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Noche Flamenca brings to Markham In some ways, using the word ‘dance’ to describe the art-form is not entirely helpful. The world of dance is split into many genres and sub-genres, which all feature unique movements. Perhaps more importantly, they all take inspiration from different reasons to move. Ballet comes from royal courts and finds power in a proper expression of form and technique. Modern Dance finds strength in honesty and a desire to grow. Other forms like Salsa, Mambo, and Bachata take their cue from a more sensual source. When it comes to the world of Flamenco, it’s altogether different. “The passion behind flamenco comes from people being in a truly desperate moment,” says Martin Santangelo, Noche Flamenca’s artistic director. “It’s a bit of a rebel cry saying, ‘I exist! I have rights!’” One of the things that set Flamenco apart is, rather than expressing joy, it seeks to exorcise the demons of repression and frustration until, ideally, there is nothing left but joy. Noche Flamenca intends to dance away life’s pain at the Flato Markham Theatre on January 31. Noche Flamenca was created in 1993 by Santangelo and his Bessie awardwinning partner and dancer, Soledad Barrio. From their earliest performances, the group became known everywhere for its transcendent and deeply emotional performances. Wanting to bring authentic Flamenco to the world, that is to say dance that viscerally expressed struggle, passion and, then, joy,
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Santangelo relied on his greatest inspiration, his inimitable partner and muse, Soledad Barrio to give his vision life. As a result of her skill and commitment as a performer, Noche Flamenca has built its reputation for performances that express the rigorous and sometimes spellbinding aesthetic of flamenco as well as, or better than, any other group on in the world. “Her, my wife’s, solo is a catharsis,” says Santangelo. “It’s going beyond emotions and finding resolution.” The show that’s coming to Markham is intended to be a showcase of classical flamenco. It’s a collection of pieces, created by Santangelo, and performed by six dancers and accompanied by a trio of musicians. Of course, leading the dancers will be Barrio herself. “It all starts from the motivation to scream,” says Santangelo. “Flamenco started with a song. The singer opened her mouth to scream about something. That scream became the music that we dance to today.” Despite having its roots in the pain of an individual, modern flamenco has not remained simply a solo performance. As the form moves from a solo expression to a group performance and expression, it becomes a celebration of claiming one’s humanity back from desperation. “It brings forth the humanity in your persona,” says Santangelo. It’s his focus on this journey, brought to life by Barrio, that has garnered Noche
classic Flamenco
Flamenca notice from presenters around the world. As a creator, Santangelo has now expanded this idea to desperation found in cultures around the world. Among the pieces coming to Markham is a piece inspired by the poetry of young kids in refugee camps. This poetry gets translated and turned into song so it can inspire movement onstage. “Some are angry, some make fun of their situation, some are very cynical,” explains Santangelo. “Whatever they talk about, we interpret it.” This piece is ever-evolving too, as new
poetry is added to the mix with each passing year. “Unfortunately, it’s a well that never ends,” says Santangelo. It’s true that the desperation that inspires the voice of flamenco is nearly ubiquitous. Noche Flamenca shows its audiences that the celebration of overcoming can be just as universal. Santangelo sees this as his mission. “If someone sees the show and then wakes up a couple days later feeling like they can better go on with life, then I’ve done my job right.”
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THU. JAN. 31 I 8 PM Formed in 1993 by Martín Santangelo and his Bessie award-winning wife, Soledad Barrio, Noche Flamenca has been hailed by critics everywhere for its transcendent and deeply emotional performances. Born of passion and the desire to present the authentic form of flamenco to audiences throughout the globe, Noche Flamenca is noted for creating a diverse theatrical body of work that expresses the rigorous, spellbinding aesthetic of flamenco that exceeds the highest artistic expectations.
