ENSCI Graduates Catalog 2009-2010

École Nationale Supérieure de Création Industrielle

Graduates

Š ENSCI-Les Ateliers, 2010

Giving shape to designed objects Welcome to the ENSCI-Les Ateliers 2009-2010 graduate book of both industrial and textile designers.

Their multifarious projects — developed during coursework and created for their degree — are personal expressions of a common vision of design that reflects the strategy of Les Ateliers.

The objects they have designed are both material and/or immaterial, products or services, household or professional, individual, collective, private or public, and employ traditional technologies as much as new, “humanised” ones. In this profusion of often original concepts and forms that present a fine balance balance of aesthetic and functional qualities, the full breadth of Les Ateliers’s scope is revealed.

This wealth of creation is in tune with the diverse situations in life in which design now prevails. Reasserting its goal to contribute to a better quality of life, for all, while protecting the environment and helping the competitive innovation of businesses, the design championed at Les Ateliers features both an ethical and political dimension.

In a society where prolonged life expectancy, human mobility, new web practices and an increasing lack of job security all leave a profound imprint on our lives, design discovers new areas of exploration and creation and finds itself invested with new responsibilities.

In a global economy marked by greater competition between businesses, countries too are under pressure to attract capital and brainpower, and creation and design have become determining factors not just in industrial innovation and competitiveness, but also in terms of attractiveness and quality of life for regions.

In this context, the mission of ENSCI is to educate designers who will be players for change in social, economic and societal fields and who share the ambition to make the real world more viable.

In keeping with the tradition and spirit of ENSCI, we have accompanied these students throughout their studies. These graduates are now ready to shoulder their responsibilities as designers: to give form to objects which, beyond their pure utility, offer true ethical and aesthetic “added value.”

This ENSCI-Les Ateliers 2009-2010 graduate book gives you a chance to discover them.

Alain CADIX Directeur de l’ENSCI -Les Ateliers

Founded in 1982, ENSCI-Les Ateliers is the only French national advanced institute exclusively devoted to design studies.

It is a public commercial and industrial establishment supervised by the Ministry of Culture and the Ministry of Industry.

Applying a humanist philosophy and a commitment to sustainable development, ENSCI aims to actively contribute to quality of life for individuals and increased competitiveness for French and European industry.

ENSCI’s mission is to educate designers capable of conveying and promoting all aspects of industrial design, i.e., to tackle the material and immaterial industries of the 21st century, to design aesthetic and functional objects and their associated uses, and to create economic and social values. Sustainable design holds a central place in today’s industry.

The design profession is undergoing profound transformation and the dominant technologies are those that implement new materials (sometimes traditional materials revisited), composites, functional textiles, etc., as well as micro and nanotechnologies, digital simulation or representation technologies associated to ICT, technologies related to the living world, and so on.

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The prospective design that is taught and practised at ENSCI integrates these technological advances with a constant concern for their “innovative humanisation” (to quote ICSID).

ENSCI is at the heart of a teaching and research cluster of education institutes and universities in the Île de France region that cover the arts, literature, engineering, architecture, economics, management, and social and human sciences. “Double degree” programmes are being put in place, for example: engineer + designer, and designer + Masters (in engineering or management).

ENSCI has forged numerous partnerships with industry and research laboratories where students learn to respond to specific project challenges defined with each partner. The Grenoble residence at MINATEC is a reflexion of this approach. A similar residence will be soon opened at Saclay in 2011.

ENSCI awards two master degrees: “Industrial designer” and “Textile designer” (formerly the ANAT), both to Masters level. It also proposes two post-graduate courses leading to a specialist Masters: “Creation and contemporary technology” and “Innovation by design” (starting in 2010).

The Paris Design Lab®, ENSCI’s research laboratory, offers post-graduate courses to young graduate designers in its D-Labs – multi-disciplinary industrial partner research teams – for a limited time span (maximum 36 months). Thesis work can also be developed in this context.

ENSCI educates designers of all profiles who go on to work in design firms, industry or become self-employed; many have contributed to the reputation of French design around the world. Every year, ENSCI trains approximately 260 students of all nationalities. To date, it has graduated close to 600 industrial designers, trained over 200 textile designers, and awarded approximately 150 specialist Masters degrees.

Located in the heart of Paris near the Place de la Bastille, ENSCI-Les Ateliers occupies a building with a rich historic past that once housed the former workshops of the decorator Jansen, who from 1922 to 1979 employed up to 500 arts and craftspeople. The Ministry of Culture acquired the building to set up ENSCI and carried out the necessary rehabilitation. The school has maintained the spirit of these former workshops while opening up to contemporary technologies.

Under certains conditions school is, the workshops are open seven days a week and twenty-four hours a day so that students can benefit from optimal working conditions for developing and realising their projects.

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MC

6

ID

CD

LD

JBF

Marie Coirié

Isabelle Daeron

Charlotte Depin

Laurence Dupuis

J.B. Fastrez

49-56

57-64

65-72

73-80

81-88

MdOL

Mathieu de Oliveira Leote

129-136

Design textile 209-216

FP

Flavie Papin

137-144

JC

ARL

Audrey Richard-Laurent

145-152

MC

BS

BS

Benjamin Salabay

Basil Samson

153-160

161-168

AP

Julie Costaz

Morgane Crucq

Adélie Prin

217-218

219-226

227-234

MlV

Mélissa le Vaguerese

235-242

GA

FA

DA

MC

AC

Grégoire Abrial

Frédéric Alzéari

Damien Arlettaz

Mathilde Chevallier

Amandine Chhor

9-16

17-24

25-32

33-40

41-48

CL

SM

AM

LM

MM

Claire Lavenir

Sébastien Malcotti

Aude Messager

Laurent Milon

Marie Moreau

89-96

97-104

105-112

113-120

121-128

YS

MS

DT

XY

KZ

Yuliya Samul

Marc Sarrazin

David Tardy

Xia Yunshan

Karim Zaouai

169-176

177-184

185-192

193-200

201-208

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GA

Grégoire Abrial

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Bowls on a tray (2006)

Project developed during an academic exchange at the California College of Arts in San Francisco.

It was entered for the ‘Ceramic for Breakfast’ competition organised by Designboom.

It is a meal tray that can be assembled on the spot, designed to be seen and touched. The bottom of the bowls is curved.

So they fit delicately into the palm of the hand.

The small hollows in the tray make it possible to arrange the bowls and to create a meal by experimenting with colours and types of food and drinks. Breakfast acquires an extra dimension that is both visual and sensual.

The materials used are ceramic, glass and walnut.

This project was selected and then exhibited at the Macef Ceramic Fair in Milan in 2007.

Moino (2006) Zero gravity, a project revolving around lightness and the forms it can take. These intriguing, lightweight, floating nesting boxes made out of steel and polyethylene are intended to be planted in the garden, for use by small birds such as sparrows.

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Made out of New York (2008)

Project developed during a work placement with Ron Gilad and Amy Lau in New York.

This research project grew out of a reflection on what happens to objects and materials when they reach the end of their lives. In New York, when large objects or pieces of material no longer serve a purpose and have to be thrown away, it is customary to cut them into small pieces, tie them up into bundles and put them out on the pavement so they can be picked up by refuse collectors.

The project draws on this practice, which here becomes a source of raw

materials. The assembling of these fragments of objects gives birth to new ones, built with the same economy as that of the original objects.

It requires the use of nothing but a screwdriver and involves modifying the materials as little as possible. These “new” old pieces of furniture have their own identity, which is based on the combination of the diverse origins of the constituent fragments. For example, the table is made up of 60% Crown Heights and 40% Williamsburg, the chair 60% SoHo and 40% Prospect Heights, the shelves 80% Prospect Heights and 20% Chelsea.

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Project

[stac] Project director: Romain Cuvellier*

*Designer, teacher ENSCI

Inspired by early-learning shapes designed for small children, [stac] is a self-build piece of furniture made up of geometric elements that the user can stack according to his/ her desires, mood or needs. The principle is simple: you just stack the different elements on top of each other to create a personal configuration, adapted to the space and the desired functions. No screws or bolts are required: the structure is held firmly in place by the weight of the elements and rubber bands.

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Finally, like a toy that can be put away in its box, the components of [stac] fit together to take up the least space possible, enabling them to be transported. In this configuration, the elastic bands become straps holding it shut.

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Thesis

*slow* 16

Thesis director: Cloé Fontaine *

Interviews, literary extracts, essays, magazine and newspaper articles, photographs, excerpts from catalogues, sketches – *slow* takes the reader on an exploration of slow design. Rather than an established definition, it offers a range of avenues that enable readers to understand it and interpret it freely.

What is the pace of life for us today?

How can we strike a balance? How can we achieve personal fulfilment by making the most suitable choices? Do the consumer objects all around us have a role to play?

What “flavour” do they have and how do we experience them? Where do they come from and why?

By investigating the production and consumption of objects, slow design ends up permeating our everyday lives.

It guides our choices, attitudes and habits towards the same end: namely that of our wellbeing.

Contact me at gregoire-abrial.net to order your copy of *slow*. * Architecte and curator

FA

Frédéric Alzéari

Chicane (2006)

Teamwork with Vincent Blouin and Alexandre Willaume.

This 50cc moped is aimed at teenagers. It offers an affordable and reliable means of transport, while its form is designed to help overcome the apprehension and fear associated with this type of vehicle. Its exoskeleton structure frees up a maximum of storage space, making it possible to transport a helmet for a friend or their personal effects. It is designed with the aim of eliminating all signs of speed and performance, highlighting instead the object’s utilitarian dimension.

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W (2007)

Teamwork with Giulia Stoll and Célia Rossi.

This dresser reassesses the existing relationship between crockery, storage spaces and electrical appliances. It is a piece of furniture that forms a juxtaposition between a dresser and a fitted dishwasher, containing movable baskets that can be used during the wash and also for storing once the cycle is finished.

Clean crockery is arranged directly on the adjacent shelves.

Miro (2008) Outdoor light running off solar power. This object is intended to illuminate a swimming pool and its surroundings after nightfall.

It can be placed on the ground or can float on the water. The visually lightweight of the structure gives the impression of a sphere that is levitating. A primitive, enigmatic volume during the day, this luminous ball becomes a reassuring presence in the dark.

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Project

Aquatic excursion Project director: Laurent Massaloux*

*Designer, project director ENSCI

Exploring the aquatic environment brings the experience of new sensations.

Release from gravity, the modification of colours and sounds, and the possibility of observing life forms that are alien to us are all part of the attraction of exploring the sea. This project is based on the development of a simple and inexpensive approach to the aquatic environment: swimming with flippers. It proposes a series of products connected with this activity,

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revolving around concepts such as safety, observation and the pleasures of swimming.

