Beat 1712

EDITOR

Lucas Radbourne

ASSISTANT EDITORS

Sidonie Bird de la Coeur

Talia Rinaldo

STAFF WRITER

Kaya Martin

DESIGNER

Riley McDonald

GIG GUIDE

Jacob Colliver

CONTRIBUTORS

Bryget Chrisfield, Jacob McCormack, Lesleigh Luiten, Coco Veldkamp, Lucy Crock, Reece Hooker, Clementine McNabb, Lucy Andrews, Joanne Brookfield, Camille Allen, Jack O’Shea Ayres, Grace McCallum

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Rob Furst

Æ October is also one of Melbourne’s biggest festival months. Striking Japanese punks Otoboke Beaver are our October cover stars, headlining High Street’s inaugural Eighty-Six festival. We also feature Catherine McClintock before her show at Melbourne Fringe and Cécile McLorin Salvant before she closes Melbourne International Jazz Festival, in addition to a guide to Melbourne International Games Week’s Big Games Night Out.

We also chat to Dan Sultan, Tina Arena, David M Western, Didirri, Phony Ppl and Baby Animals, before they play shows across the city over the next few weeks.

ACKNOWLEDGEMENT OF TRADITIONAL OWNERS

Our magazine is published on the lands of the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation, and we wish to acknowledge them as Traditional Owners. We pay our respects to their elders, past, present and emerging.

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DISTRIBUTION

Beat Mag will be distributed free every month to hundreds of locations around metro Melbourne, to enquire about having it at your venue email distribution@furstmedia.com.au

COVER

Our October cover stars are Otoboke Beaver, photographed by Mayumi Hirata.

This month, we all have a crucial chance to recognise Australia’s First Peoples by voting Yes in The Voice referendum, so we spoke to Reconciliation Australia about why a Yes vote is so important.

MELBOURNE INTERNATIONAL GAMES WEEK REVEALS FULL PROGRAM

Following a record-breaking turnout and an expanded program in 2022, Melbourne International Games Week is set to make a triumphant return, captivating audiences once more from September 30 to October 8.

NEW NYE FESTIVAL HEAPS GOOD DROPS FULL LINEUP

Flume, Foals, SBTRKT, The Avalanches, Basement Jaxx and more will play at the new Sidney Myer Music Bowl festival on December 31.

LAST CHANCE CONFIRMS TOTE TAKEOVER’S SUCCESS

Last Chance Rock & Roll Bar owners Shane Hilton and Leanne Chance have confirmed that the music community’s campaign to buy the Tote has been successful. Current staff will remain and the key’s will be handed over in November.

LIVE AND INCUBUS HEADLINE NEW LOOKOUT FESTIVAL

Live and Incubus will be heading to Australia in April 2024 for a massive double-header. As part of their eight-date tour, they’ll also be headlining the newly-announced Lookout Festival in Mornington.

DESIGNS REVEALED FOR ST KILDA’S NEW 5,000-CAPACITY LIVE MUSIC VENUE

Part of the St Kilda Triangle would be transformed into a 5000 standing capacity live music venue under an exciting concept being considered by Port Phillip Council, on the past home of the Palais de Danse dance hall, Palace Nightclub and other entertainment venues.

THE MSO ARE HOSTING A STAR-STUDDED GEORGE MICHAEL TRIBUTE

The Melbourne Symphony Orchestra and a roll call of some of the most exciting voices in the country will perform a George Michael tribute concert, George Michael: Freedom! at the Sidney Myer Music Bowl on Saturday 9 December.

PORT FAIRY FOLK FESTIVAL ANNOUNCES FIRST LINEUP

The festival has just announced the first performers for the March 2024 event, headed by the legendary Graham Nash, Sarah Blasko, Alice Skye, The Songbirds and more.

MUSIC VICTORIA AWARD NOMINEES HAVE BEEN REVEALED

Voting is now open for Music Victoria Awards’ 12 publicly-voted categories, including Best Album, Best Group, Best Regional Act, Best Metro Festival, Best Small Venue and more. Acclaimed artists Julia Jacklin, RVG, Cable Ties, Jen Cloher, and Forest Claudette have received nominations across multiple publicly-voted categories in this year’s awards.

FUNNY NEAR THE BRUNNY COMES TO BERGY BANDROOM

The Bergy Seltzer’s beloved Funny Near The Brunny weekly comedy night is moving to the venue’s 200-capacity bandroom next door, elevating the free entry, cheap beers and side-splitting stand-up to new heights.

MELBOURNE RECITAL CENTRE REVEALS OCTOBER PROGRAM

From baroque to neoclassical and jazz, Melbourne Recital Centre has designed a month of performances to transport you to another realm of ambient atmospherics.

ST KILDA FESTIVAL 2024 IS BRINGING BACK FIRST PEOPLES FIRST

The St Kilda foreshore will again plays host to the iconic St Kilda Festival (SKF) when Victoria’s premier free live music event returns across two days from 17-18 February, with February 17 focusing on First Nations talent.

COMEDY IN THE VINES IS COMING TO NAGAMBIE

Leigh Francis (of Keith Lemon / Celebrity Juice / Bo Selecta fame), Russell Kane, Celia Paquola and more headline a new festival at Hide & Seek Winery from November 11-12.

NUNAWADING TO HOST NEW ARTS CENTRE THE ROUND

The Round will house a 600+ seat proscenium theatre, a 200-seat studio theatre, two multipurpose rehearsal studios and versatile function spaces made for business, community or private use.

PHARAOH COMING TO NGV

The British Museum’s Pharaoh exhibition is coming to NGV as part of Melbourne Winter Masterpieces from June to October next year.

LANEWAY FESTIVAL ANNOUNCES FULL LINEUP

UK grime rapper Stormzy, lo-fi R&B star Steve Lacy and Euphoria actor and singer-songwriter Dominic Fike lead the charge for the February festival.

SUN CYCLE NYD REVEALS 2024 LINEUP

Erika de Casier, Overmono and Jayda G to headline the New Year’s Day festival at the Coburg Velodrome.

THE NATIONAL, FLEET FOXES ANNOUNCE TOUR

The National are coming to Melbourne on March 5, joined by Fleet Foxes and Annie Hamilton.

YOU CAN NOW TOUR THE AUSTRALIAN PERFORMING ARTS COLLECTION

INWARD GOODS FESTIVAL RETURNS THIS NOVEMBER

Inward Goods Festival is returning to its enchanting home of Briagolong from November 3-5 with an exceptional local lineup.

