Traditions lose their hold Old certainties collapse Battles are surrendered And a new age dawns. As love redeems and reconciles The power of community rises. What’s on in 2018/19
Welcome to English National Opera
I am delighted to present ENO’s 2018/19 artistic season alongside our Music Director, Martyn Brabbins, and our new Chief Executive, Stuart Murphy. This is the first season Martyn and I have curated since we joined the company. This season comprises nine main-stage operas, two ENO Outside projects, a very special gala to celebrate 50 years at the London Coliseum, and the work of our learning and participation programme, ENO Baylis. We will be presenting five new productions and four revivals at the Coliseum, and working with both Theatre Royal Stratford East and the Unicorn Theatre to bring opera to their wonderful venues. The nine operas that we’ll be performing at the London Coliseum this season explore and examine some of the patriarchal structures, relationships, and roles of masculinity within our society. From our radical, feminine interpretation of Salome through to the bold Merry Widow and our female-led retelling of the Jack the Ripper story, I hope that these productions will prompt conversations around what an improved balance of masculine and feminine might look like, what a healthy masculine might encompass, and the changes we need to make for this to be possible. I am immensely proud that our Olivier Award-winning ENO Chorus will join our 40-strong, handpicked Porgy and Bess ensemble for our presentation of Britten’s War Requiem, ENO’s centenary commemoration of the end of the First World War. Finally, I would like to thank my colleagues onstage, offstage, in the pit and behind the scenes who have worked so hard to bring together this season. We look forward to welcoming you to the London Coliseum and to sharing with you the endless ways in which opera continues to entertain, electrify and enlighten us all.
Daniel Kramer Artistic Director
Contents
Salome Porgy and Bess Lucia di Lammermoor War Requiem La bohème Akhnaten The Merry Widow The Magic Flute Jack the Ripper: The Women of Whitechapel Opera for All ENO Outside Summer 2019 Supporters’ Events Pre-performance Talks, BSL performances and Theatre Tours Food and Drink at the London Coliseum Visiting Us Ways to Save Calendar How to Book
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ENO performances at the London Coliseum (except Akhnaten) are sung and surtitled in English. ENO gratefully acknowledges financial support from Arts Council England. ENO is a registered charity (no. 257210) in the UK and a 501(c)3 registered organisation in the US.
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The princess can have everything she wants. Except the one thing she needs.
Salome
Conductor Martyn Brabbins Director Adena Jacobs Designer Marg Horwell Lighting Designer Lucy Carter Choreographer Melanie Lane Translation Tom Hammond
Words by Andy Rigden Photography by Tal Silverman
Cast includes Salome Allison Cook Jokanaan David Soar Herod Michael Colvin Herodias Susan Bickley Narraboth Stuart Jackson Herodias’s page Clare Presland Soldiers Simon Shibambu Ronald Nairne Jews Daniel Norman Christopher Turner Alun Rhys-Jenkins Jonathan Lemalu Nazarenes Robert Winslade Anderson Adam Sullivan A Cappadocian Trevor Bowes Slave Ceferina Penny
Richard Strauss Oscar Wilde, in a German translation by Hedwig Lachmann 28 September – 23 October 2018 Sep 28 & Oct 3, 6, 12, 18, 23 at 19.30 Oct 20 at 18.30 7 performances Running time: 1hr 45mins Based on Oscar Wilde’s lurid play, Strauss’s opera is an intense psychological exploration of the Salome story. Her brutality and power are the product of the warped cycles of masculinity that have been passed down through the generations. The work is celebrated for Salome’s ‘Dance of the Seven Veils’, which Herod demands in return for whatever Salome wants. Her choice is shocking, and reveals how far she will go to embody the twisted ideals of her parents’ world. Hailed as ‘one of the greatest masterpieces of our time’ (Mahler), Salome is among the works that set the course of music in the last century. Its sumptuous vocal and orchestral writing seethes and pulsates as Strauss conjures up the brutality of Herod’s corrupt court. This new production marks the UK operatic debut of acclaimed theatre director Adena Jacobs, whose work is noted for questioning conventional patriarchal attitudes with results that are radical, contemporary and feminine. Making her ENO debut as Salome is the exceptional singing-actress Allison Cook. Joining her are Michael Colvin as Herod (following his recent appearance in ENO’s Lulu) and versatile mezzo Susan Bickley as Herodias. Bass David Soar sings Jokanaan for the first time, while ENO Music Director Martyn Brabbins conducts. Pre-performance talk: 6 Oct, 17.30-18.15. See page 25. Supported by a syndicate of donors
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Bess’s love for Porgy could save her from a dark past, but old habits die hard.
