Ó

∑

≈ ‰ Œ r œœ ‰ Œ J

∑

∑

3

ir

r ≈ ‰ Œ Ó œ

∑

π

p lœœœœ œ œ œœ œ œ œœœœ mœ œ œ œ ‰ ‰ ≈ ‰

p P mœ œ œ Œ Ó is

∑

wæ

Ó

∑

∑

& œ¥æ ˙· .. F π

& ·. ˙.

π Ó

∑

(√) Kw

&

m˙.

Ó

∑

†

†

∑

Œ

Œ

∑

j ‰ œ ƒ

∑

˙.

∑

106

Vln. II

ƒ

Lœ. p

∑

106

Vln. I

˙. f

˙.

∑

∑

106

Mezzo 2

∑

∑

ã

t

Mezzo 1

‰

lœ.

∑

&

106

Acc.

P

f

∑ Ó

∑

∑

106

Pno.

Ó

p

G

∑

106

Perc. 1

+o o m œ œ+ ˙ ‰ æJ æ æ π

constantly open and close

Ó

w

Fl.

106

Ó √. œ R ≈ ‰ Œ f

r ≈ ‰ Œ b œ- œ œ > ƒ

∑

ã

∑

ã

œ. œ. œ. œ. ≈ R ‰ ≈ R ‰ ≈ R ‰ ≈ R ‰ ∑ w¥ ·w ∑

& Ó.

‰

112

Fl.

œ J

21

Scene 2

˙.

p

P

∑

∑

∑

∑

Ob.

&

∑

Cl.

&

∑

∑

∑

∑

?

∑

∑

∑

∑

?

∑

∑

∑

∑

œ R Ó

∑

∑

∑

Ó ‰ Ó

∑

∑

∑

∑

∑

Bsn.

112

Hn.

Tpt.

B. Tbn.

∑

&

Perc. 1

&

Perc. 2

ã

≈ j. b >œ F

ww

∑

∑

t

∑

∑

∑

∑

∑

∑

∑

∑

Œ † Œ t

Vln. II

Vla.

Vc.

Cb.

Ó Ó

ã

whispering

ã

whispering

j bœ œ ‰ R ‰ ≈ p

· & ‰ æœJ π

·˙ .. æ

· & œ

·˙ .. æ

? Ó

Œ

r bœ ƒ

Œ Œ

≈ ‰ r œœ ‰ J F œ J

‰ Œ

‰

ps!

œ. J

≈ ‰

‰

sch!

p œ J

œ. ≈ R ‰

·˙ .. æ

Œ

≈

b œ- œ > ƒ

·œ .. æJ f

≈ Œ ≈ Œ

Œ

r ≈ ‰ Œ œ

Œ.

Ó

f ‰

Œ.

f >– ≈ Œ R

∑ ·œ π

˙æ π

œ. R ≈ Ó ∑

Ó

≈ Ó

Ó Œ

r œœ J ≈ ‰ ‰ f ‰ ≈ Œ

r bœ ƒ

Œ Œ

≈ ‰ r œœ ‰ J

∑ Œ

(hu)

œ. œ. œ. œ. ≈ R ‰ ≈ R ‰ ≈ R ‰ ≈ R ‰ ·œ .. æJ f ·œ .. æJ f

Ó

œ.

ps- ps!

>œ R ≈ ‰ f

Œ Œ

j bœ œ ‰ R ‰ ≈ p

s

F œœ‰ Œ

Ó

∑

(√)

b b ·œ ‰ ≈ ≈ & æR 3 π

r œœ J ≈ ‰ ‰ f ‰ ≈

∑

& Ó

112

Vln. I

P

∑

112

Mezzo 2

œ .. æ

∑

112

Mezzo 1

l.v.

+ o+ o mœ. ‰ æ p Ó

constantly open and close

†

112

Acc.

r ≈ ‰ Œ œ j l.v. œœ . . ≈ Œ

P

∑

112

Pno.

Ó

? Ó. 112

∑

Œ

(F) ‰—– Ó (hu)

˘œ ‰ R ≈

Ó. · ‰ œJ æ π

b· ‰ ≈ ≈ b æœR 3 π

·w

·˙

wæ

˙æ

·˙ .. æ ·˙ .. æ P

Ó Œ

≈

œ- >œ ƒ

22

Scene 2

Fl.

&

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

116

Bsn.

116

Hn.

Tpt.

B. Tbn.

?

Perc. 1

&

∑

∑

∑

∑

∑

∑

Perc. 2

ã

∑

∑

∑

∑

∑

∑

†

∑

∑

∑

∑

∑

∑

t

∑

∑

∑

∑

∑

∑

†

∑

∑

∑

∑

∑

∑

t

∑

∑

∑

∑

∑

∑

116

116

Pno.

116

Acc.

116

116

Mezzo 1

Mezzo 2

ã ã

Vln. II

Vla.

∑ Œ

∑ (√)

& Œ

116

Vln. I

∑

Ó.

·˙ .. &æ

Vc.

& Ó.

Cb.

? r ≈ ‰ Œ œ

F ‰ — –Ó

∑

(sch)

˘œ ‰ ≈ R Ó

·˙ .. &æ

∑

Œ

ƒ

∑

ƒ

∑

j ‰ b œ· w· π ˙æ π

wæ

˘œ ‰ R ≈ Ó . ƒ √. œ pizz. ≈ R ‰ ≈ ƒ

˘œ ‰ R ≈ Œ

œ. œ. œ. R ‰≈ R ‰≈ R ‰

·œ ·œ .. æ æ Œ ƒ

wæ

wæ

æ œ· b œ· π

∑

∑

p ‰ œ œ J

Ó

æ ˙· ..

