Digital Design Portfolio Semester 1, 2018 Eunju Kim 914834 Han Li + Studio 16
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Eunju Kim email: eunjuk@student.unimelb.edu.au
Content: 03
M1 Precedent Study
Education: 2017 - current
Bachelor of Design
2016
Cairns State High School
Work Experience: 2017
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M2 Generating Design Through Digital Processes
Hennes & Mauritz
Awards / Exhibition: 2017
FOD:R Exhibition, AFLK Gallery
2016
FGF Design Award
DATTA Qld Senior Industrial Graphics Award
M3 Queen Victoria Garden Pavilion
Having an opportunity and skill set to produce an outcome that can influence someone is an exciting experience. Design is just one method that allows for this by engaging and interacting with the surroundings. Meanwhile It can also be viewed that I am too influenced daily to design. It is this which keeps me motivated to do best in this area of study. Digital Design has allowed me to approach a new method to design by generating multiples of design iterations through a parametric rule. This includes utilising parametric software such as grasshopper for rhino. The subject was definitely challenging, however, it had pushed me further to think design in a different perspective.
Skills: Rhino Grasshopper
A good designer should be able to provide most suitable solution that responds to a problem, while considering the sustainability of the environment. As a design student, I aim to constantly look out for any design inspirations in my surroundings to respond most appropriately to a given set of task.
Unreal Photoshop Illustrator Indesign Fabrication Photography
Improvement to be made within myself is to become confident and comfortable in using many other technological software including Grasshopper and Unreal Engine explored in the subject, to further extend my design abilities.
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Diagramming Design Precedent
Peter Zumthor Serpentine Pavillion - Precendent Study
Peter Zumthor’s Serpentine pavilion effectively manipulates the concept of threshold to draw focus to the enclosed garden, while creating a change of atmosphere through the transition from the outer environment to the interior. It is a simple design yet with clear intention to draw focus to the inner garden with in the garden which the pavilion sits. The use of double walls as ‘in between’ spaces allow people to either travel through or to stop and relax or to encounter other people before entering the interior garden of the pavilion.
Precedent Study Diagram Isometric View 1:200
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0
4000
12000mm
Diagram 01
Diagram 02
Circulation
Threshold
The circulation diagram was produced with the idea of the ‘shortest path’, by considering the closest entrances of the pavillion to get to the central garden.
Concept of threshold is effectively executed draw focus to the enclosed garden, while creating a change of atmosphere through the transition from the outer environment to the interior.
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Generating Ideas Through Process Task 1 Tas
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Design Matrix
Lofts
1.1
1.2
1.3
Key
1.4
Attractor Point Surface Edge Index Point
Paneling Grid & Attractor Point
2.1
Paneling
3.1
2.2
2.3
2.4
{-4,104,39} {181,76,78}
{113,-31,-8} {-32,31,-33}
3.2
3.3
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3.4
Surface and Waffle perforations made on panel controls the direction and amount of light in to the interior of the structure, as well as the visual connection between the exterior and interior
A direction is suggested by the orientaion of the panels, which ephasises the wharped surface
Protruding panels create interesting pattern that work effectively with light and shadow
The small panels are distributed densely on the base of the structure, which increase the bottm weight higher then top.
The waffle structure allows for a large internal space with two curved wall surfaces. The curving of the surfaces provides for an undercover area for the interior.
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The combination of 2D and 3D panels show interest in form and visual connection; as the viewer travels around the structure, the amount of visual connection between exterior and interior stays consistent, meanwhile the form is dynamic from 2D to 3D panel perforations.
Exploded Axonometric 1:2 0
40
120mm
Computation Workflow
Vertices are extracted from the 150 x 150 x150 bounding box
Each vertices of the surfacewere divided by the number given by the sliders. Bottom two groups are for surface A;
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While top two groups are for surface B
Assemblying Waffle structure
Complete Waffle Structure
Lasercut A1 Ivory Card
600.00
Materials and Lasercut Pieces
914834 EUNJU KIM
Sheet 01 of 01
900.00
600.00
Completed Two Panelled Surfaces
Attaching a Panelled Surface onto the Waffle 900.00 9
Lasercut A1 Mountboard
Waffle and Panel Pieces
The two surfaces are warped towards and away from each other,thus creating a complimenting yet contrasting surface. The waffle structure gradually forms an undercover area as the two surfaces twists with each other. One surface is made with an opening on one side that allows for visual connectivity from one angle but not from another. The second surface is combination of 2D and 3D perforated panel. This allows for change in form but consistency in visual connectivity as one viewer travels from one point to another.
