MUSE Magazine

MUSE

UNAPPLIED REALITY ALEX FILIPOWSKI

MUSE

MASTHEAD

EDITOR IN CHIEF GRAPHIC DESIGNER CHRISTINA RIPLEY

CREATIVE DIRECTOR FASHION DIRECTOR ERIN KELLEY

CONTENTS COORDINATOR KYLEIGH THORNTON ART DIRECTION CHRISTINA RIPLEY ERIN KELLEY

FASHION EDITORS SONALI MAYANI ANNASTASHA WILLIS KYLEIGH THORNTON

MUSE THE FASHIONART MAGAZINE musemagazine.it INSTAGRAM @MUSEMAGAZINE FACEBOOK / Muse Magazine TWITTER @MUSE_MAG BLOG musemagazine.it/it/blog GENERAL ENQUIRIES redazione@musemagazine.it

HEAD OFFICE 112 W. HENRY STREET SAVANNAH, GA 31401 EDITORIAL OFFICE SAVANNAH

FASHION PHOTOGRAPHERS KATIE GEORGAS SARAH GARDNER TJ SNIDER LLOYD SHILLABEER

PUBLISHED BY SCAD SCHOOL OF FASHION FASH 419 CURRENT TRENDS PROFFESSOR ANTHONY MILLER

MUSE

COLLAGE SHOOT PHOTOGRAPHED BY SARAH GARDNER FA S H I O N : S O N A L I M AYA N I MAIYA WEARS H&M

INDEX

KYLEIGH THORTON MORGAN RICHARDS /WHAT’S YOUR STORY

20

ERIN KELLEY JUSTIN ZIELKE / GOLDEN RATIO

28

KYLEIGH THORTON JEAN PIERRE VILAFANE / GRAFFITTI

38

DRIFTING DISSIDENCE PHOTOGRAPHED BY KATIE GEORGAS FASHION BY ERIN KELLEY & CHRISTINA RIPLEY

42

ILLUSORY URBANITE PHOTOGRAPHED BY SARA GARDNER FASHION BY ERIN KELLEY GRAFFITTI BY JEAN-PIERRE VILLAFANE

54

FRAGMENTED DESIRE PHOTOGRAPHED BY TJ SNIDER FASHION BY ERIN KELLEY

64

DYSTOPIAN RENEGADE PHOTOGRAPHED BY LLOYD SHILLABEER FASHION BY CHRISTINA RIPLEY & ERIN KELLEY

80

FABRICATED MEMORY PHOTOGRAOHED BY FINN SCHULT FASHION BY ERIN KELLEY & CHRISTINA RIPLEY

94

Front Pages

ART

OSCAR DE LA RENTA: HIS LEGENDARY WORLD OF STYLE FEBRUARY 5 - MAY 3 Andre Leon Talley transformed a space in the SCAD Museum of Art giving us a glimpse into the world of legendary fashion designer Oscar De La Renta. The exhibition is the first posthumous tribute honoring the iconic designer and his work. The space was designed to be walked through like you were walking through the designer’s house, with small intimate rooms featuring 70 garments designed for his closest friends and family. The exhibition an extraordinary tribute as the first posthumous event honoring Oscar De La Renta.

LINEAR ABSTRACTION SCAD MUSEUM OF ART When we think about linear abstraction what’s the first thing that comes to our minds? Lines? Distance between two points? Fun lines? Irregular lines? Linear Abstraction is about a styled set of lines that are manipulated and incorporated into irregular shapes and perception. This presents a diverse group of eleven contemporary, international artists who share a common approach through the use of sharp edged, linear and geometric shapes. The exhibit showcases thirty outstanding pieces of art that work to broaden the context in which line and abstraction is interpreted with focus on the artist’s exploration of the linear. Among the artist includes: Rana Begum, Terry Haggerty, Michelle Grabner and Rebecca Ward.