The Gershwins’
Porgy and Bess Conductor John Wilson Director James Robinson Set Designer Michael Yeargan Costume Designer Catherine Zuber Lighting Designer Donald Holder Video Designer Luke Halls Choreographer Dianne McIntyre
Words by Andy Rigden Photography by Rachell Smith
Cast includes Porgy Eric Greene Bess Nicole Cabell Crown Nmon Ford Serena Latonia Moore/ Gweneth-Ann Rand (Oct 27, Oct 31, Nov 10) Clara Nadine Benjamin Maria Tichina Vaughn Jake Donovan Singletary Sporting Life Frederick Ballentine Mingo Rheinaldt Tshepo Moagi Robbins/Crab Man Chaz’men Williams-Ali Frazier Byron Jackson Annie Sarah-Jane Lewis Strawberry Woman Nozuko Teto Jim Njabulo Madlala Undertaker Whitaker Mills Nelson Thando Mjandana
By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin 11 October – 17 November 2018 Oct 11, 17, 19, 24, 26, 29, 31 & Nov 8, 14 at 19.30 Oct 13, 27 & Nov 10 at 18.30 Nov 3, 17 at 15.00 14 performances Running time: 3hrs Receiving its first ENO staging more than 80 years after its premiere, Porgy and Bess explores the relationships between the members of a close-knit community in 1920s South Carolina. When Crown flees after killing someone, Porgy shows kindness to Bess (Crown’s abandoned lover) and they commit to a new life together. But when Crown returns, everything begins to unravel. Gershwin considered Porgy and Bess to be his magnum opus. Written for a large cast, with a 40-voice chorus specially formed for this production, and full orchestra, Porgy and Bess is infused with unforgettable melodies, including the much-loved ‘Summertime’. This is a stage work that is emotionally charged, powerful and moving, delivered through jazz, ragtime, blues and spirituals. Making their ENO debuts are conductor John Wilson and director James Robinson. Leading the cast are Eric Greene (Porgy) and Nicole Cabell (Bess) who sang Violetta at Covent Garden in 2016. Nmon Ford makes his role debut as Crown, and Latonia Moore, an outstanding ENO Aida, returns to the London Coliseum as Serena. British soprano Nadine Benjamin makes her company debut as Clara, while rising tenor Frederick Ballentine makes his UK debut as Sporting Life. Pre-performance talk: 13 Oct, 16.30-17.15. See page 25. A co-production with the Metropolitan Opera, New York and Dutch National Opera Supported by George and Patti White and a syndicate of supporters The worldwide copyrights in the works of George Gershwin and Ira Gershwin in this presentation are licensed by the Gershwin Family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises.
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Love. Honour. Obey. Forced into marriage, is madness Lucia’s only escape?
Lucia di Lammermoor
Conductor Stuart Stratford / James Hendry (Dec 5) Director David Alden Set Designer Charles Edwards Costume Designer Brigitte Reiffenstuel Lighting Designer Adam Silverman Movement Director Maxine Braham Translation Amanda Holden Cast includes Lucia Sarah Tynan Enrico Ashton Lester Lynch Edgardo Eleazar Rodríguez Lord Arturo Bucklaw Michael Colvin Raimondo Bidebent Clive Bayley Alisa Sarah Pring Normanno Elgan Llŷr Thomas
Gaetano Donizetti Salvatore Cammarano, after Walter Scott 25 October – 5 December 2018 Oct 25, 30 & Nov 2, 7, 9, 15, 24, 30 & Dec 5 at 19.30 9 performances Running time: 2hrs 45mins Olivier Award-winning David Alden’s powerful realisation of this bel canto masterpiece returns to ENO. With themes of rival families, thwarted love, unhealthy obsessions, and a doomed political marriage, Lucia di Lammermoor is Donizetti’s most compelling romantic drama. Based on Scott’s The Bride of Lammermoor, the story traces how an innocent woman is manipulated by the men in her life until, no longer willing to submit to their control, she descends into insanity. Donizetti’s score is full of beautiful melodies as well as psychological insights. An example of the bel canto school of 19th-century Italian opera, Lucia is noted for the heroine’s mad scene, in which extremely virtuosic vocal writing signifies Lucia’s inner psychological breakdown.
Words by Andy Rigden Photography by Phil Fisk
Following her outstanding success as Rosina in ENO’s recent revival of The Barber of Seville, Sarah Tynan returns for her role debut as Lucia. As Edgardo, Lucia’s doomed lover, we welcome back tenor Eleazar Rodríguez, whose performances as Rossini’s Almaviva were praised for their ‘splendid blend of vocal panache and comedy’ (Bachtrack). Lester Lynch makes his ENO debut as Enrico, while Harewood Artist Elgan Llŷr Thomas sings Normanno and longstanding company favourite Clive Bayley returns as Raimondo. Conductor Stuart Stratford, Music Director of Scottish Opera, makes a welcome return to the London Coliseum.
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Generations shattered. Nations split apart. Can a world fractured by war make peace with itself?
War Requiem
Conductor Martyn Brabbins Director Daniel Kramer Designer Wolfgang Tillmans Associate Designer Justin Nardella Costume Designer Nasir Mazhar Lighting Designer Charles Balfour Choreographer Ann Yee Cast includes Soprano Emma Bell Tenor David Butt Philip Baritone Roderick Williams
Benjamin Britten Missa pro Defunctis and Wilfred Owen 16 November – 7 December 2018 Nov 16, 22, 27, 29 & Dec 4, 7 at 19.30 6 performances Running time: 1hr 30mins War Requiem is one of the greatest choral works of the 20th century – ‘the one musical masterwork we possess with overt pacifist meanings’ (Tippett) – in which Britten provocatively juxtaposes the anti-war poetry of Wilfred Owen with the timeless ritual of the Latin Requiem Mass. The result is a passionate outcry against man’s inhumanity to man.