SO SOIRÉE IS RETURNING FOR FRINGE FESTIVAL

Produced by the City of Stonnington and part of the Melbourne International Fringe Festival, the Prahran Square festival park is on from Saturday October 7 until Sunday October 22 with a bumper program of 18 fabulous shows showcasing talented performers, pushing the boundaries of comedy, circus, cabaret and burlesque.

SUMMER CAMP REVEALS FIRST LINEUP

Jessie Ware and Trixie Mattel announced as first taste of Summer Camp lineup, Australia’s beloved LGBTQIA+ festival coming to Melbourne on December 2.

THE CHEMICAL BROTHERS TO HEADLINE A DAY ON THE GREEN

The Chemical Brothers will headline a massive one-night-only event in Geelong on March 2, joined by special guests The Presets (DJ set), Anna Lunoe and James Holroyd.

CHAKA KHAN LEADS MELBOURNE INTERNATIONAL JAZZ FESTIVAL LINEUP

The 26th annual event will take over various venues throughout the city from October 20 to 29, featuring Chaka Khan, Nile Rodgers & Chic, Cécile McLorin Salvant and more.

MONDAYS THURS 5

SUN 8

THURS 12

FRI 13

SAT 14

THUS 19

FRI 20

SAT 21

SUN 22

THUS 26

FRI 27

SAT 28

Arts Centre Melbourne is now hosting tours of the 850,000-object Australian Performing Arts Collection every Sunday.

SPRING FLING IS A CELEBRATION OF STORYTELLING

COMING UP THIS OCTOBER

IS A AC MCKENZIE - EP L AUNCH PART Y W/ISHAN + UMBRA MOON

GUSTO GUSTO‘ SECRET DANCE PART Y’ EP L AUNCH W/8 FT FELIX

A + ERIS AND THE DISCIPLES

THE DEAD AMIGOS - ‘DENIM EGOS’ ALBUM L AUNCH W/ BLOODY RIPPER + JAG

S AMMY FROM HELL - PRE HALLOWEEN PART Y W/ M ANI BLU + HAYLEY CRUMBLE + REX

B OLL ARD ‘LO’ ALBUM L AUNCH W/ IT THINGS + FAUNHAUS + 00

ECHO BRAVO FESTIVAL - W/ WISH + THE LEAP YEAR + JA Z Z TIGER + WORLD SICK + GUSH + MORE

A1 KRA SHN - WELCOME HOME SHOWCA SE

THE BERGY BLITZ - W/ DYL AN COSGRIFF AND THE OMENS + 7 POUND HALO + DANGER DAN + FOOL ME T WICE

KIT T Y RAE ‘THE LIGHTNING STRIKES’ TOUR - W/ K ARLOU

THE SOL STICE INDIGO HALLOWEEN PART Y - W/ PAISLEY L ACE + DEAR JUDY + APRICIT Y

Running from October 2 to 14, the festival will feature 24 events including intimate discussions, lectures and podcast recordings held by some of the most prominent figures in the Australian arts scene. `

BANDROOM OPEN TILL 3AM FRI + SAT

GARDEN - DIVE BAR - BANDROOM

FR EE LIVE COMEDY - NOW IN THE BANDROOM EVERY MONDAY NIG HT #FUNNYNEARTHEBRUNNY

M AIZIE W/AMBUL ANCE + HAIL M ARY JANE

GROOVERUNNER W/DROP KEYS + THE WINFIELD EXPERIMENT + BUSTED CHOPS

LUCID PL ANET + KHAN CO HEADLINE TOUR W/DEAR THIEVES + PROTOPL ANET

FRESH VIOLET PRESENTS - ‘LIFE OF VI’ EX TRAVAGANZ A W/NIINE + VESS

AUSSIE POPS ORCHESTRA ARE BRINGING IN NYE AT HAMER HALL

Celebrate the end of 2023 with some of Australia’s favourite performers including Marina Prior, Michael Cormick and Jemma Rix alongside John Foreman and the 60-piece Aussie Pops Orchestra on December 30 and 31.

AMY WINEHOUSE EXHIBITION HEADING TO MELBOURNE

Charles Moriarty’s Amy, Before Frank collection features a series of photographs that are fun, mischievous and capture a remarkable period for one of music’s most significant and iconic figures. It’s coming to @14 Gallery in Collingwood in November.

BOILER ROOM DROPS SECOND MELBOURNE DATE

WILCO TO RETURN TO AUSTRALIA FOR 2024 TOUR

Love Police have announced the return of alt-rock icons Wilco to Australian stages after a ten year hiatus, playing the Forum on March 17.

THE PIER FESTIVAL RETURNS WITH A BANG

On Saturday, October 7, as the spring sun dips below the horizon casting a warm glow over Seaworks in Williamstown, the queer community will come together for The Pier Festival; an event that seamlessly blends electrifying beats, burlesque performances, market stalls, and food trucks into one big LGBTQIA+ friendly party.

SO FRENCHY SO CHIC DROPS 2024 LINEUP

So Frenchy So Chic has connected France to Australia through a day-long summer festival celebrating the art of living: French contemporary music, gastronomy, fashion, conviviality and lots of Champagne at Werribee Mansion on January 14.

The dance pioneers will be taking over PICA (Port Melbourne Industrial Centre For The Arts) again on Sunday, October 29, featuring Bakey B2B Breaka, CaucasianOpportunities, Marlon Hoffstadt (a.k.a. DJ Daddy Trance), Miley Serious, SOVBLKPSSY, Surusinghe, and SWIM.

LET THEM EAT CAKE REVEALS 2024 LINEUP

LF SYSTEM, Ben Klock and Bicep lead the Werribee Mansion festival’s New Year’s Day festival, now celebrating its 11th edition.

WURRDHA MARRA IS THE IAN POTTER CENTRE’S NEW FIRST NATIONS EXHIBITION

From October, the ground floor of The Ian Potter Centre: NGV Australia, Fed Square will be home to Wurrdha Marra, a new, dynamic and ever-changing exhibition space.

BIG GAMES NIGHT OUT IS COMING TO FED SQUARE

There’s a new gem of the Melbourne International Games Week calendar: a free, all-ages, one-night-only gaming party from 5pm to late on Thursday, October 5.

PROFESSIONAL RECORDING STUDIO, KITCHEN, LIVE MUSIC, BAR, FUNCTIONS, EXCLUSIVE EVENTS

PHONE: 03 9917 2844

ADDRESS: 10A Campbell St, Yarraville, VIC MANTRASTUDIOKITCHENBAR.COM

EUMERALLA, A WAR REQUIEM FOR PEACE IS RETURNING TO HAMER HALL

Deborah Cheetham Fraillon AO’s powerful requiem for peace returns to Hamer Hall on October 14 to give voice to the Gunditjmara People on the historic occasion of Australia’s constitutional referendum.

