Renhu (Franklin) Wu 2023 Portfolio

Page 1

PORTFOLIO MSD-RAS, UNIVERSITY OF PENNSYLVANIA RENHU (FRANKLIN) WU Email: wurenhu981022@gmail.com
SELECTED WORK 2017 - 2023 CONTENTS 01 Xincheng Community Center Dharavi, Mumbai, India Philadelphia, Pennsylvania, United States Philadelphia, Pennsylvania, United States 04 03 02 Home of the Stepwell Ceiling Part Prototype Dynamic Slip Casting Downtown, Detroit, United States 05 Reindustry Center Xietang Old Street, Suzhou, China Soochow University, Suzhou, China 06 07 Suzhou Art Museum SUDA Gymnasium 08 Other Works Industrial Park, Suzhou, China The renaissance of automotive industry Modern transformaion of tradition building style Tensile membrane structure Religion, life, and epidemic Robot hot-wire cut EPS foam ceiling prototype An Efficient Robotic Approach to Geometrically Variable Ceramic Part Production Child-centered community relationships

Location:

Year:

Instructor:

Description:

Xincheng Community Centre

Child-centered community & Multi-agent system

Suzhou, China

2021

Individual Work

The design proposal centers around the construction of a community center, aimed at providing a secure and engaging environment for individuals, with a specific focus on children. In this unique setting, children aren't merely observers but active participants, present everywhere, interacting, and learning within their environment.

A multi-agent system is leveraged to simulate their movement patterns, thereby shaping the design volumes according to the trails within the existing buildings. Within these structures, children have the freedom to walk, run, slide, climb, and even construct their own secret base. The essence of this design is to foster active engagement and interaction in a safe, supportive space.

Axon View

In this child-centered community center, children are observers and participants. They should be present everywhere, which allows them to interact with different environments.

Using the multi-agent system aims to simulate their trails and figure out an organic way to interact with the built environment.

Agent Settings (Boid)

Attraction

Agents will be attracted to the targets scattered in the buildings.

Velocity Matching

Agents attempt to match velocity with nearby flockmates

Attraction Strength

Wandering Wandering is a type of random steering which has some long term order.

Trail Searching Radius

Repulsion Radius

Searching Angle

Attracting Radius

Flock centering

Each agent attempts to stay close to nearby flockmates;

Collision Avoidance

Each agent avoids collisions with nearby flockmates

Direction

Stigmergy Agents will chase other agents' trails.

Slide "Forest"
50 cycles 100 cycles 200 cycles 300 cycles 400 cycles 500 cycles Trails Simulation Climbing wall Tunnels Cinema Retail Store Elevator Restaurant Community Activity Room
Old Trails New Trails

Based on the multi-agent system's simulation, volumes are generated according to the trails. These volumes provide children with a place to hold various activities and allow them to interact closely with the real world while still under proper protection.

Rendering

Chunk Activity room Open roof
Staircase seating Rope net Floor Entrance Rope net Slope
Glass roof Light
Construction Robotic fabrication Frame construction Assembling Beam
Section A-A 1 1 1 2 3 1 2 5 5 6 6 5 8 8 4 7 7 1 1
1 6 3 3 9 7 10 11 11 3 Legend 1 Retail store 2 Restaurant 3 Shared kitchen 4 Restroom 5 Amusement facility 6 Stairway seating 7 Parking lot 8 Park 2 2 2 2 1 1 1 1 1 1 1 1 5 7 4 50m 20 10 0 5 1 Shared kitchen 2 Stairway seating 3 Corridor 4 Park 5 Rope net 6 Restaurant 7 Roof platform 8 Workshop 9 Activity room 10 Slideway 11 Equipment 2 9 7 9 5 8 8 4 Legend A A ±0.000 -0.200 6.000m 11.000m 13.800m 16.000m 19.600m 23.400m
Master Plan

Location:

Year:

Instructor:

Description:

Dynamic Slip Casting

An Efficient Robotic Approach to Geometrically Variable Ceramic Part Production

Philadelphia, Pennsylvania, United States 2023

Clay slip’s unique phase-changing properties make it an ideal material for crafting intricate, precisely-shaped components needed in industries such as fine porcelain and sanitary ware. However, its limitations in producing variable components without new molds present challenges for integration into architectural practices.

This research introduces an innovative slip casting approach that allows for the production of diverse clay forms using a single mold by employing a 6-axis robot that simultaneously rotates the mold during the solidification process. A key innovation in our research is the development of a simulation program specifically designed for the dynamic slip casting process. This breaks away from the traditional notion of slip casting as a “black box” process, where what happens inside the mold remains hidden. By providing insights into the mold’s interior, our simulation program adds significant value to the field and enhances our understanding of the process.

The simulation program predicts the solidified slip’s shape in real-time, and a customized end effector attaches the mold to a robotic arm and injects additional slip for precise edge control. The proposed method combines traditional slip casting with industrial robotics, offering greater control over geometric qualities without increasing mold demands. By overcoming conventional limitations, we hope that this unique ceramic workflow can be used in architecture and art, and inspire other fields of study.