The webbing of the flippers can be detached from the shoe to make getting in and out of the water easier. The surface marker buoy becomes a piece of equipment that helps the sea explorer to be more mobile.

Finally, the mask and the camera are combined to capture three-dimensional images of the seabed explored.

24 Thesis

Design under the influence Thesis director: CloĂŠ Fontanie*

What defining formal considerations are present at the birth of a project?

By observing the different phases that mark the creation of a product, this thesis attempts to identify the involvement of all the protagonists in object design. Accounts and concrete examples serve as a basis for reflection on how the forms around us came into being and how they are evolving.

Underlying these questions is the issue of the renewal and circulation of forms in present-day production. Is the appearance of objects simply the fruit of economic, functional or industrial influences, or is it also to some extent autonomous and inexplicable? * Architect and curator

DA

Damien Arlettaz

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OurSON (2005)

Partnership with the Association Valentin Hauÿs.

This toy for stimulating hearing, touch, sight and learning is designed for children who are blind or who have impaired sight.

It is made up of five pieces in different materials and colours which, separately, define the play space. They communicate with each other through sounds, in the manner of a treasure hunt, inviting the child to explore his world.

Knide (2006) This is the result of an experiment with matter and volume linked to a study of time and movement. The silicon runs through a cavity before hardening slowly, generating momentary views of materials in motion. The final object is a lamp in which the light reinforces the effect of substance.

Léon (2007)

Partnership with the IRFA This project grew out of the problematic context of home help. It is a system of objects consisting of an armchair that helps the sitter when they get up, a tray and a temporary seat hidden underneath.

It is designed to be userfriendly and to fit into the home better.

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Project

Photosensible Project director: Christophe Gaubert*

*Designer, project director, ENSCI

This project is centered on the act of taking photographs. It is based on research into a system of modules that are independent of the computer. The objects are used in the construction of a personal or family memory. They give material form to our memories by capturing them, archiving them and sharing them.

Sténopé is a camera with a touch screen.

It uses the standard format (10 x 15), so what you see is the final photo.

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The control functions are expressed in words (movement, light, depth), making it possible to concentrate on the result in the picture. Sténopé then disappears, serving as a control screen for all the other modules: viewer, contact sheet and memory.

This system takes different forms according to use – and thus according to user.

Thesis

Blurred vision Thesis director: Marie-Haude Caraës *

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Blur transforms perception. It prevents recognition and is the vector for body motion and thought triggers. It hints that there is more there than what we can actually see, thus pushing us to discover what we do not know.

Blur has been present throughout the history of photography. It moved slowly from the status of surprise to that of error. Photographic blur thus marks the photographer’s attention and displaces that of the viewer. This feature of photography gradually found a place for itself in a deliberate process of expression, becoming an artistic choice. It gives real depth to the image by creating a new time: that of the exchange, the endless to-and-fro between the gaze and the photograph. * Director of research, City of design, St-Étienne.

MC

Mathilde Chevallier

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Ugo2 (2004)

Outer breakwater, (Marseille) Partnership with EuroMĂŠditerranĂŠe Development of the outer breakwater (Marseilles).

The aim is to create three trails that provide a different view of the breakwater (a sports trail, a games trail and a hiking trail).

Each trail has markers on the ground indicating what type it is and leads to different structures, which are incorporated into the breakwater’s central wall..

Relaxation space (2007)

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Partnership with the SNCF The aim of this project is to make stations accessible to everyone. The relaxation space offers several microstructures that tell you where you are in the station, provide sanctuary from the crowds and give oral and visual information about train departures.

Isopode (2006) This light incorporates a framework that makes it possible to unfold the light and to change its direction and brightness.

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Project

Home equipment Project director: Romain Cuvellier *

*Designer, teacher ENSCI

The aim of this project is to transform the home into a place for play and physical activity.

It is a range of equipment for the home consisting of a sliding apparatus, a balancing apparatus, and a juggling apparatus.

These machines integrate and occupy the home in different ways. Some are grafted onto the house, being fixed to the building, while others are totally separate and freestanding.

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These three pieces of equipment are prototypes of a range catering for a new form of physical activity.

They are integrated into the home with the aim of tempting the body, appealing to our spontaneity and our childish side.

Thesis

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Thin on the ground !

Different forms of physical activity Thesis director: Marie Haude Caraës *

New technology has changed the pace of life, necessitating a reassessment of the place of the body. The body no longer moves and has almost become superfluous.

Man is seeking a new balance when it comes to reconciling physical activity with his lifestyle, and these changes have inspired a new form of physical activity.

This practice follows numerous messages put out by state institutions and medical bodies. It has given rise to object-machines in which the body is rationalised, forced to perform a repetitive gesture with the aim of creating a beautiful healthy body. This moral injunction to move has transformed the individual into a reponsible owner of his body. Would another type of practice be possible for a use of the body that would be better suited to everyday life? * Director of research, City of design, St-Étienne.

AC

Amandine Chhor

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Mamba bags (2006) Partnership with Hermès, L’objet voyageur

Each trip tells a unique story that is shaped by people met on the way, unexpected incidents and the route chosen.

Similarly, the Mamba bags, which have a flexible structure that can change shape on occasion, assume a specific form according to their contents and the type of voyage.

Objects in bamboo (2007) This project explores the use of bamboo in the home. The aim is to give the material and its connotations a more modern image, notably with regard to its associations with colonial and outdoor furniture.

These objects explore some of the formal, technical and functional possibilities of this material, which is good for sustainable development.

Flower pots with plant support (2007)

Made at the Manufacture Nationale de Sèvres Inspired by the vagaries of nature, these pots with a plant support offer the plant another possibility of growing and climbing. They are simple in form, but the complex design of the mould and the manufacture of the parts require technical expertise. The provision of a deep double wall creates a damp environment that is good for the plant.

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Project

The line, the wire. The drawing, the object Project director: Laurent Massaloux *

* Designer, project director ENSCI

This project investigates the links between the drawn line as a projection of the imagination and the industrial production of wire. To what extent can the spontaneity and fragility of drawing influence the styling of industrial objects? And inversely, how can drawing be adapted to the constraints linked to machines for mass production? Research work centering on a shelf and a stool made from soldered wire led to the development of a storage trolley.

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48 Thesis

Forms of utopia Thesis director: Pierre Leguillon*

“Should we not after all envisage all the possibilities? I go backwards and perhaps I am going forwards. ” Robert Walser, Felix This thesis envisages utopia as a subject for exploration, a place of infinite possibilities – but above all as a field for numerous developments. From reality to utopia, and inversely, we will attempt to understand the processes for constructing a utopian representation, the potential forms that embody it in reality. * Art Critic

MC

Marie Coirié

Quartier libre (2008)

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This service has been devised for urban areas.

Information about events is provided in both French and English at the bottom of the cash receipt given in shops. By proposing a choice of three free events during the day in the neighbourhood where the receipt was issued, Quartier libre aims to attract visitors, to encourage exploration of the diversity of neighbourhoods that lie off the beaten tourist track, and to improve the dissemination of local news about cultural events and the activities of associations.

Exhibition stands for the new reception area at Les Ateliers (2006) This exhibition stand is based on standard scaffolding components and was designed to be easily erected by anyone, without the need for tools.

It offers several possible permutations according to needs. The different elements are arranged around a brace made in an aluminium foundry.

Deci-delà (2008) Competition for the Cité du Design de Saint-Etienne and the Association France Alzheimer

Deci-delà is a watch that supplies information enabling people in the early or middle phases of Alzheimer’s to position themselves in space and time. Two interfaces are combined on the dial: a representation of the times of the day marked by meals for when the person is at home, and a simplified GPS for when they go out.

This device is intended to help Alzheimer sufferers remain autonomous for as long as possible and to encourage them to use their initiative.

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Project

Written correspondence Project director: Bruno Moretti *

*Designer

Correspondence by letter enables communication at a distance, both in time and space. In the age of email and the instant message, it is becoming increasingly rare and precious, and is a paean to a certain kind of slowness. This project proposes two new forms of correspondence to stimulate the imagination and revive postal exchanges between private individuals.

To encourage regular correspondence, the return envelope service will serve

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as the physical interface between two correspondents. A durable envelope made out of sail canvas, like a travel card, goes back and forth between two people as they continue to correspond for as long as possible.

“Sensitive postcards” explore different ways of recounting the journey a surface takes through time and space. Here, the object of the correspondence is not the exchange of words, but the random representation

that emerges from the journey between the two correspondents’ places of residence.

These proposals include postal lichen – a surface on which lichen takes hold, making it possible to see how long a journey took.

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Thesis

The industrial designer and the person his work is aimed at – an analysis of the interaction of interests Thesis director: Anne-Sophie Trébuchet Breitwiller *

This thesis explores the possible relationship between the designer and the person he/ she is working for. It observes several ways of designing that are based on user practices, concentrating each time on the contribution this approach brings when integrated into the creative process.

How can we assess the needs of others without going to meet them?

How can we understand a complex context without the aid of the people who have with first-hand experience of it?

This thesis attempts to answer these questions by studying the development of design for all and observing the use of human sciences techniques in businesses and practices that incorporate the client into the design phases. As a way of approaching this final part, a logbook records the work carried out at a residential workshop run by the 27e Region in the Auvergne, which shows what is involved in a desire to work closely with inhabitants in daily design practice. * Researcher teacher

ID

Isabelle Daeron SISALCITY (2007) SisalCity is an imaginary city whose main activity is to grow and trade a vegetable fibre: sisal.

Ideally located in Brazil (the leading exporter of sisal in the world), SisalCity has buildings and housing constructions designed to make use of the vegetable fibre that is grown there.

The resulting architectural forms demonstrate how resistant this material can be.

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FLATLAND (2006)

Partnership with Elumin8 Project in collaboration with Laurence Dupuis A children’s mobile made of electroluminescent film. The mobile serves as a narrative medium and creates a landscape in which to fall asleep.

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DECI-DELÀ (2008)

Project with Marie Coirié, Aurélie Eckenschwiller, Gaëtan Mazaloubeau.

1st prize for the “Improving life at home for Alzheimer patients” competition.

The Deci-Delà watch brings safety to the wanderings of Alzheimer patients by favouring their autonomy.

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Project

TOPIQUES Project director: Bruno Moretti*

A mound represents an equilibrium between gravity and a human action—each spadeful of earth is organised into a specific form by gravity.

Taking the mound as an example, how to use terrestrial forces for better habitation?

A “topique” is an autonomous object disconnected from the network and connected to the environment.