ROYAL BLOOD ANNOUNCE AUSTRALIAN TOUR

The UK rock duo have announced eight dates for this December including a show at Festival Hall on December 15.

SHEDFEST RETURNS FOR 20TH ANNIVERSARY

Taking place on the weekend of October 14 and 15, the Yarra Valley festival will honour the art of winemaking, bringing together 11 amazing small vineyards for a weekend of delicious food, live music, community, entertainment and, of course, bottles upon bottles of locally-made libations.

FILTER ANNOUNCE AUSTRALIAN HEADLINE SHOWS

Filter will be coming to Australia to play six wild shows this April – their first headlining performances in the country since 2000, including The Croxton on April 4.

TEATRO REAL FLAMENCO IS COMING TO MELBOURNE

Olé, amantes del flamenco! Teatro Real, one of Europe’s foremost performing arts institutions, is bringing its world-renowned spectacle to Melbourne’s Capitol Theatre for an exclusive engagement from October 20 to October 28.

KATE MILLERHEIDKE ANNOUNCES AUSTRALIAN TOUR

Her recently announced 2024 Australian tour will feature chart-toppers, pop classics, and tracks from her original musicals like Muriel’s Wedding the Musical and Bananaland. Catch her when she heads to Melbourne’s own Burrinja Theatre on February 20.

NOFX ANNOUNCE LASTEVER AUSTRALIAN TOUR

Australian fans will have one last chance to catch and fire and fury of the iconic punk rock band NOFX live in action when they stop by as part of their 40 Years 40 Cities 40 Songs Per Night tour. In January, the band will play two shows each in Sydney, Brisbane and Melbourne before saying goodbye to Australia for good.

DRIVE-BY TRUCKERS, NEWTON FAULKNER TO TOUR AUSTRALIA

Bluesfest Tours has unveiled two electrifying new tours set for Australia at the end of March next year, Drive-By Truckers and Newton Faulkner.

MUDVAYNE, COAL CHAMBER ANNOUNCE AUSTRALIAN TOUR

After an absence of well over a decade, Mudvayne and Coal Chamber have joined forces for an epic Australian tour in February. The metal legends are playing Festival Hall on February 17.

AFRICAN MUSIC AND CULTURAL FESTIVAL RETURNS TO FED SQUARE

Fed Square is set to be filled with the tastes, sounds and rhythms of Africa for three days from November 17 – 20.

NILE RODGERS & CHIC ANNOUNCE AUSTRALIAN TOUR

Nile Rodgers & CHIC have announced a limited exclusive run of headline dates around Australia and New Zealand this October, headlining Melbourne International Jazz Festival on October 21.

FRIDAYZ LIVE UNVEILS

2023 LINEUP

Jason Derulo, Boyz II Men and Flo Rida lead the sixth Fridayz Live event, coming to Rod Laver Arena on November 10.

HOT MILK ANNOUNCE FIRST AUSTRALIAN HEADLINE SHOWS

Grab your black eyeliner, because the rapidly rising Manchester duo Hot Milk will be bringing their distinct brand of power-pop. They’ll support the Foo Fighters on December 4 and 6, then play the Gaso on December 7.

TWICE ANNOUNCE EXCLUSIVE MELBOURNE SHOW

Following a super successful Australian tour last May, the wildly popular girl group TWICE will be returning to Melbourne this November for one stunning show on November 4.

THE CRUEL SEA ANNOUNCE 30TH ANNIVERSARY TOUR

BBC EARTH EXPERIENCE COMES TO MELBOURNE

The exhibition will open on October 27 at the Melbourne Convention and Exhibition Centre. It’ll feature huge projections of nature footage from the acclaimed television series Seven Worlds, One Planet.

The Sydney indie rock band are hitting the road to celebrate three decades of The Honeymoon Is Over, coming to the Palais on December 7.

WORDS BY LESLEIGH LUITEN

OTOBOKE

BEAVER

Æ A fervent punk protest: breaking the norms, expressing individuality, and dishing out their own brand of punishment. Otoboke Beaver have unleashed a riot for change and the movement is not slowing down any time soon.

Formed in 2009, Kyoto-based Otoboke Beaver consists of four fiercely talented musicians: Accorinrin (vocals), Yoyoyoshie (guitar), Hirochan (bass), and Kahokiss (drums). Otoboke Beaver as we know them formed while the quartet were still in university. Their iconic name comes from a Japanese love hotel by the same name, it was nearby the school they attended and seemed an obvious choice at the time. Now it serves as a fitting moniker for a band unafraid to disrupt the status quo. We spoke to Yoyoyoshie (Yoshie) through translator Emi Aoki ahead of the band’s visit to Australia and explored the evolution of the band and discovered one protest close to Yoshie’s heart.

Known for their explosive sound, unwavering energy, and purposeful lyrics the band have become a powerful force for change and a reminder that the fight for equality and self-expression is a battle worth waging. However, Yoshie tells us that when they first started out, they liked the idea of pop sounding tunes that had a catchy beat. Yoshie tells us through Emi that after going through trial and error they realised that they really enjoyed playing fast songs with lots of lyrics that are very weird. So as the band evolved, they began playing increasingly faster songs with lots of notes and beats, and that’s where they’re at currently.

When they write the songs they write in Japanese. Rather than starting with the melody, it’s more like having a conversation through the lyrics and they feel that that’s very unique about their music. Yoshie tells us that Acco writes about what happens in her daily life and when the band first formed, the songs were about her love interests. Lately the songs have been about how she views the world, death, and even the fear of dying alone. Acco will bring a phrase or expression to the band who will then add to it and build it up. They add the melody and baselines and sometimes combine lyrics from another song they were working on.

“Japanese culture is still very male dominated,” Yoshie says. So enters the protest aspect of their music.

Otoboke Beaver use their lyrics to challenge gender roles and the expectation for women to conform. Their lyrics support the dismantling of oppressive structures and encourage women to be loud and proud. I Won’t Dish Out Salads is one song that Yoshie points to as a critique of expectations, the lyrics make it clear that the protagonist won’t serve others. Songs including Don’t Light My Fire are also an intense cry for liberation.

In a world where stereotypes and societal expectations are ingrained within us, where women are expected to be nurturing, empathetic and cooperative, when women are still expected to be submissive, care for their home and children, or dish out salads - Otoboke Beaver was born.

The band’s performances are just as enthusiastic as their lyrics, the energy is electric and Otoboke Beaver becomes one with the audience when they perform. Yoshie tells us that the source of energy for the performance comes from the intensity of the songs and the way they want to express that in their performances. A lot of their lyrics come from powerful emotions which Yoshie says translates into a powerful performance. She also tells us that their energy is reciprocal of the audience, their crazy reactions draw a more energetic performance from the band. Yoshie welcomes the chaos.

