The Throwback
VOL. 10, ISSUE 2 ELON, NC
Issue
Welcome to College: First Generation Edition
Social Movements 70s and Today Why We are Still Having
Looking Back to Move Forward
BreakFast=at
TIFFANY'S
THE THROWBACK ISSUE IS DEDICATED TO OUR BELOVED ADVISOR, LM WOOD. “LM Wood was a personable, artistic, and kind soul Elon has had a pleasure to know for years. LM went beyond teaching art and design in the classroom, and she gave all students and friends her gentle and authentic approach to the world. The presence she brought to the classroom was a testament to who she was, and in her presence you could feel the best way about yourself. LM taught me to appreciate even the little parts of the world; she would never kill a bug in the classroom, but would bring it outside instead. She spent free time rescuing stray cats and tending to her eccentric home garden from gourds to a pineapple tree. There isn’t a day that goes by where I don’t look for her sparkly car parked out front of the art school. LM taught me to love myself and wear confidence on my sleeve, and The Edge Magazine will forever hold a piece of her in our hearts.” CAROLINE SAVIANO FASHION EDITOR “LM Wood was a light in all of our lives. There wasn’t anything she wasn’t willing to do for her students and provided us with the most comfortable space to not only be who we were but who we wanted to be. To her, nothing was impossible. Her enthusiasm and experience for all things art related was inspiring and she gave many of us the courage to do what we love. She made me fall in love with art again, and is the reason I rediscovered my passion for photography. We cannot thank her enough for her constant support and she will forever be in all of our hearts. Rest in Peace.” KERRY SHEEHAN-DELANY DIRECTOR OF PHOTOGRAPHY
L E T T E R FROM THE E D I T O R
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ith a new year comes new challenges and hurdles, but also new moments to celebrate and remember. A new year brings about the spirit of setting goals, but also encourages time for reflection. In turning the page, we experience nostalgia of the year we’ve left behind us. This semester, The Edge pays homage to the decades of writers, artists, and performers who came before us, those who paved the way for the expressive freedom we enjoy today. The Throwback Issue is for them—the Holly Golightly’s and Elle Woods’ of the world—who motivate and inspire what it means to be a woman in the modern world. This issue celebrates and honors the past with a hopeful look toward the future. Whether that’s how college life has transformed from the 1980s to today, or the significance of HIV/AIDS in the LGBTQ community in the 80s and 90s, we hope to remember and celebrate the good and the bad. In this issue, we take a look at female figureheads in pop-culture and the impact they have on women today (page 46), how body image has transformed over the decades (page 18), and the challenges of being a first-generation student at Elon in 2019 (page 28). Formerly Design Chief, stepping into this role presented new obstacles I couldn’t have anticipated. Nevertheless, I am enormously proud of this team and honored to present to you, The Throwback Issue—enjoy!
Cally Crocco, Editor in Chief
In this Issue
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8 11 14 16 18 21 24 26 28 34 36 38 42 44 46
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Social Movements: 70s to Today Looking Back to Move Forward Sexual Health in the 80s & 90s So College What’s Your Standard? Why We are Still Having Breakfast at Tiffany’s Recreate Your Favorite Classic Movie Looks Anyone Can Be a Yogi Generation One Stepping Back into the 60s Elon Alumna Dances Her Way to Fitness Sex (& the City) Style Still Sells Millennials vs. Baby Boomers Upcycled Fashion Childhood Nostalgia
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38
36
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THE EDGE Editor in Chief Cally Crocco Creative Director Johanna Hilpuesch Design Chief Rebecca Rabiner Assistant Design Chief Grace Fessler Director of Photography Kerry Sheehan-Delany Fashion Editor Caroline Saviano Writer Hannah Jablonski Writer Mary Buzby Writer Sydney Donaldson Writer Madison Lemone Beauty & Wellness Editor Alex Hamer Assistant Editor Claire Hatcher Writer Katherine McGowan Writer Gabby Ferguson Writer Dowling King Writer Lydia Elste Features Editor Melissa Beck Assistant Editor Sierra Leavenworth Writer Sallie Collamore Writer Lilly Blomquist Lifestyle Editor Johanna Hilpuesch Assistant Editor Fiona Didato Writer Ali Goodman Writer Sara Fazli Writer Meredith Touhy Online Editor Kristin Leechow Assistant Editor Halle Brennan Designers NicoleSeay Seay Sara Sara Murphy Murphy Nicole ZoeLewis LewisNina NinaCrocco Crocco Zoe Natalie White NatalieRubino RubinoLucy Lucy White Photographers Erin PattieCiani CianiFoy Foy Erin Pattie Nina Kent NinaCrocco CroccoMakenzie Makenzie Kent Mallory SiegenthalerCaroline Caroline Connolly Mallory Siegenthaler Connolly Madeline Judd Emma Scott Singletary Sarah Kitslaar Laura Welch Dede McKelvy Emma Trimbur Lauren Callihan
Adriana DeLuca Julie Levine Victoria Marsh Sarah Deloach Jillian Mendoza Stephen Mendoza Eukela Little Aleeza Zinn
Models & Contributors Stephanie Brendel Kali Clougherty Kristen Kean Lexy Lutgert Carrigan Bain Sammi Kozin Hannah Benson Carly Zaccaria
Emma Spencer Kamal Lado Emily Klevan Natalie Salerno Nori Thomas Sadie Stewart Andrew Purdy Miso Kim
Kristin Leechow DD Lewis Shay Friedman Amy Rauch Brandon Halvorsen Jacob Wheeler Charles Purrington
Throwback Fashion Trend: Poodle skirts 2000s Hit Song: You Belong with Me - Taylor Swift 70s Flare or Mom Jeans: Give me some FLARE!
Creative Director Director of Photo
Throwback Fashion Trend: Bishop sleeves 2000s Hit Song: We’re Goin’ Down - Fall Out Boy 70s Flare or Mom Jeans: Bring back bell bottoms 2k19
Throwback Fashion Trend: High Waisted Denim, Ripped Denim, All Denim 2000s Hit Song: She Will Be Loved - Maroon 5 70s Flare or Mom Jeans: Mom jeans baby
staff favorites
Throwback Fashion Trend: Scrunchies! 2000s Hit Song: Raise Your Glass - P!nk 70s Flare or Mom Jeans: Mom jeans ALWAYS
Fashion Editor
Throwback Fashion Trend: Chokers 2000s Hit Song: Hollaback Girl - Gwen Stefani 70s Flare or Mom Jeans: The bigger the flare the better!
Online Editor
Editor in Chief Design Chief Beauty & Wellness Editor Features Editor
Throwback Fashion Trend: Hair scarves 2000s Hit Song: Not Coming Home - Maroon 5 70s Flare or Mom Jeans: Flare all the way
Throwback Fashion Trend: Butterfly clips 2000s Hit Song: For the First Time - The Script 70s Flare or Mom Jeans: DIY thrifted - personalized mom jeans will always have my heart
Throwback Fashion Trend: Chunky gold jewelry 2000s Hit Song: Torn - Natalie Imbruglia 70s Flare or Mom Jeans: Flare all the way
THE PROTESTING REVOLUTION
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s I grasped my poster-board tightly in my fist, the roar of empowering slurs rang in my ears. Women, men and children threw their fists into the air, evoking a sense of power, yet the underlying tones of desperation and uncertainty were undeniable. On January 21, 2017, I was one of the millions of women who took part in the Women’s March. For so many members of Gen X, including myself, this experience was our first
today but there are still similarities despite the time gap. As today’s social movements grow and thrive, it is important to recognize the movements of the past and how they compare to today. In the modern world, the protesting and social movements most people get involved with have a political backbone. With the election of President Trump in 2016 came a direct correlation of politics with protest—a reality that makes sense
related to America as a whole.” This belief proposed by Professor Nelson touches on an important question when examining the protesting culture of the modern day: Are current social movements relevant to all Americans, or are they only applicable to some groups of people? The answer to this question is difficult, considering there are so many opposing opinions in today’s world when it comes to social movements. Some people view
: : t he protests o f to day a n d th e 70 s m ay have so me dif f e re n ce s , t hey b oth prov ide o n e impo rta n t characte ristic: b rin g in g pe o ple together to fight for a common cause :: taste of true protest. Personally, the event sparked determination and the belief that fighting for what you believe in is the only way to encourage change. With events such as the 2017 Women’s March and March for our Lives, it can be argued that the modern day is the peak of social movements. But is this truly the case? While the social movements of the 21st century have held significant substance, young people of the 70s were also very active in fostering change during their teenage and college years. The 70s were undeniably different compared
considering the strong controversy surrounding his election. While the social movements of today have a much more political and individualized agenda, the social movements of the 70s were often a lot more generalized to the entire American population.
individual problems as the issues of America as a whole, while others believe they play no role if an issue does not directly affect them. This question is also hard to dissect considering how much protesting and the American culture as a whole have evolved since the 70s.
