Earth book FEIWANG 784079 by FEIWANG 784079

EARTH BOOK FEI WANG 784079 TUTORIAL : 20 TUTOA: KATE TUTORIAL TIME : THURSDAY 9:00 AM.

BOOK LIST WEEK1- SUBJECT INTRODUCTION & GROUP MODEL MAKING- P3. WEEK2-P/L/P

P4-P.7.

WEEK4-MASS

P8-P11.

WEEK6-FRAME & INFILL WEEK8- SITE ANALYSIS

P12-P15.

P16.

WEEK9- CONCEPET MODEL WEEK10 FINAL PROJECT

p17.

P18-P28.

TUTORIAL WEEK 1 WEEK1SUBJECT INTRODUCTION & GROUP MODEL MAKING MODEL MAKING Them: ABOVE EARTH IMGAINATION: The hill , the valley above the earth. Creatures could hide and seek in the nature and above the earth.

Fixing the model, to make each layer of the earth more clerarly and more presentable.

Mix the moedels Life cycyle.From Earth comes back to Earth. POEM: Each existence pursing the same cycle. The Order is everything. Life takes turns. Creastures seeking to the future. Rest awaits a weary ens. Death represents the rebirth again.

Fei Wang, 784079, Turotial 20, Tursday 9:00 am.

The light though the points to create different viewpoints of the buildings.

view of the building in both interior and outside.

6. STEVEN HOLL，Simmons Hall，Massachusetts Institute Of Technology (MIT)， 229 Vassar St，Cambridge, USA 2002.

9.Rudy Ricciotti, MuCem Museum, Marseille, France 2013. (http://www.mrkcoolhunting.com/en/posts/268/mucem-museum.html)

The interaction between the Urban design and Geomoetry form of the building. The light though the points to create different viewpoints of the buildings.

Ponits run though the coulms to create the beautiful ornamentation and view of the building in both interior and outside.

WEEK2-P/L/P SURVERY

MELBOURNE EXAMPLES

10BIG ARCHITECTS, La Vallée de Joux, Switzerland. Souece From; (http://inhabitat.com/big-designs-amazing-spiral-shaped-museum-for10BIG ARCHITECTS, La Vallée de Joux, Switzerland. Souece From; swiss-watchmaker-audemars-piguet/) (http://inhabitat.com/big-designs-amazing-spiral-shaped-museum-forswiss-watchmaker-audemars-piguet/)

The line of the builiding floating above the lanscape which is vert

The line of the builiding floating above the which is vert harmoney tolanscape the surrounding buildings. From the central points, the curve 7. I.M. Pei ，Louvre Pyramid，Paris 1989. harmoney to the surrounding buildings. From the central points, the curve line run though the ground and hide in the ground which crete the beatiful 7. I.M. Pei ，Louvre Pyramid，Paris 1989. line run though the ground and hide in the ground which crete the beatiful and dynamic scenery of the site. and dynamic scenery of the site. Points, Line and Plan. Simple triangle geometry form the structure and lanscape. 1.LAB architecture studio, Federation Square , Melbourne 2002. Points, Line and Plan. Simple triangle geometry form the structure and lanscape. To break the rule you must master it. There first are small pice of th geometry as points, and form the whole structure As structure it is stable, diginity to the histronical site. However, though using the As structure it is stable, diginity to the histronical site. However, though using the of Fedration Square. The "points" run though the all strcuture and as the MELBOURNE EXAMPLES _BIG architects. dynamic decoration to the building. Construction itself has the function of materials of the andgrass, water Plane of the Louvre Pyramid materials of the glass and glass water and the and wholegrass, Plane ofthe the whole Louvre Pyramid ornamentation. becoming light andlight dynamic. becoming and dynamic. POINTS/LINE/PLANE

Zaha Hadid, the Galaxy Soho, Beijing 2012.

6. STEVEN HOLL，Simmons Hall，Massachusetts Institute Of Technology (MIT)，

Vassar 2011. St，Cambridge, USA 2002. 4.Studio 505, Pixel Building, 229 Melbourne The single colorful elemnts 1.LAB architecture studio, Federation Square , Melbourne 2002. in the facade of the building could be arranged in the mess way, to form 8.Theareponits form the curve line thestructure buildings and make them form There small piceofofcircle th geometry as points, and form the of whole The interaction between the Urban design and Geomoetry form of the building. of Fedration Square. The "points" run though the all strcuture and as the the strong influence in visualizing.

the

Zaha Hadid, the Galaxy Soho, Beijing 2012.

dynamic decoration to the building. Construction itself has the function of fully integrated and floating structure. ornamentation.

