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The Carthage College Theatre Department Presents:

A Clamour of Rooks

by Martin Maguire in collaboration with Carthage Theatre, Patrick Sutton and The Gaiety School of Acting, National Theatre School of Ireland Directed by Neil Kristian Scharnick This play will be performed in one 80-minute act.

There will be no intermission.

A Clamour of Rooks

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cast Mandy / Goldilocks / Songbird..............................................................................................Brea Beelow Tom / Precious / Father........................................................................................................... Dan Brennan Rose / Red......................................................................................................................................Jane Burkitt Valerie / Dorothy / Crone / Dove......................................................................................... Shannon Fox Sophia..................................................................................................................................Amanda Garrigan Clockwoman...............................................................................................................................Rose Grizzell Alan / Woodcutter / Soldier........................................................................................ Spencer Jacobsen Mr. Mentor..................................................................................................................................Alex Johnson Leni...................................................................................................................................Kathiamarice Lopez Sarah / Fairy Godmother / Mother / Doctor............................................................Courtney Matula Lydia......................................................................................................................................Nicole Middleton Owl............................................................................................................................................. Elodie Senetra production tea m Director......................................................................................................................Neil Kristian Scharnick Production Stage Manager..................................................................................................Mikaley Osley Assistant Stage Manager............................................................................................................. Kelly Field Scenic Designer/Technical Director........................................................................Martin McClendon Assistant Technical Director........................................................................................William Newcomb Costume Designer....................................................................................................................Kim Instenes Lighting Designer...................................................................................................................... Brian Cherry Properties Designer.................................................................................................................. Emily Moritz Sound Designer.............................................................................................................. Spencer Jacobsen Dramaturg / Charge Scenic Artist................................................................................. Lauren Eastman Master Carpenter...................................................................................................................... Kevin Nelson Light Board Operator............................................................................................................... Emily Moritz Sound Operator/Additional Paint Work............................................................................... Ashley Hall Costume Crew...............................................................................................................................Alexa Cairo Composer.......................................................................................................................................Katie Zutter Box Office Manager.................................................................................................................. Jenna Payne Scenic, costume, and lighting construction; painting................................................... the students of Carthage Theatre Musicians................................................................. Kaila Banaszak (violin), Maggie Petersen (cello), Anna Schmidt (flute), Katie Zutter (piano) special thanks Our new friends in Ireland: Karen Lee, Pace Borza Butterly, Clíona Dukes, Aishling O’Donoghue, and of course, Patrick Sutton and Martin Maguire.

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a note from the pl ay wright This is the sixth play produced through the Original Theatre Project. Past projects have grown beyond their initial origins and been restaged in Chicago, Milwaukee and New York. This collaboration with Carthage under the direction of Professor Neil Scharnick has pushed us into new and exciting territory. Patrick’s work with the cast initiated the project. He shared the material with me and guided me through a couple of drafts but very soon Professor Scharnick took over and brought the script back to the cast to explore and develop further. The Carthage creative team began to build the production and the play got a much more extended rehearsal period than such projects have previously been allowed. The group travelled to Ireland and Patrick and I got the chance to get back in the game and to share in the excitement of working with this wonderful group of talented people in the final shaping and honing of the piece you’ll see tonight.

The play examines how we learn and understand the structure of stories, where writers find them, how audiences expectations shape them and how writers, performers, directors and audience together create the imaginary world of the play.

When a rook finds food, it eats some, puts some away and then calls it’s fellows to share the rest. They feast and chatter to each other and flap about and show off, clean up all the scraps and head off. When the coast is clear the host digs up the private stash and finishes it off. There’s some sort of lesson here for us all in the balance of independence and social collaboration. We’re all privileged to be part of the team, all aware of the immense potential reach of the collective beyond the capacity of the individual. As theatre artists we must sustain ourselves through our own imaginative work, our own explorations and efforts and discoveries. But we really come alive in sharing this stuff with others, rehearsing, performing, watching and feeding off each other, being part of the great collective human experience that is theatre. And when it works for us there will always be a moment after, in the instant dark of the curtain, a twilight moment in front of a mirror, a chuckle as we step out into the night, when we can feast on the sweet kernel of something private that will nourish us till next time.