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Santangelo has successfully brought to the stage the essence, purity, and integrity of one of the world’s most complex and mysterious art forms without the use of tricks or gimmicks. All aspects of flamenco - dance, song, and music - are interrelated and given equal weight, creating a true communal spirit within the company - the very heart and soul of flamenco. Performance highlights include regular seasons in New York City, including at Lincoln Center, the Joyce Theater, Joe’s Pub at the Public Theater and at its home base at the West Park Presbyterian Church. Noche Flamenca also tours extensively across the U.S., throughout Canada, in Europe, the Middle East, Argentina, and Australia. In support of its mission to educate and enlighten audiences about flamenco, the company offers extensive residency programs and classes that reach out to people of all ages, races, and economic means. Noche Flamenca has been recognized with awards from the National Dance Project, the MAP Fund, the National Endowment for the Arts, the Lucille Lortel Award for Special Theatrical Experience and most recently an exceptional artist award for Soledad Barrio from Dance Magazine.
David Bowie & Prince FRI. FEB. 1 I 8 PM Jeans ’n Classics is a group of musicians who understand orchestra culture and are committed to help in the building of younger, loyal audiences for symphony orchestras across North America. Jeans ’n Classics appeals to an age group from, but not limited to, 25 to 65. While most definitely not a tribute act, Jeans ’n Classics faithfully interprets the music of legendary rock and pop albums and artists, with their own special and signature flair. Symphonies far and wide have heralded the quality of their orchestral scores. Their reputation precedes them for providing lush, fully realized arrangements of rock and pop classics for rock band and symphony, and top-notch, easy-to-work-with performers
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who truly know how to deliver a great live show experience with professionalism, humour, and finesse. Jeans ’n Classics works with over 100 orchestras in venues throughout North America and has created almost 1,000 original rock and pop orchestrations which are presented across 45 unique and exciting productions. With his lightning speed comedic timing, skills on the dance floor and a truly exceptional, emotional voice, vocalist Gavin Hope is a natural born performer and always a fan favourite! Hope’s diverse career includes song, stage, TV and film, and feeds his wanderlust well. This JUNO-nominated solo recording artist has been lucky enough to perform
all around the world sharing the stage with such greats as Aretha Franklin, Natalie Cole, Jill Scott, James Brown, and Deborah Cox, to name a few. His theatre highlights include lead roles in the original Canadian companies of RENT and The Lion King (Mirvish), The Tempest (CanStage), As You Like It (CanStage), and Smokey Joe’s Café (Stage West). Hope is also known for his work performing as a member of Canadian a cappella vocal group The Nylons, with whom he has toured the world and recorded six studio albums (two of which were nominated for JUNO Awards). Hope has earned rave reviews for his most recent studio album, For All We Know, in collaboration with pianist Bill King. Smooth, sultry, and very chill, For All We Know is reminiscent of the style of Tony Bennett and Bill Evans, with a new take on some classic jazz standards by Bennett, Blood Sweat and Tears, and Donny Hathaway among others. Sweet, minimalist, inspiring, soulful and heartfelt, For All We Know is now available on iTunes. Jean Meilleur has been a headliner with Jeans ’n Classics for over 20 years. In that time he has performed with scores of
major North American orchestras, lending his distinctive voice to some of the greatest popular music of our time. Originally from Madison WI, Meilleur was born and remains a Green Bay Packer fanatic! He moved to Detroit MI at a young age. Living in the Motor City helped shape his penchant for the Motown, Soul and R&B sounds of the early ’70s. Meilleur is a prolific songwriter who has been performing professionally for over thirty years. His singing voice can best be described as passionate and provocative, with a robust timbre that is immediately recognizable. His voice stands as a true original. Meilleur’s voice has been heard over the years on many national radio and television jingles and advertisements. He was recently chosen as the Canadian voice of Jim Beam Kentucky Straight Bourbon Whiskey. To quote Meilleur: “It’s a privilege to share the stage with a symphony orchestra, Peter Brennan’s superb arrangements and a flawless band. To have the opportunity to sing some of the greatest popular music of our time, in my own voice, is a rush beyond compare.”
