Christian Winther Christensen Septet (2009) for bass clarinet, bassoon, horn, violin, viola, violoncello, double bass & video projection Dur. 12’
SCORE
T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk
With support from the Danish Composers’ Society and Koda’s fund for Social and Cultural Purposes Støttet af Dansk Komponist Forening og Kodas nationale midler
Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg
Christian Winther Christensen Septet (2009) for bass clarinet in Bb, bassoon, horn in F, violin, viola, violoncello, double bass & video projection Dur. 12’
Notation and performing techniques NOTATION & PERFORMING TECHNIQUES
”f ” = Make the accent with as much"fsound asthe possible. " = Make accent with as much sound as possible. Used when you play with particular technique. Used when you play with particuæar techniques
œ . (u)
œ (u) œ (u) œ (u) J
Slaptone Slaptone
‡.
j ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . . 3
3
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bœ
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–
–
–
b–
j ‹ fl
Half tone / half slap Half tone / half slap
Multiphonic. The notenote in the is theis the basic tone Multiphonic. The in bottom the bottom basic tone.
~~ &
Bisbigliando Bisbigliando
Air. thethe keys. Air.Use Use keys. Bass Clarinet: High register and low Bass Clarinet: High register andregister low register
Air.Use Use keys. Air. thethe keys. Horn: High register and and low register Horn: High register low register
Noise from the key. As many keys as possible with BOTH HANDS
?
–
b–
Air. Use the keys. Horn: High register and low register
j ‹ fl
Noise from As many keys as possible Noise from the the key.key. As many keys as possible with BOTH HANDS with BOTH HANDS
j ‹ fl
Noise from As many keys as possible Noise from the the key.key. As many keys as possible with your LEFT HAND with your LEFT HAND
j ‹ fl
Noise from the the key.key. As many keys as possible Noise from As many keys as possible with your RIGHT HAND with your RIGHT HAND
Clarinet: Make a glissando only with noise. Clarinet: Make a glissando onlykey with key noise
‹ "f "
j ‹
Bassoon: Make a glissando only with noise. Bassoon: Make a glissando onlykey with key noise
‹ "f "
j b‹
˙ æ
˙ æ
˙æ
Sing a fifth higher than than then main Sing a fifth higher then tone. main tone
· œ
Ditto thethe lastlast example but with Ditto example but fluttertounge. with fluttertounge
·@ œ
?
b–
?
Bassoon: Make glissande with key noise. Bassoon: Make glissande with the air.the No air. keyNo noise. Only useuse the fundamental six-finger-holes. Only the fundamental six-finger-holes
–
!
"
–-
–-
j b˜ fl
j ˜ fl
Air.Air. UseUse the the keys. keys. Horn: High register and low Horn: High register andregister low register
It : isIt aiskind of breath accent. Move Move you head from right a kind of breath accent. your head from right to left and from left to right. to left and from left to right
Slap with your right hand on the mouthpiece. Use the valve to get the pitch.
?
–-
–-
to left and from left to right.
j b˜ fl
j ˜ fl
Slap with your rightright handhand on the Slap with your onmouthpiece. the mouthpiece. Use the valve to get the pitch. Use the valve to get the pitch
= mute the strings with your left hand. = mute strings with your leftyour hand left hand. = mutethethe strings with
œ œ
Bowpressure. No pitch only only noise.noise Bowpressure. No pitch
œ œ
Bowpressure. No pitch only noise.
>‹
Hammer Keep you fingers the strings after the attack Hammer on. on. Keep you fingers on theon strings after the attack.
>‹ ˘ ‹
St.
Hammer on. Keep you fingers on the strings
Hammer Move Hammer on. on. Move you you fingerfinger awayaway from the strings after the attack. after the attack from the strings after the attack.
Sp. 3
3
3
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r ‚ F o
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”Hammer on” while making fast movements between "Hammer on" while making fast movements between tasto sul ponticello. Always col legno Hammer on.ponticello. Move you finger away sulsul tasto andand sul Always col legno.
from the strings after the attack.
Mute string left hand you release Mute thethe string withwith you you left hand beforebefore you release bow from string thethe bow from the the string.
= muteon" thewhile strings with left hand. "Hammer making fastyour movements between sul tasto and sul ponticello. Always col legno. Left hand pizz. Left hand pizz.
r ‚ F o
œ.. . . .
Bowpressure. pitch Mute the stringNo with youonly leftnoise. hand before you release the bow from the string. as as high as possible. high as possible
Hammer Keep you fingers on the strings Left handon. pizz. after the attack. Col legno battuto. Col legno battuto
j
Œ
˘ ‹ Œ J "J ‰ Œ
Hammer on. Move you finger away
as high as possible. Make a extreme fast glissando in the extreme from the strings after the attack. high register.
œ.. . . .
Col legno battuto.
j
Œ
" ‰ Œ J
Œ
–
‹ >
Make a extreme fast glissando in the extreme Make a extreme fast glissando in the extreme high register high register.
– R
Make a glissando without Make a glissando without bow. bow. Don’t make a hard attack on the string, make thestring, soundbut with your nails Don't make a hardbut attack on the make the sound with your nails.
‹ R
Make a glissando without Make a glissando without bow. bow. Make the sound from the first attack Make the sound firstthe attack (hammer (hammer on)from and the keep sound in theon) glissando from this action and keep the sound in the glissando from this action.
–
Bow at the bridge Bow at the bridge
—
Bow at tallpiece Bow at tallpiece
! Ó
j Ó
Ó
j Ó
Ó
1. Bow from sul ponticello to sul tasto 1. Bow from sul ponticello to sul tasto 2. Mute 2. Mute 3. Bow sul tasto sul ponticello 3. Bow fromfrom sul tasto to sultoponticello
j
j
œ
œ
The 1. and 3. note is likeisthe The 1. and 3. note likeprior the example prior example (mute the string in the notated position) (mute the string in the notated position)
œ
S.P.E.
Œ
·
·
· "
Œ
Ÿ~~~~~~~~~~~~~~~~~~ · (œ) · · "
natural harmonic. (sul extreme) ponticello extreme) AA natural harmonic. BowBow fromfrom SPE SPE (sul ponticello bridge. Mute the string you are at the bridge to to thethe bridge. Mute the string whenwhen you are at the bridge.
S.P.E.
Ditto the last example but with a tremolo between a natural harmonic Ditto the last example but with a tremolo between and aharmonic open string a natural and a open string.
christianwintherchristensen@yahoo.dk // tlf: +45 29 46 21 50
christianwintherchristensen@yahoo.dk tlf: +45 29 46 21 50
SEPTET 1. sats q = 160
Christian Winther Christensen komp. 2009
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. . b–. p # œœ b œœ œœ b n œœ j J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ j #‹ ‰ ‰ œ ‰ ‰ ‹ œ ƒ > f "f " œœ b œœ j j b b œœ n n œœ # ‹ ‰ ‰ œ ‰ ‰& J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ # ‹ œ > f ƒ "f " œœ b œœ b b œœ n n œœ j j J B #‹ ‰ ‰ œ ‰ ‰ ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ # ‹ œ > ƒ f "f " b œœ œœ # œœ n b œœ j j ‰ ‰ œ ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ # # ‹‹ œ > ƒ f "f " 3 r" ‰ 4 ‹ ‡. ‹ # ‡. "f " fl fl 3
5 4 Œ
j
Œ
‡. ‰ 43 ‰ ‰ # œ œ J J 3 p p + 3 j 3 & 4 ‰ ‰ #œ œ p
Ó j
Œ.
b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. f
+ ‚ ˘‹ ‚ 5 Œ Œ Œ 4 œ 3 3 $ c.l.
B
9 8
.
–. p
r – " ‰ ‰ Œ. f
.
3 4
arco
#
r "Œ ‚ fo
3
· p
# œ (u)
Œ
5 8
Œ
5 8
?
j ‰ j‰ Œ ––F
85
col legno
Ó"‰ Œ R
$
œ " n ‡. ‰ J f p œ" Œ f
‡. ‰ Œ J
Œ
˘ 3 j 4 Ó Ó ‰ Ó Ój ‰ B # J‹ Œ P "f " 3
œ R "‰ Œ F
!
Ó p
col legno
Ó p
"
Ó"‰ Œ R
col legno 3 ˘‹ ‚ ˘ ‚ j ? #‹ 3 Œ Œ Ó"‰ Œ 4 Ó Ó ‰ Ó Ój ‰ J Œ œ Ó R + 3 "f " P $ c.l. 3 p col legno bat. arco sul A sul G ˘ ‹ ‚ + œ. S.P.E. & œ J ‰ 3 ‰ ‰ # ·# · ‚"‰ ¬ Œ 4 J R 3 3 $ o $ Fo j
c.l. sul G
&
5 8
B
5 8
?
5 8
j
5 4 Ó
5
5 8
D e = 176
1. j 3 r & 85 ‹ ‰ ‰ ‹ 43 ‹ "‰ Œ ‡. ‡. fl fl fl "f "
B. Cl. (in B b)
Bsn.
Hn. (in F)
? 5 Œ. 8 ?5 8
!
Vla.
Vc.
D.B.
& 85 ‰ ‰ – Œ J "f "
j B 85 ‰ – Œ – ‰ J "f "
Bsn.
Hn. (in F)
Vla.
Vc.
D.B.
43 3 4 3 4
r &#œ " ‰ n‡ ‹ œ fl fl "f " $ j ? r" ‹ " " r ‡. fl ‡.
r #œ " ‰
?
>‹ ‹ & ‰ b b ‹‹ J & B
Œ St.
!
! Œ
j œ ‰ Œ #œ f
Œ Œ
.. 42 B
j #–
7 16
Ï
‚ R "‰ Œ Ó o
4 4
œ fl f
œœ ....
‚'‚ ‚‚ ‚‚ ‰ ‚ J j
r" ‰ ˜ fl >‹ ‹ " ‹ ‹
r" ‰ ˜ fl ‚'‚ ‚‚ ‚‚ " ‰ ‚' R
j
j
p
#– "f "
3
‰.
j #–
3
3
r
r" j –" ‰ œ – fl "f " f
6
j œ fl f
>‹ ‹ b‹ b‹ J
! >‹ ‚' ‚ ‚ ‚ ‹ ‚ ‚ " ‰ b‹ ‚ b‹ J J
œœ ....
7 16 j # –j œ perc. fl "f " attack f
!
!
œœ ....
col legno
4‰ ' ‰ ‰ ' ‰ ‰ ' ‰ ‰ ' ‰ J J J J 4 3 3 3 3 p bat. . . . col legno . 4‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J 4 3
‰.
#W W
r" ‰ ˜ fl
j
?
Ï
r n‡ ‹ œ #œ " ‰ n‡ ‹ œ fl fl $ fl fl $ "f " "f " j " " r r" ‹ " " r ‡. ‡. fl ‡.
! ‚' ‚ ‚ ‚ ‚‚ " ‰ ‚ J
œœ ....
r 3 n‡ ‹ œ #œ " 4 ‰ fl fl $ "f " j j 3 " ‹ " " " 4‹ ‡. ‡. fl ‡. ‡. fl
‰
>‹ ‚'‚ ‚‚ ‹ ‚ ‚ " 44 ‰ b ‹ b‹ ‚ J J
!
7 16
n‡ ‹ œ #œ ‰. fl fl $ "f "
44 r " ‰ ˜ fl p
B
>‹ 7 ‰ b ‹‹ 16 b‹ "f " J
#W W
.. 42
Œ
7 16
!
.. 42 &
" " r 44 " ‹ ‡. ‡. fl
!
j j œ #– fl "f " f
2.
r" ‰ ‹ # œ ‡ œ fl fl $ j " " r r " ‹ ‡. ‡. fl
‰
j 7 r" ‹ 16 ‡. fl "f "
!
j ‰Œ Ó b˜ fl "f "
3
3
4 r n‡ ‹ œ 4#œ " ‰ fl fl $ "f "
>‹ ‚'‚ ‚‚ ‹ ‚ ‚ " ‰ b‹ b‹ ‚ J J
? j j # –j ‰ . œ #– fl "f " f
.. 42
j œ ‰ Œ œ f
!
!
!
. ‹. ‹. .. 4 # ‹ ‹ ‹ 2 ‹. ‹.# ‹. ‹. . . 3 "f " Sp.