What makes this exhibition a successful one, besides the fact of having a lot of ideas put up together to create unity and harmony, is the idea that it includes a vast amount of mixed medias starting from painting up to photography and sculpture manipulation. Besides, it illustrates the dimensionality of linear and geometric form and portrays it in another point of view in which not only the design is stated but also the feeling it gives to the viewer’s eye. The sense of understanding the story behind each single, unique piece is what makes this exhibition a good one. How a lot of things can

16

Front Pages

ART

IN LIVING COLOR: ANDY WARHOL AND CONTEMPORARY PRINTMAKING JEPSON CENTER MARCH 1-MAY 17, 2015 Andy Warhol (1928-1987) is an American artist that is known for the visual art movement known as pop art. For more than fifty years, his work challenged our perceptions of popular culture, politics, and consumerism. His work was inspired by artistic expression, celebrity culture, and advertisement in the 1960’s. He adopted mechanical means of generating images such as screen printing, which allowed for an endless reproduction of images.

This exhibition in the Telfair Jepson Center covers three decades of Warhol’s career. It features some of the artist’s most iconic screen prints, including his portraits of Marilyn Monroe and Moe Zedong.

Living in Color is divided into five sections- experimentation, emotion, experience, subversion and attitude.

SCOTT CARTER EXHIBITION: “THE NATURE OF BEING” FEBRUARY 18- JUNE 7 2015

SCAD alumnus Scott Carter transforms the Pinnacle Gallery into an immerse sculptural installation using drywall. His work blurs the distinctions between where artwork begins and gallery space ends by excavating individual sections of the walls and creating new sculptures with the remaining material within the gallery space. Carter’s artistic practice embodies a wide artistic discourse including art, design, architecture and even sound. Carter attempts to assert alternate meaning in a built environment by creating these whimsical spaces that showcase his limitlessness of imagination. This artist explores the form and function of materials through placement, truly utilizing every piece of drywall in this sculpture. This exhibit will be at the Pinnacle Gallery in Savannah, GA.

18

Front Pages

ART

ARTIST: THE SEGMENTED REALITIES December 12 2014 - May 24 2015.

EXHIBit presents sculptural painting by Jose Parla that suggest cultural fragments salvaged from urban cityscapes. Told in an expressive and poetic language of the street, Jose illustrates history through abstraction and calligraphy. The 10 pieces work as artifacts of the time that Jose created to give insight on he cultural identity to generations to come. Each painting bears the name of the location or experience from which he draws his source. Josa enjoys embedding stories in his paintings and inviting viewers to explore an environment through his eyes.

He is considered a modern novelist, in his story telling through gestures, writing and advertisements reconstructed. Josa Parla: Segmented Realities is on show at the High Museum of Art in Atlanta, Georgia. This exhibit serves as aesthetic introduction to the upcoming exhibition titled Imagining New World.

EARL PARDON FEBRUARY 4 - JUNE 7TH 2015

The Earl Pardon’s Portable Art: Jewelry and Design is an exhibit located at the Hight Museum of Art in Atlanta, Georgia This exhibit showcases more than hundred pieces of art and they are all designed by Earl Pardon. When talking about aesthetics and style, Pardon’s designs and shapes are inspired by his home’s ware patterns and portable elements.

The diverse colors, pattern, texture and idea of abstraction are a main source of inspiration in his designs because he feels that colors and abstraction are what makes his designs unique and engaging. Something that really makes his pieces really interesting is his incorporation of different gemstones such as ebony and ivory. It is really impressive to see how as a designer one can still use pieces used previously and play with it to create a statement piece out of it just like he did when he worked at Silversmiths back in the 1950’s. When people wear his design they feel unique because only they understand it and get the sense of it, which is what all jewelry designs should expect, appreciation and personal understanding for the unique.