Most people know that Yoshie is famous for her stage diving, however not many people know that the act itself is also a protest for Yoshie. She tells us there was an incident in Japan where a performer was sexually assaulted by a fan while stage diving, and she realised she could relate with a terribly similar experience. She explains that there is a fine line between being handled or accidentally touched to move around the crowd and being groped. So, Yoshie stage dives to claim back the narrative, for cathartic release, liberation, and to punch anyone who tries to harass her!

It’s safe to say that the band’s music and fight for more inclusivity has earned them a following that extends beyond Kyoto. This October Melbourne’s newest festival, The Eighty-Six will see Otoboke Beaver make their Australian debut. For Yoshie, her greatest hope is that she might see a Koala. She has wanted to visit Australia since she was little and recalls an episode of the Japanese variety show How Do You Like Wednesday? that featured a drive through Australia. Since seeing that episode, she has hoped to immerse herself in the natural iconic beauty of the country, questioning why she hasn’t visited sooner.

While Yoshie loves Australia and is happy their music is being well received by English speaking audiences, she admits to being a little confused as to why so many people relate to it.

She said “It’s still a wonder because a lot of the songs are in Japanese, the intonation and pronunciation of the songs are typical of Kansai slang. Kansai is from Osaka and Kyoto, and it has this particular intonation to it that makes it sound really funny. When audiences can understand the lyrics, they find it really amusing and fun. Fans in other countries still listen, they still hear the music, and they still go crazy. They really enjoy it but it’s still a question as to why.”

We think it’s because the performances are nothing short of explosive. We can expect Otoboke Beaver to command the stage and the crowd leading them through a punk rock protest like no other. Yoshie both promises and hopes for “a super intense, hot, and sweaty show where everybody is singing along all together in a packed full crowd and we can all have fun. That would be great.”

OTOBOKE BEAVER FOR THE EIGHTY-SIX

WHERE: THORNBURY THEATRE

WHEN:

Credit:

Mayumi

Hirata

THE EIGHTY SIX

The Eighty-Six festival runs from October 23–30 along High Street.

WORDS BY JACOB MCCORMACK

SUPER SATURDAY

This event is stacked with over 200 of Victoria’s finest musicians of all genres. Spread across 40 venues of all types, this event is free. That’s right, free. Register via the website to ensure you get a dose of what will be one of the biggest spring parties in Naarm/Melbourne.

MULTIPLE VENUES SAT 28 OCT

INDEPENDENT MUSIC EXCHANGE

Networking sans pretension, full of fostering a community, The Independent Music Exchange is brought to you by Efficient Space and Butter Sessions. Countless stallholders will be selling their wares and signings will be taking place by musicians. This is the opportunity to meet, support and share.

HIGH STREET 28–29 OCT

OTOBOKE BEAVER

Coming in express from Kyoto, Otoboke Beaver are intense. Prepare to lose your mind for an hour. They’ll also be supported by Gut Health.

THORNBURY THEATRE 24,25 OCT

1800

STREET PARTY

1800 Lasagne have become Naarm/ Melbourne royalty with their signature pasta recipes. At The Eighty Six they’ll be bringing their famous cheesy pasta stacks to their very own curated party. There’s also a dog parade. Come and get your bechamel fix.

MULTIPLE VENUES SAT 28 OCT

THEO PARRISH: ALL DAY LONG

Detroit legend Theo Parrish is going all day long. Proceedings will kick off at 2pm and it’s nothing but the mixing prowess of this stalwart for hours, and hours.

NORTHCOTE THEATRE 29 OCT

ROS BANDT AND ASA TONE

Sonic complexity in the most unlikely but compatible of pairings, this fusion of sound will hypnotise and entrance. Soft, fragile and dynamically layered sonics.

NORTHCOTE UNITING CHURCH 30 OCT

BRIGHT EYES WITH WAR PAINT

Round out the weekly grind with a Friday night two band affair. Bright Eyes will strain the heartstrings with their sombre, emotive melodies whilst Warpaint will whisk you away with their breezy and transcendental rock.

NORTHCOTE THEATRE 26, 27 OCT

MAKAYA MCCRAVEN

Immerse yourself in the deep recesses of experimentation with Makaya McCraven. In collaborative presentation with Melbourne International Jazz Festival the expansive jazz sounds of McCraven will be beamed through the Croxton Bandroom, with special guest James Bowers.

CROXTON BANDROOM 25 OCT

LOS BITCHOS

Los Bitchos are a psychedelic surf-disco four piece operating out of the metropolitan streets of London. If that isn’t enough of an invitation to catch their hypnotic cowgirl, desert sounds you might as well stay home.

THORNBURY THEATRE THU 26 OCT

UNKNOWN T

In an Australian premiere, drill front runner Unknown T is bringing his signature bars to the Croxton Bandroom.

CROXTON BANDROOM 26 OCT

BEZ – IN CONVERSATION

You might know him for his dance moves, or for his percussionist layers. Perhaps even both. Regardless, the multi-skilled Mark Berry, aka Bez will be talking with Joe (Astral Glamour -RRR). It should be full of syncopation.

THORNBURY THEATRE 23 OCT

CONNIE CONSTANCE

She’s the not-so-new indie-rocker on the scene, but she’s rising and it’s happening fast. Having collaborated with both Sleaford Mods and Swedish House Mafia, her repertoire is becoming undefinable.

NORTHCOTE SOCIAL CLUB 23 OCT

THE PRESTON RECORDS REVUE

Thornbury Bowls Club is set to be revamped into a shrine in remembrance of local music legend – Graeme Thomas. He founded Preston Records and Preston Studios and gave the northern suburbs a leg up. There’ll be music all afternoon, so go and kick a leg up for the pioneers.

THORNBURY BOWLS CLUB SUN 29 OCT

HOW LONG GONE LIVE

The duo Chris Black and Jason Stewart, the men behind How Long Gone will be presenting an episode of their highly regarded podcast live. Discussing all things pop culture, music and fashion they’ll command an audience.

THORNBURY THEATRE 29 OCT

LO-FI IMPROV

With Japanese hip-hop royalty Kojoe and Hikaru Tanaka, excerpts from the Australian Art Orchestra’s latest work, Raw Denshi and performances from a range of Naarm/ Melbourne based beat makers and DJs, Lo-Fi Improv is the meridian between Tokyo hip-hop and Melbourne jazz in concert form.

APAX WAREHOUSE 29 OCT

WED-SUN

BIG GAMES NIGHT OUT

On Thursday October 5 from 5pm, Fed Square is set to transform into a haven for gaming enthusiasts of all stripes.