!
j r" ‹ ‡. fl
!
!
j 7 16 ‹ fl "f "
.. 42
j œ ‰ Œ œ f
3 ‚ 4 R "‰ Œ Fo
!
50
Vln.
1.
? 5 –j ‰ Œ 8– ‰ J "f " sul D S.P.E. # ? b· 5 – 8J ‰ ‰ o
50
B. Cl. (in B b)
!
3 4 j‰ Œ b ˜. "f "
j –
43
Vln.
j ‰ 43 ‡. F
r "‰ Œ Œ Œ ! ‹ fl "f " .. 42 ! 2.
!
Œ
43
‰.
j #–
j œ fl f
43 ˜r " ‰ fl >‹ 3 ‹ 4 bb ‹‹
‰.
‚'‚ ‚‚ ‚ ‚ ‰. ‚ j
j
>‹ ‹ ‹ ‹ R
r " ‰ ˜ fl
3
j
3
. . . 3 4‰ ‰ J ‰ ‰ J ‰ ‰ J 3
3 4 # –j "f "
j #–
3
‰
"
œ flf
œœ R ‰
Œ
j j œ #– fl "f " f
3
– f
" "
r ' –j" ‰
j #–
‰.
6 8
Œ
6 8
!
42 ˜r " ‰ fl "f "
‹‹ ‚'‚ ‚‚ ‹ ‚ ‚ " 42 ‹ ‚
' ' ' 3 4‰ J ‰ ‰ J ‰ ‰ J ‰ 3
Œ
r 42 ‡.
" ‹ ‰. ‡. ‡. fl
r " ‰ ˜ fl
œœ R ‰
2 r" ‰ " n‡ ‹ œ 4 #œ fl fl $ "f "
‡ ‹ œ #œ ‰ fl fl $ "f " ‰
j #–
j #– "f "
‚' ‚ ‚ ‚ ‚‚ " ‚ J
r" ‰ ˜ fl
6 8
! j
j
' ' 2 4 ‰ J ‰ ‰ J ‰ 3 3 "f " . . 2 4 ‰ ‰ J ‰ ‰ J 3
f
68
3
6 8 6 8
" "
2 4
!
6 8
E q.= 88
& 68
!
!
?6 8
!
!
55
B. Cl. (in B b)
Bsn.
Hn. (in F)
Vc.
D.B.
Bsn.
Hn. (in F)
Vla.
Vc.
D.B.
!
3 8
œ (u) œ (u) œ (u) % œ (u) %
!
38 ‰
B 68 ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ 42
!
3 ‰ 8
!
. 3 J ‰ 8 "f "
!
! j
j
! j
j
j
. . . . . . ?6 ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J 2 8 4 ?6 8
!
q = 160
6 &8 ?6 8 ? 68
–. p
!
.
b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. f b–. p
.
6 j & 8 b‹ ‰ ‰ Œ. ‹ > "f " > B 68 b ‹‹ ‰ ‰ Œ . J "f " j ? 6 ‹ ‰ ‰ Œ. 8 b‹ > "f " ? 6 b ‹j ‰ ‰ Œ . 8b‹ > "f "
8 8 8 8 88
.
!
4 r "‰ Œ 4 – f
.
4 r "‰ Œ 4 b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. b ‡. .
.
# œœ b œœ j 8 bœ ‰ ‰ J ‰ ‰ J ‰ 8 œ ƒ f
44 r "‰ Œ – f
œœ J ‰ ? 44
# œœ J ‰
4 4
œ 4 R " ‰ Œ 4
+ 5 16 j j œ œ. %
4 r" ‰ Œ 4 œ
!
r " " #‹ > "f "
5 . 16 ‹J p
‰ ?
r " " #‹ > "f "
5 . 16 ‹J p
68
Ó
6 8
Ó
& 44 ¬ p
5 – 16 R " ‰ .
– "f "
Ó
& 4 ¬ 4 p & 4 ¬ 4 p & 4 ¬ 4 p
?
6 8
&
68
B
6 8
?
6 8
?
6 8
Ó
2 4
!
3 4
!
4 4
!
11 8
Ó
2 4
!
3 4
!
4 4
!
11 8
Ó
42
!
43
!
44
!
118
Sp. 3
œ 44 R " ‰ Œ
– 5 R 16 " ‰ .
. ‹. 2 # ‹. . 4 ‹ # ‹ ‹ ‹. ‹. . 4 4 R "‰ Œ # ‹ ‹ ‹ . ‹ . ‹. ‹. . . 3 "f " St.
œ œ 8 œ ‰ ‰ b œJ ‰ ‰ Jœ ‰ B 4 & 8 bœ 4 J ƒ f j b œœ 8 œ ‰ ‰B J ‰ ‰ 8 bœ ƒ f b œœ j 8 bœ ‰ ‰ J ‰ ‰ 8bœ f ƒ
&
– "f "
–2 –3 4 J ‰ J ‰ 8 P
œ (u) œ . 5 16 J J
œ (u) œ . œ (u) 5 J J J 16 !
42
62
Vln.
2 4
& 68
62
B. Cl. (in B b)
!
3 8
j
Vla.
!
38
?6 j ‰ ‰ j ‰ ‰ j ‰ ‰ j ‰ ‰ j ‰ ‰ j ‰ ‰ 2 j ‰ Œ 8˜ 4 ˜ ˜ ˜ ˜ ˜ ˜ fl fl fl fl fl fl fl 55
Vln.
!
42
q = 132
3
3
2 œj ‰ Œ 4 œ f
!
3 j 4 bœ ‰ Œ bœ f
. ‹. ‹. 4 ‹. . # ‹ . . 3 ‹ 4 ‹. ‹. ‹. ‹ ‹ 4 R "‰ Œ 3 3 "f " St.
Sp. 3
. . 2 ‹. ‹. ‹. # ‹. ‹. ‹ 3 ‹R "‰ Œ 4 4 3 "f " 3 St.
!
Sp.
2 j 4 # œœ ‰ Œ f
!
7
Œ
4 j‰ Œ 4 œ bœ
3 j 4 n b œœ ‰ Œ
Œ Œ
Sp. 4 ‹. ‹. ‹. # ‹. ‹. 4 3 "f " 3 St.
. # ‹. ‹. ‹. # ‹R "‰ 118 3 "f "
St.
Sp.
Sp. j # ‹. ‹. ‹. 11 œ ‰ 8 œ 3 f "f " St.
‹. ‹. "‰ Œ R
4 œj ‰ Œ b œj ‰ Œ 4 #œ nœ
B
11 8 11 8
F
& 118
68
B. Cl. (in B b)
Bsn.
Hn. (in F)
? 11 8 ? 11 8 & 118
68
Vln.
Vla.
Vc.
D.B.
Bsn.
Hn. (in F)
Œ
b b œœ n n œœ ‰& J ‰ ‰ J ‰ ƒ
B
œœ b œœ b b œœ n n œœ B 11 J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰? 8 ƒ b œœ œœ # œœ n b œœ J ‰ ‰ J ‰ ? 11 J ‰ ‰ J ‰ ‰ 8 ƒ q = 160
11 &8 ? 11 8 ? 118
73
Vln.
5 4 r"‰ Œ b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. b ‡. f 5 4 –r " ‰ Œ . . –. f p c.l. # œœ bat. œœ b n œœ sul G 3 J ‰ ‰ J ‰ 45 Œ ‰ J ‰ ‰ œ. ‚ œ $ + ƒ
‹. 11 B 8 R"Œ
73
B. Cl. (in B b)
.
.
–. p
45 –j ‰ Œ f
–. p
.
.
b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ƒ b–. p
.
.
5 4 Œ
Vc.
D.B.
Œ
Œ
Œ
Ó
‹ >
Ó
j ‰ Œ –-
!
2 !j ‰ Œ 4 – "f "
11 8 118
"
42 Œ
+ ‚ >‹ ‚ Œ Œ œ 3 3 $
4 4 Œ
Ó p
r Ó "‰ Œ
!
2 4 Œ
Œ
4 4 Œ
Ó p
r Ó "‰ Œ
!
2 4 Œ
j
j
c.l.
j
j
$
5 r 4 – "‰ Œ f
Œ
45 –r "‰ Œ f
Ó.
3
œ. J ‰ 4 Ó 4
bat.
c.l. bat. b œœ sul G 3 j ‰ ‰ j‰ ‰ J ‰ 5 11 Ó Œ œ ‚ ‹ Œ Œ 8 R" & ‹ 4 œ. ‹ œ fl > ƒ $ œ+ f "f " c.l. sul G + œœ j j b ‚ ˘‹ ‚ 11 Ó Œ B ‹ ‰ ‰ œ ‰ ‰ J B ‰ 5 Œ Œ Œ & 8 R" 4 ‹ œ œ > 3 3 f ƒ $ "f " j
j
˘‹ ‚
j
3
œ+
Œ
! 43 –j ‰ Œ F
3 4 Œ 3 4 Œ 3 4 Œ
bat. ˘‹ ‚ . +œ œ J ‰ 3 Ó 4 3 $ c.l.
& ¬
$
œ (u) œ # œ (u) œ 3 3 6 R "‰ Œ Ó R "‰ Œ 2 ‹ b‡ ‹ 4 fl . fl $ "f " 6 j ‰ Œ Ó j‰ Œ Œ b ‡j ‰ 43 Œ 2 #‡ ‡ . . . p
Œ
j
2 4 Œ
!
> Œ ‚ ‹ ‚ œ+ 3 3 $ c.l. sul G > ‹ ‚ + œ
5 4 r "‰ Œ ‡. ‡. ‡. ‡. b ‡.
!
r Ó "‰ Œ
j
c.l. sul G b œœ j j 11 Ó Œ ? ‹ ‰ ‰ œ ‰ ‰ B J ? ‰ 5 Œ Œ ‚ 8 R" 4 ‹ œ 3 > f ƒ $ "f " j b œœ sul G œ j ? 11 œ Ó œ ‰ ‰ J ‰ 45 Ó 8 œ f ƒ "f "
4 !j ‰ Œ 4 – F
j
c.l. sul G
5 4 Ó
!
Ó p
j
Vla.
Œ
œ (u) œ R " ‰ 118 $
42
44 Œ
sul G
5 4 Œ
Œ
œ (u) œ 44 R "‰ Ó ‹ b ‡. ‹ fl fl $ "f " j 4 j n ‡. ‰ 4 Œ b ‡. ‰ Ó p 3
j
c.l.
8
Ó p Ó p Ó p
¬
!
!
!
!
Ó "‰ 62 R
!
Ó "‰ 62 R
11 8
Ó p
3 4
?
r "‰ Œ œ
œ (u) % ˘ j ˘ 3 ‹ 4 ‹ ‹ ‰ Œ fl "f " 3 43 Œ Œ –. –. –. "f " col legno . . . 3 J ‰ 4 Œ & P f
11 8
5 8 5 8 85 5 8
. . . 3 J ‰ 85 4 Œ B P f
!
. . . 3 ? J ‰ 85 4 Œ P f col legno
!
& ¬
¬
$
11 8
Ó p
col legno
Ó "‰ 62 R 6 ¬ 2
Ó p
2 ¬ 4 J ‰ Œ
!
j ‰ 62 –-
"
11 j ‡. ‰ 8 p
¬
3 ¬ 4 J ‰ Œ
5 ÓÓÓ 8 "f " 3
& 85 Œ
B. Cl. (in B b)
Bsn.
Hn. (in F)
G
‰
j‰ # ‡. p ? 5 j ‰ ‰ œ (u) 8 ‡ . p $
78
?5 ‰ ‰ Œ 8 j –. j –
& 85 ‰ ‰ – Œ J "f "
78
Vln.
Vla.
Vc.
D.B.
Œ B 85 ‰ – ‰ J "f " j –
Bsn.
Hn. (in F)
Vla.
Vc.
D.B.
4 œ"‰ Œ 4 R F + ä 4 œ ‰Œ 4 J F 44
!
4 4
!
!
!
?
!
! r" ‰ Œ œ
&w &
Ó
!
Ó
!
B ? ?
!
arco
S.P.E.
! !
sul G arco
Ó
85
!
5 8 #œ %
Ó
w $
j
J ‰Œ p
Ó
5 8
J ‰Œ p w %
Ó
!