The light though the points to create different viewpoints of the buildings.

8.The ponits of circle form the curve line of the buildings and make them form the FEI WANG fully integrated and floating structure. 784079

9.Rudy Ricciotti, MuCem Museum, Marseille, France 2013. 2.Sean Godsell and Peddle Thorp Architects, RMIT's Design Hub, (http://www.mrkcoolhunting.com/en/posts/268/mucem-museum.html) Melbourne 2013. RMIT'StoDesign The circile glass form theand dynamic line, run though Ponits run though the coulms createHub. the beautiful ornamentation the facade the building, view of the building in both interiorofand outside. creating a strong sense of floating.

4.Studi in the the stro

5.Gri Melbo Simpl plan o

Khai liew furniture. POINTS could be the different elements to form the similar line which makes the whole furniture have the sense of harmony.

Interior design by Kengo Kuma. HanZhou, CHINA 2015

Kengo Kuma, Museum in XIANG SHAN 2015. A piece of tile as small elements to form the line, the form of building as a unity plane. The interior design of museum, the timber elemnts from one point to produce the line and formed the whole floating plane.

Kengo Kuma, Museum in XIANG SHAN 2015.

DESIGN PROCESS

INE /PLAN

FINAL DESIGN PONIT/ LINE/ PLANE

The point, line plan project has limited hight of 1.4cm . The key ponit is make point, line and plan specific to find in the model. Moreover, the project require to creat a space for walking, siting and lying. It is not a building but a composition. I imaginate it could be the rest coner. Inspirated by the Kengo Kuma I cutting a square timber and try to exploration the P/L/P concept in it. The signle point start from corner to creat the bend line and increasing plane. The black "points" as a small elements in the model is simple but powerful. It promted the bend identity of the line and make whole plan floating.

FEI WANG 784079 Tutorial 20 Tutor: Kate

WEEK4- Mass

1.Former CBA Banking Chamber, Alfred Dunn, 1893, 319-343 Collins Street The dome as the symbolic of sky, is quiet hevay , but the glass in the top to give the light in the building which make sense of the light

2.Parliament House, Knight & Kerr, from 1856, intersection Spring and Bourke. The bluestone base represent the heavy , solid feeling of mass on the ground, stable and safety.

3.&4.Shrine of Remembrance, Melbourne. Hudson and Wardrop, 1924. Interior is dark peace mass and quiet. However the waak sunlight pass though the building creat the feeling of mystery and harmoney. 5.The solid ground with spaces carved out of it. Include an access space from above the ground. There have the design of two spaces: one is dark solid the ground.The other one is light and floating on the space .

Mass 10 Images Feiwang 784079 Tutorial 20 Tutor: Kate

"THE TREE OF LIFE ",TERRENCE MALICK 2011 Left Img6. The rockers below the ground. is deeply in dark and hopeless. However when the sunlight pass though the part of rockers , that part have becoming bright.

Img7, Exhibition in Shanghai Power Station of Art 2016. The dust in the voild glass box at black corner, the light make those dust, tiny black things in the daily life, change to be the angle, dacing in the space and sky. Img8 Church of the light , Tadao Ando 1999,Osaka,Japan. Light pass though the soild, heavy, concrete wall bring the holy feeling to the mind.

Mass 10 Images Feiwang 784079 Tutorial 20 Tutor: Kate

Img9. From the film"THE TREE OF LIFE ",TERRENCE MALICK 2011 Life cycle, The one solid dark and the one light. No matter which one is incersing which is dcresing like the happy and unhappy things take turn to the daily life. Img 10.Oil panting "Door". Exhibition in Shanghai Power Station of Art 2015. The mass the soild the dark and hopless comparing to the door of hope and light.

MASS Keep going the idea of how to play with the light and shadow in the solid obejcts and nature tecotonic. Mass as solid obejcts could be deep influenced by the nature light. The pyramid below the solid ground level. Access space on the ground surface (Strairs)There are strais in the back and in front of the pyramid. The strais surround the whole pyramid. The staris play with light, the light run though the facade of pyramid and across to the strais which creat a wrong feeling of strais. The light and shadows hide the real one and creat the wrong feeling. Additionally, change the vertical line to curve line make the solid building becoming dynamic. 10

Mass, underground expolation of mass.