(sch)

f

œ Œ

Ó

s

˘œ R ≈ ‰ Œ

b· · · . ≈ ‰ ≈≈ b æœ æœ æ˙ . 3 π w·

∑

˘œ ‰ ≈ R Ó

Ó

f Œ ‰ — –Ó

˘œ ‰ R ≈ Ó .

Ó.

œ. œ. œ. œ. ≈ R ‰ ≈ R ‰≈ R ‰ ≈ R ‰

Ó

∑ j ·œæ .. ≈Œ ƒ wæ P

Ó

˘œ ‰ R ≈

˘œ Œ ≈ R ‰

Ó

˘– Œ ‰ ≈ R Ó ç pizz. as high as possible

∑

wæ π

Scene 2

Fl.

&

∑

∑

Ob.

&

∑

∑

Cl.

&

∑

∑

?

∑

∑

?

∑

∑

&

∑

∑

∑

∑

122

Bsn.

122

Hn.

Tpt.

B. Tbn.

?

Perc. 1

&

∑

∑

Perc. 2

ã

∑

∑

†

∑

∑

t

∑

∑

†

∑

∑

122

t

∑

∑

122

Mezzo 1

ã

∑

∑

Mezzo 2

ã

∑

∑

122

122

Pno.

122

Acc.

122

Vln. I

Vln. II

(√)

& (√) & Œ

∑

˘œ ≈ R ‰ Œ

˘œ ≈ R ‰

Ó.

˘œ ≈ R ‰

˘œ ≈ R ‰

˘œ ≈ R ‰

Vla.

&

∑

∑

Vc.

&

∑

∑

Cb.

?

wæ

wæ

˘œ ‰ R ≈ ˘œ ≈ R ‰

23

Limbo

Scene 3 Li-Ying Wu

Spirito e Libero q = 100

Flute

& 48

Clarinet

& 48

Trumpet

& 48

Cl. in Bb

Œ

‰

∑

Œ

‰

Œ

‰

Piccolo Trumpet in Bb

∑

& 48 Piano

∑

con sord.

∑

≈ œ œ π

œ œ ≈ ‰

Œ

∑

∑

Œ

‰

≈ # œ # œ # œ # œ ≈ ‰ π

Œ

∑

∑

Œ

‰

≈ # œR π

œ J

‰

Œ

∑

∑

Œ

‰

∑

∑

∑

Œ

∑

∑

t 48 ≈ r ‰ Œ œ œ. p sempre

∑

∑

≈

r ‰ –.–

Œ

∑

≈

r ‰ –.–

≈ œ œ π ≈ # œ # œ π ≈ # œR π

fast

Mezzo-Soprano 1

speaking

I cannot see you!

I cannot see you!

fast speaking

Mezzo-Soprano 2

Can

˘œ 4 † 8 R ≈ ‰ F pizz.

Violin I

Œ

˘œ † 48 R ≈ ‰ F

Œ

‰

# œ. ≈ R p

∑

∑

pizz.

Violin II

Viola

Violoncello

Contrabass

& 48 4 &8 ? 48

Œ ∑ ∑ ∑

∑ B

œ ‰ J π p s.t.

œ J

s.t.

?

π p

‰

∑

Œ Œ ∑

∑ Legno battuto

∑ Legno battuto

Œ ≈

œ. ‰ R P

Legno battuto

. . ≈ œ œ ‰ p

r œ. ≈ ‰ P

Œ

Li-Ying Wu © 2010

∑ ∑

œ. R ≈ ‰ F

œ. R ≈ ‰ F

you

see

yourself

then?

Œ

∑

Œ

Œ œ. œ. ≈ p

# >œ ≈ R F

‰

Œ

‰

∑

≈ œr ‰ . P

Œ

∑

∑

∑

2 7

Fl.

Scene 3

& œ œ ≈

‰ ∑

&

Ob.

Cl.

Tpt.

B. Tbn.

7

Perc. 1

Perc. 2

7

Pno.

Œ

∑

∑

∑

∑

& # œ # œ ≈

‰

Œ

∑

& œJ

‰

Œ

∑

Œ

∑ j #œ π

Œ

‰

‰ p

∑

Œ

‰

Œ

‰

≈ # œ # œ # œ # œ ≈ π P

‰

œ J

∑

∑

≈ # œ # œ # œ # œ ≈ π P ≈ œ R π

Œ

P

∑

‰

‰

‰

Œ

breath tone toneless

≈ — R p

— ¿. ‰

Œ ∑ breath tone toneless

?

∑

∑

∑

∑

ã

∑

∑

∑

∑

∑

∑

r œ. ≈ Œ p sempre

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

&

∑

∑

t ≈

r ‰ –.–

Œ

ã

‰

bass drum

∑

∑

≈

r ‰ œ œ.

Œ

∑

Œ

— – ‰

f

7

&

∑

∑

∑

∑

∑

∑

7

&

∑

∑

∑

∑

∑

∑

Acc.

Mezzo 1

Mezzo 2

Because you and me, we

are the whole. I

am the

wisdom

œ. . . .

of

the

past

and

the

reason

of

jeté

7

Vln. I

†

∑

Œ

†

∑

Œ

col legno

‰

F

Vln. II

B ‰

arco

Vla.