19

Morgan Richards

20

FASHION

01

WHAT’S YOUR STORY An interview with Morgan Richardson Morgan Richards a former Accessory Design student at the Savannah College of Art and Design, winner of the Independent Handbag Designer Awards, featured in the 2014 September Issue of InStyle magazine, and is now running her own brand, Morgan Rhea.

photography by Michael J. Beals written by Kyleigh Thorton

Morgan Richards a former Accessory Design

talk with her about how she got to where she is

student at the Savannah College of Art and

now, and what’s next.

Design, winner of the Independent Handbag

KT I’m not going to ask you who your

Designer Awards. Eventually, featured in the

inspirations are because it’s cliché and

2014 September Issue of InStyle magazine,is

MR Classic silhouettes have always inspired me and there is not

now running her own brand, Morgan Rhea.

a wide range of men’s accessories. I wanted to change the way

Fortunately I got to sit down with Morgan and

men could express themselves.

21

Morgan Richards

FASHION

01

mainly because you’ve already answered

MR I met Michael the first day of orientation at SCAD.

that question for The Independent

We instantly became friends! He is so creative and has

Handbag Designer Awards. But I would

such a vision for things. He did the photography for my

like to know how you became interested

Senior Collection that I believe captured it perfectly.

in menswear accessories? So I created my

Michael is with me every step of the way and we work

current collection “Silently Speaking Gratitude” to do so.

well with each other. He wasn’t able to move to NYC

It is dedicated to those who have inspired and impacted my

for the three months that I was there, because he was

life through their personal journey. By giving gratitude to

working. I learned a lot while being in there. It is such a

those who have struggled and triumphed, this hand made

lively city with so many resources at your fingertips. If you

collection was born. Each accessory is hand made from a

get a chance to move to a larger city, you should defiantly

buffalo hide that is hand patina. Layering different shoe

attempt it! I am forever grateful that I did. Managing a busy

creams to create varying hues on the leather creates the

life is apart of the game, as long as you are humble and are

hand patina process. Each accessory is hand stitched to

learning every step of the way you can accomplish any-

create a timeless piece. My collection is unisex, although it

thing!

is catered to silhouettes of menswear.

KT On your website, the photos of your products are KT Describe your experience at Coach.

shown in a very nostalgic way. Could you explain your in-

MR Coach was an awesome experience. I was apprenticing

spiration for the photos and why you and Michael decided

in Women’s Handbags so it was a little bit of a foreign

to shoot your products this way?

land for me. I learned a lot about how the fashion industry

MR Michael was inspired by 16th and 17th century Flem-

works and the process it takes to get a collection into

ish paintings. He wanted to make sure to capture those eras.

production for the next season. I was living in NYC so just

The images he did of my products have been a big hit with

the commute to and from work was an experience because

customers as well and we have sold a few. They look like

there was so much inspiration around me.

real paintings and I think he captured the Collection amazingly!

KT I have to ask you about how you got so lucky to meet

22

a man like Michael. In the past year, you’ve graduated

KT How did it feel to see your name in an article for Wom-

college, had your briefcase featured in InStyle, moved to

en’s Wear Daily?

New York for three months, and got engaged. Tell me your

MR It was an awesome feeling to see my name in WWD. I

tricks to managing such a busy life while working with

had just graduated college and only a few months later my

your fiancé.

name was in multiple fashion and accessory articles.

23

Morgan Richards

FASHION

01

It was such a surreal experience.

MR I am always inspired by the style of people that I see everyday on the streets and even on social media. Having

KT We had a photo in the back room at Kate Spade of you

such technology to be able to see how people dress all over

and John Legend. Tell me what that experience was like

the world is amazing and inspires me everyday.

and how you came in contact with him?

MR I was able to make John Legend a pair of shoes from

KT Who do you see as your target customer?

my collection. I chose to do my kiltie loafers, because they

Morgan Rhea’s target customer is someone who is looking

stood out to me as the most unique in my “Silently Speak-

to tell his or her story through an accessory piece. I was

ing Gratitude” Collection. I was able to make this happen

strictly a menswear brand, but it has expanded since then

through a family friend. It was a life-changing event in my

into unisex. Has this evolved over time, according to who is

life and accessory career.

purchasing your product?