The Vietnam War, Drugs and the Legalization of Marijuana, and Voting Rights were all topics that fostered protest in the 70s. According to Tom Nelson, a professor in the School of Communications, “When I was in college [protesting] was more about the cause,” he said. “Now it relates to specific subgroups but back then it
It is hard to deny that technology plays an influential role in society today. When someone wants to share their opinion to a large audience, they are able to do so with a quick text, post or click of a button. The growth of social media and technology has made it easier to draw large audiences together and LIFESTYLE | 9
form social movement groups. Within social media, news stories are constantly spewed at the public, allowing audiences to gain access to more individualized and specific issues.
the social movements America faces today are more individualized than the 70s by choice. Instead, they are individualized due to the rise of technology and an ability to understand a larger scale of issues In the 70s, social media was nonexis- being posed on Americans whose tent. People had to share their voices may not have always been opinions and information through heard in the past. word-of-mouth and telephone calls. Since news was not published as Though the protests of today and the frequently, civilians were often only 70s may have some differences, they aware of the large scale issues that both provide one important applied to the general public as a whole. characteristic: bringing people That being said, it may not be that together to fight for a common
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cause. While it is unfortunate that some causes have the intent of harm, it seems that optimism and positive change overpowers the negativity. Though society has changed since the 70s, the theme of togetherness still thrives. As social movements, protests and society grows and changes, we can only hope that this theme continues to guide people when fighting for justice—whether these causes are considered individualized or not.
Looking Back BAck to MELISSA BECK
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anuary 1958 the Supreme Court ruled in favor of Gay Rights. In June 2013, SCOTUS struck the Defense of Marriage Act (DOMA) down, ruling it unconstitutional. On July 23, 2015 The Equality Act was introduced, acknowledging the LGBTQIA community as a protected class and granting them basic legal protections in certain areas of their lives.
those decisions” Lado said. “There were never, and still aren’t, government officials who are working to make those changes, but I hope that can change.”
As a homosexual male, Lado feels a personal connection to the GLC and also the efforts that the organization has made. He left his previous job in order to join this one, realizing that this related more closely to his personal It is now 2019: a new year with a new administration, passions. a different perspective, and a consistently changing world. With these rights implemented, the LGBTQIA Lado is only one person, but continues to get the word community is looking to the future after enduring the out about these events, hoping that he can inspire and protests and tribulations that have gained them the educate students in the short time they are on campus so rights they have today. they can graduate and continue to practice acceptance. Kamal Lado, a sophomore BFA Musical Theatre major and Communications Coordinator for the Gender and LGBTQIA center (GLC) at Elon University has experienced how these communities are advocating on and off campus.
“We get new students every year so it’s a continual process to go into the classrooms and go to the teams and frats and sororities and continue to talk to people and continue to educate them,” Lado said. “Until we can move forward with our country as a whole, it’s hard to focus on each “Most of the true activism comes from protests and riots grade coming into school.” and everyday people pushing the government to make FEATURES | 11
eyes are more adjusted because of your sexuality, which puts me in a really uncomfortable situation as well,” Klevan said. As a bisexual female, Klevan explained that she’s more sexualized by males because they both “like the same sex.” This is their norm. While many are accepting, there are those who don’t understand or don’t try to understand their point of view. It was only 4 years ago that they were allowed to legally marry their partner without restraint from the government. Natalie Salerno, a sophomore homosexual female at Elon, recently came out in the spring of 2018 when she brought her current girlfriend to her sorority formal. After openly dating her girlfriend for a while, she realized how misunderstood this community is.
The LGBTQIA community accounts for all of the people identifying as Lesbian and Bisexual to Intersex and Asexual. The abbreviation only accounted for those identifying as Lesbian, Gay, and Bisexual until less than “In general, the communities are really misunderstood,” a decade ago when more and more types of identities Salerno said. “People just say things that are slightly were being revealed. offensive or stereotypical but after doing more research I just start to correct people.” Emily Klevan, a sophomore bisexual female, went through high school experiencing microaggressions Prior to the ruling in 2013, 14 states, including Texas from her peers and community that many members of and Michigan had implemented “Defense of Marriage” the LGBTQIA community have also encountered, after acts which essentially prohibited same sex marriage. coming out her sophomore year of high school. The Marriage Equality Act then ruled out those remaining states but there have still been issues protecting the “I remember the first time I went over to my girlfriend’s LGBTQIA+ community’s other rights. house to meet her Catholic parents,” Klevan said. “Her mom was quote on quote ‘too sick’ to come down to see me.” According to the Human Rights Campaign, 4 in 10 LGBTQIA youth (42%) say that the community they live in is not accepting of LGBTQIA people. Klevan also experienced microaggression from her previous girlfriend’s friends who were ‘grossed out’ by the two of them holding hands or kissing. While this was only four years ago, Klevan has continued to encounter people who aren’t as accepting of her choice of partner. “Sometimes you get it from girls…just asking you to weigh in on their beauty as if your 12 | FEATURES
“There’s been a lot of states that implement if you’re gay The LGBTQIA community on and off Elon’s campus is you can’t be a teacher or you’re treated differently if you looking to continually educate the public on the proper are a teacher,” Salerno said. “I think the equality act is terms and how to be a supportive member. In the end, great, but I think there’s a lot more that can be done.” it takes a full community to make a difference. Elon University holds various events such as Fall Pride, Spring Pride Trans Extravaganza, and Rainbow Excellence. The GLC provides events meant to be completely inclusive of everyone and hope to attract people outside the LGBTQIA community.
“As a black, gay man I can only do so much because my race and sexuality hold me back, while even a white, gay man using his white privilege to help the LGBTQIA community is so important” Lado said. “It’s really essential for us to move forward.”
“We’re past the stage of awareness where people know we’re here. We’re at the point where we need to educate,” Lado said. “Those outside the allied group often feel like their allyship isn’t necessary when it’s so necessary.”
Perhaps in 2020 we’ll all start introducing ourselves with pronouns. Maybe in 2025 we’ll accept all sexualities in all professions. Perhaps one day the future we’re looking forward to will become our now.
“We’re past the stage of awareness where people know we’re here. We’re at the point where we need to educate.”