? ≈

arco

Vc.

Cb.

?

‰

j r œ œ ≈ ‰ π p s.t.

® œRÔ œJ π

œ ≈ ‰ R p

s.t.

∑

≈

≈

Legno battuto

r ‰ œ. P

future.

œ. R

≈

‰

œ. R

≈

‰

pizz.

∑

œ. . . .

∑

jeté

col legno

the

F

≈ ‰

Œ œ J π

s.t.

∑

Œ

∑

‰

≈

Œ

≈

r ‰ œ > F pizz.

Œ

# œ. ≈ R p pizz.

‰

F

∑

‰

r Œ œ. F

∑

arco

Œ

∑

pizz.

‰ p

F

≈

Œ

∑ ∑

j r œ œ ≈ ‰ π F s.t.

® œRÔ œJ π

œ ≈ ‰ R F

s.t.

∑

∑ ∑ ∑

3

Scene 3

&Œ

13

Fl.

œ. b œ. œ. b œ. œ. œ. b œ. . œ

p

∑

∑

∑

Ob.

&

Cl.

&

∑

∑

Tpt.

&

∑

∑

?

∑

∑ ∑

B. Tbn.

Perc. 1

ã

∑

Perc. 2

ã

∑

13

&

∑

t

∑

13

Pno.

r œ. ≈

‰

œ J π

‰

≈ ® # œ œJ RÔ π

Œ

r ‰ –.

∑

∑

œ R ≈ ‰ p

∑

∑

∑

∑

∑

œ ≈ ‰ R p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ ≈

∑

∑ Œ

∑

∑

∑

∑

13

∑

∑

∑

∑

∑

I cannot see you!

Can you see yourself then? You and me, we are the whole. You are the indecisive whirlwind of the present.

Mezzo 2

† ‰

13

Cb.

r ≈ r Œ œ –.– œ.

∑

Mezzo 1

Vc.

≈

∑

∑

&

Vla.

∑

∑

Acc.

Vln. II

∑

13

&

Vln. I

r œ. ≈ Œ

‰

† ‰

˘œ R ≈ Œ f

Œ

˘œ R ≈ Œ f

B

∑

?

∑

?

∑

œ. R

‰

≈

Œ

‰

# œ. R p

≈

Œ

‰

œ R p

≈

pizz.

p

Œ

‰

Œ

‰

∑ Legno battuto

r ≈ œ. P

‰

Œ

œ. . . . jeté

col legno

≈

r œ. p

‰

F

col legno

≈

œ. . jeté

F

≈ # œ. R

pizz.

∑ . .

≈ ‰

Œ œœœ œ‰ π p s.t.

‰

‰ ≈

Œ pizz. œ. R

> ≈ œ ‰ R P pizz.

∑

Œ

∑

‰

≈

r Œ œ. F

∑

Œ

≈

r ‰ œ > F

Œ

∑

arco

pizz.

pizz.

Œ

4

Scene 3

18

Fl.

&

Ob.

&‰

Cl.

&

Tpt.

B. Tbn.

œ J π

Perc. 1

ã

Perc. 2

ã œr ≈ .

‰

p

‰

‰

t

∑

‰

∑

≈

∑

≈ ® # œ œJ RÔ π

r œ. ≈

∑

Œ

∑

18

∑

∑

∑

‰

∑

≈

∑

≈ ® # œ œJ RÔ π

r œ. ≈

∑

œ ≈ R p

∑

‰

‰

œ ≈ ‰ R p

Œ ∑

Œ

Œ

∑

∑

∑

∑

murmuring

Mezzo 1

œ R ≈ ‰ p

∑

∑

≈ œr ‰ œ.

∑

® # œR œJ Ô π

∑

∑

∑

œ J π

∑

∑

∑

∑

&

œ ≈ ‰ R p

Œ

18

&

œ R ≈ ‰ p

œ ≈ ‰ R p

‰

∑ r ‰ –.–

∑

∑

∑

≈

∑

® # œR œJ Ô π

∑ Œ

∑

œ J π

∑

∑

∑

&

18

Acc.

∑

œ R ≈ p

& ≈ ® # œÔR œJ œR ≈ p π ? ∑ 18

Pno.

∑

œ. b œ. œ. b œ. œ. œ. b œ. . . . . . œ bœ œ œ bœ ‰

≈ œr ‰ œ.

normal speaking

I cannot see you! (repeating 3 times, very fast)

π

F

Mezzo 2

œ. . . .

˘œ R ≈ ‰ F

jeté

18

Vln. I

Vln. II

Vla.

Vc.

Cb.

† † B

∑ ∑

‰

Legno battuto

Legno battuto

. . ≈ œ œ ‰ p ∑

‰

col legno

Œ

∑

?Π?

Œ

r œ. ≈ ‰ F

≈

r ‰ œ. P

≈

col legno

∑

œ. . . . jeté

f

≈

‰ ≈ œr . P

∑ Legno battuto

f

Œ

≈ # œ. ‰ R P pizz.

≈

r œ > F

pizz.

‰

Œ

œ. œ. ≈ Œ p

‰

Œ

œ. ≈ RÔ ® Œ p

˘œ R ≈ ‰ F

pizz.

> ≈ œ ‰ R P pizz.

Œ

Œ

Œ ∑

‰

Œ

∑

∑

‰

Œ

∑

∑

arco

arco

5

Scene 3

& Œ

‰

23

Fl.