Words by Andy Rigden Photography Wolfgang Tillmans, lignin duress (d) (detail) 2014 © Wolfgang Tillmans
War Requiem features the combined forces of an 80-strong chorus, a children’s choir of 40 from Finchley Children’s Music Group, the full ENO Orchestra, a chamber orchestra, and three soloists. The personal cost of war and violence is expressed through visually evocative settings of the Mass for the Dead and the poems of Wilfred Owen, who was killed a week before peace was declared in 1918. ENO Music Director Martyn Brabbins conducts this new production created to mark the centenary of the end of the First World War. ENO Artistic Director Daniel Kramer’s contemporary staging seeks to examine and process the grief of the incomprehensible loss of life from wars past and present, offering us all a hope for the future. Joining the production team as designer and making his ENO debut is the Turner Prize-winning artist and designer Wolfgang Tillmans. The production features three stellar soloists, all with close associations to ENO: Emma Bell, David Butt Philip and Roderick Williams. Most significantly, War Requiem provides a showcase for the award-winning ENO Chorus and Orchestra. Pre-performance talk: 22 Nov, 17.45-18.30. See page 25. Co-production with National Performing Arts Center, Taiwan Supported by Linda Christmas and a syndicate of donors
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Can MimÏ and Rodolfo’s love burn so brightly, it eclipses Death itself?
La bohème
Conductor Alexander Joel/ Valentina Peleggi (Feb 20, 22) Director Jonathan Miller Revival Director Natascha Metherell Designer Isabella Bywater Lighting Designer Jean Kalman Revival Lighting Designer Kevin Sleep Translation Amanda Holden Cast includes Mimì Natalya Romaniw Rodolfo Jonathan Tetelman Marcello Nicholas Lester Musetta Nadine Benjamin Colline David Soar / David Ireland (Jan 29, Feb 2, 7, 9) Schaunard Božidar Smiljanić / Matthew Durkan (Jan 29, Feb 2, 7, 9, 12, 14, 16, 20, 22) Benoît/Alcindoro Simon Butteriss
Giacomo Puccini Giuseppe Giacosa and Luigi Illica, after Henri Murger 26 November 2018 – 22 February 2019 Nov 26, 28 & Dec 3, 6 & Jan 29 & Feb 2, 7, 12, 14, 20, 22 at 19.30 Dec 1 & Feb 16 at 15.00 Dec 8 & Feb 9 at 18.30 15 performances Running time: 2hrs 15mins Inspired by Brassaï’s photographs of 1930s Paris and Parisians, Jonathan Miller’s classic production returns to celebrate the 40th anniversary of the director’s ENO debut. Four impoverished friends scrape together a living as best they can. When their neighbour Mimì knocks at the door, Rodolfo answers and it’s love at first sight. You’ll be moved by the beauty of Puccini’s soaring vocal lines and opulent orchestral palette, as Mimì and Rodolfo’s love unfolds from its joyful beginnings to the heartbreak of her death.
Words by Andy Rigden Artwork by Louisa Parry
Making their ENO debuts are Natalya Romaniw (Mimì), one of the outstanding British sopranos of her generation; lyric tenor Jonathan Tetelman, much acclaimed for his singing of the verismo repertoire; and baritone Nicholas Lester (Marcello), praised for his 2017 WNO performances of Onegin alongside Natalya Romaniw’s Tatyana. Also making his ENO debut is conductor Alexander Joel, whose recent credits include Manon Lescaut (Dutch National Opera) and a Ring cycle (Wiesbaden). With Nadine Benjamin as Musetta, David Soar as Colline and Harewood Artists Božidar Smiljanić and Matthew Durkan sharing Schaunard, this Bohème promises to be an exceptional musical and theatrical treat. Co-production with Cincinnati Opera
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As the old order fades, a new power rises.
Akhnaten
Conductor Karen Kamensek Director Phelim McDermott Designer Tom Pye Costume Designer Kevin Pollard Lighting Designer Bruno Poet Skills Ensemble Choreographer Sean Gandini Cast includes Akhnaten Anthony Roth Costanzo Nefertiti Katie Stevenson Queen Tye Rebecca Bottone Horemhab James Cleverton Aye Keel Watson High Priest of Amon Colin Judson Scribe Zachary James Daughters of Akhnaten Charlotte Beament Hazel McBain Rosie Lomas Martha Jones Angharad Lyddon
Philip Glass Philip Glass in association with Shalom Goldman, Robert Israel, Richard Ridell and Jerome Robbins 11 February – 7 March 2019 Feb 11, 15, 21, 23, 28 & Mar 7 at 19.30 Mar 2 at 18.30 7 performances Running time: 3hrs Phelim McDermott’s Olivier Award-winning production of Akhnaten returns to ENO for its first revival, following its sell-out run in 2016. Akhnaten concerns the life and religious convictions of the eponymous pharaoh. It forms the last of Glass’s trilogy of ‘portrait’ operas in which he explores the lives of figures in the fields of science (Einstein), politics (Gandhi) and religion (Akhnaten). It is a mesmerising work whose text draws on ancient hymns, prayers and inscriptions sung in their original Egyptian, Hebrew and Akkadian. The opera’s unique mood will transport you to the ancient world through music that combines Glass’s characteristic minimalist voice with stylised movement and choreographed juggling to visualise the rhythms of his score.