œ.
4 œ"‰ Œ 4 R
Ø
col legno
!
4 4
!
4 4
!
42 j ‰ Œ ˜. "f "
44
!
2 4 j‰ Œ œ o pizz. . 2 R"‰ 4 Œ F
4 4
j ‹
Œ
‹ "f "
!
œ 2 J 4 ‰ Œ P
œ
j b‹
?
5 8 œJ ‰ Œ . f ‚‚ ‚‚ 5 ‚‚ 8 J ‚ ‰ Œ. P
j‰ Œ ‚ ‚ ‚. ‚. b ‚. ‚. ‚. . . $ 3 ‡. ‰ Œ . ‡. ‡. J ‡. ‡.b ‡. ‡ 3 $ 3
3
!
4 4
. 4 R"‰ Œ 4 F
col legno
!
pizz.
Ó
col legno
4 · 4 p
sul A
9
j ‰ Œ œ P #‚ ‚ ‚‚ ‚‚ ‰ Œ J‚ P #‚ ‚ ‚ ‚ ‚‚ ‰ Œ J‚ P
Ó
· ‰ Œ J %
Ó
Ó Ó
# ‚‚ ‚‚ 4 ‚‚ ‰ Œ 4 J‚ P #‚ ‚ 4 ‚‚ ‚‚‰ Œ 4 J‚ P
sul D sul G
w !
Ó
!
Ó
!
!
!
15 ‰ Œ 8 j ‡.
Ó
Ó
Œ.
4 4
Ó
Ó
Œ.
4 4
15 8 j‰ Œ # ˜. "f "
Ó
Ó
Œ.
44
15 ‡. ‰ Œ 8 J
15 Ó 8 p
col legno
sul D sul G
!
Ó
!
4 4
H
!
œ ˙ %
‚ ‚ 58 ‚‚ ‚‚‰ Œ . 44 J‚ P col legno
sul A sul D
w o
!
+ 4 4 œ F
!
col legno
# sul tasto ˙.
!
2 4
44
meget luftig tone
!
!
?
!
& Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 j ‰ Œ. 8 (u ) w œ w o o $
2 4 Œ
j
arco
o
!
2 4 ‹ "f "
arco sul tasto
w o
˙
col legno
&
85
Vln.
w
j – ?5 4 ! 8 – ‰ ‰ Œ 4 J "f " S.P.E. sul D # (11. harm.) o 5 j ‰ œ 4 œ"‰ Œ Ó 8 Ó ‰ & 4 R % P
85
B. Cl. (in B b)
&
44 # w (u) %
15 Ó 8 p 15 Ó 8 p 15 Ó 8
j Ó
j Ó
j Ó
Œ
# Ó
Œ
Œ
# Ó
Œ
Œ
# Ó
Œ
Ó
Ó Ó Ó Ó
j Ó
Œ
Ó
j Ó
4 ‰ 4
j Ó
Œ
Ó
j Ó
4 ‰ 4
j Ó
Œ
Ó
j Ó
4 ‰ 4
–. f
" "
4 4
& 44
91
B. Cl. (in B b)
Bsn.
Hn. (in F)
j‰ Œ ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . . $ 3
3
j‰ Œ ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . . 3
. ‡. ‡. ‰ Œ . ‡ ‡ b J ‡. ‡. ‡. 3 $
?4 Ó 4
Ó
3
3
!
!
!
!
Vla.
4 4
!
!
!
Vc.
4 4
!
!
!
!
!
D.B.
B. Cl. (in B b)
Bsn.
Hn. (in F)
Vln.
Vla.
Vc.
e = 176
j 7 ‹ & 16 fl "f " I
97
3 r ‡ ‹ œ 8 #œ " ‰ fl fl $ j 3 " " r 8 r " ‹ ‡. ‡. fl
‰
j ?7 r " ‹ 16 ‡. fl "f " 7 ? 16
‰
38 r " ‰ – – – – b– – – – – fl . . . fl . . . $. ~~~~~ j > ˘‹ · ‹‹ '‚‚ ‚‚ 97 ‹ 7 ' ‚ ‚ " 38 ‰ b ‹ & 16 R " b b ‹‹ b‹ ‚ J J % J "f " col legno . 7 R " ‰ 3 ‰. ! B 16 8 f 7 16 Ój ?7 j 16 œ fl f
r 3 j Ó" . Ó ' Ój" " 8 Ój $
j #– "f "
j #–
‰.
‰
3 j j 8 œ #– fl "f " f
‰
3 16
>‹ ‹ ‹ ‹ J
‚' ‚ 3 b‚‚ ‚ ‚ " 16 b ‚ J 3 16
‰
j Ó
j #–
– J
. ‡. ‡. ‰ Œ . ‡ ‡ b J ‡. ‡. ‡.
j –
!
!
Ó
3
43
!
7 16
3 4
!
7 16
3 – –. –. –. – –. –. –. b – –. b –. –. – – – – b – – – – 4 – – – – – – – – b – – – – fl fl fl fl . . . fl . . . f fl . . . fl . . . fl . . . $ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ arco col legno · (O) sul E . Ó ! 43 & R "‰ Œ $ f arco Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~ sul A · (O) j · 3 ! Œ Œ B & 4 $ % 5
Ó
$
j Ó
5
Ó
Œ
j Ó
5
Œ
5
Ó
j Ó
7 16
>‹ ‹ b‹ b‹ J
7 16
3 16
!
7 16
3 16
!
7 16 j œ fl f
" " r 44 " ‹ ‡. ‡. fl
arco
!
10
j #–
?
‰.
3 4
Ó
r " ‰ ˜ fl
>‹ ‹ b‹ b‹ J j
4‰ ' ‰ ‰ J 4 3 p col legno . 4‰ ‰ J ‰ 4 3 p 4 4
œ fl f
#– "f "
j #–
‰.
j
" "
r " ‰ ˜ fl >‹ ‹ " ‹ ‹
‚'‚ ‚‚ ‚‚ ‰ ‚ J ' ‰ J
7 16 7 16
7 16
r 3 n‡ ‹ œ #œ " 4 fl fl $ "f "
j " ‹ ‡. ‡. fl
‰
7 16
7 16
!
n‡ ‹ œ #œ ‰. fl fl $ "f "
44 r " ‰ ˜ fl p
‚'‚ ‚‚ ‚ ‚ " 44 ‰ ‚ J
j j 3 4 ÓJ Ój ‰ Ó Ój ‰ Ó Ój ‰ f
j ÓÓŒ
5
sul E
!
j #– "f "
Ó Ój Œ
4 r n‡ ‹ œ 4#œ " ‰ fl fl $ "f "
!
7 16 ‰
Œ
5
‹. ‰ Œ J p
!
3 7 r 16 ‡ ‹ œ 16 # œ " ‰ fl fl $ "f " j 3 " " r 7 r " ‹ 16 16 ‡. ‡. fl
‰
8:7
col legno
D.B.
Ó
q = 100
Ó
3
3
!
j‰ Œ ‡.
3
3
44
? 4 –" ‰ Œ 4 R
3
. ‡. ‡. ‰ Œ . ‡ ‡ b J ‡. ‡. ‡.
3
Vln.
91
j‰ Œ ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . .
3
. ‡. ‡. ‰ Œ . ‡ ‡ b J ‡. ‡. ‡.
3
?4 4 j‰ Œ n ˜F
j‰ Œ ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . .
3
‡. ‡.
" 43
r " ‰ ˜ fl ‚'‚ ‚‚ ‚‚ " ‰ ‚' R
j
3 4
‰ 'J ‰
3 4
. . . ‰ J ‰ ‰ J ‰ ‰ J
3 4
3
3
‰ J' ‰
j
43
3
3
3
r " j – œ fl "f " f
3
r –
" ‰
j œ fl f
3 4
& 43 ‰
B. Cl. (in B b)
Bsn.
Hn. (in F)
j ?3 ‹ 4 fl
?3 r " ‰ 4˜ fl >‹ ‹ & 43 bb ‹‹
'‚
102
Vln.
Vla.
Vc.
D.B.
B 43 ‰
' J
j
?3 ‰ 4
‰
?3 j 4 #–
j #–
r " ‰ ˜ fl
‚
‚ ‚ . ‚ ‚ ‰ ‚ ‰
3
B. Cl. (in B b)
"
œ & R "‰ Œ p œ ? R "‰ Œ p
Bsn.
Hn. (in F)
& œr " ‰ Œ p 108
Vln.
Vla.
Vc.
D.B.
&· % B
·
%
?· ?
3
‰
‰
108
' J
‰
. J
3
r 42 r " ‰ ‡. ‡.
" ‹ ‰. ‡. ‡. fl
‰
‰ 3
œ fl
r " ‰ ˜ fl
>‹ ‹ ‹ ‹ R
j
‹ ‚' ‚ ‹ ‚ ‚ ‚ ‚ " ‹ ‚ ‹
‰
‰
. J
‰ –
' J
j
‰
3
. J
‰ 3
r j ' –" ‰
Ó
3 4Œ
Œ
Ó
3 4Œ
Œ
Ó
43
!
!
2 4 ˜r " ‰ fl f 42
Œ
3 8
r " ‰ ˜ fl
3 j ‰ ‰ 2 j ‰ Œ 8˜ 4˜ fl fl P 38
j
' ' 2 4 ‰ J ‰ ‰ J ‰ 3 3 f . . 2 ‰ ‰ J ‰ ‰ J 4 3 3 f !
!
42
!
38
!
!
2 4
!
3 8
!
! j
24 –- ‰ –- ‰ 38 J J P
3‰ J ‰ 2 8 4 P . 3‰ ‰ 2 J 4 8 P 3 8
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2 4
!
œ .(u)
5 œ (u) œ . 16 J J
5 œ 8 R " ‰ Œ.
5 16 j j œ œ. %
85 r " ‰ Œ . œ
3 ·. 4
·
o o
· Œ
o Œ
5 . 16 ‹J p
Œ
. 5 ‹J 16 p
Œ
5 . 16 ‹J p
Œ –
""‹ R "f " ‹ ""R f
" "
""‹ R "f "
5 r 16 – " ‰ .
p
11
& 5 – 8 $ & 5 – 8 $ & 5 – 8 $ 5 8
& j
3 8 –. p
!
b œ (u)
!
!
. 3 ‰ ‰ J 8 p
œ (u)
%
44 # w % w 4 4 %
3 ‰ J ‰ 8 p
!
œ 5 R " ‰ Œ. 8
œ .(u)
q = 132
3 j ‰ ‰ 4 8 & 4 #w ˜ fl %
œ (u) œ (u) œ (u) œ (u) œ œ (u) œ (u) œ . 5 J J 16
·
!
38
j
3 4 ·.
3 4
q.= 88
Œ
!
2 4
%
3 4 ·.
%
J
2 r" ‰ " n‡ ‹ 4 #œ œ fl fl $ "f "
‡ ‹ œ #œ ‰ fl fl $ "f "
102
–. –. –. !
K
4 4
œ (u) %
4 Œ 4 ?
44 j ‰ Œ ‹ $
· o ·
4 Ó 4
sul D
4 Ó 4
sul G arco
o
4 –R " ‰ Œ 4
b· o
Ó
œ R "‰ Ó b ‡. ‰ Ó J $
44 j ‰ Œ –$ !
sul D
j –"
3 8 3 8 38
‰ Œ
4 – 4 R"‰ Ó p
r Ó " ‰ Œ
&
3 8
4 – 4 R"‰ Ó p
r Ó " ‰ Œ
B
3 8
4 – 4 R"‰ Ó p
r Ó " ‰ Œ
3 8
& ¬
3 8
col legno
col legno
col legno
4 Ó 4
arco
$
& 38
!
œ (u) œ 44 R "‰ Ó
?3 8
!
4 Œ 4
!
4 j‰ Œ 4 – -
114
B. Cl. (in B b)
Bsn.
Hn. (in F)
?3 8 sul E
& 38
114
Vln.
Vla.
43
!
b ‡. ‰ Ó J
3 4
!
3 4
!
43
!
&
Ó"‰ Œ R
3 4
!
B
Ó"‰ Œ R
3 4
!
?
!
arco sul tasto
b ·# .
3 8
4 4 Œ
!