∑

Ob.

&

Cl.

& Œ

Tpt.

B. Tbn.

‰

≈ œ œ π

œ œ ≈ ‰

Œ

Œ

‰

∑

≈ # œ # œ # œ # œ ≈ π

‰

∑

Œ

Œ

≈

&

∑

∑

?

∑

∑

‰

® œRÔ œJ π

œ R p

≈

≈ # œ # œ # œ # œ ≈ π

‰

≈ # œ # œ # œ # œ ≈ π

‰

Œ ∑

‰

Œ

∑

∑

∑

Perc. 1

ã

∑

∑

∑

∑

Perc. 2

ã

∑

∑

∑

∑

&

∑

∑

∑

∑

t

∑

∑

∑

23

23

Pno.

23

Acc.

&

23

&

≈

r ‰ –.–

Œ

∑

∑

‰

∑

∑

≈

œœœ J

œœœ R

π ® # œ œJ RÔ

≈

P œ ≈ R

Mezzo 1

I

f

Mezzo 2

‰

∑

‰

∑

CANNOT

SEE

YOU!

I am the perfect reflection of the absolute mind. And you!?

œ. . . . jeté

† Œ

‰

† ‰

œ. ≈ RÔ ® Œ p

23

Vln. I

Vln. II

B œ œ œ œ ‰ F π s.t. œ œ œ œ ? ‰ π F s.t.

Vla.

Vc.

Cb.

?

∑

# >œ ≈ R F

Œ

‰

col legno

Œ

‰

f

≈

col legno

œ. . jeté

f

∑ . .

Œ

∑

Œ

Œ

∑

‰

≈

Legno battuto

r ‰ œ. P

Œ

≈

≈

‰

Œ œ œ œ œ ‰ π p s.t.

≈ r œ > F

pizz.

‰

r Œ œ. F pizz.

Œ

≈

# œ. R P

pizz.

‰ ≈

‰

pizz.

œ. R

pizz.

≈ >œ R P

Œ

p

‰

Œ ∑ ∑

6

Scene 3

& Œ

œ. b œ. œ. b œ. œ. œ. b œ. . œ

∑

Ob.

&

∑

∑

Cl.

&

∑

∑

27

Fl.

Tpt.

B. Tbn.

& ≈ ?

p

œ œ ® RÔ J π

œ R p

≈

‰

Œ

‰

≈ # œ # œ # œ # œ ≈ ‰ π

∑ Œ

‰

Œ ∑

≈ # œ # œ # œ # œ ≈ ‰ π

Œ

∑

∑

∑

∑

∑

∑

∑

Perc. 1

ã

∑

∑

∑

∑

Perc. 2

ã

∑

∑

∑

∑

&

∑

∑

∑

∑

t

∑

∑

Œ

∑ ∑

27

27

Pno.

& ‰

27

Acc.

& ≈

27

# œœœ J

π ® # œ œJ RÔ

œœœ R

P œ R

r ‰ –.–

≈

≈

‰

∑

∑

≈

‰

∑

∑

Œ

‰

Mezzo 1

Can

Mezzo 2

you

see

yourself

then?

I

am

the

perfect

œ. . . .

reflection

of

the

absolute

mind.

jeté

† Œ

‰

† ‰

œ. ≈ RÔ ® Œ p

27

Vln. I

Vln. II

B œ œ œ œ ‰ F π s.t. œ œ œ œ ? ‰ π F s.t.

Vla.

Vc.

Cb.

?

# >œ R F

≈

col legno

Œ

‰

Œ

‰

f

col legno

≈

œ. . jeté

f

∑ . .

≈ ‰

œ œ œ œ ‰ π p s.t.

Œ

∑

Œ

Œ

∑

‰

≈

Œ

≈

r ‰ œ > F

∑

≈

Legno battuto

r ‰ œ. P

Œ

pizz.

r Œ œ. F pizz.

Œ

≈

# œ. ‰ R P pizz.

‰ ≈

Œ

œ. ≈ R P

pizz.

>œ ‰ R P pizz.

Œ ∑ ∑

π œœ ≈ ® # œ ÔR

Scene 3

œ. b œ. œ. b œ. œ. œ. b œ. . œ

& Œ

31

Fl.

Ob.

&

Cl.

& Œ

Tpt.

B. Tbn.

p

Œ

∑ ≈ # œ # œ # œ # œ ≈ ‰ π

Œ

Œ

p

∑

‰

∑

Œ

∑

‰

≈ # œ # œ # œ # œ ≈ ‰ π

Œ

&

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

Perc. 1

ã

Perc. 2

ã 31

&

r œ. ≈ ‰ p sempre

Œ

t 31

Acc.

∑

‰

31

Pno.

∑

œ. b œ. œ. b œ. œ. œ. b œ. . œ

&

# œœ J

œœ & œJ

31

œœ R ≈ ‰ P œœ œ ≈ ‰ R

r œ. ≈ ‰ Œ

∑

≈

‰

œ

® # œR œ Ô π

‰

P

∑

r œ. ≈

‰

44 44

P

4 4

44 44 4 4

∑

∑

P

‰ P

π

≈ ® # œ œ RÔ π

œ. b œ. œ. b œ.