Words by Andy Rigden Artwork by Kriengkrai Waiyakij
Phelim McDermott directs Akhnaten with the imagination that characterises all his work. He is reunited with Glass specialist Karen Kamensek, who conducted last season’s Satyagraha revival. Anthony Roth Costanzo made a triumphant role debut as Akhnaten and returns for this revival, as do Rebecca Bottone (Queen Tye), James Cleverton, Colin Judson and Zachary James. New to the production are Harewood Artist Katie Stevenson (Nefertiti) and the bass-baritone Keel Watson (Aye). A collaboration with Improbable Co-production with LA Opera
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When Hanna tries to win Danilo’s heart, she finds her inheritance comes at a price.
The Merry Widow
Conductor Kristiina Poska / Martin Fitzpatrick (April 1, 4, 13) Director Max Webster Set Designer Ben Stones Costume Designer Esther Bialas Lighting Designer Bruno Poet Choreographer Stephen Mear Cast includes Hanna Glawari Sarah Tynan Count Danilo Danilowitsch Nathan Gunn Baron Mirko Zeta Andrew Shore Camille de Rosillon Robert Murray Valencienne Rhian Lois Vicomte Cascada Nicholas Lester Raoul de St Brioche Jamie MacDougall
Franz Lehár Victor Léon and Leo Stein, after Henri Meilhac 1 March – 13 April 2019 Mar 1, 6, 8, 9, 13, 15, 22, 27, 29 & Apr 1, 4 at 19.30 Apr 13 at 15.00 12 performances Running time: 2hrs 30mins ‘Operetta should never lose contact with human feeling and ideas’, wrote Lehár about the genre in which he reigned supreme, and from which The Merry Widow is his masterpiece. This charming, uplifting comedy plays out in a stream of memorable melodies, including the familiar ‘Vilja Song’ and ‘Merry Widow Waltz’. With a truly glamourous setting, Lehár’s operetta centres on the relationship between the dazzling and wealthy young widow Hanna and Danilo, the debonair Secretary of the Pontevedrin Embassy, who has an appetite for wine and women. As this delightful tale of a woman’s quest for love unfolds, their burgeoning romance is hampered by mishap, intrigue and comedic misadventure.
Words by Andy Rigden Photography by Mads Perch
Making his ENO debut with Lehár’s classic is Max Webster, Associate Director of the Old Vic. As the vivacious Hanna, ENO favourite Sarah Tynan returns for her second major appearance of the season. She is joined by Nathan Gunn as Danilo, following his recent appearances in Bernstein’s Wonderful Town under Sir Simon Rattle. Former ENO Harewood Artist Rhian Lois is Valencienne, Robert Murray is Camille, while ENO legend Andrew Shore plays the pompous Baron Zeta. The sought-after Estonian conductor Kristiina Poska makes her ENO debut. Pre-performance talk: 9 Mar, 17.30-18.15. See page 25. Supported by a syndicate of donors
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An enchanted journey to find enlightenment and eternal love. Delays expected.
The Magic Flute
Conductor Ben Gernon / Chris Hopkins (Mar 28) Director Simon McBurney Associate Director and Movement Josie Daxter Set Designer Michael Levine Costume Designer Nicky Gilliband Lighting Designer Jean Kalman Revival Lighting Designer Mike Gunning Video Designer Finn Ross Sound Designer Gareth Fry Translation Stephen Jeffreys
Words by Andy Rigden Artwork by Mark Laita
Cast includes Tamino Rupert Charlesworth Pamina Lucy Crowe Papageno Thomas Oliemans Sarastro Brindley Sherratt/ Jonathan Lemalu (Apr 9 & 11) Queen of Night Julia Bauer Speaker Jonathan Lemalu/ David Ireland (Apr 9 & 11) Monostatos Daniel Norman Three Ladies Eleanor Dennis Samantha Price Katie Stevenson Papagena Rowan Pierce Priests/Armed Men David Webb David Ireland
Wolfgang Amadeus Mozart Emanuel Schikaneder 14 March – 11 April 2019 Mar 14, 21, 23, 28 & Apr 2, 9, 11 at 19.30 Mar 16 at 18.30 Apr 6 at 15.00 9 performances Running time: 2hrs 55mins Simon McBurney’s five-star production of Mozart’s timeless classic takes place in a contemporary setting, in which the iconic score and breathtaking animations complement the composer’s pantomime-like juxtaposition of the light-hearted and the profound to brilliant effect. One of the greatest operas ever written, The Magic Flute concerns the search for truth and reason, love and enlightenment. It follows the adventures of Prince Tamino and the bird-catcher Papageno on their quest to rescue Pamina. To assist their mission, they are given musical instruments enhanced with magical powers, which they deploy to conquer the trials and tribulations placed in their path towards a deeper understanding of true love and happiness. Leading Mozartian Lucy Crowe returns as Pamina, following her 2018 ENO performances as Countess Almaviva. Rupert Charlesworth, whose successes include Emilio (Partenope), sings Tamino, alongside Thomas Oliemans, a recent Figaro at ENO, as Papageno. They are joined by company favourite Brindley Sherratt (Sarastro) and the sparkling coloratura of Julia Bauer as the manipulative Queen of Night. Conductor Ben Gernon, Principal Guest at the BBC Philharmonic, makes his ENO debut. A collaboration with Complicite Co-production with Dutch National Opera and the International Festival of Lyric Art, Aix-en-Provence
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In the face of a terrible darkness, can a community unite in hope?