Robert Stuart-Smith, Jeffery Anderson, Nathan King, Billie Faircloth Partner: Renhu (Franklin) Wu, Shunta Moriuchi, Yinglei (Amber) Chen, Sihan Li

Traditional Slip Casting Process

Our research revolved around process of Slip Casting. Slip casting, or slipcasting, is a ceramic forming technique, and is widely used for shapes that can not easily be formed by other techniques. The technique involves a clay body slip (which is the liquid clay), usually prepared in a blunger, being poured into plaster molds and allowed to form a layer, the cast, on the internal walls of the mold.

It is suited for the consistent and precise shaping of complex shapes. It is the standard shaping technique for sanitary ware, such as toilets and basins, and is commonly used for smaller pieces like figurines and teapots.

Research Aim

Our research aims to create diverse cast shapes to produce geometric variations by integrating robotic motion and simulation into the slip casting process for enhanced flexibility, precision and efficiency.

The proposed workflow involves the following components of Digital environment & physical environment. In this workflow, a slip casting simulation software to estimates the resulting cake’s shape and thickness distribution following robotic movements was developed to address the unpredictability of this process. Robotic motion is employed to effectively produce variations in cast pieces.

Traditional Slip Casting

Proposed Partial Slip Casting

Our

Typical Slip Casting Process

Comparison between

Traditional

Traditional Slip Casting Process

Casting Process

The proposed workflow involves the following components of Digital environment & physical environment. In this workflow, a slip casting simulation software to estimates the resulting cake’s shape and thickness distribution following robotic movements was developed to address the unpredictability of this process. Robotic motion is employed to effectively produce variations in cast pieces.

Traditional Slip Casting Process

Traditional Slip Casting Process

Traditional Slip Casting Process

Mold Creation

The mold is the negative space into which the slip is poured. Molds can be made from plaster, silicone, or other materials.

Slip-Pouring

The slip is poured into the mold slowly and carefully to prevent air bubbles from forming. The mold should be filled to the top.

Mold Creation Slip-Pouring

the top.

Drain Excess Slurry Remove the Cast

Drain Excess Slurry

Remove the Cast

Drain Excess Slurry Remove the Cast

Once the desired thickness is achieved, the excess slip is poured out of the mold. This can be reused for future slip castings.

Once the desired thickness is achieved, the excess slip is poured out of the mold. This can be reused for future slip castings.

Cake Growth

Left slip to sit for a period of time, to allow the clay to thicken and settle, called the cake growth.

Cake Growth

Left slip to sit for a period of time, to allow the clay to thicken and settle, called the cake growth.

Our proposed alternative tries to create variation in the casted piece from the same through partially filling and tilting the mold partial cast piece.

Comparison between different casting methods

Once the clay has set, the mold is removed and the cast is allowed to dry.

Once the clay has set, mold is removed and the cast is allowed to dry.

Finish the Cast

Finish the Cast

Once the cast is dry, it can be trimmed, sanded, and smoothed to remove any imperfections or excess clay.

Once the cast is dry, it can be trimmed, sanded, and smoothed to any imperfections or excess clay.

Digital simulation of the dynamic slip casting process. The red dots indicate the thickness of cake.