7

Œ

4 4

∑

∑

∑

∑

∑

44

∑

∑

∑

∑

∑

44

œœ R ≈ Œ ∑ F π œœ œœ œœ ‰ ≈ ® # œ œJ œ ≈ Œ RÔ R

‰ ‰

Œ

# œœ J

∑ Œ

# œœ J

π œœ œœ ‰ ≈ ® # œ œJ ÔR

œœ J

f œœ œ J

Œ

4 4

Œ

4 4

Mezzo 1

You

Mezzo 2

31

Vln. I

Vln. II

Vla.

Vc.

Cb.

†

are

its

∑

distortion

and

feelings!

≈ # œ. ‰ R P pizz.

Œ

œ. ≈ R P

∑

pizz.

≈ # œ. ‰ R P

Œ

œ. ≈ R P

> ≈ œ ‰ R P

4 4

∑

44

B

∑

?

> ≈ œ ‰ R P

∑

∑

∑

∑

∑

44

?

∑

∑

∑

∑

∑

4 4

Œ

∑

∑

‰

pizz.

‰

44

∑

†

∑

∑

Œ

8

œ. b œ. œ. œ. b œ. œ. 4 ≈ Œ &4 π ∑ & 44

36

Fl.

Ob.

Cl.

Tpt.

B. Tbn.

& 44 Π& 44

∑

? 44 Ó

Perc. 1

4 ã 4

∑

Perc. 2

4 ã 4

∑

& 44

∑

36

36

Pno.

t 44 Ó 4 &4

∑

4 &4

∑

36

Acc.

36

48 ‰

‰ π P œ 48 ‰ ‰ π P 48 ≈ ® # œ œ ‰ RÔ π P

≈ # œ # œ œ œ ≈ Ó π

œ

A

Ó

Scene 3

4 8

4 r ≈ ‰ Œ 8 œ . P sempre

≈ ≈ œ Œ –. œ.

∑

48 ≈ r –.–

‰ Œ

4 8

∑

4 8

∑

Mezzo 1

∑

‰

π œ

π ≈ ® # œR œ Ô π

∑

≈ ® # œ œ RÔ π ∑

∑

∑

∑

∑

48

‰

∑

48 ≈ ® # œ œ ‰ RÔ P π breath tone toneless Œ ‰— – 48 ∑ f

∑

œ

r œ. ≈

∑ ∑

‰

‰ P

‰

‰ P

∑

‰ P ‰

≈ –r –.

‰

∑

∑

∑

∑

p ≈ ® # œR œ Ô p ≈ ® # œ œ RÔ p

∑

P

∑ ∑

Œ

r œ. ≈

π œœ œœ ≈®# œ œJ ÔR

∑

‰ ‰

Œ

≈ –r –.

œ J

f œœ œ J

‰

Œ

‰

∑

‰

∑

Am I dying?

Am I getting crazy?

P

‰

∑

∑ ‰

P

‰

∑

#œ J

P

‰

∑

∑

Œ

P

p œ

‰

∑

∑

≈ r ≈ œr Œ –. œ.

œ

œ. œ. b œ. œ. b œ. œ.b œ. . . . . . œ œb œ œb œ ‰

Am I?

p Mezzo 2

† 44

36

Vln. I

Vln. II

Vla.

Vc.

Cb.

4 †4 B 44 ? 44 ?4 4

∑ ∑ ∑ ∑ ∑

‰ # œ. ≈ R p

pizz.

48 Π4 8

∑

48 œJ π

s.t.

œ 48 J π

s.t.

4 8

∑

p p

∑

‰ Œ ‰ Œ

∑

∑ ∑

∑

‰ Legno battuto

.. ≈ œ œ ‰ p

Œ ∑

Legno battuto

r œ. ≈ Œ P ∑ ∑

œ. R ≈ F

pizz. œ. R ≈

F

‰

Œ

∑

‰

Œ

∑

Œ

‰

≈ œr . P œ. ≈ R P

Legno battuto

‰

Œ

‰

Œ

œ. œ.≈ ‰ p

arco

j r œ œ ≈ ‰ π P s.t.

≈ ® œRÔ œJ œR ≈ ‰ π P

arco

s.t.

∑

&‰

42

Fl.

œ. œ. b œ. œ. b œ. œ. b œ. . . . . . œ œ bœ œ bœ ‰

œ p œ

P

Ob.

&

∑

‰

Cl.

&

∑

Œ

Tpt.

&

∑

Œ

?

∑

∑

B. Tbn.

9

Scene 3

p

P ‰ ‰

‰

68 œ œ œ œ ‰

‰

‰

68

∑

≈ # œ # œ 68 # œ # œ ≈ ‰ π ≈ # œR p

68 œ J F 68

Œ.

48

∑

48

∑

‰

Œ.

48

∑

‰

Œ.

48

∑

∑

48

‰

68 ≈ œ œ œ œ ≈ ‰ π

Œ.

68 ≈ # œ # œ œ œ ≈ ‰ π

Œ.

68

48 48

∑

48

∑

68 ≈ # œ . J p 68

‰ F ∑

48

‰ ‰ ‰ 48

Perc. 1

ã

∑

∑

6 8

∑

4 8

∑

6 8

∑

4 8

Perc. 2

ã

∑

∑

6 8

∑

4 8

∑

6 8

∑

4 8

∑

∑

68

∑

48

∑

68

∑

48

68

∑

48 ≈ r œ œ.

68

∑

48

∑

4 8

∑

4 8

42

42

Pno.

& t ≈ r ≈ –.

42

Acc.

&

42

&

r œ Œ œ.