WORDS BY COCO VELDKAMP

Æ Whether you’re a casual gamer looking for some light-hearted fun or a dedicated aficionado seeking the next adrenaline-pumping challenge, you’ll find your tribe at Fed Square.

Hosted by Creative Victoria in collaboration with Fed Square, this all-ages event is not just a celebration of gaming; it’s a full-blown immersive experience that promises to leave you with memories to cherish. From cosplay spectacles to live music performances, Melbourne International Games Week kicks off in style with Big Games Night Out.

Let’s break down the activities on the night.

GAME SWAP MEET: A GAMER’S PARADISE

For gamers seeking fresh adventures and eager to swap out their well-loved board or console games for something new and exciting, the Games Swap Meet is an opportunity not to be missed. This event is the embodiment of camaraderie among gamers. It encourages you to bring your own games, fostering connections with like-minded individuals, and enabling thrilling swaps that can lead to the discovery of your next gaming obsession. Whether you’re a collector, a strategist, or just someone looking for a good time, the Games Swap Meet has something in store for you.

JAM-PACKED ENTERTAINMENT: LIVE MUSIC AND PERFORMANCES

The main stage at Fed Square promises show-stopping performances from pop sensation and Twitch streamer Montaigne and comedy trio Tripod, also known for composing gaming music (including Assassin’s Creed Syndicate). If that’s not enough to get you grooving, there will also be games-themed fashion runways and dance-offs that’ll make you want to join in the action. This stage is where the magic happens and you won’t want to miss a single beat.

COSPLAY DELIGHT: THE PARADE AND RUNWAY EXPERIENCE

Calling all cosplayers, both fresh faces and seasoned veterans! Myf Warhurst and Montaigne are your hosts for the night as they invite you to strut your stuff in the cosplay parade and runway experience. This is your chance to don your favourite gaming character’s attire and take centre stage. The spotlight is yours to shine in, and participation is warmly encouraged. Whether you’re cosplaying for the first time or consider yourself a seasoned pro, this event is where creativity meets fandom, and you can express your love for your beloved characters. Don’t miss your moment in the limelight— sign up online!

CULT OF THE LAMB: THE RITUAL

If you haven’t yet heard about the mysterious and captivating world of Cult of the Lamb, now’s the time to dive in. In this unique game, you embody a lamb spared from the clutches of death by an enigmatic god-like figure. Your mission: to establish a cult in the deity’s name as a way to repay the debt. ACMI and Melbourne Fringe have teamed up to present Cult of the Lamb: The Ritual, an epic performance that brings this crazed lamb world to life in spectacular fashion. Be prepared to witness breathtaking large-scale puppets, mesmerizing performers, and a live DJ performance by none other than River Boy. Massive Monster, Goldens Scissors Puppets, and Jean Poole Projection Mapping combine forces to create a performance you won’t soon forget.

STRAY GODS FASHION SHOW: WHERE MUSIC AND FASHION COLLIDE

Launched in August 2023, Stray Gods is a musical adventure role-playing game that delves into a world filled with gods, magic, music, and mystery. To commemorate the game’s launch, eight Melbourne designers are set to showcase character costumes and creations that embody Stray Gods’ unique blend of music and fashion. This is a one-of-a-kind opportunity to witness the fusion of gaming and fashion, an explosion of creativity and artistry that showcases Melbourne’s diverse and vibrant design scene.

GAMES ACTIVATIONS

For those looking to dive straight into the action, there’s a treasure trove of free games awaiting you. Transport yourself back to the glorious 80s with a selection of indie arcade games that will have you feeling nostalgic and exhilarated. Participate in thrilling tournaments, including an intergenerational mixer that bridges the gap between generations of gamers. It’s a smorgasbord of gaming delights that promises to cater to every taste and skill level.

Big Games Night Out at Fed Square is not just a night for gamers; it’s a night to celebrate the passion, creativity, and inclusivity that gaming culture embodies. Melbourne International Games Week has never looked better – so mark your calendars, gather your friends, and get ready for a night of pure gaming paradise!

MELBOURNE INTERNATIONAL GAMES

WEEK'S BIG GAMES NIGHT OUT

FED SQUARE

WHERE:

WHEN: 5 OCT

This article was made in partnership with Melbourne International Games Week.

THE VOICE

WORDS BY COCO VELDKAMP

Æ The Voice would give independent advice to the government on matters relating to Aboriginal and Torres Strait Islander peoples, guided by its own resources to research and develop representations. Members of The Voice will be selected by Aboriginal and Torres Strait Islander communities. While working alongside existing organisations, The Voice will consult communities to ensure it is reflective of the people.

There has been an overwhelming amount of information, misinformation and disinformation circulating in the media and elsewhere in the lead up to this referendum. Despite the proposal Australians

Why does Australia need The Voice and how will it make a difference to the lives of Indigenous and Torres Strait Islander peoples?

A Voice to Parliament will give Aboriginal and Torres Strait Islander communities a route to help inform policy and legal decisions that impact their lives. There currently is no formal consultative process and no obligation for any government to do so. This has led to policy failures across successive governments as Aboriginal and Torres Strait Islander people’s experience and on-the-ground knowledge is ignored.

The effect of this missing ingredient in policy making and legislation formulation can be seen in our national failure to close the gap in so many target areas. The Voice will make a difference here and will lead to more effective results. Embedding The Voice in the Constitution means that it cannot be shut down by successive governments as legislated bodies have been in the past.

What are the most common misconceptions surrounding The Voice?

On Saturday 14 October, the Australian public will decide whether they agree to a simple principle: Should we recognise Aboriginal and Torres Strait Islander peoples in the Constitution through a Voice?

Right now, there’s a lot of noise that’s been created – misinformation, disinformation – about The Voice, potentially causing confusion and distracting from this simple point. People are smart enough to see through the noise, and there are neutral sources doing fact-checking such as the AEC, RMIT Factlab and AAP Factcheck.

Why are there First Peoples who do not support The Voice?

There is diversity of views across communities as people continue to weigh up the proposal and what it means to them and their communities. However, our research consistently shows that there is strong support across First Nations communities for the Uluru Statement from the Heart and for The Voice.

The 2022 Australian Reconciliation Barometer shows that 86% of Aboriginal and Torres Strait Islander peoples believe it is important to establish a representative Indigenous Body and 87% believe that this body should be protected in the Constitution.

It’s also important to remember that the proposal put to the Australian public in the Uluru Statement from the Heart came from those First Nations peoples represented in the First Nations Regional Dialogues and the national convention in 2017.

are to vote on being clear, the unprecedented noise surrounding the issue has fostered confusion and uncertainty in the public. While The Australian Electoral Commission has set up a register aimed at countering common disinformation, it is limited to addressing claims about how the process works – nor could it keep up with the endless stream of opinions guised as indisputable facts.