Plaster molds with
and
without the slip Removing greenware from the mold Greenware left drying on shelves for the night Image © Sporvil Ceramics Image © Sporvil Ceramics
Masters of Science in Design: Robotics & Autonomous Systems Weitzman School of Design, University of Pennsylvania introduction of slip casting and its application in architecture Slip casting process (Photo), Mold Creation Cake Growth Drain Excess Slurry Remove the Cast Finish the Cast The mold is the negative space into which the slip is poured. Molds can be made from plaster, silicone, or other materials. The slip is poured into the mold slowly and carefully to prevent air bubbles from forming. The mold Left slip to sit for a period of time, to allow the clay to thicken and settle, called the Once the cast is dry, it can be trimmed, sanded, and smoothed to remove any imperfections or excess clay.
Image © Sporvil Ceramics
Slip
Masters of Science in Design: Robotics & Autonomous Systems Weitzman School of Design, University of Pennsylvania Mold Creation Cake Growth Cake Slurry Drain Excess Slurry Finish the Cast The mold is the negative space into which the slip is poured. Molds can be made from plaster, silicone, or other materials. Left slip to sit for a period of time, to allow the clay to thicken and settle, called the Once the desired thickness is achieved, the excess slip is poured out of the mold. This can be reused for future slip castings. Once the cast is dry, it can be trimmed, sanded, and smoothed to remove any imperfections or excess clay.
Masters of Science in Design: Robotics & Autonomous Systems Weitzman School of Design, University of Pennsylvania introduction of slip casting and its application in architecture casting process (Photo),
Slurry Water Penetration Drain Excess
The mold is the negative space into which the slip is poured. Molds can be made from plaster, silicone, or other materials. The slip is poured into the mold slowly and carefully to prevent air bubbles from forming. The mold should be filled to the top. Once the desired thickness is achieved, the excess slip is poured out of the mold. This can be reused for future slip castings.
Mold Creation Slip-Pouring
Slurry
Masters of Science in Design: Robotics & Autonomous Systems Weitzman School of Design, University of Pennsylvania
Creation
Cake Growth Drain Excess Slurry Remove the Cast Finish the Cast The mold is the negative space into which the slip is poured. Molds can be made from plaster, silicone, or other materials. The slip is poured into the mold slowly and carefully to prevent air bubbles from forming. The mold should be filled to the top. Left slip to sit for a period of time, to allow the clay to thicken and settle, called the Once the desired thickness is achieved, the excess slip is poured out of the mold. This can be reused for future slip castings. Once the clay has set, the mold is removed and the cast is allowed to dry. Once the cast is dry, it can be trimmed, sanded, and smoothed to remove any imperfections or excess clay.
Traditional Slip Casting Process
Mold
Slip-Pouring
Masters of Science in Design: Robotics & Autonomous Systems Weitzman School of Design, University of Pennsylvania of slip casting and its application in architecture process (Photo),
Growth Cake Slurry Water Penetration
Mold Creation Slip-Pouring Cake
The mold is the negative space into which the slip is poured. Molds can be made from plaster, silicone, or other materials. The slip is poured into the mold slowly and carefully to prevent air bubbles from forming. The mold should be filled to the top. Left slip to sit for a period of time, to allow the clay to thicken and settle, called the cake growth. Once the desired thickness is achieved, the excess slip is poured out of the mold. This can be reused for future slip castings.
Once the clay has set, the mold is removed and the cast is allowed to dry.
Slurry
Water Penetration
of Science in Design: Robotics & Autonomous Systems Weitzman School of Design, University of Pennsylvania
Cake
Masters
Water Penetration
Cake Slurry
mold is the negative space into which the slip is poured. Molds can be made from plaster, silicone, or other materials. The slip is
mold slowly and
to
The
poured into the
carefully
prevent air bubbles from forming. The mold should be filled to
1. 4. 2. 5. 3. 6.
Masters of Science Weitzman
COMPLETE
piece but resulting piece is tied to the mold shape
Mold is filled Resulting Piece Traditional slip casting methodologies involves fully filling the mold to create a resulting
different COMPLETE
is partially filled Resulting Piece
Mold
proposed alternative tries to create geometric variation in the casted piece from the same mold through partially filling and tilting the mold to create partial cast piece.
Digital Environment DIGITAL INPUT SIMULATION SOFTWARE CUSTOMIZED SLIP INJECTOR DESIGN/USER INTERFACE PREFERPATION FOR EXPERIMENTS Unity VR Rhino Plaster Mold Making C# + Grasshopper Grasshopper Desierd Shape Simulation Arduino Robotic Tool Path Digital Process ROBOT MOTION WITH CUSTOMIZED END-EFFECTOR POST-CASTING TREATMENT CASTING RESULT trimmed/sanded/ smoothed Bisque Glaze left dried

To address the challenge of unpredictability of slip behavior inside the mold and advance the field of slip casting, we introduce a novel approach: robot dynamic casting. In this method, the mold is continuously rotated during the casting process, allowing for the creation of more intricate and precise geometries. However, implementing dynamic casting effectively requires a deep understanding of the underlying physics and an ability to predict the outcomes of the process. This is where our simulation program comes into play.

Validation and Testing

While our simulation program has proven effective in predicting the shape of dynamic slip casting results, it currently does not account for shrinkage during the solidification and drying processes. This limitation may lead to discrepancies between the simulation predictions and the actual outcomes. Future improvements to the program should include incorporating shrinkage calculations to enhance the accuracy of the final shape predictions.

The choice to determine the thickness of the solidified slip (cake) based on the coverage time for each mesh vertex is grounded in previous research findings. Studies have shown that during the casting process, the cake thickness grows with the increased amount of time.

By tracking the coverage time for each vertex, we can estimate the thickness distribution of the solidified slip in the cast part, which is essential for optimizing the dynamic casting process.

Program Screenshot

Although the final piece was smaller due to part shrinkage, a comparison between the simulation results and the 3D scan of the model demonstrated the simulation’s effectiveness in reverse engineering and generating the robot’s trajectory based on the desired design geometry. However, this process also highlighted challenges related to the edge condition of the resulting piece.

Result
Comparison between simulated result and the 3D scanning model Photo of cast piece
Flowchart Rationale
Introduction
Comparison of simulated versus actual robot motion with slip condition inside
Simulation
Simulation
Program Star Input Mesh Input Trajector y Input Amount Translate cur ve into rotation angle around X & Y Axis Rotate Mesh Loop through each rotate action No Yes No more actions? Calculate current liquid height Get he par the part of mesh below Increse he count value of the ver tices below the height Obtain Mesh ver tices Create count variable for each ver tex Translate he count value into color value Render he result (colored mesh ver tices) End
Relationship between the square of the cake thickness and the slip casting time using a gypsum plate mold @ Takumi Banno, Saburo Sano, and Kiichi Oda

Similarly as each robotic motion was repeated to build up thickness, we discovered that the amount of slip inside the mold decreases resulting in a brittle edge condition. Reduction of slip inside the mold occurs as robotic motion is repeated and development of method for adding additional slip inside the mold was necessary.

Problem analysis: water absorption, diagram

Movable slip volume is calculated to get a better understanding of the rate off decrease of slip as each robotic movement was repeated.