WEEK6- Frame & Infill

Mies van der Rohe, The German Pavilion in Barcelona Mies van der Rohe, The German Pavilion in Barcelona (The Barcelona Pavilion) 1928-9. (The Barcelona Pavilion) 1928-9. The simplist geometry frame support by steel piers.The The simplist geometry frame support by steel piers. The Soviet Pavilion, International Exposition desSoviet Arts etPavilion, infill structure as felxible prtition as slding panels and structure as felxible prtition as slding panels and International Exposition des Arts et infill Decoratifs, Paris, France, 1925 Architect: Konstantin organic materilas creat the floating in the whole building. Decoratifs, Paris, France, 1925 Architect: Konstantin organic materilas creat the floating in the whole building. Melnikov. Melnikov. The frame structure entirely of wood and panel of The frame structure entirely of wood and panel of glass. The infill is a stairway with the typical shealter, glass. The infill is a stairway with the typical shealter, crossed the structure diagonally on the exterior, crossed allowing visitors to see the interior of the exhibit from the structure diagonally on the exterior, above. The roof over the stairway was not continuous, allowing visitors to see the interior of the exhibit from but was made up of planes of wood suspended at anThe roof over the stairway was not continuous, above. angle, which were supposed to let in fresh air and butkeep was made up of planes of wood suspended at an rain out. The frame and infill makes building looks angle, which were supposed to let in fresh air and keep complexity.

rain out. The frame and infill makes building looks complexity.

The Eames House8, Case Study House 1960. The structure of it maximize volume house, from minimal GERRIT RIETVELD, Schroeder materials. The Eames House8, Case Study House 1960. Utrecht, Using 1924. the same off-the-shelf parts, but notably ordering one extra steel beam, The infill plan though the structure of it maximize volume from minimal The The fame structure is simplist square box. Chadstone shopping centre, Welton Becket andinstallation light material to makematerials. the Nonetheless, theweight infill though theand linecolor and color Using the same off-the-shelf parts, but notably Associates , Melbourne 1958. whole house opening. such as 3 Primary colours: Red, yellow and blue ordering one extra steel beam, The infill planethough the The infill structure of lager dynamic glass panels and 3 Non colours: Grey, black and white. Those installation light weight material and color to make the scluptures could be find in this buidling. infill color make the space organized in abstract whole HUTONG Bubble 32, house opening. and dynamic way. 12 MAD studio, Beijing 2006. HUTONG Bubble 32, The frame is solid

Frame & Infill Model making FRAME- RIGID, LOAD BEARING CAPACITY INFILL-LIGHT WEIGHT, NO LOAD BEARING From inside to outside, block different view though the different arragement of infill panels.

AXO DRAWING

WEEK8- SITE ANALYSIS HISTORY Herring Island is a small artificial island located in Melbourne's Yarra River at South Yarra, approximately 3 kilometres from the city centre. It is the only island in the Yarra River. In the early 1900's the bank of the Yarra River, near Como landing was used as a basalt quarry. The landscape of the Yarra River region has developed by the lava flow which could be explained reference to the two main soil types which are sandstone sediments and basalt derived soils (Parks Victoria, 2007).

Herring Island SCALE 1:2000 NORTH

NOISE

PUBLIC SPACES

LANDING ACESS PLACE FOR SECRET

WEEK9- CONCEPET MODEL

FROM P/L/P, I learnet how the things from small ponits to develop whole form. Form the mass, i got the idea of self exploration, played with the line, to think it as the journey for one people, to discovery his own secreat under ground, on the ground, above ground. Form the fill and infill, i learnet how different material connection to each other, to creat the different atmosphere.

WEEK11- IMAGE OF SECREAT

Kazuyo sejima, model of Lumiere Park coffe shop. Small scale of building floating on the lake. The transparent , light weight model reflective the different scenery from inside to the outside. Though the simple geometry form to create the strong relation to the nature environments.

Zhao Qing, Qing Lu, Yunnan China 2009. The platform expand from the building tp the lake. The flowing above water to creat the atmosphere of secreat and space for One people stay for 5 mins. Strong connection from inside space to the nature lanscape.