& 3 ¬. 8
D.B.
j‰ Œ –"
col legno ‚ 44 R " Ó"‰ Œ ‰ Ó R Fo p
$ col legno # sul tasto œ. œ. œ. œ. œ. œ. 4 Œ B 38 4 p
Vc.
œ (u)
Ó p col legno
Ó p
4 – 4 R"‰ Œ
& ¬
% Œ
B. Cl. (in B b)
3 &4
Bsn.
?3 4
b˙. Ø
3 ¬. 4
? 43 j ‰ Œ –!
Hn. (in F)
120
Vln.
Vla.
3 4 ÓR " ‰ Œ 3 4 ÓR " ‰ Œ
! Œ
Œ Œ
˙. %
! !
2 4
r" ‹ ‰ fl "f " #˘‹ " R ‰ "f "
D.B.
3 4 ÓR " ‰ Œ 3 4 –R " ‰ Œ
Œ
!
Œ
!
Œ
‡. ‰ Œ J
9 Œ 8
!
p Ó
p
r ? r Ó "‰ ‹ "‰ Ó fl p "f " & – – R "‰ Œ
2 4
!
2 4
!
r Ó "‰ ‰ Ó
43
Ó
r Ó "‰ ‰ Ó
3 4
Ó " ‰ ? 98 b ‹r " ‰ Ó R fl p "f " & – 9 – 8 R "‰ Œ
r Ó "‰ ‰ Ó
3 4
Œ
!
5 8 Œ
Œ
!
85
&
3 4 Œ
>‹
B
..... 3 œ 4 P œ. . . . .
?
3 4
P
Œ œ.. . . . œ.. . . .
f
" "
– "f " –
f
" "
3 ±. 4 "f "
12
j –
j –
˘‹ J ‰ Œ
arco sul D
s.t.
# b -·
c.l.
!
‹ "f " ‹ "f "
œ+ p
c.l.
‹ ‹
p p
‹ ‹
"
& –.
–
Œ
‹
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‹
!
5 8 b‚ P
J
Œ.
. . . . . >‹ 5 œ 8 P "f "
arco sul D
±.
9 j ‰ Œ 8 – -
c.l. bat. sul G
˘‹ s.t. -·# b J ‰ Œ p
j ‡. ‰ 43
Ó
5 8 Œ
+ b œ. . . . . œ P p
j ‰ 43 ‡. $
b ‡. ‰ Œ . J
Ó " ‰ & 98 r " ‰ R b‹ fl "f " ˘ Ó " ‰ B 98 ‹R " ‰ R "f "
!
c.l. bat.
œ R " ‰ Œ.
3 4
"
r Ó " ‰ & ‹r " ‰ Ó fl p "f " r B # ˘‹ " Ó "‰ R ‰ Ó p "f "
Ó
b œ (u)
j ‰ ‰ Œ –-
j‰ –-
!
Œ
c.l. bat.
!
j ‰ Œ –-
j ‰ –"
r ‹ "‰ Ó fl p "f "
c.l. bat.
Vc.
‡. ‰ Œ J $
3 4 r" ‰ Œ œ p 3 4 r" ‰ Œ œ p 43 œr " ‰ Œ p
24 U #˙ $ 2 4
98
L q = 88
2 U 4 ˙ !
œ R "‰ Œ
– R "‰ Œ
2 U 4 ˙
˙.
œ (u)
j ‰ Œ –$ !
rall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
120
œ R "‰ Œ
5 ‚ 8 P 5 — 8
J
Œ. —.
! St.
‹ ‹ ‚ > "f "
Sp.
Sp. r " b>‹ ‹ ‚ ‹ St.
>‹ St. Sp. b‹ ‚
f
" "
—
—.
‹ ‹
3 4
‹
3 8
‹
3 8 38
r 3 ‚ " 8 ‚ " 3 R 8 ‚ 3 R" 8 3 8
& 38
!
?3 8
!
?3 8
!
127
B. Cl. (in B b)
Bsn.
Hn. (in F)
43 ‰
j
& 38 ‰ # ‚ P
127
Vln.
Vla.
Vc.
B 38
j –
#–
?3 ‰ ‚ 8 P 3 —. 8
D.B.
?
Bsn.
Hn. (in F)
Vla.
Vc.
D.B.
9 16
!
9 16
!
3 4
!
# ä‹ 3 — ‰ Œ 4 J P
Œ
4 ‰ 4
? 11 j ‰ Œ 16 ‹
‰.
4 ‰ –j – 4 $
? 16 11 sul D 11 & 16 ‚ P
& 11 n ·B 16 p
? 11 b ‚ 16 P 11 — 16
! J sul G
# b· p Œ
J sul C
# b· p
—
9 16
Œ
‰.
133
Vln.
9 16
11 j ‰ Œ & 16 ‹
133
B. Cl. (in B b)
43
j ‹ 43 fl j
9 16
j – ¬ $ 3 ‰ 4 j b– ¬ $ 3 4 ‰ j Œ #˜ fl "f "
j ‚. P ‚. J P ‚. J
j
j
j
P
—. J
?
j – – $
44 ‰ j Œ ˜ fl "f " 4 4 4 4 4 4
ä‹ 4 — ‰ Œ 4 J P
¬ ¬ Ó
–
–
–
–
Ó
Œ
!
3 4 j ‰ Œ ˜ fl "f "
Œ
!
r 43 r " ‰ Œ – –
34 b ·# $
sul A
# 3 · 4 $
!
9 16
!
9 16
!
3 ˙. 4 $ St.
col legno
œ. p
˘‹
‚ R"‰ "f " f o
78 j ‰ Œ ˜ fl "f "
Œ.
‚ P
J
# ·
p
b‚
P —
J
œ. p
œ J ‰ Œ "f "
F
sul D arco
·#
p
f
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>‹
..... œ bat.
P
f
9 16 j ‰ Œ ˜ fl "f "
"
j ‚ 38 P
!
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ä‹ 3 — ‰ ‰ 8 J P
9 16 ‚ P 9 # 16 · p
9 b‚ 16 P 9 — 16 "f "
J
# b· p Œ
J
# b· p
—
˘‹ sul G J b ·#
+ œ
R
j
j
11 16
sul A
f p
" "
'
j ‹
+œ
˘‹ 11 J 16 "f " 11 16 11 16
5 8
Œ
85
# ‰ j ‹ · > p
5 8
43 ˜j ‰ Œ fl "f "
>‹ ‚ 43 R P "f " R >‹ sul D ‚ 3 R 4 P "f " j
11 16
3 j ‰ ‰ ‹ Œ 4 ‹ J "f " ‹ 3 j Œ 4 ‹ ‰ ‰ J "f "
r 3 ‚ 4 ‹ P "f>" R
11 16
11 16
±.
38 ‰
j ‰ ˜ fl "f "
'
j ‹
" "
"
Œ
?
f
" "
9 – 16 R " ‰ Œ
3 ‰ – 8 p
‚ J P
>‹
"
3 8
13
..... œ F P œ. ˘‹ ‰ J bat.
9 r 16 – " ‰ Œ
j 3 ‚ 8 P
—.
3
!
3 ‰ 8 – p
# b· p
# b· p
œ.
col legno
j ‹ ‹ ‰ ‰ ‹ ‹ J "f " j ‹ ‹ ‰ ‰ ‹ ‹ J "f "
œ.
±.
Œ. Œ.
œ. 3
Sp.
7 –r " ‰ Œ 8
7 — 8 "f "
‚ " ‰ b ˘‹ R "f " fo
3 ±. 4 "f "
7 r" ‰ Œ 8 –
7 >‹ 8 "f "
!
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!
Œ
!
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!
r 43 r " ‰ Œ – –
+ b œ. . . . . ‰ œj p P
+ ..... ‰ œ œ J p P
ä — ? 3 —‹ R 4 J ‰ Œ P
Œ
5 8
5 8 5 8 5 8
j & 85 ‹ ‰
‰
‰
?5 j ‰ 8 ‹
‰
‰
139
B. Cl. (in B b)
Bsn.
Hn. (in F)
?5 8 # 5 j & 8 ‹ b· > "f " p
Vln.
Vla.
Vc.
D.B.
‚ B 85
J
J
?5 ‚ 8 ?5 8
-·# J p
Hn. (in F)
Vla.
Vc.
‰
‚ J P j
J
3 16
? 2 œœ " ‰ 8 R
!
3 œ. 16 œ . J ƒ
43
3 4 3 œ 4 œ"‰ R
?
. . ‹. ‹. ‹. ‹. ‹ # ‹ Sp.
3
Sp.
f
4 b b œœ 4 ƒ
3
3
Œ
Ó
3
B
Œ
‰.
–"‰ R f
‰
– p
5 16 b ‡. ‹ "f " fl j 5 @ 16 b · bœ ƒ
– R– " ‰ R
!
..... R R "‰
..... R R"‰
‰.
–
f
5 r " ‰. 16 – f
..... J ‰
‰.
# – –. "R p
– f
‰.
2 8
j ·@ .. œ
2 8
keep the bow on the string
..... R R"‰
5 R " ‰. 16 p
28
5 16 R " ‰ . p
2 8
5 16
!
2 8
5 bœ 16 b œJ ƒ
œ .. œ J
2 8
keep the bow on the string
Œ
!
28
!
!
!
7 8
!
3 4
!
!
!
7 8
!
3 4
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!
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78
!
43
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b œœ J ‰ Œ ƒ
..... J ‰
– ‰.
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Sp.
‹. R"‰ Œ
!
Œ
3
. 4 ‹. ‹. ‹. # ‹. ‹. ‹. ‹R " ‰ Œ 4 St.
# – J ‰ p
r – . p
‰.
Œ
r r" ‰ ‡. ‹ "f " fl
– ‰. f
–. p
..... ‰ J Œ "f "
Œ
o
Œ
c.l. bat.
!
Ó
f
..... J ‰ "f "
arco
St.
" "
c.l. bat.
!
Ó
St.
– ‰ J f
Œ !
3 4
Ó
b ·. · 4 2 & 8 ‰ # ·. . 4 R " ‰ Œ # ·. F p 3 b ·. · B 28 ‰ ·. . 44 R " ‰ Œ # ·. F p !
!
3 16
3
2 8
!
Œ
q = 160
" "
D.B.
J
‹ 4 2 & 8 ‰ b‡ ‹ 4 . "f " w Ø ? 2 ‡‰ 4 8 ‹ . 4 b ‡. ‹ ‰ Œ fl fl r 2 44 @ Œ & 8 ·@ " ‰ · bœ œ ƒ
145
Vln.
j
b¬. $ 3 r 4 ·@ " ‰ œ
3 j 16 ·@ . œ. ƒ 3 16
!
3
Bsn.
& · J p
sul D
# j ‰ ‚J b ·p P
145
B. Cl. (in B b)
&
j – ‰ f
¬. $
3 r 3 16 ‹ " " 4
‹ J
j ‹ > "f "
139
r 3 16 ‹ " " 43
‹ J
!
M q = 104
. . ‹. ‹. ‹. ‹. ‹ # ‹
St.
Sp.
f
" "
Ó
3
3
b œœ J ‰ Œ ƒ
Ó
‹. R"‰ Œ
f
3
?
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f
3
3
" "
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Sp.
3
" " St.
14
!
Sp.
3
. . ‹. ‹. ‹. ‹. ‹ # ‹
St.
b œœ 7 J ‰ Œ 8 ƒ
. ‹. ‹. # ‹. " ‰ Œ # ‹ ‹ ‹ R ‹. . . 3 "f "
St.
B
‹. R"‰ Œ
b œœ J ‰ Œ ƒ
Œ.
. . .‹ ‹. ‹. # ‹. ‹. ‹ 7 ‹R " ‰ Œ 8 3 3 "f "
St.
Ó !
Sp. .‹ ‹. ‹. # ‹. ‹. 3 4 3 3 "f " St.
Sp.
?
Sp. . 7 ‹. ‹. ‹. # ‹. ‹. ‹. ‹R " ‰ Œ 8 3 3 "f " St.
7 8
3 4
!
3 4 3 4
N
& 43
151
B. Cl. (in B b)
Bsn.
q = 132
?3 4
!
44
!
!
!
4 4
!
!
3 & 4 #· · · œ œ œ â â â Ï & & b · #· 151 · · · · 3 & 4 #· · · #· ··
4 4 #· œ â
Vla.
