Pole to Pole - A Photographic Travelogue

Page 1

POLE POLE

A PHOTOGRAPHIC TRAVELOGUE

to



POLE TO POLE A P H OTO G R A P H I C T R AV E LO G U E

Rosenstiels takes great pleasure in presenting our newest photography collection. It is a carefully curated visual travelogue that will take you to far-off destinations and exotic cultures around the world. Our award-winning photographers have captured breath-taking panoramas from every continent. Through their sharp and talented eye, we experience the pulsating cultures of South America and Hispania, the dramatic rural landscapes and urban cityscapes of North America, and Europe’s diverse history and contemporary lifestyles. We take in alluring and fascinating Asia; ‘hear’ the ancient, mysterious stories of Africa; Australia beckons us to a new world Down Under, and we marvel at the spectacular quiet of the Arctic and Antarctica. Rosenstiels showcases within this volume, the newest trending photographic techniques and styles in the Home Décor trade: from a high contrast black and white play on light and shadow, to bleached out romantic textures and the new polaroid craze. This world travel photography catalogue is a visual feast of landscapes, flora, people, animals, and things!

+44 (0)20 7352 3551 sales@rosenstiels.com

Our vast knowledge and love of art in all its forms, drive our desire to help create beautiful places and spaces with art.


CONTENTS: 01 NORTH AMERICA 02 SOUTH AMERICA & HISPANIA 03 AFRICA

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04 EUROPE 05 ASIA 06 OCEANIA 07 ARCTIC & ANTARCTICA 08 FEATURES

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GCL: RX86565

GCL: RX86564

(Ratio 2:3)

(Ratio 2:3)

GCL: RX87199 (Ratio 3:2)

GCL: RX87042 (Ratio 3:2)

GCL: RX87170 (Ratio 2:3)

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GCL: RX87254 (Ratio 3:2)

GCL: RT45464 (Ratio 3:4)

GCL: RT46886 (Ratio 3:4)

DL: DXX10028 (Paper Size 16 x 20 ins | 40 x 50 cms)

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01NORTH AMERICA

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“COME, LET US GIVE

OURSELVES

TO DREAMS BY LISPING

MARGINS OF HER

STREAMS.” - LUCY MAUD MONTGOMERY

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GCL: RX87321 (Ratio 3:2)

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GCL: RX87317 (Ratio 3:2)

GCL: RX87319 (Ratio 3:2)

GCL: RX87321 (Ratio 3:2)

GCL: RX87326 (Ratio 3:2)

GCL: RX87318 (Ratio 3:2)

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GCL: RX87322 (Ratio 3:2)

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GCL: RX87316 (Ratio 3:2)

GCL: RX87323 (Ratio 3:2)

GCL: RX87325 (Ratio 3:2)

GCL: RX87322 (Ratio 3:2)

GCL: RX84075 (Ratio 3:2)

GCL: RX87327 (Ratio 3:2)

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DL: DXL10734 (Paper Size 48 x 8 ins | 120 x 20 cms)

DL: DXL10735 (Paper Size 48 x 8 ins | 120 x 20 cms)

DL: DXL10736 (Paper Size 48 x 8 ins | 120 x 20 cms)

DL: DXL10737 (Paper Size 48 x 8 ins | 120 x 20 cms)

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GCL: RT46887 (Ratio 4:3)

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GCL: RX86711 (Ratio 2:3)

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GCL: RX85055 (Ratio 3:2)

GCL: RX86476 (Ratio 3:2)

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GCL: RX86481 (Ratio 3:2)

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GCL: RX85053 (Ratio 2:3)

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GCL: RX85538 (Ratio 3:2)

GCL: RX85054 (Ratio 3:2)

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GCL: RX84161 (Ratio 3:2)

GCL: RX84164 (Ratio 2:3)

GCL: RX84162 (Ratio 3:2)

GCL: RT44154 (Ratio 4:3)

GCL: RX86451 (Ratio 3:2)

GCL: RX86452 (Ratio 3:2)

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GCL: RX86333 (Ratio 3:2)

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GCL: RX85207 (Ratio 2:3)

GCL: RX85208 (Ratio 2:3)

GCL: RX85209 (Ratio 2:3)

GCL: RX85210 (Ratio 2:3)

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GCL: RX86130 (Ratio 3:2)

“I BREATHED A SONG INTO THE

AIR, IT FELL TO EARTH, I KNEW

NOT WHERE.”

- HENRY WADSWORTH LONGFELLOW

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“FOREVER - IS

COMPOSED OF

NOWS.” - EMILY

GCL: RT46081 (Ratio 4:3)

DICKINSON

GCL: RT46659 (Ratio 4:3)

GCL: RH3254 (Ratio 5:4)

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GCL: RX86687 (Ratio 3:2)

GCL: RH3167 (Ratio 5:4)

GCL: RX86686 (Ratio 2:3)

GCL: RH3302 (Ratio 5:4)

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GCL: RX86684 (Ratio 2:3)

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GCL: RX87148 (Ratio 2:3)

GCL: RX87149 (Ratio 2:3)

GCL: RX86685 (Ratio 3:2)

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GCL: RL25904 (Ratio 1:1)

GCL: RT47223 (Ratio 3:4)

GCL: RX84087 (Ratio 3:2)

GCL: RX84086 (Ratio 3:2)

GCL: RL25905 (Ratio 1:1)

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GCL: RX86454 (Ratio 3:2)

GCL: RX86453 (Ratio 3:2)

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GCL: RT46712 (Ratio 4:3)

GCL: RL25534 (Ratio 1:1)

GCL: RL25533 (Ratio 1:1)

IN FLIGHT

GCL: RC51879 (Ratio 3:1)

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GCL: RT46711 (Ratio 3:4)

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GCL: RX86133 (Ratio 3:2)

GCL: RX86134 (Ratio 3:2)

GCL: RX86132 (Ratio 3:2)

GCL: RX87141 (Ratio 3:2)

GCL: RX86131 (Ratio 3:2)

GCL: RX87143 (Ratio 3:2)

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GCL: RX87142 (Ratio 2:3)

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02SOUTH AMERICA & HISPANIA www.rosenstiels.com

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“I COME FROM ALL PLACES AND TO ALL

PLACES I

GO: I AM ART

AMONG THE ARTS AND

MOUNTAIN AMONG

MOUNTAINS.” - JOSÉ MARTÍ

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GCL: RX87112 (Ratio 3:2)

GCL: RX87114 (Ratio 3:2)

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GCL: RX87115 (Ratio 2:3)

GCL: RX87116 (Ratio 2:3)

GCL: RX87117 (Ratio 2:3)

GCL: RX87118 (Ratio 2:3)

GCL: RX87113 (Ratio 3:2)

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GCL: RX82995 (Ratio 3:2)

GCL: RX82993 (Ratio 3:2)

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GCL: RX82996 (Ratio 3:2)

GCL: RX82994 (Ratio 3:2)

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GCL: RH3423 (Ratio 4:5)

GCL: RH3422 (Ratio 4:5)

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GCL: RX86712 (Ratio 2:3)

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OUR LADY OF GUADALUPE (OR THE VIRGIN OF GUADALUPE) IS A SACRED IMAGE OF THE VIRGIN MARY DEPICTED ON A CLOAK WHICH IS ENSHRINED WITHIN THE BASILICA OF OUR LADY OF GUADALUPE, MEXICO CITY. OUR LADY OF GUADALUPE IS AN IMPORTANT IMAGE IN MEXICO WHERE SHE HAS BECOME A NATIONAL SYMB O L .

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GCL: RX86715 (Ratio 2:3)

GCL: RX86716 (Ratio 2:3)

GCL: RX86717 (Ratio 3:2)

GCL: RX86718 (Ratio 2:3)

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“WHAT IS IT ? A BLUE BOWL

FULL OF TOASTED MAIZE. OUR RIDDLE CAN’T BE ANY THING

BUT THE SKY!”

