ESHA HASHIM esha.mnh@gmail.com +44 7477 364 231 eshahashim.com Master of Architecture ARB/RIBA Part II University of Westminster
_ACADEMIC EXPERIENCE
_PROFESSIONAL EXPERIENCE
_EXTRACURRICULAR
_SKILLS
2016 2014
University of Westminster Master of Architecture RIBA Part II MArch - Merit
E’SHA BLADDAR Sdn. Bhd. (Design and Build) MALAYSIA
2015
Installation Proposal for Buro Happold Ltd - London Office Tensegrity Wallflower
2013 2009
Universiti Teknologi MARA Bachelor of Science (Architecture), RIBA Part I Bsc Arch - First Class Honour
May 2011 - August 2011 Architectural Assistant
2014
Installation Proposal for Burning Man 2015 Fun-tegrity Pavillion
2009 2004
SMKA Naim Lilbanat Sijil Pelajaran Malaysia (SPM), equivalent to GSCE SPM-12As’
2013
Sustainable City 2013 8TH International Conference on Urban Regeneration & Sustainability, UiTM-WESSEX Institute Participant
2D CAD: AutoCad, Vectorworks 3D CAD: Sketchup, Rhinoceros, Grasshopper, 3ds Max [Basic],Vray Video: Adobe After Effects and Adobe Premier Microsoft Office Adobe Photoshop, InDesign, Illustrator Technical hand Drawing, Graphic Design Model making: Hand craft, Laser-cutting, 3D Printing
_AWARDS 2016
Distinction in Final Design Project Master of Architecture RIBA Part II University of Westminster
2013 2009
First Class Honour - Bsc Arch Universiti Teknologi MARA 6 Dean’s List Award
2013
Highest CGPA for 3rd Year BSc(Arch) CGPA 3.77 Universiti Teknologi MARA
2012
Highest CGPA for 2rd Year BSc(Arch) CGPA 3.89 Universiti Teknologi MARA
Design & Publication Team
August 2013 - August 2014 Architectural Designer COTTAGE INDUSTRY VILLAGE | Kg Seberang Hilir, Kuching, Sarawak. Design , 3D Modelling and Presentation Drawings HOME-Pro | PRIVATE RESIDENCES : 12 Units Taman Mesra, Kota Bharu, Kelantan. Design , 3D Modelling and Presentation Drawings MENARA SIREH : Boutique Hotel | Seksyen 18, Kota Bharu, Kelantan. Design , 3D Modelling and Presentation Drawings
Kump. Perunding (1988) Sdn. Bhd. Jul 2012 - Sept 2012 Architectural Assistant PRIVATE RESIDENCE Kg Padang Rokma, Tumpat , Kelantan. Renovation Design , 3D Modelling and Technical Drawings
2013
DBKL Heritage Trail 5,organized by Majlis Bandaraya Kuala Lumpur Participant
2012
WISE Housing Competition (INTERNATIONAL), organized by CAA (Commonwealth Architectural Association) Participant
Language : English , Malay, (Basic) Arabic and Mandarin
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_PROFILE
YULIA ESHA BINTI MOHD NOOR HASHIM
ESHA HASHIM
WEAVING NICOSIA : a manifesto Year 05 DS 22 | Tutor : Nasser Golzari & Yara Sharif The traditional textile making in Nicosia includes the production of fabrics and lace-making are among the dying trades of Old Nicosia.This an earnest call for protection and celebration of this fragile industry of cultural heritage of Nicosia and most importantly , to weave together both Greek Cypriots and Turkish Cypriots together , that has been segregated right after the 1974’s war. This manifesto intervenes the spilled void , the left-over , abandoned and contentious space inside of the city . The process of the growth of cities evolves in relativity of time, and the division of Nicosia that happened across the city has opened up new voids. The proposal will stitch together the spilled voids within the boundaries of the Buffer Zone and both the north and south continents of Cyprus, while addressing the new typology of factory, which is no mere shell that contain industrial function of textile making. It will be a typology that binds and interlinked all the functions of the spaces together , and spreads out to the main accessible areas and become a place of gathering and a celebration of culture The complex acts as the stage of Cypriots textile production where the spaces will stage and choreograph the whole production of textile making , from fibre collection to dyeing the threads and weaving the Fabrics of Memory. The Cypriots that are forced to leave their house after the war , are attached to their memories of home . Fabrics of Memory that will be weaved here with patterns of personal narrative stories of the Cypriots . Derived from the method of loci, items that need to memorise are to pinned to visual cue , and in Weaving Nicosia : a manifesto, the woven fabric will act as the mnemonic device involving a visual map of one’s memory and home.