Development of Slip Injector for Reducing Slip Inside the Mold

To address the decreasing slip inside the mold, we’ve designed a unique Arduino controlled slip injector that adds more slip as needed as each cycle of robotic routine is repeated. This helps maintain balance and ensure a smooth casting process while reducing the thin brittle edge condition. The design integrates an stepper motor that is controlled by robot’s i/o that actuates a syringe for precise slip volume injection and a LCD screen with a button system for easy adjustment of slip amount for different robotic routine.

SLIP INJECTOR

Change in volume of the flowing liquid Data collection by aligning image and 3d model Collection and
Brittle createededge from repeating of robotic motion Series of layer line created from repeating of robotic motion Brittle edge createed from repeating of robotic motion Brittle edge createed from repeating of robotic motion Series of layer line created from repeating of robotic motion
Analysis of Data
time(min) Initial Proposed Dynamic Slip Casting without Slip Addition Need for Additional Slip to make up for Slip Absorbed by Mold after each Robotic Motion Cycle Plater Mold Plater Mold Plater Mold Additional slip needs to be added to make up for decreasing slip inside Result in brittle thin edge First robotic motion Robotic motion repeat 1 Robotic motion repeat 2 Robotic motion repeat 3 Plater Mold Data collection by aligning image and 3d model Change in volume of the flowing liquid Quality Control Study Fabricated End-Effector 5 15 4 3 3 3 3 2 1 6 13 14 12 16 17 18 10 11 1. 24 Power Supply 2. Robotic Flex tool mount for i/o 3. 3D Printed Mounting Bracket 4. Rail System for Plunger actuation 5. Aluminum Extrusion Guide Rails 6. Syringe Plunger 7. 3D Printed Syringe Mount 8. Syringe Fasteners 9. Syringe 10. Lead Screw for Plate Actuation 11. 3D Printed Push Plate 12. Power Bank Battery for Arduino 13. Arduino Board 14. Custom End effector control box with LCD 15. Stepper Motor 16. Fan Module 17. Stepper Driver 18. Outlet Connection to Power Supply
Custom Control Module Created for Ease of Adjustment of Slip Injection Amount for Each Robotic Routine Assembled End-Effector
END-EFFECTOR:

End-effector Mold Holder & Robotic Attachment

To further fine tune our workflow, we designed and fabricated a larger mold and a custom end-effector with aluminum extrusions. The design integrates a series of CNC foam inserts that would hold various types of mold in different initial starting orientation while also allowing for ease of interchanging of the molds for different robotic routines.

Gird System & Full Scale Mock - up

To further explore our workflow for creating geometric variations and to potentially informing future research into architectural applications such as facade screen assemblages, series of grid system studies has been done for nodebased geometry and workflow has been tested to fabricate a full scale mock-up. Node-based geometry is a versatile tool for producing intricate shapes and patterns. By adjusting the size of individual nodes, we can generate even more variation in our designs. Manipulating node size allows us to refine the overall scale and visual appeal of our design. Whether we’re aiming for dense, tightly packed grids or more open and airy structures, the spacing between nodes is also a crucial factor in achieving our desired effect. Furthermore, there are various node types and configurations to choose from, each offering distinct visual possibilities.

END-EFFECTOR: MOLD

1 type of component with same node size, 5 types of component with two types of node size.

5 6 9 4 3 2 1 13 5 4 12 4 7 9 7 10 11 8 7
1. Robotic Flex tool x1 2. M-6 Screw & T-nut for Flex tool attachment x4 3. 3030 Corner Bracket with T-nut & M-6 Screw x26 4. 400mm 3030 T-Slotted Framing w/ M8 end taps x4 5. 3030 Corner Box with M8 Screw x4 6. 185mm 3030 T-Slotted Framing x2 7. 400mm 3030 T-Slotted Framing (typ.) x9 8. 415mm 3030 T-Slotted Framing with M8 end taps x4 9. Velcro Strap for Mold Fastening x2 10. CNC Milled 3/4” Ply Base Plate x1 11. M6 & T-nut for Base Plate Mounting x8 12. CNC Milled EPS Foam Plaster Mold Support x1 13. Slip Cast Mold x1 Type A Type C Type E Type B Type D Tetrahedron Grid: Initial geometry with uniform node radius Adjusted geometry with modified node radius

Prototype for fabrication

Prototype was designed for fabrication to fully test our extended research. The prototype consists of 28 pieces based on a tetrahedral grid system for it’s symmetrical nature and 4 mold variations for fabrication feasibility.

Larger Plaster Mold Production

The plaster mold was fabricated using a 3D printed shell which liquid plaster was poured and got melted away with a heat gun after the mold has cured. The plaster mold is an 4-part mold with interchangeable lid at each node that allows for selection of injection point depending on the desired casted piece and initial starting position of the robotic routine.

The prototype consists of 28 parts with 4 different component variations with different radius at the node with different partial cast piece to fully explore the capabilities of the proposed workflow.