- AZTEC PROVERB 45


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GCL: RT47237 (Ratio 4:3)

CHRIST THE REDEEMER, A STATUE SITUATED ON THE PEAK OF CORCOVADO MOUNTAIN OVERLOOKING THE CITY OF RIO DE JANEIRO, WAS CONSTRUCTED BETWEEN 1922 AND 1931 IN THE ART DECO STYLE. AT 30 METRES HIGH AND WITH A SPAN OF 28 METRES, THE ICONIC STATUE WAS NAMED ONE OF THE SEVEN WONDERS OF THE MODERN WORLD IN 2007. 46


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GCL: RT47238 (Ratio 4:3)

GCL: RX81763 (Ratio 3:2)

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GCL: RX84634 (Ratio 2:3)

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GCL: RX84631 (Ratio 2:3)

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GCL: RX87299 (Ratio 3:2)

GCL: RX87298 (Ratio 3:2)

GCL: RX86713 (Ratio 3:2)

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“MOUNTAINS CULMINATE IN PEAKS, AND NATIONS IN MEN.” - JOSÉ MARTÍ

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GCL: RT47239 (Ratio 4:3)

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CUEVA DE LAS MANOS

LAS CUEVA DE LAS MANOS IS

A COMPLEX OF

CAVES LOCATED

IN THE PROVINCE OF SANTA CRUZ,

ARGENTINA , AND

SITE OF SOME OF THE EARLIEST

KNOWN HUMAN ART, DATING

BACK ROUGHLY 10,000 YEARS.

THE HUNDREDS OF IMAGES OF HANDS WERE

CREATED BY

EARLY HUNTERGATHERER

PEOPLE USING BONE PIPES TO SPRAY

STENCILLED

IMAGES ONTO

THE CAVE WALLS. 53


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“ LOV E I S . . . B O R N

WITH THE PLEASURE

O F LO O K I N G AT E AC H

OT H E R , I T I S F E D

WITH THE NECESSITY O F S E E I N G E AC H OT H E R , I T I S

C O N C LU D E D W I T H

THE IMPOSSIBILITY

O F S E PA R AT I O N ! ” - JOSÉ MARTÍ

GCL: RX86714 (Ratio 3:2)

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OE: SPQ5447 (Paper Size 20 x 20 ins | 50 x 50 cms) GCL: RL23226 (Ratio 1:1)

GCL: RH2992 (Ratio 4:5)

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BEACH LIFE

56


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GCL: RT41415 (Ratio 4:3)

GCL: RX85954 (Ratio 3:2)

GCL: RX85955 (Ratio 3:2)

GCL: RX84947 (Ratio 3:2)

GCL: RX84948 (Ratio 3:2)

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GCL: RT47240 (Ratio 3:4)

OE: SPS7331 (Paper Size 36 x 24 ins | 90 x 60 cms) GCL: RX83328 (Ratio 3:2)

GCL: RX83327 (Ratio 3:2)

GCL: RX85952 (Ratio 3:2)

OE: SPC1259 (Paper Size 8 x 12 ins | 20 x 30 cms) GCL: RX82477 (Ratio 2:3)

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GCL: RX85951 (Ratio 3:2)

GCL: RX85962 (Ratio 3:2)

GCL: RX85961 (Ratio 3:2)

OE: SPS7231 (Paper Size 36 x 24 ins | 90 x 60 cms) GCL: RX83068 (Ratio 3:2)

GCL: RX85960 (Ratio 3:2)

GCL: RX85764 (Ratio 2:3)

GCL: RX85959 (Ratio 3:2)

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GCL: RX83875 (Ratio 2:3)

GCL: RX83876 (Ratio 2:3)

GCL: RX83877 (Ratio 2:3)

GCL: RX83878 (Ratio 2:3)

GCL: RT44257 (Ratio 4:3)

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GCL: RT46002 (Ratio 4:3)

GCL: RT46003 (Ratio 4:3)

GCL: RT46004 (Ratio 4:3)

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GCL: RT46005 (Ratio 4:3)

GCL: RT46006 (Ratio 4:3)

GCL: RT46007 (Ratio 4:3)

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03 AFRICA

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“THE WORLDS OF THE

ELDERS DO

NOT LOCK ALL

THE DOORS;

THEY LEAVE THE RIGHT

DOOR OPEN.” - ZAMBIAN PROVERB

65


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GCL: RX87080 (Ratio 2:3)

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“IF YOU

WANT TO

GO FAST,

GO ALONE. BUT IF

YOU WANT TO GO

FAR, GO

GCL: RX87079 (Ratio 2:3)

TOGETHER.” - AFRICAN PROVERB

GCL: RL25912 (Ratio 1:1)

GCL: RX87307 (Ratio 2:3)

GCL: RT47241 (Ratio 3:4)

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GCL: RX87300 (Ratio 3:2)

GCL: RH3684 (Ratio 4:5)

GCL: RX87303 (Ratio 2:3)

GCL: RT47253 (Ratio 3:4)

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GCL: RX87306 (Ratio 2:3)

GCL: RX87305 (Ratio 2:3)

GCL: RH3683 (Ratio 5:4)

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GCL: RX87302 (Ratio 2:3)

70


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GCL: RW71753 (Ratio 2:1)

DL: DXW10260 (Paper Size 12 x 10 ins | 30 x 25 cms)

DL: DXF10255 (Paper Size 32 x 16 ins | 80 x 40 cms)

DL: DXU10259 (Paper Size 24 x 32 ins | 60 x 80 cms)

71


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GCL: RX87309 (Ratio 3:2)

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“WISDOM IS LIKE A BAOBAB

TREE;

GCL: RK11071 (Ratio 3:2)

NO ONE

INDIVIDUAL CAN

EMBRACE

IT.”

- EWE PROVERB GCL: RX87102 (Ratio 3:2)

GCL: RH3663 (Ratio 5:4)

GCL: RL25903 (Ratio 1:1)

74


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GCL: RX87308 (Ratio 3:2)

GCL: RX87310 (Ratio 3:2)

GCL: RH3685 (Ratio 4:5)

GCL: RX87301 (Ratio 3:2)

75


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GCL: RL23425 (Ratio 1:1)

76


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GCL: RL25911 (Ratio 1:1)

GCL: RW71488 (Ratio 2:1)

77


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DL: DXX10261 (Paper Size 20 x 16 ins | 50 x 40 cms)

78


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“RAIN BEATS A

LEOPARD’S SKIN, BUT IT DOES NOT

WASH OUT

THE SPOTS.” - AFRICAN PROVERB

GCL: RT45567 (Ratio 4:3)

GCL: RL24909 (Ratio 1:1)

79


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GCL: RX87154 (Ratio 3:2)

80


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GCL: RT47225 (Ratio 4:3)

GCL: RX87086 (Ratio 3:2)

DL: DXP10258 (Paper Size 30 x 20 ins | 75 x 50 cms)

81


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GCL: RX87081 (Ratio 2:3)

GCL: RX87082 (Ratio 2:3)

82


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GCL: RX87083 (Ratio 2:3)

GCL: RX87084 (Ratio 2:3)

83


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GCL: RX85512 (Ratio 3:2)

DL: DXN10382 (Paper Size 12 x 18 ins | 30 x 45 cms)

DL: DXN10385

GCL: RX85513 (Ratio 3:2)

(Paper Size 12 x 18 ins | 30 x 45 cms)

GCL: RX87311 (Ratio 3:2)

84


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DL: DXN10383

GCL: RX87085 (Ratio 3:2)

(Paper Size 12 x 18 ins | 30 x 45 cms)

GCL: RT45170 (Ratio 4:3)

DL: DXN10384 (Paper Size 12 x 18 ins | 30 x 45 cms)

DL: DXN10386

DL: DXN10381

DL: DXP10084 (Paper Size 30 x 20 ins | 75 x 50 cms)

(Paper Size 12 x 18 ins | 30 x 45 cms) (Paper Size 12 x 18 ins | 30 x 45 cms)

85


ANCIENT AFRICA

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GCL: RT46886 (Ratio 3:4)

86


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“KNOW THE WORLD IN

YOURSELF. NEVER LOOK FOR

YOURSELF IN THE WORLD, FOR THIS WOULD BE TO PROJECT

YOUR ILLUSION.”