* Designer

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A topique expresses a fair balance between a fluid (rain, wind, etc.) and a human action to use, capture, stock, filter and then redistribute it.

Topique-eau is a fountain disconnected from the hydraulic network and connected to the environment, which uses the site’s natural qualities (rainfall, existing physical elements) to propose drinking water to city-dwellers.

Thesis 64

HABITABILITY Thesis director: Marie-Haude Caraës *

A tool to create a utopia exists that strives to bridge the gap between here and elsewhere, to shape the inhabitable space. First and foremost, making a place inhabitable is about ensuring humane living conditions that correspond to biological criteria, but it’s also about modelling it to an ideal.

Habitability is that technical arsenal that reduces the distance between utopia and the space to be inhabited. It is a notion that developed from the 19th century onwards by borrowing the meanings of successive words that take its root: inhabit, inhabitant, habitat, habitation, habitable. It became used in fields as varied as astronomy, urban planning, architecture, aeronautics, automobiles and even ecology. The study of habitability describes a constant journey between a near land and a far land, the prerequisite for which is technical mediation. * Director of research, City of design St-Étienne

CD

Charlotte Depin

Bout’son (2005-2006)

In partnership with Kenwood Japan The development of digital formats in music has led to a rapid change in listening habits. Bout’son is the fruit of a reflection on the materialisation of music files: volume buttons are unplugged from this music player to communicate playlists for each corner of the house, because you do not listen to the same pieces in the evening to go to sleep as you do when taking a shower or working at the office. These buttons give material form to uses and listening places in the home.

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En-jeu de Société [Social player] (2006) This is an adaptation, in the form of a game, of the mechanics of the Constitution. The project can be seen as a teaching tool, making it possible to experiment in a concrete fashion with the way in which the roles and functions of the state are structured.

Designed during the strikes that paralysed France when the Contrat

Première Embauche [First Employment Contract] was created, it is above all a tool for debate about the political commitment of designers and their capacity for translating complex mechanisms.

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Cyclopse [Cyclops] – the eye of Vélib Group project with Raphaël Daufresnes and Roman Pin.

The Cyclope is a GPS navigational device specially designed for bicycles and Vélibs [Paris’ self-service bicycle hire].

To meet the requirements of the Vélib scheme in Paris, this device, which can be fixed to the handlebars, uses only “low-tech” components, making it possible to reduce costs. Information about the journey takes the form of luminous signs projected directly onto the road surface, which thus becomes a support for digital data.

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Project

MAP- Mon Administration Personnelle [My Personal Civil Service] Project director: Jean Louis Fréchin*

* Designer, Prospective and digital Innovation director ENSCI

With the development of digital media, the state is attempting to give itself a makeover, showing a new face to citizens through numerous websites and portals. However, because no one has developed a vision that is based on the way in which administrative practices are actually experienced on a day-to-day basis, the present trend is for the defects of excessive paper bureaucracy to be reproduced on the Internet.

Argent nté Sa

Compte Courant Contrat/ Relevés Archives Médicales

Epargne Retraite Contrat/ Relevés

Impôts

Compte Epargne Contrat Relevés

Points Retraite

Mutuelle

Tra v

ail

Bulletins Salaire

Remboursement Sécurité Sociale

Certificats de Travail

Pièces Etat civil

Assurance Habitation

Actes Notariés Aide au Logement

gem Lo

Fam il l e

Quittances Loyer Livret de famille

e nt

Diplômes Telephone Factures/ Contrat Inscription école

orts Transp

Eau Factures/ Contrat Bourses Scolaires

Electricité Factures/ Contrat

Carte Transports

Bons de Garantie

Dive r

Papiers Véhicule

Adhésion Sport

s

Location Vacances

69 DÉMARCHES EN LIGNE SITES/ PORTAILS ADMINISTRATIFS COFFRES-FORTS NUMÉRIQUES

PASSER DE L'ANALOGIQUE AU NUMÉRIQUE

SUR L'ORDINATEUR

- Centraliser, - Organiser - Sauvegarder ses documents.

TITÉ

IDEN

Actes Notariés Diplômes

EN LIGNE

Livret de Famille

The aim here is not toE change the state Bourses/ LL and the administrative system.

MAP serves MI Inscriptions A F as a filter between the users and the Civil Transport Service. Drawing on a public database that is open to innovative social projects, the service proposes a fresh look at procedures and a series of tools that allow the individual to find their way through their administrative tasks.

question de con

- Créer de nouveux documents

- Se renseigner

- S'organiser dans le temps

- Communiquer

- Gérer ses identifiants

- Partager son expérience

SANTÉ

- Répertorier ses contacts

Sécurité Sociale

Mutuelle

Dossier Médical

Compte courant

Parler d'adminis - c'est aborder d sous un angle no - c'est envisager - c'est s'adresse des apprentissag - c'est combiner du contratqu'on - c'est, enfin, so passent moins p

BUDG

ET

Compte Épargne

Épargne Retraite

Impôts P Re

Thesis

Inventory – On the meeting between design and the general interest Thesis director: Sophie Coiffier *

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The notion of general interest intrigues, lying as it does at the crossroads of philosophy, politics and law. Inevitably problematic and full of contradictions, it is nonetheless at the heart of all our political structures and shapes how we see our relationship to the community.

How does it relate to industrial design?

In what way can designers influence the way in which society sees itself, and what responsibilities does this involve?

The thesis can be read as an exploration of the fields of design as they extend to political militancy, via institutional construction.

It is an investigation that looks for links between daily practices in the design profession and personal concern for the community. A journey in search of a non- reductive definition of committed practice.

This thesis is available in paper format on: < http://www.lulu.com/product/couverturesouple/etat-des-lieux/11035924?productTra ckingContext=search_results/search_shelf/ center/1 * Artist, thesis manager at ENSCI

LD

Laurence Dupuis

Mollustre (2006) This light is an event whose shape cannot be guessed when it is off. Through a centrifugal force, it gradually reveals a volume and its lighting potential.

Research around the notions of floating and lightness.

Flatland (2006)

Partnership with Elumin8 In tandem with Isabelle Daëron A children’s electroluminescent mobile.

A landscape inhabited by vegetal, fairytale creatures features all along the spiral. Each of these elements can be lit up by a simple touch to illustrate a story or to let children create imaginary worlds.

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Lumi (2008)

In partnership with SFR A communicating multimedia player that centralises tools and uses (camera, MP3 player…).

They communicate and interact together.

The interface is based on a metaphorical representation of a landscape that guides our actions in space and time.

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Project

TOT //.. Tweet of Things project Director: Jean-Louis Frechin *

* Designer, Prospective and digital Innovation director ENSCI

How to get back to the essence of the Internet, i.e., sharing? Ubiquitous permanent access to the web and the multiplication of the services it offers means our private information is observed and traded by big firms (Google, Amazon, Facebook). A new, strong tension is growing in this post-PC era where people want to heavily communicate while keeping control of their private life and personal data.

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This project proposal is to build a constellation of networked objects, organising a server distributed by “common objects” around the house. This mini personal “cloud” allows you to store, share and listen. It offers a contemporary digital atmosphere and comfort independent from the big Cloud Computing players.

To share differently and share better.

Thesis

Imagination, Design and New Technologies 80

Thesis director: Nicolas Nova *

New technologies, especially information and communication technologies, are taking up more and more room in our daily lives. They now appear so fast and in such numbers there is often no time to fully understand them, provoking contradictory reactions, attraction or repulsion. It is therefore crucial we take the time to define the way in which they integrate everyday life. To do so, we must study an essential element in any process of creation, which is the key to users adopting new technologies: imagination.

How can imagination help users to better adopt objects born from new technologies?

And how can designers take this into account in their work? * Researcher, consultant

JBF

Mulder (2007)

Jean Baptiste Fastrez

This walking frame has a design in the form of an X that is less expensive and more practical than that of existing walkers.

It is foldable, can be stored behind a door or an armchair and fits into the boot of a car. It can also be partially folded to pass through narrow spaces.

FOG (2007)

In collaboration with Marc Sarrazin The FOG table top is a skin made out of a metallic resin usually used to make soundproof electronic batteries. In order to stretch the skin, the tubular metal feet are unfolded inside it.

Thanks to the table’s transparency and minimal use of materials, FOG is very light both physically and visually.

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Just married in Finland (2008) The different parts of this bench, made from Finnish birch plywood, are cut using high-pressure water jet. They are then given form by the user. The seat acquires its rounded shape and is put together by means of a very simple assembly system that requires neither glue nor screws.

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Project

Variations on an electric kettle Project director: Laurent Massalouxâ&#x20AC;&#x2030;*

* Designer, project director ENSCI

Although objects benefit from the efficiency of mass-production, they are often disembodied due to their standardisation.

The industrial ideal of an object for everyone contrasts with the more human and sustainable production of an object for each individual.

By taking the electric kettle as its field of experimentation, this project attempts to introduce variation into a purely industrial product.

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To achieve this, it has mass-production and one-off production coexist within a single product.

Standard industrial parts provide a technological base that is the same from one kettle to the next. These elements are assembled around components that are made by various independent makers.

Whether they use traditional know-how, like the glass-blower and the potter with his wheel, or new technology, such as

rapid prototyping, these protagonists all have the distinction of being able to make containers that are different each time.

These “variations on an electric kettle” give rise to hybrid objects somewhere between the one-off and the mass-produced, industry and crafts.

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Thesis 88

RIPOLIN magazine / design / simplification Thesis director: Cloé Fontaine *

To offload its overproduction, industry has instigated a cult of innovation. Gimmicky functions and “designer” forms are the selling points for products competing with each other in the shops.

Many designers, users and even marketing people are today advocating a “return to simplicity”. Simple forms, simple functions, simple materials – today this sacrosanct “simplicity” seems to be the miracle cure for the global crisis.

Does the salvation of industry really lie in this idea of simplification?

By appearing in the guise of a magazine, this thesis gives visual form not only to the problem but also the answers it attempts to provide.

Thesis online at www.ensci.com * Architect and curator

CL

Claire Lavenir

Climate on move (2009)

Workshop with the NUS (National University of Singapore), project with Selma Durand and Yixiangyi Lim, supervised

by Christophe Gaubert

Gender questions (2008)

This is an exploration of the female cycle and the taboos surrounding it.

Two objects epitomise this phenomenon: the tampon and the contraceptive pill.

Fil rouge The tampon’s protective sleeve becomes the applicator. It is reversible and is placed around the finger during use. The design makes it possible to reduce the amount of complicated packaging and the complex systems required to insert it, while ensuring the necessary hygiene for its use.