- Kamal Lado
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Sexual Health 80s & 90s IN THE
WHAT WE KNOW
GABRIELLE FERGUSON 14 | BEAUTY & WELLNESS
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t’s no mystery that dealing with sexual health can be a touchy subject, no pun intended. Especially as a female trying to navigate the Millennial/Gen Z middle ground, the questions surrounding sexual health and sexuality seem to have no end. Now just think about the information, options, and knowledge you currently possess about sexual health as well as have access to. 2019 you is educated and understands where to find the materials you need to make sure you are up to date on all things sexual health. Well let’s go back in time for a moment. Picture yourself in the 1980s. Think shoulder pads, work-out Barbie in a high rise bodysuit, big hair, excessive makeup and Madonna’s ‘Like a Virgin’ is playing on the radio to top it off. While you’re blasting your music, HIV/ AIDS is catching speed. Are you aware of it? Do you know how HIV/AIDS can affect you? How much does 80s you know about sexual health? Are you as willing as 2019 you to ask questions? The stigma around HIV/AIDS in the 1980s was unavoidable. To fully understand this topic it’s important to unpack these acronyms. HIV stands for human immunodeficiency virus. This is the virus that leads to AIDS, which stands for Acquired Immune Deficiency Syndrome, which at one point was known as GRID, Gay-Related Immune Disease. To put it simply HIV is a virus that ambushes the body’s T-cells, which are used to fight off infections, weakening the immune system. As you can imagine, this makes it harder to battle common colds and illnesses, which is more likely to happen if the virus goes untreated. AIDs1 is the last step of HIV and this occurs when the immune system is deteriorated to a point where almost all infections can be fatal. That is the quick version of HIV/AIDS, but this virus not only affects people physically but mentally and emotionally as well. The mindset surrounding HIV/AIDS when it first started to appear is what’s considered a gay Civil War. The type of adversity they faced at the time was deafening. The problem arose when the first cases of HIV/AIDS were associated only with gay men. We now understand that HIV/AIDS can be found in men and women, so thankfully the days of perceiving it as a disease that only affects gay men is over. However, the knowledge
surrounding it in people other than those affected can always be expanded. In the beginning of 1983, some of the first cases of AIDS were being found in U.S. women, and at the end of the year, 1,2922 people in the United States died of AIDS. If people weren’t asking questions about this in the early 80s, by the mid 80s they certainly were. On the pop culture radar in the 80s was the Live Aid Concert, captured in the recently released Bohemian Rhapsody, where Queen performed with their infamous leader Freddie Mercury. Although the film details Mercury learning of his AIDS diagnosis just before the Live Aid benefit, he actually learned of them after the event and died from related causes in 1991. Mercury’s resilience still holds true and the message isn’t lost on audiences even in 2018 when the film was released. According to Avert, an HIV/AIDS informational charity, by the early 90s, close to 10 million people3 were living with AIDS across the world. This is also the time when the Red Ribbon initiative was created to represent those living with HIV and when Rent the musical hit Broadway for the first time. Rent, an award winning musical by Jonathan Larson, details the lives of young people living in New York dealing with everything from love to AIDS to drug addiction. Fast forward to today, HIV.org4 reported that there were 15,807 deaths in the United States of people living with HIV. While the numbers have dropped and remained stable since their peak in the 80s and 90s this is the sole cause of understanding the virus, openly talking about it and being honest about sexual health. It’s not always easy to talk about, but it’s always important to talk about. HIV/AIDS doesn’t just affect gay men, or men in general, it has the potential to affect men, women and children no matter of ethnicity, race or sexual orientation. While it may not seem like a prevalent issue in your life right now, you never know the ways in which it may indirectly affect you. Be mindful, love others, stay educated. Sources 1https://www.hiv.gov/hiv-basics/overview/about-hiv-and-aids/ what-are-hiv-and-aids 2 h ttps://www.avert.org/professionals/history-hiv-aids/overview 3 https://www.avert.org/professionals/history-hiv-aids/overview 4 https://www.hiv.gov/hiv-basics/overview/data-and-trends/statistics BEAUTY & WELLNESS | 15
80s College Life to the Modern Day ALI GOODMAN
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ollege students today live very differently than they did back in the 1980s. Walking around a college campus in 2019, seemingly everyone has headphones in, listening to music with their heads buried in their phones. Back in the 80s, school work was done on typewriters or desktops and research required books from the library. College campuses were less diverse, and most people majored in classics like history, english or science. Students today are encouraged to be more creative and pursue a wider range of careers and professions. Stress and anxiety levels are through the roof, but at least we have Netflix and endless music streaming to decompress.
would have required a trip to the video store to rent a VHS tape. Dating apps were long from being invented and to meet people, you actually had to leave your house.
Entertainment was also very different in the 80s. People didn’t spend countless hours scrolling through their social media feeds and worrying about capturing the best selfie. Teenagers in the 80s kept busy by listening to cassettes while smoking cigarettes with their friends. The coffee trend had yet to take off, so it was rather unheard of to have a coffee shop in the middle of campus. Today, students would be outraged with any less than three coffee spots within walking distance. Coffee has been integrated into our society in a big way, and many So many of us take for granted how much information millenials today would not know how to get through we can access with just a few clicks. Back in the early the day without it. 80s, Apple had just created the first ever laptop, and most people were still listening to music from cassette In 1984, the national drinking age increased from 18 tapes. Instead of walking to class with Airpods in, it to 21, a major bummer for college students of the time. was trendy to have a Walkman blaring rock music. The Because of the new law, college parties began to migrate modern day date, often referred to as “Netflix and Chill,” off campus as they often are today. College parties have
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generally been consistent over the decades, full of red solo cups and living room furniture on the lawn. One major difference in party culture from the 80s to now is cigarette smoking. In the 80s, they were just discovering how toxic cigarettes are, so it was still rather acceptable to smoke. Our society is now well-versed on how harmful they are, and there is a great amount of backlash for continuing to smoke cigarettes despite all the warnings. Most colleges have even banned all tobacco products from campus so you rarely, if ever, see students smoking cigarettes. Instead, people have turned to a new modern form of smoking. Juuls and e-cigarettes are simply evolved versions of cigarettes. Designed as alternatives for smoking, they have become the “cool” thing to have. Just like cigarettes in the 80s, Juuls are common at college parties and in day-today life for some students. While many universities are making efforts to cut back on their prevalence, they are still a big issue facing today’s generation. New research is finding potential negative outcomes from Juul use, and for the time being the negative effects are relatively unknown. Our society today places a large emphasis on diversity and inclusivity, especially on college campuses. More and more people are opening their minds up and things like the “#MeToo” movement have given a voice to people who would not have been able to 30 years ago. We are encouraged to be open-minded and accepting of everyone for how they are, and we pay more attention to social issues that need fixing. While we still have a long way to progress as a society, our inclusivity and
acceptance of others is on an upward trend. More and more people have the freedom to express themselves and we are a stronger society for it. When you compare life in the 80s to today, people are still relatively the same. While technology and mass media are transforming our society, college students still spend the majority of their time studying or with friends having a good time. We have come a long way in just 30 years, and who knows what college life will be like in another 30. LIFESTYLE | 17
What’s Your Standard? MEREDITH TOUHY
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e all know that society has a high standard for what is considered beautiful and women are constantly compared to this standard. The size of a woman’s jeans, her bra size, the length and color of her hair, the tone of her skin, the shape of her stomach and the color of her eyes are all judged by men and other women alike.
mainstream media—women are constantly compared to this idea of what it means to be beautiful and what men deem to be attractive.
Beauty standards for women have been a part of culture and society as long as information about our world has been recorded, and they continue to be just as relevant, if not more, today. But the “perfect body” has changed Am I skinny enough? Is my hair straight enough? Am I over time. What may now be seen as the ideal body young enough? Is my skin clear enough? Am I beautiful? was not always the beauty standard. Throughout history, Am I enough? These are some of the many questions body ideals have changed vastly: that stem from the unrealistic standards presented by
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1930s - 1950s Hourglass figure Large bust 1920s Boyish figure Short hair No curves Small bust Thin
1980s Small hips Large bust Tall Tan Slim
1960s - 1970s Natural makeup Twiglike figure Long limbs
2000s & Today Tan skin Long hair Perfect skin Flat stomach Thigh gap Large bust and butt 1990s Extremely thin Transluscent skin
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Beauty standards impact women in every culture. In today’s society, the negative impacts of these unrealistic body standards has been detrimental. According to The Body Image Center, 70 percent of women ages 18-30 do not like their body, 50 percent use unhealthy eating habits to control their weight, and 30 million will suffer from an eating disorder at some point in their life. The average female model in the United States is 5 feet 11 inches and weighs 120 pounds while the average female in the United States is 5 feet 4 inches and weighs 165 pounds. The women who set the standard for society are not a true representation of the average woman in the United States. In order to fight this unhealthy and unachievable standard for beauty, Dove launched its Dove Real Beauty campaign, the first-ever campaign to feature and that they will simply be referred to as models, like other celebrate real women. The campaign has expanded to women in the industry. include topics such as beauty bias. Dove gives women a platform to express the way they feel about their own Another plus-sized model, Tess Holliday, wishes to beauty and how the pressures of break down the standard of body society impacts their confidence as image. Holliday uses her influence women—beautiful women. Dove on Instagram to advocate for femi“Now is the time to began including women of all nism and body acceptance. In an shake things up.” interview with Vogue, Holliday said, shapes and sizes into their campaign and the results have snowballed into “I feel like now is the time to shake what we see today—more women things up. I’d like to be the person Tess Holliday fighting back against the constant who changes things, or at least open pressure to feel and look beautiful. doors for others.” In 2016, Ashley Graham became the first plus-sized super model to be on the cover of Sports Illustrated Magazine. Graham is a size 14, the average for American women. In an interview Graham stated, “I hope in the next year people will stop saying ‘plus-sized.” She advocates for other women like herself, with the hope 20 | LIFESTYLE
Graham and Holliday are two women who are fighting the standard of beauty and they are succeeding. The fight is not one that can be won with just those who have a presence on social media—it needs to happen in the everyday lives of all women. They need to be able to accept that the standard of beauty is whatever makes you feel beautiful. Embrace it.
