Saxo

Ivar Frounberg Saxo (2000) for saxophone (sop., alt., bar. - contrabass optional) & electronics (CD, delay & reverb) Dur. 14’30”

Commissioned by MetaDuo (Daniel Kientzy & Reina Portuonda)

SCORE

T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg

Ivar Frounberg Saxo (2000) for saxophone (sop., alt., bar. - contrabass optional) & electronics (CD, delay & reverb) Dur. 14’30”

PROGRAMME NOTES Saxo Grammaticus is the first known danish writer from about 1200.

He wrote - in latin - about the earliest danish history. His Gesta Danorum contains a wealth of histories, myths, poems and some uncontrollable historical facts.

I have chosen the all too obvious alikeness between the saxophone and Saxo, because I have enjoyed his histories since my boyhood. However, the music do not refer to any explicit ‘history’ of Saxo. It contains a number of musical ‘histories’ articulated by different harmonies and timings and the relations between the melodic lines of the saxophones and the electronics, one of which is a contemporary fugal design.

Architecturally the piece is divided into 5 sections. Each introduces a new instrument: sopranino - baryton - baryton - alto - alto/ contrabass duo, all of which are tuned in E-flat. Two ‘slow’ sections evokes an alternative musical form in five movements, adding some ambiguity to the overall perception.

Ivar Frounberg

INSTRUMENTAL TECHNIQUES: The different techniques are described in details in Daniel Kientzy: Saxologie - du potentiel acoustico-expressif des 7 saxophones These de doctorat nouveau regime 1990 Academie de Paris, Universite de PARIS VIII The following are used at different places in SAXO (only frrst occurances are indicated) and designated by the indicated graphic signs:

w

bar 2

-flz. bar 3 bar 5

f ~Yr ~r

bar 7 ~

a.

bar48

'appoggiatura-timbrale' (Kientzy1990, pg.303ff) 'flatterzunge' (Kientzy1990, pg.289ff) 'glisse-d'embouchure' (Kientzy1990, pg.323ff) 'smear' (Kientzy1990, pg.328ff)

a.

r r r

'timbrolaudie' (Kientzy1990, pg.320ff)

bar 112

....

'surtimbre' (Kientzy1990, pg.272ff)

bar 113

V

'detimbre' (Kientzy1990, pg.261ff)

bar 123

J-~j

'harmonico-tuillage' (Kientzy1990, pg.385ff)

i'--'1

'vibrato-d'intensite' (Kientzy1990, pg.300ff)

bar 208

~

bar 261

+

bar 262

~~ 'arrache' (Kientzy1990, pg.l59ff)

bar 262

1

'accent-timbral' (Kientzy1990, pg.306ff)

bar 264

~

'jete' (Kientzy1990, pg.l56ff)

bar 265

~

'attaque-de-tambon' (Kientzy1990, pg.132ff)

'slap' (Kientzy1990, pg.135ff)

MULTIPHONICS: The multiphonics are described in details in Daniel Kientzy: "Les sons multiples aux saxophones" Edition Salabert 22, rue Chauchat 75009 Paris Sopranino: score pg. 1:

(6.) #71 (bar 31)- #57 (bar 34)

score pg. 2:

(3.) #40 (bar 47) (6.) #24 (bar 67) - #41 (bar 68)

score pg. 3:

(1.) #57 (bar 71) - #71 (bar75)

(2.) #35 (bar 81) (3.) #67 (bar 92) - #73 (bar 93) - #72 (bar 95) - #17 & #101 (bar 96) (5.) #41 (bar 97) - #103 (bar 98) (6.) #67 (bar102a)- #91 (bar 102b)- #30 (bar 103) - #39 (bar 104) - #72 (bar 105) - #85 (bar 106) - #90 (bar 107a) - #26 (bar 107b) score pg. 4

Barytone: score pg. 4

( 1.) #32 (bar 109) - #79 (bar 111)

(4.) #3 (bar 126)- #12 (bar 128)- #31 (bar 130) (5.) #78 (bar 134) ( 6.) #33 (bar 142)

score pg. 5:

(3.) #16 (bar 159) tremolando #34 (bar 160) (4.) #35 tremolando #70 (bar 164) (5.) #78 - #76- #72 (bar 171) - #74- 86 (bar 172)- #25 (bar 173) ( 6.) #81 tremolando #80 (bar 178) - #72 (bar 179)

score pg. 6:

( 1.) #79 (bar 181) - #92 (bar 184)

(2.) #78 (bar 190)

Alto: score pg. 8:

( 1.) #13 (bar 263) - #106 (bar 264)

(3.)

(4.)

(5.) ( 6.) score pg. 10:

#67 #19 #50 #79

(bar 269) - #106 (bar 270) (bar 27 4) (bar 278) - #1 (bar 280) (bar281)

( 1.) #16 (bar 317)

(2.) #122 (bar 321) (3.) #121 (bar 326) (4.) #129 (bar 33 7) score pg. 11:

(2.) #98 (bar 350)

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