Julia Pressman

(don't)

blink

Change

It

goodbye It'sIt's goodbye forfor nownow

It's goodbye for now It's It'sIt's goodbye goodbye for for now now It's goodbye goodbye for nowfor now It's goodbye for now t's goodbye It's for goodbye now for now It's goodbye for now

mm

Regret

II know know we we both both made made mistakes mistakes

m

......But we don't care But we don't care

... But we don't care

beautiful/sublime

Moral Culpability and

Free Will

Hereis isthethetrick trick Here

Here is the trick Here is the trick Here is the trick

Here is the trick Here is the trick

Shedding Skin

Strict ac Strict action needs

Strict Strictaca

ction needs to be taken s to be taken

ction needs action needstotobebetaken taken

are your hands down on the earth

are are yo

are your downdown on th are hands your hands

e your hands down on the our hands down on the earthearth

heonearth the earth

Thought

isolation v solitude

i did i didnotnotwant wantto todisappoint disappointhimhim i didi did notnot want i did not want to disappoint wantto disappoint to disappoint

Thoughts and feelings

it does not matter it does not matter it does not matter it does not matter it does not matter

Wrap Up What did you notice about the way you responded to the prompts. Did it change through out the project?

I noticed that the way I responded didn't obviously draw inspiration from my pieces. The connections were usually ones I had made in my head. It did not change throughout the project.

Give some examples of how the visual informed your writing. What was your favorite prompt and why?

What were your favorite materials and why?

My favorite prompt was the one where I wrote the letter that later inspired my prose.

My favorite materials were when we used charcoal because I love the outcome. It looks like wallpaper.

Give a specific example of places you took risks in your photography, art projects, and writing, explain how they are risks. Address both formal/structural risks and content related risks.

A risk I took in my artwork is that I would just start without really thinking about what my direction would be.

Which was the point, but it was also scary.

What are some consistencies you notice in the formal qualities of your works? Are there things you always do? Is your line quality consistent, is your compositional arrangement consistent?

Something I always do is go over a line twice. This either makes it thicker or just makes another line right next to it. I don't know if I like that I do that or not.

What are some consistencies you notice in the conceptual approach you took to your pieces. Do they have a consistent mood? Do they have a consistent energy?

I didn't especially notice a consistency in my artworks as much as I did my quick writes. If I had to pick one consistency, I would say that I tried my best in all of them

Here is a list of themes I would like to explore in a thematic project for the rest of the semester.

1. childhood 2. growing up 3. capturing moments 4. re connection 5. looking to the future 6. strangers 7. sharing 8. community 9. luck 10. culture