Jack the Ripper The Women of Whitechapel
Conductor Martyn Brabbins Director Daniel Kramer Designer Soutra Gilmour Lighting Designer Paul Anderson Cast includes Mary Kelly Claudia Boyle Maud Josephine Barstow Polly Nichols Janis Kelly Annie Chapman Marie McLaughlin Liz Stride Susan Bullock Catherine Eddowes Lesley Garrett Writer William Morgan Squibby Alex Otterburn The Pathologist Alan Opie Commissioner of Police Robert Hayward Sergeant Johnny Strong Nicky Spence The Photographer James Cleverton
Iain Bell Emma Jenkins World premiere 30 March – 12 April 2019 Mar 30 & Apr 3, 5, 8, 10, 12 at 19.30 6 performances A disadvantaged group of working-class women are drawn together in their determination to survive the murderous terror that stalks London’s Whitechapel in 1888. Iain Bell’s new opera explores powerful themes of community and women struggling against the odds, posing questions about the hypocritical attitudes of ‘respectable’ society. The mythic status of the unidentified serial killer is addressed through a refreshingly modern lens, which speaks to us over a century later. Bell’s In Parenthesis received critical acclaim and was described as ‘technically exceptional’ (The Stage) and ‘gripping and moving’ (Daily Telegraph). With vocal and orchestral writing that always packs an emotional punch, Bell’s new opera builds on the success of his earlier stage works in music that is mercurial and explosive one moment and heart-wrenchingly beautiful the next.
Words by Andy Rigden Photography by Matt Davis
A world premiere co-produced with Opera North, this production draws on a wealth of singers long associated with ENO, many of whose careers were nurtured by the company. These include Dame Josephine Barstow, Susan Bullock, Lesley Garrett, Marie McLaughlin, Janis Kelly, Alan Opie and Robert Hayward. Joining them is rising soprano Claudia Boyle. Martyn Brabbins, a renowned interpreter of contemporary repertoire, and Daniel Kramer once again collaborate on this important commission, which also provides a showcase for the entire ENO ensemble. Pre-performance talk: 3 Apr, 17.45-18.30. See page 25. Co-production and co-commission with Opera North Supported by Peter and Fiona Espenhahn, ENO Contemporary and a syndicate of supporters
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Opera for All
An evening celebrating 50 years of opera at the London Coliseum.
Dame Sarah Connolly in William Kentridge’s 2016 production of Berg’s Lulu
Wednesday 10 October 2018 at 19.00 Join us for this very special evening of performances inspired by the last 50 years of opera in residence at the London Coliseum.
Artists appearing on the night include baritone Alan Opie (also celebrating 50 years of exceptional opera performances), baritone Andrew Shore, tenor Gwyn Hughes Jones, mezzo Dame Sarah Connolly, sopranos Claire Rutter and Susan Bullock, as well as ENO’s Harewood Artists and the award-winning ENO Chorus and Orchestra. They will be joined by Artistic Director Daniel Kramer and Music Director Martyn Brabbins. Further special guests will be announced at eno.org
This one-off event is in support of talent development work and the work of ENO Baylis, our learning and participation programme. The evening will see original cast members appear alongside the latest generation of artists performing highlights from a range of operatic masterpieces staged at the Coliseum. Since 1968, London’s largest theatre has presented world-class opera accessibly to all audiences, an important value that continues today throughout ENO’s work. Experience marvellous musical moments from Handel, Britten, Sullivan and many more… 22
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This is an unmissable opportunity to experience iconic moments from the last 50 years while also welcoming the future of opera for all at the London Coliseum. Tickets from £15*. Top price tickets at £125* also include access to the after-show party.
* Plus booking fee of £2.25 per ticket Photography by Clive Barda (Iolanthe) and Catherine Ashmore (Lulu)
Andrew Shore in Cal McCrystal’s 2018 production of Gilbert & Sullivan’s Iolanthe
ENO Outside Summer 2019
Summer 2019 sees ENO collaborate with two of London’s leading theatre companies for the first time. Dido
Unicorn Theatre 11 May – 2 June 2019 Belinda is the only child of Dido. A teenager like any other, in any big city. We watch through her eyes as her mother – heroine, feminist icon, modern parent – slowly starts to fall apart, with tragic consequences. An incredible first experience for some, and for others, a chance to see this opera in a new light.