- ANCIENT EGYP TIAN PROVERB

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GCL: RT46872 (Ratio 4:3)

GCL: RT46874 (Ratio 4:3)

GCL: RT46879 (Ratio 3:4)

GCL: RT46876 (Ratio 4:3)

GCL: RT46875 (Ratio 4:3)

GCL: RT46878 (Ratio 3:4)

88


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GCL: RT47232 (Ratio 4:3)

GCL: RT47233 (Ratio 4:3)

89


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GCL: RT46873 (Ratio 4:3)

90


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GCL: RT46877 (Ratio 4:3)

91


04EUROPE

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“BE LIKE THE BIRD WHO,

PAUSING IN

HER FLIGHT AWHILE ON

BOUGHS TOO

SLIGHT, FEELS

THEM GIVE

WAY BENEATH HER, AND

YET SIN GS,

KNOWING SHE

HATH WINGS.” - VICTOR HUGO

93


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GCL: RX87203 (Ratio 2:3)

GCL: RX87202 (Ratio 2:3)

94


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GCL: RX87171 (Ratio 2:3)

GCL: RX87343 (Ratio 2:3)

95


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GCL: RX87119 (Ratio 2:3)

GCL: RT47226 (Ratio 4:3)

GCL: RX87120 (Ratio 2:3)

GCL: RX86514 (Ratio 2:3)

GCL: RX87133 (Ratio 2:3)

96


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GCL: RX87168 (Ratio 2:3)

GCL: RX87169 (Ratio 2:3)

GCL: RX87132 (Ratio 2:3)

GCL: RX87105 (Ratio 3:2)

GCL: RX87106 (Ratio 3:2)

GCL: RL25906 (Ratio 1:1)

97


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GCL: RX86395 (Ratio 3:2)

98


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GCL: RX87345 (Ratio 2:3)

99


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GCL: RX87125 (Ratio 3:2)

“THROUGH THESE OLD STREETS I WANDER DREAMILY; AROUND ME FLORENCE SWEEPS HER BUSY TIDE OF LIFE.”

- WILLIAM LEIGHTON 100


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GCL: RX87127 (Ratio 3:2)

GCL: RX87128 (Ratio 3:2)

GCL: RX87126 (Ratio 3:2)

GCL: RX87123 (Ratio 3:2)

101


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GCL: RX86561 (Ratio 3:2)

GCL: RX87180 (Ratio 3:2)

GCL: RX87192 (Ratio 2:3)

GCL: RX87130 (Ratio 2:3)

GCL: RX87193 (Ratio 2:3)

GCL: RX87194 (Ratio 2:3)

102

GCL: RX87129 (Ratio 2:3)


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GCL: RX87121 (Ratio 3:2)

GCL: RX87122 (Ratio 3:2)

GCL: RX87131 (Ratio 2:3)

GCL: RX87179 (Ratio 3:2)

103


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GCL: RX87167 (Ratio 2:3)

GCL: RX86772 (Ratio 2:3)

GCL: RT47231 (Ratio 4:3)

104

GCL: RX87175 (Ratio 2:3)


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GCL: RX87172 (Ratio 3:2)

GCL: RX86769 (Ratio 2:3)

GCL: RX86771 (Ratio 2:3)

GCL: RX87181 (Ratio 3:2)

GCL: RX86770 (Ratio 2:3)

105


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GCL: RL22759 (Ratio 1:1)

GCL: RT42468 (Ratio 4:3)

GCL: RT47254 (Ratio 4:3)

106


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GCL: RH3682 (Ratio 5:4)

108


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GCL: RX87164 (Ratio 3:2)

GCL: RX87165 (Ratio 3:2)

GCL: RX87166 (Ratio 3:2)

109


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Carina Okula

Au stralian Car ina Okula ar r iv ed in h e r adopted count r y of F rance in 20 01 . I n a c ul ture f illed w ith c r unchy w ar m b a g ue t tes , lighte r th an air p a str i es , and gor geou s w ines, Cari n a seeks out th e hidden char m s of th e c ity of li ght and th e tranq uillity o f th e much - ado red G allic count r ysi de.

111


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GCL: RL25637 (Ratio 1:1)

GCL: RL25638 (Ratio 1:1)

GCL: RL25640 (Ratio 1:1)

GCL: RL25641 (Ratio 1:1)

GCL: RL25643 (Ratio 1:1)

GCL: RL25644 (Ratio 1:1)

GCL: RL25645 (Ratio 1:1)

GCL: RL25612 (Ratio 1:1)

112


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GCL: RL25642 (Ratio 1:1)

113


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GCL: RL25606 (Ratio 1:1)

GCL: RL25607 (Ratio 1:1)

GCL: RL25608 (Ratio 1:1)

GCL: RL25610 (Ratio 1:1)

GCL: RL25611 (Ratio 1:1)

GCL: RL25613 (Ratio 1:1)

GCL: RL25615 (Ratio 1:1)

GCL: RL25616 (Ratio 1:1)

GCL: RL25617 (Ratio 1:1)

GCL: RL25619 (Ratio 1:1)

GCL: RL25620 (Ratio 1:1)

GCL: RL25621 (Ratio 1:1)

114


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GCL: RL25609 (Ratio 1:1)

“BE IT A ROMANTIC I M AG E O F PA R I S , A

QUIET MOMENT IN A

CAFÉ, A GENTLENESS OF THE OCEAN, A

H A P PY C A P T U R E O F GCL: RL25614 (Ratio 1:1)

C O LO U R - I L I K E M Y I M AG E S TO TA K E

M E TO A P L AC E A N D REMIND ME OF

A M O M E N T,

H O P E F U L LY T H E Y D O T H AT FO R

GCL: RL25618 (Ratio 1:1)

OT H E R S A S W E L L . ” - CARINA OKULA

GCL: RL25622 (Ratio 1:1)

115


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GCL: RX87184 (Ratio 3:2)

GCL: RX87186 (Ratio 2:3)

GCL: RX87185 (Ratio 3:2)

GCL: RX87187 (Ratio 2:3)

GCL: RX86397 (Ratio 3:2)

116


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GCL: RX86564 (Ratio 2:3)

GCL: RX86565 (Ratio 2:3)

GCL: RX86563 (Ratio 2:3)

GCL: RX86396 (Ratio 3:2)

117


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GCL: RX87170 (Ratio 2:3)

GCL: RX87173 (Ratio 2:3)

GCL: RX87174 (Ratio 2:3)

GCL: RX87195 (Ratio 2:3)

GCL: RX87196 (Ratio 2:3)

GCL: RX87197 (Ratio 2:3)

118


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“HOW I WOULD

HAVE LOVED TO

HANG OUT UNDER FOGGY PARISIAN

STREET LIGHTS

WITH BRAS SAÏ… OR TAKE ME BACK TO

AUSTRALIA WITH

MAX DUPAIN AND OLIVE COTTON.” - CARINA OKULA

119


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GCL: RX86393 (Ratio 3:2)

GCL: RX86394 (Ratio 3:2)

GCL: RX86560 (Ratio 3:2)

GCL: RX87176 (Ratio 3:2)

120


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121


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“... PLACES THAT WE’VE BEEN,

OR WANT TO GO, THE MAGIC OF

WHERE AN IMAGE CAN TAKE US

TO, A MEMORY

MADE OR ONE IN THE WAITING… THE STUFF OF DREAMS.”