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Mme Peel Taking the pill is an act that is charged with meaning, a choice, and in this respect it differs from other treatments. This project attempts to avoid the medical associations by taking a fresh look at the packaging and the shape of the pill itself. The container is visible and durable, taking the form of a case that is worn or can be attached to one’s mobile phone or keys. The pill has been redesigned, going from a tablet to a thin pastille. The act evolves, with the surface of the object being peeled away.

Umbrellas are widely used in Singapore to provide protection from the rain and the sun.

The flexible blades are attached to the ribs inside.

The rainwater soaks into the goretex surface and the evaporation creates a cooling heat transfer.

The handle makes it possible to turn the object in order to increase ventilation.

Womba-Womba (2008)

Sound design studio, team project, supervised by Roland Cahen This is a sound installation for the breast-feeding room of the maternity ward at the Hôpital Les Bleuets. The wooden band, which plays different tracks and runs right around the room in order to envelop the occupants.

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Project

Undo the obviousness of things Project director: Bruno Moretti*

This project draws on a parallel model that provides a radically different view of the world, that of the sight impaired, the aim being to fostering a new reality.

Project 1: Écoutille [‘Ear ‘ear!]

This sound device is made up of an interface combined with earphones that are fitted with microphones. These earphones capture sound as well as emitting it, the aural material thus obtained being usable in

* Designer

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different situations, from a simple stroll to being guided while in the subway.

Project 2: changes in level This kitchen worktop retains the imprint of the objects that are placed on it. It is no longer just a surface on which objects are placed, but a fusion of the two. The space is conceived as a continuus landscape where the hand comes to recognise the topography and remembers familiar places.

Thesis

The gender of objects, from tool to accessory Thesis director: Marie-Haude Caraes*

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The object, which is supposedly neutral because it is inanimate, interacts with the identity of its designer and that of the user.

These interactions can be seen as a kind of impregnation, giving the object a gender and making it an emblem of male/female relations throughout history.

My study of the origins of gender behaviour led me to examine the tool, the object which, more than any other, has been a product of the division of tasks.

I looked at the role of the designer in the creation of forms and uses. Being part of the industrial process, he/she contributes to the perpetuation or conclusion of old patterns through the objects designed As a mediator, as it were, who deals with stereotypes, accentuating them, reversing them or obliterating them, he can undermining preconceptions. * Director of research, City of design St-Étienne

SM

SĂŠbastien Malcotti

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GR-02 (2003) As it passes through Paris, the GR2 (long-distance trailpath) leads to the meeting of two different worlds that stand in particular contrast. The object here is to make hiking and practices endemic to the urban space coexist. The proposed micro-space is intended to bring them together so that they enrich one another.

Hermès Etrier Range (2007)

Project completed while working at the Elium Studio agency under the supervision of Marc Berthier This range of seats is a reinterpretation of the expertise of the saddle makers at Hermès, centering on a new product for the company.

Consisting of a modular structure made out of cast aluminium, the base highlights the noble materials used and the technical expertise required.

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Ecoulo (2007) The management of household water today remains simplistic and is based on an abundance that only allows for limited exploitation of this resourceâ&#x20AC;&#x2122;s potential use. This device is thus intended to distinguish between different levels of water quality, so they can be stored and made available for appropriate use. It takes the form of an acacia wood structure supporting a series of basins and sinks.

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Project

Kadâ&#x20AC;&#x2122;Hut Project director: Joseph Mazoyer *

* Designer

Must the lifecycle of a material be centred on a single user? Inversely, in the case of a pooling of social or economic entities, can the efficiency of material be maximised?

Would it thus be possible to generate more wealth around a fixed material flow, thereby favouring sustainable consumption?

How can notions of use and cleanness be separated in the current economic model?

To provide a concrete answer to these theoretical questions, a project focusing

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on wood was envisaged. Following a study of its lifecycle to reveal the various states of the materials that would be suitable for occasional use without altering the existing process, it seemed best to choose to highlight the drying period in the saw mill.

Analysis of the economic structure of this market led to a rural tourist service that fit the specifications of the manufacturer as well as the local authority welcoming this tourist structure.

Thesis

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Good for the bin, the art of orchestrating obsolescence Thesis director: Odile Coppey *

In contemporary society, the programmed obsolescence of a product is a parameter that each protagonist in the chain of consumerism must take into account in his actions. Yet these forms, causes and consequences are misunderstood and above all misinterpreted. This study attempts to clarify them in order to help the reader develop a more rational relationship with this concept. Observing various consumer products allows for a better understanding of the contemporary issues linked to the anticipation of an object’s lifecycle. The role of the designer is also called into question here. If this phenomenon were taken into account with more conscious reasoning and incorporated right from the product’s inception, the designer’s work could acquire a new legitimacy and a new sense of innovation. * Researcher teacher history of photography and picture

AM

Aude Messager

The Laundromat (2009)

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Workshop Modules Energétiques Urbains pour la ville de Saint Étienne Partnership with EDF/Cité du Design/Philippe Comte This is a laundromat incorporating renewable energy into its water and energy consumption.

It has a glass roof beneath which the damp laundry is hung so that it is exposed to the sun for drying.

This system replaces the use of a tumble dryer.

Its modular construction facilitates its integration into the existing urban space. A website makes it possible to book or check the availability of machines in real time and provides a forum for people living in the neighbourhood to swap services. The washing day can be chosen according to the weather forecast. The laundromat thus creates an energy service and a social context linked to an energy source, namely sunny weather. It offers a shift from individual consumption to semicollective consumption that is more economic and also makes use of a local facility.

The dark train (2007)

Partnership with the SNCF Today, 1.5 million people in France have defective sight. The SNCF has taken steps in stations and on platforms to guide and warn the visually impaired, but the autonomy of these people is still restricted. The interiors of mainline trains have adequate spaces for the blind: the first seats, at the ends of carriages, are the most accessible and provide luggage racks and toilets nearby.

These trains require booking: how can a blind passenger make a reservation that automatically provides access to this space?

From booking to the actual journey, a service that provides personalised accessibility.

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Hyperbol (2006) Partnership with Pyrex

Pyrex glass has the property of being resistant to changes in temperature. Certain steps in a recipe advise that, to be successful, a mixture must be left to cool down in a refrigerator or that butter must be melted in a microwave or egg whites be beaten in a chilled bowl. Hyperbol is a range of two bowls with different capacities for preparing ingredients.

Their asymmetric rim intuitively suggest a certain way of handling and using them. The weight of the glass makes certain actions easier, while the transparency makes it possible to check whether something has been well mixed.

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Project

Acclimatisation object Project director: Philippe Comte *

* Designer

Current climate change questions the state of our relationship with the environment and is forcing us to adapt. This object is a climate-radio, a specialised radio whose broadcasts make it possible to develop a “culture of climate risk”. Its aim is to encourage its listeners to refer to the climate of their region so they can link their actions to it (what they wear, cook, grow, how they get information) by broadcasting podcasts. The programme is made up of

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a selection of daily chronicles chosen by Météo France [France Weather Centre] according to the weather forecast for that day and the following one. Content is updated via an RDS aerial. It is powered by four rechargeable water batteries. This radio broadcasts the frequencies of other radio stations, which will be interrupted by weather warning messages if necessary.

The form of information proposed by this service is a response to climate-related

hazards with the aim of preparing and guiding the population. The device has been designed to be easily used by the elderly – the section of society most at risk from variations in the climate, and soon to become the biggest population group in Europe – and more widely by people living in cities.

Thesis

Real fictions Thesis director: Stéphane Villard *

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The Musée de la Lumière Solaire et de l‘Énergie Photovoltaïque (Museum of Sunlight and Photovoltaic Energy) opened every day of the year, at sunrise and sunset, between 5.34 and 8.18 in the morning and closed in the evening between 5.58 and 10.32 depending on the season. The conservatory was not open to visits in the evening.

The Musée du Soleil was situated 20 feet underground. On the surface, there was a lush garden, a symbol of life by photosynthesis, in which wild sunflowers grew freely. On the ground, transparent glass eyelets allowed natural light to illuminate the underground gallery.

These conduits projected the sun’s rays onto the objects on display, surrounding each one in a halo. The dust in the light stirred at the slightest movement, glinting.

All sorts of cult objects were exhibited, recounting the myths and legends associated with the sun in different periods. [...] * Designer R&D EDF

LM

Laurent Milon

“Aerocolor ” Collection (2008) The principle is to rationalise what we dub a “monster”. One of the attributes of a monster is what the Japanese call “zara-zara”: an imperfect, unsmooth surface state.

The result is a chair, a bench and a lamp.

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“Wondernimbus”, pillow, woven object (2008) In collaboration with Mélissa Le Vaguerèsse and Axel Ardois

The object is generous.

It is one metre long and presents the sleeper with a dreamlike landscape made on a Jacquard loom and dotted with embroidered relief.

On waking, traces of the sleeper’s nocturnal journey stay printed for a while on their cheek…

“Théjine” Biscuit (2005)

“Théjine” biscuit (2005) Partnership with Lipton Théjine has the form of a chimney and works like one too: the boiling water that you pour into a cup gives off steam. The more water there is, the more steam there will be, and vice versa. By covering the cup with a théjine biscuit, the steam escapes through the chimney.

The concentrated steam melts the inner walls of the chimney, which is made up of compacted tea.

The melted tea drops into the water with the exact amount that corresponds to the volume of water in the cup. The rest of the biscuit can be eaten and has a flavour that goes with the tea.

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Project

The Ulysses of forms Project director: Rodolphe Dogniaux*

* Designer

Letâ&#x20AC;&#x2122;s continue the journey started by the thesis by trying to give life to forms that are not found in the current industrial landscape, by borrowing the characters of a freer industrial design practice from the processes that govern forms in nature â&#x20AC;&#x201C; the aim being to combine these natural processes with industrial ones in order to create objects whose forms break free from the fetters of reason and obtain more of that ultimately subjective quality: Beauty.

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The following objects are the fruit of this reflection: - a very wrinkled ceramic teapot, - rings made of iron powder, beautified by electrolyses of precious metals, - a lamp whose shade is structured and beautified by countless crystals, - pastries made in a machine to produce vortexes, - an inflatable umbrella made via a huge vortex.

Thesis

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Monstrum From “monere,” “to draw attention to” Thesis director: Stéphane Audeguy*

A reflection on the forms that surround us. The ones made by man are inevitably constrained by cultural and technical paraphernalia. Natural forms seem to develop more freely.