To reclaim some clarity, we spoke with Reconciliation Australia – a non-government and not-for-profit organisation and the leading body aimed at finding reconciliation between Indigenous and non-Indigenous Australians.

How can The Voice represent the diversity of Aboriginal and Torres Strait Islander people’s views?

Following a ‘Yes’ vote in the referendum, the final structure of The Voice will be decided by the Federal Parliament and created by an act of the Parliament after the usual debate in the House of Representatives and the Senate.

The Indigenous Voice Co-design Report outlines a proposed structure for a First Nations Voice to Parliament. It includes these principles around the design of The Voice: Independent advice to parliament and government, is chosen by First Nations people, representative of First Nations communities across Australia, empowering, community-led and inclusive, culturally informed, respectful, gender balanced, and works alongside existing organisations and traditional structures. It will not replace them.

What will it mean for reconciliation if the referendum achieves a ‘yes’ vote majority?

The reconciliation movement – a people’s movement – has been working to change systems through reconciliation for the past 30 years– through where we live, work and socialise. The need for Aboriginal and Torres Strait Islander people to have a say in their own lives has been at the heart of reconciliation.

A ‘Yes’ vote gives strength to our journey, to our decades of work. It will give us further momentum as a nation, to keep moving on Closing the Gap and other practical measures with the aim of achieving a just, equitable and reconciled country.

For more information on the referendum, including summaries from the yes and no campaigns and instructions on how to participate, scan the QR code to access the AEC’s referendum booklet.

On Saturday October 14, Australians will have their say in a referendum about whether to change the Constitution to recognise the First Peoples of Australia by establishing a body called the Aboriginal and Torres Strait Islander Voice.

DAN SULTAN

WORDS BY JACOB MCCORMACK

Æ “I’ve been speaking about these things for a long time,” says Dan. “I was speaking about it when they got me on triple j to argue with bogans about why it’s racist to throw bananas at Adam Goodes. Now we have our own show on triple j.

“I was speaking about it at the ARIAs when I won a bunch of awards and they didn’t even report that I’d won in some newspapers, let alone what I had to say about it. I think it’s good that a lot more people are listening and taking an interest, but people have been talking about this for a while. People spoke about this stuff before I had a voice, in a public forum at least.”

Dan hasn’t been deterred from pushing for a better existence for everyone. Critically, Dan articulates that he can only make himself accountable and outline expectations that remain solely applicable to himself.

“I think anything where people are trying to create a space and world where things are better is a great thing to be involved with. It’s certainly how I try to live my life. But, I don’t think my expectations go any further than myself, as far as kindness is concerned.

“In my personal opinion, I think things are nicer if we are [kinder], but I am certainly not trying to tell anyone else how to feel. People feel differently about different things and that is okay - well, it’s not okay, it just is. It’s not up for an opinion, it’s just the way of the world.

Dan Sultan has been a pillar of Australian music for decades now. In conjunction with his artistry, he uses his public profile to discuss the treatment of First Peoples in Australia.

“I don’t feel like I am a finished product. We should always be on the lookout for lessons. I have certainly found if I’m not then I’ll get them, and some are harder than others.”

Dan’s attitude remains measured, sculpted by the trials and tribulations he only briefly alludes to. He has recently finished working on a new eponymous album and has released five singles this year. He explains that an expansion has occurred through this new music. Although it’s translated into a sonic expansion, its epicentre resides within him.

“The expansion has occurred within my heart, mind and spirit,” he says. “I have been able to go a lot further with my experiences and my story than I have previously. To have that freedom is a beautiful and powerful thing, when you are sitting down at the keyboard or with a pen, as it were.

“As an artist and creative person, to feel a real sense of freedom in your work as well as liberation is such an important thing.

“I’ve been as free, liberated and honest as I possibly could have been throughout my whole career, but I think experiencing Covid and coming out the other side of things, being a lot healthier and being in a much nicer place in my life, is a beautiful thing.“It’s been conducive to making some work that I feel really fulfilled within, regardless of how it is received. I mean, I hope it is received well – I am a family person and provide for my family, so from that practical standpoint I am not without ambition. But from a purely artistic standpoint it feels great for me.”

The self-titled record incorporates Dan’s personal development, as well as showcasing the rock instincts we’ve come to love since he began sharing music. Co-existing with this evolution, Joel Quartermain (Eskimo Joe) was on board for the recent LP, acting with Dan as a multi-instrumentalist and producer.

“He is a very, very clever musician,” Dan says. “We call him a Swiss army knife; he can pretty much do anything. I have capabilities in that area too, so between the two of us, we just played everything on the record.

“He is a really great drummer, bass player and great on the keys, guitar and all that stuff. I am pretty tidy with the keys, and handy on the guitar and vocals. Between the two of us we played everything on the record.”

“From a more practical standpoint the chords and stringlines I’ve written, the writing I have done, as well as the production I have been a part of with Joel – I have gone to places I haven’t been before. It is really beautiful and fulfilling stuff.

“I am just really happy and it’s really beautiful. I am looking forward to playing it as much as possible.”

WHERE: MELBOURNE RECITAL CENTRE

WHEN: 21 OCT

DAN SULTAN

“As an artist and creative person, to feel a real sense of freedom in your work as well as liberation is such an important thing.”

TINA ARENA

Hot on the heels of her latest album Love Saves debuting at number one on the ARIA Aus Albums chart, Tina Arena is taking her new material, alongside her well-loved classics, on tour around the country this month.

WORDS BY GRACE MCCALLUM

Æ Tina Arena has become part of the fabric of the Australian music landscape over the course of nearly five decades in showbiz; her songs weaving their way into our collective musical consciousness. She has an impressive array of accolades to her name, including 10 million album sales, seven ARIA Awards, an Order of Australia, a French National Order of Merit, the inaugural Rolling Stone Icon Award and an induction into the ARIA Hall of Fame. Despite her glittering career, she says Love Saves, her ninth Top 10 album and her first to be released as an independent artist, feels particularly special.

“This one was really poignant because it’s completely independent. There’s no radio support. There’s no record company support. There’s only the support of your team and the people that are kind enough to buy the record,” she says. “If it wasn’t for those people, I wouldn’t have a roof over my head and I wouldn’t have food on the table. It’s really that simple. It’s those individuals that enable you to have the journey that you have. So this number one meant an awful lot to me.”

After watching many close industry friends and colleagues pass away over the last few years, Tina has been imbued with a greater appreciation of the fragility of life. She has fought hard over the years to be able to tour internationally and as a newly independent artist, she has turned this long-held dream into reality.