- CARINA OKULA GCL: RX87189 (Ratio 2:3)

122


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GCL: RX87188 (Ratio 2:3)

123


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GOOD FOOD

124


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GCL: RX86335 (Ratio 3:2)

GCL: RX86336 (Ratio 3:2)

GCL: RX86337 (Ratio 3:2)

GCL: RX86338 (Ratio 3:2)

GCL: RX86339 (Ratio 3:2)

GCL: RX86343 (Ratio 3:2)

GCL: RX86344 (Ratio 3:2)

GCL: RX86347 (Ratio 3:2)

125


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GCL: RX86348 (Ratio 2:3)

GCL: RX86349 (Ratio 2:3)

126


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GCL: RX86351 (Ratio 2:3) GCL: RX86350 (Ratio 2:3)

GCL: RX86352 (Ratio 2:3)

127


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“I MUST GO

DOWN TO THE SEAS AGAIN,

TO THE LONELY SEA AND THE SKY, AND

ALL I ASK IS

GCL: RX86537 (Ratio 3:2)

A TALL SHIP

AND A STAR TO

STEER HER BY. ” - JOHN MASEFIELD GCL: RX86538 (Ratio 3:2)

GCL: RX87333 (Ratio 3:2)

128


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GCL: RX87332 (Ratio 3:2)

GCL: RX86536 (Ratio 2:3)

GCL: RX86534 (Ratio 2:3)

GCL: RX86535 (Ratio 2:3)

129


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GCL: RX86893 (Ratio 3:2)

GCL: RX86894 (Ratio 3:2)

GCL: RX87227 (Ratio 3:2)

GCL: RX87160 (Ratio 3:2)

GCL: RX87155 (Ratio 3:2)

130


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GCL: RX87220 (Ratio 3:2)

GCL: RX87221 (Ratio 3:2)

GCL: RH3688 (Ratio 4:5)

GCL: RT47243 (Ratio 4:3)

131


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GCL: RT46609 (Ratio 4:3)

132


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GCL: RT46610 (Ratio 4:3)

133


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GCL: RH3689 (Ratio 5:4)

GCL: RX87014 (Ratio 3:2)

GCL: RT47246 (Ratio 3:4)

GCL: RX87157 (Ratio 3:2)

134


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GCL: RX87161 (Ratio 3:2)

GCL: RX87159 (Ratio 3:2)

GCL: RX87158 (Ratio 3:2)

GCL: RX87229 (Ratio 3:2)

GCL: RX87162 (Ratio 3:2)

135


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GCL: RX87104 (Ratio 3:2)

GCL: RX86551 (Ratio 3:2)

GCL: RT47247 (Ratio 4:3)

GCL: RX86691 (Ratio 3:2)

GCL: RX86692 (Ratio 3:2)

GCL: RX87163 (Ratio 3:2)

136


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GCL: RX87152 (Ratio 3:2)

GCL: RX87156 (Ratio 3:2)

GCL: RX87153 (Ratio 3:2)

GCL: RX87150 (Ratio 3:2)

GCL: RX87151 (Ratio 3:2)

137


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GCL: RW72036 (Ratio 2:1)

GCL: RW72037 (Ratio 2:1)

138


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“I WANDERED LONELY AS

A CLOUD THAT

FLOATS ON HIGH O’ER VALES

AND HILLS.” - WILLIAM WORDSWORTH

139


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GCL: RH3691 (Ratio 5:4)

140


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GCL: RT47248 (Ratio 4:3)

GCL: RT47249 (Ratio 4:3)

141


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INTO THE WOODS

142


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GCL: RX87029 (Ratio 3:2)

GCL: RX86555 (Ratio 3:2)

GCL: RT47244 (Ratio 3:4)

GCL: RX86709 (Ratio 2:3)

143


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GCL: RX87030 (Ratio 3:2)

GCL: RX87032 (Ratio 3:2)

GCL: RX87031 (Ratio 3:2)

144


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GCL: RX87226 (Ratio 3:2)

GCL: RX86559 (Ratio 3:2)

145


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GCL: RX86556 (Ratio 3:2)

GCL: RX86557 (Ratio 3:2)

GCL: RX86705 (Ratio 3:2)

GCL: RX87224 (Ratio 3:2)

GCL: RX86706 (Ratio 3:2)

GCL: RX86707 (Ratio 2:3)

GCL: RL25893 (Ratio 1:1)

GCL: RL25894 (Ratio 1:1)

146

GCL: RX86708 (Ratio 2:3)

GCL: RL25443 (Ratio 1:1)


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GCL: RL25892 (Ratio 1:1)

GCL: RX87225 (Ratio 3:2)

GCL: RX87020 (Ratio 3:2)

147


THE JOY OF NATURE

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GCL: RX87035 (Ratio 2:3)

GCL: RX87036 (Ratio 2:3)

GCL: RW72035 (Ratio 2:1)

GCL: RX87023 (Ratio 3:2)

148


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GCL: RX87022 (Ratio 3:2)

GCL: RX87019 (Ratio 3:2)

GCL: RX87021 (Ratio 3:2)

149


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GCL: RX87018 (Ratio 3:2)

GCL: RX87017 (Ratio 3:2)

GCL: RX87071 (Ratio 2:3)

GCL: RX87070 (Ratio 2:3)

150


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“COME

FORTH INTO THE LIGHT

OF THINGS,

LET NATURE

GCL: RX87025 (Ratio 3:2)

BE YOUR

TEACHER.” - WILLIAM WORDSWORTH GCL: RX87028 (Ratio 3:2)

GCL: RX87026 (Ratio 3:2)

GCL: RX87027 (Ratio 3:2)

151


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GCL: RX87223 (Ratio 3:2)

GCL: RX87222 (Ratio 3:2)

“A THING OF BEAUT Y IS A

JOY FOREVER: ITS LOVELINES S

INCREASES; IT WILL NEVER PAS S INTO NOTHINGNES S.” - JOHN KEATS

GCL: RX86773 (Ratio 3:2)

152


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GCL: RX87033 (Ratio 2:3)

GCL: RX87034 (Ratio 2:3)

153


05ASIA

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154


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“THE

JOURNEY OF

A THOUSAND MILES

BEGINS WITH A SINGLE

STEP.”

- LAO T ZU

155


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GCL: RX87145 (Ratio 3:2)

GCL: RX86641 (Ratio 3:2) GCL: RX87147 (Ratio 3:2)

GCL: RX86899 (Ratio 3:2)

156


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AMER FORT (OR AMBER FORT) IS LOCATED NEAR JAIPUR, INDIA. CONSTRUCTED OF RED SANDSTONE AND MARBLE, THE ATTRACTIVE, OPULENT PALACE IS GREATLY INFLUENCED BY MUGHAL ARCHITECTURE.

157


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“THE OLD POND,

A FROG LEAPS IN. SOUND OF THE WATER.”

- MATSUO BASHŌ

GCL: RX85201 (Ratio 2:3)

158


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GCL: RX85202 (Ratio 2:3)

159


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GCL: RX87135 (Ratio 3:2)

GCL: RX87144 (Ratio 3:2)

160


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GCL: RX87136 (Ratio 3:2)

GCL: RX87240 (Ratio 3:2)

161


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GCL: RX87232 (Ratio 3:2)

GCL: RX87235 (Ratio 3:2)

GCL: RX87233 (Ratio 3:2)

162


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“BRILLIANT MOON IS IT TRUE THAT YOU TOO MUST PASS IN A HURRY?” - KOBAYASHI IS SA

163


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GCL: RX87234 (Ratio 3:2)

164


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GCL: RX87230 (Ratio 3:2)

165


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GCL: RX87238 (Ratio 3:2)

GCL: RX87261 (Ratio 3:2)

GCL: RX87241 (Ratio 3:2)

166


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GCL: RX87262 (Ratio 3:2)

GCL: RX87236 (Ratio 3:2)

GCL: RX87237 (Ratio 3:2)

167


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GCL: RT46977 (Ratio 4:3)

“ I WA K E U P

WITH THE SUN

GCL: RT46978 (Ratio 4:3)

UP HIGH.