Yet there are rules. Which is why we chiefly turned our thoughts to the supposed existence of a third realm where forms remain free and unfettered because reason lies dormant. The realm of imagination, for which monsters are no doubt the best ambassadors…

The thesis theorises the possibility of producing objects by combining known industrial processes with natural processes.

The latter will give rise to a visual wealth and scope that today’s industry cannot master. * Writer

MM

Marie Moreau

Sip, tea-drinking instrument (2006) The project is rooted in the mythological origin of tea, transmitted by Lipton.

Brewing comes from movement. Whether the wait be patiently controlled or purely mysterious, Sip ritualises the moment by a movement to elect the taste. When Sip is immobile, the tea and the water are isolated.

The brewing occurs when you tilt it; from this unsteady balance, each person gets a handle on the improvisation tool through the movement they choose. Prototypes made at the European Keramic Work Center, Hertogenbosch, NL.

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Piles of laundry to be tamed (2004) Innovations familiales research studio, Philippe Comte and Marie-Haude Caraës

Project map: Piles of laundry are a form of storage in their own right, part of a living, chaotic reality. The piles bear witness to a flexible classification: they bring together a material in the process of transformation a given time…

The proposal is to offer a system of objects: make the piles prehensible while respecting their transformation mode.

Transfer aid garment (2007) In collaboration with Laurence Dupuis.

Changing the position of a person in a wheelchair is frequently a taxing experience. To create a trusting atmosphere and avoid medicalising the home, the tool proposed is a simple crossover garment that includes a discreet lumbar belt associated with a support belt. It accompanies the transfer gestures that some caregivers learn and can thus be used with no manual or training.

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Project

Experimenting a bodily adventure Project director: Katie Cotellon *

* Designer

We live by and in our bodies.

The relationship each person has with their body can be transformed by injury, old age or simply everyday stress.

This project associates medical experts (psychomotricians and occupational therapists) with contact improvisation dancing to propose a way to adjust to the body’s transformations. This is a bodily practice mediatized by “partition-objects”

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that become part of the dance movement in order to cultivate preventive awareness of the body and self-discovery through the interaction with the other.

Thesis

Bodies in (trans)formation 128

Thesis director: Marie-Haude Caraës *

How does the body, when it is transformed, transform one’s relation to the self and to the other?

The body is constantly transforming.

It adapts to and is shaped by cultures, experiences, emotions, and relations to others. Body/Societies/Time; inheriting a relation to the body. Body/ Desires/Otherness; being driven by transient symbioses. Body/Strategies/ Experimentations; venturing into bodily practices. How are these metamorphoses sustained, twisted or provoked? * Director of research, City of design, St.-Etienne.

MdOL

Mathieu de Oliveira Leote

Camtar (2006-2007)

Partnership with the DRAST In tandem with Loïc Lobet At the instigation of the DRAS, this project puts forward proposals and foreseeable scenari for the future of transportation of goods by road.

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Kartbike (2005) This project is a personal initiative. It involves research on hybridising the driving sensations of go-karts and designing and prototyping a new leisure device derived from an existing product – a moped – based on the industrial process of the car.

Internal redevelopment of the MCR 4S (2009) 10-month fixed-term contract with Dyn Aero

The company Dyn Aero is expanding fast and wanted to attract new clients for whom planes are a luxury and/or a rapid means of transport, i.e., for whom in-flight comfort is essential.

Keen to maintain the performance of its fleet, Christophe Robin (CEO of Dyn-Aéro) entrusted me with the mission of increasing perceived quality and comfort aboard its future MCR 4S, with a minimal mass as the main constraint.

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Project

The bathroom Project director: Simon dâ&#x20AC;&#x2122;HĂŠnin*

Furniture with light, airy forms that integrates the functionalities needed to wash and bathe.

Today, bathrooms are places for both washing and relaxing. Whenever possible, they are expanded and fitted with aqualogical solutions that are not always very water-efficient.

* Designer, teacher ENSCI

This is a bathroom fitting, a pair of mobile basins for daily washing needs and a shower that serves as a relaxation area.

The common element in this collection is the surface that reveals the water.

Thesis

Repairing Thesis director: Marie Haude Caraës *

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When material damage, wear and tear of parts and general misuse are taken into account, numerous deterioration phenomena lead to questioning the possibility and profitability of repairing.

What does it mean, how to define it, why do it? etc. It is all part of a system prompted by economic need but which has also invented its own limits: the impossibility of dismantling, the unavailability of technical documents, the miniaturisation of increasingly specialised technology, the competitive advantage of new items… Repairing implies a potentially ecological act. To make this happen, simple actions must be undertaken to enhance it. Designers must therefore think about the sustainable aspects of their designs from the start. They have to ensure they can be dismantled to allow maintenance and repair. When the object is broken/out of order, the designer must try to envisage its destruction or reconversion so as to avoid multifarious pollutions. * Director of research, City of design St-Étienne

FP

Flavie Papin

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Jewel (2007) This pebble is a hidden jewel. Among a mysterious entanglement of white gold needles is one yellow gold one. When you pull on the needle, a chain comes out of its shell. The shell then becomes a jewel, the object becomes a pendant.

Orange-squeezer weapon (2008) Reflection on the action of planting. Via a weapon, the destructive gesture of planting is prolonged into the use of the object: destroying an orange.

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Interview space (2005)

Video creation supervised

by Christian Barani Contrary to existing systems, here the interview is constructed as a space for free speech, with no expected answers.

Time is no longer counted but becomes useful as an experience. Sentences linked to design are projected in a box.

Everyone is free to react to or let themselves drift in this space.

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Project

Televisual experiment/ experience Project director: Rodolphe Dogniaux*

* Designer

Television is constantly evolving, with one technical innovation after another.

But over and above being a technical mechanism, we forget that television is a connection between people. It links them via shared referents, a collective imagination and its very technicity.

Through the sense of communion it induces, television is the equivalent of an uninstituted religion.

How to make this religious link visible?

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Four proposals for intervention: - The pilot light: it is superimposed on all the programmes. It embodies the permanent flow.

- The pilgrim: what kind of viewer are we? How to make our choice and position more conscious? The presence of a viewer is affiliated to a symbolic pixel that materialises him.

- The missal: the TV schedule creates rhythm in our daily lives, it allows us to

plan our TV dates. Why not take a look at the place that television has in our own daily schedules and the extent to which it influences us?

- The chapel: how to make the viewer network visible? A sign is created based on our TV activity. This interface is a tool for social analysis.

Thesis

[paRdela]

Experiences, interpretations and meditations on the body and the mind.

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Thesis director: Cédric de Veigy *

A Rothko painting, a walk in the desert, a slap…

What makes these experiences intense?

What do they call to mind and what do they make possible in us?

Something happens between the body and the mind, a kind of hiatus, a hazy middle ground that nonetheless makes us aware of what we are made of.

We therefore need to use our perception and conception to accurately describe what is happening. Intensity and attention both draw upon things that are not yet delimited, not fully understood and defined. It is in this gap between what we perceive with our senses and what we conceive with our understanding, in this shift between the information of the body and that the mind that a question arises.

A fascinating question that drives us to redefine what we know about ourselves, that keeps us constantly renewed. * Teacher

ARL

Memo ( 2006)

Audrey Richard-Laurent

A workshop on man/ machine interfaces with Kazuo Kawasaki.

A folded interface system as a game, personal organiser or memo boardâ&#x20AC;Ś

Designmap (2007)

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Internship on information and interaction design: representing complex concepts and designing web sites and applications oriented towards user experience.

Applications Lead-Free / RoHS compliance

Automotive Common Information

Digital Home Electronics

Inverter Applications

Networks

Wireless

Parametric Search

Document Library

Application Notes

MPU and MCU

Quality and Reliability

Lead-Free/RoHS Change of Part Materials for Lead-Free Conversion

-Free Products ance)

General Catalog

Packages Data Book Heat-Resistance of Soldering Evaluation Data of Lead-Free Terminal Plating

Compliance with the RoHS Directive and its Exemptions

Lead-Free Packages Catalog

Renesas Lead-Free Products (RoHS compliance)

Quality and Reliability Information Reliability Handbook

SH-Mobile SH-MobileR SH-MobileL3V SH-MobileJ3 SH-Mobile3A SH-Mobile3 SH-MobileL SH-MobileJ2 SH-MobileV2 SH-MobileV SH-MobileJ SH-Mobile1

Tiny Super Low Power Microcomputer H8/300H Super Low Power Series H8/300L Super Low Power Series H8S/2268, 2264 Group

Packages General Presentation Software and Tools ROM Ordering

7700 Family 7900 Series

740 Family 38000/740 Series 7600 Series SuperH RISC engine Family 7200 Series SH7780 Series 720 Family SH7750 Series 4500/720 Series SH7700 Series SH-Ether HMCS400 Family SH Bluetooth H4800 Series SH7210 Series H4600 Series SH7200 Series H4400 Series SH7260 Series H4300 Series SH7641 Series H4000 Series SH7080 Series SH7606 Series Inverter MCU SH7146 Series SH7147 Series USB Device SH/Tiny Series SuperH RISC Family (USB) SH7060 Series H8SX Family (USB) SH7144 Series H8S Family (USB) M16C/20 Series SH7046 Series (USB) SH7047 Series 38000 Series (USB)740 Series (USB) SH7040 Series 7600 Series (USB) SH7010 Series USB ASSP SH7050 Series SH7030 Series PLC MCU SH7020 Series M16C/60 Series (PLC) M32R Family TV MCU M32R/ECU Series M16C/60 Series (TV)7200 Series M16C Family DVD/HDD Recorder MCU R8C/Tiny Series M16C/60 Series (DVD) M16C/10 Series M16C/20 Series OSD Controller M16C/Tiny Series 3507 Group M16C/30 Series M16C/60 Series ROM Ordering M16C/80 Series QzROM Programmed Shipment M32C/80 Series Ordering R32C/100 Series SuperH RISC engine Family ROM Ordering H8SX Family M16C Family ROM Ordering H8SX/1500 Series [M16C Family] R8C/Tiny Series ROM H8SX/1600 Series Programmed Shipment Ordering H8S Family ROM Ordering H8S Family 7900 Series ROM Ordering H8S/2100 Series 7770 Series ROM Ordering H8S/2200 Series H8/300H Series ROM Ordering H8S/2300 Series H8/300H Tiny Series ROM Ordering H8S/2400 Series H8/300L Series ROM Ordering H8S/2500 Series H8/300 Series ROM Ordering H8S/2600 Series 38000 Series ROM Ordering 740/7450/7470 Series ROM Ordering H8 Family 7600 Series ROM Ordering H8/300 Series 7200 Series ROM Ordering H8/300H Series 4500 Series ROM Ordering H8/300H Tiny Series 720 Series ROM Ordering H8/300L Series

Catalog

Automotive Segment

Renesas Activities

Active Safety Body and Comfort Car Audio Car Information System (CIS)/Telematics Chassis Dashboard Network ASRB (Safe-by-Wire Plus)

Demo Set

Events

Standardization

Network CAN Network FlexRay (X-by-Wire) Network LIN Passive Safety Powertrain

Automotive

A closeup shot for a local point of view.