≈

r ‰ –.–

Œ

∑

∑

6 8

∑

∑

6 8

Mezzo 1

∑ ∑

‰

Œ

œ J ‰ 6 8 π f œ œ œ 4 ≈ ® # œœ œœ œœ ‰ 6 8 RÔ J J 8 4 ‰ 8

#œ J

Dying?

Calmo

Of course not,

Mezzo 2

you are about to be born.

p

œ. . . .

P

jeté

†Œ

‰

42

Vln. I

Vln. II

Vla.

Vc.

col legno

†Œ

‰

B

∑

? Legno battuto

Cb.

? ≈ r ‰ œ. P

f

≈

col legno

∑

œ. . . . jeté

f

≈ ‰

œ J π

s.t.

Œ

∑

‰

Œ

≈

Œ

≈ r Œ œ. F pizz.

r ‰ œ > F pizz.

Œ

‰ p

68

∑

48

∑

68

∑

48

6 8

∑

4 8

∑

6 8

∑

4 8

∑

48 œJ π

68

∑

48

68 68

∑

6 8

∑

s.t.

œ 48 J π

s.t.

4 8

P P ∑

‰ ‰

Œ Œ

68 ‰ 6 8

‰

Legno battuto

.. ≈ œ œ ‰ ‰ ‰ 48 p ∑

4 8

10

& 48 ‰

47

Fl.

œ. œ. b œ. œ. b œ. œ.b œ. . . . . . œ 6 œ bœ œ bœ ‰ ‰ Œ. ‰ 8 p 68 ∑ ∑

Ob.

& 48

Cl.

& 48

∑

68

Tpt.

& 48

∑

68 ‰

B. Tbn.

? 48

∑

68

Perc. 1

4 ã 8

∑

Perc. 2

4 ã 8

28

∑

85

∑

28

b œ. œ. œ.b œ. œ.b œ. . . . . . œb œœœb œœ. 2 ≈ 8 85 ‰ ≈ p

48

∑

∑

∑

48

∑

∑

∑

48

∑

∑

28

∑

48

∑

∑

85

∑

28

∑

48

∑

∑

6 8

∑

5 8

∑

2 8

∑

4 8

∑

∑

∑

6 8

∑

5 8 Œ

∑

4 8

∑

∑

& 48

∑

68

∑

85

≈ œr 28 . F 28

∑

48

∑

∑

t 48

∑

68 ≈ r ‰ ‰ Œ . –.–

28

∑

48

∑

∑

2 8

∑

4 8

∑

∑

2 8

∑

4 8

∑

∑

4 &8 ‰

47

Acc.

∑

∑

47

π 47 œ 4 ≈®# œœ &8 ÔR

# œ œœ J f œœ œœ œ œ J J

‰

# œ œ ≈ Œ . p F

85

B

85

47

Pno.

∑

Scene 3

‰

‰ ∑

85 Œ

‰

6 8

∑

5 8

∑

6 8

∑

5 8

∑

≈ œr ‰ œ. F

Œ

‰

≈ r #œ π

Mezzo 1

Calmo

P

Your

Mezzo 2

† 48

47

Vln. I

Vln. II

Vla.

Vc.

Cb.

4 †8 B 48 ‰ ? 48 ?4 8

∑ ∑ Legno battuto

r œ. ≈ Œ P ∑ ∑

pizz. œ. 68 R ≈ ‰ ‰ Œ . F pizz. œ. 6 R ≈ ‰ ‰ Œ . 8 F

85

∑

28

∑

48 Œ

5 8

∑

2 8

∑

4 Π8

arco

68 ≈ r ‰ ‰ Œ . œ. P 6 ≈ œR. ‰ ‰ Œ . 8 P Legno battuto

œ. . . . jeté

58 ‰ œj œr ≈ Œ ≈ ‰ ‰ œ. œ. π F p

68 Π.

thoughts,

s.t.

œœ œ 85 ≈®RÔ J R ≈ Œ π F arco

5 8

s.t.

∑

28 28 2 8

col legno

‰ ‰

F ≈

col legno

∑

œ. . . . jeté

F

≈ ‰

Œ

∑

48

∑

Œ

∑

48

œ J π

∑

‰

Œ

≈

≈ r Œ œ. p

∑

Legno battuto

4 ≈ r ‰ 8 œ . f

s.t.

pizz.

r‰ œ > p

pizz.

Œ

‰ p

ã

Scene 3

#œ #œ œ œ œ œ œ œ ‰

& ‰

53

Fl.

Ob.

&

Cl.

&

Tpt.

B. Tbn.

π

∑ ∑

& j œ ?

P

‰

Œ

ã

∑

Acc.

p

∑

r œ. ≈ ‰ p

∑

t ≈ r ‰ –.– p

b œ. œ. œ. b œ. œ. b œ. . . . . . œ b œ œ œ b œ œ.

Œ

Œ

‰

π

≈

r j ‰ #œ œ π P

‰

#œ #œ œ œ œ œ œ œ

∑

∑

∑

∑ Œ

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

53

∑

∑

∑

≈ –r ‰ –. π

r œ. ≈ ‰ π

Œ

Œ ∑ ∑

∑

∑

∑

∑

Mezzo 1 Very fast talking without break until bar 64

have

never

been

Your senses Please, calm

Mezzo 2

so

harmonious

and

disentangled.

have never been sharper. There has never been so this raving of your heart, blustering in ears, blinding

œ. . . .

much eyes,

†

∑

Œ

†

∑

Œ

53

Vln. I

Vln. II

Striking all 4 strings with left hand fingers

Vla.