- Martin Maguire a n o t e f r o m pat r i c k s u t to n In 1998, a student from Carthage attended our four week Irish Theatre January Interim Programme at the Gaiety School of Acting and a fuse was lit! Fourteen years later I travelled to Carthage to begin the exhilarating process of exploring the ideas and images and starting points that have become the soul of A Clamour of Rooks--the show you will see this evening.

The Original Theatre Project is a refreshing opportunity for theatre students to engage in a creative process that at first is non prescriptive and that hands the torch of creativity to the performer and the vital and vibrant surround team. At Carthage in September we laughed and played and built and knocked down. We imagined and we feared, we flew and we crash landed. The work that every single one of the participants (that you will meet tonight) put in was fearless and inspirational. There were times when Neil (who was that student in 1998 and is now Assistant Professor of Theatre and director of tonight’s show) and I looked at each other in awe at the brightness and the life that was pouring from the stage.

At the end of the week I packed my bag and headed home to meet writer Martin Maguire who then had the task of looking at a thousand photographs, hours of video footage, pages of original writings and art galleries full of images to begin the journey of building the show you are sharing in this evening. The collaboration has been rich and A Clamour of Rooks

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the conversations deep as Neil and Martin and the actors tease out and work their way through the material. Give and take and beg and borrow and steal are all in the mix as Neil worked through drafts in US based rehearsals prior to the January arrival in Dublin for the premiere. To Martin. Thanks again and great credit to Neil and the powers that be at Carthage for making this process happen. At the end of the day I’ll save my final toast for the actors and crew you will meet this evening who took a risk with me and took the journey leading to tonight. Enjoy A Clamour of Rooks and thank you for being with us this evening.

- Patrick Sutton Director, The Gaiety School of Acting, National Theatre School of Ireland. a n o t e f r o m t h e d i r e c to r One of the many reasons I’m so proud and delighted to teach and direct for the Carthage Theatre Department is that it’s more deeply committed to new and innovative work than any other program I know. This commitment has made it possible for me to offer a class called Ensemble & Experimental Acting every January, giving students the chance to think differently about what theatre is, how it’s created, who makes it, who determines its meaning, and what it looks like. The students who brought A Clamour of Rooks to life did so in part in the context of that class.

The department’s commitment to new plays has also inspired the ambitious New Works Initiative, a program for commissioning new plays to be developed and premiered by our students. The exceptional writers who have participated in the initiative to date-from Eric Simonson in 2009 to Martin Maguire in 2013 (and Jeffrey Hatcher, coming 2014!)--have each provided priceless opportunities for our students to originate roles, often roles written specifically for them. A Clamour of Rooks is also the product of this initiative. And yet it is also something more.

I enrolled in a course at the Gaiety School of Acting in Dublin when I was a Carthage student, and I remember my time there fondly. I’ve longed to find a way for my students to collaborate with the GSA and bring a show to Ireland since joining the Carthage Theatre faculty nine years ago. To make a very long story very short: we’ve done it. It brings me a great deal of joy and satisfaction to see that dream realized.

The process by which this play was created has been thrillingly collaborative, but the world of our Clamour ultimately owes its existence to Martin Magurie. As I’ve delved deeper into this play, my awe for our playwright’s vision and insight has grown and grown. This ambitious work artfully explores the archtypal heroes journey, the writing process, art as psychotherapy, the function of fairy tale, and so much more. We could not have hoped for a more exciting and challenging project. Thank you, Martin--and Patrick-and thank you to our audience for joining us at the end of this journey.

- Neil Kristian Scharnick

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Biogr aphies Brea Beelow (Mandy / Goldilocks / Songbird) is a senior Musical Theatre and Theatre Performance double major. You may have seen her in BOEING BOEING (Gloria); THE DROWSY CHAPERONE (Janet Van de Graff ); INSPECTING CAROL (Dorothy); CABARET (Fritzy), and THE RAIL SPLITTER (Brea Beloff ). Brea is so excited to be a part of this brand new work. She would like to thank Neil Sharnick, Patrick Sutton, and the wonderful cast and crew for this amazing experience. She would also like to thank her family and friends for always being supportive, and would like to dedicate her performance to her grandpa. Enjoy the show!