Hearty Body (2004/2005) Giving people insight into the scientific and artistic wealth of the human body through an interactive presentation.

exposition A VA N T

PENDANT

APRĂ&#x2C6;S

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Project

Two projects in the medical sector Project director: Yves Rinato *

Following (Adopting a treatment to make it as effective as possible.)

How to connect patients, their illness and the medical team while respecting the constraints of the healthcare system?

A project carried out in the field with the Polyclinique Baudelaire (APHP St-Antoine) and Prof. Jacques Lebas via an iterative approach.

* Interaction designer

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Following the treatment properly is the principal factor for therapeutic success or failure.

This project attempts to humanise the means of communication to encourage cooperation and comprehension.

Design is almost invisible in the healthcare chain. The goal is to ease and improve interactions between patients, doctors and the healthcare system.

Infectious This is an application that materialises the spread of an epidemic on the iPhone. Though the epidemic is virtual, participants live it in real time, because as they move around they make it evolve thanks to geolocalisation.

The principle The application gives each participant a status: infected, healthy or in treatment.

When a “healthy” participant is geographically close to an “infected”

participant, their status switches to “infected”. Meanwhile, if an “infected” person gets close to an “in treatment” person, their status turns to “healthy”.

A participant can change status several times and in turn spread or contain the epidemic just by moving around the city: it is up to them to take the initiative.

For example, they can either avoid high-risk areas or, if their status is “in treatment”, lead a “mass cure campaign”.

The applications Over and above the immediate impact and communicative effectiveness of Infectious, the goal is to alert public health organisations in order to develop a veritable preventive tool with their participation.

For more information and to test the application: http://www.arichardlaurent.com

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Thesis

Medicology â&#x20AC;&#x201C; Information strategy in the medical sphere Thesis director: Jean-Michel Cornu*

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How to design information in order to reduce distance in medical collaboration?

As a patient or a visitor to a hospital, who has never been thrown by a conversation with the doctors or nurses, prescription instructions or a public health notice?

What role can design play in this demanding field in which industrial designers are not necessarily part of the landscape? * Consultant, FING scientific director

BS

Benjamin Salabay

Evé (2008)

Water bottle and durable development Teamwork with Damien Arlettaz and Simon Vanquaetem Partnership with the Ecole des Ponts Paritech Instead of designing yet another plastic water bottle, this is a water service modelled on telephone companies such as Neuf and Free, which use an existing telephone network.

The project consists of buying access to water from a provider and offering healthy water, with consistent quality and fixed prices. Buying bottled water thus becomes a rare, isolated act. This service can be adopted via its objects and its website.

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Boo / doyouvélo?

(2009)

BOO / Doyouvélo? (2009) Teamwork with Clément Tissandier and Yoan Ollivier Everything began with a short school project, under the supervision of Christophe Gaubert. We worked on lightweight protective objects for bicycles. During the course of its development, the project chosen, BOO, became Doyouvélo?

[Doyoubike?] It is a brand of elegant, utilitarian, high-performance clothes.

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Lupin (2007)

A bicycle in Paris In collaboration with KĂŠvin Torrini The aim is to get oneâ&#x20AC;&#x2122;s hands dirty and to learn while doing so.

The purpose is to make two functional bicycle prototypes using selected body postures and images.

Lupin is a dandy bike offering a refined, light, elegant riding style.

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Project

Valeurs végétales Project director: Christophe Gaubert *

* Designer, project director ENSCI

The starting point was a desire to explore living forms and to investigate the possibility of a different relation with plants that live in the urban space. This project revolves around two scales, two forms of plant and human ecology. The first, O, is a domestic food device that assists germination and growth. The second, Olfactory, is an economical, local, mutual model for transforming plants for beauty products.

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Thesis

On the fringe/s Thesis director: Jacques-François Marchandise *

Examining the margin for manoeuvre.

This is a deliberate approach based on the offbeat, on avoiding the beaten track, on being unorthodox and unconventional.

These paths lead me to consider certain marginal practices as possible avenues, enabling principles. They can be an aid to exploration, to formulating a design praxis. * Philosopher, director of FING development

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BS

Basil Samson

Game-books (2005) At the crossroads between fairy-tales and puzzles, these game-books unfurl a story in space.

The tale breaks away from its linearity and becomes a scene of adventures that the child can recall in an instart.

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Pastibulles (2005) Partnership with Leroy-Merlin

This soft, discreet lighting system features four modules linked by radio frequency, which the user lays out along their nocturnal path. You only need to press one of them to switch the whole pathway on or off.

Skirting-board heaters

Partnership with Leroy Merlin These heaters located at skirting-board level are an answer to the lack of available space in dense urban areas while maintaining quality heating evenly distributed throughout the home.

Hidden around the house along the electric skirting boards, they are inexpensive, discreet, safe, comfortable and easy to install.

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Project

POLMAP ECONAUTES Project director: Pierre-Yves Duchesne*

* Designer

Following analysis on maritime pollution, these two degree projects concern a maritime observation system that completes the range of existing tools available in order to improve pollution control in marine areas, as well as a port service to manage and control the flow of clean and used oils.

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1)POLMAP (Poste d’Observation Libre Mobile autonome et permanent) A long-term observation aerostat that enables permanent control over vast areas of illegal discharging of hydrocarbons and oils at sea.

2) ECONAUTS A service which users of marinas and fishing ports can subscribe to in order to facilitate the recovery, treatment and distribution of≈clean and used oils in harbours.

Thesis

Matter for pretext Thesis director: Aurélien Lemonier *

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This thesis questions our relationship with the environment, science, technology and production.

The first section deals with the definition of matter over time and the way in which it has been conceived and approached. This section exposes a dual change. Firstly, we have moved from thinking about nature to studying matter. Secondly, thanks to development in both knowledge and tools, the nature we once saw as infinite and omnipotent has become a finite, fragile environment. Yet even as we modify the scale of what we grasp, matter becomes ever more rich and complex. These phenomena make us review our attitude to production and consumption.

The second section looks at certain materials or times in order to observe the evolution of our productive system. Our very first technologies were subjected to the materials produced by the environment, but today they are free of this constraint. Our theorisation of matter aims to take it from the status of constraint to a field of possibilities.

Even the recent emergence of nanotechnologies, brought about by computers, revolves around myths. Although nanotechnologies offer great promise, they are nonetheless still very much in their infancy and, surprisingly enough, we are returning to empiricism. The tools of the nanoworld are costly and complex and require scientific and industrial media coverage in order to attract capital. PR impact is therefore indispensable, even though the stories sound like fiction. Development of the Internet and CGI has heightened this movement, in which it is uses that are highlighted, not objective reality.

In conclusion, it could be wise to demystify nanos if we want to master our use of materials.

To tackle the urgent environmental stakes that face us, more accessible technologies or means would be more suitable. * Architecte, teacher

YS

Yuliya Samul

Trio (2007)

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Part of the Medical Care at Home project, supervised

by Laurent Massaloux In partnership with IRFA TRIO is a range of handrails endowed with additional functions.

Adding these everyday functions to a device to aid mobility permits better integration into the home and facilitates adaptation.

The islands (2007)

Part of the ENIGMES research project on the theme of the “Partition Navigable”, supervised by Roland CAHEN In tandem with Marine Rouit Les Îles is a musical instrument for improvisation made by adapting a drawing tablet.

This instrument is used with a stylus which moves across different surfaces in relief.

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WeWATT (2009)

Part of the digital design workshop project supervised

by Jean Louis Frechin In tandem with Laura Pandelle Partnership with the EDF The starting point was the reality of increasing electricity consumption.

In the near future, we will be consuming as much electricity inside our homes as outside them. The idea behind this project was separate electricity consumption from the home in order to link it to the individual person.

What approach should EDF [France’s national electricity provider] take and how should it adapt to this new context?

We have devised this service and designed all the tools required for it.

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Project

Mobilti Project director: Giuseppe Attoma *

* Designer

These days, public transport in the city of Almaty, former capital of Kazakhstan, is neglected.

The local authorities and the operators responsible for managing and developing transport finance and run the services and infrastructure in piecemeal fashion, with no coherent approach.

Despite adequate funding for the modernisation and maintenance of the public transport infrastructure,

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there is a complete lack of overall vision, clarity and visual identity. My project examines the possibilities for a complete overhaul of transport in Almaty.

My aim is to improve access to public transport, thereby changing the local population’s negative view of it – undoubtedly the major problem associated with the service – and increasing the number of people using it.

My project thus aims to make the service

more attractive and enhance its image, by improving the level of comfort and thereby its attractiveness.

Thesis

Journey to Innovastan Thesis director: Françoise Fronty-Gilles *

At the start of this journey I was seeking to define the notion of innovation as applied to developing countries such as Kazakhstan.

My research quickly highlighted a number of paradoxes and I realised that both public and private organisations today do not have a clear idea of what they call innovation.

Similarly, the Kazakhs never make any connection between the term innovation and their own lives; this word does not have any real meaning for him.

Yet in everyday life, new things are regularly introduced with more or less success.

So I set out to understand what factors contribute to the introduction of these new things, studying in particular the general approach and cultural specificities.

Finally, I examine the place and role of the designer in this context.

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* Communication consultant

MS

Marc Sarrazin C° (2005)

Partnership with Téfal A range of multipurpose cooking utensils, designed to optimise cooking on gas. A simple flap around the edge of the object creates a double wall that limits loss of heat by retaining it, making it possible to increase the temperature and its inertia. This flap – an important element in the range – is also designed in such a way as to permit more controlled cooking and to reduce the risk of the flames going out if a pot spills over.

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Bristle Lamp(2006) This light was the product of a reflection on the notion of flexibility, in conceptual, technical and ergonomic terms. The polyamide fibre and the ‘bristling’ – a common material and process linked to industrial brush manufacture – have here been transferred to the ‘lamp’ object.

The bristles make it possible to conceal the technical elements ensure diffusion of the light source (LED) while also forming the base, which is flexible yet structured.

This transposition has resulted in an unusual form, enabling the lamp to be placed upright or horizontally. Label VIA 2007.

Monmoto (2007) This urban and suburban motorbike is the product of an all-encompassing vision that extends from its inner architecture to its ecological impact.