Vc.

Cb.

ã ¿J P ? ?

‰

‰

-¿ J

Œ

Legno battuto

≈ r ‰ œ. f

F

‰

≈

‰

-¿ J

col legno

∑ ∑

‰

pizz.

‰.

Œ

œ. . . .

π

jeté

F

B

≈ ‰

s.t.

Œ

∑

‰

Œ

≈

≈ r ‰ œ > p

pizz.

r Œ œ. p Œ

‰ ‰ P

clear

air around.

# œ. R

∑

∑

≈ Œ

∑

pizz.

Œ œ J π

arco

and

f

œ. R

jeté

col legno

of an open space exploding in veins.

ã

π

Œ

‰

-¿ J P

Œ

‰

∑

‰

≈

∑

≈ r ‰ œ > p

r Œ œ. p Œ

œœ

p π

∑ ∑

∑

&

#œ #œ œ œ œ œ œ œ ‰

∑

53

&

‰

∑

∑

Perc. 2

Pno.

∑

∑

∑

&

∑

∑

ã

53

∑

∑

Perc. 1

53

‰

∑

# œ.

11

-¿ J

12

& #œ #œ œ œ œ œ

58

Fl.

# œ.

Ob.

&

∑

Cl.

&

∑

Tpt.

B. Tbn.

‰

P

#œ #œ œ œ œ œ œ œ ‰

π

?

∑

∑

∑

∑

ã

Perc. 2

ã

r œ. ≈

‰ ∑

t

∑

58

∑

58

∑

& &

r œ. ≈ ‰

Œ

&

58

Œ

+ ≈ # œR œJ π

r œ. ≈ ‰

Œ

#œ #œ œ œ œ œ œ œ ‰ π

∑

∑

‰

œ. b œ. œ. œ. b œ. œ. b œ. . . . . . œ bœ œ œ bœ

P

∑

∑

∑

∑

∑

∑

∑

r œ. ≈ ‰

Œ ∑

Œ

∑

p

b œ. œ. œ. b œ. œ. b œ. . . . . . œ b œ œ œ b œ œ. b œ. œ. . . ‰ œ bœ ‰ Œ p o œ ≈ ‰ Œ ∑ R P

∑ ≈ –r ‰ –. p

‰

∑

∑ Change to harmon mute

∑

p

∑

&

Perc. 1

Acc.

Œ

∑

58

Pno.

Scene 3

∑

∑

∑

∑

∑

∑

Œ

‰

r –.– P

r œ. ≈ ‰ F

Œ ∑ ∑

∑

∑

∑

∑

Mezzo 1

Mezzo 2

œ. R

pizz.

†

∑

† ‰.

# œ. R Œ p

Œ

‰

58

Vln. I

Vln. II

Vla.

Vc.

Cb.

ã

∑ pizz.

?

∑

?

∑

‰ > ¿ J P

# œ. R

Œ

Œ

≈ Œ ‰

‰

≈

≈ r ‰ œ > p pizz.

r Œ œ. p Œ

‰.

p

∑ -¿ J

Œ

‰

∑

Œ # œ. R

Œ

∑

P

-¿ J

∑

∑

‰

≈

∑

≈

r ‰ œ > P

Œ

r Œ œ. p Œ

‰

>œ R ≈ P

‰ ∑ ∑

> ¿ J

13

Scene 3 C Fl.

Ob.

Cl.

Tpt.

B. Tbn.

& ‰ # œ# œœœœœœ œœœ≈ ‰ # œ # œ œ œ œ œ œ œ ‰ # œ # œ œ œ œ œ π p π P π ∑ ∑ ∑ & . ... & œb œœœ‰

Œ

&Œ

+ ≈# œR œJ π

?

∑

Perc. 2

Pno.

Acc.

∑ #œ

∑

∑

∑

∑

∑

∑

∑

∑

Œ

tam tam

r r œ ≈ ‰ œ ≈ ‰ p l.v. sempre susp. arco

œ. J p

cymbal

l.v.

P

∑

#œ ˙ ‰ ≈ R π #œ ˙ ‰ J

&Œ

∑

∑

∑

63

∑

p

∑

∑

&Œ

∑

p

o œ Œ F

ã

63

‰ #œ #œ œ œ œ œ œ œ ‰

∑

∑

r ≈ Œ –.– f

∑

∑

∑

t‰

‰ #œ #œ œ œ œ œ œ œ ‰

∑

∑

&

∑

∑

ã

63

f

‰

∑

∑

63

Perc. 1

œ.

#œ.

r r œ ≈ ‰ œ ≈ ‰ ≈ Œ

r œ ≈ ‰ ∑

r œ ≈ ‰ ∏

r r œ ≈ ‰ œ ≈ ‰

Œ

r œ ≈ ‰

∑

∑

∏

r œ ≈ ‰ p

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

˙

œ J π

f ˙

‰

Œ ∑

r œ ≈ ‰ sub pp

4 8 Normal Singing

Mezzo 1

&

firm but gentle

Mezzo 2

It is a chance of

p †

∑

†Œ

# >œ R ≈ ‰ P

63

Vln. I

a

lifetime.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

pizz.

Vln. II

Vla.

Vc.

Cb.

