Amelia Rose Wilson- DE1136- GAP Portfolio

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Amelia Rose Wilson


As we continue to exploit the world’s resources, a growing number of its population are becoming increasingly concerned about the effects we are having on our planet. Shocking headlines such as London breaching the annual air pollution limit in just five days into 2017 stress the importance of change. Fashion can take small steps in order to make a change, for instance, using much more sustainable fabrics. Plant based fabrics such as bamboo could be an excellent alternative fabric for active wear, as it is highly absorbent, fast drying and naturally anti-bacterial. The following Fall 2017 GAP Fit collection takes into consideration the importance of sustainability, seeking inspiration from our natural surroundings within print, colour and fabric and combining this with GAP’s classic heritage.





01 SMOG

02 DEEP EARTH

03 COPPER HIGHLIGHT

04 AUTUMNAL LEMON

05 KHAKI DREAM

06 POWDERPUFF PINK






GAP Fit Fall 2017








Page 3: Image 1: Splitpeavintage (2011) Kirsten Owen by Lachlan Bailey for Vogue Espana September 2011. Available at: http://splitpeavintageblog.tumblr.com/ post/12437118805/escondite-ingl%C3%A9s-kirsten-owen-by-lachlan-bailey [Accessed on: Tuesday 7th February 2017]. Page 5: Image 1: Pinterest (no date) Available at: https://uk.pinterest.com/pin/552253973042657266/ [Accessed on: Tuesday 7th February 2017]. Image 2: Pinterest (no date) Available at: https://uk.pinterest.com/pin/552253973042642449/ [Accessed on: Tuesday 7th February 2017]. Page 9: Image 1: H&M (no date) Compression fit running tights. Available at: http://www2.hm.com/en_gb/productpage.0466008001.html [Accessed on: Wednesday 8th February]. Image 2: Pinterest (no date) Available at: https://uk.pinterest.com/pin/552253973039594017/ [Accessed on: Wednesday 8th February]. Page 10: Image 1: Own image taken at the National Museum of Scotland Image 2: Own image taken at the Baltic. Amanda Beech (2016) Covenent Transport Move or Die 2016. Available at The Baltic, Newcastle.


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