Designed to be capable of adapting to the environment, the engine is an unusual hybrid: a heat engine serves as a generator, which in turn feeds an electric motor situated in the rear wheel axle. This hybrid arrangement â&#x20AC;&#x201C; offering numerous advantages in terms of pollution, cost, maintenance, etc. â&#x20AC;&#x201C; is given visible form on the outside of the vehicle, which in terms of technical elements combines the styling found on an archetypal motorbike with bodywork that reflects an industrial product for the masses.

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Alarm clocks Project director: Laurent Massaloux*

* Designer, project director ENSCI

Around the world of sleep, quintessential transitional space this project sets out to explore how our interaction with certain objects enables us to go through certain transitional experiences – or not. It takes the generic object of the ‘alarm clock’ as its basis, exploring it from the point of view of three phases: falling alseep, deep sleep, and waking up.

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Alarm clock #01 When a book is placed on the bookmark/ scanner, the device starts to read it, gradually breaking down as the volume fades. Our personal reader gradually falls into a deep sleep with us. In the morning, the “alarm” consists of the news dispatches of the day, thereby transforming the intimate voice into a social voice.

Alarm clock #02 When the user taps on the transparent surface of the object, the digital display it contains breaks up, time crumbles and, during the night each digit leads its own life, sometimes exploring the objects

around the bedside table. In the morning, they slowly come back together again to form an alarm.

Alarm clock #03 Acting like aural blotting paper, this object captures sounds from its environment during the day. In the morning, these micro samples or snatches of conversations are retranscribed in a manner close to granular synthesis, progressively increasing in length and volume. The alarm, always different, thus constitutes an aural record of the previous day.

Thesis

Ornament designs Thesis director: Sophie Coiffier *

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Ever since Adolf Loos initiated the controversy about ornamentation, its use on everyday objects is still relevant today.

Modernist designers fought to eradicate it on account of its supposedly superficial and pernicious character, while Postmodern designers attempted to accentuate it in an equally extreme way. In recent years, there has been a so-called revival in ornamentation, which has flourished on many products.

Clearly, ornamentation leaves no one indifferent, and the dubious curse that has been attached to it for a century now has merely heightened the aversion to or fascination for it. What is it about ornamentation that makes it criminal for some or, on the contrary, important for others? What is ornamentation exactly?

This thesis, which combines theoretical analysis and examination of specific objects, is an attempt to gain a better understanding of this unusual artifact as a way of reappropriating it. * Artist, thesis coordinator at ENSCI

DT

GIFT BOX for PARADIS (2005)

David Tardy

Hennessy, the luxury cognac brand, wanted a gift box for one of its most prestigious bottles, Paradis. This project is based on a material – wood – and a notion – the hallmark – that are both crucial in the production of fine cognac.

EKKO (2007) An artificial light source that stems from natural light, this is an entirely autonomous little spotlight. Equipped with a photovoltaic cell encapsulated in a suction pad, it recharges during the day in order to release energy in the form of light at night. Thanks to the suction pad, it can be fitted to any kind smooth surface, mainly windows.

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SLEEP’IN BED (2007) Internship with Quechua/ Décathlon

Work on a new sleeping bag during which a patent was filed to protect an innovative principle of adjustable elastics that bring unparalleled user comfort, and from which an analogical thought process then stemmed.

The bag’s formal appearance therefore echoes the emblematic sleeping object: the bed.

The project was developed around the pillow, the fold and embroidery, while also adopting notions linked to camping: lightness, compressibility and performance.

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Project

1, 2, 3 SUN Project director: Katie Cotellon*

* Designer

Reflections on the hospital room at the Necker Childrenâ&#x20AC;&#x2122;s Hospital.

How to have the child adopt the space of the room?

Three objects were thus created: - a pillow with a changeable volume so that you can hide from prying eyes.

- a small mobile lamp that can be capped on the top to filter a beam of light. Once the cap is clipped on, the child can roll it around to modify and customise the lighting.

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- a message box fixed to the entrance of each room so that the children can communicate.

By marking their name on the message box, the children take over the space.

The corridors acquire the status of streets, boulevards, avenues, etcâ&#x20AC;Ś. a bit like home.

This object is also a pretext to get children to communicate in writing so as not to lose touch and connection with the outside world.

Thesis

Witty sparks and other traits 192

Project director: Pierre-Yves Chays*

It’s the story of a guy… a real Parisian… or almost. He likes objects that make a pretty penny. One day, he decides to delve “littorally” into humour to decipher objects born from an oblique angle. In his journey, the witty guy meets lots of people who will try to give answers to his questions. * Linguist and semiologist

YX

Xia Yunshan

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Miss Bee light  (2005) A warm, supple felt envelope industrially, cut in waffle cloth, for a bright yet soft lighting ambience.

Trio (2006) A series of oven dishes in different sizes that go together to serve various functions: steam cooking, a casserole pot or a simple gratin dish. They are covered in a layer of non-slip silicone, which makes it easy to hold hot, heavy dishes, even without a handle.

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Distortable mirror (2007) Just as a stone wall is built with different blocks of stone, this mirror is made using several different-shaped pieces of mirror. Thanks to its rear parallelogram structure, this mirror can be transformed from a compact, rounded shape to long, vertical shape at leisure!

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(1)

Project

Meeting differently Project director: Rodolphe Dogniaux*

For businesses founded on innovation, a meeting should bring about bold decisions and new ideas. Shyness, conformism and the fear of not being liked are frequently present and become major obstacles. This project aims to reduce these obstacles by creating the conditions for meeting differently.

Thought space, talk space A piece of meeting-room furniture that organises a flexible, semi-closed space.

* Designer

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(1)

Each participant can thus think independently with a degree of privacy and without being exposed to scrutiny by the others, to avoid being influenced. This structure also obliges each participant to stand up to join the others, for more effective discussions.

Better expression In order to ensure that pressure from authority or the majority does not prevent people from speaking up, the table allows people to post their opinions anonymously.

Providing a compass The tendency to systematise and abstractify work makes it hard to think of work collectively, which is why people often revert to promoting their own interests. Here is a system that gives the meeting its own compass. Through sound analysis of those who take the floor, different images are screened on the wall to visualise the state and progress of the meeting.

(2)

(3)

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Thesis

Adult society, childhood values Thesis director: Marie-Haude Caraës*

Why did Hello Kitty, which started out as a children’s character, turn into a veritable fashion icon? Why is it that the most well- known photo of Einstein is the one where he’s sticking his tongue out?

And why did Wordsworth say: “The child is father of the man”? The elements hidden behind these questions are fascinating.

By analysing certain characters in contemporary society and researching the history of childhood and the process of civilisation to understand what the essence of childhood and adulthood is, we can come up with some initial answers. * Director of research, City of design, St-Étienne.

KZ

Karim Zaouai

Drink me (2006)

In partnership with Pyrex A range of blown borosilicate glass items for preparing and serving hot and cold drinks.

The form of each form of recipient has been designed to enhance the aroma of cocktails, teas and coffees.

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Pop-Up (2006) Partnership with Elumin8, manufacturer of electroluminescent films.

An evolving game along the lines of the pop-up.

By day, the child creates a setting for his toys in an abstract décor and tells his own stories. By night, bits of it light up to reveal new activities, such as an arena for cards or a light table.

Eris (2008)

Partnership with Minatec/ Ideas Lab This collection of nanotechnological clothes accompanies amateur sportspeople in their movements. Professional have recorded amplitude of movements in these items of evolving clothing.

To guard against potential injury, they give off tactile and visual signals.

This collection includes a T-shirt, shorts and orthopaedic appliances.

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Project

The fluidity of objects Project director: Jean-François Dingjian *

* Designer, project director ENSCI

Fluids such as water or air are elements that could be termed “immaterial materials”.

Present but sometimes invisible, visible but often inconstant, they display a rich and very varied formal world. Yet fluids often have little relationship with the objects that control them or with which they interact..

Three distinct levels are tackled in this project: pictorial fluidity, functional fluidity, and fluidity in the realm of digital technologies.

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Three objects were created from these experiments: - A watch that works with ferrofluid.

The shapeless, liquid time is fixed through magnetism when you tilt your wrist.

- Tiles designed by observing the natural movement of flowing water. The motif not only enables optimisation of the water, but its position can also orientate the direction of the flow.

- A digital book highlighting the fluidity of information. The technology is hidden in favour of use. The fluidity is displayed in the ergonomy of the object and the intuitiveness of its interface.

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Thesis

The approach to the tool Thesis director: Laurence Salmon *

Hand drawing, technical plan, model, software… designers have a host of research and design tools at their disposal. Industrial design is always hovering between art and industry, which makes its relationship to tools rather complex. Be they analogical or digital, tools have an impact in the creative process. The relationship between a designer and his tools is not unilateral, it involves a dynamic: be they victims or masters of their tools, designers have to take a stand. * Journalist, teacher

Textile design

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The Textile Design department of Les Ateliers proposes a three-year multidisciplinary course that prepares students for the Textile Designer degree.

Textile designers conceive and finalise textiles and products for industry in very varied fields of application: high fashion, professional or sports clothing, the home, architecture, transport, etc.

Aware of new uses and technologies, textile designers convey innovation, create and develop fabrics, compose with materials, colours, and graphic designs, intervene in the structure and form of the textile product and master the manufacturing processes.

Technological progress and new fibres are now offering textile designers a chance to explore new territories that represent major stakes for society (health, safety, sustainable development…). In a European context that is shifting fast—competition, trade globalisation—the traditional sectors of clothing and environment textiles are today resolutely focused on quality production with high creative and technical added value.

The first two years of the course are spent on textile design projects, teaching and research.

The variety of the coursework covers all the aspects of textile creation, from product development to manufacturing.

The training favours experimentation and workshop research: each student has a diverse range of high-performance tools at their disposal to make their textiles.

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In their second year, textile design students also work with industrial design students on projects that involve a textile problematic.

The programmes are set out each semester and are followed by all the students in the year. The course applies the ECTS system: one year 60 credits.

The third year is a year of synthesis that involves preparation of the degree project, a long-term internship in a firm and/or a study trip to a foreign school.

The subject of the degree project will be related to the student’s preoccupations and reveal their ability to project themselves in a professional problematic. The result of analysis and reflection around theme the project takes special needs into account, proposes new values of use and an original, innovative solution. It is developed with the support of a project director and the teaching staff.