ã Œ ? ? ≈ r ‰ œ > P

∑

> ‰ ¿ J P

Œ

&

∑ ∑ ∑

∑ &

con sord. arco

Œ

∑

∑ # # œ· π

˙·

∑ ˙·

∑

∑ ˙·

∑

Œ

con sord. arco

‰

˙· ∑

&

∑

j # · # œ π

14

Scene 3

# œ. & # œ# œ œ œ œ œ Œ

70

Fl.

∑

Ob.

&

Cl.

& ˙

Tpt.

B. Tbn.

&

∑

?

∑

P

‰ #œ #œ œ œ œ œ œ œ ‰

∑

∑

‰#œ #œ œ œ œ œ œ œ ‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

p

p

p

#˙

π

˙

Change to Trumpet in C

+ œo ≈ ‰ . œR œJ R p π

o œ J p

# œ œ # œ œJ J

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Harmon mute

∑

∑

∑ ∑

Perc. 1

ã

r œ ≈ ‰

Perc. 2

ã

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

t

∑

∑

∑

∑

∑

∑

∑

∑

70

∑

∑

∑

∑

∑

∑

70

∑

∑

∑

∑

∑

∑

70

70

Pno.

Acc.

& &

Mezzo 1

π & #œ

r r r œ ≈ ‰ œ ≈ ‰ œ ≈ ‰

Œ

+œ J π

π

‰

∑

r r œ ≈‰ œ ≈ ‰

∑

p

∑

p œ ≈‰ R

m

Œ ∑

π ‰ œJ

œ ‰ J π

œ

Œ

> ‰. ¿ Œ R

> ‰ ¿ J

Œ

˙

˙

Œ

˙ ∑

m

Mezzo 2

70

Vln. I

Vln. II

Vla.

Vc.

Cb.

† &

∑

∑

∑

ã

ã

∑

> ¿ Œ J P

> ¿ Œ J P

∑

Œ

∑ con sord. arco

#œ ‰ J

‰ ∑

-¿ J

œ

π

˙·

Striking all 4 strings with left hand fingers

‰

> ¿ J ∑

˙·

Œ

‰

∑

˙·

& ˙·

‰

∑

& ˙·

?

Striking all 4 strings with left hand fingers

∑

˙·

Œ

‰ ∑

-¿ J

∑ ∑

Œ

> ‰ ¿ J ∑

‰

> ¿ Œ J

˙ ∑

ã

> ‰ ¿ J

Œ ∑

Striking all 4 strings with left hand fingers

¿ ≈ ‰ ¿ ≈ ‰ R R P ∑ ∑

&

15

Scene 3

& ‰ #œ#œ œ œ œ œœ œ ‰ p ∑ &

∑

78

Fl.

Ob.

Cl.

Tpt.

B. Tbn.

&

œ

Œ

Œ

‰ # œ # œ œ œ # œ # œ œ œ ‰Œ

∑

∑

∑

Œ #œ π + Œ œJ π

&

∑

∑

?

∑

∑

∑

p

∑

∑

∑

˙ œo ≈ R p

∑

œ

ã

Œ

+ œ œ ‰. R J π

∑ ∑

∑

Œ

o œ J p

‰ #œ#œœœ #œ #œ œ œ ‰ Œ

Œ

p —≈‰ — ≈‰ R R

breath tone toneless

— ≈ ‰ R p ∑

∑

Œ

‰ #œ #œ œ œ

p — ≈ ‰ — ≈ ‰ — ≈ ‰ — ≈ ‰ R R R R ∑

∑

∑

∑

∑

∑

∑

∑

Œ

+ ‰ œJ π ∑

Perc. 1

ã

∑

∑

∑

∑

∑

∑

∑

∑

∑

Perc. 2

ã

∑

∑

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

t

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

78

78

Pno.

78

Acc.

&

78

&

Mezzo 1

˙

p

œ R ≈ ‰ Œ ˙

∑

˙

π

˙

π p # œ œ ≈ ‰ R

&

œ œ ≈ œR J π œ Œ P

π ‰ œJ œ

Œ

m

˙

˙

˙˙

∑

∑

Œ

∑

. ‰ œR ≈

Œ

m

˙˙ ∑ P œ œ J œJ ‰ Œ J

Œ

a

a

Mezzo 2

∑

78

Vln. I

Vln. II

ã &

˙

Vla.

ã ¿R ≈ ‰

Vc.

& Œ

arco

Cb.

?

∑ œ J ‰ Œ ¿ ≈ ‰ ¿ ≈ ‰ ¿ ≈ ‰ R R R

# # œ· π

∑

˙·

∑

ã

Striking all 4 strings with left hand fingers

Œ

¿ ≈ ‰ R P

¿ ≈ ‰ ¿ ≈ ‰ R R

∑

¿ ≈ ‰ ¿ ≈ ‰ ¿ ≈ ‰ Œ R R R

∑ ˙·

∑

∑

∑ #œ œ ‰ J

arco

¿ ≈ ‰ Œ R ˙·

∑

∑

∑ ˙·

∑

π

∑ ˙·

∑

&

˙ ∑

j ·œ ∑

∑

˙

∑ ˙·

∑

∑

∑ ‰Œ

∑

∑ ∑

16

Scene 3 D

& #œ #œ œ œ œ œ œ œ Œ f Œ ã —R ≈ ‰ F ∑ &

87

Fl.

Ob.

Cl.

Tpt.

B. Tbn.

o œ & J f ?

‰

Perc. 2

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Œ

Œ

∑

œ ≈ œR J π p

∑

∑

∑

∑

∑

ã

∑

∑

∑

∑

∑

∑