Photography by Hugo Glendinning (Dido) and Ceslovas Cesnakevicius(Noye’s Fludde)
ENO and the Unicorn Theatre, the UK’s leading theatre for young audiences, join forces for the first time to create a new production of Purcell’s masterpiece, Dido and Aeneas, for teenagers and adults. Directed by the Unicorn’s former Artistic Director Purni Morell and conducted by Valentina Peleggi – the newest ENO Mackerras Conducting Fellow – this reimagining of the classic tale will be performed on the Unicorn’s intimate Weston Theatre stage.
Dido
Noye’s Fludde
Theatre Royal Stratford East 1 – 13 July 2019 God is angry, and a flood is coming… But Noah is building a boat, wide enough and deep enough for a cargo of birds and beasts, great and small. Theatre Royal Stratford East and English National Opera collaborate, for the first time in their history, on Benjamin Britten’s masterful retelling of the story of Noah’s Ark. Directed by Lyndsey Turner, Associate of the National Theatre, this joyous new production will combine the talents of professional singers, actors and musicians with those of school children and the local community along with participation from ENO Baylis Learning and Participation projects. Performed at Theatre Royal Stratford East.
Noye’s Fludde
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Join us at intimate recitals and performances, talks and parties, exclusively for ENO Supporters Being an ENO Supporter gives you behind-the-scenes access, special and unique opportunities to meet company artists, and priority booking for your favourite ENO productions. ENO Supporters can book these events, and many more, by visiting eno.org/friendsevents Supporters’ Experience the very best opera, with something special to make Evenings your night more memorable, and enjoy a performance with a friendly, like-minded group of opera lovers. This add-on to your show tickets gives you a chance to enjoy extras such as pre-performance tours, drinks receptions, and the chance to meet the cast and creative team after the show. 2018 Salome 18 October Porgy and Bess 8 November War Requiem 29 November
2019 The Merry Widow 6 March Jack the Ripper 8 April
An Evening With… Hear from ENO favourites as they reflect on, and discuss, their prestigious opera careers. Hosted by music journalist and presenter Tom Service, join us to find out what it’s like to have a career on ENO’s stage.
An Evening with Roderick Williams OBE An Evening with Dame Josephine Barstow
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Opera Previews A fantastic way to learn more about how ENO productions go from concept to delivery, from the people who make them happen. Join us for an exclusive discussion and insight from a panel of guest speakers. ENO Opera Circle Patrons also have the opportunity to enjoy supper with panellists. 2018 2019 Salome 18 September The Merry Widow 6 February Porgy and Bess 25 September Jack the Ripper 5 March War Requiem 1 November You can become a supporter by joining ENO Friends from just £4.60 a month. Join today at eno.org/friends or call us on 020 7845 9420.
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Pre-performance Talks, BSL performances and Theatre Tours Join pre-performance talks to gain exciting insights about specific operas from the season, attend a British Sign Language interpreted performance or enjoy a guided tour to discover the secrets of London’s largest theatre. Pre-performance Learn more about the new productions in ENO’s season Talks by joining one or all of our series of lively pre-performance conversations. Members of the creative team, cast, ENO staff and guest speakers share behind-the-scenes insights and provide context around our productions. Talks last for approximately 45 minutes. Tickets are £5* (£2.50* for concessions). Salome Porgy and Bess War Requiem The Merry Widow Jack the Ripper
6 October 13 October 22 November 9 March 3 April
17.30 16.30 17.45 17.30 17.45
Full details of our talks and booking information are available at eno.org/talks
* Booking fee is £2.25 per ticket.
British Sign Language We welcome customers who prefer a BSL interpreted performance. interpreted performances Salome 18 October Porgy and Bess 29 October La bohème 12 February The Merry Widow 13 March Theatre Tours Opened as a variety theatre in 1904, the London Coliseum was commissioned by theatrical impressario Oswald Stoll ‘Our enthusiastic and designed by theatre architect Frank Matcham. guide was very knowledgeable... If Join one of our friendly tour guides and visit a selection of you like sumptuous private rooms and backstage areas, including the orchestra architecture and pit when possible. have an interest in theatre then this is Tours take place throughout the season and cost £10*. Tour a great tour.’ dates and how to book are available at eno.org/guidedtours Trip Advisor review or you can call the Box Office on 020 7845 9300.