CAROLINE SAVIANO | FASHION EDITOR
FASHION | 21
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olly Golightly, played by Audrey Hepburn in the iconic film Breakfast at Tiffany’s, was a strong New York City woman driven by the finer things and the luxuries of life. With a coffee in hand and her orange cat by her side, Hepburn created a fashion staple that we have been echoing since the film’s release in 1961: the little black dress. Hubert de Givenchy created the timeless and iconic little black dress that Hepburn wore in the opening scene of the film. The satin gown features exposed shoulders with a cinched bodice that drapes to the floor with an unanticipated slit traveling up to the thigh. Accentuating the minimalist gown is a pair of silk gloves and statement pearls draped around the neck. Following Hepburn’s role, Givenchy’s elegant design became a staple piece that every women added to their wardrobe. The little black dress, though it is a minimalist concept, can pull a person from their shell and feel like all eyes are on them. When Hepburn was given this role she was nervous to play an extroverted and eccentric character due to her introverted and soft-spoken nature, but with a custom designed Givenchy gown it is not hard embody the persona. A black dress has become a power look for every occasion; this style does not discriminate between shapes and sizes. Whether the gown hits the floor, or falls just below your fingertips, the outfit symbolizes confidence and class. Sometimes in life the best thing could be right in front of you and you could still miss it; there is a lot we can learn from the iconic lead actress aside from style. Hepburn’s character, though fixated on lavishness, knew what she was worth. After her split from millionaire José, Hepburn’s neighbor Paul shows her a new side of relationships. Paul loved every part of her, and fell for her strong-headed and powerful allure. A man is a winner if he runs to rescue your cat in the rain, right? This staple look has a long and successful story, but it is not ending any time soon. A little black dress and pearls have stayed an timeless classic. The best accessory of all though, is being authentically oneself.
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KAT MCGOWAN
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ovies have the ability to transport us to a different time and place. By the end of the film, we sometimes feel so connected to the characters, we want to be their friend (or even be them). Thanks to hair and makeup, we can successfully recreate movie looks, whether it’s for a costume party or just for fun. See how you can recreate these classic movie looks of badass women below.
As someone who radiates confidence and positivity, Elle Woods is a classic movie character. Though some may know her for her avant-garde style, she always has her hair, makeup, and nails on point. To recreate this look is quite simple and uses minimal product. First, apply a light base of BB cream or foundation, not much is needed so that your natural skin can breathe. Add a peachy colored blush, but skip the contour and highlight. Our favorite part of her look is the eyeshadow. Elle opts for a light peach or purple color to create a monochromatic look almost all the way to the brow bone. Finish off with some pink lip gloss and you’re good to go!
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Audrey Hepburn is known for her glamour and poise which is shown in her role as Holly Golightly in Breakfast at Tiffany’s. In the movie, her hair is tucked up into a bun while she lets her baby hairs roam freely (you can also never go wrong by adding a tiara like she wears in the movie poster). For this look, create a wing with black liquid eyeliner. Make sure that it angles upward and points toward the end of your eyebrow. Comb out those brows and add some peach blush and you’re good to go. What makes this look so glamorous yet so low maintenance is Holly Golightly’s confidence, so rock this look with pride. As Hepburn would say, “happy girls are the prettiest.”
This was our favorite look to recreate, mainly because of how badass Megan Fox looks in this iconic scene. Her skin is glowing, which you can achieve by prepping with a face mask and serum. For the makeup itself, fill in your brows with either brow putty or brown powder, then add some highlight under the brow bone to really make them pop. Mascara for this look is a must but you only need to apply it to your top lashes. Bronzer is also a key component of this look. We recommend using the rule of 3’s by applying it to the temples, cheek bone, and jawline. Add an orange-toned lip and you’re set!
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THE LONGEST PRACTICE, THE NEWEST TREND, THE BEST REWARD. ALEX HAMER
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he pose begins when you want to get out of it.” These famous words spoken by yogi Baron Baptiste summarize a quintessential part of yoga: vulnerability. The physical and spiritual exercise has re-exploded in popularity over the past decade. Though the practice dates back to 3000 BC in India and spread west in the early 20th century, it spread to the United States as early as the 1980s. During that time, the practice was viewed as a niche exercise for the ‘hippie’ crowd. Today, yoga is seen as a trendy, anyone-can-do-it way to take care of oneself, both mentally and physically. Samantha Kozin, an ambassador for Elon’s local studio, Feel Better Burlington Yoga, has been practicing yoga
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for five years. She has spent the past two years practicing at Feel Better Yoga (FBY). Samantha says that yoga is more than a workout for your body, but for your mind as well. “Yoga allows you to fill up again from whatever you are missing. It’s an amazing way to better yourself, as well as those in your community.” The FBY heated studio mainly offers power vinyasa flow classes. Power vinyasa—a new form of yoga given its long history—is an energetic form of practice. Students flow from pose to pose relatively quickly, connecting their breathing to each movement. For those whose prefer a more relaxed flow, the studio offers other classes, including one for ‘Tight, Tired Bodies.’
As we have progressed in understanding and embracing the importance of mental health, yoga has grown to be appreciated and has come to play a larger role in peoples’ lives. It is now supported—and even encouraged—to take time out of your day to better yourself. Samantha said that the intimate environment at FBY provides students a safe place to come as they are and leave feeling better about themselves.
it. When you’re laying in bed, crossing your legs while you sit, stretching your arms, you’re practicing.” These small but natural movements we make on a daily basis come to show that anyone and everyone can join in without any prior experience. There is more to yoga than Lululemon outfits and getting a green smoothie afterwards. In fact, it’s just the opposite. Yoga is for anyone that wants to find genuine self-acceptance and self-love.
“It offers everyone vulnerability, community and acceptance. I have grown to be the person I am today because of Feel Better Yoga.” According to their website, the studio is committed to “creating a dynamic and welcoming yoga community that will inspire, encourage and empower busy moms and dads, college students and all the rest of of us trying to chill out and feel better.”
Yoga has the power to connect people from all walks of life. It does not judge or discriminate; it welcomes with wide open arms. Whether you are working toward becoming a teacher yourself or stepping onto the mat for the very first time, your presence is appreciated. For the one hour that people flow, they are committing to bettering themselves and their community.
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“The people at Feel Better Burlington provide the most Before trying yoga, a common misconception is the supportive and loving community,” Samantha said. practice is too difficult. Too many complicated ways of stretching, too much sitting, just too much. FBY and If you are interested in trying Feel Better Burlington Samantha would tell you just the opposite. Samantha Yoga, the studio offers two weeks of unlimited yoga for said, “everyone does yoga all the time without realizing just $30. Namaste!
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“Yoga offers everyone vulnerability, community, and acceptance.” BEAUTY & WELLNESS | 27
CALLY CROCCO | EDITOR IN CHIEF 28 | COVER STORY
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hile the pool of first-generation students on Elon’s campus is rather small, those students have bravely challenged familial generational patterns in choosing to pursue their college life here in the tiny town of Elon, North Carolina. For many first-generation students, being the first person in their family to attend college is a privilege, but also a challenge. The Edge sat down with three Elon Odyssey Scholar students—each a strong and determined woman who has strayed away from the generational norm of their past in pursuit of a college degree. Carly Zaccaria, a junior from rural Pennsylvania cites the reason for her ability to go to college as her move from rural Franklin, PA to bustling Pittsburgh, PA. Eukela Little, a first-year cheerleader credits the financial support she received from the Odyssey Scholar program for the opportunity to be a Phoenix. For her, finances were the largest hurdle when it came to college applications. Miso Kim, a first generation-student whose parents both immigrated to the United States recognizes the differences between her future post-graduate, young-adult life and that of her parents. All three women have dealt with obstacles that are out of their control and have earned themselves a spot at Elon to begin planting their own roots. Their futures are made possible by Elon’s Odyssey Scholar program, which according to these women, affords them financial and academic support as first-generation students.