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Generating Ideas Through Process Task 2 Tas
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Design Matrix
Grid Manipulation
1.1
Scaling Attraction
2.1
1.2
1.3
1.4
Key Attractor Point Grid Manipulation Index Point
2.2
2.3
2.4
{78,55,72}
{78,55,72} {80,-190,105} {181,76,78}
{136,-223,78}
{82,-90,34}
Geomatry Transformation
3.1
3.2
3.3
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3.4
SOLID and VOID
The flat base of the geometry has created different levels throughout the model; with variation in sizes of the void, different platform/ stairs are created.
Series of a consistent 3D geometry in progressing sizes create interesting pattern facade from left to right.
Intersection at various sections of the chosen geometry with the use of boolean tool create different shape of openingsthat allow light in various directions
Series of many small spaces are created which are all joined with openings that progressively decreases in size.
Wall surfaces are sloped due to the geometry of the void
Axonometric View 14
0
40
1:2 120mm
Computational Process
Task 01 Grasshopper Script Showing input - associate - output
Cells are created within the 150 x 150 x 150 bounding box, then the centroids are allocated for the voids to be created.
The centeroid of the cells are relcated according to the attractor point
Voids are made in various geometries, and are scaled and rotated according to the attraction point
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M2 Task 2 3D Printing
3D Printed model with Support and Base Plate
Thickness Analysis
3D Printed model with Support meterials
Support Materials and Base Plate Removed
3D Model Experimented and Analysed with Photography
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Through the different iteration of geometry and scale, interesting factors were discorvered: various shape and size of opening from different cut sections of one geometry, interesting textures that gradually change in form, platforms and steps from change in scale. These explorations were further developed while considering the visual connectivity and threashold. The flat base surface creates series of platforms and steps, which gradually ascends as it travels towards the interior of the model. Various size of void were created due to the scaling effect, which are all merged as one void with small openings.
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Transition from ground to pavilion is made natural with utilization of the Mobius strip equation. Along with the surrounding landscape, a spiraling motion is suggested with the gradual steps which allow soft transition into the performance stage. Extruded panels of the pavilion structure provides shade and internal seating for 15 and more. Meanwhile it reveals internal performance area at a certain angle, which encourages viewer to meander and circulate around the pavilion to eventually arrive to the quartet’s performance. The soft and light texture of the grada plywood is welcoming for the audience to touch and feel as they sit and stand around the pavilion, while its natural texture suits the surrounding landscape of trees and grass.
Winding toward the Symphony 19
Circulation and Threshold Isometric
The perforations allow dynamic play with shadow in interior.
Multiples of triangular mesh are joined to form the curving surface.
Horizontally extruded panels provide shade for the interior space, while allowing visual connectivity at eye level.
Visual connectivity changes as the audience walk around the pavilion; most visual clearity when opposite to performance area. Gradual shallow steps in to the pavilion also reflect the circulation movement from the exterior
Seating space to accomodate for lunchtime seminars as well as quartet performance
Key: Circulation/ Threshold Path Entrance
Exploded Isometric 1:50 20
0
1000
3000mm
Connects to P22
Computational Process
A curve from the surface is x = cos(v)+u*cos(v/2)*cos(v) y = sin(v)+u*cos(v/2)*sin(v) z = u*sin(v/2) Utilised the equation of the Mobius strip.
The mobius strip was broken down; domains change the length and width of the strip surface.
Surface was created from points aranged according to the equations
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extracted afterwards, and is scaled to fit into the 5m x 5m x 5m constraint.
Connects to P23
Connects from P21
Polygons are aligned along the extracted curve
All the curves are lofted Attraction point pulls the centroid of the polygon; curves closer to attraction point are scaled higher.
These polygons can be rotated according to the inserted domain
Two lines of the polygon is extracted
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as open loft
Connects from P22
Triangular panels are created along the surface
The curves are all extruded in one direction in XY plane – this is to provide further shelter from sun and rain
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The extrusions are then thickened as mesh
600.00
900.00
900.00
3D Print Section model Part A
600.00
Part B
A1 MDF 3mm Lasercut
600.00
900.00
A1 Mountboard 1mm Lasercut
600.00
600.00 600.00
600.00
Fabrication process
900.00
900.00
900.00
900.00
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Grada Plywood selected for pavilion material is light and soft which relates well to the surrounding garden. The smooth texture is also friendly to touch and feel as the audience can comfortably engage to the performance or the lunchtime seminar while seating around the pavilion. It also provides a enlightening and welcoming mood inside the pavilion.
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360 Image Output
Digital Design Semester 1, 2018 34