BIRDS CHIRP

E V E RY W H E R E I N T H E S K Y.

L A ST N I G H T A R A I N STO R M

PA S S E D BY. ” - MÈNG HÀO RÁN

GCL: RT46979 (Ratio 4:3)

168


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GCL: RT46980 (Ratio 4:3)

GCL: RT46981 (Ratio 4:3)

169


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GCL: RX87243 (Ratio 3:2)

170


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GCL: RX87242 (Ratio 3:2)

GCL: RX87245 (Ratio 3:2)

GCL: RW72038 (Ratio 2:1)

171


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GCL: RX87253 (Ratio 3:2)

GCL: RX87252 (Ratio 3:2)

GCL: RX87254 (Ratio 3:2)

GCL: RX87249 (Ratio 3:2)

GCL: RX87256 (Ratio 3:2)

172


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GCL: RX87255 (Ratio 3:2)

GCL: RX87250 (Ratio 2:3)

GCL: RX87251 (Ratio 2:3)

173


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GCL: RX87244 (Ratio 3:2)

GCL: RX86775 (Ratio 3:2)

GCL: RX86776 (Ratio 3:2)

GCL: RX87247 (Ratio 3:2)

GCL: RX87248 (Ratio 3:2)

174


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“ W H E R E V E R YO U G O,

G O W I T H A L L YO U R H E A R T. ”

- CONFUCIUS

175


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GCL: RX87259 (Ratio 3:2)

GCL: RX87260 (Ratio 3:2)

GCL: RX87258 (Ratio 2:3)

GCL: RX87257 (Ratio 3:2)

176


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GCL: RX87267 (Ratio 3:2)

GCL: RX87263 (Ratio 3:2)

GCL: RX87264 (Ratio 3:2)

GCL: RX87265 (Ratio 3:2)

GCL: RX87266 (Ratio 3:2)

177


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GCL: RX86643 (Ratio 2:3)

178


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GCL: RX85204 (Ratio 2:3)

179


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GCL: RC51285 (Ratio 3:1)

GCL: RC51286 (Ratio 3:1)

GCL: RC51288 (Ratio 3:1)

GCL: RC51289 (Ratio 3:1)

180


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GCL: RC51881 (Ratio 3:1)

181


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SE: GM3620 (Paper Size 20 x 24 ins | 50 x 60 cms)

182


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183


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DEEP DIVE

184


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GCL: RX87053 (Ratio 3:2)

GCL: RX87054 (Ratio 3:2)

GCL: RX87055 (Ratio 3:2)

GCL: RX87056 (Ratio 3:2)

GCL: RX87268 (Ratio 3:2)

185


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GCL: RX85853 (Ratio 3:2)

GCL: RX87275 (Ratio 3:2)

GCL: RX87276 (Ratio 3:2)

GCL: RX87277 (Ratio 3:2)

GCL: RX87274 (Ratio 3:2)

GCL: RX87271 (Ratio 3:2)

GCL: RX87269 (Ratio 3:2)

GCL: RX85852 (Ratio 3:2)

186


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GCL: RX87270 (Ratio 3:2)

GCL: RX87273 (Ratio 3:2)

187


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GCL: RX87272 (Ratio 3:2)

188


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189


06 OCEANIA

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190


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“I WANDER FOR EVER

AND DREAM AS I GO. ”

- HENRY LAWSON

191


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GCL: RX85895 (Ratio 3:2)

GCL: RX85894 (Ratio 3:2)

GCL: RX85893 (Ratio 3:2)

192


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GCL: RX85892 (Ratio 3:2)

GCL: RT45480 (Ratio 4:3)

193


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OE: GB094 (Paper Size 30 x 40 ins | 76 x 102 cms) GCL: RT45468 (Ratio 3:4)

OE: GB095 (Paper Size 30 x 40 ins | 76 x 102 cms) GCL: RT45469 (Ratio 3:4)

GCL: RT45482 (Ratio 3:4)

194


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GCL: RT45481 (Ratio 4:3)

195


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GCL: RX85455 (Ratio 3:2)

GCL: RT45463 (Ratio 4:3)

GCL: RT45464 (Ratio 3:4)

GCL: RT45462 (Ratio 4:3)

196


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GCL: RL24827 (Ratio 1:1)

GCL: RX85454 (Ratio 3:2)

197


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GCL: RX84067 (Ratio 3:2)

198


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GCL: RX84066 (Ratio 3:2)

“WHERE THE HARBOUR’S VIEW, LIKE A JEWEL

BLUE, ENCHANTS THE LINGERING GAZE.” - A .G. STEPHENS

199


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GCL: RX85866 (Ratio 3:2)

GCL: RX85865 (Ratio 3:2)

GCL: RX85863 (Ratio 3:2)

GCL: RX85862 (Ratio 3:2)

GCL: RW71873 (Ratio 2:1)

200


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“ALL NIGHT A NOISE OF LEAPING FISH

WENT ROUND THE BAY,

AND UP AND DOWN THE SHALLOW SANDS

SANG WATERS AT THEIR PLAY. ” - RODERIC QUINN 201


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GCL: RX87134 (Ratio 3:2)

202


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GCL: RX86651 (Ratio 3:2)

GCL: RX86652 (Ratio 3:2)

203


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GCL: RX85515 (Ratio 3:2)

“ O H , M Y WAYS A R E ST R A N G E WAYS

A N D N E W WAYS A N D O L D WAYS , A N D D E E P WAYS A N D ST E E P WAYS A N D H I G H WAYS A N D LOW. ” - HENRY LAWSON 204


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GCL: RX85765 (Ratio 2:3)

205


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GCL: RX87005 (Ratio 3:2)

206


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GCL: RX87006 (Ratio 3:2)

GCL: RX87007 (Ratio 3:2)

GCL: RX87008 (Ratio 3:2)

GCL: RX87009 (Ratio 3:2)

GCL: RX87010 (Ratio 3:2)

207


07ARCTIC & ANTARCTICA

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208


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“VICTORY

AWAITS HIM WHO HAS

EVERY THING

IN ORDER - LUCK,

PEOPLE

CALL IT.” - ROALD AMUNDSEN

209


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“WE MUST ALWAYS

REMEMBER WITH

GRATITUDE AND

ADMIRATION THE FIRST SAILORS

WHO STEERED

THEIR VES SELS THROUGH

STORMS AND

DL: DXX10028 (Paper Size 16 x 20 ins | 40 x 50 cms)

MISTS, AND

INCREASED OUR KNOWLEDGE OF THE LANDS OF ICE IN

THE SOUTH.” - ROALD AMUNDSEN

DL: DXN10029 (Paper Size 12 x 18 ins | 30 x 45 cms)

210


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DL: DXX10032 (Paper Size 20 x 16 ins | 50 x 40 cms)

211


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DL: DXT10026 (Paper Size 18 x 24 ins | 45 x 60 cms)

212


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“DIFFICULTIES ARE JUST

THINGS TO

OVERCOME,

AFTER ALL.” - ERNEST SHACKLETON DL: DXN10027 (Paper Size 12 x 18 ins | 30 x 45 cms)

DL: DXT10025

DL: DXX10031

(Paper Size 18 x 24 ins | 45 x 60 cms)

(Paper Size 20 x 16 ins | 50 x 40 cms)

DL: DXX10038

DL: DXX10030

(Paper Size 20 x 16 ins | 50 x 40 cms)

(Paper Size 16 x 20 ins | 40 x 50 cms)

213


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DL: DXS10035

DL: DXS10034

(Paper Size 16 x 12 ins | 40 x 30 cms)

(Paper Size 12 x 16 ins | 30 x 40 cms)

DL: DXS10036 (Paper Size 16 x 12 ins | 40 x 30 cms)

DL: DXS10033

DL: DXS10039

(Paper Size 12 x 16 ins | 30 x 40 cms)