Production Process

Approx: 3.9 ft Approx: 3.94 ft Required Component Catalogue x 12 4 x 1 x 11
4.
5.
6.
7.
Typical Closed Node Connection Typical Partial Node Connection Assembly: Prototype - Frame 6 1 2 1 Series of custom fabricated mounting bracket were designed to attach the slip casted piece to the frame. 1. Resulting Casted Piece 2. 4 Part Plaster Mold 3. 1/8” Laser Cut MDF Laminate End Caps 4. 1/2” Tubing x1 5. Push-to-Connect Tube Fittings x1 2 6 3 5 4 3 2 2 2 3 1 32 Pattern Pieces 16 Pattern Combinations 16 Plaster Pieces 3 Pieces Done 31 Finish and put calender here 32 Pattern Pieces 8 Pieces Done 16 Pattern Combinations 16 Plaster Pieces 3 Pieces Done 31 Finish and put calender here 32 Pattern Pieces 8 Pieces Done 16 Pattern Combinations 16 Plaster Pieces 3 Pieces Done 31 Finish and put calender here
1. Robotically Slip Casted Piece
2.
Foam Cushioning
3.
1”Mounting Screw Foam Cushioning PVC Pipe Connector
Mounting Screw for Plate Connection
Concealed Plate Connection
3D Printed Mold Assembled Resulting Plaster Mold Piece 3D Printed Mold Apart
Rendering Photos
Cast Pieces Assemble details Assembled Glazed

Location:

Year:

Instructor:

Ceiling Part Prototype

Robot hot-wire cut EPS foam ceiling prototype

Philadelphia, Pennsylvania, United States 2022

Andrew Saunders, Riley Studebaker, Claire Moriarty

Partner: Shunta Moriuchi, Jingyu Luo, Renhu Wu, Shuoxuan Su

Description:

We proposed a 900 square feet speculative ceiling for the Upper Gallery of Meyerson Hall. The ceiling scape deploys a series of hierarchical variations. The variations in the depths of the lilies and the peaks form different zones under the ceiling that resembles an infinite mushroom forest. Peaks stick out like vines and low plants, and lilies bump up to create circular spots on the ground. Like getting lost in the woods, the ceiling scape stimulates the wanderlust and Deja vu feeling of the person below.

Linear Construction in Space

We chose to study the Linear Construction in Space No. 4 by Gabo in which he created ruled surfaces using bronze wires strung between curved steel rails and Pevsner’s Construction of developable Surface which used bronze, oxidized brass, and a black marble base to construct developable surfaces.

Through a careful analysis of both sculptures, we digitally reproduced the ruled surface forms through which we were able to extract and digitally model specific geometric qualities.We transposed those ruled surfaces into volumetric implications of rulings in space to deconstruct the geometric moves made by the sculptures and to depict the geometry in light and shadow for input into neural networks.

Robot Hot-wire Cut Foam Prototype

CUT A. x2 CUT B. x2 CUT C. x2 HOT WIRE DIMENSIONS 24 24

CNN (Convolutional Neural Network) Generative Design

We fed the images of these new distinct but identifiable and reproducible elements from our sculptures into the Convolutional Neural Network. Through this process, we were able to generate an outline for us to extract the threedimensional unprecedented geometric ceiling arrangements.

From Image To Production

Although CNN excels at creating two-dimensional novel designs from learned arrangements of embedded information, it lacks the knowledge and struggles to produce perfect 3D outcomes that can be built. To overcome these limitations, we modeled explicitly CNN outcome images of the selected geometry to choreographed paths for multi-axis robotic hotwire cutting routines to be prototyped, using our in-depth understanding of distinct identifiable elements and the geometric hierarchy according to shape, brightness, and stacking relationship.

7 Axis Robot Fabrication

Ceiling Design

We proposed a 900 square feet speculative ceiling for the Upper Gallery of Meyerson Hall. The ceiling scape deploys a series of hierarchical variations. The variations in the depths of the lilies and the peaks form different zones under the ceiling that resembles an infinite mushroom forest. Peaks stick out like vines and low plants, and lilies bump up to create circular spots on the ground. Like getting lost in the woods, the ceiling scape stimulates the wanderlust and Deja vu feeling of the person below.

Ceiling Plan

South Elevation

East Elevation Gallery Rendering

Location:

Year:

Instructor:

Home of the Stepwell

Religion, life, and epidemic

Dharavi, Mumbai, India

2020

Zhengwei Xia, Hengliang Tang

Partner: Haoxian Wang

Description:

Popularly known as Asia’s largest slum, Dharavi has active economic activities but poor living conditions. Such a problem is even more evident during the epidemic. People here lack proper medical treatment and a clean housing environment because they cannot protect their interests by speaking with a common voice. Therefore, many of them lost their jobs and struggled to live.

Besides, most residents here have their religious beliefs. Unfortunately they cannot fulfill their rituals because large assemblies are forbidden during the epidemic.

Concept

Based on the local features and slums dwellers' material and spiritual needs, the goal of this design is to improve their current life, maintain their rituals and make the community adaptive to the epidemic.

Lifestyle Analysis

Religious behavior sequence

Pious

Dwellers in Dharavi

Life production

Low shanty towns

Recite Scriptures

Individual Public Group

Private

Large-scale cultural events

Group praying

Living Scaffolding

Playground

Holi Festival

Roof

Commercial Industry

Stepwell: Adaptation Space Transformation

The stepwell is considered an essential monumental structure beyond its functional purpose of the source of water supply.

Besides, people can use it during the dry or rainy season, which shows adaptability due to its vertical stratification.

Commercial Shop Diwali Demostration Bidet Bath Pray ARATI

Space Strategy

Set the center of "stepwell". Split the site by traffic flow. The courtyards. Rectraction for public space. Connections and Platforms. Vertical transportation.