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MLT brings a legendary play to Markham There are many legends and tall tales when it comes to the world of theatre. Trading such stories is a pastime for both lovers and creators of theatre. Every so often however, there’s a true story in theatre that is taller than any of the tales. This is the case when it comes to Agatha Christie’s murder mystery play, The Mousetrap. Its story is clever, the dialogue is witty yet charming, and the whole thing finishes with a delicious twist. Ms Christie predicted, upon the show’s opening in 1952, that it might get a strong run of 14 months. She was wrong. As of this year, that same production in London passed 26,000 performances. It’s still open and running. This unassuming play has grown to be the longest running show in the world. Markham Little Theatre brings this theatrical legend to the Markham Theatre as its fourth show of the 2018/2019 season. “Part of the production’s allure lies in the secrecy,” explains Sarah MacDonald, the show’s co-director. “Audience members who learn the plot are sworn to silence in order to retain the aura of mystery.” “Who doesn’t love a good murder mystery?” adds Producer Judy Atherton. The plot of the show is simple enough. Mollie Ralston and her husband Giles have just opened their bed and breakfast, The Monkswell Manor House. After a night of bad weather, all of their guests are snowed in and no one can leave. As the guest hunker down, a radio broadcast warns that a woman’s murderer is on the loose nearby. From there, the fun is largely in the performances. The guests, hosts, and local police stumble, bumble, and try to stay alive long enough for the snow outside to melt. Of course, MLT’s production is brand new and relies on the talents of local creators. The show is being directed by veteran Michele Browne along with MacDonald. The cast of eight features many who have been onstage with the company before and a few new faces.
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“We have a fantastic group of actors,” says MacDonald. “It’s exciting to watch the characters on a page come to life, and our cast has created an intriguing and entertaining group of suspects.” Harrison Browne and Shelagh Carlini take on the roles of the hosts Christopher Wren and Mollie Ralston. Their guests include Beverly Sotropa, John Featherstone, Harry Hochman, Jessica Ducharme and Carl Gambcort. Rounding out the cast as Detective Sgt. Trotter is Steve Birtles. Of course, the directors and cast are just the most visible when it comes to the production. “There are countless people who have contributed in countless ways,” explains Atherton. “The set alone has had 23 people working on it, designing, building, painting, and decorating… it’s going to be beautiful.” Set designer Ron Brownsberger has decided to pay homage to the original London production with the set. He spent many hours doing research to get his tribute just right and nearly two dozen others have spent hours more bringing it to life. “We can hardly wait to see their creation on the stage,” says MacDonald. As an all-volunteer organization more than a half century old, Markham Little Theatre has built an impressive community that thrives on the work. “MLT members are so dedicated, and the commitment is just contagious,” says Atherton. “There are so many opportunities, and always someone to mentor you. There are absolutely no limits.” “Our members come from all walks of life, but their experiences combine to create something that is both rewarding and a lot of fun,” adds MacDonald. “We’re always learning something new, and meeting new challenges.” Indeed, bringing a legendary British play to a Markham stage seems like quite a challenge. “We plan to put on an exciting and entertaining show,” says MacDonald. “But, keep the secret! Seeing the show means you’ve joined an exclusive group of people who know the truth.”
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2019 Flato Markham Theatre Advisory Board Mayor Frank Scarpitti, City of Markham Stephen Timms, IBM, Theatre Advisory Board Chair Aleem Israel, AFINA Capital Management Inc. Vice-Chair Anne Gilligan, Weins Canada Deborah Jestin Diane Lai Ronald Minken, Minken Employment Lawyers Justin Reid, Troilus Gold Corp
Sophia Sun, Phoenix Financial Inc. Srinka Wallia Amy Woods, Allstate Suelyn Cheong, Principal, Unionville High School Stephen Chait, Director of Economic Growth, Culture and Entrepreneurship Eric Lariviere, General Manager
Honourary Patron
Shakir Rehmatullah, President, Flato Developments Inc.