PROGRAMMATIC ASSEMBLAGE
T he nature of the project is divided into a few main prog rams that the textile factor y and the domestic electric far m that microgenerations appliances generate electricity to feed back into the building and to accommodate the refugees as the operator and the working force of the factor y to work on it . As a part of strategic developement of the intervention at the existing site , THE 9 PROGRAMMES AND COMPONENTS 1- FIBRE COLLECTION 2- COTTON MILL 3- COMBING 4- FLOATING POND 5-HANGING GARDEN 6- WEAVING THEATRE 7- FABRIC BAZAAR 8- OLD BESS MACHINE
DORIATH - enchanted (future) forest Year 04 DS 10 | Tutor: Toby Burgess & Arthur Mamou-Mani
Earth is a world as cruel as those who call it home. The world’s vicious expansions are out of control. Their brutal struggles scar the land even as it carves them in its image . By 2090, it is predicted that 80% of Amazon will disappear due to the combined impacts of logging, drought, forest fires, desertification, agricultural and industrial expansions ; less than one-fifth of the Amazon now remains . In addition to mass extinctions of flora and fauna , many indigenous communities have vanished . The soils had been depleted from the logging activities , fires to clear land , farming and pasturing animals. Much of the steep land has eroded and soils had washed away. The proposal started with the idea of ‘Avatar’ , an analogy of forest warriors to save the tropical forest. ‘Doriath’ will be a manifesto to rescue and regenerate the forest , constructing the forest of the future . It is a meliorism approach to the forest through genetic engineering and improvement; provide protection from livestock damage and cultivating plant life to shape a city . It is a forest city that is more resilient and has adaptive ecology that encourages active participation by people. The analogy points to a future city that works as a mature ecosystem, a city that converts its linear and wasteful systems into closed metabolic loops to reach a relatively stable, resilient and symbiotic state .
TENSEGRITY WALL-FLOWER Installation project proposed for Buru Happold Ltd. , London
Year 04 DS 10 | Tutor: Toby Burgess & Arthur Mamou-Mani
Tensegrity structure or also known as tensional integrity, a portmanteau term that was coined by Buckminster Fuller in the 1960s. It is a structural principle which is based on the use of detached components in compression inside a net of continuous tension.It is also known as “ oating compression”, a term that was promoted by Kenneth Snelson. Each compressed members such as struts or bars do not touch among another and the prestressed tensioned members , tendons or cables The study of tensegrity structure started through geometric remodeling the tensegrity model using digital softwares, to understand the deployability of the system . The basic form of tensegrity is being explored through addition of struts in the cell modules . The basic cell module is then are combined according to geometry tessellation. They were applied on regular surface and also irregular surface, while maintaining the structural frequency and mesh tension. The study diagrams and images are on the next page are explored through the usage of grasshopper to control the parameters and test the digital application. By using basic cell module of 3 struts, the tensional components were explored both using cables and fabric . The fabric helps in creating enclosures and more aesthetically pleasing in installation. Tensegrity structures and components are incredibly interesting when they take on a shape in which all the forces are balanced. The idea of incorporating tensegrity structures into the installation for Buro Happold are to manifest the integrity between stability and flexible of the system in to the ‘scupltures’.The Tensegrity Wallflower is designed responding to privacy and weather through manipulating the enclosures of every cells of tensegrity components.
3 struts formation
4 struts formation
5 struts formation
3 struts formation
6 struts formation
6 struts formation
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Works by ESHAHASHIM ŠESHAHASHIM 2016 All right reserved.No part of this publication may be reproduced, stored in any retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise , without prior permission of ESHAHASHIM . eshahashim@icloud.com +44 7477 364 231 https://eshahashim.com
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