MR I have customers of all ages! Some customers are

24

KT Other than John Legend, who else have you met that

buying for their partner, grandchild, children, graduation or

inspired or surprised you?

wedding gift.

25

Morgan Richards

26

FASHION

01

KT Your products are custom made but do you plan to

would like to keep it that way for years to com

keep other collections in the future?

KT Where do you see Morgan Rhea going in the next ten MR Yes, I will defiantly be expanding in the future.

years?

MR I see Morgan Rhea being major brand in the next ten

KT Where do you see Morgan Rhea going in the next ten

years. I would like to have stores all over the world. I want

years?

to bring back the custom aspect into the accessories world.

MR I see Morgan Rhea being major brand in the next ten

My customers will buy their Morgan Rhea product and

years. I would like to have stores all over the world. I want

have it forever. Quality is a key part of our process and I

to bring back the custom aspect into the accessories world.

would like to keep it that way for years to come.

My customers will buy their Morgan Rhea product and have it forever. Quality is a key part of our process and I

27

Justin Zielke

28

ART

02

GOLDEN RATIO An interview with Justin Zielke An Artist with an innovative way of creating concepts and developing theories, utilizes his logical, analytical process of research creating something from nothing.

Justin Zielke focuses on moments in time creating perfect synergistic moments for his viewers.

photography by Justin Zielke written by Erin Kelley

EK Where does the Golden Ratio inspiration

what we find aesthetically pleasing - an IPhone

come from?

is set to the golden ratio. My interest with that

JZ The golden ratio is a mathematical

is the response of the physical form to the

equation that consists of everyday life. There

golden ration, and how you can use the human

is a mathematical equation for everything: to

form to connect with the viewer to some

something in our solar system, to the way that

extent.

a flower is oriented, or even the equation of

29

Justin Zielke

ART

02

EK Speaking of Connecting to the viewer, what do

next piece to improve upon my current idea or theory.

you want your viewers to take away from your work?

There is one piece of artwork that is in this collection

JZ Something I want people to take away from my art-

that I enjoy particularly. It is almost selfish in a way,

work, is when you look at it, you know it is not about

because the artwork is close to me only. I mean it is

the prettiest thing to look at or the most aesthetically

visually and aesthetically appealing. But I was up in

pleasing, its about them looking at it and getting that

the Eiffel tower, and I took a long exposure image of

emotional response, from a moment in time. Its not

the ground when I was going up there, and whenever

necessarily trying to construct the perfect reality, it’s

I look at this image it reminds me of what was going

trying to perceive an exact moment with everything

on at that particular moment in the Eiffel tower. It’s

blurred in the outside image. There is one painting I

not necessarily what the image I took looks like but

did a while ago, that was based on a kiss. When you

the specific moments of me taking that photo, but it’s

are looking at the kiss, all you can see is the lips of the

more important than taking a video, because I was

two characters, and everything else is clustered and

breaking apart moments in time, and those moments in

nothing is recognizable going on outside the perime-

time were shown in a 2d form

ters. The viewers attention goes into that moment of having a kiss. To me that is the most accurate time

As far as someone else, the most amazing experience

we perceive having an experience like that, because

I had was in Lacoste, France, when one of the guests

everything outside of that moment is completely

that came into my gallery started crying right in front

irreverent, because you are completely present in that

of me. This was something I have never experienced

moment.

before, I think it is because Lacoste was the first place I experienced working outside of commercial work.

EK What is your favorite emotional response from

My Lacoste work was really specific to me and special

your own work?

I suppose, because it was more about its own body of

JZ That I have had from my own work or someone

work within Lacoste, which I think that emotion came

else? EK Can you tell me about both?

through when she started crying. If anything I feel that

JZ Honestly I feel I have a really logical mind when it

is the goal of most artists, its not how they feel about

comes to my work, so in the moment I am in love with

their own artwork, it’s the moment that somebody else

my work. But by the time I get to the end of a project,

sees a glimpse of what you were trying to show them.