Dan Brennan (Tom / Precious / Father) is a junior Musical Theatre and Theater major. He has most recently been in THE DROWSY CHAPERONE (Man in Chair) and TARTUFFE (Tartuffe) and in the music theatre workshop production of A LITTLE NIGHT MUSIC (Fredrik), all at Carthage College. Dan is beyond excited to have been selected to accompany the school on this trip and create this show with these wonderful people. Dan would like to thank Dave, Joe, his friends and his parents. He would also like to make a special thank you to the Faculty and Staff for giving him this chance and allowing him to help develop this script. Enjoy the show!

Jane Burkitt (Rose / Red) is a junior Theatre Performance major with an English minor. Other show credits at Carthage include OLEANNA, ROMEO AND JULIET, ALMOST, MAINE, TARTUFFE, and BEAUTIFUL BODIES. Jane is absolutely thrilled to be working on A CLAMOUR OF ROOKS with such a wonderful ensemble and is so grateful to Neil for this exciting opportunity. Jane would like to thank her ever supportive family for always encouraging her to follow her dreams, the Carthage Theatre Faculty for making those dreams possible, and God for everything. Enjoy the show!

Alexa Cairo (Costume Crew) is a senior who is double-majoring in Theatre and Psychology. She has been involved in numerous Carthage shows, and is a founding member of the Carthage NeilFuturists. Most of what she does is behind the scenes, including multiple run- and costume- crew positions and countless hours in the Costume Shop since being at Carthage. She would like to thank all the people who supported her through good times and bad, and is beyond amazed at the opportunity to be involved with this original piece. Enjoy!

Brian Cherry (Lighting Designer) is happy to be working on A CLAMOUR OF ROOKS as Lighting Designer. He is a senior working toward a degree in Technical Production and Design with an emphasis in scenic design. Brian also works at the Blizzard Theater at Elgin Community College, getting involved with a variety of performances from music concerts to touring shows. In his lifetime he has been in or worked on over 50 shows starting when he was in 2nd grade. This has been a fun learning experience and exciting to watch, and he hopes everyone loves and enjoys the show.

Lauren Eastman (Dramaturg / Charge Scenic Artist) is a junior, working for both Carthage Theatre and First Stage Children’s Theatre as a Scenic Painter. Lauren has painted for nearly every Carthage Theatre production. She was Assistant Scenic Designer and Scenic Charge for ENDGAME, BOEING BOEING, and TARTUFFE, and is Scenic Designer for the upcoming production of THE GLASS MENAGERIE. In regards to dramaturgy, Lauren has assisted with Carthage’s productions of BEAUTIFUL BODIES and GHOST BIKE. She would like to thank her Mother for her support, Zack for his love and compassion, and the friends and family of the Pine Forest for their good cheer and friendship.

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Kelly Field (Assistant Stage Manager) is a sophomore Theatre Production and Design major and is very excited to be working on A CLAMOUR OF ROOKS. She was recently Assistant Stage Manager for Carthage’s productions of INSPECTING CAROL. ROMEO AND JULIET, and THE DROWSY CHAPERONE, and Stage Manager for Carthage’s production of TARTUFFE. Kelly thanks her Mother, Father, and the friends and family who have supported and encouraged her to pursue her passion in theatre. She would also like to thank Neil Scharnick and the rest of the Theatre Department faculty for this incredible opportunity!

Shannon Fox (Valerie / Dorothy / Crone / Dove) is a graduating senior double majoring in Theatre and Communication.

She’s been involved in many Carthage productions performing in shows like ONE DAY IN THE SEASON OF RAIN, CABARET, and INSPECTING CAROL, in addition to stage managing DEAD MAN’S CELL PHONE and light designing for ENDGAME. Thanks to all the theater professors who have guided her through the last four years, her family for being the best support system in the world, and as always the DUs for being absolutely amazing.

Amanda Garrigan (Sophia) is a sophomore Theatre and Elementary Education major. Amanda worked as Assistant Stage Manager for BOEING BOEING and appeared in GHOST BIKE (Ganglot). She is excited to begin work as an Education Intern at the Milwaukee Repertory Theatre.

She would like to express her thanks to Neil, Patrick Sutton, and Martin Maguire for this opportunity; to the entire Carthage Theatre Faculty for their unending dedication; to the talented cast and crew; and to her beautiful, inspiring family who support her more everyday. She will be eternally grateful for the love of God she sees within them and those around her always.