B 43
!
4 4 b– p
Vc.
?3 4
!
4 Ó 4
ä ? 3 œœ 4 Ï
äœ œ
Hn. (in F)
Vln.
D.B.
F
& ‡j ‰ Œ .
Bsn.
Hn. (in F)
Vln.
Vla.
Vc.
? ‡. ‰ Œ J ?
ä 4 œœ 4
5
#·
&
· œ â
·
#· · j b–
·
# ··
· œ â ·
·
Ó
3
äœ œ
3 4
!
3 4
!
··
j b–
·
·
·
ƒ
Ó
Ó
äœ œ
b–
Œ
Ó Ój Œ
? ‹. ‰ Œ J p
j Ó ÓŒ
5
b– j b–
Ó
äœ œ
Ó
3 4
!
7 16 Ój 7 16 j œ fl f
col legno
j Ó
j –
".
j #– "f "
Ó
j b–
Ó j b–
5
b–
'
Œ
Œ
Œ
48 r " ‰ b –. –. –. –. –. $ ˘‹ '‚‚ ‚‚ ‹ ‚ ‚ " 48 ‰ b ‹ b‹ ‚ J J 4 8 4 j 8Ó $
j Ó
15
. ‡. ‡. ‰ Œ . ‡ ‡ b J ‡. ‡. ‡.
b– p
. ‡. ‡. ‡ b ‡ ‡ ‡. . . 3
3
3
?
5
5
– –. –. –. – –. –. –. b – –. fl fl fl $ !
5
5
3 16
Œ ˘‹ ‹ ‹ ‹ J
j –
b– p j b–
! col legno
Ó
Ó
$
!
j Ó
Ó
Œ
>‹ ‹ ‹ ‹ J
!
j Ó
5
Œ
Ó
j Ó
!
7 16
‚' ‚ 3 ‚b ‚ ‚‚ " 7 ‰ 16 b ‚ 16 J
&
4 n‡ ‹ œ 4 fl fl $ "f " " " r 44 ‡. 44
! >‹ ‹ b‹ b‹ J
‚'‚ ‚‚ ‚ ‚ " 44 ‚ J
!
3 16
!
7 16
!
B
4 4
Œ
3 16
!
7 16
!
?
4 4
3 16
!
7 16 j œ fl f
‰
4 j j 8 œ #– fl "f " f
‰.
Ó
3
3 7 r 16 ‡ ‹ œ 16 # œ " ‰ fl fl $ "f " j 3 " " r 7 r " ‹ 16 16 ‡. ‡. fl
Œ
8:7
j #–
–
j b–
3
3
!
" " r 48 r " j ‡. ‡. ‹ â
r ' Ó Ój " "
‡. ‰ Œ J
! 5
j‰ Œ ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . .
3
!
!
‰.
j‰ Œ ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . . 3
!
4 r" ‰ ‹ ‡ œ 8 #œ fl fl $
‰
j 7 r " ‹ 16 ‡. fl "f "
j Ó Ój ‰
b– "f "
– "f "
!
j 7 16 ‹ fl "f "
Ó
3
7 16
j 3 4 JÓ Ój ‰ Ó Ój‰ f
j b–
3
O e = 176
43
3
!
j –
–
3
b– p
&
j‰ Œ ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . . $ 3 . ‡. ‡. Ó ‡ b ‡ ‡ ‡. . . 3 $ 3
!
b –. –. – –. –. –. b – –. –. –. – –. –. –. – –. –. –. b – –. –. –. – – – – fl fl fl fl . . . f fl~~~ fl Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sul E · (O) col legno j . arco ·" > ‹‹ 157 ' 3 7 & R" ‰ Œ Ó 4 16 R b b ‹‹ % J $ f Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sul A col legno ~~~~ arco · (O) . j · 3 7 Œ Œ & 4 16 R " ‰ $ % f
sul E
D.B.
Ó
5
·
q = 100
Ó
157
B. Cl. (in B b)
äœ œ
44
b ·#
· œ â
q = 160
j #–
– J
j –
‰
j #– "f "
‰.
j #–
4 4
r & 44 # œ " ‰
B. Cl. (in B b)
Bsn.
Hn. (in F)
?4 4
‡.
‰
" ‹
fl
?4 r " ‰ 4˜ fl p
r" ‰ ˜ fl
>‹ ‹ & 44 ‰ b b ‹‹ J j
Vc.
Bsn.
Hn. (in F)
Vla.
Vc.
D.B.
j
j
3 4 # –j "f "
œ fl f
q.= 60
p
#– "f "
6 & 16 ‡ fl p
‹ fl
‡. p
"
?6 16 ? 16 6
3
‰.
j #–
3
r" j œ – fl " " f f
œ #œ
‹ fl
‡. ‡.
"
?6 16 6 16
r –
" ‰
!
! !
j œ fl f
œ #œ
‹ fl
‡.
"
'‚ ‚ ‚' ‚ 6 ‚b ‚ ‚ ‚ " ‚b ‚ ‚ ‚ " & 16 b‚ b‚ J J p 6 B 16
3
‡.
!
168
Vln.
j
‚' ‚ ‚ ‚ . ‚‚ ‰ ‚
?4 4
168
B. Cl. (in B b)
j
>‹ ‹ 43 bb ‹‹
‚' ‚ ‚ ‚ ‚‚ " ‰ ‚' R
r " ‰ ˜ fl
' 3 4‰ J ‰
3
D.B.
>‹ ‹ " ‹ ‹
3 4 ˜r " ‰ fl
r" ‰ ˜ fl
3
‹ fl
‡. ‡.
"
‰
‹ fl
‡.
"
! ‚ ‚ ‚' ‚ ‚ ‚ b‚ ‚ " ‚ ‚ " b‚ ‚ J J ! ! !
sul C
sul G arco
sul D arco
?
j
' ‰ J
. ‰ J ‰
. ‰ J
3
3
j –
" ‰ – 'R "f "
œ œ
‹ fl
‡. ‡.
"
!
'‚ ‚
‹ ‚' ‚ ‹ ‚ ‚ ‹ ‚ ‚ " 42 ‚ ‹ ‰
œ fl f
œ #œ
2 4 ˜r " ‰ fl f
r " ‰ ˜ fl
3
"
‡.
j
3
3
j #–
>‹ ‹ ‹ ‹ R
' ‰ J
‰
. 3 4‰ ‰ J ‰
œ œ
r 42 r " ‰ ‡. ‡.
" ‹ ‰. ‡. ‡. fl
‰
P
2 r" ‰ " n‡ ‹ 4 #œ œ fl fl $ "f "
‡ ‹ œ #œ ‰ fl fl $ "f "
B 44 ‰ 'J ‰ ‰ 'J ‰ ‰ 'J ‰ ‰ 'J ‰ 3 3 3 3 p col legno . . . . ?4 ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J 4 arco
Vla.
r" ‰ ˜ fl
‚' ‚ ‚ ‚ ‚‚ ‰ ‚ J
163
Vln.
r 3 n‡ ‹ œ #œ " 4 ‰ fl fl $ "f " j j 3 " ‹ " 4‹ " " ‡. ‡. fl ‡. ‡. fl
n‡ ‹ œ #œ ‰. fl fl $ "f "
163
‡. ƒ
28
'‚ ‚
2 · 8
b ·# .
2 · 8
o
16
Œ
3 8
r" ‰ ˜ fl
j
j
!
42
!
6 16
!
2 4
!
6 16
3 j ‰ ‰ 8˜ fl
2 4 ˜j ‰ Œ fl P
6 16
38
42
!
6 16
! j
' ' 2 4 ‰ J ‰ ‰ J ‰ 3 3 f . . 2 4 ‰ ‰ J ‰ ‰ J
3‰ ' ‰ 8 J P . 3‰ ‰ J 8
2 4
!
6 16
2 4
!
6 16
2 4
3 8
–2 –4J ‰ J ‰ P
3
SORDIN
!
f
3
!
q = 132
!
‚ ‚ ‚' ‚ ‚ ‚ 2 b‚ ‚ " ‚ ‚ " 8 ! b‚ ‚ J J ƒ # 2 ·. 8 · o # ·. o
38
!
2 r" ‰ œ 8 #œ ƒ 2 8
Œ
q.= 88
&
3 4 #˙. $ ˙. 3 4 $
4 r "‰ Œ 4 œ F œ 4 R "‰ Œ 4 F
43 # ˙ . $ 3 4 Ó
!
P
44 r "‰ Œ œ F sul D
· o ·
3 4
Ó
3 4
Ó
43 3 4
o
3 4
b· o
4 · 4 %
3 4
Œ
4 4
sul D
sul G
3 · 4 J ‰ Œ $
Ó
4 · 4 %
3 j 4 · ‰ Œ $ 3 j 4 · ‰ Œ $
4 4 · %
6 16
!
3 4
Q
& 43
174
B. Cl. (in B b)
Bsn.
Hn. (in F)
?3 4 3 &4
˙ (u)
œ (u)
˙ (u)
% ˙ (u)
œ (u)
œ . (u)
œ
˙ %
Vla.
Vc.
D.B.
· o
·. B 43
· o
? 3 ·. 4
· o
?3 4
B. Cl. (in B b)
3 &4 Œ
Œ
Bsn.
Hn. (in F)
?3 Œ 4
Œ
& 43 Œ
Œ
43
œ 3 R"‰ Œ 4
Œ
6 8
!
5 16
!
3 4
3 4 r" ‰ Œ œ
Œ
6 8
!
5 16
!
3 4
˙˙
5 16
!
43
Œ
Œ
5 16
!
˙ 3 ˙ 4 f
Œ
&
f
Œ
Sp.
4 œR " ‰ Œ 4
Ó
œ.
œ.
5 16 j j œ œ.
44 r " ‰ Œ œ
Ó
5 R– " ‰ . 16
& 4 ¬ 4 p
Œ – "f "
j ‰ Œ ‹. p
j ‹. ‰ – "f " p – "f "
– "f " – R"‰
–"‰ Œ R
–"‰ Œ R
Œ
5 16 5 . 16 ‹J p 5 . 16 ‹J p
! ""‹ R "f " ""‹ R "f "
& 4 ¬ 4 p & 4 ¬ 4 p & 4 ¬ 4 p
arco
17
bœ 6bœ 8 Ï
ƒ
Ó
3 4 ?
43
Œ.
‰
Œ. ‰
ƒ
Œ
?
‰
' 5 16 " J f
3 – 4 R "‰ Œ
Œ
&
3 – 4 R "‰ Œ
Œ
B
3 – 4 R "‰ Œ
Œ
?
3 4 –R " ‰ Œ
Œ
j
' J
3 4 3 4
‰
5 16 ‰
11 16
!
3 4
11 r " ‰ Œ 16 –
b¬. p
j
B
. . ' "' 3 R R 4 f
col legno
r 11 ‹ " ‰ Œ 16 P
!
43
‰
nœ. 5 n œJ . 16 Ï
ƒ b œœ
6 Œ. 8
r 3 4 ‹ "‰ Œ P
‰
n # œœ .. 5 J 16 Ï
b b œœ
6 Œ. 8
f
5 œ (u) œ . 16 J J
œ %
Œ
f œœ
œ .(u)
%
68
Bœ
. 5 " ‹. ‹. ‹. ‹. 3 ‹R " ‰ Œ 16 R 4 "f " St.
b œœ
Œ
œ
Sp. 5 " ‹. ‹. ‹. ‹. 3 ‹R. " ‰ Œ 16 R 4 "f " St.
œ .(u)
j
D.B.
!
b œ (u)
%
Ÿ~~~~~~~~~~~~~~~~~~ B 43 b · " · · · -(œ) %
. ?3 '"‰ Œ 4 R
5 16
œ 4 R "‰ Œ 4
sul C
Vc.
!
œ (u) œ (u) œ (u) œ (u) œ œ (u) œ (u) œ . 5 J J 16
3 Ÿ~~~~~~~~~~~~~~~~~~ " &4 · (--œ ) · · · %
?3 ' ‰ Œ 4 J
68
œ (u)
sul G
Vla.
Œ
Œ
!
180
Vln.
œ 34 R " ‰ Œ
Œ
!
180
5 16 j j œ œ.
œ.
œ.