I want to finish it, because my mind transitions to the

30

31

Justin Zielke

32

ART

02

EK You have said that when you are near completion

that’s all art is, it’s kind of like the change in percep-

you become focused on the next project or concept…

tion through ones artist career.

what are you focused on now?

EK Who’s journey are you gaining the most inspira-

JZ It is really difficult for me because right now I

tion from now?

am trying to earn my masters in animation, and I am

JZ Lyn Lie is a huge inspiration for me right now,

overwhelming myself with different artist’s theories.

because his body of work is across the board, he is a

I think artwork itself, is the continuation of trying to

kinetic sculptor, director, and much more. He is from

solve where an artist has come from. Every artist takes

New Zealand, which made him not engage in the cur-

their own journey to discover certain knowledge of

rent trends of art within Europe. He has a very organic

some end goal, or try to show their personalized per-

way of problem solving. His work filters down to

spective of looking at art. My true interest is not where

the idea of how one can perceive movement. He sees

they end up, or the final fruition but within the journey

movement as being a sense of time, being able to show

they take to arrive at their thought process, because

life within, by not trying to impose a meaning to the

33

Justin Zielke

ART

02

the viewer. Which is typically to Hollywood film

somebody that truly believes in improving the indus-

industry, creating literary drama. According to Lyn it

try, which is not exclusive to art. But everything I

falsifies reality and becomes untrue to us. I think to a

am a part of in my day-to-day life. I enjoy problem

certain extent it’s a great point because within an art

solving and helping people through to find a solution.

form its about creating that reality for people to see

So when it comes down to me in the future, it’s just

it through a different persons eyes, not necessarily

helping improve the industry. I don’t find myself di-

creating a meaning that can be interpreted by anyone.

rectly involved in animation or fine arts, but I am more

He truly tries to perceive something in a moment, and

interested in the evolution of how I will find myself I

not attach meaning to it because as soon as you start

suppose. My thought process is eventually I will be in

putting a meaning to your artwork, you begin to stop

a position where I can problem solve and be a valuable

living because, the focus will be on the meaning rather

part of something.

than the moment.

EK You really embody all of your theories in your EK It seams like you keep talking about a moment in

personal outlook on life as well as your body of work;

time, why is movement so prevalent in your work if its

it makes me think that you almost want to become the

all about a single moment?

golden ratio artist? Am I far off?

JZ It’s funny because I started as an illustrator, and as

JZ Actually one of my really good friends brought up a

an illustrator you are always trying to depict a mo-

theory to me about mathematics of how to become the

ment that shows everything, or the whole conceptual

perfect artist, which was sent as a joke, which I knew

meaning needs to be there, so the viewer can glance

so I wasn’t interested…although its definitely some-

at it and know exactly what’s going on. But in anima-

thing that spikes your interest. That’s one thing I think,

tion it’s a build up of time, the story is dependent on

that today is unfortunate, because people say that it is

how the viewer’s emotions are building up to a certain

bad to have more than one talent, and just stick to that

moment. I try to find the in-between that is where my

one talent. But what if your talent is to problem solve,

true interest lies.

work on different project or to jump from project to the next…okay I know what I want to be, a consultant

EK Do you have a vision of how you want to evolve

for film, specifically for conceptual and visual design.

as an artist in the future?

JZ I am always trying to apply my artwork. I am

34

EK Your body of work is all black and white, is there

JZ Black hole theory, which I define as, how any

amount of time, if you keep that line of action and

amount of matter can be sucked into a black hole, even

replicate it over and over, and you basically follow the

light cannot escape it. Which got me into the idea of

figure through the space. You get the historical past of

what would happen if a person would capture light or

that form but it’s isolated in a two dimensional form.

sculpt light.