Site Plan

Activity Analysis

Religious Living Community Commercial Production Anti-epidemic

Religious Living Community Commercial Production Anti-epidemic

Behaviors type

Behaviors type

Use time Policies during the pandemic

The basement floor is used for production and storage activities, serving for the stores on the ground floor.

Religious Living Community Commercial Production Anti-epidemic

Behaviors type

Use time Policies during the pandemic

Public Space

People in Dharavi use to stay outside their home and communicate with neighbours or do some work in front of their homes.

New dwellers can buy a container home. Their homes can be installed on the structure by using the tower cranes.

Dewellers can plant vegetables, dry clothes, play, and do some manual work here.

Levels
1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof Pandemic Regular Regular 0 24h 0 24h 0 24h 0 24h Pandemic
Moving
Roof Dwellers Ground Wide Corridors
in Open Roof
Production and Storage
Levels
1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof Pandemic Regular Regular 0 24h 0 24h 0 24h 0 24h Pandemic
Levels
1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof Pandemic Regular Regular 0 24h 0 24h 0 24h 0 24h Pandemic
time
during the pandemic Levels Behaviors type Religious Living Community Commercial Production Anti-epidemic 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof Pandemic Regular Regular 0 24h 0 24h 0 24h 0 24h Pandemic Use time Policies during the pandemic Levels Behaviors type Religious Living Community Commercial Production Anti-epidemic 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof Pandemic Regular Regular 0 24h 0 24h 0 24h 0 24h Pandemic Use time Policies during the pandemic Levels Behaviors type
1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof 3-6F Roof Pandemic Regular Regular 0 24h 0 24h 0 24h 0 Pandemic
Use
Policies
Religious Living Community Commercial Production Anti-epidemic
Behaviors type
Anti-epidemic 1F 2F 3-6F Roof 2F 3-6F Roof Pandemic Regular Regular 0 24h 0 Pandemic
Policies
the pandemic Levels Behaviors type
1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof Pandemic Regular Regular 0 24h 0 24h 0 24h 0 24h Pandemic Use time Policies during the pandemic Levels Behaviors type Religious Living Community Commercial Production Anti-epidemic 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof Pandemic Regular Regular 0 24h 0 24h 0 24h 0 24h Pandemic Use time Policies during the pandemic Levels Behaviors type Religious Living Community Commercial Production Anti-epidemic 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof 1F 2F 3-6F Roof Pandemic Regular Regular 0 24h 0 24h 0 24h 0 24h Pandemic Use time Policies during the pandemic
Use time Policies during the pandemic Levels
Religious Living Community Commercial Production
Use time
during
Religious Living Community Commercial Production Anti-epidemic
Space distribution Level 1 Level 3 Level 3 Time distribution Perspective No restriction Plantforms Home N Assembly Courtyard Playground Temple Roof Ritual Staying at home Pandemic policies Pandemic policies Pandemic policies Pandemic policies Regular policies Regular policies Regular policies Regular policies Recreation School Ritual Community service Making handicrafting Planting Water collection Planting Water collection Recreation Recreation Religious Assembly Temporary working area Isolation treatment tents Limitation on visitors Maidir (home temple)
Level 2

Explosive View

In this design, the central plaza is the buttom of the "stepwell". It shares similar spatial sequence with the traditional indian stepwell, arousing residents' emotional resonance.

Roof

Canopy

Fixed roof

Above

Stairs

The 'temple'

Container home

First Floor

The 'temple'

Stairs

School

Ground Floor

The 'temple'

Courtyard

Playground

Retail store

Tower crane Open plantform Community service Production area
Rendering

Container Home

Family members: one pair of parents, three children

Containers used: 6m*2.1m*2.7m*2

Decoration elements

Originated from Hinduism

Family members: one pair of parents, two teenagers, four children

Containers used: 6m*2.1m*2.7m*1, 12m*2.1m*2.7m*2 Center

Section A-A

Storage
Seat modules Shelves Hidden table Hidden beds
home Variable modules
modules
Temple in the
Dining room & living room
Living room & bedroom
space
and tables Storage Personal area Sub center Temple in the home Intensively living Privicy Room for teenagers of different genders Located in the north-east of the home. Room for 4 children 1 Stores 2 Courtyard 3 Playground 4 Corridor 5 School 6 Entrance hall 7 Container home 8 Vacant position 9 Roof 10 Open platform 11 Staircase Legend ±0.000 5.000m -0.200m 9.000m 12.000m 15.000m 18.000m 20.900m 23.600m 1 2 2 3 4 4 6 1 1 1 5 7 7 11 9 10 10 10 9 9 9 7 7 5 5 5
Seats

Location:

Year:

Instructor:

Partners:

Description:

Reindustry Center

The renaissance of automotive industry

Detroit, United States

2021

In this context, we predict boldly that the model of internal-centralized production will regain its importance in the near future. The Detroit, which was trying hard to return to its roots as a vibrant city center in the past decades, was emptied the streets again by pandemic.

Therefore, we decide to propose our skyscraper design solution in the motor city Detroit, aiming to revive the development and transformation of traditional industrial cities.