& 43 · .
œ (u) œ . 5 16 J J
œ (u) œ (u) œ (u) œ (u) œ . 5 J J J 16
%
174
Vln.
œ (u)
&
# b· · · ·
11 16 # · #· p sul G 11 ‹. >‹ 16 "f " 11 16 11 16
-·#
f
3 4
‰.
43
&
··
‹. "f "
p # ‹. >‹ -·
" "
·
‰.
·
· 3 4
# ‹. 3 4
‹. ‹. 3 4 "f "
p
!
3 4
R
& 43
186
B. Cl. (in B b)
Bsn.
Hn. (in F)
q = 110
# ˙ (u)
%
? 3 ˙ (u) 4 %
b· 3 &4 R"‰ Œ
Vla.
B 43
# ˙ (u)
# œ (u)
œ .(u)
#œ
? 3 #˙ 4 %
F
!
Vc.
?3 Œ 4
Œ
&–
D.B.
& 3 –4 f
# –-
&–
3 &4 Œ
Œ
?3 Œ 4
Œ
192
B. Cl. (in B b)
Bsn.
Hn. (in F)
? 43 Œ
Œ
œ (u)
f
%
œ (u)
% #œ
%
34 œR " ‰ Œ
Œ
68
!
5 16
!
43
# œ (u) œ (u) œ (u) 5 # œ (u) œ . J 16 J J
3 œR " ‰ Œ 4
Œ
6 8
!
5 16
!
3 4
œ. J
3 4 œR " ‰ Œ
Œ
6 8
!
5 16
!
3 4
Œ
#œ 68 # œ ƒ
‰ Œ.
Œ
6 8
‰ Œ.
5 16 # œJ
Œ
&–
# –-
&–
# –-
f
Œ
p !
œ .(u)
# œ . (u)
#œ.
œ.
Ÿ~~~~~~~~~~~~~~~~~~~~~~ · ·" 3 · (œ) · j ‰ Œ &4 ‹. % p sul D Ÿ~~~~~~~~~~~~~~~~~~~~~~ · · · · " j ‰ B 43 ( œ ) # ‹. – % " f" p j
Vc.
D.B.
?3 ' ‰ Œ 4 J . ?3 '"‰ Œ 4 R
Œ #– "f "
?
?
sul A
Vla.
& # 5 –- –- . ‰ 16 p
#– "f "
#– "f " #– " ‰ R
#– " ‰ Œ R
#– " ‰ Œ R
Œ
sul A sul D
&
˙ 34 ˙ f
sul D sul G
B
3 4
b ˙˙ f
Sp. 5 " r # ‹. ‹. ‹. 3 # ‹. " ‰ Œ 16 ‹. 4 R "f " St.
5 " r # ‹. ‹. ‹. 3 # ‹. " ‰ Œ 16 ‹. 4 R "f " St.
Sp.
# œ (u) œ (u) œ (u)# œ (u)œ œ (u) 5 # œ (u) œ . 16 J J
192
Vln.
&- -# 5 16 – – ‰ . p
!
p
# œ (u)
# œ (u) œ . 5 16 J J
#œ.
#œ.
Œ
186
Vln.
œ (u)
sul D sul G
sul D sul A
b œœ f
œœ f
6 8 6 8
# œœ
ƒ
7 œ"‰ Œ 8 R
Œ.
5 #œ œ. 16 J J
78 œ " ‰ Œ R
Œ.
3 b ˙ (u) 4 %
5 #– 16 R " ‰ .
& 7 ¬ .. 8 p
!
r 5 j 16 ‹. "" ‹ p "f " r 5 j 16 ‹. "" ‹ p "f "
& 7 ¬ .. 8 p & 7 ¬ .. 8 p & 7 ¬ .. 8 p
18
%
43 ˙ %
‰
ƒ
˙ (u)
5 #œ œ. 16 J (u) J
5 16
b œœ
q = 104
3 4
‰
ƒ
Œ.
Œ.
œœ .. 5 J 16 Ï
# œœ
Œ.
7 œR " ‰ Œ 8
œœ .. 5 16 J Ï
‰
3 4
' J
j
3 4
. . ' ' 3 R " R 4 f
col legno
5 16 ‰
œ (u) œ . 5 J J 16
3 4
œ (u)
bœ œ. 5 J (u) J 16
3 4
œ. J
43
œ &–
# –-
# 3 –4
&–
# –-
# 3 –4
&– Œ
43
b œ (u)
# 3 –4
# 3 –4
5 ' 16 " J f
j
‰
Œ Œ
5 œ 16 J
& # 5 – – . ‰ 16 5 16 ?
?
!
&
3 4
B
3 4
r . . 3 5 16 " b ‹. ‹. b ‹ b ‹ 4 "f " St.
Sp.
r . . 3 5 16 " b ‹. ‹. b ‹ b ‹ 4 "f " St.
Sp.
œ 3 &4 R"‰ Œ
Œ
œ ?3 R"‰ Œ 4
Œ
198
B. Cl. (in B b)
Bsn.
Hn. (in F)
?3 œ"‰ Œ 4 R
˙ (u)
Vln.
& 43
(œ)
%
% # –-
"
Vc.
f # –-
D.B.
3 œ & 4 R"‰ Œ
Bsn.
Hn. (in F)
D.B.
# –# –-
p "f "
& # 5 16 – – ‰ .
&–
# –-
5 16
&– Œ
Œ Œ
?
?
!
B
r . . 5 16 " b ‹. ‹. b ‹ b ‹ "f " St.
Sp.
r . . 5 16 " b ‹. ‹. b ‹ b ‹ "f " St.
Ÿ~~~~~~~~~~~ 3 16 j . 43 r " ‰ · (---œ ) · % p sul C Ÿ~~~~~~~~~~~ 3 j. 3 r" ‰ 16 · 4 · (-œ ) % p & 3 ‹. " " 3 œ- ˘‹ 16 R 4 p "f " & œ- ˘‹ 3 ‹. " " 3 16 R 4 p "f " sul G
&
Sp.
!
!
? 3 Rœ " ‰ Œ 4
Œ
6 8
!
!
!
? 43 œ " ‰ Œ R
Œ
68
!
!
!
3 ˙ & 4 b˙ f sul G
Œ
6 # œœ 8
‰ Œ.
œœ
‰ Œ.
˙ B 43 b ˙ f
Œ
6 # œœ 8
‰ Œ.
œœ
‰ Œ.
6 Œ. 8
# œœ
Œ.
œœ
6 Œ. 8
b œœ
Œ.
# n œœ
sul C ? 3 R‹. " ‰ Œ b œœ 4 f
? 3 ‹. " ‰ Œ 4 R
sul G
sul A sul E
# œœ f
‰ ‰
b œœ
Ï
b b œœ
Ï
‰ ‰
˙ (u)
œ (u)
œ .(u)
& #– ‰ J & ‹ œ> p "f " & > -# ‹ œ‰ J– B "f " p # & –- –-
j 5 16 ‰ – . p
4 r"‰ Œ 4 –
5 ‰ j 16 –. p
44 r " ‰ Œ b–
‰ Œ. b b œœ
Œ.
œœ
Ï Ï
j
5 ' ' 4 # ˙˙ 16 J J " 4 Ï f col legno .. arco 5 " ' ' "" 4 ˙˙ 16 R R 4 Ï f
‰ Œ.
‰ ‰
43
œ (u)œ (u)œ (u) 5 œ (u) œ . J 16 J J
3 4
5 16 œJ Jœ .
3 4
!
5 16
!
43
!
5 16
!
3 4
œ.
?
Ÿ~~~~ 5 ‰ # · . (u) ·j 4 Ó 16 J 4 p Ÿ~~~~ 5 ‰ J·. (-u-) ·j 4 Ó 16 4 p
St.
r 5 3 16 " ‹. ‹. ‹. ‹. 4 "f " St.
!
Œ
j
# œ (u) œ . 5 16 J J
!
Œ
# & –- –-
œ (u)
œ.
. 5 4 r 16 ‰ b R‡ "" 4 ‡. " ‰ Œ p
Œ.
19
œ (u)
œ
3 3 16 œR " " 4 ˙ %
!
sul C
Vc.
# –-
œ. J
Œ
205
Vla.
f
p "f " œ- ˘‹
sul D sul G
Vln.
&–
œ ˙ (u) 3 3 R 16 " " 4 % œ 3 R " " 3 ˙ (u) 16 4 %
6 8
205
B. Cl. (in B b)
5 16 Jœ
" "
œ- ˘‹
? 3 ‹. " ‰ Œ 4 R
œ
" "
Ÿ~~~~~~~~~~~~~~~~~~~~ · · ·" B 43 b · ( œ ) % ? 3 ‹. " ‰ Œ 4 R
bœ œ. 5 J (u) J 16
˙
sul G
Vla.
œ (u)
%
Œ
#Ÿ~~~~~~~~~~~~~~~~~~~~ · · · ·
œ (u) 5 16 J
b ˙ (u)
sul E 198
b œ (u)
%
S q = 96
œ. J
?
Sp.
r 5 3 16 " ‹. ‹. ‹. ‹. 4 "f " Sp.
U Ó
!
U Ó
!
U Ó
!
U ˙˙
!
U ˙˙
!
U Ó
!
U Ó
!
2. sats & Ó
U Ó
? Ó
U Ó
& Ó
U Ó
b ˙˙
U ˙˙
212
B. Cl. (in B b)
Bsn.
Hn. (in F)
212
Vln.
Vla.
Vc.
D.B.
& B
q = 78
Ï
43
œ. œ. œ. œ. œ. œ. Ø 3 . Œ 4 b ‡R " ‰ Œ $ 3 4
34 œœ " ‰ Œ R
U ˙˙
b ˙˙
Ï
? Ó
U Ó
? Ó
U Ó
3 4
B. Cl. (in B b)
Bsn.
Hn. (in F)
&
# œ.
5 8
œ. œ. œ. œ. œ.
? r" ‰ Œ ‡. & r" ‰ Œ œ ..... œ & P
c.l. bat.
3
218
Vln.
Vla.
Vc.
D.B.
˘ B ‹J ˘ ? ‹J
±.
· p ‰ Œ ‰ Œ
·
c.l. bat.
– "f "
P
– "f "
œ. . . . . œ.. . . .
# œ.
Œ
5 8 Œ
Œ
85 Œ
# · -·
œ. "f " $
5 8 ‚ P
..... 5 œ 8 P
‹
‹ "f " ‰
j
>‹
c.l. bat.
– "f " -# s.t. · p
j –
5 8 ‚ P 5 — 8
Œ.
f
" " j
Œ. —.
sul G
b˘‹ J ‰ Œ
j –
# ä b ·- ‹
(7. harm.)
˘‹ J ‰ Œ
j œ
j
c.l. bat.
p
f
" "
5 8 Œ
Œ
..... nœ b‚ P
# # -·
>‹
3 ±. 4 "f "
218
r"‰ Œ œ
sul A
œ 3 œR " ‰ Œ 4
‡. ‹
œ. œ. œ. œ. œ. œ. œ. œ. "f " $ r ‹ 5 Œ ‡. " ‰ Œ 8 Œ ‹ "f "
SORDIN
evt. en oktav dybere ˙ . %
‹
85
p
sul D
3
sul D
±.
‚
j
P
‰
-·# # Œ. 85 p c.l. bat. œ. . . . . b>‹ 5 8 P "f " 5 -# 8 b· p
sul G
5 — 8
‹
‰?
sul A sul D
44
sul D sul G
4 4
Œ. —.
?
‹
3 8
!
‹
3 4
!
3 8
!
j # –F
sul A sul D
3 4
r " 43 ‹ sul D sul G
3 4
?
Œ
b ˙˙ ..
&
38 3 8
Ï
b ˙˙ ..
3 8
Ï
ä‹ — 3 4 J ‰ Œ P
Œ
20
·œæ.. $
Ï
b ˙˙
Ï bä—‹ 4 J ‰ Œ 4 P
. 3 œœ . 8 $
U Ó
&
U ˙˙
U Ó
3 œ. 16 J
! œœ J ‰ ‰ œ .. œ
#˙. % œœ 43 R " ‰ Œ
> ‹
f
" "
j –
j –
3 ±. 4 "f "
œ.