Then I tied that to the idea that I have always been drawn to in my personal work, which I call the sculpt-

EK What do you mean when you say sculpt light?

ing of light. If light were a mass it would be interesting

JZ When I got into animation I got really interested in

to manipulate light within a space as if it was a tangi-

an idea of movement creating a tangible form or space

ble sculpture. So this particular body of work is more

that a person takes up. The way I discovered this was

based on that idea that light is a tangible sculpture.

the line of action a character follows. Within a certain

35

Justin Zielke

36

ART

02

EK What was the experience of having a personal gal-

It is the beginning of my creative process, where my

lery space in Lacoste, France like for you as an artist?

best ideas happen. For me the place I found in La-

JZ I have had the privilege of being able to travel to

coste, was considered “the cave�, which to be honest I

Europe a few times, and with each visit I got to learn

enjoyed even more when people started calling it that.

more about myself. One thing that I have noticed per-

I also gathered so much inspiration when traveling

sonally is regardless of where I end up; I always end

Europe, after finding a place that I was able to get it all

up discovering a small isolated little space to work in.

out was what made it feel like a home.

37

John Pierre Vilafane

ART

03

JEAN PIERRE An interview with Jean-Pierre Villafane Jean-Pierre Villafane is a graffiti artist from Puerto Rico that is currently studying architecture and industrial design at Savannah College of Art and Design. Through his long list of talents, he has collaborated with artists in many different fields.

Later in the magazine look out for our Muse X Jean-Pierre editorial collaboration “ “Illusory Urbanite”. written by Kyleigh Thorton

38

J O H N - P I E R R E ’ S S T U D I O S PA C E

39

John Pierre Vilafane

ART

03

KT Who or what inspires your work?

architecture, furniture and of course graffiti? Are there any

JV The people that see my work are my main inspiration

areas that you enjoy more than others?

(I know it sounds cheesy). If you think about the princi-

JV I have to admit I enjoy working on my architecture proj-

ple of graffiti, it is tagging something with your name on

ects as much as I do painting graffiti. I would not imagine

the street so people recognize it, and next time they see it

doing any over the other.

they will remember your name. To the point where people become tired of seeing it everywhere. That’s basically what

KT I’ve looked at your website and it looks like you’ve col-

inspired me to go out and paint graffiti (a long time ago).

laborated with a lot of different artists. Describe a time that

Now there are many graffiti artists and other contemporary

you collaborated with someone and something unexpected

artist that inspire my work. Some of the names are Elseed,

or surprising came out of it?

an Arabic typography artist. Revok, a graffiti artists whose

JV I would definitely say that when I collaborated with

focus has drifted into canvases. When I’m in a big city I try

the fashion student from SCAD that opened a lot of doors

to go to modern art museums and take some ideas, go back

regarding that field. I started collaborating with a lot of

home and work. There’s a Cuban artist that has had a great

fashion designers and students and my graffiti evolved a lot

influence on me lately called: Jose Parla. Last time I was in

after that.

Atlanta, I visited the High Museum of Art and saw his work there for the first time.

KT What projects are you most proud of?

JV I am always really excited to see new places where my

KT What inspired you to start doing graffiti artwork?

graffiti can be placed. I usually get clients that ask me to

JV I started doing graffiti when I was in ninth grade. I

paint really nice and expensive pieces of furniture. At first

would see graffiti on the streets, get to school and start

I’m a bit skeptical of the idea, I wouldn’t want to ruin it,

drawing on the back of my notebooks. After that I got into

you know. Doing the work for fashion students at SCAD

graffiti and started studying how it actually worked and de-

has always been very exciting. Collaborating with people

veloped my own name. I was the only person doing graffiti

from other fields is always a challenge. I recently did some

in my school at that time.

prints for a Puerto Rican fashion designer based in NYC and it was really thrilling to see my graffiti on the fashion

KT Your artwork is very well rounded between fashion,

40

runway.

KT What made you decide to study Architecture and Industrial

KT What are your goals after you graduate?

Design? Why at Savannah College of Art and Design?