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Rose Grizzell (Clockwoman) is a sophomore Theatre Performance major and Dance/Art minor. Rose has appeared onstage in BOEING BOEING, and ROMEO & JULIET at Carthage College. This will be the first new work that she has been a part of, and she could not be more excited. Rose is a proud member of Alpha Psi Omega, the professional theatre fraternity, and also plays harp in various Carthage ensembles.

Rose would like to thank her family and friends for their much needed support through the years.

Ashley Hall (Sound Operator) is a graduating senior double majoring in Technical Production and Design and Graphic Design. Ashley has worked on and crewed many shows at Carthage College including CABARET and GHOST BIKE. She was recently one of the Assistant Scenic Designers for Carthage’s production of TARTUFFE and is the Scenic Designer for the upcoming studio show NO EXIT. Ashley would like to thank the theatre professors for this amazing opportunity and her family and friends for their support through the years.

Kim Instenes (Costumer/Assistant Professor of Theatre) holds an MFA in Costume Design and Technology from Ohio University, and a BA from UW-Whitewater. She continues to work as a freelance costume and make-up designer in the Milwaukee/ Chicago area. Professional design credits include First Stage Milwaukee, Milwaukee Chamber, Milwaukee Shakespeare, the Milwaukee Repertory Theater, Renaissance Theatreworks, Utah Shakespearean Festival and the Racine Theatre Guild. Design at Carthage includes CABARET, INSPECTING CAROL and GHOST BIKE, to name but a few. GHOST BIKE won her a Certificate of Merit from the Kennedy Center American College Theatre Festival for costume and makeup design. She would like to thank her husband, Doug, and children, Lauren and Dalen, for their continued support of her creative endeavors.

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Spencer Jacobsen (Alan / Woodcutter / Soldier / Sound Designer) is a sophomore Theatre and Public Relations double major with a minor in Spanish. Spencer’s other Carthage Theatre credits include INSPECTING CAROL (Bart Frances) and BOEING BOEING (Sound Designer). Spencer would like to thank his family for all their love and support, and the cast and crew for making this project such an amazing experience.

tin Maguire, and the wonderful cast & crew for making this such a fantastic journey of growth and love. Courtney is also extremely grateful for all the love and support of her family, her boyfriend, and her friends and wishes to thank them for always being there for her.

Martin McClendon (Scenic Designer/ Technical Director/Assistant Professor of Theatre) spent 10 years working as a professional actor, carpenter, and scene Alex Johnson (Mr. Mentor) is a sophodesigner in Chicago and Los Angeles more Theatre Performance, Music Educabefore coming to Carthage. He designed tion, and Musical Theatre triple major. He has appeared in THE DROWSY CHAPERONE more than a dozen sets for Chicago’s Defiant Theatre, receiving Joseph Jefferson (Aldolpho) and in ROMEO & JULIET (Lord Citation nominations for ACTION MOVIE: Capulet) at Carthage. Alex is honored to have been cast in this new work, and could THE PLAY and BLUEBEARD. Other design credits include: ON THE VERGE and LAUGHnot be more excited and thankful to have been given this opportunity. He is a proud ING STOCK (Artist’s Ensemble, Rockford, IL) member of Alpha Psi Oemga, a profession- and MAYHEM (Evidence Room) and LOBBY al theatre fraternity, and also plays trumpet HERO (Odyssey Theatre) in Los Angeles.

Martin is a member of Actor’s Equity, SAG, in various Carthage ensembles. Alex and AFTRA. Acting credits include MOJO would like to thank his family and friends and SKYLIGHT (Steppenwolf ), HONEST from the bottom of his heart for their love (Steppenwolf Garage), CRIPPLE OF INISHand support.