œœ J ‰ ‰
SORDIN
..... ..... œ 3 œ 4 – P "f " œœ 3 – 4 R "‰ Œ "f "
3 œ. 16 J
%
3 4
c.l. bat.
œ.
%
q = 72
# œ. œ. œ. œ. œ. œ. Ø 3 . Œ 4 ‡R " ‰ Œ $
U ˙˙
! œœ ..
43
U Ó
·œæ..
œœ ..
3 8
!
b ˙˙
r " 44 Ó b‹
!
34 " ‰ Œ j # –-
U Ó
!
3 4
!
4 Ó 4
4 " ‰ Œ j 4 j ––F
‰?
sul E
T
# ‡.
‹
44 Ó
U Ó
2 œ 4 R "‰ Œ F 2 œ 4 R "‰ Œ F
r 3 16 ·æ " " 42 œ Ï
!
r 2 3 16 " " Ó 4 ÓR œj" ‰ Œ "f " 3 16
!
3 16
!
3 8 3 8 ?
38 3 8
Ÿ~~~~~~~~~~~~~~~~ 2 ·˙ ( œ ) 3 4 8 p Ÿ~~~~~~~~~~~~~~~~~ b 2 ·˙ 3 4 (œ) 8 p
3 œœ " " 2 16 R 4 Ï
!
3 8
& 38 ‰
‰
?3 ‰ 8
–
225
B. Cl. (in B b)
Bsn.
Hn. (in F)
?3 8 –. $ 225
Vln.
Vla.
Vc.
D.B.
38
Bsn.
Hn. (in F)
Vla.
Vc.
D.B.
3 – 4 J ‰ Œ ƒ 3 4 –j ‰ Œ ƒ # 34 ¬ . p
!
~~~~~~~~~~~~~~~~~~ ? 3 ·œ .. 3 ·œ 8 4 $ ?3 8
&Œ
?
·œ ·œ
# 3 ¬. 4 p
!
Œ
? r" ‰ Œ ‡. p
& # ¬
$ # ¬
$ # ¬
$
"–– . . F . . "–– "
F
–. –. –. –.
3
3
p
–. –. –. –. –. –. F p
·œ " R ‰ F ·œ R"‰ F
%
œ (u)
œ . (u)
œ
œ.
%
Œ
%
¬ J ‰ Œ "f "
Œ
& ¬
P P
¬ J ‰ $
& ¬
¬ J ‰ Œ "f "
?
– "f "
Œ
r" ‰ ‡.
3 8
Œ
r" ‰ ‡.
Œ
Œ
3 r" ‰ 8 ‡. 38
!
3 8
! – R"‰ P – R"‰ P – R"‰ P
# ¬
$ # ¬
$ # ¬
$
&
¬ J ‰ $
Œ
!
# œ (u) œ (u) œ (u) œ (u) œ œ (u) 5 # œ (u) œ . 16 J J
œ (u)
–. –. Œ p –. –. Œ 3
r" ‰ ‡.
!
231
Vln.
p
43 –j ‰ Œ ƒ
~~~~~~~~~~~~~~~~~~ 3 3 · B 8 ·œ .. 4 œ $
231
B. Cl. (in B b)
j – P
q = 96
– R"‰ P – R"‰ P – R"‰ P
# 3 –. 8 $ # 3 –. 8 $ # 3 –. 8 $
‰
!
?
œ.
j ‰ Œ ‹. p
– "f " – R"‰
j ‹. ‰ – "f " p – "f "
– R"‰ Œ
– R"‰ Œ
!
43
!
3 4 3 – 4 R"‰ Œ P 3 – 4 R"‰ Œ P 3 4 R– " ‰ Œ P
21
5 16 Jœ (u) œJ .
3 4 œR " ‰
Œ
5 16 Jœ
œ. J
3 4 œR " ‰
Œ
Œ
– 5 R 16 " ‰ .
.pizz. 43 R " ‰ p
Œ
Œ
5 16
5 . 16 ‹J p
Œ
3 4
Œ
5 . 16 ‹J p
Œ
3 4 ‡r " ‰ Œ .
!
!
B
# œ . (u)
œ 43 R " ‰
2 4
! > " " ‹ R "f " > " " ‹ R "f "
!
2 4
! Œ Œ Œ
& 2 ¬ 4 p & 2 ¬ 4 p & 2 ¬ 4 p
‰
# 3 ¬ 4 $ # 3 ¬ 4 $
U q = 72
3 2 4 r" ‰ ‰ j ‰ ‡. ‡. p
42 Œ
# 3 ¬ 4 $
– p
3
r" ‰ ‡. p Œ
– R"‰ P – R"‰ P – R"‰ P
3 ˙ (u) 4 %
œ (u)
43 –r " ‰ Œ F
Œ
3 ˙ 4 (u) %
œ (u)
. 3 4 R"‰ Œ p
Œ
3 – 4 R"‰ Œ
Œ
3 – 4 R"‰ Œ
Œ
3 4 R– " ‰ Œ
Œ
( pizz. )
!
&
B. Cl. (in B b)
Bsn.
Hn. (in F)
˙ (u)
b œ (u)
43 œR " ‰
Œ
Œ
!
Œ
Œ
? b œ .(u)
œ (u) œ (u) œ (u) 5 œ (u) œ . 16 J J J
3 œ 4 R"‰
Œ
Œ
!
Œ
Œ
& . œ
œ.
5 16 j j . œ œ
3 4 r" ‰ œ
Œ
Œ
!
Œ
Œ
!
5 16
!
34 –- –P
–-
–-
–-
–-
–- –- –- –- –- –-
–- –- –- –- –- –-
–-
–-
–-
–- –- –-
!
5 16
!
–-
–-
–-
–-
–- –- –- –- –- –-
–- –- –- –- –- –-
–-
–-
–-
–- –- –-
!
r 5 3 . 16 " ‹. ‹. ‹. ‹. 4 ‹R " ‰ "f "
Œ
Œ
!
Œ
Œ
!
&
237
Vln.
&
Vla.
Vc.
243
Bsn.
Hn. (in F)
&
? œ (u) & 243
Vln.
Vla.
Vc.
D.B.
œ (u)
œ œ
5 œ (u) 16 J
?
!
D.B.
B. Cl. (in B b)
œ (u) b œ (u) œ (u) œ (u) œ b œ (u)
œ (u)
œ. J
237
?
St.
arco
3 –- –4 P
Sp.
r 5 3 . 16 " ‹. ‹. ‹. ‹. 4 ‹R " ‰ "f "
‰ Œ
6 Œ. 8
œ œ‰ Œ
6 Œ. 8
St.
Sp.
r" ‰ ‰ ‡. p ‡. " ‰ ‰ R p
Œ
U Œ
!
43 ..
!
.. Œ
Œ
U Œ
! –- –- –- –- –- –-
–J ‰ Œ
Œ
–- –- –- –- –- –-
–J ‰ Œ
Œ
!
..... J ‰ Œ "f "
- - - - - - .. – – – – – – .. – – Œ
U Œ
? Œ
–
p
– "‰ ‰ R
q = 104
Œ
3 4
6 –. 8
Œ
.. Œ
6 –- –- –- –- –- –8
& . " J– "f "
Œ
!
–- –- –-
p
b– "f "
b– R "‰
3 4 ..
–- –- –-
– R "‰ ‰
Œ
!
U Œ
6 –. 8
b– R" ‰ Œ
b– "f "
Œ
3 .. –- –- –- –- –- –- .. –- –Œ 4
–
œ.
!
6 –- –- –- –- –- –8
? Œ
œ.
3 4 ..
–- –- –-
& –. " J "f "
œ . (u)
œ %
U Œ
–- –- –-
œ œ
%
b œ . (u)
x 12 .. Œ
68
œ
b œ (u)
!
‰ Œ
!
%
3 4 .. 3 4 ..
.. Œ
!
.. Œ
!
22
Œ
U Œ
Œ
U Œ
V
?
P P
j – ‰ Œ f
– ‰ Œ J f ‰
j – – p
c.l. bat.
!
?
?
..... ‰ J Œ "f "
c.l. bat.
–. p
– f
‰ " –r r" ‰ – f
p
..... J ‰ ‰.
.... R
Bsn.
Hn. (in F)
?
r r"‰ ‡. ‹ – "f " fl p
.
– ‰
" – R– " ‰ R
f
?‰ " r – –. p
– f
Œ
5 r" 16 – f · 5 [·] 16 b œ J ƒ j 5 b ·@ 16 b œ ƒ
r 3 r "‰ Œ ‹ 4 b ‡. fl "f " 3 4 œ "‰ Œ œ. J R j @· . œ.
r 3 ·@ " ‰ Œ 4 œ
34 –- –- –- –- –- –P
‰
&
Vln.
!
5 16
!
Vla.
!
5 16
!
249
Vc.
D.B.
? ‰. .. ?R"‰
Bsn.
Hn. (in F)
Vla.
5 16 R " ‰ . p
..... RR"‰
keep the bow on the string
5 16 R " ‰ . P
W
!
4 4
?5 8
!
4 ‰ 4
& 85
!
255
Vln.
‰.
keep the bow on the string
5 &8
255
B. Cl. (in B b)
..... ..... R R "‰ J ‰
?
–. p
44 r " ‰ – f
D.B.
!
3 4
!
!
5 8
6 –. 8
– R "‰ ‰
3 4
!
!
5 8
3 ¬. 4 %
6 –. 8
– R "‰ ‰
3 4
!
!
5 8
3 ¬. 4 %
3 16 – " ‹ f fl j "f " ·[· ..] 3 16 œ . J ƒ j @œ . 3 16 œ . ƒ 3 16
!
3 16
!
‰
Œ
Ó
5 8
..... 4 J ‰ 4 "f "
– f
Œ
..... ..... "R R "‰ J ‰
c.l. bat.
f
5 8
arco
4 –4 J
" "
!
5 8
5 –- –- –- –- –8 J
4 ‰ 4
!
–- –- –- –- –- –-
Œ
?
3 4
‡. " ‰ ‰ R p
3 –- –- –- –- –- –4
r r ‹ "‰ ‡. – "f " fl p – ‰ "––"‰ RR f
..... "R R"‰
85
6 –- –- –- –- –- –8
3 –- –- –- –- –- –4 P
" r – –. p
‰
!
85
‰
!
6 8
!
–- –- –- –- –- –-
Ó
5 8
Œ
43
34 –- –- –- –- –- –-
4 –4 J
?
6 Œ. 8
r" ‰ ‰ ‡. p
68 –- –- –- –- –- –-
5 –- –- –- –- –8 J
!
Œ
‰
c.l. bat.
Vc.
68 Œ .
arco
– ‰. f
" –r . p
Œ
~~
B. Cl. (in B b)
~~
& ‰.
249
‰
..... "RR"‰
&
keep the bow on the string
3 16 R " " p keep the bow on the string
3 16 R " " p
23
3 4 r" ‰ Œ b ‡. 3 4 œ "‰ Œ R r 34 œ@ " ‰ Œ œ
Œ Œ
3 r" ‰ 8 # ‡. p 3 # ‡r " ‰ 8 . p
‰ ‰
j 5 9 16 ‡ ‹ ‰ " j ' 16 . – fl p 9 – 5 – 16 R " ‰ – " ‰ 16 f
38
!
3 –8
–-
–-
9 –16 J ‰ ‰ .
‰
5 16
3 –- –- –- –- –- –4 P
3 –8
–-
–-
9 –16 J ‰ ‰ .
‰
5 16
arco
3 ¬. 4 %
3 – 8 R "‰
‰
?
3 . 4¬ %
3 – 8 R "‰
‰
?
Œ
3 –- –- –- –- –- –4 P
arco
?
9 16 – p
r" " ‰ – f
..... ..... 9 16 J ‰ " J ‰ "f " c.l. bat. ..... 9 16 ‰ ‰ J " ‰ "f "
&
5 16
c.l. bat.
5 16 5 16
r" " " r 5 & 16 – ‹ f fl "f " · ? 5 [·] 16 b œ œ. J J ƒ j j @ @ 5 ·. & 16 b b œ· œ. ƒ
B. Cl. (in B b)
Bsn.
Hn. (in F)
~~
261
Vln.
5 16
!
Vla.
5 16
!