Continue on to grad school. After that, work in an office until

JV What influenced me towards architecture was the idea of

I gain enough experience to open my own architecture studio.

making my ideas concrete and three dimensional. Taking the

I would have never thought about having graffiti as a backup

two-dimensional work I have previously done, and applying

plan, it’s just a hobby.

that to architecture. If you look at the projects I have done in architecture, you will see a lot of influence from my graffiti

KT Describe your dream job?

work. The projects can be characterized as being very fluid

JV Having my own architecture studio.

and moved instead of having hard edged lines that follow an orthogonal matter.

41

Driffting Dissidance

FASHION

01

DRIFTING DISSIDENCE P H OT O G R A P H Y K A T I E G E R O G A S FA S H I O N E R I N K E L L E Y & C H R I S T I N A R I P L E Y MAKE UP BRITTANY TALIAFERRO MODEL ALEX FILIPOWSKI

42

J A C K E T B C B G M A X A Z R I A , B I K I N B OT T O M S J . C R E W

43

Driffting Dissidance

44

FASHION

01

TOP FOREVER 21, JUMPSUIT ARMANI EXCHANGE, RINGS MODELS OWN

45

Driffting Dissidance

46

FASHION

01

JACKET BCBG MAX AZRIA, TOP H&M, CARDIGAN BRANDY M E LV I L L E

47

Driffting Dissidance

48

FASHION

01

SWEATER BAR III, TURTLENECK FOREVER21

49

Driffting Dissidance

FASHION

01

BLANKET SWEATER ALL SAINTS, RING VINTAGE

50

51

Driffting Dissidance

52

FASHION

01

SWEATER WOODEN SHIPS

53

Illusory Urbanite

FASHION

02

I L LU S O R Y URBANITE MUSE X JEAN PIERRE

P H OT O G R A P H Y S A R A H G A R D N E R FA S H I O N E R I N K E L L E Y MAKE UP MOSI MCKIE M O D E L M A I YA - S I M O N E P L A T H E R G R A F F I T I A R T I S T J E A N P I E R R E V I L L A FA N E

54

J E A N P I E R R E V I L A FA N E IN HIS STUDIO

55

Illusory Urbanite

56

FASHION

02

DRESS ERIN KELLEY

57

Illusory Urbanite

58

FASHION

02

S W E A T E R H & M , PA N T S T O P S H O P, NECKLACE J. CREW

59

Illusory Urbanite

60

FASHION

02

S W E A T E R H & M , PA N T S T O P S H O P, NECKLACE J. CREW

61

Illusory Urbanite

62

FASHION

02

SHIRT FOREVER 21, SKIRT TOPSHOP

63

Fragmented Desire

FASHION

03

FRAGMENTED DESIRE P H OT O G R A P H Y TJ S N I D E R FA S H I O N E R I N K E L L E Y MAKE UP BRITTANY TALIAFERO MODEL ELEANOR BALL, H A L E Y WA D S W O R T H , N A T H A N S A LU D E Z

64

DRESS ERIN KELLEY

65

Fragmented Desire

FASHION

03

DRESS ERIN KELLEY

66

I N T H I S PA G E A L L C LOT H I N G K A M O N S A T AYA O P P O S I T E PA G E D R E S S E R I N K E L L E Y

67

Fragmented Desire

68

FASHION

03

I N T H I S PA G E T O P S C LOT H I N G M E R O N A O P P O S I T E PA G E K A M O N S A T AYA

69

Fragmented Desire

70

FASHION

03

I N T H I S PA G E A L L C LOT H I N G M E R O N A O P P O S I T E PA G E K A M O N S A T AYA

71

Fragmented Desire

72

FASHION

03

I N T H I S PA G E D R E S S E R I N K E L L E Y O P P O S I T E PA G E A L L C LOT H I N G K A M O N S A T AYA

73

Fragmented Desire

74

FASHION

03

I N T H I S PA G E R O M P E R Z A R A , D R E S S LU S H O P P O S I T E PA G E N A T H A N ’ S O U T F I T K A M O N S A T AYA , H AY L E Y ’ S D R E S S E R I N K E L L E Y