(Paper Size 16 x 12 ins | 40 x 30 cms)

214


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DL: DXW10037 (Paper Size 12 x 10 ins | 30 x 25 cms)

DL: DXW10040 (Paper Size 12 x 10 ins | 30 x 25 cms)

DL: DXS10041 (Paper Size 16 x 12 ins | 40 x 30 cms)

215


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GCL: RX87059 (Ratio 3:2)

GCL: RX87057 (Ratio 3:2)

GCL: RX87103 (Ratio 3:2)

216


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GCL: RX87107 (Ratio 3:2)

GCL: RX87058 (Ratio 3:2)

GCL: RX87108 (Ratio 3:2)

217


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“FIND A WAY OR MAKE ONE.” - ROBERT PEARY

218


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GCL: RX86895 (Ratio 3:2)

GCL: RX86896 (Ratio 3:2)

219


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GCL: RX83539 (Ratio 3:2)

“I BELIEVE IT IS IN OUR NATURE TO EXPLORE, TO REACH OUT INTO THE UNKNOWN.” - ERNEST SHACKLETON

220


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GCL: RT43220 (Ratio 4:3)

GCL: RX83538 (Ratio 3:2)

221


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GCL: RX87137 (Ratio 3:2)

222


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GCL: RX87138 (Ratio 3:2)

GCL: RT47224 (Ratio 3:4)

GCL: RX87139 (Ratio 3:2)

223

GCL: RX87140 (Ratio 2:3)


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GCL: RT47230 (Ratio 4:3)

224


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GCL: RT47229 (Ratio 4:3)

GCL: RT47228 (Ratio 4:3)

225


3 CLAS SIC AND DISTINCTIVE PHOTOGRA PHI C COLLECTI ON S

08 FEATURES

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226


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TRIPT YCHS - CREATE STATEMENT SPACES SUNSPLASH - BLEACHED AND DREAMLIKE FADE TO BLACK - MOODY BLACK AND WHITE 227


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TRIPTYCHS MAKE A STATEMENT WITH OUR CURATED COLLECTION OF TRIPTYCH PHOTOGRAPHY, GATHERED FROM AROUND THE GLOBE. FROM DELICATE FLORALS TO BREATHTAKING LANDSCAPES AND CITY SKYLINES, OUR TRIPTYCHS MAKE A STUNNING CENTREPIECE FOR YOUR INTERIOR.

228


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GCL: RT47214 (Ratio 4:3)

229


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GCL: RT47215 (Ratio 4:3)

230


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GCL: RT47213 (Ratio 4:3)

GCL: RT47222 (Ratio 4:3)

231


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GCL: RT47211 (Ratio 4:3)

232


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233


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GCL: RT47208 (Ratio 4:3)

GCL: RT47212 (Ratio 4:3)

GCL: RT47219 (Ratio 4:3)

234


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GCL: RT47205 (Ratio 4:3)

GCL: RT47218 (Ratio 4:3)

235


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GCL: RT47221 (Ratio 4:3)

236


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237


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GCL: RT47207 (Ratio 4:3)

238


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GCL: RT47217 (Ratio 4:3)

GCL: RT47216 (Ratio 4:3)

239


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GCL: RT47210 (Ratio 4:3)

240


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GCL: RT47206 (Ratio 4:3)

“ L I F E C A N O N LY B E U N D E R STO O D BAC K WA R D S ; B U T I T M U ST

B E L I V E D FO R WA R D S . ” - SØREN KIERKEGA ARD

241


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GCL: RT47220 (Ratio 4:3)

242


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GCL: RT47209 (Ratio 4:3)

GCL: RL25907 (Ratio 1:1)

243


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SUNSPLASH Taki n g insp iration fro m today’ s nostalg ia for vintage p olaroid ph o to graphy; our Sunspla sh col lect ion, c reated in a sof t p alette of sunbleach ed hues, e vokes dreamlike m e m or ies of idyl lic seaside h olidays and hazy sum m e r days.

244


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GCL: RX87278 (Ratio 3:2)

GCL: RX87283 (Ratio 3:2)

GCL: RX87293 (Ratio 3:2)

GCL: RX87294 (Ratio 3:2)

246


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GCL: RX87284 (Ratio 3:2)

247


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GCL: RX87281 (Ratio 3:2)

“LIVE IN THE SUNSHINE, SWIM THE

SEA , DRINK

THE WILD

GCL: RX87279 (Ratio 3:2)

AIR.”

- RALPH WALDO EMERSON

GCL: RX87295 (Ratio 3:2)

GCL: RX87292 (Ratio 3:2)

248


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GCL: RX86650 (Ratio 3:2)

GCL: RX87280 (Ratio 3:2)

GCL: RX87290 (Ratio 3:2)

GCL: RX87296 (Ratio 3:2)

GCL: RX87291 (Ratio 3:2)

249


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GCL: RX87066 (Ratio 3:2)

GCL: RX87067 (Ratio 3:2)

GCL: RX87068 (Ratio 3:2)

GCL: RX87069 (Ratio 3:2)

250


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GCL: RX87042 (Ratio 3:2)

251


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GCL: RX87047 (Ratio 3:2)

252


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GCL: RX87048 (Ratio 3:2)

GCL: RX87049 (Ratio 3:2)

GCL: RX87050 (Ratio 3:2)

GCL: RX87051 (Ratio 3:2)

253


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GCL: RX87282 (Ratio 3:2)

GCL: RX87043 (Ratio 3:2)

254


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GCL: RX87288 (Ratio 3:2)

GCL: RX87289 (Ratio 3:2)

GCL: RX87286 (Ratio 2:3)

GCL: RX87205 (Ratio 3:2)

GCL: RX87206 (Ratio 3:2)

GCL: RX87287 (Ratio 2:3)

255


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GCL: RX87207 (Ratio 3:2)

256


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GCL: RX86649 (Ratio 3:2)

GCL: RX87208 (Ratio 3:2)

GCL: RX87214 (Ratio 3:2)

GCL: RX87045 (Ratio 3:2)

GCL: RX87204 (Ratio 3:2)

GCL: RX87044 (Ratio 3:2)

257


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GCL: RX87041 (Ratio 3:2)

GCL: RX87038 (Ratio 3:2)

GCL: RX87212 (Ratio 2:3)

GCL: RX87039 (Ratio 3:2)

GCL: RX87046 (Ratio 3:2)

GCL: RX87213 (Ratio 2:3)

258


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“THE WHITE ARMS OUT IN THE

BREAKERS

TIRELES SLY TOS SING, I, WITH

BARE FEET,

GCL: RX87209 (Ratio 3:2)

A CHILD,

THE WIND

WAFTING MY HAIR,

LISTEN’D

LONG AND LONG.” - WALT

GCL: RX87210 (Ratio 3:2)

WHITMAN

GCL: RX87211 (Ratio 3:2)

259


FADE TO BLACK

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260


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FADE TO BLACK IS OUR GLOBAL COLLECTION OF DRAMATIC,

CONTEMPORARY BLACK

AND WHITE PHOTOGRAPHY.