“I’ve lost so many mates in this business. You don’t know how much time you have, so it’s nothing to play with. Is there a right time? Is there a wrong time? I don’t bloody know. All I know is that now is the time.”

Love Saves heralds the beginning of a new era for the beloved Australian songstress; one characterised by a beautifully strippedback sound.

“I think it’s revolutionary to go back to what’s essential, particularly in a world where people tend to follow suit… I just needed to wipe out the noise and get back to what was fundamentally important to me… the song, the story and the emotion,” she says.

A combination of working with a small team of extremely close friends to craft the album and having creative control from start to finish has made for an intimate and heartfelt - while at times gritty and defiant - musical offering that she hopes resonates deeply with her audience. “I just hope that it heals them like it’s healed me… It comes from such an honest place,” she says.

Throughout the process of writing and recording the album, with the pandemic as a backdrop, ‘love saves’ and ‘music saves’ have become the unofficial battle cries for her and her co-writers. No stranger to the healing power of music, Tina is philosophical about the role it has played in her life.

Appropriately, the iconic Melburnian will be performing at another local icon, the Melbourne Town Hall on October 19 and 20, to her adoring home crowd.

“Melbourne crowds are great. They always have been an amazing audience. They’re very appreciative, they’re very arts conscious and they understand the importance of it,” she says. After wrapping up the Australian leg of the tour, she will take the Love Saves Tour to the US, Canada, France and the UK. Tina remains humbled by the support of her loyal fans overseas.

“I just hope that this is the beginning of an opportunity for me over the next few years to be able to greet, say hello and to thank my international audience for having supported me all these years.”

TINA ARENA

WHERE: MELBOURNE TOWN HALL

WHEN: 19, 20 OCT

“Music is a saviour for me. I think it saved me from a lot of darkness. I think it’s always saved me. It’s what keeps me going.”

Credit: Kidd Sauve

Æ Their connection shines as keyboardist Aja Grant tells Beat about a favourite hometown venue, Blue Note Jazz Club, and how the band compels its mostly-seated patrons to get up and dance.

“We certainly don’t stand in their way, we encourage it,” he says. “We’ve seen the energy change in that room a bunch.”

Bass guitarist Bari Bass slides in: “Plus, it’s small. So there’s endless food and the waiters need to get through.”

Drummer Matthew ‘Maffyuu’ Byas starts twisting and moving like a funky maître d’ balancing imaginary dishes.

Frontman Elbee Thrie leans back in his seat and smiles, making eye contact with guitarist Elijah Rawk. “The Blue Note has turned up over the years,” Grant says. “The waiters have obtained some tricks.”

Phony Ppl are bringing their latest tricks to Australian shores in October, playing a run of dates in support of their 2022 studio album Euphonyus.

The 12-track record is a sweeping vista, taking the band’s free-flowing jams in new directions: the thumping Nowhere But Up features a sample, while the album’s centrepiece – the bluesy Been Away lets Rawk rip on a vicious guitar solo.

Euphonyus is still a Phony Ppl project, which means a healthy serve of synth, funk and energy. An eclectic roster of guests breeze through, including Kaytranada, Jojo and Megan Thee Stallion.

Nearly a year after the album’s release, Thrie says fans are beginning to complain about songs from the project that don’t make Phony Ppl’s already-bursting setlist.

“Now we’re getting the ‘Hey, why don’t y’all play this song at the show?’ or ‘Hey, next time, y’all better play this!’” he says, smirking. “We’re starting to get the aggressive, violent demands from all the people who enjoyed Euphonyus.”

Last time Phony Ppl came to Australia in 2019, they played Splendour in the Grass amid what Bass calls a “crazy run” of festival dates.

“We’d play in the afternoon and it would start off really light,” he says. “Then, by the end of our set, it was just people as far as the eye could see.”

Phony Ppl are students of music – each bandmate comes from a musical family –and they jump at the chance to discuss the evolution of hip hop, in light of its 50th anniversary.

“The first thing that came to mind for me was drum breaks, that’s the thing passed down from generation to generation,” Thrie says. “There’s just enough links to see that there is a chain that is endless.”

“The samples, as well,” Grant adds. “You might hear something really cool and then be like, ‘Yo, that was chopped, but where is it from though?’

“And then you will go and listen to that album, and then you’ll go and listen to the whole catalogue and then the musicians on the album, see what they recorded on…it’s just a whole educational experience.”

Bass gets introspective about hip hop’s broader influence: “It’s the latest culture to come about and then capture everyone’s attention. That’s such a huge thing to accomplish for any type of culture that comes out, to capture the minds of everyone for generations and generations.

“It’s not going anywhere, we’re going to be back here in another 50 years with grey hairs talking about the 100th anniversary of hip hop.”

Byas wraps up by shouting out rap luminaries, including his father – the legendary DJ Jazzy Jeff.

The band exchange their fondest memories of Australia: Grant remembers Splendour giving them the best hotels of any festival, Byas recalls Byron Bay’s bush turkeys, and Rawk’s praise for Australian brunches prompts Bass to bring up a steak he ate in Sydney that “changed my life”. Grant adds: “It’d be nice to collaborate with some Australian artists. I think Australia has some of the best musicians in the world.”

He name-checks some favourites: Brisbane’s Laneous and Melbourne’s Hiatus Kaiyote, including bassist Paul Bender’s offshoot, The Sweet Enoughs.

“I hear my dad downstairs, he’s cutting up. That’s my guy! Shoutout to him.”

PHONY PPL

WHERE: 170 RUSSELL

WHEN: 17 OCT

New York hip-hop polymaths Phony Ppl are among the tightest five-pieces in music, flowing as seamlessly in conversation as they do on stage.

WORDS BY REECE HOOKER

“Australia has some of the best musicians in the world.”

DAVID M. WESTERN

BABY ANIMALS

Rock music continues to dominate our listening habits here in Australia for good reason.

WORDS BY LUCY ANDREWS

Æ The first time David M. Western met a musician, he was 13 years old. In Heywood Victoria, population 1793, they were hard to come by. “It blew my mind. I just thought they were the coolest person ever – listening to all these amazing songs, doing things with their hands that I had never seen anyone do before. Which was good. It gave me something to chase.”

Now, with his sophomore album On, On & On set to drop October 20, Western is grateful for his lack of early musical influences. It ignited his curiosity as an artist and set him down a singular path where his tastes are distinctly his own.

Coming on the heels of 2022’s Child Mind, On, On & On was written in a post-lockdown frenzy. “I just wanted to party and dance and play cool songs live,” says Western. “I have this little shack in my backyard and I just wandered out there every night straight from work and would come out a few hours later with a song.”