MAAN (Northlight), and DANNY BOUNCING (Victory Gardens). On-Camera credits Kathiamarice Lopez (Leni) is a sophinclude numerous national and regional more Theatre Performance Major with an commercials, episodes of ER, Early Edition, English minor. Kathiamarice has been in THREE SISTERS, and several pilots and two productions at Carthage, GHOST BIKE independent films. In 2011 Martin directed and ROMEO AND JULIET. She feels absothe world premiere of THE RAIL SPLITTER lutely humbled by the opportunity to be involved in this project and cannot express by Rick Cleveland, written for Carthage, selected as a participating entry in the Kenenough her gratitude towards the theatre faculty at Carthage as well as Patrick Sutton nedy Center/American College Regional Theatre Festival and recognized as a distinand Martin Mcguire. Kathiamarice would guished production of a new work by the also like to thank her family and friends National Selection Committee. He would that have supported her through every like to thank his beautiful wife Jennifer and step of her theatre career. his wonderful kids Arabella and Horatio for their support and inspiration.

Courtney Matula (Sarah / Mother / Fairy Godmother / Doctor) is a junior Theatre Performance and Communications Nicole Middleton (Lydia) is a sophomajor with a minor in Dance. Courtney has more Theatre Performance and Sociology major. Her other Carthage credits include recently been seen in TARTUFFE, INSPECTROMEO AND JULIET and GHOST BIKE, and ING CAROL, GHOST BIKE, THE RAILSPLITTER, and DOUBT. She has been wonderfully she has also worked behind the scenes for blessed to be a part of this experience and INSPECTING CAROL and BOEING BOEING. Favorite theatre experiences include asthanks Neil Scharnick, Patrick Sutton, MarA Clamour of Rooks

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sistant directing JUGGER’S RAIN and playing Trisha in FIVE WOMEN WEARING THE SAME DRESS. Nicole was a performance intern with Redmoon Theatre in Chicago last summer and continues to work with them. She loves and thanks her past director, friends, family, and boyfriend for their support.

credits include technical director of the Wells Fine Arts Center at Tarleton State University, assistant technical director at Oberlin College, scene shop foreman at Ohio Light Opera, and assistant production manager of the Utah Shakespearean Festival. He would like to thank his wife Alison for her continued love and support.

Emily Moritz (Properties Manager/Light Board Operator) is a sophomore Technical Production & Design major with minors in English, Art, and Communication. This marks her seventh production at Carthage including BOEING, BOEING (Properties Designer), MOVEABLE MOMENTS (Assistant Light Designer), and THE DROWSY CHAPERONE (Assistant Stage Manager). She is also the Assistant Scenic Designer for the upcoming SPRING AWAKENING. She would like to thank Martin Sherman for supporting her in everything she does, as well as the faculty, especially Martin McClendon and Neil Scharnick, for giving her this amazing opportunity.

Mikaley Osley (Production Stage Manager / Contributing Writer) has previously stage managed three Carthage productions including CABARET and ALMOST, MAINE. She is a playwright with two shows recognized at the Kennedy Center American College Theater Festival: THE CURE TO WRITER’S BLOCK... and THE FERRIS FIVE. Last summer she was awarded a SURE grant to adapt the novel DAY AFTER NIGHT into a play which will be workshopped later this year. She would like thank her family, friends and boyfriend for their unfaltering encouragement, Neil and Patrick for their faith in her writing, and God for the blessings in disguise.

William Newcomb (Assistant Technical Director) holds a B.F.A. in Technical Theatre from Tarleton State University, Stephenville, Texas, and an M.F.A. in Arts Administration from Southern Utah University. He was assistant manager of the Milwaukee Repertory Theatre for two years before coming to Carthage. William also serves as Production Manager for the Optimist Theatre’s Shakespeare in the Park. Other

Neil Scharnick (Director/Assistant Professor of Theatre) hold a B.A. from Carthage, an M.A. in Theatre from Northwestern, and is A.B.D. in pursuit of his Ph.D. in Theatre Research from UW-Madison. Carthage directing credits include: TRANSLATIONS, THE SERPENT, THOROUGHLY MODERN MILLIE, DEAD MAN’S CELL PHONE, and ALMOST, MAINE. In 2010, Neil directed the world premiere of a new translation of

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Mohan Rakesh’s ONE DAY IN THE SEASON OF RAIN by Aparna Dharwadker and Vinay Dharwadker, commissioned by Carthage Theatre. It was selected as a full participating entry in the Kennedy Center/American College Regional Theatre Festival. Neil is also an active member of the Association for Theatre in Higher Education. He would like to thank his wife Erin and their son Ollie for their love and patience throughout this project.