Flato Markham Theatre Team Eric Lariviere, General Manager Scott Hill, Rental Business Manager Andrew Rosenfarb, Production & Facility Manager Lia Baird, Client Services Coordinator Chris MacBride, Theatre Technician/Team Lead Helen Mah, Business Coordinator
Monica Pain, Discovery Program Coordinator Gary Restoule, Theatre Attendant Vince Rotondi, Theatre Technician Linda Stott, Marketing Assistant Terry Tice, Box Office Debbie Watson, Theatre Administrative Clerk
Box Office: 905.305.SHOW (7469) Order tickets online at www.markhamtheatre.ca
House Programme Editor: Nicole Fletcher For advertising rates, call 416-884-4343 or email nicolefletcher@rogers.com
Every effort has been made to ensure accuracy at the time of printing.
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”
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Unionville Theatre Company tells a tale as old as time with Beauty and the Beast Anyone that knows anything about theatre will tell you that the hardest thing about running a performance company is simply managing to exist. With nearly four decades under its belt, Unionville Theatre Company is well past that. UTC, as it is affectionately known, is hard at work refining its tradition of being an annual opportunity for young and old alike to enter the worlds of theatre and music and learn about performing and production. “Michael Johnston, the founder of UTC, had a dream to create a safe and inclusive group where local youth could hone their creative talents,” explains Carlene Flynn, the company’s long time producer and current matriarch. “After three productions in his basement, the audience grew to overcapacity and he had to move the show.” The company has been at the Flato Markham Theatre since 1987. To help celebrate the company’s 40th year, UTC is revisiting one of its favourite musicals this February, Disney’s Beauty and the Beast. The company had one of its biggest successes with the show in 2008 and revisiting it seemed like an appropriate celebration of what the company does. “The enchanting tale will be brought back to life by 51 cast and 20 orchestra members,” says Flynn. “It takes a community of passionate and dedicated people to be able to achieve what we do season after season.” The show itself is an adaptation for the stage of the Disney animated musical movie of the same name from 1991. Based on a 16th century French fairy tale, the live action musical showcases the film’s Oscar winning score as well as new songs by composer Alan Menken, who is also known for The Little Mermaid, Aladdin and Little Shop of Horrors. The story follows the character of Belle as she finds herself imprisoned by, but also the only hope for, a selfish prince cursed to be a monster until he learns to fall in love. Of course, the prince’s curse has doomed his servants and courtiers to a horrible fate as well, so they take it upon themselves to help
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romance along. Be Our Guest, Something There and Beauty and the Beast are among the most notable songs from the show. Despite being nominated for nine Tony awards, 10 Drama Desk awards, as well as winning the Olivier Award in London for Best New Musical, audiences have always loved this show far more than its critics. The show is among the longest running in Broadway history, managing 5,461 performances before it closed. As usual, UTC has assembled a strong creative team for the piece. Director Kent Sheridan, musical director Doug Manning, and vocal director Jimmy Tao face the dual task of leading the creative process and being arts educators for the young people in the show. “It is not just the show, it is the training in vocals, dance and character that our cast receives,” says Flynn. “We rehearse over a five-month timeline three times per week.” In 2017, the company was named Community Group of the Year by the Markham Performing Arts Association and was recently awarded the Ted Roger Community Grant to support organizations that are invested in helping Canadian youth succeed. “Step into the enchanted world of Broadway’s modern classic with us,” says Flynn proudly. “This tale as old as time is family theatre at its best.” Unionville Theatre Company presents Disney’s Beaty and the Beast at the Flato Markham Theatre from Feb. 20-24. Tickets are available by calling 905-305-7469 or online at markhamtheatre.ca.