75

Fragmented Desire

76

FASHION

03

I N T H I S PA G E A L L C LOT H I N G K A M O N S A T AYA O P P O S I T E PA G E D R E S S E R I N K E L L E Y

77

Fragmented Desire

78

FASHION

03

I N T H I S PA G E A L L C LOT H I N G K A M O N S A T AYA O P P O S I T E PA G E D R E S S E R I N K E L L E Y

79

Dystopian Renegade

FASHION

04

DYSTOPIAN RENEGADE P H OT O G R A P H Y L LO Y D S H I L L A B E E R FA S H I O N E R I N K E L L E Y, C H R I S T I N A R I P L E Y, MAKE UP BRITTANY TALIAFERO M O D E L K H A R LY B I A R O A N E , M O N T A N A A N D E R S O N

80

D R E S S K A T E S PA D E

81

Dystopian Renegade

FASHION

04

I N T H I S PA G E K H A R A LY B I A : T R E N C H C O A T S AYA K A M A T S U S H I T A , M O N T A N A : J A C K E T, PA N T S G A P, S H I R T H & M S E E N I N O P P O S I T E PA G E

82

83

Dystopian Renegade

84

FASHION

04

T R E N C H C O A T S AYA K A M A T S U S H I T A SHIRT ZACHARY CYGANEK

85

Dystopian Renegade

86

FASHION

04

COAT ESTELLE LEMMER

87

Dystopian Renegade

88

FASHION

04

K H A R A LY B I A : B O D Y S U I T F O R E V E R 2 1 , J A C K E T C H R I S T O P H E R JOHN ROGERS, SHOES VINCE M O N T A N A : V E S T C H R I S T Y N G A F FA N Y , S H I R T H & M , PA N T S G A P

89

Dystopian Renegade

90

FASHION

04

J A C K E T S AYA K A M A T S U S H I T A , S H I R T C H R I S T O P H E R J O H N ROGERS, SHORTS URBAN OUTFITTERS, SHOES TOPSHOP

91

Dystopian Renegade

92

FASHION

04

C O A T Z A C H A R Y C Y G A N E K , S H I R T T O P S H O P , PA N T S H & M , SHOES STEVE MADDEN

93

Fabricated Memory

FASHION

05

FA B R I C A T E D MEMORY P H OT O G R A P H Y FA S H I O N E R I N K E L L E Y, C H R I S T I N A R I P L E Y MAKE UP BRITTANY TALIAFERO M O D E L C H A R LOT T E F R I E S

94

S W E A T E R H & M , PA N T S T O P S H O P , PA N T S H & M , S H O E S S T E V E MADDEN, NECKLACE SOFIA DIVITO

95

Fabricated Memory

96

FASHION

05

S W E A T E R H & M , PA N T S T O P S H O P , PA N T S H & M , S H O E S S T E V E MADDEN, NECKLACE SOFIA DIVITO

97

Fabricated Memory

98

FASHION

05

I N T H I S PA G E D R E S S M A R Y A N N K A FA T I , N E C K L A C E S O F I A D I V I T O O P P O S I T E PA G E R O M P E R F O R E V E R 2 1 , S W E A T E R G A P

99

Fabricated Memory

100

FASHION

05

D R E S S M A R Y A N N K A FA T I

101

MUSE

FA S H I O N A D D R E S S E S

KAMON SATAYA MENSWEAR ZACHARY CYGANEK MENSWEAR ESTELLE LEMMER MENSWEAR CHRISTYN GAFFANY MENSWEAR SAYAKA MITSUSHITSU WOMENSWEAR CHRISTOPHER JOHN ROGERS WOMENSWEAR MARY ANN KAFATI WOMENSWEAR

SOFIA DIVITO JEWELRY

102

104