Elodie Senetra (Owl) is a Theatre Performance major graduating as this production closes. Elodie’s Carthage credits include TARTUFFE (Elmire), GHOST BIKE (Cady), ROMEO & JULIET (Juliet), INSPECTING CAROL (Zorah Bloch), DEAD MAN’S CELL PHONE (Jean), ONE DAY IN THE SEASON OF RAIN (Mallika), and LYSISTRATA (Calonice). Elodie directed ENDGAME for the Carthage Studio Series. She has studied abroad at The Globe Theatre in London and

The Gaiety School of Acting in Dublin. Elodie is a proud member of Combat Theatre in Milwaukee and is thrilled to be joining Door Shakespeare for its 2013 season upon graduation.

Kathryn Zutter (Composer) is a senior Music Theater Performance Major and Dance minor. Composing has always been a hobby and her premiere work was a trio entitled “Snowfall Meditations” in 2009. Since then she has written for many events and organizations and will premiere a Musical in the spring with Lyricist Dan Brennan. She is honored to write for A CLAMOUR OF ROOKS and to work with such talented musicians for recording.

Thank you for such a wonderful and inspiring opportunity. She would like to thank her instrumentalists, Kaila Banaszak (violin) Maggie Petersen (cello) and Anna Schmidt (flute) for helping with this project.

c a r t h ag e c o l l e g e t h e at r e fac u lt y Herschel Kruger......................................................... Division Chair/Associate Professor of Theatre Martin McClendon..................................................................Department Chair/Technical Director/ Assistant Professor of Theatre Corinne Ness.............................................Music Department Chair/Assistant Professor of Music/ Head of Music Theatre Anna Antaramian............................................. Associate Professor/Adjunct Instructor of Theatre Maria Carrig...................................................................... Associate Professor of English and Theatre Magdalene Ellsworth.............................................................................. Adjunct Instructor of Theatre Laura Gordon............................................................................................. Adjunct Instructor of Theatre Kim Instenes........................................................Assistant Professor of Theatre/Costume Designer Marcella Kearns......................................................................................... Adjunct Instructor of Theatre John Maclay................................................................................................Assistant Professor of Theatre Kevin Nelson..................................................................................................................... Master Carpenter William Newcomb....................................................................................... Assistant Technical Director Neil Scharnick............................................................................................Assistant Professor of Theatre Stacy Pottinger..........................Assistant Professor of Theatre-Dance/Head of Dance Program Emma Draves...............................................................................Adjunct Instructor of Theatre-Dance Valerie Gonzalez.........................................................................Adjunct Instructor of Theatre-Dance Faith Haleska................................................................................Adjunct Instructor of Theatre-Dance

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The Arts Fund of the

Kenosha Community Foundation announces a

CALL FOR ART Sculpture Walk - HarborPark 2013-2015 Exhibition

Deadline for Applications:

March 15, 2013 Go to

www.kenoshafoundation.org for an application.

For more information on Sculpture Walk - HaborPark or to support the initiative through a donation contact us:

artsfund@kenoshafoundation.org

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t h e k e n n e d y c e n t e r a m e r i c a n c o l l e g e t h e at r e f e s t i va l™

The Kennedy Center American College Theater Festival is sponsored by the U.S. Department of Education; Dr. Gerald and Paula McNichols Foundation; The Honorable Stuart Bernstein and Wilma E. Bernstein; the Kennedy Center Corporate Fund; and the National Committee for the Performing Arts.

This production is entered in the Kennedy Center American College Theater Festival (KCACTF). The aims of this national theater education program are to identify and promote quality in college-level theater production. To this end, each production entered is eligible for a response by a regional KCACTF representative, and selected students and faculty are invited to participate in KCACTF programs involving scholarships, internships, grants and awards for actors, directors, dramaturgs, playwrights, designers, stage managers and critics at both the regional and national levels.

Productions entered on the Participating level are eligible for inclusion at the KCACTF regional festival and can also be considered for invitation to the KCACTF national festival at the John F. Kennedy Center for the Performing Arts in Washington, DC in the spring of 2013.

Last year more than 1,300 productions were entered in the KCACTF involving more than 200,000 students nationwide. By entering this production, our theater department is sharing in the KCACTF goals to recognize, reward, and celebrate the exemplary work produced in college and university theaters across the nation.

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