THU. FEB. 7 I 8 PM Chuck Daellenbach Christopher Coletti Caleb Hudson Achilles Liarmakopoulos Jeff Nelsen With an international reputation as one of the most popular brass ensembles today, Canadian Brass has truly earned the distinction of “the world’s most famous brass group.” Friends Chuck Daellenbach and Gene Watts first came together in 1970 to form a brass quintet — a chamber music setting not entirely new, but never before having garnered the success and storied career Canadian Brass would achieve over the next 40 years. Masters of concert presentations, Canadian Brass has developed a uniquely engaging stage presence and rapport with audiences. Each of their concerts show the full range from trademark Baroque and Dixieland tunes to new compositions and arrangements created especially for them — from formal classical presentation to music served up with lively dialogue and theatrical effects. The hallmark of any Canadian Brass’ performance is entertainment, spontaneity, virtuosity and, most of all, fun — but never at the expense of the music — whatever the
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tuba trumpet trumpet trombone horn
style, the music is central and performed with utmost dedication, skill and excellence. With a discography of over 130 albums and an extensive worldwide touring schedule, Canadian Brass is an important pioneer in bringing brass music to mass audiences everywhere. They have sold well over 2 million albums worldwide, with 1.2 million sold in the Nielsen Soundscan era alone (since 1991). They continue to score Billboard chart positions — like with their rousing recording of patriotic songs and marches, Stars & Stripes: Canadian Brass Salute America, which spent 8 weeks in the Top 25 on the Billboard Classical Chart, peaking at #2! Touring legends with an enthusiastic fan base, the Canadian Brass play to packed houses everywhere throughout the USA, Canada, Japan and Europe. They have also toured Australia, the Middle East, the Soviet Union and South America. They were the first brass ensemble from the West to perform in the People’s Republic of China (where they returned for a 5-city tour to great acclaim in the spring of 2010 and several
visits after this, including an appearance on Hunan TV for Chinese New Year) as well as the first brass group to take the main stage at the venerable Carnegie Hall. On numerous occasions Canadian Brass has been invited
by the Canadian Government to play for visiting heads of states, becoming one of Canada’s greatest resources and musical ambassadors.
Brass: After 42 years, the Canadian quintet “ The Kingsstillofmakes MUSIC THAT SOARS. ” ~ Ottawa Citizen
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Canada’s Global Orchestra comes to Markham As a country that prides itself on both diversity and culture, Canada is faced with a growing concern that stems from this great strength. How can the many backgrounds that make up our people be expressed in a combined cultural expression? Is there even a Canadian culture? Enter Kuné: Canada’s Global Orchestra, a 13-piece ensemble of world-class musicians born around the world and one who is Métis, all of whom call Canada home. The brainchild of Mervon Mehta, performing arts executive director at The Royal Conservatory of Music, the intent behind was to make music that represents Canada’s mass culture right now. “I think it’s very important to present projects like Kuné to our community,” says Flato Markham Theatre GM, Eric Lariviere. “Markham is the most diverse city in Canada. To associate a project like this with Markham is both fitting and exciting.” The concert in Markham on February 8 is one of their first, since creating music together for the first time. Kuné means together in Esperanto. Mehta chose the name to celebrate Canada’s cultural diversity but it fittingly describes the band as well. The ensemble features about two dozen instruments, managing to blend together disparate musical traditions from Iran, Cuba, Pakistan, Burkina Faso, Mexico, Brazil, Greece, Peru, Turkey, Tibet and China as well as from Canada’s Métis culture. “It’s the united nations of music, seen through Canadian eyes,” says Lariviere. “It’s quite extraordinary. “My gig is to try to coordinate the whole
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thing,” says group artistic director, David Buchbinder. “So that the band has a sound.” After auditioning 150 musicians in Toronto, the chosen group met for the first time at the end of 2016. Part of what makes the group special is that their music, largely, wasn’t composed in advance. It was created through a series of meetings, workshops and rehearsals. Their first meeting was at a farm in the middle of the following winter. The group met, spoke, ate and even chanted together before creating a note of music. Buchbinder’s idea was to create a traditionally Canadian bonding experience for the group. From there, the ensemble reconvened at the Conservatory’s Toronto rehearsal studio. After much rehearsing and writing, the group moved to the recording studio and found itself recording a truly unique record. The result was their eponymous debut, released last spring with Universal Music Canada. “It’s always a bit of a fool’s game to claim that you’re doing something in music that nobody’s ever done before,” says Buchbinder. “But, this is pretty rare.” The group has since built a repertoire that includes creations that tip from drones to catchy melodies and deep grooves to danceable rhythms. We Met In Tkaranto, also the lead-off track on the album, is led mostly by fiddle but transforms into something more mystic once the sitar takes the lead half way through. The Arabic-Latin influenced Espera, Esperanto (Wait, Esperanto) has a noticeable urgency that features varying tempos that give way to
an almost jazz style of playing. They’ve even worked up the Oscar Peterson tune, Hymn to Freedom as a sort of anthem to coming together. “This is just what we need right now,” says Mehta. “We need to show people that, yes, we can work together. It’s actually the perfect message.” “The show will bring an incredible range
of sounds and musical colours,” says Lariviere. “We invite lovers of, really any kind of, music to join us and experience something very unique.” Kuné performs at the Flato Markham Theatre on February 8 at 8 p.m. Tickets are available by calling 905-305-7469 or online at markhamtheatre.ca.