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Carly Z accaria The Edge: How did your parents support you in your college process? Carly Zaccaria: “My mom and my dad were high school sweethearts and got married really young and it was just one of those things where in that small rural Pennsylvania town, the culture wasn’t one to push people to go to college or do something outside of this small town. Families have lived there for generations, it was a rural area and things were different. No one told my mom that she could do something bigger than living in Franklin, Pennsylvania. [I’m from] a working-class family and my parents ended up separating but I still really look up to my mom. For not having a traditional college education, she’s made a good life for herself and for me. Even though it was kind of just left in my hands, it wasn’t that she didn’t care or didn’t want me to be successful. It was just a lack of knowledge when it comes to higher education. She didn’t go, her family didn’t go, and my dad didn’t go so she didn’t know how the process works or what schools to look at. You don’t really know where to start. I think she just knew I could do it and trusted that I would figure it out, but she always supported me.” E: Do you think you would have pursued a higher education if you stayed in Franklin? CZ: “The school that I was at in rural Pennsylvania was just not great, not turning out as many graduates and in turn not as many students who would pursue a higher education. It was a mixture of everything. It was a low-income, working-class area. If we hadn’t moved to Pittsburgh, things could have turned out really differently.” E: What is it like to be a first-generation student at Elon? CZ: “It’s interesting because a lot of people don’t know I’m first-generation. I think sometimes people have this idea in their minds about what a first-generation student looks like or acts like. We try to categorize it, but you can’t really do that. We’re all so different and we all come from different walks of life. Sometimes it isn’t even a matter of privilege or lack of privilege, it can just be something as simple as their families are involved in family businesses and they worked and flourished in that way. Those students are still first-generation students even though they didn’t come from a background where they struggled financially. I think that being [at Elon], people would expect I look or talk a 31 | COVER STORY
certain way, but it’s not surface level. You have to get to know me to know that this is my story. It’s good to be surrounded by people who are different than me. It’s good to always been learning about people and where they came from. I could never look at someone who isn’t first-generation and think I’m any better than them or worse because it’s one of those things that’s not in your control. It’s generational. You don’t choose to be born into a family that’s gone to college or hasn’t.” E: What are your next steps after getting your degree? CZ: “I don’t really know exactly what’s next after Elon. Part of the whole reason I came to college was to make a ‘better life’ for myself than the lives that my parents had but at the end of the day, I still came from where I came from, I’m still me even though I’ll have a degree. I don’t want to think I’m better than my mom because she’s so strong and I admire her so much. But, I’m excited to go into the world with more opportunity because I think nowadays it’s really hard to not have a college education in today’s society. I’m just really lucky.”
M i so K i m The Edge Magazine: Did you always know you would go to college and what was the process like? Miso Kim: “So yes, I did know I wanted to go to college. It was based on my family background and also how society tells us higher education is the next step after graduating high school. Thankfully finances were not as hard of a reach that I couldn’t muster it up as a reality. But when it came to the actual college search process, because I don’t have any relatives that have had that experience or have been to college, I basically had to start from scratch. It literally just started from Google search and I thought, “huh, I’ll just apply here.” E: Why are you the first person in your family to pursue a higher education? MK: “My dad came to America with his family when he was in high school as a sophomore and then he graduated and went straight into the workforce and then my mom came from Korea after she met my dad. For her, she just got her GED back in Korea and just started working when she got her. Financially it wasn’t a reality for her, so it was more fitting for both of them to just work.” E: How will your future differ from your parents because of your education?
Carly Zaccaria
Eukela Little MK: “Growing up in a family where both parents only had their high school diploma, obviously that would have an effect on our financial situation as a family. The financial aspect would definitely have a big impact comparing me versus them because I will have that college degree. I think that’s the biggest thing. That and having greater knowledge especially because not only am I a first-gen college student but also because I’m not Caucasian. I’m Asian-American but I already have English as my first language unlike my parents. So, it was harder for them to even get accustomed to American society in general. I don’t want to say that gives me an advantage, but it gives me a differentiation, a different perspective for sure. The biggest thing, though, is money and the opportunity to pursue better jobs that will be more financially stable.”
think there’s any other environment like this and plus you get so many great academic opportunities. Don’t be embarrassed or hesitant to reach out because you’re ashamed of not knowing anything. That was kind of my struggle in the beginning because I was ashamed of asking questions and I would think ‘oh, this is something I should have known.’ But it’s easier to just ask. It’s as easy as just sending an email.”
Eukela Little
The Edge Magazine: Did you always know you would go to college and what was the process like? Eukela Little: “Yes. I knew I wanted to college. I was that nerd who was like ‘ooh, I love school.’ I didn’t know what school I wanted to go to, I just knew I couldn’t really pay. It was really stressful learning what the FAFSA and E: What advice do you have for first-generation students CSS Profile was. I just remember it being very stressful on the fence about coming to college? coming from a lower class, working-class family and MK: “I would say do it. After being involved here at knowing I couldn’t be in debt. But I knew I still wanted Elon, it definitely lets you learn a lot about yourself and to go to school, so financial aid played a big role in where the things and the lifestyle you want to live. I don’t really I was going to go or even apply to. It was hard compared 32 | COVER STORY
to my friends whose parents would do the FAFSA and CSS Profile for them. Stressful is the only word that comes to my mind.” E: How did you end up at Elon? EL: “Ultimately, the Odyssey Scholars program and the financial aid that came with that was the best bet for me. That’s why I ended up here. Overall, I liked the school but I kind of worked backwards and looked at financial aid first.” E: How were your parents during the process? EL: “They were supportive, but very hands off. They didn’t—and don’t—know what it means or what it’s like to be a college student. They supported me in the best way they knew how but they knew it was ultimately going to be my decision, but they were happy when I told them about the scholarship I had gotten from Elon. It wasn’t a matter of them not wanting to help, it was them not knowing how to because they’ve never been in this situation.” E: Has your relationship with your parents changed since you started college? EL: “I remember learning all these things and going home and feeling like I don’t really fit in with my family. Not in a bad way, but I just felt different. In pursuing a higher education, I feel like it allows me to view the world differently than how they do. I see things differently, I approach things differently, I speak differently. I’m grateful for that difference. They don’t make me feel left out, but I don’t feel like I fit in anymore.” E: Why are you the first person in your family to pursue a higher education? EL: “I have no idea why no one in my family has gone to college. Everyone has gotten a high school diploma or GED, but I don’t know maybe it was finances. In general, in my home town a lot of people get that diploma and then just work. A lot of people go to our local college and come back to be a teacher. Or they’ll graduate and then go into the military. I feel like that’s been a generational thing. That’s what everyone has seen. Speaking for my family, this is just what everyone has done.”
Miso Kim
CLAIRE HATCHER
A
s we embrace the fast-approaching spring and summer seasons, we’re taking a step back into the 60s for some serious inspiration! Celebrities like Lana Del Rey and Lady Gaga are already paving the way for this retro comeback through their fashion, makeup, and hair. So instead of defaulting to your typical makeup routine this season, take a page from
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s
Twiggy’s book and go for all things bold. From the rise of the second wave of the feminist movement to the incorporation of colorful eyeshadows and dramatic eyeliner into makeup, women in the 1960s knew how to make a statement. We’re here to show you how to recreate a look that’s reminiscent of a decade full of influential women.