FROM MOODY MIDWESTERN LANDSCAPES TO ROMANTIC

EUROPEAN ARCHITECTURE,

THE MONOCHROMATIC PALETTE

ENSURES THAT THESE IMAGES

COMPLIMENT EACH OTHER IN

A TRULY MIX AND

MATCH COLLECTION. 261


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GCL: RX86791 (Ratio 3:2)

GCL: RX86778 (Ratio 3:2)

GCL: RX86795 (Ratio 3:2)

GCL: RX86777 (Ratio 3:2)

GCL: RX86571 (Ratio 3:2)

GCL: RX86796 (Ratio 3:2)

262


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“THROUGH THE

AMPLE OPEN DOOR

OF THE PEACEFUL

COUNTRY BARN,

GCL: RX86785 (Ratio 3:2)

A SUNLIT PASTURE

FIELD WITH

CATTLE AND

HORSES FEEDING,

AND HAZE, AND

VISTA , AND THE

FAR HORIZON,

GCL: RX86569 (Ratio 3:2)

FADING AWAY.” - WALT WHITMAN

GCL: RX86572 (Ratio 3:2)

263


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GCL: RX86779 (Ratio 3:2)

264


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GCL: RX86798 (Ratio 3:2)

265


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GCL: RX86799 (Ratio 3:2)

GCL: RX86803 (Ratio 3:2)

GCL: RX86806 (Ratio 3:2)

GCL: RX86793 (Ratio 3:2)

GCL: RT46611 (Ratio 4:3)

GCL: RX86804 (Ratio 3:2)

266


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GCL: RX86801 (Ratio 3:2)

GCL: RX86802 (Ratio 3:2)

GCL: RX86805 (Ratio 3:2)

GCL: RX86807 (Ratio 3:2)

GCL: RX86794 (Ratio 3:2)

GCL: RX86573 (Ratio 3:2)

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GCL: RX86800 (Ratio 3:2)

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GCL: RX86790 (Ratio 3:2)

GCL: RX86792 (Ratio 3:2)

GCL: RX86797 (Ratio 3:2)

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GCL: RX87328 (Ratio 3:2)

GCL: RX86780 (Ratio 2:3)

GCL: RX86782 (Ratio 2:3)

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GCL: RX86781 (Ratio 2:3)

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GCL: RX87062 (Ratio 3:2)

GCL: RX87063 (Ratio 3:2)

GCL: RX87064 (Ratio 3:2)

GCL: RX87065 (Ratio 3:2)

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“WINTER SOLITUDE-

IN A WORLD OF ONE COLOR

THE SOUND OF WIND.” - MATSUO BASHŌ 273


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GCL: RX87060 (Ratio 3:2)

GCL: RX87061 (Ratio 3:2)

GCL: RT47236 (Ratio 4:3)

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GCL: RT47234 (Ratio 4:3)

GCL: RT47235 (Ratio 4:3)

GCL: RX86094 (Ratio 3:2)

GCL: RH3048 (Ratio 4:5)

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“I WILL BE THE GLADDEST THING UNDER THE SUN!

I WILL TOUCH A HUNDRED FLOWERS

AND NOT PICK ONE.”

- EDNA ST. VINCENT MILLAY

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GCL: RL25411 (Ratio 1:1)

GCL: RL25412 (Ratio 1:1)

GCL: RL25413 (Ratio 1:1)

GCL: RL25414 (Ratio 1:1)

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GCL: RX87199 (Ratio 3:2)

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GCL: RX87198 (Ratio 3:2)

GCL: RX87200 (Ratio 3:2)

GCL: RX87201 (Ratio 3:2)

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GCL: RX86566 (Ratio 3:2)

GCL: RX86568 (Ratio 3:2)

GCL: RX86669 (Ratio 2:3)

GCL: RX86671 (Ratio 2:3)

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GCL: RX86668 (Ratio 2:3)


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GCL: RX86672 (Ratio 2:3)

GCL: RX86673 (Ratio 2:3)

GCL: RX86670 (Ratio 2:3)

GCL: RX86674 (Ratio 2:3)

GCL: RX86675 (Ratio 2:3)

GCL: RX86567 (Ratio 3:2)

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GCL: RL25506 (Ratio 1:1)

GCL: RL25510 (Ratio 1:1)

GCL: RL25507 (Ratio 1:1)

GCL: RL25511 (Ratio 1:1)

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GCL: RL25508 (Ratio 1:1)

GCL: RL25512 (Ratio 1:1)

GCL: RL25509 (Ratio 1:1)

GCL: RL25513 (Ratio 1:1)

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Conservation International - Fighting to protect nature for people Since 1987, Conservation International has worked to spotlight and secure the critical benefits that nature provides to humanity. Combining fieldwork with innovations in science, policy and finance, we’ve helped protect more than 6 million square kilometres (2.3 million square miles) of land and sea across more than 70 countries. Today, with offices in more than two dozen countries and a worldwide network of thousands of partners, our reach is truly global. But we couldn’t have made it this far without you. Your contributions support our work to protect nature for the benefit of us all. Our Mission Building upon a strong foundation of science, partnership and field demonstration, Conservation International empowers societies to responsibly and sustainably care for nature, our global biodiversity, for the well-being of humanity. Our Vision We imagine a healthy, prosperous world in which societies are forever committed to caring for and valuing nature, for the long-term benefit of people and all life on Earth. 284


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Rosenstiels is proud to partner with Conservation International, to spread awareness of the environmental threats to our planet, and what we as a global community can do to help. We encourage you to support their efforts.

OUR PLANET IS IN CRISIS Science is telling us we must change the course of Earth’s development if we are to avoid catastrophic impacts of climate change and biodiversity loss. If we do not take dramatic action, after 2030 we will have surpassed planetary tipping points. No amount of money or innovation will put our planet back on a sustainable path. The next 10 years will be the most important years of our lives. The world is waking to this challenge — and Conservation International is doing its part. With your support, we can protect our planet for ourselves and future generations.

As part of our celebrations for the 140th anniversary of Rosenstiels, we decided to make a substantial commitment and contribution towards protecting our environment by proudly partnering with Conservation International. Our aim is to spread awareness of the environmental threats to our planet, and what we as a global community can do to help.

How You Can Help To learn more about Conservation International’s work, please visit:

www.conservation.org

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Conservation International has an A rating from Charity Watch, with exceptional scores for accountability and transparency.


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Purchase with Pride - 12 Limited Edition Prints A carefully curated collection of 12 limited edition prints from world renowned artists & photographers. You can proudly purchase from this exclusive collection in the knowledge that Rosenstiels and the artist will donate all their revenue to Conservation International. Each print is strictly limited to 25 copies and is accompanied by a numbered certificate, signed by the artist. The world is waking to this challenge - and Conservation International is doing its part.

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LIM: GL569 (Paper Size 36 x 24 ins | 90 x 60 cms)

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Andreas Stridsberg Jaki (Broken Ice) Inspired by Conservation International’s film ‘Ice’, Andreas explains... “Visiting Iceland in 2015, there was one place in particular that blew my mind on so many levels: Jökulsárlón and its melting glacier, leaving these giant blocks of ice washing up all over the black beaches. The first thing I noticed as I arrived was the extreme sense of clarity in the air. I have never ever breathed fresher air in my entire life and I’ve been to many remote places. So to bear witness to this decay was more sad than anything else.”

LIM: GL528 (Paper Size 36 x 24 ins | 90 x 60 cms)

Deborah Azzopardi Mother Nature Inspired by Conservation International’s film ‘Mother Nature’, Deborah explains... “A strongly placed female hand lays open whilst delicate but perfect Red Rose petals fall gently into it representing love. The same hand is simultaneously birthing a large blue tsunami of water giving life, and feeding essential nutrients into the planet that we are lucky enough to call home. The mountains are juxtaposed with two white Calla Lily’s representing peace - beautiful, fragile, and exquisite flowers standing tall, cushioned by their vivid emerald green leaves. All are a sentiment to the purity of life and the beauty that is vigorous with undeniable fragility which ‘Mother Nature’ holds in the palm of her hand. She is the force that makes the wind sing, she is the essence that makes your senses ignite. She is dusk, she is dawn, she is everything you know. She is ‘Mother Nature’.”