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FRI. FEB. 8 I 8 PM
ORCHESTRA MEMBERS Padideh Ahrarnejad (Iran): Tar & Vocals Sasha Boychouk (Ukraine): Woodwinds & Ethnic Ukrainian Flutes
Paco Luviano (Mexico): Acoustic & Electric Bass Aline Morales (Brazil): Brazilian Percussion & Vocals
Alyssa Delbaere-Sawchuk (Canada – Métis): Violin, Viola & Vocals
Demetrios Petsalakis (Greece): Oud, Lyra, Acoustic & Electric Guitar
Luis Deniz (Cuba): Saxophone
Matias Recharte (Peru): Cajón, Drums & Percussion
Anwar Khurshid (Pakistan): Sitar & Vocals Lasso Salif Sanou (Burkina Faso): Fulani flute, N’goni, Talking drum, Djembe, Doum-Doum & Vocals
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Selcuk Suna (Turkey): Clarinet Dora Wang (China): Bamboo Flute, Flute, Hulusi & Xiao
The Royal Conservatory of Music created KUNÉ – Canada’s Global Orchestra as a celebration of our country’s cultural diversity and pluralism.
THU. FEB. 28 I 8 PM
Yaíma Sáez Bejarano Vocalist Yamile Pedro Morales Musical Director, Cello Pablo Cruz Placer Saxophone Reynier Rey Torralbas Drums, Percussion – Amadeo Roldan Conservatory Jose Raul Machado Double Bass, Bass Guitar Victor Andres Campbell Moises Piano Audio Visual, Lighting Designer Marcel Marquez Martinez Yaíma Sáez Bejarano has a unique voice, capable of playing boleros, ballads, guarachas, blues, among other genres, not only in her mother tongue but also in English and Portuguese.
In her short artistic career, the young Cuban singer has received many important awards, including Voice of the Year in 2005 and the Elena Burke Award for the 2006 National Competition of Interpretation.
contralto “ CUBAN Yaíma Sáez’ voice transports to the golden age of Cuban music.
”
~ Havana Times
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She has shared the stage with important orchestras and internationally renowned soloists such as Juan Formell, Andy Montañez, the diva of the Buena Vista Social Club Omara Portuondo and the Aragón. She was part of a 15-US city tour along with the company of Santiago Alfonso. She also participated in the 2012 Matamoros Son Festival in Santiago de Cuba where she was part of the Serenata Morena held at the Copper Sanctuary in homage to the 400th anniversary of the Virgin of Cobre. Yaíma collaborated with the Dance Company Lizt Alfonso in the show Amigas which was presented at multiple venues in Cuba in 2012.
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presents
Made in Cuba Friday, March 1 | 8 pm
of SUPERB PERFORMERS can do it all “ “ andHerdoCompany it at such a HIGH CALIBER, commitment and skill, while exuding BEAUTY and PRIDE. ” ~ The Dance Insider, New York
Cuban Focus sponsored by
Hotel Partner: