Beat 1589

Issue N o 1589

August 16 2017 Free

Nazoranai/Live N Local/Brooke Taylor/Rival Fire/Tami Neilson

SOUL IN THE CELLAR

YOUR WINTER

ACLAND PLAZA POP UP PARTY

MUSIC FESTIVAL BEAT

SUNDAY

MAGAZINE

SESSIONS

PARTY

#LIVENLOCAL

19 – 26 AUGUST 2017 FREE LIVE MUSIC PERFORMANCES

FREE ARTIST DEVELOPMENT

HORNS OF LEROY THE REBELLES MASTERCLASS FOR FEMALE DJ EMMA PEEL LA BASTARD EMILEE SOUTH MUSIC PRODUCERS SAE LIVE MUSIC SID O’NEILL SENEGAMBIAN JAZZ BAND RECORDING WORKSHOP THE MUSO’S JESS RIBEIRO XANI KOLAC GUIDE FOR LIVING LAWFULLY SOUNDS BENNY WALKER JOSHUA TAVARES AUSTRALIA: EXPORTING IN 2017 AND SIMON BURKE THANDO FULTON STREET BEYOND WHAT MAKES A GREAT MIX? MAYFIELD BATZ COWSMUFF MUSICAL MELTING POT THE ART OF THEE WYLDE OSCARS HACHIKU MAXON COLLABORATION WRITE AND RELEASE: MONIQUE DIMATTINA DUO AGOGO SONGWRITING PANEL MUSIC BUSINESS: VANESSA FERNANDEZ TRIO RAS JAHKNOW FUNDING AND LAW DEMYSTIFYING ADAM RUDEGEAIR AND BEN CHRISTENSEN PRODUCTION SO YOU CAN FEEL CONFIDENT BLACK IS VINYL BROOKE TAYLOR TALKING WITH STUDIOS SUCCESSFUL AND DELSINKI RECORDS JAM JAR ARTIST MANAGEMENT AND MARKETING AVENIDA SOUL THE NORTHERN FOLK BEYOND THE SONG: DIVERSIFYING SKILLS ELWOOD COMMUNITY CHOIR AND MORE! AND DISCOVERING PATHWAYS

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Tuesday2828March March Tuesday

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OpenThursday from 2pm Mon -Friday Thu, 12pm Fri Sun Open from Mon Thu, -&-12pm Sun Open-from 2pm Mon -Fri Thu, FriMambo -29Sun Anna Smyrk Trio Losumo Dirty Lopez his Sax Prospects YES QUEEN Secret2pm Native Don’t Thank Me Melody Moon 27 April 2812pm April Saturday April Unpainted Sunday 30 April 250 High st, Northcote Hill / wesleyanne.com.au /9482 1333 6pm free front bar 6pm free front bar 6pm free front bar 4pm $7 + Callum Gentleman 6pm Spank Me /9482 Out Open Wide’ 250High Highst, st,Northcote Northcote Hillbar wesleyanne.com.au /9482 1333 ‘Wings 250 Hill / /wesleyanne.com.au 1333 Shaky Stillsfree front Liana & The Perolas Bossa Brunswick Elbow Room Concert 6pm free front bar

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THE

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MRS SM I T H from T R I V2pm I A , 8PM Open Mon - Thu, 12pm Fri - Sun HHOOTTEELL

250 FREE WEDNESDAYS WEDNESDAYS

6.30PM

HighFRIDAY st, Northcote Hill / wesleyanne.com.au /9482 1333 24 MARCH

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RCH FRIDAY 24 MA

250High Northcote Hill wesleyanne.com.au /94821333 1333 E DHill I N/ /wesleyanne.com.au B U R G H /9482 LOBBCRst,Rst,KEENorthcote O’CHigh BEER250 NNDA DANN C A S T L E

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SATURDAY 25 MARCH FFOORWA H OT E L RWARTRTD HD HEE

CHARLES WESTON HOTEL

ES IKIKN U D UR RG GH H MMOO EN EB E BBB ELLLOW LOW BBEEEERR OO’C’CLLOOCCFKFRKRESEE ODA DJEAEDJROOEVV&SD&SWINE C LLEE C14 A AHSSO TTT PUB BINGO WITH TRE SPARKS EL AP MARCH 20 25 L Y RI U DA TH UR SAT

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9PM 9PM -9.5 -9.5 6PM EEN EEN6PM S SBETW BETW PINT FORPINT TIMEFOR THETIME PAY PAYTHE

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WEDNESDAYS PROSPECTS

GARDEN M 5PM R SFREE S BEER MIT H T R I V I A , 8PM

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$

L FRI 21 APRI

& SA L A D

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.99

9PM FREE BEER GARDEN

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E W I S CO L E M A N (CAC T U S C H A N N E L ) SATURDAY MARCH SATURDAY2525H MARCH O TW/ELL SATURDAY 26 MARCH

TUESDAYS

8.30PM FREE FRONT BAR $12UNPAINTED BURGERS UNPAINTED DA N I KA S BAR MITH WEDNESDAYS WEDNESDAYS RTG EEIS E EISTT 5PM FREE FRONT ZEIFTG FRIDAY 21 APRIL ZIGGYGYZEI PROSPECTS PROSPECTS M LALACHCHLALANENEOUOUSS&&ZIG 9.59P 6PM$12 PIE NIGHT EEN BETW PINTS PAY THE TIME FOR PM

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DJ && LL D DJ’ S’ S CCHHI IP PS SA D TUESDAYS THURSDAYSS TS HU R SSA DAY 1A 8A M AY EPR THURSDAY 17 AUGUST DJ ER MD OTN & IPA A -E $ 1E 5

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9PM FREE BEER GARDEN

Wednesday $12 Vege Night

Thursdays Trivia with Conor

5PM FREE FRONT BAR

MONDAYS OFRI O BE &BEFORE W E 6PM $ 16PM 4 . 99 $ 15 F THURSDAYS CO BURG L AGE R MMON O N - R-FRI FOI N RE $15J UGS JUGSOOF COBURG LAGER

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Tuesdays Sunday 23rd April MON-THU WESTON HOTEL@GMAIL.COM Piano Karaoke Thursdays PM MON-THU FRI-SUN FRI-SUN CHARLES CHARLES WESTON HOTEL@GMAIL.COM 6.30 681 SYDNEY RD. BRUNSWICK, (03)9386 7580 681 SYDNEY RD. BRUNSWICK, (03)9386 7580 Jersey Bob + Hugh McGinlay 3PM3PM TO LATE TO LATE US AUSBELL ON 9380 87778777 TO LATE NOON NOON TO LATE OR GIVE OR GIVE A BELL ON 9380 $ 15 JU GS OF COBU R G L AGE R M ON - FR I B EFO RE 6PM $15 COBURG LAGER F WWW.EDINBURGHCASTLE.NET.AU R EE WWW.EDINBURGHCASTLE.NET.AU LOSUMO 6.30PM w/ Lisa Crawley 7.30pm 5PM FREE Trivia with Connor 9PM

+

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Tuesdays 2-4-1 Pizza

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band bookings 9689 7088

reverencehotel@gmail.com

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JOHNNY ROCK 5

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CASH/BLOODY AZTEC T Y M PA N O

M A R E YA 9

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THE JACKRABBITS THE GLORY HOLE KITCHEN, NOW OPEN DAILY FROM 3PM

UPCOMING TOURS

BY MJR PRESENTS

Tickets and information at mjrpresents.com BEAT.COM.AU

7

Contents

Issue N o 1589

10

News

16

Industry

18

Arts Guide

20

Beat Eats Electronic Hip Hop

21

All Ages Metal Punk

Rival Fire Page. 26

22

Gang of Youths

24

Footscray City Films

25

Live N Local

26

Nazoranai Rival Fire

27

Tami Neilson Brooke Taylor

Tami Neilson

Footscray City Films

Page. 27

32

Live

33

Gig Guide

38

Guitar Station Crossword

Advertising: Thom Parry (Hospitality/Bars/Music) thom@beat.com.au Nicholas Simonsen (Backstage/Musical Equipment) mixdown@beat.com.au Georgia Spanos (Campaigns/Special Projects/Music) georgia@furstmedia.com.au Classifieds: classifieds@beat.com.au Gig Guide Submissions: now online at beat.com.au Accountant: Accountant@furstmedia.com.au

Office Manager: Lizzie Dynon Accounts Receivable: Accounts@furstmedia.com.au Distribution: Free every Wednesday to over 2000 points around Melbourne. Wanna get BEAT? Email distribution@beat.com.au Contributing Photographers: Tony Proudfoot, David Harris, Zo Damage, Lee Easton, Lewis Nixon, Shaina Glenny, Michael Woods, Andrew Bibby, Sally Townsend Senior Contributor: Patrick Emery

@section8melbourne

BEAT.COM.AU

Profiles

@breakfastspread

8

30

Social

Sheeeeeeesh, what a week. The Meredith lineup is out, and while I’m sure you don’t need me to tell you twice, safe to say it’s an absolute cracker. I can hear the sounds of tinnies cracking in the Sup’ already. But while festival season proper is still quite a few issues away (this is how all employees of Beat Magazine measure time) there’s still a bunch of topnotch events happening to get us through the final icy clutches of this dwindling winter.

Case in point, Supersense: Festival of the Ecstatic is just around the corner ± and it’s set to be something absolutely special. Check out our feature interview with Nazoranai for the lowdown. On the other end of the spectrum, The Oldie’s Decade of Dickhead bender is well underway. Put simply, the lineup is fucked-up good every night of the week. Make sure to check out our socials daily as we fill you in on who is playing.

As for this week’s magazine, we’ve got Gang of Youths gracing the cover who are churning out first-class music Australia can be proud of. Plus, their frontman Dave Le’aupepe has to be one of the most handsome fellas out there. Right up there with Thom “from Beat” Parry. Oh, and we’re throwing a party this Saturday. It’s free, there’s live music and you’re invited. Catch you for a boogie at Starward Distillery. Come say g’day.

Publisher: Furst Media Pty Ltd. Editor: James Di Fabrizio Music Editor: Gloria Brancatisano Editorial Assistants: Dominique McCusker, Tom Parker, Jacob Colliver, Kate Streader, Jessica Over Managing Director: Patrick Carr Production Manager: Ben Driscoll Graphic Designers: Michael Cusack, Lizzie Dynon, Ben Driscoll

Reviews

Page. 28

Editor’s Note With James Di Fabrizio

28

@beatmagazine

@BeatMagazine

@beatmagazine

facebook.com/beatmag

Senior Photographer: Ian Laidlaw Columnists: Joe Hansen, Peter Hodgson, Michael Cusack, Christie Eliezer, Georgia Spanos, Vanessa Valenzuela, Lachlan Kanoniuk Contributors: Graham Blackley, Gloria Brancatisano, Alexander Crowden, Joe Hansen, Peter Hodgson, Lachlan Kanoniuk, Adam Norris, Dan Watt, Augustus Welby, Alex Watts, David James Young, Bronius Zumeris, Natalie Rogers, James Di Fabrizio, Lee Spencer Michaelsen, Isabelle Oderberg, Holly Pereira, Nathan Quattruci, Ryan Najelski, Julia Sansone, Claire Morley, Lee

Seeing a live show this weekend?

Tag us at @beatmagazine to be featured.

Parker, Benjamin Potter, Michael Cusack, Lizzie Dynon, Georgia Spanos, Abbey Lew-Kee, Tom Parker, David Ohaion, Luke Fussell, Dan Wallwork, Jacob Colliver, Jemma King, Jack Stavrakis, Anna Rose, Samuel Gaffney, Kate Streader, Jimmy Hall, Cat Woods, Paul Waxman, Anythony Furci. www.furstmedia.com.au © 2017 Furst Media Pty Ltd. No part may be reproduced without the consent of the copyright holder.

BEAT.COM.AU

9

Buena Vista Social Club

News

News Todd Terje

The Meredith Music Festival 2017 Lineup Is Here After much speculation, the 2017 Meredith lineup is locked in. Taking to the Sup’ for this year’s festival is Todd Terje & The Olsens, Noname, ESG, !!!, Total Control, Warpaint, Downtown Boys, Big Thief, Mark Seymour & The Undertow, Aldous Harding, Harvey Sutherland & Bermuda and Japanese Breakfast. They’ll be joined by Pissed Jeans, RVG, Amyl & The Sniffers, The Teskey Brothers, DJ Jnett, The Senegambian Jazz Band, Rings Around Saturn, Various Asses, Kikagaku Moyo, and Future Islands - with more to come. Meredith Music Festival goes down Friday December 8 Sunday December 10.

— Friday 18 Aug —

Smells Like The 90’s — Saturday 19 Aug —

Thaitanium — Saturday 26 Aug —

Richie Kotzen — Friday 01 Sept —

Peven Everett (USA) — Saturday 02 Sept —

NZBZ — Tuesday 12 Sept —

Mew — Thursday 14 Sept —

Arcturus (NOR) & Blood Incantation (USA) — Saturday 16 Sept —

Make Them Suffer — Friday 22 Sept —

Ampon Lampoon

Stevie Nicks

The Triple R Radiothon

supported by Ali Barter

prizes

Making a long-awaited return for an exclusive run of her 24 Karat Gold tour, Stevie Nicks will work through hits from her illustrious career. Coming along for the ride will be Pretenders – who recently completed a sold-out tour alongside Nicks to rave reviews – and support from Ali Barter. As a solo artist and as part of Fleetwood Mac, Nicks has sold more than 140 million albums and landed several Grammys. See Nicks at A Day on the Green at Rochford Wines, Yarra Valley on Saturday November 18. Tickets via Live Nation.

Triple R are on the hunt for calls, donations and subscriptions to support their integral operation. Facilitating an avenue for local music to be heard and appreciated, Triple R is the archetype of community radio in Melbourne. Subscribe before Sunday September 20 to go in the running for some stellar prizes, including tickets to BIGSOUND, a Meredith and Golden Plains season pass, or a collection of every Triple R Album of the Week for the past year. Tell ‘em a scary story via the panic line on (03) 9388 1027 or subscribe via the Triple R website.

GZA

Schoolboy Q

Founding member of The Wu-Tang Clan, GZA will be touching down in Australia for a handful of shows as part of his Australian tour. The hip hop legend has earned his status through his high energy live performances and the lyrical genius displayed across his solo albums such as Liquid Swords. The tour will be GZA’s first Australian appearances since his last solo tour in 2012 and will see him performing in Adelaide, Brisbane, Sydney, Perth and Melbourne. GZA hits Max Watt’s on Saturday November 18. Tickets are on sale now via Metropolis Touring.

Beyond The Valley have lifted the lid off their first artist for this year’s festival, promising that the rest of the lineup is equally epic.

US hip hop kingpin Schoolboy Q is still raking in accolades in the wake of his 2016 second major-label album Blank Face.

With top-notch food, drink, deluxe camping and a hand-picked selection of some of the most exciting musical acts out there, Beyond The Valley has become a favourite destination for NYE revelers. Beyond the Valley goes down at Lardner Park, Warragul from Thursday December 28 - Monday January 1.

Touring with Pretenders,

Got a scary story? You could win some rad

— Saturday 23 Sept —

Teen Vibes Ft. In Stereo & Faydee — Saturday 30 Sept —

Caligula’s Horse — Tuesday 10 Oct —

Napalm Death — Friday 27 Oct —

Mammal — Saturday 28 Oct —

The Ultimate Michael Jackson Experience — Wednesday 08 Nov —

The Melvins (SOLD OUT)

The hip hop master returns for a national tour

To headline Beyond The Valley

— Friday 10 Nov —

Mono — Saturday 18 Nov —

GZA - The Genius Tickets & Info: MAXWATTS.COM.AU facebook: @maxwattsmelb instagram: @maxwattsvenue VENUE HIRE ENQUIRES bookings.melbourne@maxwatts.com.au

125 Swanston St, Melbourne

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Strawberry Fields Festival Just Announced Loads More Acts Strawberry Fields Festival is just around the corner and they’ve gone and added a whole heap of new acts to the already-exciting bill. A string of international acts will be appearing, including Extrawelt, Matthias Mayer, Tim Engleheardt, Virginia, Daniel Avery, AFTA-1, Tall Black Guy, Masego, Luca Lozano, and Gabriel Garzon-Montano, as well as homegrown talent Allysha Joy, Sampology, John Course, Big Words, Nasty Mars and loads more. Strawberry Fields runs Friday November 17 Sunday November 19. Get in quick - the final round of tickets are on sale now via the festival’s website.

For ticketing and more information

All tickets sold online via Sticky Tickets. Ticket includes entry and free camping. Once booked, tickets cannot be returned or exchanged. This is an all age family event. Strictly NO GLASS inside the festival. BYO alcohol, chairs and camping accessories.

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11

News

We’re Throwing A Free Party And You’re Invited We’ve teamed up with our mates over at Live N Local to put together a ripping lineup of Melbourne rock ‘n’ rollers, including The Vasco Era’s Sid O’Neill, La Bastard and Emilee South. As for the venue, we’re throwing it down at Starward Distillery ± meaning there’ll be bulk whiskey cocktails on offer for you, as well as a handpicked selection of local food trucks to keep everyone well fed. Plus, it’s free, just how we all like it. It’s all going down Saturday August 19 at Starward Distillery. Make sure you RSVP through Eventbrite.

band bookings 9689 7088

reverencehotel@gmail.com

16

7

8

JOHNNY ROCK 5

9

CASH BLOODY AZTEC T Y M PA N O

M A R E YA 9

7

LAZER BRAINS gladstone as a rival 2

under the gut 3

patrick eaton jack lundie quinton Trembath the rev kitchen hours

Tues ($3 tacos only) 6pm-9pm. wed/thurs/fri 5.30pm-9:30pm.

SAT 1pm - 9:30pm & SUN 1pm-8.30pm

Ariel Pink

Leads Melbourne Music Week program Los Angeles songwriter and hypnagogic pop pioneer Ariel Pink will return to Australia for the first time since 2015 to celebrate the release of his forthcoming album, Dedicated to Bobby Jameson (which celebrates the eponymous American singer/songwriter who passed away in 2015). Performing with his band as part of Melbourne Music Week, Pink’s recently released new track Feels Like Heaven is the first taste of the album, due for release on Friday September 15. See Ariel Pink at Melbourne Recital Hall on Tuesday November 21.

Tickets via Melbourne Recital Centre.

Dean Lewis

The ‘Waves’ singer announces a debut national tour Dean Lewis ± the man behind inescapable hit Waves ± is set to cross Australia with his debut national tour. Lewis is currently earning a sweet reputation, turning heads at festivals both at home and overseas with standout sets at Groovin the Moo and the Great Escape Festival in the UK. Lewis has been moving from strength to strength ± dropping new single Lose My Mind, Waves has climbed to #12 on the ARIA singles chart, becoming certified Australian Double Platinum. Dean Lewis will perform at The Corner Hotel on Friday November 24. Tickets via Eventbrite.

reverencehotel.com

Wednesday 16th @ 8.00pm

‘LOMOND ACOUSTICA’

GALLIE, DON HILLMANS’ SECRET BEACH, CHRIS BUSIETTA

Thursday 17th @ 8.00pm

THE WRITERS BLOCK #30

Jack Kang, Erica Bramham, Patrick Evans, Kelly Bruhaha, Naomi Ashley, Frank Jones, Jeff Burstin

Friday 18th @ 5.30pm

MAX TEAKLES’ HONKY TONK PIANO Friday 18th @ 9.30pm

JESSE & THE BON-TON RHYTHMS (Retro R&B)

Frank Zappa 50th Anniversary Tour

Marky Ramone

The Ramones’ drummer will be

Dweezil Zappa shares his father’s legacy

bringing the hits

Dweezil Zappa will head to Melbourne and share art-rock icon Frank Zappa’s work through a series of concerts and exclusive masterclasses. Sheik Yerbouti to Zappa’s iconic 1979 double album, and unleash your inner groove to The Mothers of Invention’s stellar debut album Freak Out!. Expect Zappa to perform tracks from Lumpy Gravy, which celebrates 50 years of existence this year. He’ll be hosting strictly-limited guitar masterclasses and Q&A sessions before each show. Dweezil Zappa and his band The Others of Intention come to the Forum on Saturday February 25. Tickets via DRW Entertainment.

Marky Ramone holds the strongest lineage of The Ramones members, having been the drummer for the iconic punk outfit between 1978 and 1983, and then again from 1987 until 1996.

Marky keeps The Ramones’ spirit burning alive and will be bringing a huge haul of Ramones classics across a massive Australian tour. According to the seminal musician, the setlist will be made up of 38 Ramones songs, extending from their debut album, 1976’s The Ramones, to Pleasant Dreams and Brain Drain. Marky Ramone comes to The Croxton on Friday November 24. Tickets via Oztix.

Saturday 19th @9.30pm

MONIQUE BRUMBY BAND (Urban roots)

Sunday 20th @ 5.30 pm

MORELAND CITY SOUL REVIEW

(Chunky funk grooves)

Tuesday 22nd @ 8.00pm

IRISH SESSION (Fiddlin’ frenzy)

ALL GIGS ARE FREE 225 NICHOLSON STREET, BRUNSWICK EAST. PH 9380 1752

12

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The World’s Largest Sci-Fi Gathering Is Here After sell-out events in London and America, Walker Stalker Con is coming to Australia, offering an immersive undead experience. Five cast members from hit TV show The Walking Dead will be heading here to meet fans and participate in onstage interviews. There’ll be interactive events including a heavily-themed compound for fans of the show, a Walking Dead-inspired scavenger hunt where fans avoid zombies and gather supplies, limited edition merchandise, cosplayers and a team of tattoo artists helmed by celebrity inker Chris 51. It hits Saturday February 10 at Melbourne Showgrounds’ Pavilion. Tickets via Frontier Touring.

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13

News

The Peep Tempel Announce Final Tour Before Hiatus

FROM 7PM

W E D N E S DAY

After nine years of critically lauded albums and live sets, The Peep Tempel are heading out on a final run of national dates before entering a period of hiatus. 2017 has seen the band cruise around the country celebrating their third album Joy, as well as working through ripping performances at this year’s Golden Plains and Splendour in the Grass. Their Melbourne show is set to take place at The Forum; a fitting venue for a send-off like this. Catch them at The Forum on Friday November 3. Tickets via Wing Sing.

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Jeff Rosenstock

Severed Heads

Having recently tripped Down Under last year in support of The Smith Street Band’s Wil Wagner, US songwriter Jeff Rosenstock’s coming back, slated for festival slots at Poison City Weekender and Sounds Of The Suburbs. Rosenstock’s 2016 LP WORRY. received rich global acclaim for its foresight and inquisitive pop-punk connection. For his sixth venture here, he’ll be joined by his full band, featuring John Dedomenici, Kevin Higuchi and Mike Huguenor. Jeff Rosenstock comes to The Gasometer on Thursday September 14 and Wrangler Studios (all ages) on Sunday September 17. Tickets via Oztix.

As part of Supersense: Festival of the Ecstatic, the globallylauded Severed Heads will take over from Blonde Redhead, who have cancelled their Australian tour. Pioneers of unique electronica in a time before samplers and computers, Severed Heads’ groundbreaking production forged the way for EMB, house and glitch dance music. With an immersive live show of lush visuals, videos and lights, they’ll be joining Supersense heavy hitters like Spiritualized, Pussy Riot Theatre, Kimbra, Nazoranai and more. Supersense: Festival of the Ecstatic runs at Arts Centre Melbourne from Friday August 18 - Sunday August 20.

Nazeem Hussain

Melbourne Symphony Orchestra

Whirlwind 2017 tour around the country

Bringing some big laughs

Nazeem Hussain has a love/not-so-love relationship with Australia that is fraught with mistrust. And given the state of the world, the feeling’s mutual. Public Frenemy is the latest show to come from one of the most in demand TV and radio personalities in Australia, whose made a name for himself with countless acclaimed live shows and appearances on TV, as well as the Comedy Festival Gala. Saturday October 7 at the Yaraville Club. Tickets through yarravillelaughs.com.

The electronic pioneers play this weekend

Perform ‘West Side Story’ in season highlight A highlight of the Melbourne Symphony Orchestra’s 2017 program, West Side Story will come to life projected on a large movie screen with the orchestra performing Leonard Bernstein’s seminal score in real time. The newly re-mastered film will be screened in high definition, with original vocals and dialogue intact. The well-loved romance and tragedy – based on Shakespeare’s Romeo & Juliet – is a classic of 20th-century stage and screen, featuring choreography from Robert Wise and lyrics from the incomparable Stephen Sondheim. 2018 subscriptions are available now.

The Australian Music Vault, The New Interactive Exhibition Exploring Oz Music History Part of a groundbreaking new partnership between Arts Centre Melbourne and ARIA, The Australian Music Vault will see a special section focusing on Hall of Fame inductees with physical memorabilia and digital content, celebrating people and events that have shaped Australian contemporary music. Drawing on a rich pool of stories and items from leading performers and music identities, it will become a drawcard for all music lovers. Coming as part of the Andrew Government Government’s $22.2 million Music Works initiative, the Music Vault is set to be completed in December. Stay tuned for more information.

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Mondays WEDNESDAY 16TH AUGUST - DOORS 8:30PM

BLU-AU (BEYOND BLUE FUNDRAISER)

MOTHERSLUG // STRANGERS IN TOWN // SDNWNR // THE ONETIMES THURSDAY 17TH AUGUST - DOORS 8PM

BATTS (SINGLE LAUNCH) JACK THE FOX // ARIELA JACOBS

FRIDAY 18TH AUGUST - DOORS 8:30PM

COSMIC KAHUNA

PUBLIC HIGH // TONY DORK // BODY PARTS SATURDAY 19TH AUGUST MATINEE - DOORS 1PM

GODAM CAVEMAN

HOBO KO MODO // LOU BAKER SATURDAY 19TH AUGUST - DOORS 8PM

JAMES NORBERT IVANYI (EP LAUNCH) DYSSIDIA // LOGIC DEFIES LOGIC // THE OMNIFIC

NIEUW MONDAYS $2 POTS, $4 PINTS, $8 JUGS, $6 SPIRITS, $10 MEALS. 4PM-LATE

Tuesdays

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Fridays

DJ CASSETTE WALKMAN ROCK’N’ROLL TUNES ALL NIGHT.

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15

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17

Arts Guide

Beat’s Pick Festival

Ballarat International Foto Biennale

Supersense

A weekend away with the world’s finest One Mna Show

Kimbra

Supersense: Festival of the Ecstatic is set to inspire and amaze this weekend with a series of groundbreaking performances. Get down for sets from electronic pioneers Severed Heads, lauded singer/songwriter Kimbra, Pussy Riot Theatre and more. Friday August 18 - Sunday August 20, Arts Centre.

Comedy George’s Bar It’s huge night of laughs at George’s this week with a slew of side-splitting comics taking to the stage.

Plus, the next contestants in their ‘Are You Funnier Than George’ competition. Thursday August 17, 120 Johnston Street, Fitzroy.

Dirty Secrets Comedy Melbourne’s cosiest comedy night nestled in the heart of Collingwood. Hilarious lineups every week, with regular surprise guests dropping in.

Now an open mic night of comedy, come down from 7.30pm to sign up and perform. August 16 welcomes Nick O’Connell, Tommy Dassalo and Emily Tressider. Caz Reitops Dirty Secrets, 80 Smith St, Collingwood

Drink Drank Comedy The Drunkiest, silliest comedy show in town.

Comedians getting drunk and performing. Gets loose, gets silly, gets a little out of control. Anything can happen. Heaps of cheap drinks and also some free ones if you’re lucky. Featuring Jonahtan Schuster & Stu Daulman (ABC’s Fancy Boy) on Saturday August 19. Club Voltaire, 14 Raglan St, North Melbourne. Doors at 6.30pm for a 7pm start.

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Got some arts news we should know about?

Email James Di Fabrizio james@beat.com.au.

The 12th Ballarat International Foto Biennale is here, showcasing over 100 exhibitions from local and international artists. Headlining the creators is the acclaimed David LaChappelle with his first solo exhibition to hit Australia. Over 60 works from the commercial photographer are to be featured, drawing all the way back to the ‘80s, when his career began to blossom. The 2017 Ballarat International Foto Biennale takes over the Art Gallery of Ballarat and beyond from Saturday August 19 until Sunday September 17.

Tunnel Vision

Lucky

Black T-shirt Collection

A groundbreaking new play

Scores an encore screening

Inua Ellams’ one-man show

for MIFF

takes to the stage

Harry Dean Stanton stars as a 90-yearold atheist searching for higher meaning in this film that’s been locked in for an encore screening by popular demand.

With support from David Lynch, it’s the perfect chance to catch one of this year’s Film Festival highlights. Friday August 18 at the Comedy Theatre.

Garnering rave reviews in Britain, Inua Elllams brings his acclaimed show Black T-shirt Collection to Melbourne ± merging laid-back charisma and a melodic storytelling style to tell the tale of two Nigerian brothers that while different, share a deep bond as their lives unfold and take them on a shared journey. Tuesday September 5 - Sunday September 10, Fairfax Studio.

Kasun and Reed are brothers who run a guesthouse in a remote beach town with their friend Anya. Mara and Emil return for their annual summer visit in the midst of an unexpected disappearance of Kasun’s best friend, Andy. His absence forces them all to rethink the nature of friendship, intimacy and belonging.

Wednesday August 23 and Thursday August 24 at Union House Theatre.

Review:

The Real and Imagined History of the Elephant Man The Real and Imagined History of the Elephant Man shares the tale of Joseph Merrick; a fatally deformed man considered mentally impaired to everyone, except Joseph himself, proving as his greatest challenge of all. While Joseph is forever reminded of his supposed unfortunate reality, he continues to live in his somewhat imaginary state.

And with such a perception seen as almost philosophical, we are questioned with this: where does existence truly lie?

The storyline ± surrounding the true elephant-like deformities of Joseph Merrick during the 1860’s ± questions themes of humanity so crucial, novelists and scriptures felt recreations essential, time and time again in many forms and fashions. The Malthouse’s take from Matthew Lutton and playwright Tom Wright however, focuses not solely on Joseph’s distortions handed to him at birth, but more his internal battles to rise against them, highlighting faithfulness, honesty and above all, courage.

Almost half of the play is performed behind a mesh covering with heavy pockets of smoke blowing dramatically onto the stage as the actors perform. Possibly, this

could mirror how others hazily view Joseph at this time with their unwillingness to see him truly. It’s also important to note that all performers (except Daniel Monk as Joseph) are female and bounce between characters, genders and identities throughout. The play as well welcomes two disabled performers including the leading role.

A scene of an optimistic, giggly Joseph marks the beginning of the performance as he listens joyfully to his mother sharing the tale of his birth. She unveils that during her pregnancy an elephant almost crushed her completely, missing by an inch. Could this suggest an almost mystical, inhumane creature that is Joseph, and propose this rendition as fable-like also? We’re never to be certain, although the morals brought to question suggest it’s certainly likely.

Soon after, his mother passes, and Joseph, a boy who views himself as “the most extraordinary thing in this massive city”, is passed onto a cruel world. Then comes a saviour offering asylum at the London Hospital; a blessing so Joseph thought. Sadly, he only finds himself further trapped in a world of ignorant beings.

During his hospital stay and up until,

Joseph performs barely clothed and speaks almost nothing after his mothers passing.

Yet as we witness Joseph grow increasingly fed-up, more able, he lashes out at his carer who has been incorrectly addressing him for too long. Joseph’s first break is unveiled.

We’re soon witnessed to a fully, and smartly clothed Joseph who’s gained the confidence to denounce long-time assumptions.

Similar instances follow until Joseph finally breaks free. Free from the institution, free from assumptions, and free to exist in his imaginary state which we find ultimately, isn’t really imaginary at all.

The Real and Imagined History of The Elephant Man challenges perceptions, questions good faith and raises philosophical ideas as to where existence truly lies Ð and matters. It is made known, through character selection, stage setting and a truthful storyline, that whether you choose to live in your real or imagined state, not one can denote which is right or wrong, real or imagined.

By Georgia Spanos

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Columns With Georgia Spanos

Beat Eats

With Michael Cusack

Electronic

With Vanessa Valenzuela

Hip Hop Tkay Maidza

Are you too being controlled by your MIFF schedule? You’ve jumped the gun far too early and someway, somehow, you’ve committed to ten films, which although rich in culture and experience, is undeniably hard to co-ordinate ± especially around meal times. Don’t sweat it. I’m currently living through the busiest time of the year, with dozens of my friends asking for food recommendations prior to, in-between and after films, and I’ve thought of some pretty good spots.

City Wine Shop, my CBD go-to, is a classical Italian eatery and a superb place to enjoy a bold glass of wine and accompanying dish. The venue is thanks to the owners of The European, Supper Club, Neapoli and below my favourite bar in Melbourne ± Siglo. It goes without saying the atmosphere is a given. I like to order a glass of Sangiovese with a big heavy bowl of spaghetti meatballs and lots of cheese. The ultimate combo for when you want to slouch away and enjoy a contemporary film at one of Melbourne’s proudest accomplishments, our wondrous MIFF.

ATTN: budding electronic music producers, here’s a cool thing. This Wednesday August 16, the collective of obsessive synthesiser hoarders MESS (Melbourne Electronic Sound Studio) are having an introductory workshop to modular synthesis, and in particular, the widely used Eurorack format.

Presenting the night is veteran Eurorack user and developer Keith Fullerton Whitman, who’ll be walking attendees through the history and thinking behind modular synthesiser system, including Wally De Backer’s (AKA Gotye) History of Eurorack collection that resides at MESS. It’s going down at MESS in North Melbourne, tickets via mess.foundation.

On Friday August 18, Alleycat is back for its third instalment. Stepping into the second last chapter of their winter series are friends Babicka and Baby Björn aka Cry Baby, Steeplejack’s live cosmic excursions in new project Cutting Room, Pjenné and Sleep D. Kicks off at 10pm at the ex-adult club in 420 Lonsdale St. Free before 11.30pm.

Hannah Lockwood

Only a laneway away and you’ll find Shimbashi Soba & Sake Bar, a lighter option nutritionally, yet certainly not lighter in flavour. The venue is delightfully charming in the way Japanese always tends to be, and offers homemade soba ± hot or cold, vegetarian or meat. My picks are the salmon soba (chilled noodles with salmon sashimi, green salad and basil sauce) and tempura egg soba (chilled noodles with tempura and poached egg). I tend to order sake out of habit, although last time I noticed a ‘princess cocktail’ on the board which looked adorable and I’m dying to try it. Let me know how it is if you do.

Also on Friday, Cool Room is back at 24 Moons for season 3 - episode 8 (is this how we’re doing club nights now? sigh...ok). For this one, the team are skipping the international guest routine, instead featuring an all-Australian lineup, and it’s a ripper. Moopie is making an appearance, I’m not gonna tell you about Moopie, he’s playing somewhere every bloody weekend and he’s a god damn Melbourne treasure. I will tell you about Hannah Lockwood though, the Sydneysider is one half of techno duo Phile, an audio engineer and a modular synth master. Her music is forceful and intense, but tempered by dynamics and emotion. She’s bringing the full modular live-rig down to blow our tiny Melbourne minds and I’m psyched. Rounding out the lineup is Noise In My Head and Mariah Sliwczynski.

Hidden Spheres

Quite literally across the laneway you’ll find SPQR Pizzeria.

Yes, I’m aware my three choices don’t spread far in the slightest, although you asked for my top picks and they just so happen to be extremely close to each other, and to MIFF theatres. SPQR, who have been spinning bases and vinyl for a few good years now fire fresh, simple pizzas that taste molto bella (very beautiful). Plus, they only take 60 seconds to cook.

That means you can sit and enjoy birra or vino and listen to their fine selectors while pulling a cheesy slice of pizza apart faster than you can say MIFF. 20 BEAT.COM.AU

On Saturday Section 8 hosts Couta Beats III, a night of breezy balearic bliss. Pumping out the worldly stuff will be M5K, Senpolo, Flamingo Jones and Not Quite Disco. Go pretend you’re on a tropical island from 7pm, free entry.

On Sunday, Houses In Motion are chucking a day party at the Gasometer featuring UK producer/DJ Hidden Spheres. As a producer his sound ranges from sundrenchedhazy-lo-fi driven house, to dubbed out slow grooves with releases on labels like Lobster Theremin and Rhythm Nation. As a DJ, Hidden Spheres draws from all his musical knowledge leading to an eclectic heartfelt set connecting the musical dots with a love for house at its heart. Support comes from Millú, After Midnight Limonata, Juicy Romance and Oliver Francis. Kicks off at 3pm.

The world of women in hip hop is rapidly evolving. Successful Australian artists such as Tkay Maizda, Sampa the Great and Nai Palm of Hiatus Kaiyote have become positive role models for young women, smashing hip hop’s sexist clichés and overcoming adversity in the male-dominated industry.

As a result, a number of fearless female emcees are following their passion and slaying the local hip hop scene with their experimental sounds and empowering lyrics.

Acidic is the exciting debut single by Sydney-based newcomer Imbi the Girl. With flawless production by DeliPress, the energetic track melds elements of R&B and rap to create a soulful song that takes you on an emotional trip. Imbi’s incredible flow and inimitable sound will leave you wanting more. Her beautiful melodic voice tugs at your heartstrings, and the heartfelt hook of Acidic is bound to send shivers down your spine.

Jacquie Lomas

Eclectic hip hop artist Jacquie Lomas is known for her outspoken lyrics and eccentric style. With her rapidfire rhymes and fierce lyricism, Lomas isn’t afraid to speak her mind. Ready For War is her newest single. The hardhitting track was inspired by some of Jacquie’s experiences in the Army Reserves and her history with local government politicians. The emcee’s fierce flow is quite intimidating, dominating the beat with quick raps and a sharp tongue, while her sister Elissa Elyridge sings the chorus. Her Cognitive Dissonance EP is bound to be full of empowering songs and badass beats, so keep an eye out for a release date.

ABRA

The folks at ROAM are hosting a free art and live music event this week with a collaboration between Tkay Maizda and visual artist Ego. A visually stunning backdrop will be painted by Ego as Maizda perforvms on stage. The gig will take place at Alumbra on Thursday August 24. This is an 18+ event and you must RSVP through the ROAM Facebook page.

Atlanta’s self-proclaimed darkwave duchess, ABRA is heading to Australia for the first time this month. She’ll be accompanied by local emcees and producers from the Thank Guard family, with appearances by rising hip hop stars Manu Crook$, ALTA and Nasty Mars. The music-fuelled night will take place at The Corner Hotel on Sunday August 27.

Tickets are $25 and worth every cent.

Columns With Marissa Yudinar

With Joe Hansen

All Ages

With Peter Hodgson

Punk With Confidence

On Thursday August 17, Sydney lads With Confidence return to Australia to perform at Prince Bandroom. Talk about some pretty impressive achievements, the pop-punk band has toured with massive acts including 5 Seconds of Summer, Motion City Soundtrack, State Champs and Against the Current. Their debut record Better Weather charted at #22 on the ARIA album chart featuring their biggest singles yet Keeper and Voldemort. Recently, they released Better Weather B-Sides including two hot tracks. Not only that, Canadian emo-rock band Seaway and Liverpool’s very own WSTR will also be there to support the boys.

Check them out. Doors open at 7 and you can purchase tickets at oztix.com.au. See you all there.

Metal Colleen Green

The good people at Bone Soup have announced the debut Australian tour of California lo-fi slacker pop punk queen Colleen Green. I’ve been a fan of hers since I caught her at a show in Los Angeles a few years ago. Think tape-saturated noise-pop with equal nods to Descendents and Devo. Her debut full length Milo Goes to Compton is a great entry point, but her best moments shine on her albums Sock it to Me and I Want To Grow Up, plus her self-titled cassette EP. Catch Colleen Green at The Curtin on Thursday August 31 with Harlem and Bleeding Knees Club, as well as her own show at The Grace Darling on Thursday September 7.

Florida garage punks Jacuzzi Boys have announced their debut national tour. Garnering attention for their fuzz laden garage punk hooks and punk godfather Iggy Pop raving that, “There’s a band here in Miami called the Jacuzzi Boys. It’s a stupid name, but they’ve got a good spirit.” For newcomers to the band check out their 2015 EP Happy Damage, it’s non-stop fuzz-punk bangers. Catch Jacuzzi Boys at The Tote on Friday September 8 with locals Private Function and Würst Nürse.

Black Sabbath

Where do you think metal is headed? This is not a singleanswer question. Metal has always been diverse. Black Sabbath has very little in common with Judas Priest other than a hometown yet they’re both recognisably metal. But we’re in a time where metal has been around for almost five decades. In just a few years we’ll be celebrating the 50th anniversary of Sabbath’s debut album. That’s 50 years of metal. Go to a metal gig today and you’ll see a crowd ranging from 18 year olds to fans in their 30s who grew up on Pantera and Machine Head, from fans in their 40s and 50s who witnessed the rise of thrash, to fans in their 60s and 70s who were there from the beginning. And it’s not just the legacy acts who are drawing these crowds.

Clean Cut Society

Pulling Teeth

There are two battle of the bands this week. First off, Fuse Productions proudly presents Battle of the Sounds 2017 at Allan McLean Hall. There are six amazing acts on the lineup this year ± Asiah Vergara, Maddy Simioni , Clean Cut Society, Neeka, Sienna Rose, and James Crothers.

Plus special guests, last year’s Battle of the Sounds winner Alzzy and Reuben Stone. The show goes down this Friday August 18 at 6pm. You can purchase tickets on kingstonarts. com.au for $10 or call 1300369436 for further information.

Secondly, Boroondara FReeZA team represents Push Start Battle of the Bands featuring headliner Harbours and competing artists Creepy Flavour, Jimmy Hardwood, Lemon Daze, Neon Priest, Tram Drivers, Paper Tapir and The Avenue. This event will be held at Camberwell Civic Centre (Parkview room) at 5.30pm. Purchase tickets on trybooking.com.

Closed Casket Records has announced the debut 12” EP from new hardcore punk supergroup Fireburn. Featuring scene staples Todd Jones (Nails/Terror), Israel Joseph I (Bad Brains) and Todd Youth (Danzig/Warzone/Murphy’s Law). The band’s self-titled debut 12” EP will be released early September on Closed Casket Activities. The entire EP is currently available for streaming online now.

Baltimore metallic hardcore lords Pulling Teeth have announced a ten year re-issue of their landmark LP Martyr Immortal. A precursor to the metallic hardcore revival of the early 2010s, the record is a manic burst of death metal influenced riffs and dive-bomb insanity, all within the shell of a fast and energised hardcore framework. Remixed and remastered, the record will also feature brand new revised artwork in a gatefold sleeve. With a stream available now, the reissue will be available in September via A389 Records.

Pantera

That means there’s something universal in metal.

It’s the perfect sound to express the emotions that it by definition expresses. But there’s no one way to do it, which is why we see so many offshoots and subgenres of metal.

So given where we are with metal today, what is it going to look like in the future? I think the answer is ‘different and the same.’

I’m endlessly fascinated with the doom/stoner genre.

Of all the strains of metal, that’s the one that I feel can be traced most directly back to Sabbath ± particularly the albums Sabotage, Volume 4 and Masters Of Reality. There’s always been something of a scene for this genre but it’s huge now, and I feel like we’re one massive mainstream crossover release away from it really jumping up a level.

Clowns

Mastodon

Live around San Remo or Phillip Island? Come see Tim Guy at The Westernport this Sunday August 20. Guy is considered as one of Australia’s most unique songwriting voices, it is pretty evident if you listen to his tunes. His latest album Chords has successfully produced his best singles yet ± St. Petersburg and Tarzan. You can check them out on soundcloud or bandcamp. Purchase tickets on westernporthotel.oztix.com.au.

Melbourne punk rockers Clowns have announced yet another national tour for this September and October with fellow Melbourne blackened metal-punks Pagan. Currently touring Europe on the back of this year’s release of third full length Lucid Again, Clowns and Pagan will play The Reverence Hotel on Saturday October 28 with a rare all ages show at The Camberwell Civic Centre on Saturday October 7.

Djent is in a place where it needs to evolve, but by the nature of progressive musicians I’m sure that’s already happening. I’d love to see more of an ‘early days of thrash’inspired scene with more of a punk element, but filtered through the intervening 35 years of influence. I hear lots of Alice In Chains harmonies now, and with bands like Mastodon there’s a clear psychedelic influence. That’s going to continue to grow and evolve.

These are all things we can forecast and summarise based on what we see around us in metal right now. But what really excites me is the stuff we can’t yet envision but that will undoubtedly rise up in the years ahead. What do you think it will be? Where do you think metal will go?

BEAT.COM.AU

21

Cover Story

Gang of Youths

By Abbey Lew-Kee

Gang of Youth’s Dave Le’aupepe doesn’t want to make shit that sounds trite. He’s the kind of musician that is totally impassioned by his craft and is not satisfied making anything less than absolutely authentic music.

That’s why he let the band’s forthcoming sophomore album gestate for a good two years before he was satisfied let it out into the world. Written sporadically between New York, Los Angeles and Sydney since 2015, Go Farther In Lightness is a mammoth 78-minute effort from the Australian indie-rock juggernaut that is a true outpouring of emotion.

“We weren’t trying to be cool with [the album] because we’re not cool,” says Le’aupepe. “I just had some shit on my mind and some shit on my heart and some sad things that have happened to me in the past two years that I wanted to talk about.

“If you’re looking for something cool, or for festival bangers, then this record is decidedly not for you. But if you’re looking for something that makes you feel a little more human, then I’d say give it a shot.”

But while trying to lay bare such intense emotions on the record, the singer/songwriter laments that it was some pretty drastic writer’s block that meant he couldn’t produce the kind of substance that he wanted for a long time. This album was certainly a tough nut to crack.

“I had a lot of trouble trying to squeeze these ones out,” he says. “I’m not short of inspiration, I’m just short of ways to articulate it. Sometimes it’s hard when I’m trying to deal with so much emotion, or a tragedy, or a moment in my life that seems transformative. Sometimes I don’t know how to portray it in a way that’s ultimately beautiful.

Sometimes I just have no fucking clue.”

But while it might have been frustrating for him, ultimately it’s Le’aupepe’s commitment to making such raw and honest music – particularly with his lyricism – that is no doubt what continues to keep

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crowds coming back for more of Gang of Youths.

You can’t fake that.

Keep Me In The Open, a recent taste taken from the record, is a prime example of the songwriter’s absolute craftsmanship. It’s a slow burning, tug-atyour-heartstrings ballad that completely embodies Le’aupepe’s talent for beautifully injecting such intensity into his music.

“That song is about the collapse of a very important relationship in my life. It was formative for me to recognise that the way it turned out was ultimately not how it should have,” he says. “But I needed to come to terms with the reality that I deserved more than what I was being given and I think it [the lyric, “I deserve better than this”] is a maxim that we can all repeat to ourselves.”

Go Farther In Lightness, like other GOY material, is an honest reflection of some of the most significant moments in Le’aupepe’s life. It’s his hope that by sharing his own experiences of tragedy and healing so openly in his music, he might be able to help his audience in their healing process too. But with each track being such an emotional and onerous effort for the singer to produce, when I probe him to choose his favourite song from the record, he tells me it’s just too hard.

“I worked too fucking tirelessly on this thing to be able to pick just one,” he laughs.

“This is my job and I pour my heart and my soul into my job. It really is my life, my livelihood, and it’s a way for me to be able to express my deepest and darkest thoughts and hopefully to help people. As corny as it sounds, it really is a blood, sweat and tears kind of thing.”

Soon after the album’s release, the band is set

to step away from their new home in New York to showcase the offering on home soil. It’s something the frontman admits he is quite nervous about, because Australia’s reaction to the record truly means so much to him and the group.

“I’m fucking terrified of the home crowd reaction to be honest,” Le’aupepe says. “But who doesn’t like playing to a home crowd? It’s awesome, and we really owe Australia everything.”

Gang of Youths will then take Go Farther In Lightness to Europe and the UK for a spin, and it’s an opportunity that the band still can’t believe they get to do. They are by no means a band that has forgotten where they came from, and it’s this authenticity in their attitude, as well as their music that also continues to draw them so much local and international praise.

“I thought that as a poor kid from Sydney who came from nothing. I would never have gone to some of these places, and now, low-and-behold, I am,” says Le’aupepe. “But we’ve built something that allows us to go and see the world, to embrace people, and to attempt to make a difference in their lives through the thing that we love doing most, and we are so fucking grateful for that.”

“If you’re looking for something cool, or for festival bangers, then this record is decidedly not for you. But if you’re looking for something that makes you feel a little more human, then I’d say give it a shot.”

Gang of Youths will release Go Farther In Lightness on Friday August 18 via Mosy Recordings/Verge via Sony Music. They’ll play Festival Hall on Wednesday September 6 with support from Gordi and Fountaineer.

This Space Could Be Yours

DEBUT SINGLE OUT NOW ON + email mixdown@beat.com.au to book your place

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FIND IT WHERE YOU FIND MUSIC & MUSIC GEAR MIXDOWNMAG.COM.AU BEAT.COM.AU 23

Arts Feature

Footscray City Films

By James Di Fabrizio

LIVE MUSIC THIS WEEK:

A LWAY S F R E E E N T RY FRIDAY 18TH AUGUST 9PM

Tape Launch Cormcj & Haskings SATURDAY 19TH AUGUST 8PM

Happy Lonesome Devours SUNDAY 20TH AUGUST 5PM

JVG Guitar Method COMING SOON

SALAD BOYS RARE BIRDS

$8 pints

MON-THU 4-7PM

free pool

197A BRUNSWICK STREET, FITZROY LABOURINVAIN.COM.AU

Wed 16th Aug

WINE, WHISKEY, WOMEN:

Macaila Eve Miller 7pm: Tuesday Open Mic Night 8pm:

9pm: Thurs 17th Aug

Fri 18th Aug 6pm:

Traditional Irish Music Session

Dan Warner & Dave Evans Sat 19th Aug 3pm: Say Nothing 9pm: Devile Goat Family String Band Sun 20th Aug 4pm: Ian Collard 6.30pm: Little Lord Street Band 8pm:

Tues 22nd August 8pm:

TUESDAY TRIBUTE

Girl Friday plays Patsy Cline The Drunken Poet, 65 Peel Street (directly opposite Queen Vic Market), Phone: 03 9348 9797. www.thedrunkenpoet.com.au

24 BEAT.COM.AU

Since first opening its doors in 1981, Footscray City Films has educated countless students hungry to enter the film and television industry. With an emphasis on practical, production-based learning alongside networking and mentorship opportunities — the school’s reputation is recognised across the country by both their alumni and the wider workforce alike.

“We fulfill all our teaching just by making films,” says Studio and Promotions Manager Ali Dullard. If it sounds simple, that’s because it is. The ethos behind Footscray City Films’ approach to education is to get their students producing as much as possible. After all, a textbook can only take you so far. The actual refinement of a craft such as filmmaking needs to come from getting behind the camera and making it happen.

“Everything we do goes towards making the student’s films, and we shoot a lot of films each year.

The minimum number of films students will work on is 15. You don’t have to wait until second year to make a film. You hit the ground running and you’re straight into it ± on your first day, you’re already in pre-production to make your first film.”

While Footscray City Films focuses on creating films, it also offers opportunities to explore other relevant interests in the field by allowing students to experience different roles throughout the course.

“We run a four-hour shoot week to get everybody used to making films. We make 30 films in a week, so if you’re not directing one then you’re crewing on one,” says Dullard. “It’s a great way to get people into it quickly and find out what you like doing ± whether you want to be a cinematographer or a production manager. All of our course work is designed so it’s part of pre-production, post-production, or production of your film. There’s no exercises for the sake of it.”

In Dullard’s opinion, students equipped with a steadfast practical knowledge of the industry are far more inclined to find success than those armed simply with theory.

“Filmmaking is arts-based, but it’s almost got a trade element to it as well,” says Dullard. “If you go onto a film set having studied cinematography by writing about it, you’re going to be no help. You really need to have the practical experience as well.

Because [the students] are doing it constantly, they graduate with a big show reel of work and a lot of onset experience which is really helpful for employers.

They don’t have to be taught anything when they’re getting paid ± people don’t want that.”

As well as teaching students how to make films themselves, Footscray City Films is also arming them with the knowledge to slot in on any production they find themselves working on. This experience, says Dullard, is just as integral as anything else taught at film school.

“It’s incredibly important. There’s even stuff like on-set etiquette and crew hierarchy ± the more you know about that the better. People are too busy on film sets to be able to teach people properly. You learn what needs to be done before it happens, and that comes with experience. You can’t teach that unless you’re doing it. Film school is cool because you learn by your mistakes a lot, and it’s better to make mistakes early on than when you’re on a million-dollar music video.”

Like any school ± regardless of what it specialises in ± the desired outcome after graduation is of course to find work in a field the student is passionate about.

As for the alumni of Footscray City Films, many of them end up doing exactly that.

“Most of our ex-students are working in the industry,” says Dullard. “Whether it’s working in the electrics department, production or camera department ± it’s because they’ve had so much experience at school, and because everyone is working together. It gives them a really good work ethic.”

Couple that with the networking opportunities afforded by learning in an environment surrounded by like-minded peers, and you’ll find that Footscray City Films is a prime example of a local institution preparing the next generation of filmmakers to achieve great things ± right here in Melbourne.

“Because [filmmaking] is such a collaborative process, going to film school is a great way to find a group of people that want to work on your stuff. It’s great working by yourself, but it gets really difficult. One of the main things people say about the school is, ‘I’ve met the best people I can work with forever.’ We’ve got people who still work together 20 years later.”

As for parting advice for those wanting to break into the industry?

“Just go out there and do it,” says Dullard. “Start shooting.”

“You don’t have to wait until second year to make a film. You hit the ground running and you’re straight into it” Footscray City Films will host an open day on Sunday August 20. Learn more at footscraycityfilms.com.au

Live N Local

Special Feature

Hosted by St Kilda Festival and The City Of Port Phillip, Live N Local presents free live music as well as workshops for those wishing to enter the music industry. The festival will run from Saturday August 19 until Saturday August 26, and showcases a wide range of artists, talk panels and performances at numerous venues across The City Of Port Phillip. The full event calendar is available via the event website, but here is our pick of the top events worth checking out at Live N Local.

Beat Presents: Southside Twang and Soul

Avenida Sol

A Note From The Future Of Live Music

Brian Eldorado And The Tuesday People

Local seven-piece band Brian Eldorado And The Tuesday People blend elements of funk, soul, blues and rock, resulting in a larger than life sound that has helped earn the group a series of headline performances across Melbourne venues as well as an appearance at the Folk Rhythm And Life Festival.

The band will be giving a sneak peak at some of the new tunes off their eagerly-awaited forthcoming album Wildfire.

Elwood Lounge, Saturday August 19, 8pm.

Like all good things, LNL must eventually come to an end, but that doesn’t mean you can’t try and milk every last drop of fun out of it first. That’s right, we’re talking about the afterparty, for those of us who just aren’t ready to throw in the towel yet. The afterparty is set to be a blowout, with music by local garage rock and punk acts Batz, Cowsmuff, and Thee Wylde Oscars Melbourne Moonshine, Saturday August 26, 8.30pm.

Women Of Song: Singer/Songwriter Showcase

PBS 106.7FM Presents: Acland Plaza Pop Up Party

MAV Presents: Senegambian Jazz Band Southside Album Lauch

One Door Closes: Live N Local Closing Night Concert

Roomers 21st Birthday

St Kilda Jazz Heritage Project Launch

To launch the festival, we’ve put together a lineup of amazing local blues, garage and soul acts for Southside Twang and Soul. The event will feature La Bastard’s loud and riotous surf rock, a rare solo performance by Vasco Era frontman Sid O’Neill, and the musical powerhouse that is Emilee South.

Entry is free, RSVP via Live N Local’s website to guarantee your spot as they’re sure to fill up quickly.

Starward Distillery, Saturday August 19, 7.30pm.

A Note From The Future Of Live Music is a not-for-profit art project which will see a range of local philosophers, artists, musicians and storytellers sharing their thoughts on the future of live music. There will be performances by electronic indie outfit nyck, performance artist Maurial Spearim, and more, all set within a dreamy village of belle tents.

Acland Plaza, Saturday August 26, 3pm.

Three talented musicians will share their original music across the evening. The genre diverse acts range from folk to pop, with the lineup featuring Hachiku, Maxon and Monique DiMattina, who will all provide intimate and unique performances throughout the night. This is bound to be a magical evening.

Sacred Heart Catholic Church St Kilda, Thursday August 24, 6.30pm

To conclude the week of amazing live performances, Live N Local will come to an end with a closing night concert featuring a wide range of acts spanning across genres including soul, rock, folk and more. The night boasts an extensive list of talented and diverse acts including Jess Ribeiro, Thando, Joshua Tavares, Simon Burke, Xani Kolac, and Benny Walker.

Be sure to RSVP through Eventbrite to secure a space. The event is free though donations for the music charity Support Act will be accepted.

Temperance Hall South Melbourne, Saturday August 26, 7pm

Avenida Sol, which means ‘Sunshine Avenue’, will transport you from the cold, often gloomy Melbourne streets to tropical Cuba. The six-piece band will give a street performance where dancing along to the rhythm is not just welcome, but encouraged. Avenida Sol mix funky rhythms with mellifluous harmonies that’ll have you salsa dancing down Acland Street to your heart’s content.

Acland Plaza, Wednesday August 23, 1pm.

The Acland Plaza will be hosting a pop-up party complete with a crate digger style record fair and live performances by brass New Orleans duo Horns of Leroy and The Rebelles, who will continue the party next door at Big Mouth. There will also be a live broadcast by DJ Emma Peel for her radio program, Switched On. To top it all off, entry is free.

Acland Plaza, Saturday August 19, 11am.

Roomers Magazine is turning 21, and to celebrate St Kilda’s Loch Street will be closed to traffic to make space for their special party plans. The event will also mark the upcoming renovations of the iconic Gatwick Hotel. To signify both events, the Roomers team have created a short film that will be projected onto the side of the Gatwick Hotel, playing on a continuous loop all night. There will also be storytelling by past residents of the hotel, music by Tim Rogers, and food donated by Lilydale Chicken Bar and Topolinos Restaurant.

Corner of Loch Street and Fitzroy Street, Saturday August 19, 6pm.

Soul In The Cellar

Soul In The Cellar will see two of Melbourne’s finest soul outfits delivering fierce performances in the Newmarket Hotel Basement. The evening will showcase the music of Mayfield, who will flaunt their smooth, melodious soul sound driven by powerhouse vocals, and Fulton Street, whose energetic beats combined with the strong messages behind their music has earned them a great following.

Newmarket Hotel, Thursday August 24, 8pm.

Rock The Moon: LNL Official Afterparty

The Senegambian Jazz Band is a six-piece, world music band with members hailing from Gambia, Ethiopia, Ghana, Senegal and Australia. The band blend elements of soul, funk and Afro-jazz to create an energetic and unique sound that breaks through the barriers of how we may perceive African music. The band will launch their debut self-titled album with a free performance. RSVP via Eventbrite to guarantee a spot.

Memo Music Hall, Friday August 25, 8pm.

In celebration of St Kilda’s incredible history of live music, writer and filmmaker Kaye Blum has created a website to commemorate St Kilda’s history of jazz, spanning from the 1920s until today. The website works as a tour guide, using a digital map and key information on historic areas across the area so that you’re able to explore the history from your computer or on a self-guided walking tour. To help launch the website, there will be live jazz performances from the likes of Bob Sedergreen and Paul Williamson. Entry is free but be sure to reserve your place via Eventbrite as capacity is limited.

Palais Theatre, Wednesday August 23, 7.30pm.

By Kate Streader BEAT.COM.AU

25

Interviews

Nazoranai Oren Ambarchi has just arrived back in Australia before his performances at Supersense festival with Nazoranai and Zeena Parkins. While Ambarchi is well known for his solo work, Keiji Haino’s improvised power trio with Ambarchi and Stephen O’Malley is one of the must see events at Melbourne Arts Centre’s Supersense festival.

For Ambarchi, playing with Haino is an honour. “I remember seeing Haino for the first time in 1991 in New York and I’ll never forget it. It completely blew my mind because it was unlike anything.

Seeing something so powerful and otherworldly and confusing, it was intriguing for me.

“Just seeing Haino play. He is the real deal. He is absolutely unique, he’s absolutely committed to what he is doing, and there’s no denying when you see the guy whether you like it or you don’t,” Ambarchi says.

“He is so committed to what he is doing and really throws himself into it. He isn’t a young man, but he’s got more energy than most people that I know. It’s quite phenomenal.”

Nazoranai doesn’t follow any typical music structure. “Everything is completely improvised.

There’s nothing predetermined whatsoever. I’ll show up at a gig and I won’t even know what Haino’s going to bring as an instrument most of the time. It keeps things interesting and keeps things alive. It’s different from going and seeing a rock band that’s rehearsed everything to a T and just playing what they’ve rehearsed in front of an audience. It’s much more on the edge and risky, and therefore, in a way, it’s much more alive.

“It’s almost like [Haino] subverts what’s going on so things keep moving all the time. He doesn’t like things to be comfortable, not only for the other players

but himself as well. So he is constantly challenging himself and pushing himself, but it’s unmistakably Haino. When you see him or hear his music, it really has his personal stamp on it.

“I look at my role when I work with Haino – and I love his music and I want him to flourish and shine onstage when he is playing. So on the one hand, I’m accompanying him because he’s got such a strong personality musically. But on the other hand, the three of us are shaping what’s going on equally. So it’s really connected too. It works.”

Ambarchi has become an important part of the international experimental music scene, both on his own and in collaboration with others. Now, he spends most of his time in Europe or the US performing and collaborating. “There’s a small community of likeminded people all over the world and it’s like a little family. It feels normal,” he says.

“I don’t even know where I live anymore. I know that I’m Australian but I’m barely here and working with lots of people from all over the place. It just feels normal to do that. It’s a stimulating, challenging thing to sometimes work with someone who doesn’t even speak the same language as you. But you play music together.”

For Ambarchi, his favourite place to play is Japan. “I love playing there and I love how the audiences there are very knowledgeable and enthusiastic in their likes.

But they are like cultural sponges. I relate to that, so I love being there.”

Spending time in Japan has also helped him understand the way Haino works. “I’ve known him for many years and I’ve probably been to Japan 30-35 times now. I’m there very often. There is a particular way. I feel from going there often that I can relate to him and speak to him in a certain way where we get along and things work smoothly.

“You never know what he is going to do or bring with him. Especially when you play with him in Tokyo, he’s got such a huge instrument collection. It’s really fun working with him there because you never know what he is going to bring.”

“It’s fun working with him in Tokyo because we can always mix up what we’re going to do, we don’t necessarily do guitar bass and drums all the time.”

I went to my first over-18 gig in 2015. Drunk Mums were playing at Ding Dong Lounge, and my mates and I got there as the first supports were setting up. Eventually, the band began to play, and we made our way to the front of the stage.

26 BEAT.COM.AU

“It all still sounds like us. Instead of putting out an album of all [the heavier songs like] Slave and War, or an album with all Memories and Let It Go – songs which are very synthy, poppy sort of stuff – we just did what we do. We never set out to write any particular style, it just happened that the three of us worked and that was the vision we came out with.”

While the album has been ready to go for some time now, it came together over the span of a few years across three different cities. “Myself, Tim, and Matt [Darcy, drummer] wrote a lot of it in a cabin in Mansfield. The other 60 percent of it was written in Los Angeles in a hotel. Then, the last four songs that we added recently were done over various writing sessions in Sydney at Sony.”

Luke Palmer and Clint Vincent of Dead Letter Circus assisted in the album’s production. The two bands have toured together extensively, most recently this past June. “We have a good working relationship and friendship with those guys. Nothing’s really off the table,” Farnham says.

Nazoranai will perform as part of Supersense 2017 at Arts Centre Melbourne on Sunday August 20. Supersense runs at Arts Centre Melbourne from Friday August 18 until Sunday August 20.

By Rhys Pope

Rival Fire

After their set, the energetic three-piece unassumingly made their way to the bar. We shook hands with the frontman, complimenting him on his performance. In return, he bought us a round of beers. The band was Rival Fire, the frontman was Rob Farnham. Two years later, I’m interviewing him.

As soon as I brought up the Drunk Mums show and the round of beers in the small talk before our conversation, he knew exactly what I was referring to. I couldn’t believe Farnham remembered us – he probably couldn’t believe he put money down on five drinks for some random teenagers.

Rival Fire are an alt-rock five-piece outfit from Melbourne who have just released their debut LP, War. “Most of the album’s been done for a few years. It was just a matter of all the stars aligning for the right moment to release it,” Farnham says. They’ve had two prior releases, both from 2016 – an EP, Riot, and a single, Badman. You’ll find these songs on War. “Sometimes a song writes itself. Every part you’re like, ‘Oh, hang on a second,’ – bang, there it is. Bang, there’s the next bit,” he says, speaking of the title track. “It was a keyboard part that I came up with. Tim [Smyth, guitarist] was like, ‘Oh, keep playing that for a sec.’ He started playing along, and then it turned into a song.”

The album strikes a great balance between slow, synth-based ballads and guitar-driven, in-your-face vocal onslaughts. They’re a band known for changing their setlists show-to-show to cater for crowds of different tastes, so it’s a great reflection of their approach to music.

“Everything is completely improvised.

There’s nothing predetermined whatsoever.

I’ll show up at a gig and I won’t even know what Haino’s going to bring as an instrument most of the time.”

But when it comes to songwriting, not everything comes as easily as War’s title track. “I write four to five songs a week – whether they’re bad or good is irrelevant, you just get it out. The more you’re doing it, the more practise you have at it, the better you get,” he says.

In terms of any potential future releases, he says, “We’ve got heaps of new material waiting to go. We won’t be doing anything with those for a while though, because we feel like this has got some legs.”

So, what’s next for Rival Fire? “We’ve got a bunch of shows coming up on the horizon, and some other big things happening,” Farnham says. “It’s about the grind, trying to win more fans, and enjoying what we love to do and create. That’s the main drive – we love playing shows.”

That’s certainly the impression I got when I saw them perform. Rob, I owe you a beer.

By Anthony Furci

“I write four to five songs a week – whether they’re bad or good is irrelevant, you just get it out. The more you’re doing it, the more practise you have at it, the better you get.”

Rival Fire’s debut album War is out now via Sony Music. Catch them at Sea Shepherd Melbourne’s Stand Fast Festival on Saturday September 23 and supporting The Butterfly Effect at The Croxton on Saturday March 10, 2018.

Interviews

Tami Neilson When you find yourself opening for Johnny Cash, you’ve secured a fairly impressive milestone. When you do it as a young girl as part of your family band, it’s even better; you have a whole lifetime of other milestones to build upon.

Tami Neilson has carved an enviable career across the intervening years – picking up an APRA Silver Scroll, being fêted in The Guardian and Mojo – and has done so in idiosyncratic style. Eschewing genres and labels, the Canadian-born Kiwi is marching to the beat of a different drum.

“When I first moved here, I was thinking it wouldn’t be too different,” Neilson says of her Canadian exodus. “I guess you’re deceived by thinking it’s English-speaking, but I did notice a lot of things that caught me off guard. We have a lot of similarities; we both have the big brother next door who heavily influences our culture, from what we watch and listen to, to what we create. I think New Zealand is heavily influenced by Australia, as Canada is by the States. But Canada’s land mass is so vast, so moving to this tiny island in the middle of nowhere, this little strip of bacon floating in the ocean, in the end it blew my mind.”

Though the two countries share a natural splendour, geographically they couldn’t be more different. But within this confluence of isolation and beauty, Neilson found a level of creative freedom she might otherwise have missed altogether.

“When I first left Canada, everyone was like, ‘My God, you’re committing career suicide. People leave there to come here, what are you doing?’ And I saw all those things that people saw as negatives as positives: there won’t be as much competition, it won’t take as long to make my mark. There are these known musical hubs, and people gravitate there, are influenced by it. You start seeing things that turn you into the product they’re looking for.

“Everyone loses somebody, but I think artists are fortunate.

We can process our grief in a tangible way.

At the end we have something we can hold in our hands.”

“I don’t think any artist starts out to be that way, but the more you spend time in the industry, the more you network inside that hub. It becomes like a factory town where the tools are guitars. People ask what’s in the water over here, and I really think it’s being away from the industry, away from those places that started making a certain [sound], where they want you to be a certain thing. When you’re isolated, you create what you want to create.”

Though her sophomore album, Don’t Be Afraid, has only now seen its Australian release, it was embraced by that little strip of bacon back in 2015.

It emerged from another milestone in Neilson’s life, albeit a sorrowful one; the death of her father.

“I had the studio time booked for April and Dad passed away at the end of February. I stayed until the end of March with my mum, and it was just…my initial response immediately after his death was to cancel the studio. I couldn’t think of creating anything. I couldn’t even open my mouth to sing, because all I’d hear was his voice. How can I think about singing during this? And I think the

turning point was, he’d written all the lyrics for Don’t Be Afraid. He was so passionate about it. Everyone who came into the hospital, he was showing them the words and talking about it.

“The last thing I said to him was a promise that none of his music would go to waste. Making this album became keeping a promise to my father. It became about his memory, and letting other people get to know him through his music. I have two little boys. They won’t remember him in person; they’ll remember him in story and in song.

“In a way, I’m lucky. Everyone loses somebody, but I think artists are fortunate. We can process our grief in a tangible way. At the end we have something we can hold in our hands. This is a legacy I can now give to my children. It’s a landmark that I created, and here stands my father.”

Tami Neilson will perform at Ding Dong Lounge on Saturday August 19. Don’t Be Afraid is out now.

By Adam Norris

Brooke Taylor “I’ve never felt any sense of belonging anywhere like I do on stage. I love it. It really is that sense of being at home,” Brooke Taylor says as she searches her mind for the explanation of what performing means to her.

“The irony that, as a lyricist or a poet, I have no other way to describe it than I fucking love it,” she laughs with exasperation.

That profoundly precious love, one that surpasses most explanation, has pushed Taylor to perform and play for nearly a decade now.

After spending time in Canada and the United Kingdom, the singer/songwriter packed her acoustic guitar with her, and eventually found her way back to her hometown of Melbourne.

Without contacts of notoriety, she initially found the return to Australia’s music capital difficult.

Eventually, she used her experience from living abroad to take initiative, approach venues, and book her own gigs, performing routinely across the city.

Despite loving performing, without a merch stand she felt something missing from her shows. New EP Two, was the remedy.

“I’ve always just written and performed, it never hit me to have it as a product. Performing was something I always did because I love it. But I was always playing and people were into the music, I just had nothing to give them, I’ve never had anything to sell at gigs.”

Choosing to piece together Two and take a practical approach to her role as a musician was spurred on by her previous EP release, a collaboration with Delsinki Records’ Craig Johnston.

“Last year, I made an EP with my friend Craig, and that got some traction, got us spots on some festivals and radio play, and that gave me a kick up the arse to go into the business level of musicianship.”

“I fell into this trap of if it’s not perfect, I was a failure, and then if I didn’t try, I couldn’t fail.”

Creating her first piece of merch, and acknowledging the business side of her chosen career, has seen her come leaps and bounds beyond a creative space she was in not long ago. For several years, her perfectionism got in the way of creating. Taylor fell into a self-proclaimed rut.

“It was so awful,” she says. “I fell into this trap of if it’s not perfect, I was a failure, and then if I didn’t try, I couldn’t fail. So I started playing covers every weekend.

And it was good, the money was decent, but it started to corrode my soul. Don’t get me wrong, I love to play covers, and there’s fun that comes from that. I learned to interact with an audience, and it affords me the opportunity to do other things, like touring and travelling,” she says, before pausing, again searching for the right words.

“Have you ever read Oh the Places You’ll Go?” she asks brightly, referring to the Dr. Seuss storybook about the challenging journey of being alive. “I realised, oh my gosh, I’m totally in The Waiting Place. I’m the queen of The Waiting Place.”

In the story, The Waiting Place is an area where people go to wait for something else to happen, wasting away their time, and ceasing to live in the moment.

“I realised that’s bullshit, if you do that nothing happens. I realised that with writing, you’ve got to be okay with most of it being shit. But you need to rifle through the shit to find some gold. And Craig was really instrumental in that, no pun intended,” she finishes.

“When you’re really honest, painfully honest, about what you’re saying, and you can lyrically come up with it and say it to someone, you’ll find there’s at least one person in the audience who relates to it.

“That’s what I love about songwriting. And when you can get a musician to work alongside you and their music compliments that track, that’s the best, it’s magic. I imagine it’s how surfers feel, or skydivers when they’re flying.”

Not content to sing only words by other musicians, or stay at home playing guitar in her kitchen; Brooke Taylor flees to the stage, to the place she calls home, One of the many wonderful places she’ll go.

Brooke Taylor will launch her EP II at Ding Dong Lounge on Thursday August 17, with support from Benny Williams and Kerryn Fields. She’ll also perform at Basement Bar Bendigo on Saturday August 19.

By Claire Morley

BEAT.COM.AU

27

Reviews

Album of the Week (Universal Music Australia)

Singles With Lachlan Kanoniuk Enrol to vote, update your details, fight the good fight.

Cheers.

Single of the Week:

Habits

Shame/Desire (Independent) As if condensing stadium-sized dance into a basement, HABITS contain a blown-out scale majesty with allure and intimacy. Dark, operatic flourish acts as puppet strings connected to elements both sensual and world-ending.

Dizzyingly arresting while brandishing capability for dancefloor frenzy.

Cut Copy

Standing In The Middle Of A Field (Astralwerks) A pleasant meditation on relative minimalism, Standing In The Middle Of A Field relishes mellowness as a virtue, threatening a build along the lines of Zonoscope opener Need You Now. There’s little in the way of a clearly defined payoff, shying away from the unabashed euphoria of Free Your Mind. Fair to say its strength would lie in the context that follows on the upcoming album Haiku From Zero.

Marlon Williams

Vampire Again (Dead Oceans) Silly, without being outrageous, when perhaps it could do with being a little outrageous. Marlon’s vampire goes on a mildly demented jaunt, requesting windows be left open. It’s all quite tame. Warren Zevon’s werewolf was howlin’ up a storm in London, mutilating lil’ old ladies. Vampire Again fails to rise above mere charm, and as such, the stakes never feel high.

Billie Eilish

8.5

don’t smile at me Pop legend-in-the-making Billie Eilish has frankly put us all to shame on don’t smile at me.

Eilish throws her voice effortlessly between gritty and golden while casually providing one of the most powerful debuts we’ve seen in 2017.

Neil Finn

More Than One Of You (EMI)

The record takes full advantage of Eilish’s background as a choral singer. Her top lines are beautiful in their simplicity, and her ability to harmonise seems almost second nature. The per-track attention to detail is astonishingly good. COPYCAT and watch lure you in before crushing you with thick, overwhelming synths that give off a smell like hot vinyl.

The way Eilish moves her mouth around, “My boy loves his friends like I love my split ends,” in my boy is an absolute joy to behold and party favor will have you in tears before you get a chance to process what’s going on. This record is a lot to take in, but it’s such an experience that rewards patience and repeated listens.

At 15 years old, Billie Eilish is living and breathing proof that millennials have so much to offer our global culture. She’s a herald, and if what we see in the future is even half as good as this EP, it’s going to be an exciting time to be alive.

By Jack Montgomery

Old mate Neil Finn is live streaming performances each Friday arvo and, if I’m understanding this correctly, recording an album of new material in the process. It could be a gimmicky scenario, but there’s more than enough class here to compensate. More Than One Of You is a lovely piano and strings ballad, lushness compounding sentiment, without getting too sentimental.

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Albums

Reviews

Jen Cloher

8.0

The striking rhythmic drone of electric guitar rings out through Forget Myself, the opening cut to Jen Cloher’s new self-titled album. The following track Analysis Paralysis is the longest track on this record, clocking in at just under eight minutes, yet no matter how many times it plays, it’s hard to shake a Bob Dylan lyrical structure influence.

The soft mellow vocal approach in the verses of Regional Echo combined with the warm delivery of the line, “I’m never going to lose my head to a setting sun,” in the outro makes it an album highlight, and the ballad-esque tempo recalls her first two studio albums released with The Endless Sea in the mid-2000s.

Recorded with minimal overdubs and featuring performances from Courtney Barnett as well as Bones Sloane and Jen Sholakis, two or three listens through the album sees the songs take on another shape. Aiming for a classic rock feel with an importance on being intimate, on this self-titled album we see Jen Cloher produce her most comprehensive record yet. Rocking electric guitar lines, heartfelt vocal deliveries and infectious fuzzed out melodies, make this an album you should check out.

By Tex Miller

Kesha

Rainbow

8.0

The return of Kesha has been something that has excited fans and made them nervous. With ongoing legal and personal issues, there was concern about her new material. But with Rainbow Kesha has proved her naysayers wrong.

Rainbow could not be a more accurate title. Sonically the album jumps from horn driven pop to driving rock, and country ballads to emotional pop. Kesha also has some amazing support, with Eagles of Death Metal featuring on Let ‘Em Talk and the rock-rap tune Boogie Feet, to the orchestral Ben Folds produced title track, The Dap-Kings Horns on the anthem Woman and a duet with Dolly Parton titled Old Flames (Can’t Hold A Candle To You). The second half of the album takes a country turn with the weird but wonderful tracks, Godzilla and Spaceship closing the album.

With Rainbow, Kesha shows both her power and vulnerability, creating an album which acknowledges the complexities of humans while empowering women and the disenfranchised. Discussing themes both directly related to her situation and others more general. Kesha has crafted an album which creates a positive catharsis, while still taking the time to have fun. Rainbow is an exciting return which shows that power can be found in adversity.

(Greenway Records)

(Kemosabe Records/RCA Records/ Sony)

(Milk Records!/Remote Control)

Jen Cloher

Birds

Everything All At Once

7.0

There was that period a few years back when ornithology swept through band nomenclature: Bower Birds, Butcher Birds, Shearwater (whose entire catalogue became an exercise in exotic bird watching). At least there was more to play with than wolves.

Now into the fray comes Brooklyn’s Birds and their new album, Everything All At Once. The album flies best when it’s in garage territory, like the Jet Boy, Jet Girl semi-psychedelic groove of Scatter, or the sandy pop of Get Away, or even the enveloping emotional dirge of I Can’t Wait. You can have a lot fun with the post-‘80s syncopated pop of See It All, but Falling cascades through the sky aimlessly and Everyday wants to shake the regularity of structure but can’t quite find the space. The lo-fi Home Home is infectious, in the way that Woollen Kits always were ± you can even detect a little bit of Smudge attitude in there too.

The eight-song, 27 minute record finishes up with Slow Time, a sludgy, sort-of-almost-late-era Beatles track, replete with lysergic effects and spiraling moments of sonic exploration. And when it kicks into freak mode, there’s a flash of enlightenment. Everything All At Once isn’t a musical smorgasbord, but there’s more than enough to feast on.

By Patrick Emery

By Rhys Pope

Go Farther In Lightness

8.5

Fear and Trembling begins the album with the soused piano man troubadour warbling of a Tom Wait’s doppelganger in the autumn of his life. Suddenly, the sense of frenetic stomps in and the song becomes an anthemic catalogue of many questions and few answers.

Gang of Youths appear to be in total control of their domain with a formidable battle hardened sound. Leader Dave Le’aupepe easily delivers a confident voice to the Australian musical landscape, adopting the role of a rock cavalier. The album covers all points between crushing desperation ± Atlas Drowned ± to the atmospheric strut of Keep Me In The Open.

The shorter pieces lend a soothing and restorative flavour to the more expansive creations, such as Achilles Come Down which creates a type of aural mist the listener can easily get lost in.

Persevere becomes a chameleon of melancholy and sadness that suggests they have been delving deeply into the soundtracks of ‘70s avant folk records.

Congenial musings then give way to a thoroughly beautiful instrumental, Le Symbolique, which scales great heights until being criminally cut short. When songs such as The Heart Is A Muscle reach their end, one can sit back and accept that they have been privy to a colossal and rewarding listen.

By Bronius Zumeris

(Spunk!)

(Barely Dressed/Remote Control)

(Mosy Recordings/Verge/Sony Music)

Gang of Youths

Gold Class

Drum

8.5

Melbourne post-punk outfit Gold Class arrived on the scene a few years back with minimal fuss and maximum focus, in turn drawing a lot of attention and hype with the release of their debut, 2015’s It’s You. It’s an album of propulsive, robust and razor-sharp post-punk ± but perhaps the most exciting thing about listening to it was doing so with the knowledge that the best was yet to come.

Enter Drum, and said promise and potential has been impacted upon in a sizable way. The dynamics between each of the four members expands here, simultaneously drawing out into wider musical spaces and pulling into head-on collisions at precise moments. Opener Twist In The Dark will have you doing just that, Evan Purdey’s urgent Andy Gill-esque guitar scratching against Adam Curley’s baritone croon. Elsewhere, Trouble Fun reveals a deeper, darker vulnerability, while a rumbling rhythm section hurtles We Were Never Too Much along.

Truthfully, it doesn’t even really matter which of the ten tracks you chance upon. Both as separate entities and a collective force, Drum provides some of the most rewarding listening one will have all year. The beat goes on.

By David James Young

The Ocean Party

Beauty Point

7.5

Dropping seven albums over the past seven years, Beauty Point is the latest offering from The Ocean Party, a hazy foray into some kind of wonderful ambivalence.The beauty of The Ocean Party having such a voracious writing regime means each album subtly explores new writing styles, musical ideas and production tricks. Beauty Point is no exception, dripping with a ‘80s Australiana sound with three guitars chorusing across the album ± each track dreamy yet succinct.

A sombre opening is pepped up by second track Dust Clears, the production giving the sparsity that’s iconic of ‘80s pop, the synth definitely driving that impression further. Some of the later synth is a laconic presence, sometimes it’s just jangling away ± regardless, it’s never unwelcome.

Following stand-out centre point Quality Control, the tracks slowly pick up in energy. Throughout we hear a sincerity and struggle of 20-somethings making their way through life, a suburban nightmare looming over their futures.

It’s not an album that’s strayed in any huge ways from the sound we’ve come to love from The Ocean Party, and there’s nothing unexpected or boundary breaking. But sometimes a good time is all you need to bring to the party ± this pensive, dreamy listen is definitely that.

By Margy Noble BEAT.COM.AU 29

Profiles

Battle 8

Music

Perfect Strangers VS Pleasure Principle

Pleasure Principle quizzing Perfect Strangers.

Why do you keep entering this battle? Why wouldn’t we? It just gets better every year.

Will A Little Less Conversation be played? We want to be prepared for bangers such as that one. Not sure what you’re talking about, is that an Erykah Badu song? That’s all you play right?

What have you learnt from all of your losses in previous battles?

We’ve learnt that the outcome doesn’t necessarily represent radness.

How long does it take for you to practice your non-winning sets?

Normally we try to put a bit of time in but maybe this year we’ll just wing it.

Perfect Strangers on Pleasure Principle.

Considering there’s only four sets at Battle 8, why does it take six of you to battle? We have been inspired by Perfect Strangers previous battles of phoning a friend but we do it in advance to assist your game plan. You are welcome.

Is this another Prince tribute night in disguise? This is what it sounds like when Perfect Strangers cry.

Where do you see yourselves on Sunday October 15? Battling a superior team.

If a train picks up six passengers at Melbourne Central at 2pm and two passengers disembark at Jolimont Station at 4pm, why do you suck so much? Your sucking technique is more advanced than ours, it’s an honour you would notice with all of the trains you are catching.

Perfect Strangers – featuring Lotus Moonchild, DMC champs No Name Nath, Danielsan and Brother Fox – will go up against lady powered crew Pleasure Principle – including PBS radio host/DJ MzRizk, Whiskey Houston, Cara Mia, Nature Girl and Daisy. The teams are throwing some serious beef on decks at Section 8 this Sunday August 20.

battle8melbourne.com

Birdz

Who are we chatting to and what do you do in the band? I’m Birdz ± a proud Butchullla man and recording artist.

What do you reckon people will say you sound like? As an artist you always hope that listeners will say you bring something new and dope to the table. If they say it sounds good and maybe they learned something new from listening, that’s enough for me.

What do you love about making music? I love the freedom it gives you. The freedom to say whatever you want in three and a half minutes and represent where you’re from without any restrictions.

What do you hate about the music industry? I’m not sure if I can say I “hate” anything about it but if I had to say I don’t really like something about it, it’d be when people disrespect the business and the amount of time and work you’ve put in to be where you are. Having said that I’m lucky to have a dope team around me that holds me down 110%.

If you could travel back in time and show one of your musical heroes your stuff, who would it be? There’s so many. But probably just to be in the studio with 2Pac or Bob Marley, or Marvin Gaye, it’s too hard to try and narrow down to one. But all of the above come to mind because they’re my all time favourite artists and also because of who they were/are as cultural icons and their influence on not just pop culture but movements of the people and by the people.

What can a punter expect from your live show? Lots of energy, banging beats, truth bombs. I like to have as much fun as possible but it’s also important to me that the message is heard loud and clear.

What’ve you got to sell CD-wise? My debut album, Train Of Thought will be out through Bad Apples Music real soon. facebook.com/MisterBirdZ

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BATTS

What’s the band name and what do you do in the band? BATTS is the ole band name and I am BATTS so I write all the songs and play guitar and sing.

What do you reckon people will say you sound like? Mazzy Star / Portishead / Space.

What do you love about making music? Just playing music with musicians I love and admire and watching a song come to life and grow and change and all the magical moments that happen within that.

What do you hate about the music industry? Everything, but love and hate are very close emotions.

If you could travel back in time and show one of your musical heroes your stuff, who would it? A lot of my musical heroes are still alive but maybe I’d go back to when all of The Beatles were alive and have a solid conversation with George and Paul, I feel George’s ability to combine genres and cultures from around the world is magical and Paul has an alien gift to write a song/hook.

What can a punter expect from your live show? Awkward banter, space facts, sad songs and a good time. I hope.

What’ve you got to sell CD-wise? I don’t have CD’s but I have coloured vinyls, t-shirts and stickers.

Anything else to add? Saturn isn’t the only planet with rings, Jupiter, Neptune and Uranus also have rings. #battsweeklyspacefacts. See you on the 17th for more space facts, lots of music and some whisky.

Music

Batts will perform at The Workers Club on Thursday August 17 with Jack The Fox and Ariela Jacobs.

battsmusic.com

Music

Flo Chase

Music

Birdz’s debut album Train of Thought will be released on Friday August 18 through Bad Apples Music.

Who are we chatting to and what do you do in the band? Flo Chase, a 22-year-old male singer/songwriter, multi-instrumentalist and model. I am currently a solo artist and have recently released my debut EP and single.

What do you love about making music? Being fully immersed in that creative space. I love the process off starting from scratch and gradually arranging things together. Being able to perform my songs live is definitely another major gratification of making music.

What do you hate about the music industry? As much as I feel truly fortunate to be working in this industry, some of the people you occasionally have to deal with are definitely a negative aspect of it.

What’ve you got to sell CD-wise? My debut single Lonely River is out now and available for purchase on iTunes. I also have my debut EP dropping on Friday August 18 and is currently available for pre-order. Hard copies are available at my shows as well as on my official site. flochasemusic.com

Flo Chase will release Le Debut on Friday August 18.

Profiles

Dirty Rascal

Who are we chatting to and what do you do in the band? Andrew McSweeney, I sing and play guitar.

What do you reckon people will say you sound like? Rock, with variety ± a bit of blues, reggae and pop.

What do you love about making music? It makes me feel like a kid. That excitement that comes with playing music in a band has never changed since I was 14 years old. It’s magic.

What do you hate about the music industry? Hate seems a little heavy and I don’t think I hate anything about it. There are many challenges, like getting gigs and selling music. Probably the biggest challenge is how songwriting royalties and music sales have become free downloads. That income stream has taken a big hit.

If you could travel back in time and show one of your musical heroes your stuff, who would it be? John Lennon. I just love his songs and philosophy.

What can a punter expect from your live show? A powerhouse rhythm section, overlaid with double guitars, vintage keys and lush vocal harmonies all pitching in to carry the memorable melodies, infectious hooks, and tireless grooves. Bringing the vulnerability of real and relatable stories from the pen to the heart.

What’ve you got to sell CD-wise? Be A Lion single with B-side Smiling Heart. Album is out Friday October 22.

Music

Dirty Rascal will launch their single Be A Lion at Bella Union on Friday August 25 with The Hunter Express.

dirtyrascal.com.au

Merc Mason

Who are we chatting with and what do you do? I’m Merc Mason, I’m a recording artist/songwriter/producer from Matraville in South Sydney. I’ve been writing lyrics since I was 13 but I was 17 or 18 when I started teaching myself how to build instrumentals and produce my own music.

What do you love about making music? One thing I love about making music is there are no rules. And I love that music is universal, it speaks in tones, you can usually tell how someone feels by the tone of the song without even knowing the language.

What do you hate about the music industry? There’s not much that I hate because I understand how it works from both the artist and the business perspective. I think a lot of artists don’t understand that. Music is an art form and a form of expression that, if you’re going to make a career out of it, there is a business side to it, and the cost of doing business isn’t always financial.

What can punters expect at your live shows? You can expect energy. I like to stay moving throughout my shows and I also like to interact with the crowd. If the crowd’s into it, my energy gets higher but I’m always moving regardless. I’m hoping in the future to have a wild light show to accompany the performance, Pink Floyd type shit.

Jep and Dep

What story does your new album tell?

THEY’VEBEENCALLED’s story is varied but concise ± tales ranging from the utter disapproval of gentrification, missing rich kids in reservoirs, tumultuous relationships ending with euphoric sadness, the passing of loved ones. The album is a dark, romantic story seeping into the room like a familiar haunting ghost.

What type of impact do you hope this album will have on its listeners? Hopefully a black and white cinematic experience, escapism ± the aural equivalent a of lonely midnight drone spiriting across regrets and distant memories ± like a Wim Wenders film.

Share with us a moment you’ll always remember during the album’s creation? The album was created, recorded and produced

by Darren Cross (Dep) mainly between the hours of 12am- 5am (when all in the neighborhood were sleeping and the gentrification rests for the day) the house next door to his studio was totally rebuilt while recording the album, disrupting normal studio hours.

We will always remember this process ± unique, frustrating at times but rewarding.

Our lyrical highlight of the album. “Wooden frames like crucifixes, claiming all that’s left,” in Helpless City.

Who are Jep and Dep’s influences and heroes? We really love the Dirty Three ± they’re our favourite band. Heroes? Anyone who has the audacity to believe in themselves, fight the system and make a difference.

Music

Jep and Dep’s new album THEY’VEBEENCALLED is out on their own label No Drums Records.

They’ll perform at Basement Discs on Friday August 18, Flying Saucer Club (supporting The Blackeyed Susans) on Saturday August 19 and Standard Hotel on Sunday August 20.

jepanddep.bandcamp.com

Music

Merc Mason will release his EP Lucid on Friday August 18.

Thomb Party

What do you do at Beat? Fucked if I know, I’m actually surprised no one has asked me this already... is this going to blow my cover?

How long have you been doing it for? As long as an egg and as wide as a bus.

What kind of bird is good? Oh the big birds are the best birds.

Do you know what night the bins go out? Thursday, I think Do you remember your most favourite scab? Yeah, I fell down a lot as a kid, but I always remember this good one on my knee that looked a bit like Australia, patriot scab.

What is the worst thing about working at Beat? The fact the men’s toilet has a really weak flush, it’s a real time waster.

If you were trapped on a deserted island and you could only take one thing, what would it be? That’s a really odd question, why do I have the forethought to bring an item but not the forethought not to get trapped on a deserted island? Are you calling me an idiot?

If you could have a meal with anyone living or dead who would it be? I would choose a living person, I think that would be better.

Bloke?

Thomb Party: gap filler extraordinaire and the worst employee at Beat

facebook.com/mercmason2036

BEAT.COM.AU

31

Live

Music

Ceres - Photo by Rochelle Flack

Orchestrated - Photo by BandAnna Photography

Press Club - Photo by Rochelle Flack

Belle Haven - Photo by Nathan Penhall

Ceres - Photo by Rochelle Flack

Belle Haven - Photo by Nathan Penhall

Belle Haven

Northcote Social Club, Friday August 11 The Northcote Social club buzzed with anxious metal music lovers, waiting to hear some of the best up and coming bands in Australia. With four bands on the bill, all from different genres of the heavy music spectrum, it was sure to be a stellar evening.

Fever Speak kicked off the night with a bang, their singer showcasing his amazing vocal range. Undercast played catchy pop-punk songs with immense energy, midway through the set they played a beautiful track about the loss of a friend, injecting the night with emotion.

Pridelands blew their set away with pumping energy and momentum. Their dual vocalists bounced off each other and blended together nicely. Their stage presence and charisma got the crowd going, with mic grabs and circle pits galore.

By the time Belle Haven came out, the room was packed and the band performed a solid set with no let downs. Vocalist David De La Hoz transitioned between harsh and clean vocals swiftly and without hesitation, while the other band members didn’t miss a beat.

After playing many high energy crowd favourites, Belle Haven broke into Heartache Delusion, a softer song in which De La Hoz requested everyone to get in closer and sing the words with him. The band and crowd shared the vocals and when the song was done, he commented that it was the most beautiful moment he’d ever experienced.

The calm ended shortly after, as the band stormed into more heavy hits, including Burn The Witch, sending fans into a frenzy of crowd surfing, stage diving and moshing. The band even played a cover of Seven Years by Saosin that went down a treat. The crowd were picking up what Belle Haven were putting down and loving every minute of it, as they smashed through Sister In Law and The Carving Knife.

Belle Haven ended the show on a high with Me. Throughout the show, every member of Belle Haven looked like they were having a great time, always smiling and keeping the energy at full speed. It was a great lineup, with a mix of rock, pop-punk and post-hardcore, and a night any heavy music lover wouldn’t have wanted to missed.

By Ellen Rosie Highlight: Soaking in the amazing atmosphere as Belle Haven was playing.

Lowlight: The slight audio fails.

Crowd favourite: Burn The Witch.

Ministry of Sound Orchestrated Hamer Hall, Friday August 11

Watching a 50-piece symphony orchestra perform Ministry of Sound dance classics may sound like an unusual concept to some, but for around 2,000 Melburnians it was the perfect way to spend a wintery Friday evening.

When the Orchestra’s first notes rang out through Hamer Hall to raucous cheers and applause, it was obvious this was a crowd that had a lot of energy to burn. It wasn’t long before the first punters got to their feet, and the venue transformed from a fancy concert hall into a three-storey nightclub.

The atmosphere built steadily through the Orchestra’s covers of Shapeshifters’ Lola’s Theme, Daft Punk’s One More Time, Bag Raiders’ Shooting Star, and Moloko’s Sing It Back, until Destination Calabria dropped, and the crowd went wild. You haven’t really lived until you’ve seen balding, middle-aged men grooving in the aisles to electronic music from the noughties.

Melbourne’s own Owl Eyes made her first appearance of the night lending her silky smooth vocals to Spiller’s Groovejet (If This Ain’t Love), followed a few songs later by soul singer Daniel Merriweather.

Given how pumped the crowd was, it seemed an odd decision to have an interval, but despite the break, the Orchestra’s rendition of Moby’s Porcelain ensured the audience quickly warmed themselves up again. Massive Attack’s Unfinished Sympathy brought some calming nostalgia to the crowd before the Orchestra launched into Disclosure’s Latch and almost every smartphone in the hall lit up.

Fatboy Slim’s Right Here, Right Now brought the whole audience to their feet, with a few even cracking out some robotic dance moves, before the surprise inclusion of Dirty South’s remix of Evermore’s It’s Too Late transported me back to my early teens.

Things got political during Daniel Merriweather’s rendition of Bob Sinclair’s World Hold On, with him imploring the Australian government to shut down the Manus Island and Nauru detention centres “right now,” before hitting some of the highest notes known to man.

The Orchestra was so note-perfect throughout the show, you’d almost be forgiven for forgetting they were performing live, but it was during the more instrumental tracks that their talent really shone through. After Owl Eyes’ second appearance providing vocals for Delirium’s Silence, Groove Terminator teased the crowd’s desire to keep the show going all night saying, “No one’s leaving, should we do one more?”

Closing the night with Florence + The Machine’s You’ve Got the Love, was a genius move, resulting in a mass singalong, endless cheers and a standing ovation for all involved. Orchestrated truly was a celebration of dance music, delivering a mixed bag of symphonic bangers and a strong sense of togetherness.

By Amy Hall Highlight: Being reminded how much of a classic Groovejet (If This Ain’t Love) is, and singing it off-key in my (thankfully) empty train carriage on the way home.

Lowlight: The lack of Darude.

Crowd Favourite: Right Here, Right Now by Fatboy Slim.

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Ceres

Max Watts, Friday August 11 Press Club, though relative newcomers to the scene, delivered an opening set that rivalled the headliners. The indie-punk outfit is fronted by absolute powerhouse Natalie Foster, who stole the crowd’s attention and adoration with ease.

It was hard to get past Slowly Slowly as the best set of the evening. Opening with Dinosaurs, the crowd was wrenched from their post-Press Club reverie straight into singalong. Frontman Ben Stewart had the sweetest onstage demeanour, grinning like a child when he realised most of the people in the packed venue were joining in. Not only vibing with the crowd, the band were blissfully happy to rock out and be completely involved with each other. The divisive refrain of Pussy Makes The World Go Round was reclaimed when Press Club’s Nat joined in ± foreshadowing the stage-sharing action to come.

Following Wil Wagner’s appearance on Ceres’ 7” Stretch Ur Skin, it was no surprise to see him on the bill. He took to the stage with a guitar, starting off with a solo rendition of Young Drunk. Then, surprisingly (and to many screams), the whole of The Smith Street Band took the stage, which catapulted the kind of reaction you’d expect. Two tracks in and there were crowdsurfers, a friendly little mosh pit going, and many happy faces in the crowd. The set drew heavily from new material, with Wagner throwing a lot of praise toward Ceres.

The sold-out venue definitely felt that way by the time Ceres took the stage, people sandwiched from the stage to the bar. In front of their iconic pink-flowered oleander artwork, the band were silhouetted by spot lights. Suddenly this little Melbourne band felt immense. Tracks were pulled from all releases, Drag It Down On You featuring heavily, as well as Stretch Ur Skin, for which Wagner joined the act.

Of course, the expected humbling speech made an appearance ± with a sold-out tour and an immense crowd response, you can see the justification. “I don’t want to leave the stage, so if I could just live up here forever that would be fantastic,” frontman Tom Lanyon beamed, before being screamed back for a double encore. I think he’s got plenty of onstage time to come.

By Margy Noble Highlight: Singalongs the entire night.

Lowlight: Random dude singing the line “I don’t know what I would do if I got you in my bedroom,” from Ceres’ Choke to me.

Crowd Favourite: Wil Wagner’s solo set turning into a surprise Smith Street Band show.

Gig GuideGigs Featured

Gig Guide

BLU-AU

The Workers Club The only thing better than live music is a gig with a good cause. BLU-AU will be raising money for Beyond Blue with the help of alt-rock acts Motherslug, The Strangers In Town, SNDWNR, and The Onetimes.

Dress code is Hawaiian shirts so chuck one on and head to The Workers Club on Wednesday August 16 from 8.30pm to get involved. $5 entry.

Black Bats

Last Chance Rock & Roll Bar Surf rock outfit Black Bats are playing an August residency at Last Chance Rock & Roll Bar where they’ll be joined by different acts each week. This round will feature Rhyece O’Neill + The Vengeful Narodiks and Sadults. It’s happening on Wednesday August 16 from 7.30pm. Free entry.

Nigel Wearne & Ayleen O’Hanlon

Bella Union Nigel Wearne & Ayleen O’Hanlon kick off the third and final season of the Round Up. Capturing the listening environment of a traditional folk club, The Round Up celebrates the art of songwriting in an intimate setting. Come along for some good ol’ country twang, folk and honest storytelling. It’s going down at Bella Union on Wednesday August 16, doors at 7.30pm.

Tickets $15-$20 pre-sale or $20-$25 at the door.

BYO Vinyl Night

The B.East Grab your favourite record and head to The B.East for their third installment of BYO Vinyl Night. All you need to do is bring your favourite albums, jot your name on the signup sheet when you get there and boogie down like you would in your lounge room.

It’s happening on Thursday August 17 from 7pm. Free entry.

Dave Ritchie And The Neighbours

The Brunswick Hotel Alt-rock outfit Dave Ritchie And The Neighbours are playing their first live show at The Brunny, so come down and give them a warm welcome to the stage.

They’ll be joined by Swamp, Picket Palace, and Mondo Bizzaro when they hit The Brunswick Hotel on Thursday August 17.

It kicks off at 8pm, free entry.

This Week Wednesday Aug 16 Hip Hop & R&B Mellowdíasthump - Feat: Geezy + Skomes + Melo Felo Boney, Melbourne Cbd. 9:00pm. $15.00.

Indie, Rock, Pop, Metal, Punk & Covers A Decade Of Dickhead - Feat: Secret Acts Old Bar, Fitzroy. 7:30pm. $15.00.

Baby Grand Piano Open Mic Compass Pizza, Brunswick East. 7:00pm.

Black Bats + Rhyece O’neill + The Vengeful Narodniks Last Chance Rock And Roll Bar, North Melbourne. 7:30pm.

Blu-Au - Feat: Motherslug + Strangers In Town + Sndwnr + The One Times Workers Club, Fitzroy. 8:30pm. $5.00.

Bollard + The Fainters + Boyparts Bar Open, Fitzroy. 8:00pm.

Bristol Cairo + The Shifties + Greg Steps Bendigo Hotel, Collingwood. 7:30pm. $6.00.

British India Howler, Brunswick. 7:00pm. $35.50.

Coq Roq - Feat: Mr Moonshine + Agent 86 + More Lucky Coq, Windsor. 8:30pm.

Cousin Tony’s Brand New Firebird + Talulah + Jeffers Limit Evelyn Hotel, Fitzroy.

8:30pm. $10.00.

Isadore - Feat: Isadoré + Dxheaven + Darling James Toff In Town, Melbourne Cbd. 7:30pm. $10.00.

Junior Fiction + Great Outdoors + Girlatones Tote Hotel, Collingwood. 8:00pm. $8.00.

Kassette Carlton Club, Melbourne Cbd. 8:00pm.

Morning Morning + Hyla + Curves Tote Hotel, Collingwood. 8:00pm. $8.00.

New Found Glory + Stand Atlantic Corner Hotel, Richmond. 7:30pm.

Open Mic Whole Lotta Love, Brunswick East.

6:00pm.

Perfect Whip + Primm + Efficiency Yarra Hotel, Abbotsford. 8:00pm. $5.00.

The Cooks + Dave Connor + Gavin Styles + Conococo Phillips Tote Hotel, Collingwood.

8:00pm. $5.00.

The Elliotts Big Mouth, St Kilda. 8:30pm.

The Winter Warmup - Feat: Josh Keys + National Pleasure + Plastic + Sunnyside Ding Dong Lounge, Melbourne Cbd. 9:00pm. $10.00.

House, Electro, Trance & Club Nights Disco Medio - Feat: Mind Florist + Cassettes For Kids Lounge, Melbourne Cbd. 8:00pm.

Revolver Wednesdays - Feat: Eddie Example Revolver Upstairs, Prahran. 7:00pm.

Jazz, Soul, Funk, Latin & World Music

Plazza

Edinburgh Castle The Plazza singers will be putting on a mesmerizing performance showcasing their feminine acapella vocals and stripped back, percussive melodies. Catch them at Edinburgh Castle on Thursday August 17 from 7.30pm. Free entry.

Bopstretch Uptown Jazz Cafe, Fitzroy. 8:00pm.

Cecilia Brandolini + Myki Jay + Joe Terror Open Studio, Northcote. 7:00pm. $10.00.

Dizzy’s Big Band Dizzy’s Jazz Club, Richmond.

8:00pm. $10.00.

Elvis - The Gospel Collection - Feat: Damien Leith Hamer Hall (Arts Centre Melbourne), Southbank. 8:00pm. $77.00.

Gaby Moreno Bird’s Basement, Melbourne.

7:30pm. $35.00.

Horns Of Leroy’s Jukebox - Feat: Cassinovas + DJ Fairbanks Robinson Belleville, Melbourne. 8:00pm.

Kawabata-Go Piano Duo Melbourne Recital Centre, Southbank. 6:00pm. $39.00.

Paul Grabowsky Trio The Jazzlab, Brunswick.

8:00pm. $10.00.

Pieter Wispelwey Plays Beethoven Melbourne Recital Centre, Southbank. 7:00pm. $60.00.

The New Impromptu Quartet Paris Cat Jazz Club, Melbourne Cbd. 8:00pm. $25.00.

Wily 303, Northcote. 8:00pm.

Yolanda Ingley Ii Band Paris Cat Jazz Club, Melbourne Cbd. 8:30pm. $25.00.

Acoustic/Country/Blues/ Folk Gallie + Don Hillmans’ Secret Beach + Chris Busietta Lomond Hotel, Brunswick East.

8:00pm.

Muddy Blues Roulette - Feat: Alister Turriff Catfish, Fitzroy. 8:00pm.

Open Mic Brunswick Hotel, Brunswick. 7:00pm.

Open Mic Night Ascot Vale Hotel, Ascot Vale.

8:00pm.

The Round Up - Feat: Nigel Wearne And Ayleen O’hanlon Bella Union Bar, Carlton.

7:30pm. $15.00.

Wine Whisky Women - Feat: Macaila Eve + Miller Drunken Poet, West Melbourne. 8:00pm.

Thursday Aug 17 Hip Hop & R&B Buffalo Gals Hugs & Kisses, Melbourne. 10:00pm. $5.00.

No Frills Thursdays Laundry Bar, Fitzroy.

9:00pm.

Yehme2 Boney, Melbourne Cbd. 8:00pm. $25.00.

Indie, Rock, Pop, Metal, Punk & Covers $10 + The Wax Eaters 303, Northcote. 8:00pm. $10.00.

A Decade Of Dickhead - Feat: Secret Acts Old Bar, Fitzroy. 7:30pm. $15.00.

A Rioting Mind + Kat Eddy Fitzroy Pinnacle, Fitzroy North. 8:00pm.

Amy Shark + Fractures + Tommy Castles Corner Hotel, Richmond. 7:30pm. $36.65.

Batts + Jack The Fox + Ariela Jacobs Workers Club, Fitzroy. 8:00pm. $9.80.

Body Parts + I Have A Goat & Beaver Damn Woody’s Attic Dive, Collingwood. 8:00pm. $10.00.

Brooke Taylor + Benny Williams + Kerryn Fields Toff In Town, Melbourne Cbd. 7:00pm. $10.00.

Byo Vinyl Night The B.East, Brunswick East.

7:00pm.

Cherry Soul - Feat: Brooklyn’s Finest + DJ Vince Peach & Pierre Baroni Cherry Bar, Melbourne Cbd. 8:00pm. $10.00.

David Ritchie & The Neighbours + Picket Palace + Swamp + Mondo Bizarro Brunswick Hotel, Brunswick. 8:00pm.

Death Disco Boney, Melbourne Cbd. 9:00pm.

Donald Dank & The Naughty Boys + Kooyung + Fruit Loops Evelyn Hotel, Fitzroy.

8:30pm. $10.00.

Fortnight Jumbo + Stripping On Sunset + The Midnight Sol Whole Lotta Love, Brunswick East. 8:00pm.

High-Tails + No Locals + Castilles Penny Black, Brunswick. 8:00pm.

Itchy Fingers Musicland, Fawkner. 7:00pm. $10.00.

Lehmann B Smith Band + Monnone Tramway Hotel, North Fitzroy. 8:00pm.

Live Music With Tingy Customs House Hotel, Williamstown. 8:00pm.

Magic Steven + Qwerty + Miles Munn Post Office Hotel, Coburg. 9:00pm.

Murmurmur + Pup Tentacle + Plastic Gasometer Hotel, Collingwood. 8:00pm. $7.00.

Pleasure Avalanche + Astral Skulls + Jules Sheldon Yarra Hotel, Abbotsford. 8:00pm. $5.00.

Resident Thursdays - Feat: DJ Shadow Pier Live, Frankston. 9:00pm.

Samsaruh + Aeora + Saatsuma Gasometer Hotel, Collingwood. 8:00pm. $10.00.

The Deadpans + Hannah Kate + Kaz Garaz Bar Open, Fitzroy. 8:00pm.

The Hard Rockerz Musicland, Fawkner. 7:00pm. $10.00.

Throwback Lucky Coq, Windsor. 9:00pm.

Voltaire Thursday Sessions Club Voltaire, North Melbourne. 7:30pm. $8.00.

With Confidence + Seaway + Wstr Prince Bandroom, St Kilda. 7:00pm. $35.70.

House, Electro, Trance & Club Nights 3183 Thursdays - Feat: Hans Dc + Le’bruh + Dean Turnley + Luke Vecchio Revolver Upstairs, Prahran. 6:00pm.

Disco Volante Onesixone, Prahran. 8:00pm.

Footnotes - Feat: Gino Pozzi + Kaya Kalpa + Cara Mia Lounge, Melbourne Cbd. 8:00pm.

Midnight Express - Feat: DJ 123 + Edd Fisher Toff In Town, Melbourne Cbd. 11:45pm.

Thursgay Yah Yah’s, Fitzroy. 8:00pm.

Tuckshop Carlton Club, Melbourne Cbd. 9:00pm.

Jazz, Soul, Funk, Latin & World Music Dj Maddy Mac Pbs Djs Catfish, Fitzroy.

8:00pm.

Four To The Floor - Feat: Vinyl Vixens Purple Emerald, Northcote. 8:00pm.

Gaby Moreno Bird’s Basement, Melbourne.

7:30pm. $35.00.

Ivan Zar Charles Weston Hotel, Brunswick.

6:30pm.

James Sherlock Trio The Jazzlab, Brunswick.

8:00pm. $10.00.

Lillian Albazi Quintet Paris Cat Jazz Club, Melbourne Cbd. 8:30pm. $25.00.

Melbourne Improvisers Collective Uptown Jazz Cafe, Fitzroy. 8:00pm.

Pieter Wispelwey Plays Beethoven Melbourne Recital Centre, Southbank. 7:00pm. $60.00.

The Consort Of Melbourne Melbourne Recital Centre, Southbank. 4:30pm. $39.00.

The Ishs/Allen Project Paris Cat Jazz Club, Melbourne Cbd. 8:00pm. $30.00.

Timbalero Thursday La Di Da, Melbourne Cbd. 9:00pm. $10.00.

Tom Vincent Trio Open Studio, Northcote.

8:30pm. $10.00.

Acoustic/Country/Blues/ Folk Anna Smyrk Wesley Anne, Northcote. 6:00pm.

Brentwood Moonshine Speak Easy, Cremorne.

7:30pm.

Citronella Candles Wesley Anne, Northcote.

8:00pm. $5.00.

Maddie Leman & The Desert Swells + Freya Josephine Hollick Retreat Hotel, Brunswick. 8:30pm.

Matt Bradshaw Elephant & Wheelbarrow, St Kilda. 9:30pm.

Open Mic Night Drunken Poet, West Melbourne. 7:00pm.

Plazza - Feat: The New Stringband Edinburgh Castle, Brunswick. 7:30pm.

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Featured Gigs

Fortnight Jumbo

Whole Lotta Love Head to Whole Lotta Love for a night of punk rock bangers, courtesy of Fortnight Jumbo, Loose End, Stripping On Sunset, and The Midnight Sol. It’s happening on Thursday August 17 from 8pm. Free entry.

TuckShop

The Carlton Club Catch Beth Grace, Cliftonia, and DJ AYNA on the decks for TuckShop where they’ll be serving up classic hits and fresh new tracks for you to dance your heart out to. It’s happening at The Carlton Club on Thursday August 17 from 9pm. Free entry.

Gig Guide

Friday Aug 18 Hip Hop & R&B Bright Lights Big City - Feat: DJ Rcee + Kahlua + DJ Shook + DJ Angel Jay Chaise Lounge, Melbourne Cbd. 8:00pm.

Cdb 170 Russell, Melbourne Cbd. 8:00pm. $42.00.

Cushion Fridays Cushion, St Kilda. 9:00pm.

Faktory Fridays - Feat: Damion De Silva + K Dee + Durmy Khokolat Bar, Melbourne Cbd. 9:30pm.

Jesse & The Bon-Ton Rhythms Lomond Hotel, Brunswick East. 9:30pm.

Party & Bullshit Laundry Bar, Fitzroy. 9:00pm.

Jazz, Soul, Funk, Latin & World Music

Batts

The Workers Club BATTS aka Tanya Batt has spent the first half of 2017 debuting her new sound, as well as touring Australia supporting Oliver Tank, nyck, Timberwolf, The Tesky Brothers and more. Little White Lies is the second taste of her forthcoming debut EP, she’ll launch it at Workers Club with Jack The Fox and Ariela Jacobs on Thursday August 17. Doors at 8pm, tickets are 9.80+BF.

KMAS

The Reverence Hotel Indie-hop solo act KMAS will be gracing the stage and wooing the crowds with her delightful tunes at The Rev, plus she’s bringing her friend Emily Harley along to warm up the stage. Catch them at The Reverence Hotel on Friday August 18 from 8pm. $5 entry.

Wolves In Fashion

The Brunswick Hotel Sydney groove rock five-piece Wolves In Fashion are coming to town to launch their debut EP, Dance With Your Shadow. They’ll be joined by Run Rabbit Run, The Avenue, and Old Etiquettes when they hit The Brunswick Hotel on Friday August 18. It’s going down from 8pm, free entry.

Co-Ground Folk Show #2

Wesley Anne After the success of their first sold out Folk Show back in May, Co-Ground invites fans of intimate live music back to the Wesley Anne. The night will feature four of Melbourne’s most loved contemporary folk artists ± Amistat, Ariela Jacobs, Mia Wray and Spiritus. All funds from the night will go towards a new school library and classroom project in the village of Sara in Vanuatu ± one of Co-Ground’s education and development projects in the Asia Pacific. It’s taking place on Friday August 18 from 8pm. Tickets are $15.

Alleycat- Episode 3

420 Lonsdale Street Alleycat are stepping into the second last chapter of their winter series with their Friday night friends Babicka & Baby Björn AKA Cry Baby, Steeplejack excursions from Cutting Room as well as Pjenné the Paradisian and Butter Sessions own Sleep D on support. It’s going down on Friday August 18. Entry is free before 11.30pm, and $10 after.

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Audrey Powne 4Tet The Jazzlab, Brunswick.

11:55pm. $10.00.

Citrus Jam Bar Open, Fitzroy. 6:30pm.

Gaby Moreno Bird’s Basement, Melbourne.

7:30pm. $35.00.

Jack Earle With His Trio Paris Cat Jazz Club, Melbourne Cbd. 8:30pm. $25.00.

Jim Cuomo Trio The Merri Clan, Preston.

7:30pm.

Neon City Pilot Paris Cat Jazz Club, Melbourne Cbd. 9:30pm. $25.00.

Oliver Coates Arts Centre, Melbourne. 6:00pm. $90.00.

Pieter Wispelwey Plays Beethoven Melbourne Recital Centre, Southbank. 7:00pm. $60.00.

Reimagining Chet Baker Paris Cat Jazz Club, Melbourne Cbd. 7:00pm. $30.00.

San Lazaro Open Studio, Northcote. 8:30pm. $10.00.

Sleazy Listening - Feat: Winters + Hysteric + Arks + K Hoop Toff In Town, Melbourne Cbd. 8:00pm.

The Fox Soundtrack - Feat: Jules Sheldon Fox Hotel, Collingwood. 8:30pm.

The Furbelows The Jazzlab, Brunswick. 8:00pm. $20.00.

The Jamie Oehlers Quartet Uptown Jazz Cafe, Fitzroy. 8:00pm.

The Master Musicians Of Jajouka Arts Centre, Melbourne. 6:00pm. $90.00.

The Meanderins Big Mouth, St Kilda. 9:15pm.

What The Funk Fridays Purple Emerald, Northcote. 9:00pm.

House, Electro, Trance & Club Nights Action Sam Elephant & Wheelbarrow, St Kilda.

11:00pm.

Alleycat - Episode 3 - Feat: Cry Baby + Cutting Room + Sleep D + Pjenné Bar420, Melbourne. 10:00pm.

Baby Spank - Feat: Lorna Clarkson + Brooke Powers + More Hugs & Kisses, Melbourne. 11:00pm.

Ciroq Fridays Cq, Melbourne Cbd. 8:00pm.

Cool Room - Feat: Moopie + Hannah Lockwood + Noise In My Head + More 24 Moons, Northcote. 10:00pm. $11.58.

Do The Job! - Feat: Barry Sunset + Hani Hanbali + Taylor Tinnies Ferdydurke, Melbourne Cbd. 7:00pm.

Eat Your Greens Bimbo Deluxe, Fitzroy. 8:00pm.

Elephant In The Room Carlton Club, Melbourne Cbd. 11:00pm.

Fabulous Fridays - Feat: Various Djs Co., Southbank. 9:30pm. $20.00.

Formation - Feat: Donny & Friends + One Puf + More Lucky Coq, Windsor. 9:00pm.

Friday - Feat: Mell Hall + Pete Keen + More Carlton Club, Melbourne Cbd. 6:00pm.

Henry Saiz Brown Alley, Melbourne Cbd. 10:00pm. $16.10.

House Of Friends + Paradise Djs + Max Vegas + Jonny Crates Lounge, Melbourne Cbd. 8:00pm.

I Love Dancehall - Feat: So Fire + Rebel Bass + Larrie + More Brown Alley, Melbourne Cbd. 10:00pm.

Kinki Disco - Feat: Manchild + Angus Green + DJ Mrs. Wallace + More Rubix Warehouse, Brunswick. 9:00pm.

Luck Truck Friday Downstairs - Feat: 99 Prblmz + Congo Tardis #1 + Little League Bounce Club Lucky Coq, Windsor. 9:00pm.

Pawn Fridays - Feat: Sly Faux + Tom Evans + Batchelo + Halen + Repo Men + Tbib Pawn & Co, South Yarra. 7:00pm.

Pest Kontrol - Feat: Scotty Pesticide Boney, Melbourne Cbd. 9:00pm.

Poprocks - Feat: Dr Phil Smith + Dr Nick Toff In Town, Melbourne Cbd. 9:00pm.

Revolver Fridays &St Tru - Feat: Who + Dan Beck + Jhoebi + Elliot Ofmarco + More Revolver Upstairs, Prahran. 10:00pm.

Sub Committee - Feat: Leo James + Toni Yotzi + Citipower + Zobs Palace Boney, Melbourne Cbd. 10:00pm. $10.00.

The Disco Onesixone, Prahran. 8:00pm.

The Emerson Club Fridays The Emerson, South Yarra. 3:00pm.

Indie, Rock, Pop, Metal, Punk & Covers Over-Reactor Bendigo Hotel, Collingwood.

8:00pm. $16.60.

A Decade Of Dickhead - Feat: Secret Acts Old Bar, Fitzroy. 7:30pm. $15.00.

Acid Mothers Temple & The Melting Paraiso Ufo Arts Centre, Melbourne. 6:00pm. $90.00.

Amy Shark + Fractures + Tommy Castles Corner Hotel, Richmond. 7:30pm. $36.65.

Anthem Sessions Matthew Flinders Hotel, Chadstone. 8:00pm.

Baby Blue + Al Parkinson & The Babes The B.East, Brunswick East. 8:00pm.

Black Cab + Toshi Sakamoto + Simona Howler, Brunswick. 8:30pm. $20.00.

Captain Spalding Customs House Hotel, Williamstown. 9:30pm.

Chasing Lana + Vacant Image + Jarface + Fight The Sun Northcote Social Club, Northcote.

8:00pm. $14.59.

Cosmic Kahuna + Public High + Tony Dork Workers Club, Fitzroy. 8:30pm. $10.00.

Dave Harrington Arts Centre, Melbourne.

6:00pm. $90.00.

Davey Lane + The Girlatones Gasometer Hotel, Collingwood. 9:00pm. $15.00.

DJ Dead Set Edinburgh Castle, Brunswick. 9:00pm.

Exo-Tech - Feat: Sophia Brous + Kimbra Arts Centre, Melbourne. 6:00pm. $90.00.

Finishing School Bella Union Bar, Carlton.

9:30pm. $10.00.

From Oslo Yah Yah’s, Fitzroy. 8:00pm. $12.58.

Fuck The Man Record Launch - Feat: Bitch Diesel + Easy Brown’s Truck Shop Chicken Band + Magpie + The Council + Spiral Perm + Eye Seaweed Tote Hotel, Collingwood. 8:00pm. $10.00.

Galata Express + Baba Noir Evelyn Hotel, Fitzroy. 8:30pm. $15.00.

Good Morning + Hexdebt John Curtin Hotel, Carlton. 8:00pm. $10.00.

Gymnastics In The Seventies + Barcelos + Auntie Leo & The Backstabbers Bar Open, Fitzroy. 8:00pm. $8.20.

Hang Out - Feat: Donny & Friends Bimbo Deluxe, Fitzroy. 6:00pm.

Headless + Nerve Endings + Amaros + At Second Glance Whole Lotta Love, Brunswick East. 8:00pm. $10.00.

Hey Hey It’s Friday - Feat: Astro Boys Royal Hotel, Essendon. 10:00pm.

Jep & Dep + The Ahern Brothers Basement Discs, Melbourne Cbd. 12:30pm.

Joe Camilleri & The Black Sorrows Caravan Music Club, Oakleigh. 8:00pm.

Keiji Haino Arts Centre, Melbourne. 6:00pm. $90.00.

Kmas + Emily Harley + Figaro Reverence Hotel, Footscray. 8:30pm. $5.00.

La Danse Macabre + Brunswick Massive Resident Djs Rainbow Hotel, Fitzroy. 9:00pm.

Lincoln Le Fevre & The Insiders + Chasing Ghosts + Jim Lawrie Gasometer Hotel, Collingwood. 8:00pm. $18.00.

Mezz Live Chelsea Heights Hotel, Chelsea Heights. 5:30pm.

Mordi Sooki Lounge, Belgrave. 8:00pm. $14.30.

Nice Types Ascot Vale Hotel, Ascot Vale. 8:00pm.

Plamerslum + Mannequin Death Squad + Rathead + Grasshole Cherry Bar, Melbourne Cbd. 8:00pm. $13.00.

Plyers Woody’s Attic Dive, Collingwood. 7:30pm.

Prince Public Bar Fridays Prince Public Bar, St Kilda . 9:00pm.

Raised By Eagles Workers Club, Geelong.

8:00pm. $12.25.

Russell Morris & Band Memo Music Hall, St Kilda. 7:30pm. $30.00.

Smells Like The 90’S - Feat: Rearviewmirror + The Australian Nirvana Show + Alice Remains Max Watt’s, Melbourne.

8:00pm. $18.40.

Swim Team + Maureen Post Office Hotel, Coburg. 9:00pm.

Tape Launch + Cormicj & Haskings Labour In Vain, Fitzroy. 9:00pm.

Terry + School Damage + Rvg + The Faculty Tote Hotel, Collingwood. 8:00pm. $11.25.

The Murlocs Wool Exchange, Geelong. 8:00pm. $28.60.

The Northern Folk + Amber Isles + Odd Souls Catfish, Fitzroy. 8:00pm. $10.00.

The Owls Penny Black, Brunswick. 8:30pm.

Versus Party Yah Yah’s, Fitzroy. 8:00pm.

Very Handsome Men Musicland, Fawkner.

8:30pm. $10.00.

Vicky O’keefe Flying Saucer Club, Elsternwick.

8:00pm. $20.00.

Wolves In Fashion + The Avenue + Run Rabbit Run + Old Etiquettes Brunswick Hotel, Brunswick. 8:00pm.

Acoustic/Country/Blues/ Folk Acoustic Sessions Matthew Flinders Hotel, Chadstone. 5:00pm.

Alleged Associates Smokehouse 101, Maidstone. 7:00pm.

Boads Edinburgh Castle, Brunswick. 6:00pm.

Co-Ground Folk Show - Feat: Amistat + Ariela Jacobs + Mia Wray + Spiritus Wesley Anne, Northcote. 8:00pm. $15.00.

Dan Warner & Dave Evans Drunken Poet, West Melbourne. 8:00pm.

Danny Walsh Banned Fitzroy Pinnacle, Fitzroy North. 8:00pm.

Glorious North Gem Bar, Collingwood. 8:00pm.

Greg Walsh Munsterhaus, Fitzroy. 6:30pm.

Losumo Wesley Anne, Northcote. 6:00pm.

Max Teakles’ Lomond Hotel, Brunswick East.

5:30pm.

Mike Elrington Duo Baha Tacos & Tapas Bar, Rye. 7:00pm.

Neeko Compass Pizza, Brunswick East. 7:00pm.

Petulant Frenzy Spotted Mallard, Brunswick.

8:15pm. $25.00.

Rough Cut Pascoe Vale Rsl, Pascoe Vale. 8:00pm. $10.00.

The Chris Pickering Experiment + Al Carr & The Strong Arm Retreat Hotel, Brunswick.

9:30pm.

Traditional Irish Music Session Drunken Poet, West Melbourne. 6:00pm.

Unorthodox Jukebox + Clusterfunk 303, Northcote. 8:00pm. $10.00.

Zeena Parkins Arts Centre, Melbourne. 6:00pm. $90.00.

Saturday Aug 19 House, Electro, Trance & Club Nights Audioporn Saturdays Onesixone, Prahran.

9:00pm. $15.00.

Bad Habits Yah Yah’s, Fitzroy. 8:00pm.

Bambounou + Ransom + Monty Mcgaw + Rex + More Revolver Upstairs, Prahran. 10:00pm.

Beaút Xvii | Light Beaút - Feat: Gavin Campbell + Jennifer Loveless + More Toff In Town, Melbourne Cbd. 9:00pm. $20.00.

Couta Beats Iii - Feat: M5k + Senpolo + Not Quite Disco + Flamingo Jones Section 8, Melbourne Cbd. 7:00pm.

Cq Saturdays Cq, Melbourne Cbd. 8:00pm.

Cushion Saturdays Cushion, St Kilda. 9:00pm.

Dancing In Outer Space - Feat: DJ Manchild + Positively Positive Party + Leigh Crow Gasometer Hotel, Collingwood.

9:00pm. $5.00.

Electric Dreams - Feat: Various Djs Co., Southbank. 9:00pm. $20.00.

Featured Gigs

Gig Guide

Black Is Vinyl

Espionage - Feat: Herzeloyde + Tiber + More Rubix Warehouse, Brunswick. 10:00pm. $12.58.

Five Years Of Black Market - Feat: Volta + Mish’chief + Oddphonic + More Railway Hotel, Brunswick. 3:00pm.

In The Carriage - Feat: DJ Jnett Toff In Town, Melbourne Cbd. 8:00pm.

Jank Facques Carlton Club, Melbourne Cbd. 12:10am.

Loading_error - Feat: Honeysmack + Acid Safari + Dylab + More 24 Moons, Northcote.

10:00pm. $15.00.

Loomer Boney, Melbourne Cbd. 9:00pm.

Lucid - Feat: Ben Fester + Ricci + Donald + 6Am At The Garage Lounge, Melbourne Cbd. 8:00pm.

Pony Saturdays La Di Da, Melbourne Cbd. 10:00pm.

PPB Late Night Saturdays Prince Public Bar, St Kilda . 10:00pm.

President Press - Feat: Ivan Di Gennaro + Mha Iri + Jordan Brando New Guernica, Melbourne Cbd. 10:00pm.

Progession Sessions (Eartheogen) - Feat: 15 Grams + Le’bruh + DJ Buddhi Lanka + More Railway Hotel, Brunswick. 10:00pm. $16.34.

Saturdays Carlton Club, Melbourne Cbd. 8:00pm.

Seven Saturday Discotheque Seven Nightclub, South Melbourne. 10:00pm. $20.00.

Snack Attack - Feat: DJ 2P Elephant & Wheelbarrow, St Kilda. 10:00pm.

Sooki Saturday - Feat: Anyo + Obay + Markie Sooki Lounge, Belgrave. 8:00pm.

Sound Dimensions Iii 303, Northcote. 8:00pm.

Textile Saturdays - Feat: Kodiak Kid + D’fro + Jens Beamin Lucky Coq, Windsor.

9:00pm.

The Emerson Club Saturdays The Emerson, South Yarra. 9:00pm.

Tramp Saturdays Tramp, Melbourne Cbd. 8:00pm.

Ding Dong Lounge Breathing life into their favourite old school vinyl records by some of the alltime great soul and jazz legends, Shannen Wick and Vanessa Fernandez will perform together, live onstage, accompanied by some of Melbourne’s hottest soul performers including Saskwatch’s keyboardist, Olaf Scott and saxophonist, Sam Boon. It’s going down at Ding Dong Lounge on Friday August 18.

Doors at 9pm, entry is $10.

James Norbert Ivanyi

The Workers Club Prog-rock instrumental guitarist James Norbert Ivanyi is coming in hot from Sydney to give us Melbourne folk a taste of his new EP, Denalavis. He’ll be joined

by The Omnific, Logic Defies Logic, and Dyssidia to help amp things up. It’s happening on Saturday August 19 at The Workers Club from 8pm. Tix are $12+bf via Oztix.

Grumpy Neighbour

Charles Weston Grumpy Neighbour will be delivering their quirky, contemporary folk tunes at The Charles Weston and showing you their talent has no bounds and certainly isn’t restricted to one genre. They’ll be performing on Saturday August 19 from 6.30pm. Free entry.

Indie, Rock, Pop, Metal, Punk & Covers

Laser Brains

The Reverence Hotel Punk rock outfit Laser Brains are sadly calling it a day, but not before they play one last show. To make sure they go out with a bang, they’ve invited their mates Gladstone, As A Rival, Under The Cut, and Hammock District along for the ride. It’s happening at The Reverence Hotel on Saturday August 19 from 7pm. $10 entry.

The Tarantinos

The Bendigo Hotel Who needs Netflix when you can catch The Tarantinos as they smash out the best tunes from all your favourite Tarantino movie soundtracks. Plus they’ll be joined

by Los Amigos and Sweet Cheeks to get things kicking. It’s going down on Saturday August 19 from 8pm at The Bendigo Hotel.

Free entry.

Cold Hands Warm Heart

The Post Office Hotel Eclectic psych-folk/pop outfit Cold Hands Warm Heart will be laying down their atmospheric, synth-soaked melodies at The Post Office Hotel to get you all warm and fuzzy inside. Catch them on Saturday August 19 from 9pm. Free entry.

Heavy: Music For Mental Health

Bang- Royal Melbourne Hotel This is an open invitation for friends, family and even strangers to create awareness and break down the stigma of mental health.

Blklst and Atlantic will lead into a Linkin Park covers set. There will also be guest DJ sets and guest vocals from members of Alpha Wolf, Earth Caller, Boris the Blade, Storm The Sky, Deez Nuts and more. Gold coin donation for DJ requests will go to Beyond Blue. It’s going down at Bang! On Saturday August 19.

A Decade Of Dickhead - Feat: Secret Acts Old Bar, Fitzroy. 2:00pm. $15.00.

Absolutely Live - The Doors Show Spotted Mallard, Brunswick. 7:00pm.

Amy Shark + Fractures + Tommy Castles Corner Hotel, Richmond. 7:30pm. $36.65.

Audio Electric - Feat: Kimbra Arts Centre, Melbourne. 9:30pm. $54.00.

Bang (Heavy - Music For Mental Health) Feat: Blklst + Atlantic Royal Melbourne Hotel, Melbourne Cbd. 9:00pm. $15.00.

Billy Fox Penny Black, Brunswick. 8:00pm.

Cash - Feat: Cash For Gold + Bloody Aztec + Tympano Reverence Hotel, Footscray.

8:00pm. $10.00.

Cold Hands Warm Heart Post Office Hotel, Coburg. 9:00pm.

Deez Nuts + Void Of Vision + Dregg & Beerwolf Northcote Social Club, Northcote.

8:00pm. $26.14.

Elvis Tribute Night + DJ Jellyroll Maker Gem Bar, Collingwood. 8:00pm.

Euroclub (Australian Eurovision Fanclub Disco) - Feat: Euroclub: Australian Eurovision Fanclub Disco Bella Union Bar, Carlton. 8:00pm. $12.00.

Frankenbok + Cryptic Abyss + Annihilist + Internal Nightmare + Vulture Culture Evelyn Hotel, Fitzroy. 8:00pm. $15.00.

Fraudband + New Estate The B.East, Brunswick East. 10:00pm.

Godam Caveman + Hobo Ko Modo + Lou Baker Workers Club, Fitzroy. 1:00pm. $10.00.

Happy Lonesome + Devours Labour In Vain, Fitzroy. 8:00pm.

Helter Skelter - Feat: The Black Heart Death Cult Woody’s Attic Dive, Collingwood.

9:00pm. $10.00.

Hots + Hollie Joyce + Scraggerz Gasometer Hotel, Collingwood. 2:00pm.

Hyla + Bloodhounds On My Trail + Blush Response Last Chance Rock And Roll Bar, North Melbourne. 8:00pm.

James Norbert Ivanyi + Dyssidia + Logic Defies Logic + The Omnific Workers Club, Fitzroy. 8:30pm. $12.00.

Khe Sanh - Chisel Barnes Show Commercial Hotel, Morang South. 8:00pm.

Laser Brain + Gladstone + As A Rival + Under The Cut Reverence Hotel, Footscray.

7:00pm. $10.00.

Majak Door + Floss + Barefoot Spacemen + Bristol Cairo Brunswick Hotel, Brunswick.

8:00pm.

Mason + Harlott + Destruktor + Maniaxe Tote Hotel, Collingwood. 8:00pm.

Pearl Jam Ten - Feat: Various Artists + The Pass Outs + Warbirds Cherry Bar, Melbourne Cbd. 8:00pm. $13.00.

Petulant Frenzy Caravan Music Club, Oakleigh.

8:00pm. $27.00.

Primitive Calculators + Kollaps + Kt Spit + Regional Curse Yah Yah’s, Fitzroy. 7:00pm.

Pussy Riot Theatre Arts Centre, Melbourne.

7:30pm. $69.00.

Raised By Eagles + Neil Murray The Croxton, Thornbury. 8:00pm. $24.00.

Reaper + No Class Tote Hotel, Collingwood.

5:00pm.

Rockavellas Ascot Vale Hotel, Ascot Vale. 8:00pm.

Roomers 21St Anniversary - Feat: Tim Rogers Corner Of Loch Street & Fitzroy Street, St Kilda. 6:00pm.

Saturdays Rock - Feat: Riffinery Royal Hotel, Essendon. 10:00pm.

Shannon Noll Chelsea Heights Hotel, Chelsea Heights. 8:00pm. $41.00.

Stephen O’malley Arts Centre, Melbourne.

2:00pm. $140.00.

Suburban Prophets + The Dead Pharaohs + Day Of Clint Whole Lotta Love, Brunswick East. 8:00pm. $10.00.

Sun Baha Tacos & Tapas Bar, Rye. 8:30pm. $10.00.

Swidgen + Dark Temple Gem Bar, Collingwood. 8:00pm.

Tango In The Night House Band Yarraville Club, Yarraville. 8:00pm. $23.00.

The Dorks + Error Margins + Boyparts + Muscle Mate Yarra Hotel, Abbotsford. 8:00pm. $5.00.

The Tarantinos + Los Amigos + Sweet Cheeks Bendigo Hotel, Collingwood. 8:00pm.

The Willie Wagtails Bar Open, Fitzroy. 5:00pm.

Tinsley Waterhouse Band Brunswick Hotel, Brunswick. 5:00pm.

Tiny Little Houses + Rathammock + Iv League Howler, Brunswick. 8:00pm. $15.00.

Jazz, Soul, Funk, Latin & World Music Acland Plaza Pop Up Party - Feat: DJ Emma Peel + Horns Of Leroy + The Rebelles Acland Street, St Kilda. 11:00am.

Bob Sedergreen & Friends Lido Jazz Room, Hawthorn. 8:00pm.

Charlotte Jane + Joe Ruberto Trio The Jazzlab, Brunswick. 8:00pm. $20.00.

Christopher Hale & Minyoung Woo Melbourne Recital Centre, Southbank. 7:00pm. $30.00.

Craig Fermanis Tribute To Charlie Christian Uptown Jazz Cafe, Fitzroy. 8:00pm.

DJ Ernie Dee Edinburgh Castle, Brunswick. 9:00pm.

Duo Agogo Esplanade Diner, 7:00pm.

Gaby Moreno Bird’s Basement, Melbourne.

7:30pm. $35.00.

Jamaica Jump Up #25 (Sound System Special) - Feat: Mohair Slim + Rick Howe + Jesse I + Lloyd Briggs Gasometer Hotel, Collingwood. 9:00pm. $10.00.

Kunataki Compass Pizza, Brunswick East. 7:30pm.

Lullaby Movement - Feat: Sophia Brous + Leo Abrahams + David Coulter Arts Centre, Melbourne. 8:00pm. $49.00.

Oliver Coates Arts Centre, Melbourne. 2:00pm. $140.00.

Paul Williamson’s Hammond Combo Paris Cat Jazz Club, Melbourne Cbd. 9:30pm. $25.00.

Ruby Blue Paris Cat Jazz Club, Melbourne Cbd. 8:30pm. $25.00.

Safari Motel Catfish, Fitzroy. 9:00pm.

Samba Time - Feat: Camara + Wombatuque + Old Guard Of The North Bar Open, Fitzroy. 9:00pm. $8.00.

Sarah Maclaine + The Roger Clark Quartet Dizzy’s Jazz Club, Richmond. 8:30pm. $16.00.

Somewhere Over The Rainbow - Feat: Clancye Milne Octet Paris Cat Jazz Club, Melbourne Cbd. 7:00pm. $30.00.

Tek Tek Ensemble Open Studio, Northcote.

8:30pm. $14.00.

The Ecstatic Music Of Alice Coltrane Turiyasangitananda - Feat: Sai Anantam Ashram Singers Arts Centre, Melbourne.

9:00pm. $49.00.

The Fox Soundtrack - Feat: Clifford Moss Fox Hotel, Collingwood. 8:30pm.

The King Louie Collective Prince Public Bar, St Kilda . 8:00pm.

The Rebelles Big Mouth, St Kilda. 4:00pm.

Vanessa Fernandez Trio Captain Baxter, St Kilda . 7:30pm.

Vicky O’keefe Satellite Lounge, Wheelers Hill.

8:00pm. $20.00.

Vinyl Destination Big Mouth, St Kilda. 6:00pm.

Ywca Chinese Orchestra & Chao Feng Chinese Orchestra Melbourne Recital Centre, Southbank. 5:00pm. $23.00.

Hip Hop & R&B Big Dancing Laundry Bar, Fitzroy. 8:30pm.

Grumpy’s 3Rd Birthday - Feat: Black Jesus Experience + Buick + Stormn Norm + Mystik Grumpy’s Green, Fitzroy. 6:00pm.

Khokolat Koated Saturdays - Feat: Damion De Silva + K Dee + Durmy + Timos Khokolat Bar, Melbourne Cbd. 9:30pm.

Rhythm Nation Saturdays - Feat: DJ Timos + DJ Kahlua + DJ Ange M & Andy Pala Chaise Lounge, Melbourne Cbd. 9:00pm. $10.00.

Thaitanium Max Watt’s, Melbourne. 10:30pm. $75.50.

Acoustic/Country/Blues/ Folk Alison Ferrier & Band Union Hotel, Brunswick.

9:00pm.

Backwood Creatures Rainbow Hotel, Fitzroy.

9:30pm.

Cold Irons Bound Fitzroy Pinnacle, Fitzroy North. 4:00pm.

Devile Goat Family String Band Drunken Poet, West Melbourne. 9:00pm.

Dirty Lopez & His Sax Mambo Wesley Anne, Northcote. 6:00pm.

Elbury + Shannen James + Leadlight Open Studio, Northcote. 5:00pm.

Girl Friday + Maja Retreat Hotel, Brunswick. 8:00pm.

Grumpy Neigbour Charles Weston Hotel, Brunswick. 6:30pm.

Hannah Campbell + The Heights Open Studio, Northcote. 2:00pm. $5.00.

James Franklin Edinburgh Castle, Brunswick.

5:00pm.

Marshal Maxwell St Luja, St Kilda. 8:30pm.

Monique Brumby Band Lomond Hotel, Brunswick East. 9:30pm.

My Echo + The Lockhearts + Social Haunts + Modern Divide Workers Club, Geelong. 8:00pm. $17.85.

Roz Girvan Union Hotel, Brunswick. 5:00pm.

Say Nothing Drunken Poet, West Melbourne.

3:00pm.

Tami Neilson + Paddy Mchugh Ding Dong Lounge, Melbourne Cbd. 9:00pm. $51.55.

The Bean Project Retreat Hotel, Brunswick. 5:00pm.

The Blackeyed Susans + Jep & Dep Flying Saucer Club, Elsternwick. 8:00pm. $27.00.

Sunday Aug 20 House, Electro, Trance & Club Nights Anyway - Feat: Various Artists Bottom End, Melbourne Cbd. 8:00pm. $25.00.

Battle 8 Section 8, Melbourne Cbd. 4:00pm.

Cushion Sundays Cushion, St Kilda. 9:00pm.

Day Spa Present - Feat: Kyle Watson Pawn & Co, South Yarra. 7:00pm.

Down The Rabbit Hole - Feat: Nigel Last Toff In Town, Melbourne Cbd. 8:00pm.

Fashion Fridays - Feat: Mark Hardy + Jvp + Sonic Vibes + More La Di Da, Melbourne Cbd. 9:00pm.

Hidden Spheres + Millu + After Midnight Limonata + More Gasometer Hotel, Collingwood. 3:00pm. $12.75.

Jungle Tramp, Melbourne Cbd. 6:00am. $15.00.

Pawn & Co Day Spa Pawn & Co, South Yarra.

1:00pm.

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Featured Gigs

Gig Guide

Oxjam

Pig&Dan + Boogs + Spacey Space + T-Rek + More Revolver Upstairs, Prahran.

7:00am.

Romantic Treatment Vol Ii - Feat: Frank Booker + DJ Jnett Ferdydurke, Melbourne Cbd. 7:00pm.

Sunday - Feat: Khanh + Duchess Kay + More The Emerson, South Yarra. 12:00pm.

The Sunday Set - Feat: DJ Andyblack + Mr Weir Toff In Town, Melbourne Cbd. 5:00pm.

The Bendigo Hotel Haven’t got any Sunday plans? Why not grab a beer, have a boogie and help raise some money to fight global poverty? Oxjam will feature acts such as Busy Kingdom, Ablaze, Honeybone, and more with all proceeds going to Oxfam. It’s happening on Sunday August 20 from 6pm at The Bendigo Hotel. $10 entry.

Jazz, Soul, Funk, Latin & World Music

All Day Fritz

Compass Pizza Forget that Monday is just around the corner and grab yourself a slice, a pint and get down to some funky, jazz and swing tunes courtesy of All Day Fritz. They’ll be playing at Compass Pizza on Sunday August 20 from 4pm. Free entry.

Little Lord Street Band

The Drunken Poet Alternative folk four-piece Little Lord Street Band will be performing their tunes rich with storytelling lyrics and melodies at The Drunken Poet to help soothe your Sunday sads. Catch them from 6.30pm on Sunday August 20. Free entry.

Dandecat

Whole Lotta Love Dandecat are here to liven up your Sunday afternoon with their blend of jazz, soul and rock, plus they will be joined by indie roots trio Spiritus to get things swinging. Catch Dandecat and Spiritus at Whole Lotta Love on Sunday August 20 from 3pm. Free entry.

The Jack Earle Big Band

Wesley Anne The Jack Earle Big Band is honoured to be playing at The Wesley Anne for the first time. The exciting 18-piece band is sure to knock the socks off this vibey Northcote gem. Bringing an evening of original music, whacky covers, and a vibrant big band sound, The Jack Earle Big Band is set to be an awesome way to spend your Sunday afternoon. It’s going down Sunday August 20 from 2pm. Tickets are $15, or $10 for concession.

Brooke Taylor and Delsinki Records

Acland Plaza St Kilda duo Delsinki Records (Craig Johnston) and Brooke Taylor have come together as a perfect collaboration. 2016 saw the pair release their debut EP Love One showcasing their songwriting prowess.

The four track EP explores the four seasons of a failed relationship. They’ll team up once again at Acland Plaza on Monday August 21. Doors are from 1pm, entry is free.

Tracey Hogue

The Drunken Poet Folk singer Tracey Hogue, AKA Girl Friday, will be playing the songs of Patsy Cline, with the added charm of her electric ukelele and velvety vocals. She’ll be performing at The Drunken Poet on Tuesday August 22 from 8pm. Free entry.

36 BEAT.COM.AU

All Day Fritz Compass Pizza, Brunswick East. 4:00pm.

Andrew Day & Timothy Young Melbourne Recital Centre, Southbank. 6:00pm. $80.00.

Boney Monstar Edinburgh Castle, Brunswick.

4:00pm.

Elwood Community Choir St Kilda Esplanade Market, St Kilda. 11:00am.

Eugene Ball Quartet The Jazzlab, Brunswick.

8:00pm. $15.00.

Euphonic 2017 - Feat: Bipul Chettri + Albatross 170 Russell, Melbourne Cbd. 7:00pm. $35.00.

Gaby Moreno Bird’s Basement, Melbourne.

7:30pm. $35.00.

Isobel Caldwell + Pru Illingworth + Mel Taylor Open Studio, Northcote. 5:00pm.

Monique Di Mattina Priscilla Jones, Albert Park.

2:00pm.

Moreland City Soul Review Lomond Hotel, Brunswick East. 5:30pm.

Otira Rogue + Ben Maltby Trio Open Studio, Northcote. 8:00pm.

Overground - A Festival Within A Festival - Feat: Acid Mothers Temple + Ánde Somby + Andrew Harper + More Arts Centre, Melbourne. 2:00pm. $34.00.

The Foxymorons + Ramen 303, Northcote.

6:00pm.

Indie, Rock, Pop, Metal, Punk & Covers A Blonde Moment Ascot Vale Hotel, Ascot Vale. 8:00pm.

A Decade Of Dickhead - Feat: Secret Acts Old Bar, Fitzroy. 2:00pm. $15.00.

Bangers & Mash Penny Black, Brunswick.

2:00pm.

Catholic Guilt + Jess Porter + Cranes Against Clouds Whole Lotta Love, Brunswick East. 7:30pm.

Dandecat + Spiritus + Loose Moose Whole Lotta Love, Brunswick East. 3:00pm.

Georgia Spain + Jumpin’ Jack William + Palm Springs Gasometer Hotel, Collingwood.

7:30pm. $10.00.

Huanchaco + Amaru Tribe Workers Club, Fitzroy. 7:30pm. $10.00.

Inloeman + Guerilla Funk + Care Factor Brunswick Hotel, Brunswick. 8:00pm.

JVG Guitar Method Labour In Vain, Fitzroy.

5:00pm.

Majak Door + Hotel Fifteen Love + Bristol Cairo Sooki Lounge, Belgrave. 7:00pm. $9.20.

Mike Noga + Jess Parker Tramway Hotel, North Fitzroy. 3:30pm.

Nazoranai Arts Centre, Melbourne. 7:30pm. $49.00.

Normie Rowe Flying Saucer Club, Elsternwick.

2:30pm. $32.00.

Open Mic Jambo, Footscray. 6:00pm.

Open Mic Sooki Lounge, Belgrave. 3:00pm.

Open/Mic Jam Nights - Feat: Jam At Musicland Sundays Musicland, Fawkner.

7:00pm.

Oxjam Sunday Sessions! Bendigo Hotel, Collingwood. 6:00pm.

Peter Baylor & The Roadhouse Romeos Gem Bar, Collingwood. 8:00pm.

Reimagining Burt Bacharach - Feat: Nicola Watson + Nathan Liow & Band Caravan Music Club, Oakleigh. 3:00pm. $23.00.

Rifle Smile + Jimmy Carro Evelyn Hotel, Fitzroy. 8:30pm. $5.00.

San Antone + Pamela St + Rourke Puksand Workers Club, Fitzroy. 1:00pm. $10.00.

Spiritualized + Australian Art Orchestra Arts Centre, Melbourne. 7:30pm. $110.00.

Sunday Sessions Purple Emerald, Northcote.

3:00pm.

The Meeseeks + The Miyagis + Orbit Theory Tote Hotel, Collingwood. 8:00pm.

The Slipdixies Bar Open, Fitzroy. 5:00pm.

The Tarantinos Ding Dong Lounge, Melbourne Cbd. 8:00pm.

Tool Time House Band + Efficiency! + Magpie Yarra Hotel, Abbotsford. 6:00pm. $5.00.

Valerie Avenue + One More Weekend + The Cooks Brunswick Hotel, Brunswick. 3:00pm.

Wax On Wax Off Lucky Coq, Windsor. 7:00pm.

White Vans + New Band + Spiral Perm Tote Hotel, Collingwood. 5:00pm.

Wolves In Fashion + Tom Walker & The Sick Individuals Woody’s Attic Dive, Collingwood. 8:00pm.

Acoustic/Country/Blues/ Folk Chris Wilson Union Hotel, Brunswick. 3:30pm.

Dan Lethbridge & Shane O’mara Post Office Hotel, Coburg. 4:30pm.

Duncan Phillips & The Long Stand Union Hotel, Brunswick. 5:00pm.

Electric Mud + Mad Mellow + Foggy Notion Bar Open, Fitzroy. 8:00pm.

Elwood Blues Club Prince Public Bar, St Kilda . 5:00pm.

Geoff Achison Royal Oak Hotel, Fitzroy North.

4:00pm.

Ian Collard Drunken Poet, West Melbourne.

4:00pm.

Jep & Dep Standard Hotel, Fitzroy. 7:00pm.

Leroys Hammond Trio Catfish, Fitzroy. 5:00pm.

Little Georgia + Khristian Mizzi Retreat Hotel, Brunswick. 7:30pm.

Little Lord Street Band Drunken Poet, West Melbourne. 6:30pm.

Lost Ragas Spotted Mallard, Brunswick. 3:30pm.

Mon Shelford Edinburgh Castle, Brunswick.

7:30pm.

Peter Head Sings The News Retreat Hotel, Brunswick. 3:00pm.

Samassin Wesley Anne, Northcote. 8:00pm.

Spoonful Cherry Bar, Melbourne Cbd. 2:00pm. $5.00.

Sunday Session - Feat: Brunsy Ferntree Gully Hotel, Ferntree Gully. 2:00pm.

The Avenue + Stripping On Sunset + Kat Eddy Trio Cherry Bar, Melbourne Cbd. 8:00pm.

The Jack Earle Big Band Wesley Anne, Northcote. 2:00pm. $15.00.

The Lagerphones Fitzroy Pinnacle, Fitzroy North. 4:00pm.

Umbra + Secret Native Open Studio, Northcote.

2:00pm. $5.00.

White Lightning Rainbow Hotel, Fitzroy. 4:00pm.

Jazz, Soul, Funk, Latin & World Music 303 Yarra Banks Jam Night 303, Northcote.

8:00pm.

Jam Session Mondays Bird’s Basement, Melbourne. 6:00pm.

Sam Anning The Jazzlab, Brunswick. 8:00pm. $10.00.

Acoustic/Country/Blues/ Folk Charles Jenkins Retreat Hotel, Brunswick. 8:00pm.

David Bramble Compass Pizza, Brunswick East.

7:00pm.

Masonik Open Studio, Northcote. 8:00pm.

Tuesday Aug 22 House, Electro, Trance & Club Nights Oasis Tuesdays Tramp, Melbourne Cbd. 9:00pm.

Vecchio’s Summer Serve Up Bimbo Deluxe, Fitzroy. 6:00pm.

Jazz, Soul, Funk, Latin & World Music Anna’s Go-Go Academy Bella Union Bar, Carlton. 6:30pm. $10.00.

Bohjass 303, Northcote. 8:00pm.

Donald Nicolson Melbourne Recital Centre, Southbank. 6:00pm. $39.00.

Jam Jar Acland Street, St Kilda. 1:00pm.

Piano Karaoke - Feat: Lisa Crawley Compass Pizza, Brunswick East. 7:30pm.

Takács Quartet Melbourne Recital Centre, Southbank. 7:00pm. $83.00.

Uncomfortable Science - Feat: Lachlan Mitchell Boney, Melbourne Cbd. 9:00pm.

Water Pushes Sand The Jazzlab, Brunswick.

8:00pm. $15.00.

Indie, Rock, Pop, Metal, Punk & Covers

Can U C What I C? - Feat: Jess Parker & Troubled Waters Old Bar, Fitzroy. 7:00pm. $7.00.

Creme De La Femme Evelyn Hotel, Fitzroy.

8:30pm. $10.00.

Dave O’connor + Conor O’hanlon + Babey Tote Hotel, Collingwood. 8:00pm.

Dom Kelly Gasometer Hotel, Collingwood. 8:00pm.

Make It Up Club - Feat: Sage Pbbbt + Hammers Lake With Rama Parwata + Fujui Wang Bar Open, Fitzroy. 8:30pm.

Now Here This - Feat: The Mamas + Rogue Wavs Toff In Town, Melbourne Cbd. 8:00pm.

House, Electro, Trance & Retro Culture + The Cassandras + The Sunday League Workers Club, Fitzroy. 1:00pm.

Club Nights $5.00.

Dnb Mondays - Detrimental Audio Scarlett Cook + Shiver Canyon Open Studio, Takeover Horse Bazaar, Melbourne Cbd. 7:00pm.

Northcote. 8:00pm. $10.00.

Struggle Lucky Coq, Windsor. 9:00pm.

Seance Mystere + Oceans Of Blood + The Breakfast Club Onesixone, Prahran. 8:00pm. Mudhaven + Astro Crypt Hell Brunswick The Monday Bone Machine - Feat: T-Rek Hotel, Brunswick. 7:00pm.

Boney, Melbourne Cbd. 9:00pm.

The Spitting Swallows + Shewolf + Black Dog Cherry Bar, Melbourne Cbd. 8:00pm.

Indie, Rock, Pop, Metal, Punk Tom Tom - Feat: Nina Buchanan + Tomb Raver + Correct Line + Dielo Truda + & Covers Rathammock + Iv League Howler, Brunswick.

Amy Shark + Fractures + Tommy Castles 8:00pm.

Corner Hotel, Richmond. 7:30pm. $36.65.

Hip Hop & R&B Brooke Taylor & Delsinki Records Acland Street, St Kilda. 1:00pm.

Cherry Jam Cherry Bar, Melbourne Cbd. 6:30pm. Thando & Liona Tatafu Ferdydurke, Melbourne Cbd. 8:00pm.

Diamonds Of Neptune + The Attention Seekers Evelyn Hotel, Fitzroy. 8:30pm.

Acoustic/Country/Blues/ Ghost Like Beast + Pollen + Tragic Carpet Yarra Hotel, Abbotsford. 8:00pm. $5.00.

Folk Mundane Mondays - Feat: Phaedo + Irish Session Lomond Hotel, Brunswick East.

Vacant Smiles + Deadpans Old Bar, Fitzroy.

8:00pm.

8:00pm. $5.00.

June Jones + Sarah Mary Chadwick The Flock + Floss + The Jives Workers Club, Tramway Hotel, North Fitzroy. 8:00pm.

Fitzroy. 7:30pm.

Tuesday Tribute - Feat: Tracey Hogue Plays Wind It Up Northcote Social Club, Northcote.

Patsy Cline Drunken Poet, West Melbourne.

8:00pm.

8:00pm.

Young Henry’s Tryout Tuesdays Retreat Hotel, Brunswick. 8:30pm.

Monday Aug 21

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37

Backstage

Guitar Station with:

Henry Dalkin

Guitars are ultimately as unique and nuanced as those who love playing them. When you’re shopping around for a new instrument, it’s a highly personal process – we all have our own intricate requirements, those individual quirks that you need to get the best out of your passion. As convenient as our technological landscape has made it to shop, ordering over the web just can’t ever compare to the service and fine perusal you can receive in a great store.

“Flicking through guitar porn online can be addictive for guitarists,” Guitar Station Director Henry Dalkin says. “But ultimately, the only real way to know if a guitar is truly going to tick all the boxes for you is to get your hands on it and compare it to some other guitars ± because the feel and tone can be so individual and unique from instrument to instrument.”

Dalkin knows his craft. He’s been selling guitars to the musos of Melbourne for almost a decade now as the General Manager over at Sky Music in Clayton. He’s since established new venture Guitar Station, deciding that opening his own business “just seemed like a natural progression to make”.

Guitar Station offers a twist on the guitar-shopping experience, as an independently-owned store with a range of guitars and amps exclusively dedicated to the Fender family of brands.

“It’s the focus on giving customers the whole story of an iconic guitar brand,” Dalkin explains. “Rather than

having a few guitars each from a dozens of different brands like a lot of guitar shops, we’re committed to offering an extensive range of Fender products.

“There’s something for everyone, from the early beginner through to seasoned professionals,” Dalkin continues. “No other guitar company has the appeal and reach Fender does through the Fender brand as well as labels it owns, such as Gretsch, Jackson, EVH, Squier and Charvel.”

Kicking things off with a mighty range of Fender guitars and amps, Dkin’s love for the brand is dedicated (“The new Fender American Professional Jazzmasters are unreal,” Dalkin says. “If they ever build a left-handed run of them, I’ll be first in line to buy one.”). Dalkin has built tight alliances over the years with some of Melbourne’s best guitar techs, and knows who to link a customer up with they have something that requires that specialised attention, offering everything from re-strings and clean ups to serious repairs.

“As a new business we’ve had the good fortune of being able to start from scratch to create a foundation built around modern retail principles,” Dalkin explains. “It’s a small footprint store to keep

rent and running costs down. We’re a team of only two staff so we don’t have the army of mouths to feed like some other stores. I guess logically speaking, our basic setup puts us in a better position than most traditional stores to cut a deal for our customers when it comes to the crunch.”

Technicalities aside, music is all about expression and community. It’s about the fire in your stomach that glows as you play, or the thrill of sharing that creative spark with the world. Dalkin can see his new venture both sharing and nurturing that important vibe ± becoming an integral beacon of Melbourne’s vibrant scene for both the experienced and the fresh-faced.

“I’d like to think Guitar Station will be firmly established (in five years’ time) as a sanctuary for all level of guitarists, because there’s no dumb questions in here,” Dalkin says. “You won’t get looked down on for asking even the most basic things ± instead, you’ll be met with encouragement and friendly advice.”

By Jacob Colliver

Terrible Crossword

That’s So Hospo facebook.com/thatssohospo

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Across

Nippy water friend.

Swimmy fish eating bird Music tube.

Terrifying circus creep.

Daily information pamphlet.

Mouth water.

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Down

Chalky word wall.

Food smudge remover.

Giant round sky fire.

Boring conga line.

Letter coffin.

Thin cylinder of wood.

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Employment tokens.

Food scraps graveyard.

www.dccoffee.com.au

38 BEAT.COM.AU

Check out Guitar Station at 481 Malvern Rd, South Yarra or go to guitarstation.com.au.

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