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Eat, Drink, Relax
With something to suit every mood, here’s a taste of what you can expect from the restaurant and bars at the London Coliseum. American Bar Restaurant Named after the American Friends of ENO, our downstairs restaurant is the perfect place to enjoy a relaxing meal. You can join us two hours before curtain up and then return in the interval to enjoy your pudding. Our seasonal menu offers fresh flavours and elegant wines from our restaurant partners Benugo. You can view our current menu at eno.org/foodanddrink. To book a table in advance of your visit, please call our restaurant team on 020 7845 9202 or email catering@eno.org
Bars at the London Coliseum The London Coliseum has four different bars to enjoy during your visit, each serving a selection of bar snacks. You’ll also find pop-up drinks stations at every level of the theatre, serving a wide selection of fine wines, spirits and soft drinks. Enjoy a drink and a light bite with friends from 90 minutes before the show begins. Or, for refreshments during the performance, you can pre-order interval drinks and snacks at each of our bars and pop-up stations. Charles Heidsieck: official champagne partner of ENO and the London Coliseum
Liberty Wines: official wine partner of ENO and the London Coliseum
London Coliseum Bars Interval Order App With our London Coliseum App, you can pre-order and pay for a range of drinks, sandwiches, and snacks. Order from the comfort of your own home, en route to the theatre, or even while waiting for a friend in the foyer. You can then collect your order from your chosen bar. Download now:
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Visiting Us
Located in the heart of the West End, the London Coliseum is situated on St Martin’s Lane. For the nearest transport links and parking information, please see below. London Coliseum St Martin’s Lane London WC2N 4ES
Underground Charing Cross Leicester Square Embankment
Car parking Visitors receive a 50% discount at the following Q-Park car parks: Trafalgar Square (Spring Gardens) Chinatown (Newport Place) Soho (Poland Street) Oxford Street (Cavendish Sq) Marble Arch & Park Lane (Park Lane)
Train Charing Cross Buses 3, 6, 9, 11, 12, 13, 15, 23, 24, 29, 53, 88, 91, 139, 159, 176
To qualify please ask the ENO Information Desk to validate your car park ticket.
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Ways to Save
ENO offers brilliant opera experiences at a range of affordable prices. Tickets start at £12*, and 500 tickets for every performance are available at £20* or less when the season goes on sale. There are also plenty of ways to save, so find the right offer to suit your needs from the options below. Multi-Buy Packages The more you see, the more you save. Choose to see more than one opera this season and save money on seats in the Stalls, Dress Circle and Upper Circle with a Multi-Buy discount Package. Save 5% Book two operas
Save 10% Book three operas
Save 15% Book four operas
Save 20% Book five or more operas
Multi-Buy Packages can be booked from 10.00 on 15 May by visiting eno.org/multibuy or calling the Box Office on 020 7845 9300. Full terms and conditions can be found at eno.org/multibuy Please note that ENO Outside productions and visiting company productions are not included in Multi-Buy Packages. Access All Arias If you're under 30 or a full-time student, you can book great seats at significantly reduced prices, with seats at £30* in the Stalls, ‘ The scheme has £20* in the Dress Circle and £10* in the Upper Circle. Members can been fantastic… book two discounted tickets per production and it's free to join. it makes ENO cheaper than We offer AAA tickets for all ENO productions at the London going to see a Coliseum but they tend to get snapped up pretty quickly, West End show.’ so join now at eno.org/aaa Audience member For full terms and conditions see eno.org/aaa
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eno.org
* Booking fee is £2.25 per ticket.
Groups Groups of 10+ can save 30% on selected performances and ticket prices. For further information call 020 7845 9300 or email groupsales@eno.org
Secret Seat Be in with the chance of sitting in the Stalls for just £30* if you ‘ Loved the Secret don’t mind not selecting your own seats. Buy a £30* unallocated Seats! I ended seat in advance and be guaranteed a seat worth £50 or more on up in the front the night. Some seats will always be in the Stalls and Dress Circle. row of the Dress Who knows, it might be yours. Circle – amazing!’ Audience member Secret Seats are only available online and can be booked from 10.00 on 22 May. Once Secret Seats have been purchased, they are not able to be refunded or exchanged. Find out more at eno.org/secretseat
Become a Friend
T o access dress rehearsals, events and more, become an ENO Friend.
Photography by Magnus Arrevad
See page 24 for more information.