Each student produces a hand-made design, be it a textile collection, a one- off or a mass-produced object; it can be developed in partnership with a fashion designer, a designer, an architect, a manufacturer, a stage or space designer. It is accompanied by a thesis in which the student explains his or her choice and specifications, justifies their approach and takes a stand…

Graduate designers evolve in highly varied sectors of the textile industry that range from clothing textile manufacturing industries to car furnishings and design research consultancies in high fashion, ready-to-wear, styles and trends.

JC

Julie Costaz Sweet folly (2007-2008)

Collection of fashion textiles The silhouette is composed of a top, a skirt, a cardigan and a collar.

Colour range: juxtaposition of â&#x20AC;&#x153;quaintâ&#x20AC;?, faded, bleached colours and bright tones. A majority of warm hues. Bright, acid colours are dotted here and there throughout the line.

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Enchanted pause

Collection of home textiles Blankets, netting, cushion, sheets, ribbons Tucked inside a hanging alcove, the bedroom becomes a bubble that invites you to drift into slumber, a dream space where everything is possible, like a magical, mysterious casket. Soft, downy, warm materials mix with transparent, vibrant, flowing fabrics.

Hazy, blurred motifs with indistinct outlines accompany clear-cut drawings. Watery, pastel, iridescent colours mix with the bright, acid hues of childhood.

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214 Pink-breast

An object close to the body: the shirt front In tandem with Fanny Vincent, industrial design student.

This project belongs to the formal world of accessories, such as the jabot, the collar, the bow tie, the cravat…

The approach to the subject is quite technical, process-related.

The weaving work enables a passage from 2D to 3D thanks to the insertion of thermo-retractable threads and triple-fabric weaving. The aim is to produce an object that is made during the weaving and requires no seams or finishing touches.

Project

Little linen tales Imagine textile in its simplest form: just crossed threads, strips of fabric, large and small. Take these objects for what they are: fabrics that wrap, envelop, fold and unfold, slip into a pocket, hug the figure…

This is what we propose you bond with.

Take the time to look at them, touch them, feel them against you. Make contact with them. Don’t think about it. Experience things simply, directly, instinctively, sensually.

Essentially.

Stop a moment. Take a break in the frantic rhythm of your daily life. Settle down comfortably, and let your mind wander.

Roam through the landscapes of your memories. Dream. Imagine, and rediscover familiar sensations, emotions that were buried deep inside you.

Give these things a place in your life.

Let them accompany you, follow you, take you with them.

Listen to the little tales they have to tell, and write yours in them.

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MC

Morgane Cruz What remains (2007-2008)

Creation of a collection of fashion textiles Textiles created following graphic and visual research on memory.

The traces, what remains after an event, an object…

They are very fine and crumpled, like worn-out fabrics, almost mended…

The silhouette is composed of a very short, almost see-through silk dress, a Jacquard corset, silk and linen stockings and a linen jacket. The natural materials reinforce the collection’s worn aspect.

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Paper shadows (2007) Creation of a textile surface/wall that combines thread and paper materials by crochet, weaving and bonding…

The fragile, transient qualities of these materials make a wall intended for an intimate, private space.

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Lost space(s) (2008)

Collection of home textiles On the one hand, the universal vision of childhood with its bright colours and toys, Playmobil and other articulated plastic; on the other, a personal vision of childhood.

The project is designed for a bedroom in which the spaces overlap and link together, each one being able to accommodate just one or two people.

The fabrics are conceived as “fabric-objects”.

Rug-cubes: here the cube, the archetype of the toy, is expressed in different ways, modelled in volume, woven in perspective, as a pattern or a textbook.

The eiderdown presents tiny silk-screened motifs in false plain fabric, with “I belong to…” label in Jacquard weave.

The covers are wool, knitted and crocheted.

The seat fabric is a linen, cotton and silk Jacquard.

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Project

Light! Materials workshop Here the textile designer is first and foremost a creator of materials. The project is presented in the form of a textile experimentation workshop where each stage opens up new creative directions.

This research highlights the three elements that represent black and white cinema —light, image and movement — and transposes them into the world of textiles.

The project thus expresses the effect of light on textile and is organised around four notions: reflection, transparency/ opalescence, nebulosity and shadow.

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AP

Adélie Prin

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Effervescence (2007-2008)

Collection for women’s fashion The fabric of the linen jacket is made on a Jacquard loom. The cuffs and belt are made in knit folds. The flounce of the linen dress features a play on multicoloured stripes.

Time canvas or close-fitting item (2008) In partnership with the industrial design students

The multiplication of small electronic items that are worn like fashion accessories is increasingly blurring the border between technology and clothing.

We have explored this in this project through an object: the watch. Certain weaving processes make it possible to integrate components between two warps thanks to the pocket technique and use several types of thread, such as conducting threads, by giving them specific paths, like in a printed circuit.

The canvas is a watch, with no case or shell, that has kept only the essential: the components.

The textile becomes the medium for these components and links them together.

All the interventions were carried out directly on the loom.

Ee229

230 Voluptuous plastic and textile architecture (2007) An intriguing material which, designed from polyethylene bags with a harsh, cold touch, becomes a downy surface that evokes the warmth and touch of fur.

Here the plastic has been handled as a noble and precious material.

Standard plastic bags have been died and cut into thin strips, which are then woven in strands.

This surprising new surface forms a textile cover intended for passageways where passing bodies create air movement.

When a draught brushes against the surface of the fur, the plastic hairs quiver and rustle softly.

Project

Technological poetry The arrival of new materials that have with surprising dynamic properties allows designers to conceive smart textiles that are sensitive and react to the environment.

This is a collection of textile objects for the home. They are made up of two materials: alloys that remember shapes and change their aspect when they come in contact with heat and thermochromic inks that are capable of going from one colour to another depending on the temperature. An initial experimentation phase enabled these materials to be handled by traditional textile processes, such as warp and weft weave, Jacquard and silkscreen.

This phase produced the objects in the collection: a tablecloth, a net curtain and a lamp. They react to heat in different ways.

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MlV

Mélissa le Vaguerese

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A bedroom In the sky Evolution, transition, softness, lightness, light, gradations: all these terms can be used to describe what happens above our heads. Sadly, for citydwellers surrounded by buildings rising ever higher and confronted night and day with artificial light, it can be hard to watch the shifting skies.

This collection of home textiles sets out to give urban-dwellers a chance to dream at home by surrounding themselves with motifs, colours and textures that evoke a cloud, a starry sky, a sunset…

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Carnival Work on confetti, the kind found on the floor after parties.

The technique of weaving generally involves a very regular motif layout.

But here we create the illusion of a random arrangement of these festive little multicoloured dots on a silk fabric, destined for children.

Wondernimbus

In collaboration with Axel Adreois and Laurent Milon, industrial deisgn students.

A silk pillow decorated with a dreamlike motif in pastel shades made on a Jacquard loom.

Thanks to the embroidery relief, it will leave its mark on the user’s skin as they sleep, so they wake up with the imprint of their dream.

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Project

Blush In the animal kingdom, the nuptial parade involves hundreds of rituals, all designed to seduce the chosen mate. It is generally an explosion of colours, dance and songâ&#x20AC;Ś Funnily enough, on closer inspection, the human nuptial parade is not that far removed. Humans blush with emotion, douse themselves in perfume, adopt certain movements, dance and dress up.

This project proposes to bring a few principles of animal love parades into a clothing line for women.

The woman will seduce her beloved in five skilfully studied dates.

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Project studio directors at ENSCI, who have directed students (see Portfolio) François Azambourg David Bihanic Christophe Chedal Anglay Jean-François Dingjian Jean-Louis Fréchin Christophe Gaubert Laurent Massaloux Bernard Moïse Matt Sindal

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Publication Director of publication, director ENSCI-Les Ateliers Alain Cadix Editor in chief Dominique Wagner Graphic design c-album/Anna Radecka, Laurent Ungerer Student coordination Veronica Rodriguez Degree year coordination (Industrial designer) Olivier Hirt Myriam Provoost Sophie Coiffier Degree year coordination (Textile designer) Chantal Tournay Photography Véronique Huyghe Thanks Liz Davis Géraldine Méhigan

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Index design graduates Industrial Design Graduates abrial grégoire alzéari frédéric arlettaz damien chevallier mathilde chhor amandine coirié marie daeron isabelle depin charlotte dupuis laurence fastrez j.b. lavenir claire malcotti sébastien messager aude milon laurent moreau marie de oliveira leote mathieu papin flavie richard-laurent audrey salabay benjamin samson basil samul yuliya sarrazin marc tardy david yunshan xia zaouai karim

gregoireabrial@gmail.com fred.alzeari@wanadoo.fr koikiou@hotmail.com chevalliermathilde@hotmail.com amandine.chhor@gmail.com marie_coirie@hotmail.fr isabelle_daeron@yahoo.fr cha_polk@hotmail.com lau.dupuis@gmail.com batafastras@gmail.com lavenir_claire@yahoo.fr sebm2007@gmail.com aude.messager@gmail.com laurent.milono963@orange.fr mmariealice.moreau@laposte.net mathieuleote@yahoo.fr flavie.papin@orange.fr arichardlaurent@gmail.com ibnjamina@gmail.com basil@lesindustriescreatives.com jsamul@hotmail.com sarrazinmarc@yahoo.fr david_tardy2000@yahoo.fr yunshan.xia@gmail.com zaouaikarim@yahoo.fr

p 9 to 16 p 17 to 24 p 25 to 32 p 33 to 40 p 41 to 48 p 49 to 56 p 57 to 64 p 65 to 72 p 73 to 80 p 81 to 88 p 89 to 96 p 97 to 104 p 105 to 112 p 113 to 120 p 121 to 128 p 129 to 136 p 137 to 144 p 145 to 152 p 153 to 160 p 161 to 168 p 169 to 176 p 177 to 184 p 185 to 192 p 193 to 200 p 201 to 208

Textile Design Graduates costaz julie cruz morgane prin adélie le vaguerese mélissa

julie.costaz@mailoo.fr morgane.crucq@orange.fr adelieprin@hotmail.com melissa.levaguerese@noos.fr

p 211 to 218 p 219 to 226 p 227 to 234 p 235 to 242

A spécial mention for those ENSCI industrial graduates, who, already involved in new adventures, often in faraway places, were not able to contribute to the présent catalogue.

Industrial Design Graduates abderamane-dillah milamem excoffon marion guérin adrien henriot-colin david journaux caroline

milamemad@yahoo.fr excoffon@free.fr adrien.guerin@gmail.com hc.david@laposte.net caroline.journaux@wanadoo.fr

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Printing Maugein Imprimeurs, France October/november 2010-dépôt légal n°357 PEFC/10-31-1508 PROVENANT DE LA GESTION DURABLE DE LA FORÊT

Inside pages certified PEFC