El Tecolote Vol. 49 issue 21

Page 1

FREE//GRATUITO

PUBLISHED BY ACCIÓN LATINA

Vol. 49 No. 21

October 24-November 6, 2019

THE OVERLOOKED ROLE OF THE AIDS EPIDEMIC IN SF’S DAY OF THE DEAD PROCESSION EL ROL OMITIDO DE LA EPIDEMIA DE SIDA EN LA PROCESIÓN DEL DÍA DE MUERTOS DE SF

Kirk Stevenson

S

El Tecolote

an Francisco’s 38th annual Day of the Dead Ritual Procession will wind through the heart of the Mission on Nov. 2, before concluding at Potrero del Sol Park amid the dozens of altars, created to commemorate our dead. And while this year’s procession focuses heavily on victims of gun and police violence and those who have died while incarcerated in Trump’s concentration camps, the ritual procession in San Francisco as we know it today can trace its roots to the AIDS epidemic of the 1980s. What has often been ignored by the mainstream media outlets and the San Francisco community at large throughout history is the absence of recognizing the gay Latino community that fell victim to homophobia and the AIDS epidemic of the 1980s. “The minute we stepped out, the biggest fear was anyone finding out that we had HIV,” said Juan Pablo Gutierrez, a LGBTQ artist and activist who serves as director of the Colectivo Del Rescate Cultural, the entity that raises money for the ritual procession every year. “Because people still were thinking that if you shook our hands you were going to get contaminated.” For more than three decades, Gutierrez has stood at the forefront of the ritual procession, defending it from the corporate onslaught which sought to profit from the sacred pre-Colombian holiday. And though San Francisco did have a Day of the Dead procession before Gutierrez arrived in 1982 (it was first organized by the late co-founder of Galería de la Raza, Rene Yañez), his arrival coincided with the massive loss of life due to the dawn of AIDS. The AIDS epidemic is one that has historically been told through the lens of the white, gay male perspective. Once in San Francisco, Gutierrez was cognizant of the homophobia and lack of education within the Latino community. It’s something he still sees today. He believes that even now, there is no equity living in American society. There are still constant threats of attack and misrepresentation by the mainstream media that does not do justice to the Latino LGBTQ community. He remembers the fear of contracting HIV and the fears people had toward gay people during the epidemic, a lot of that fear coming from within the Latino community. “Latino Gays, Lesbians and ‘Transgeneros,’ ... do not have a voice,” said Gutierrez, “and since mainstream media sources have continued to represent the main source of knowledge and education, we recommend that they revisit the

Juan Pablo Gutiérrez, artista y activista LGBTQ que se desempeña como director del Colectivo del Rescate Cultural, posa en su casa el 19 de octubre de 2019. Juan Pablo Gutierrez, an LGBTQ artist and activist who serves as director of the Colectivo Del Rescate Cultural, poses for a portrait in his home on Oct. 19, 2019. Photo: Sophia Schultz Rocha definition of the word ‘epistemology’ and practice its basic tenets, if in fact you pretend now and in the future, to print the truth.” The dissatisfaction and underrepresentation of the Latino gay community led to the AIDS dialogue becoming a facet of the 1984 Dia de Los Muertos Ritual Procession, which became a way for the community to speak on the disservice of the federal government toward the AIDS epidemic and ignorance to a public health crisis by the Reagan administration. During Galería de la Raza’s Día de los Muerto’s show in 1984, Gutierrez created an altar with the words “while society turns its back, we die by the thousands and thousands and thousands.” That call for action drew both support and backlash from the Mission community. “The Latino community was not ready, but René Yañez, who curated the exhibition that year, took the chance in allowing us to do the installation,” Gutierrez was quoted as saying in “The Heart of the Mission,” Cary Cordova’s definitive history of Latino culture, art and politics in the Mission. “He got a lot of flack from various sources who wanted it removed from the exhibit, but he de-

Kirk Stevenson

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ready been producing stories on the impact of AIDS on the gay community for a few years according to Cordova. “Though some represented the Mission District as homophobic owing to a form of Latino conservatism, the fact is that many residents in the Mission were experiencing the bru-

a trigésima octava procesión anual del Día de los Muertos de San Francisco recorrerá el corazón de la Misión el próximo 2 de noviembre para concluir en el Parque Potrero del Sol en medio de las decenas de altares que serán colocados para conmemorar a nuestros muertos. Y mientras que la procesión de este año se centra en gran medida en las víctimas de la violencia armada, abuso policial y en aquellas personas que han muerto encarceladas en los campos de concentración para inmigrantes establecidos durante la actual administración de Trump, la procesión en San Francisco tal como la conocemos hoy en día tiene sus raíces en la epidemia de SIDA en la década de 1980. Lo que ha menudo ha sido ignorado por los medios de comunicación y la comunidad de San Francisco a lo largo de su historia es la omisión para reconocer a la comunidad gay latina como víctima de la homofobia y la epidemia de SIDA de esa década. “En el minuto en el que salíamos, el mayor temor era que se comenzara

See DAY OF THE DEAD, page 9

Vea DÍA DE LOS MUERTOS, página 9

Un altar en el interior de la casa de Juan Pablo Gutiérrez, artista y activista LGBTQ. An altar sits inside the home of Juan Pablo Gutierrez, a LGBTQ artist and activist who serves as director of the Colectivo Del Rescate Cultural, on Oct. 19, 2019. Photo: Sophia Schultz Rocha cided to keep it in the exhibition after a Latino couple knelt crying in front of the installation since their young teenage son had since just died of AIDS.” The year 1984 also marked the first time the Bay Area Reporter ran an obituary on a Latino gay man, according to Cordova’s book. New York newspapers had al-

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