Tadao Ando, Chichu Art Museum "art museum in the earth", Kagawa Prefecture, Japan 2004. Architetcures under ground level reflective water represen the idea of secreat. Haromony . Slience

10 Images of Pavilion

Kazuyo sejima, model of Lumiere Park coffe shop. Small scale Zhao floating Qing, Qing Yunnan China 2009. Theweight platform of building on theLu, lake. The transparent , light from building tp thefrom lake.inside The flowing above water modelexpand reflective the the different scenery to the outside. to the creatsimple the atmosphere of secreat and space for One people Though geometry form to create the strong relation stay forenvironments. 5 mins. Strong connection from inside space to the to the nature nature lanscape.

ShiZi Lin Suzhou. Artificial hill in the Chinese traditonal Garden. Give the idea of small obejcts could be see by one person. The spaital plan in the vertically and horizontally way. Picturesque form creat the different space between under ground, ground and above ground level.

AL_A, MPavilion 2015, Queen Victoria Gardens, Melbourne

Herzog & de Meuron and Ai Weiwei Serpentine Gallery Pavilion 2012. Creat the artificial forecest. Again the strong relationship to the nature lanscape Dug into the under earth to creat the space as labyrinth. The water on the top of pavilion as a lake to reflective the nature lanscape. Again, give the idea of the pavilion of secreat though the labyrinth plan hidding under the earth . Different materilas used in different zones. From undr ground to

WEEK11-SITE CHOICE

HERRING ISLAND SCALE 1: 1000 NORTH

DESIGN PROCESS

DIGITAL MODEL

PHYSICAL MODEL

SECREAT To begin with my self understanding of secrete . It is the things we don't want to others know. That is, it is the things we want to hide. So my first concept of secret is hide. From the overall design ideas l, I want to my models could be hide, the best way is hide in the nature environment. Therefore I chose the site cover by the trees and close to the water. Refers to the arts gallery in the earth , I try to open my model and make it has deep relationship with the trees, the air, the light and the river. That is the overall form of my model is based on nature . There are other secret from the construction the glass box in the front has strong connection to the river, and cantilever construction method to support it. When only one families stay inside they could find the secret of nature. The middle part of pavilion is cave in below the ground level. With circle stairs , people also could be seat in , as the shelter for three families. The metal at the top as the mirror to reflective nature environment to break the boundary between inside and outside. The small trees in the center and Closed by the lager central pillar only could be view by one person. The final part of my pavilion is the se feat place for kids to play with like the maze for kids hide and see and find their own secrets. Again it rises and disappears in the land form also represent my central idea of secret which is hide in the nature. 25

CONCRETE GLASS

SECTION SCALE 1: 100.

d. PUBLIC SPACES

NOISE NOISE

PUBLIC SPACES

LANDING ACESS

PLACE FOR SECRET

f.2

f.1

LANDING ACESS PLACE FOR SECRET

f.2

f.1

e. e.

b. b.

c. c.

FEI WANG 784079 TUTOR : KATE GROUP: 20

PUBLIC SPACES PUBLIC SPACES

INFLUENTIAL INFLUENTIAL IMAGE IMAGE

PLAN

GROUND FLOOR PLAN 1 : 100 SCALED FLOOR PLAN GROUN 1 : 100 Toilets, Cleaner's cubicle,4 squ.m SCALEa.Disabled

a.Disabled Toilets, place Cleaner's b. Sheltered for 3cubicle,4 families, squ.m 36 squ.m c. lockable for36chair,tables. 4 squ.m b. Sheltered place store for 3 access families, squ.m d. small store for internal use, 2 squ.m c. lockable store access for chair,tables. 4 squ.m d. small store for internal use, 2 squ.m

LANDFORM

FIRST FLOOR PLAN SCALE 1 ： 100 PLAN FIRST FLOOR

SCALEe.1Technical ： 100 room for record machinery 2 squ.m e. Technical room for4record squ.m f. 1 Male toilet squ.m.machinery f.2 Female 2toilet. f. 1 Male toilet 4 squ.m. f.2 Female toilet.

SMALL SECREAT PLACE SMALL SECREAT PLACE

RETHINK OF THE ENTRY

Rethink of the entry design. To guide people into the pavilion. Additionally make the each elements in the pavilion connection and whole pavilion completely .

THANKS FOR READING