Guosheng Chen Yifei Fan, Wenxuan Tang, Yiyue Su

Due to the pandemic, the industrial globalization was impacted heavily. However, the current situation provides an opportunity for those industrial cities which declined under globalization to revive again. In terms of production, the pandemic will certainly not terminate the industrial globalization, but it will help transform the globalization into a new form, a form of regional, limited globalization. Strikes and lockouts happening all around world right now reminds every country that it is important to have its own industrial chain.

During this crisis, however, Tesla, a new giant of car industry emerged. Apart from its main service of electric vehicles showing its concern on the environment, the key factor that contribute Tesla's being a game changer is the Tesla Gigafactory, which is designed to be a net zero energy factory and one of the largest building on earth. The Gigafactory include not only the assembly line, but also the production of batteries and electricity generation. In the Gigafactory, the designing apartment work closely with the producing apartment, which make it easier for new technoloy to put in to use and get the feedback in the first moment. All of these could are good examples for the traditional car makers to imitate.

As one of the biggest cities in the United States, Detroit was the symbol and prize of American industry. However, due to the decline of the motor industry, the factories were discarded, and the population declined rapidly downtown. The once prosperous city was filled with violent crimes, a high unemployment rate and a severe financial crisis. The pandemic made people try so hard to change back to the original point.

Industrial chain process

Considering the current situation, we propose to establish a vertical factory in the form of skyscrapers, which allows for a complete production chain of the automobile. The skyscraper is armed with energy production, raw material transportation, product development, production and assembly, performance testing, tourist etc.

Cost of production Economic level Poverty rate Unemployment rate
Site analysis
Global industry recession
Social changes

In terms of the design, we decide to revive the famous high-tech style after combing the historical facers and industrial background of Detroit. The goal is to change the current situation of the city by emphasizing on the development of science and technology, as well as making it regain its confidence.

The newest fusion generator on the roof will provide clean energy for the operation for the whole skyscraper. The production workshops in the center each have their own responsibilities to produce assembly component for the assembly line.

On both sides of the tower are office area for staff. The side-building also serves the function of transporting people to different higher platform.

The assembled car will be temporarily stored in the cylindrical parking area at the bottom, waiting to be tested and sold.

South Facade
Fission Reactor Office area Container elevator Assembly line Testing Track Car lifter Sales center Cylindrical parking

The main body of the building with the spiral conveyor belt around makes all the steps of production and the assembly more efficient.

At the bottom is a user experience center where the public interact with the product. People can see the testing and professional equipment of the cars. Moreover, they can complete test drive experience on the outdoor runway directly.

Typical plan
Rooftop Equipment Vertical Parking Ground Floor Testing Track Cylindrical parking

Location:

Year:

Instructor:

Description:

Suzhou Art Museum

Modern transformaion of tradition building style

Suzhou, China 2020

Guosheng Chen, Zhengwei Xia

Individual Work

Suzhou is a city with profound cultural deposits, including classical gardens, ancient buildings and old streets. And the site is located in Suzhou Industrial Area that has been developing rapidly since 1994.

Next to the site is the Xietang Old Street, a famous antique commercial street that attracts visitors from all over the city. The art museum is designed to respond to the history of the site and combine it with the modern way of design.

Site Analysis

GARDEN

RESIDENTIAL

MUSEUM

XIETANGRIVERHISTORICDISTRICT BIKE PARKING

Space Strategy

Functional arrangement

The museum is located next to the historic district, offering parking lots for this area. The garden plays a transitional role.

RESIDENTIAL

Main exhibition

The main exhibition room is a spirling linear space. Visitors can enjoy the view of the river and the historic district at the end.

Temporary exhibition

The temporary exhibition room is the reverse extension of the main exibition room, which is semi-underground.

XIETANGRIVERHISTORICDISTRICT

Auxiliary area

The auxiliary area half-encloses the visiting area, allowing more connections.

Space optimization

Smooth the surface for the entrance and extrude new volume, a slope, connect the exit of the main exhibition room and the ground level.

The lecture hall

The volume of the lecture hall is extruded near the starting point of the main exhibition. Its roof can be used as a garden for the visitors.

THE SITE is located in Soochow Industrial Area that has been developing rapidly since 1994. Soochow is a city with profound cultural deposits. There are many classical gardens and ancient buildings here.

SURROUNDING the site is Xietang Old Street, which has a history of more than 760 years and has been rebuilt several times. Nowadays, it is an antique commercial street that has been completely rebuilt in the past few years.

THE CONCEPT

The exhibition space is spirling linear space, which reminds the visitors of traditional scroll painting. They can enjoy the art work and the view of Xietang Old Street at the same time.

The new buildings are incompatible with the old street.

Space Evolution

Through addition, overlapping, reduction, and separation, the intersection of two linear spaces, one spirling and one semicircular, generates multiple space types.

We do not want our life to be disturbed by tourists.

Methods

Addition Overlapping

It is enjoyable to sit by the river.

It takes hours to come here.

Prototypes Combination

I feel like I was in a traditional chinese painting.