261
Ó
4 "‰ Œ 4 œ R
Ó
85 ‡ ‹ ‰ Œ . . fl "f " 5 ! 8
Ó
5 8
r 4 ·@ " ‰ Œ 4 œ
!
4 –- –- –- –- –- –- –- –- 5 –4 8 J ‰ Œ. P
. ? 5 R " ‰. 16 p
4 4
. ? 5 R " ‰. 16 p
5 — 8 "f "
arco
!
keep the bow on the string
D.B.
44 ‰ Œ Ó ‹ b ‡. fl "f " 4¬ ¬ 4æ ¬æ æ 3 "f "
44 –- –- –- –- –- –- –- –- 85 –J ‰ Œ. P
keep the bow on the string
Vc.
44 r " ‰ Œ # ‡.
5 — 8 "f "
arco
4 4
!
!
!
¬ æ
¾
¾
3
–"‰ Œ æR
Ó
r" ‰ Œ ˜ fl "f "
Ó
4 4
!
!
44
!
!
!
4 4
!
!
!
?
—.
4 —R 4 "‰ Œ
Ó
!
!
—.
4 —R 4 "‰ Œ
Ó
!
!
3. sats & ‹ ‰ Œ Ó # ‡. fl "f " ? ¬ ¬ ¬æ æ æ 3 "f "
!
267
B. Cl. (in B b)
Bsn.
Hn. (in F)
? r" ‰ Œ #˜ fl "f " 267
Vln.
Vla.
Ó
! !
¾
¬ æ 3
¾ ! ! !
3 4 œ- # œ$
! ¬ æ
¬ æ
¾ 3
! ! !
&
q = 66
j # œ- ‰ Œ
Œ
3 4 –æ – " ‰ Œ æR + + 34 Œ # œ- œ$ 3 4 3 4
! !
! + j œ- ‰ Œ
!
!
!
3 4
!
D.B.
!
!
!
3 4
!
&
Œ
Œ
..... ..... œ œ
c.l. bat.
B
P
œ. . . . . œ.. . . .
?
P ±.
f
" "
24
Œ b œ. . . . .
c.l. bat.
c.l. bat.
Vc.
Œ
‹ > "f " – "f " – "f "
P
j –
j #–
+
œ p
!
5 8 Œ
!
5 8 Œ
!
85
±.
c.l.
# ·p
5 8
c.l.
‹
‹ ‹
!
5 8 ‚ P sul D
arco s.t.
‹ "f "
J
œ. . . . .
P
5 8 ‚ P 5 — 8
Œ. >‹
c.l. bat.
+ œ p
˘ ‹ ‰ Œ J ˘‹ J ‰ Œ
# ·-
arco s.t.
‹ "f "
‹
f
" " J
Œ. —.
‹ R"
& Œ
274
B. Cl. (in B b)
Bsn.
Hn. (in F)
‹
? Œ
Vla.
Vc.
‹
‹
>‹ ‹ & "f " B b‹ ‹ > > ? ‹ ‹
St.
St.
St.
‚
38
!
‹
3 8
!
3 8
!
r 3 ‚ " 8 #– "f "
Sp.
‚ ‚
—
—.
Bsn.
Hn. (in F)
j ‹ ‹ ‰ & ‹ ‰ ‹ J "f " ‹ ? j‰ ‹ ‰ ‹ ‹ J "f " ?
280
Vln.
&
f
Vc.
# B · p
? >‹
f
" "
D.B.
j #‹
‚
" " sul C arco
Vla.
'
±.
sul A
sul G
˘ # ‹ J · "f " p '
j –
#˘‹ J
j #‹
‚
43
?
3 4
9 16 9 16
!
9 16
!
4 ‰ –j – 4 $
11 ‚ 16 P 11 — 16
Œ J
# b·
sul G
p
—
‚. J P
‚. J P
‚. J P
— J.
j
j
?
j – – $
44 ‰ j Œ b˜ fl "f " 4 4 4 4 4 4
b ä—‹ 4 4 J ‰ Œ P
Œ
Œ
!
Œ
Œ
!
3 4 j ‰ ˜ fl "f "
Œ
Œ
!
r 43 r " ‰ – –
# 34 · $ ·# 3 4 $
!
! Œ
r 43 r " ‰ – –
!
9 16
‰.
11 ‚ 16 P &n j 11 · ‹ 16 fl "f " p
–
!
11 j 16 ‹ ‰ Œ
# b· p
–
!
4 ‰ 4
j
–
9 16
‰.
J
–
9 16
!
ä‹ 3 — ‰ Œ 4 J P
!
9 16
Œ
11 j ‰ Œ 16 ‹
j
j
j – ¬ $ 3 ‰ 4 j b– ¬ $ 3 4 ‰ j Œ ˜ fl "f "
3 4 j
11 16
!
>‹
j
3 —. 8
280
B. Cl. (in B b)
?
‚ 3 ‚ R" 8 ‰ P
Sp.
f
43 ‰
‚ 3 #‚ R" 8 ‰ P
Sp.
" "
D.B.
‹
!
& 274
Vln.
‹
X
3 ˙ . Sp. 4 $
sul G St.
3 ±. 4 "f "
7 r" ‰ Œ 8 –
¬ ¬ Ó
Œ.
78 j ‰ Œ ˜ fl "f "
Œ.
7 ‹ 8 > "f "
!
7 >‹ 8 "f "
sul G
!
7 — 8 "f "
Ó
25
‚
J
P # · p
‚
P —
# b· p Œ
J
# b·
p
—.
œ.
œ. p
œ.. . . .
bat.
F P
3
œ.
˘ ‰ ‹ J œ. 3 F "f " p bat. ..... œ ‰ Œ J œ "f " P col legno
œ.
±.
Œ.
7 –r " ‰ Œ 8
7 >‹ 8 "f "
!
r ‚ "‰ ‹ fl fo "f " ˘‹ ‚ R"‰ "f " fo
œ.
col legno
3 ‰ 8 – p
9 r 16 – " ‰ Œ
" 43
9 – 16 R " ‰ Œ
" 43
38 ‰
9 j ‰ Œ 16 #˜ fl "f "
" 43
9 ‚ 16 P ·# 9 16 p
R
3 ‰ – 8 p
J
j
J
j
J
j
‚ 3 J 8 P ‚ 3 J 8 P ‚ 3 J 8 P ?
j ‰ ˜ fl "f " !
! !
ä‹ 3 — ‰ ‰ 8 J P
9 ‚ 16 P 9 — 16 "f "
J
# b· p Œ
J
# b·
p
—
j
‚ 3 R 4 P ‚ 3 R 4 P R
j
j
‚ 3 R 4 P R
—? 3 R 4
j & 43 ‹ ‰ "f " ?3 j ‰ 4 ‹ "f "
286
B. Cl. (in B b)
Bsn.
Hn. (in F)
?3 4 j ˜ fl "f "
‰
& 43 ‹ > "f "
Vla.
Vc.
D.B.
> B 43 ‹ "f "
? 3 >‹ 4 "f " ä‹ ?3 — 4 J P
Bsn.
Hn. (in F)
‰
‰
Œ
5 j 8 ‹ ‰
‰
‰
5 8
j # ‹ · > p sul A . . . . . + œ œ J p P
+ ..... œ œ J p P
Œ
Œ
Ó
Ó
? 6 r" ‰ Œ 4 ‹
Ó
Ó
@ & 46 b b w· .. ƒ 6 &4
Vla.
B 46
Vc.
?6 4
D.B.
j 85 ‹ ‰
Œ
‰ ‰
Œ
6 r" ‰ Œ &4 ‹
292
Vln.
Œ
‰
292
B. Cl. (in B b)
‹ J
‰
‰
286
Vln.
‹ J
‰
b w .. b ?6 w 4 ƒ
!
‹ J ‹ J
!
# 58 >‹ b · J "f " p 5 ‚ 8 5 ‚ 8 5 8
>‹ # &· J J "f " p
sul A
-·# J p
J
J
&
# b -· J p
j
J
j
‚ J P
‰
3 16 –æj . "f " r @ 3 · " " 16 œ 3 16
!
!
3 16
!
!
3 16
!
œ 3 œR " " 16
3 r 5 16 ‹ " " 8 Œ .
‰
r 5 @"‰ 8 · œ
j 3 @. 16 # · . #œ ƒ
5 ‚ 8 P
!
#œ. 3 # œ. 16 J ƒ
r 3 ‹ "‰ Œ 4 fl
J
>‹ J "f "
‰
‰
43 3 œ.. . . . · 4 P $
‰
5 r 16 ‹ " ‰ .
5 8 Œ.
‰
5 16
J
j
J
j
!
5 16
!
5 16
!
œ 5 œ 16 J ƒ
œ. œ. J
r @ 5 8 œ· " ‰ # 58 >‹ b · J "f " p 5 ‚ 8 P 5 ‚ 8 P
J
J
œ 5 œ "‰ 8 R
‰
‹ J ‹ J
>‹ # &· J J p "f "
sul A
‰
# b -· J p
‰
‰
6 4 6 4
Œ
-·# J p
46
Œ
46
‚ J P
6 4
‚ J P
6 4 6 4
!
6 8
!
3 4
!
7 16
Œ
!
6 8
!
3 4
!
7 16
!
68
!
43
!
7 16
· J ‰
j
+ j œ ‹ ‚ ‰ ‚j ‰ > p "f " P J
+
j
j
j
j
‚ J ‰ 3 . ‚ ‰ ‹ 4˙ œ > J $ "f " p "f " P · sul A . . . . . œ.. . . . sul D œ · J 3 ‰ Œ Œ 4 P P $
sul C
St.
sul A
‚ J P
85 Œ .
Œ
! sul D
# &· J p
r . 5 16 ‹ " ‰
j j 5 ·@ ·@ . 16 œ œ . ƒ
Œ
Y
3 – 4 æ "‰ Œ R
‹ J
‚ ‰ J P
# b -· J p
œ 5 œ "‰ 8 R
‹ J
Œ
-·# J p
J
5 ‚ 8 P
!
3 16
‰
# 58 >‹ b · J "f " p
!
3 16
!
3 16 ‡ " ‡ . . "f "
‰
3 16
J
‚ ‰ J P
r 3 16 ‹ " " 85 Œ .
Sp.
3 ±. 4 "f "
±.
26
J
j
sul D
# 6· 8 p
# j · j ‹ ‹ > > "f " p "f " > ˘ # 6 J‹ ‰ ‰ ‹J ‹ · 8 "f " p (7. harm.) ˘‹ > 6 J ‰ ‰ ‹ ‹ ·# J 8 "f " p 6 ±. 8
3 .j. . . .‰ Œ 4œ P
St.
Œ
7 16
‹ 7 3 4 ‹ ‹ ‹ # ‹ œ+ 16 fl fl fl fl fl "f " p "f " Sp.
3 ..... 4 œJ ‰ Œ P 3 ±. 4
Œ
7 16 7 16
7 & 16
!
38 ‰
?7 16
!
3 ‰ 8
7 & 16
!
298
B. Cl. (in B b)
Bsn.
Hn. (in F)
St.
Vln.
Vla.
7 œ.. . . . B 16 St.
Vc.
Sp.
?7 16
œ
Sp.
f
j ‰ ˜ fl "f "
‰.
3 8
œ. J
œ 3 R " ‰ ‰ 8
" "
7 — 16
D.B.
b– $
3 ‰ 8
—. J
?
Œ
!
!
!
!
Œ
!
!
!
!
3 4 j ‰ Œ ˜ fl "f "
Œ
!
!
!
!
3 4 r "‰ Œ –
38 œr " ‰ ‰
j œ.
7 œ & 16 "f "
298
?
– $
43 r " ‰ Œ –
St.
43 ˙ . "f "
c.l. bat.
Sp.
‹ œ Œ > "f " P
3 4 Ó
!
St.
3 4
ä 3 —‹ ‰ ‰ 8 J P
# ·p
‹ > "f "
˙.
Sp.
+
>‹ œ
c.l. bat.
f P
f
" "
" "
3 ±. 4
±.
f
œ Œ
j
j ‹ ‰ ‚ ‰ ‚J J fl "f " P j
J
j ‰ ‹ fl "f " > ‹
sul G
j
j
‰ J‚ ‰ P
j ‹
f
" "
œ.. . . . >‹
P
f
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