Finishing off the iconic 60’s eye with bold liner and lashes is essential. We suggest using a black liquid liner to achieve the graphic look. Don’t hesitate to add a wing if you want a bit more of that dramatic flair. Be careful not to overdo it on the liner, because the lashes were the true star of 60s makeup. Just look at any of Twiggy’s numerous Vogue covers. Curl your One particular eyeshadow trend that has re-emerged eyelashes for maximum volume, and apply multiple from the 1960s is the cut crease. While today’s cut coats of your favorite mascara. Maybelline’s Volum’ crease is typically achieved by blending multiple shades, Express and Falsies are great for adding that extra people in the 60s kept it simple with a base color for the length and lift. If you want to go full glam 60s, apply lid and a darker accent color in the crease. To create this a pair of false lashes. The final step for eyes is crucial: look, start off by packing a white or cream-colored lining your bottom lashes with mascara as well. shadow onto your lid. Then, use a smaller blending Wiggle your mascara wand back and forth along your brush to apply your accent shade along the natural line bottom lashes, then gently use your fingers to sepaof your crease. Use a light hand and back and forth rate them. You don’t want anything too bright or bold motions for the best results. If the line looks too harsh, to to take away from the striking eye makeup, so don’t be afraid to go back in with a larger blending brush swipe on a nude or pale pink lipstick to complete the to soften up the look. look and you’re all set to step out and make a statement! BEAUTY & WELLNESS | 35
Elon Alumna
dances
Her Way to Fitness
LILLY BLOMQUIST & DOWLING KING
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onfidence and exercise don’t always go hand in hand. It’s easy to commit to a uniform routine in order to avoid standing out. However, with the latest trends in exercise, women are committing to sweating through their fullest expression of movement. The current spike in fitness icon popularity has allowed for women to train in confidence. Yet, this trend actually isn’t as recent as you might think. Let’s throw it back to the 1980’s, when big hair and leg warmers were all the rage. This radical decade gave us one of the most influential fitness trends of all time, jazzercise. Jazzercise wasn’t just another form of exercise or dance, it was a revolution. Having fun with a workout became a craze. No longer were women committed to a boring, rigid routine. Instead, the movement gave them the chance to feel confident, powerful and fun while exercising. In fact, women began to use jazzercise to express themselves beyond a level of fitness. New outfits, dance moves and even hairstyles stemmed from the move-
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ment, allowing women to make their workout routine completely their own. To top it all off, fitness icons pushed women to have fun with their exercise. Richard Simmons, a jazzercise icon, created an infamous video series that led men and women in fun, dance-workout videos. His content not only showcased a fun way to burn fat while dancing, but also featured women of all body types to encourage everyone to join the movement. From Richard Simmons to Kayla Itsines, VHS to iPhone applications, women still love working out alongside fitness icons. After watching Elon alumna Maya Sank empower women through Instagram workout videos, we were curious about her experience in the dance industry and were eager to hear more about how she decided to use Instagram as a way to encourage women to express themselves through fitness.
It was a Friday night during the summertime in New York City, and Sank was feeling nostalgic. She and her friends were sitting in their apartment reminiscing on the carefree days of childhood sleepovers and dance parties in their pajamas. In the midst of reflecting, Sank decided to relive those youthful glory days by creating her own dance. She spent the evening conducting movements and teaching the new combination to her friends. The apartment transformed into an atmosphere of energy and enthusiasm, and by the end of the night, everyone in the room was out of breath but grinning from ear to ear.
fitness classes is that I teach a combination of dance,” Sank said. “I have my own individual choreography.” Sank also stands out from other fitness classes because her approach to working out is relaxed, encouraging and carefree. She demonstrates that fitness can be fun and enjoyable and still provide physical results without pushing her class participants to the extreme or following a super rigorous regiment. “I’m introducing dance to people and showing them that they can get a great workout and not have to do a million burpees,” Sank said. “It’s a different approach to workouts, and it’s something that everyone can do.”
Through that dancing experience, Sank realized that she had a talent for choreography and a passion for teaching others how to move. She had spent her entire life dancing, and in that moment, she decided to share her dance talents and accomplishments with others in hopes of inspiring them and establishing her reputation as a dancer. Sank launched an Instagram account in July to showcase her choreography and capabilities with a large audience.
Since the class is for beginners, Sank teaches in a lenient way. If someone cannot follow along perfectly or master a move, there is no stress. Sank encourages everyone to go at their own pace so that they make the class their own. “I don’t want people to be intimidated by dance,” Sank said. “I want them to know that if they just keep moving and keep jumping, they’re getting a great workout and having fun.” With this new class, Sank hopes her class attendees will be able to learn new choreogra“Instagram can be a resume for dancers,” Sank said. “If phy and immerse themselves in an upbeat environment you put up a video and promote it, the right people can while keeping their heart rates up and feeling their see it.” What started as a social media initiative to estab- muscles ache. lish her brand quickly escalated into a business. Now, Sank rents studio space in New York City every week to By combining her easygoing approach to fitness, her teach adult beginners two different dance classes, Maya cheerful personality and her skill as a dancer, Sank Moves to Dance and Maya Moves to Sweat. creates a welcoming environment in which people enjoy one another’s company and feel comfortable expressing For the first five months, Sank taught only Maya Moves themselves. She strives to build relationships through to Dance, which combines 15 minutes of stretching this platform. “I have this huge high after class, and and 45 minutes of choreography. With this class, Sank everyone is so excited that they’ve finished, and I just simplifies dance and teaches choreography in a fun need to meet these people,” Sank said. and entertaining way so that anyone can pick up the movement, establish an appreciation for dance and gain While Sank plans and teaches these classes, she juggles confidence after learning a new skill. This past January, managing her Instagram account to engage her viewers Sank decided to add another class called Maya Moves and increase web traffic to her page full of aesthetically to Sweat, which combines 30 minutes of sculpting and pleasing photographs and upbeat dance videos from 30 minutes of choreography. She launched this class her classes. Sank also collaborates with brands to build to emphasize the fitness aspect of dance because Sank a following and make a profit. For the future of Maya realized she could attract more participants with an Moves, Sank hopes to teach pop-up dance classes at effective, calorie-torching workout. other companies and continue to work with brands to promote her class. Sank wants to continue to establish Since dance fitness classes are a booming industry, Sank her brand so that she can one day dance in broadway decided to cater to her audience so that her company or become a background dancer. and brand could grow. Unlike other dance fitness classes, however, Sank incorporates her own unique Follow @maya.moves on Instagram to watch her captivatelement. “What sets me apart from a lot of the dance ing videos and dance along to her upbeat choreography! FEATURES | 37
SYDNEY DONALDSON 38 | FASHION
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aybe it was the playful and infectious theme song, Carrie Bradshaw making her way through the busy streets of New York City, or the bold and uncensored gossip that constantly came from the mouths of the four besties; whatever the case may be, something about Sex and the City had us hooked. The show perfectly idolized life in the city as a young and powerful woman. Sex and The City has continued to be celebrated for over 20 years since its debut in 1998, and the message of the show continues to liberate and empower women and young girls. Aside from the thrilling plot, Sex and the City has gone down in history as one of the most fashionably iconic series to have aired on television. As if we really need another reason to renew our love for the city that never sleeps, Sex and the City encapsulated something every 20 year old girls’ fantasy, a search for relationships, self-identity, and success. The TV show celebrated female friendship; Carrie Bradshaw would not have been able to navigate her way through the city without a little help from her three sidekicks: Miranda Hobbes,
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Samantha Jones, and Charlotte York. The gave viewers a visual representation of a elegant, yet flashy fashion taste each charac- lifestyle so many dreamed of in the city, ter had showed off their own individuality. along with dozens of outfit inspo. The four besties all self-identified through their clothing. The characters archetype were evident through their style; Carries, a quirky city gal, staple look was a kooky mishmaxes of vintage and high fashion pieces. Where as Miranda, a lawyer in the professional world could be found sporting a minimalist, yet undoubtedly powerful suit. Charlotte, a clearly, uptown prep, favored a proper and prim tailored dress to fit her body precisely. Meanwhile, Samantha, the freethinking, independent downtown girl could be caught wearing whatever she wanted from brightly colored clothes to tight fitted, flattering dresses. This group of girls
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Looks seen on the show, showed how women can control their own narrative through fashion; women were indirectly encouraged to express their personality through their style. Viewers of Sex in the City learn to gain confidence in themselves, their careers, and relationships, all of which can be examplied through their own style. Bradshaw says, “They say nothing lasts forever; dreams change, trends come and go, but friendships never go out of style.� As it goes for fashion, the women of Sex in the City always dressed to impress, and manifest a friendship that is never going out of style.