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2018/19 Calendar
September Fri 28 19.30
November continued Salome F
October Wed 3 19.30
Thu 8 19.30 Porgy and Bess T Fri 9 19.30 Lucia di Lammermoor
Salome T
Sat 10 18.30
Porgy and Bess
PT
Wed 14 19.30
Porgy and Bess
Wed 10 19.00
Opera for All
Thu 15 19.30
Lucia di Lammermoor T
Thu 11 19.30
Porgy and Bess F
Fri 16 19.30
War Requiem F
Fri 12 19.30
Salome
Sat 17 15.00
Porgy and Bess
Sat 13 18.30
Porgy and Bess
E PT
Thu 22 19.30
War Requiem
Wed 17 19.30
Porgy and Bess T
Sat 24 19.30
Lucia di Lammermoor
Thu 18 19.30
Salome
Mon 26 19.30
La bohème F
Fri 19 19.30
Porgy and Bess
Tue 27 19.30
War Requiem T
Sat 20 18.30
Salome
Wed 28 19.30
La bohème T
Tue 23 19.30
Salome L
Thu 29 19.30
War Requiem
Wed 24 19.30
Porgy and Bess T
Fri
Lucia di Lammermoor T
Thu 25 19.30
Lucia di Lammermoor F
December
Fri 26 19.30
Porgy and Bess
Sat
Sat 27 18.30
Porgy and Bess
ET
Mon 3 19.30
La bohème T
Mon 29 19.30
Porgy and Bess
ST
Tue 4 19.30
War Requiem
Tue 30 19.30
Lucia di Lammermoor
Wed 5 19.30
Lucia di Lammermoor
Wed 31 19.30
Porgy and Bess
Thu 6 19.30 La bohème
Sat 6 19.30 Salome
T
ST ET
30 19.30 1 15.00
ET
MT L PT
La bohème M
TL
November
Fri
7 19.30
War Requiem
Fri 2 19.30 Lucia di Lammermoor T
Sat
8 18.30
La bohème E
Sat 3 15.00 Porgy and Bess M
January
Wed 7 19.30
Tue 29 19.30
Lucia di Lammermoor T
F First night L Last night E Early start M Matinée P Pre-performance talk S Signed performance T Theatre tour
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La bohème
TL
February
March continued
Sat 2 19.30 La bohème
Fri 22 19.30
The Merry Widow
Thu 7 19.30 La bohème
T
Sat 23 19.30
The Magic Flute
Sat 9 18.30 La bohème
ET
Wed 27 19.30
The Merry Widow
Mon 11 19.30
Akhnaten F
Thu 28 19.30
The Magic Flute
Tue 12 19.30
La bohème
Fri 29 19.30
The Merry Widow T
Thu 14 19.30
La bohème
Sat 30 19.30
Jack The Ripper:
Fri 15 19.30
Akhnaten
The Women of Whitechapel
Sat 16 15.00
La bohème
S
MT
FT
April
Wed 20 19.30
La bohème
Mon 1 19.30
Thu 21 19.30
Akhnaten T
Tue 2 19.30 The Magic Flute
The Merry Widow
Fri 22 19.30
La bohème L
Wed 3 19.30
Sat 23 19.30
Akhnaten T
The Women of Whitechapel
Thu 28 19.30
Akhnaten T
Thu 4 19.30
The Merry Widow
Fri
Jack The Ripper:
March Fri
1 19.30
The Merry Widow F
Sat 2 18.30 Akhnaten Wed 6 19.30
ET
The Merry Widow
5 19.30
Jack The Ripper: PT
The Women of Whitechapel T
Sat 6 15.00
The Magic Flute M
Mon 8 19.30
Jack The Ripper:
Thu 7 19.30 Akhnaten L
The Women of Whitechapel T
Fri 8 19.30 The Merry Widow T
Tue 9 19.30
The Magic Flute
Sat 9 19.30 The Merry Widow P
Wed 10 19.30
Jack The Ripper:
Wed 13 19.30
The Merry Widow
The Women of Whitechapel T
Thu 14 19.30
The Magic Flute F
Thu 11 19.30
The Magic Flute L
Fri 15 19.30
The Merry Widow
Fri 12 19.30
Jack The Ripper:
Sat 16 18.30
The Magic Flute
The Women of Whitechapel L
Thu 21 19.30
The Magic Flute
Sat 13 15.00
The Merry Widow
ST
ET
ML
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How to Book
Online By Phone In Person
eno.org 020 7845 9300 London Coliseum Box Office 10.00 – 20.00 on performance days 10.00 – 18.00 on non-performance days
Booking dates
Opera Circle Patrons From 1 May at 10.00
Closed Bank Holidays and Sundays unless there is a performance.
ENO Friends Company and Ensemble Friends from 4 May at 10.00 Solo and Duet Friends from 8 May at 10.00
(see page 24 for details on joining)
Multi-Buy Packages You can take advantage of our Multi-Buy Packages from 15 May at 10.00 (see page 28 for details) The more operas you book, the more you save.
Access Scheme booking
Our Access Scheme entitles people with a disability to priority booking and half-price tickets from 15 May at 10.00 (subject to availability).
To join or find out more call 020 7845 9300 or email access@eno.org Booking Fees
Public Booking Opens on 22 May at 10.00 ENO charges a £2.25 booking fee per ticket. A maximum of £9 per transaction will be charged for Multi-Buy Packages. Booking fees may vary for non-ENO productions. There is no fee for bookings made in person.
Ticket Exchange Ticket exchanges are possible for ENO productions apart from Secret Seat tickets & Refunds (exchanges may not be possible for non-ENO productions). Please contact the Box Office no later than 24 hours in advance; a fee will apply. Refunds will not be made unless a performance is cancelled.
Concessionary Concessionary standby tickets are offered for some performances and are always standby tickets subject to availability, which will be confirmed from midday on the day of performance. These are available to senior citizens, students, Income Support recipients, under-16s and Westminster City Save holders, and must be booked in person in the three hours before a performance.
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For full Terms and Conditions please visit eno.org/terms-and-conditions
eno.org
English National Opera London Coliseum St. Martin’s Lane London WC2N 4ES eno.org +44 (0)20 7845 9300 Registered Charity No: 257210 The information in this leaflet was correct at the time of printing in April 2018 but may be subject to change.
Front Cover Photography by Bruce Omori
@e_n_o English National Opera @englishnationalopera English National Opera