LIM: GL541 (Paper Size 36 x 24 ins | 90 x 60 cms)

Joëlle Wehkamp Nature Is My Home Inspired by Conservation International’s film ‘Home’, Joëlle explains... “Nature is our home, it is all around us. Our sweet home. Our floor, our roof. Our view. Our everything! For the love of nature I painted a cosy cottage surrounded by colourful flower fields. And a pink sky full of clouds and birds. The five layers of flowers represent the 5 elements of earth: water / earth / fire / metal / wood.” LIM: GL555 (Paper Size 36 x 28 ins | 90 x 71 cms)

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Wink Gaines En Route Sandhill Crane pairs mate for life. It is not unusual for pair-bonded individuals to fly beside one another and in draft formation with the thousands of other birds who undertake the epic annual spring and fall migrations both to and from the warm climes of South America to the frozen Arctic. Wink’s image of such a bonded pair, taken as the flock migrates through Nebraska in the Spring, depicts their exquisite beauty and aerodynamics in addition to their closeness as a couple.

LIM: GL569 (Paper Size 36 x 24 ins | 90 x 60 cms)

Staffan Widstrand Treading Lightly “This image is from The Galápagos islands, taken in the morning, a very still day, on board an expedition vessel. Three species of storm-petrels slowly fluttered by the ship, regularly seeming to run on the sea’s surface a few steps, in their pursuit of the small insects and crustaceans. These birds are really tough, living far out at sea, only coming to land to lay their eggs and rear their young. I think they are beautiful and they symbolize the connection between land and sea, the one dependant on the other. I just wish that the human species would also come to better understand this inter-dependability we have with everything else on the planet. “Biodiversity” might be seen a boring, academic word, but what it really means is “All the life around us”. We must not pretend that we can live our lives without it.”

LIM: GL574 (Paper Size 36 x 24 ins | 90 x 60 cms)

Irene Suchocki The Power of Petals “The word ‘flower’ often conjures an image of a delicate and fragile thing. However, some of my favorite flowers are anything but. They are instead bold and dramatic and demand one’s attention. The pink peony is such a flower. I like to think of her as a bit of a diva, but one that fully deserves the attention and praise she garners due to her exquisite beauty, gloriously arranged petals, and audacious color. We would do well to tap into flower power to inspire us to be bold and audacious in our efforts to protect our planet.”

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LIM: GL573 (Paper Size 36 x 24 ins | 90 x 60 cms)


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Steven Dews Off Kaap Hoorn ‘Off Kaap Hoorn’, the original name for what is today Cape Horn, is named after the City of Hoorn in the Netherlands from whence the original discoverer hailed. It is the southernmost headland of the Tierra del Fuego archipelago of southern Chile. Steven Dews’ painting illustrates the unforgiving, desolate environment which represents the ultimate challenge for all sailors from around the World. Steven has painted this subject twice and found it one of the most challenging subjects he has ever undertaken. He stated, “It was difficult to produce a painting without a focal point that would be stimulating; this one was more about emotion than timber and sailcloth.” He painted a deliberately high horizon to give the impression of scale with the anvil-hard rock face illuminated by a blast of light, leaden sky and towering waves advancing relentlessly eastward.

LIM: GL589 (Paper Size 36 x 28 ins | 90 x 71 cms)

Matt Roseveare Bright Ocean “I took this photograph while diving in the Red Sea in January 2020. I was struck by the clarity of the water and the vibrant colours of the coral, teeming with the millions of fish and other sea creatures living within it. Coral reefs are an important barometer for our Oceans – small rises in temperature have a devastating effect on their existence and already many reefs around the world have shrunk or disappeared completely. I hope that this picture illustrates the beauty and diversity that lies just a few metres below the surface and inspires others to continue the fight to preserve such a unique and incredible part of our Natural World.”

LIM: GL579 (Paper Size 36 x 24 ins | 90 x 60 cms)

Mikael Svensson Together “As a nature photographer I am inspired very much by the natural world around us, from the peaks of mountains to the depths of the seas, however it is the forests that I am always drawn to. Their incredible strength, beauty and natural resilience, which I have captured in this photograph. I have been photographing woodland for many years, and in that time countless trees around the world have been felled for our own gain. Trees that provide so much for us, that clean our air and water and are a home to an abundance of creatures around the world. This devastating destruction needs to stop immediately, it is time to put our planet first, and we can start by letting our forests thrive.” LIM: GL581 (Paper Size 28 x 36 ins | 71 x 90 cms)

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Peter Adams Icelandic Peninsula Suze Adams, Artist/Writer and Widow of Peter Adams explains... “It was with little doubt that when invited to choose a photograph for Conservation International that, even after looking through many of Peter’s photographs, I kept returning to this one. I know that the Icelandic environment inspired Peter. This was right, the one for the Special Edition print collection.” The following words were found by Suze in Peter’s journal, written whilst travelling in Iceland. “When I found this vantage point looking out over the river with the waterfall to the left, the post-glacial mountain in the centre, and the sea and distant hills to the right, I knew I had found something special. The clouds had cleared and the sky was a deep blue with a few white clouds, plus a wisp coming from the mountain, just perfect. I pressed the shutter several times and hoped that one of the results would reflect something of the awe I felt, the wonder that I knew as I stood in front of this vast panorama. A small and insignificant human before the raw elemental power of nature.”

LIM: GL575 (Paper Size 36 x 24 ins | 90 x 60 cms)

Andrew Geiger Mountains in the Mist “Many times when I’m shooting in the mountains I feel like a hapless thief who manages to steal away with images full of power and emotion. I’m very honest with myself and realize it’s not my artistic insight that makes the photograph, but that of the environment around me being so obviously spectacular and up in your grill. This image is a prime example of this self truth, I didn’t do much other than to be present, document nature and know how to properly expose the film. The mountains and clouds did the heavy lifting, as nature always does.”

LIM: GL588 (Paper Size 36 x 24 ins | 90 x 60 cms)

Lucy Francis Ocean Adventure “The ocean is essential to life on our planet, and is a world that should be respected and nurtured. So many species call the ocean their home, and it is a tragic reality that so many of them are endangered. Sea turtles are threatened every day by plastic pollution, illegal trade and the loss of their coastal homes and habitats. Though they have been a part of our planet for millions of years, now nearly all species of sea turtles are classified as endangered. The actions we take can make a difference to the survival of these creatures, along with that of many other species that call the ocean their home. My illustration depicts an aerial view of a Green Sea Turtle, gliding through the ocean. I wanted to focus on the intricate patterns and beautiful markings that adorn their flippers and shells.”

LIM: GL594 (Paper Size 24 x 36 ins | 60 x 90 cms)

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About Us Rosenstiels is one of the World’s leading Publishers of Fine Art Prints and Posters, supplying to a wide variety of trade customers in over 100 countries around the world. Since its foundation in London (1880) by Felix Rosenstiel, each successive generation of Felix’s family has assumed control of the company, with a continuing commitment to quality, service and integrity. We believe in personal relationships and we support our customers in every possible way, for any size of project. Over the years, our reliability and dedication to quality has won us many prestigious awards. Our Values Flexibility, reliability and efficiency have always been the three components of our success. We produce quality products at competitive prices and we always deliver in accordance with our commitment to our customers. We understand that in our industry, some decisions have to be taken quickly and always with total confidentiality. We are able to react very promptly in both design and production at every stage of the process. Integrity, quality, collaboration, trust, environmental responsibility and sustainability are the key words that drive the ethos of the company. We are immensely proud of our association with Conservation International and every member of our team adheres to and supports these values. Our dynamic Design Team has years of collective experience in every aspect of the industry. We take pride in attention to detail and ensure that everything we create and supply is accurate to our customer’s requirements. We respect the uniqueness and individuality of each customer and we equally respect the ever-increasing family of artists based throughout the World who produce such wonderful art for us to offer to our customers. Location Our Head Office is based in the Chelsea area of London, a renowned and historic place for arts and the home to many interior designers and creative companies. Our Distribution Centre and printing facilities are located some 15 miles from Central London, where the Company commits to running an environmentally friendly policy.

W W W. R O S E N S T I E L S .C O M

Art of distinction


www.rosenstiels.com

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33-35 Markham Street Chelsea, London SW3 3NR, England

+44 (0)20 7352 3551 sales@rosenstiels.com www.rosenstiels.com


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