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MILLENNIALS VS. BA BY B O O M E R S
A Gen er ational Power Stru g g l e i n th e Wo rk p l ac e JOHANNA HILPUESCH | LIFESTYLE EDITOR
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azy. Arrogant. Selfish. According to Statista, these are some of the words most often used to describe the Millennial generation. Baby boomers have branded millennials as entitled and self-absorbed, while millennials consider boomers to be out of touch and rigid. Many of these attitudes stem from fundamental differences in environment—their respective professional worlds are entirely different.
and comments—both positive and constructive— on how they are doing. Boomers on the other hand don’t believe this matters as much as their duty to contribute to the objective, measurable success of the company. Additionally, the era we live in now has also hugely impacted the typical work schedule, making it vastly different from what it was 50 years ago. Boomers were always accustomed to working 9-5, every day, without interruption. Today, many millennials find themselves working in positions with odd hours, sometimes even working a significant chunk from home or a different office; they don’t always thrive with rigid schedules. This concept of choosing your workplace feels to boomers as though millennials aren’t actually working. In reality, it may actually be increasing their productivity by a considerable margin.
While boomers were always accustomed to working hard for one company on whatever that company needed in exchange for long-term job security and benefits, millennials look for jobs that are in line with their own personal values and goals. Taking into account the vastly and ever-changing workforce, millennials have to act in this manner because they are not guaranteed a certain job for life—the investments and security boomers had in their jobs are not as attainable today as they were back then. This comes from a much more competitive work environment and constant, unpredictable employee turnover. The battle of the boomers and millennials is one that can be mitigated through communication and This being said, some of the disconnect stems from a continuation of the understanding of each generaboomers’ expectations that millennials should be tion’s core values. Since boomers value commitment, acting in the same way as they did back at that age— strong work ethic, and stability, millennials must they believe millennials are arrogant or expect too show dedication and willingness to compromise on much too soon. In their 20s, boomers were constantly certain aspects of individuality for the success of the presented with the concept of the “American Dream” company. At the same time, since millennials pride and the idea that working hard for a lifetime would themselves on diversity, realism, and connection, eventually get you there. Millennials, on the other boomers have to cultivate and support a work envihand, understand that the American Dream doesn’t ronment in which they can incorporate their own exist—you create and cultivate your own dreams and ideas and values to their projects. Opening these this means taking your life into your own hands, as lines of communication can help each generational quickly as possible. group tap into the best character traits of the other, increasing the overall effectiveness of any company. Due to the ever-expanding technological advancements made throughout the millennials’ lifetimes, Sources: such as the importance of social media and instant https://www.statista.com/chart/9959/war-of-the-words_-millenials-vs-baby-boomers/ connection, they value instant feedback—and a lot https://www.pewresearch.org/fact-tank/2019/01/17/where-millenniof it. In the workplace, this means progress reports als-end-and-generation-z-begins/
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UPCYCLED FASHIon HOW AN ELON FIRST YEAR IS REUSING MATERIALS TO CREATE CLOTHING TRENDS
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SALLIE COLLAMORE
irst year student Emma Spencer is an innovative they could form. The end goal: a “Trashion Show.” firecracker who doesn’t think twice about taking Needless to say, Spencer didn’t wait long to bring her her ideas and turning them into reality, making ideas and passions to Elon’s campus. her the ultimate vintage girl boss. Spencer began meeting with faculty and working in the Spencer has a passion and vision for reusing and recy- Maker Hub at Elon to start the process of forming a cling old materials to create fashionable clothing that club here and creating an “Upcycled Fashion” community. people will actually want to wear. “Working alongside club members and witnessing their Curious about art and design, Spencer began acting excitement about fashion and design was thrilling to me on her talents and interests in her senior year of high in high school,” Spencer said. “As I begin to establish school when she founded the “Upcycled Fashion” club. Upcycled Fashion on campus, I am eager to experience The club focused on people picking an old material of that excitement with Elon University students.” theirs and playing around with what types of clothes
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The “Upcycled” theme of the club has been gaining trac- clothes and thinking of ideas is always being on the looktion across Elon’s campus. Spencer is hoping it can add out for materials that can be upcycled,” Spencer said. a creative edge to Earth Week, shining light on the idea that trash can be turned into a fashion treasure. Some of these materials are things we pass, throw away, and use everyday. Whether it be old bags, shirts, or Creativity and sustainability are the two core values that newspapers, Spencer believes there is an opportunity make “Upcycled Fashion” unique. These values stemmed to recycle materials into clothes everyday. from Spencer’s love for protecting the environment. She hopes that more people will become aware of the “I have always believed in conservation efforts, but potential for otherwise “trashed” things to be turned more specifically recycling. I thought it was a great way into clothes. The contribution they can have to helping to bring my passion to school while adding a helpful conservation efforts is important to Spencer and she purpose,” Spencer said. continues to keep that value close to her heart. Spencer will be majoring in Communication Design with the hope of one day working for a fashion magazine. Her current sketches highlight reusing her old dance bags and 5K run t-shirts to reduce, reuse, and recycle in a fashionable way.
The hope is that Elon University’s “Upcycled Fashion” club will be established this year, with the ability to put on a Trashion Show next year.
Until then, Spencer will continue to make clothes, spread her passions, and engage with her peers throughout the process So how does this innovative mind begin the process of by finding new recycled materials and innovative ideas. creating recycled clothes? Why does it have to be “out with the old”? Might as well “One of the first steps I take in the process of making use what you have to make something better!
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HANNAH JABLONSKI LYDIA ELSTE MADISON LEMONE MARY BUZBY
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rom the late ‘90s to the early 2000s, ‘It girls’ dominated the fashion scene. The grunge and edgy vibes of the 90s transitioned to experimenting with color, texture, and pattern. The icons of this crusade included child stars Hilary Duff, the Olsen twins, Britney Spears, and Elle Woods. These style icons pushed the style boundaries for their times and unknowingly influenced the looks we see today.
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Hilary D u f f ::
Child star Hilary Duff was a triple threat actress, singer, and style icon; no wonder she was everyone’s girl crush of the 2000’s! During the 2000’s, Duff was plastered all over our TV screens and acting in a new production almost every year of the decade. Duff is most well known for her stardom in the TV show Lizzie Mcguire, the spin-off film The Lizzie McGuire Movie, and Another Cinderella Story which made us all dream of finding our own Chad Michael Murray.
and sparkles. As she cringes at some of her looks, she humorously exclaims, “This is so sad but at the same time I’m pretty sure it was cool.” And yes girl, it was!
Ironically enough, scrolling down our Instagram feed stirs up nostalgic feelings when fashion trends re-emerge. Unwelcome to join today’s trends are low waisted bottoms, often highlighting a sliver of midriff. However, while as a whole Duff ’s style has not re-emerged, various elements have—such as her layering techniques and bedazzled jeans. Today we have tailored the old to produce the new but the old hasn’t disappeared. Rather it has transformed into a more curated style. The emergence of the elements of her style highlights the substantial influence she had on fashion today.