Exhibition rooms Exhibition rooms Gathering space Exhibition rooms Office rooms

THE BEGINNING THE END SHOW CONTINUES TAKE A BREAK REDISCOVER FULLY REVEALED EMERGE SHOW BEGINS TRANSITION
LINEAR SPACE HORIZONTAL ROTATION VERTICAL STRETCH
CAR PARKING BIKE PARKING GARDEN
MUSEUM BIKE PARKING
MUSEUM RESIDENTIAL XIETANGRIVERHISTORICDISTRICT CAR PARKING
GARDEN
XIETANGRIVER DISTRICT
CAR PARKING
Reduction Seperation

Floor Plan

SECOND FLOOR

Explosive View

GROUND FLOOR

BASEMENT FLOOR

1 Cafe 2 Lobby 3 Tickets 4 Gift Shop 5 Guard 6 Lecture Hall 7 Restroom 8 Long-term Exhibitions 9 Temporary Exhibitions 10 Research Center 11 Over the Atrium 12 Atrium 13 Office 14 Workshop 15 Storage 16 Monitor Room 17 Temporary Storage Room 18 Reception Room 19 Meeting Room 20 Over the Lobby 21 Auxiliary 11 20 18 13 13 13 13 13 7 7 7 7 1 2 3 5 6 9 9 14 14 14 14 14 15 15 15 15 15 15 5 21 12 7 7 7 7 10 10 10 19 4 19 9 8 11 9 9 9 9
Office corridor Temporary exhibition Transition area Entrance hall Basement Ground Floor Second Floor Collection Cultural center Auxiliary Exhibition Exhibition Exhibition Storage Cataloging room Photo studio Mounting room Repairing room Monitor room Office Library Workshop Digital experience Lecture hall Office Meeting room Reception room Parking lot Temporary exhibition Parking lot Temporary exhibition Long-term exhibition Cafe Gift shop Long-term exhibition A A

Temporary

The Art Museum creates different exhibition spaces. Through penetration and dislocation of different kinds of space, the design breaks the isolation of different rooms. The whole museum is covered by the roof, which inherits traditional Chinese roofs' basic form and structure but differs from that in material and building techniques. So the new roof can be more stable and versatile to provide more possibilities to the space under the roof.

Internal Courtyard

Details

Exhibitions ±0.00m +5.00m -4.00m
Section A-A Construction

Location:

Year:

Instructor:

Description:

SUDA Gymnasium

Tensile membrane structure

Suzhou, China

2021

The gymnasium is designed for students at Soochow University. In this design, I used the tensile membrane structure to create a natural and organic environment that benefits students physically and mentally.

Apart from holding large sports events, this gymnasium can also be used by every student for everyday exercise and club activities. The running track on the second floor is open to students and also stabilises the whole structure.

Biao Wang, Hengliang Tang Individual Work

Function Analysis Flow Analysis

Structure Analysis

North Elevation
Elevation Audience Athelete Office VIP Media Runner Track Verticle Transport Club VIP Office Media Equipment Audience Athelete Glass panel Cable Membrane Membrane Concrete collumn Steel structure Steel Frame Storage Storage Track Office Checking room Clubs -4.400 -4.400 -1.200 ±0.000 4.560 ±0.000 4.400 8.560 Entrance hall Equipment Tension Analysis Low High Membrane Membrane Steel truss Steel structure VIP room Second floor Track
South

Ground Floor Plan

Second Floor Plan

Interior Rendering

Construction Details

Basement Plan

Manual Model

±0.000 4.560 -4.400 270 270 270 走道 检录处 检录处 走道 静压箱 静压箱 钢化夹层玻璃 看台栏板 水平承载力≥3KN 静压箱 跑道休息区 跑道 杂物间 钢化夹层玻璃 钢化夹层玻璃 EPDM颗粒面层 全塑缓冲层 底涂 结构层 环屏 棚 看台栏板 水平承载力≥3KN 安检门 棚
-4.400 运动员休息室 接待室 训练场地 储藏室 储藏室 储藏室 储藏室 采编室 播音室 声控室 接待室 办公室 办公室 会议室 指挥室 仲裁录放 数据处理 计时 会议室 打字 洗手间 洗手间 洗手间 洗手间 洗手间 洗手间 淋浴室 淋浴室 洗手间 洗手间 洗手间 淋浴室 运动员休息室 教练休息室 洗手间 颁奖 等候室 淋浴室 裁判休息室 兴奋剂检测室 检录室 设备 显示屏 控制与转换 设备 设备 设备 清洁间 清洁间 清洁间 清洁间 清洁间 清洁间 医务室 设备 设备 设备 设备 设备 储藏室 储藏室 设备 设备 设备 器材存储 4.560 4.560 4.660 4.560 4.560 4.400 4.400 社团活动室 门厅上空 运动场上空 社团活动室 VIP包厢 社团活动室 社团活动室 下 下 上 上 上 上 下 ±0.000 商店 商店 商店 商店 商店 商店 商店 商店 服务台 安检 媒体休息室 新闻发布室 贵宾休息室 门厅 门厅 储藏室 茶水间 随行人员 休息室 ±0.000 ±0.000 ±0.000 ±0.000 ±0.000 ±0.000 -1.200 -1.200 -1.200 -2.800
http://franklinwu.com/
Installations Website
Re: Weathering Generating Spatial Hybrids with 3DGANS BESO + Swarm Convolutional Neural Network
Drawings
Other Works

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.