Her popularirty on-screen heightened curiosity of what she was doing off-screen. Her rise to fame led her to the front line of many photographers at award shows, various public appearances, and every other moment of her life. Duff managed to always come to occasion with a one of a kind outfit. Uncannily she remarks, “I definitely did not have Today, what’s “in style” fluctuates a stylist,” looking back on her looks frequently, and has come along way from the time. from the trends of the 2000s. Duff now stars in a new TV show and Duff was known for layering has managed to stay revelant in the multiple elements. Often sport- fashion world. Despite her style ing low-waisted bottoms and crazy evolution through the decades, her hairstyles with tiny hair ties and the 2000s style was one like no other. infamous butterfly clip. In a video Her memorable looks from this time where Duff looks back on her most showed us that it’s okay to experiinfamous outfits, she describes ment and be a little crazy by mixing herself as a “Glitzy, glamor type of patterns, textures and different gal.” Bluntly, she liked lots of sequins silhouettes in all of her looks. FASHION | 47
e m s o d cB Rt rI eTnN E sYta w e h ff no and uS sPh o Ew Aa n R aSg me v e V ra s h f spite y De e d. t u l o v e e de h l t y t s h h u g0 0 0 s t o Britney Spears is one of the most unforgettable celebrities of the 90s and early 2000s. When this 18-yearold dropped “Baby One More Time” in her Catholic school girl uniform, it was clear she would be making waves. Spears has become the leader of the millennial generation, both at their high and lows. We will never forget her shaved head breakdown, but this celebrity is the epitome of a throwback star and it seems almost impossible not to
constantly reference video crimson leather ensemble her iconic style. was another moment. Her straight, bleached blonde hair pairs perfectly If you follow Spears’ with that iconic bodysuit. Patent taste, you will be sure leather is huge for Spring and to emulate the flirty Summer 2019 too. We see skirts and fabulous aura she embossed with bold zippers and embodies. The style laces as well as crop tops. Just as she popularized was Britney does so well in her music mixing both girly video, the leather trend has major and athletic vibes. sex appeal. In bringing back this Pairing baggy cargo childhood rage, Paris Hilton would pants with a holo- say, “That’s hot.” graphic tube top and a fuzzy scrunchie is A quality Britney Spears has also a classic Spears’ fash- brought into the next generation ion choice. Similarly, is her fluidity and sex appeal. Her current street style casually sensual nature is a trend all fads are balancing on its own. The Queen of Pop illusedgy and feminine trates that you can be professional, pieces such as mili- talented, and confidently sexy at tary inspired bottoms the same time. We all may not have and chunky pla form wind machines blowing back our sneakers with bright neon crop tops. hair at all times or boyfriends as These two radical ends of the fashion hot as Justin Timberlake, but even spectrum juxtaposed feel as unique with a simple ab-revealing crop and legendary as Britney’s “I’m a top, you will feel the sexy confiSlave 4 U” 2001 VMA’s performance. dence this pop star did in the 2000s. We would be crazy not channel the She literally has Madonna’s seal of same sophistication and confidence approval, proven by a passionBritney had in every outfit she wore. ate kiss at the 2003 VMA’s. How can you not follow someone who Not to mention that the former was praised by the original leader Mickey Mouse Clubhouse star’s of the fashion-music industry? “Oops!... I Did It Again” music
i s r aElleWood s a h s d d to e g ant l o n i r h e h e ::What Legally Blonde is about sorority queen, Elle Woods (Reese Witherspoon), who wants nothing more than to marry her college boyfriend, but he has one problem: she’s “too blonde.” Elle bounces back from her breakup and puts all her energy into getting into Harvard Law School in order to prove herself and win him back. Instead of a fiancé, she earns a new sense of pride and self-worth.
her chihuahua. Woods turned heads and had people looking out their windows to “check out Malibu Barbie,” as one onlooker said. In this scene, people seem to be judging her, but it’s interesting how much she stands out against a crowd wearing boring, muted sweaters and jackets with khaki pants.
defining moment, strutting into court wearing a pink mini dress with a pink sparkly belt, pink patent leather heels with diamond buckles and a pink purse. Finally, realizing her worth and ability and no longer afraid of being different, she walked into the courtroom ready to prosecute in Prada—what, like it’s hard?
Woods continued to wear her bright pink fur coat on the quad and a pink leather cheetah top to a study group, Watching her on the screen in 2001, but despite how much her characElle Woods was the woman so many girls wanted to grow up to be—a beautiful and intelligent person who goes after what she wants and won’t let anyone stop her. She broke boundaries and tore down stereotypes, proving to young girls that they can do or be anything they want, regardless of the way they look. “I don’t understand why you are completely disregarding your signature color,” said Woods’ soror- ter developed, she still pressured ity sister when they were shopping herself to hold back from flaunting for her big date with Warner. her genuine sense of style outside of more casual settings. She tried to Woods’ signature look was the conform to what she thought was a “LPD,” or “Little Pink Dress.” The more appropriate “Harvard look,” color pink was a part of her identity; wearing a dark cardigan, glasses, She occasionally strayed to explore and a tie, styled to her taste but others but always returned to her inconsistent with her typical way of pink on pink look. This includes her dress. She tried to present herself in resume too, of course. a professional manner, not realizing she was watering down her uniqueWoods absolutely owned this hue ness and self-expressive appearance. when she rolled up to Harvard on move-in day wearing a pink, fitted “I have new representation,” said leather jacket and pencil skirt with defendant Brooke Taylor-Windham, rose sunglasses, nude boots, and referring to Woods. This is Woods’
As much as Woods was up to date with Cosmopolitan Magazine or, “the Bible,” as she calls it, she embraced her own style and personal expression of femininity. Whether it be strutting on campus, at a party or in the office, she experimented mixing bright colors, bold textures, and adventurous accessories. She inspired women to step outside of their comfort zones with monochromatic outfits, matching sets, colored fur and leather, and anything that sparkles. Today, looks inspired by Woods’ animated style are seen on the runway and on the street, but she showed us that clothes are the second layer of skin that communicate who you are to the world—she knew that what you wear isn’t as important as the person underneath. With enough self-confidence and a little “bend and snap,” anyone can own whatever look they want.
like it’s hard?::
n o i t ades, s e ce wa r l r . H em h es f r o
Woods radiated her inner personality and proved that the balance between “being comfortable” and “pushing yourself ” is a lifelong challenge that results in becoming the best and most beautiful version of yourself. FASHION | 49
t h e o l s E n t w i n s The Olsen twins have been influential in the fashion industry since the day they stepped into the limelight. Starting their careers at only six months old as Michelle Tanner on Full House, they created a platform for themselves. As they began appearing on red carpets, one of the most famous twin-trends was discovered: identical twins wearing the same exact outfits, just in opposite colors. Whether this was denim overalls, matching sets, or dresses, they always kept it correlated. Matching outfits for twins became a mainstream way of dressing pairs and we can thank the Olsen twins for that. As the girls got older, they appeared in numerous movies and television shows. With each new opportunity, the Olsen twins created yet another statement look for themselves. Before the Olsen twins started the zig-zag hairline look, everyone had been wearing a deep side part,, but after the twins debuted this look it became a mainstream hairstyle. Another iconic style choice was beaded chokers and this is something that has come back into style. The twins began wearing chokers covered with beads. Today, chokers are a statement piece for so many people. 50 | FASHION
All black everything was their motto for the next era. Both girls were seen wearing back jeans, a black tank top, and a chunky belt. You can never go wrong with black on black and that was their thought too. As they grew up, they began to incorporate more grunge into their styles. Even though their styles were changing, they kept to their roots and were always matching, but typically they would choose one item of clothing differently. If they decided to wear all black, they would then have different belts. Black on black is still an iconic look in 2019 that we see worn for every occasion. The twins became true blue fans as they shied away from there all black looks into something more sweet and simple: blouses and blue jeans. Their fitted jeans and loose tops were
a look that many had not tried, but after the Olsen twins showed everyone how elegant these two pieces could look, it caught on instantly. They accessorized their new statement ‘fit with chunky leather belts to give a new name to casual yet chic. In their early twenties the twins made a change; they were not wearing the exact same thing. Although they might have not been wearing identical outfits, they still made sure the colors in the outfits were identical. If one wore white pants then the other could only wear a white skirt. In their early twenties, wide legged pants became the New York City girl’s statement. The Olsen twins flaunted a flared leg paired with heels to show that they were growing up and no longer were the little girls we once saw on Full House.
For years after that and to this day, the girls have taken on the bohemian look. They began wearing flowy, loose-fitting items when they created their own clothing line. Clearly fashion has always been something that they value and they proved that when they created clothes of their own. From the twin’s mid-twenties to where they are now they branched out with each of their looks and completely stopped wearing the same things. Each of their styles took on a mind of its own. Flowy dresses, fur coats, monochromatic outfits, statement earrings, chokers, and tiny bags are just some of the looks the Olsen twins sport today. But no matter what they are wearing, they are always keeping up and even starting some of today’s biggest trends as they did when they were child stars.
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