Written within three months, recorded almost entirely live over the course of two weeks with co-producer Alex O’Gorman (“We’re just musical kindred spirits”), the album emanates an organic, old school feeling.“I think I rehearsed with my band like twice. I told them to not write anything down, just know the demos and just go in there and let’s see what happens.”

Western hopes listeners find a companion in the album through the good times and the bed. “There are lots of songs about sad things like breakups and feeling lonely, but there are just as many songs about how much you love your friends,” he says.

“That’s why I called it On, On & On, because these things will continue to happen to all of us as we keep growing and living our lives.”

DAVID M. WESTERN

WHERE: NORTHCOTE SOCIAL CLUB

WHEN: 11 NOV

Æ Baby Animals is Suze DeMarchi on lead vocals and guitar, Dave Leslie on guitar and backing vocals, Dave Bortolin on bass guitar and backing vocals, and Mick Skelton on drums and percussion. They continue to tour, demonstrating a lasting love and dedication to the live music scene. They’re a fan’s band, just as genuine today about their love for what they do as they were back in the 90s when on tour with Van Halen.

Leslie explains, “we really love what we do, we really enjoy each other’s company, and we’re really grateful to be one of the bands getting away with it after all this time.”

“We’re one of those funny bands that can’t help but kind of sound like ourselves because of the chemistry and makeup of the band.”

Leslie draws inspiration from the Melbourne music community. Making a point to attend live gigs around town where he often runs into mates such as Nick Barker (Nick Barker and The Reptiles); the live music scene offers an abundance of new and established artists performing every night of the week.

“I like the fact that Melbourne has got that many locations creating opportunities for bands to play at. So even though it’s taken a bit of a hit over the last few years, it’s still pretty good, and people should be grateful that they can still go out and see so many acts.

“When you play live, that’s your reward. I still play the guitar like I’m 22 years old. Remember the reason you first got into the music industry, no matter whether you’re on stage, front of house, producing, mixing, or on monitors. That should be your payoff.”

BABY ANIMALS AND THE CASANOVAS

WHERE: CHELSEA HEIGHTS HOTEL

WHEN: 3 NOV

“We’re going to feel heartbreak again, we’re going to make new friends, we’re going to have all of these amazing new experiences and I think there’s songs on this album that accompany all of those times. It’s a bit of a celebration.”

WORDS BY KAYA MARTIN

“I’m still discovering rock music from the ‘70s that fell through the net.”

Jeff Andersen Jnr

ART GUIDE

Art exhibitions to see this month

WORDS BY JACOB MCCORMACK

JAMES TYLOR –TURRANGKA… IN THE SHADOWS

In Kaurna language, turra translates to reflection, image and mirror. Within this exhibition James Tylor has interrogated the overlap between techniques and analysing Australia’s unsettling history. Employing an innovative arsenal of photographic interventions, Tylor sets a provocative and reflective reaction.

THE CENTRE FOR CONTEMPORARY PHOTOGRAPHY (CCP) THROUGHOUT OCT

MARK SEABROOK

Naarm/Melbourne based artist Mark Seabrook is decking the walls of Outre with his highly detailed oil paintings weaving through critique of pop culture in humurous and absurd ways this body of work needs to be looked at closely. It is within the attention to detail that the complexity of layers can be revealed. Calling all social commentary investigators, this exhibition takes over Outre on October 20.

OUTRE GALLERY FROM 20 OCT

TRICKY WALSH –BRB NAVIGATING BY SHIFTING STARS

Incorporating text into paintings Tricky Walsh’s BRB Navigating by Shifting Stars acts as an ode to a fascination with constellations, albeit from a distance. Stars have informed stories, cultures and acted as guides for millennia. This exhibition analyses that, all the while creating new story and considering the omnipresence of satellites in the cosmos.

MARS GALLERY UNTIL 28 OCT

WURRDHA MARRA

Wurrdha Marra means many mobs in the Wurundjeri Woi Wurrung language. This exhibition celebrates all First Nations artists whether they are emerging or senior practitioners. Extolling the role of art in ensuring the passing on of cultural knowledge, this collection showcases the diversity apparent in each artists practice. Practices that maintain cultural practices all the while opening up new forms of expression.

IAN POTTER CENTRE FROM 12 OCT

PANTELIS ROUSSAKIS –FEAR AND CURIOSITY

Pantelis Roussakis’ haunting body of work Fear and Curiosity incites unease and fascination. Investigating the duality of possessing both intrigue and dread, Roussakis has utilised text from multiple eras in combination with photography and other artistic techniques to establish a surreal world.

SOL GALLERY FROM 18 OCT

BENEATH THE SURFACE, BEHIND THE SCENES

This group exhibition featuring over 15 Australian and Latin American artists, ignites dialogue surrounding the ways in which art can transcend imaginations. Taking a deep dive into a realm of art beyond the the known world, issues such as our changing society and vulnerable natural environments are taken into consideration.

HEIDE MUSEUM OF MODERN ART UNTIL 22 OCT

PAUL KNIGHT –L’OMBRE DE TON OMBRE

Paul Knight’s first major exhibition of work draws upon photographic, sculptural and machine learning works that unpack his relationship with his partner over time. Investigating the interplay of the past, present and future.

7 OCT

AGNETA EKHOLM –CONFLUENCE

In a collision of experimentation and technique, Agneta Ekholm brings together the otherwise dualistic binaries. The end product exists as a work that elucidates the tangible existence of a painting and the emotionality that is entrenched in the practice. With bold brush strokes painted in acrylic, Ekholm’s world of translucent paintings is on show at Flinders’ Lane until October 14

FLINDERS LANE GALLERY UNTIL 14 OCT

ANTON THOMAS –WILD WORLD

Inspired by the enchantment for geography, Naarm/Melbourne based artist and cartographer has brought to life the globe and its inhabitants in Wild World. Drawn with coloured pencil and fine-liner pen, Thomas’ maps boast so much detail, an intricacy that needs to be seen in person. See these colourful and enthralling maps on the walls of Fox Galleries throughout October.

FOX GALLERIES UNTIL 29 OCT

CÉCILE MCLORIN SALVANT

Cécile McLorin Salvant closes the Melbourne International Jazz Festival.

WORDS BY LESLEIGH LUITEN

Æ For 10 days every year the Melbourne International Jazz Festival brings the underground above ground, celebrating jazz culture. Making her Melbourne International Jazz Festival debut – and bringing the 2023 festival to an unforgettable close – is celebrated Grammy-winning vocalist and composer, Cécile McLorin Salvant.

Jazz is a genre that’s full of tradition but also continuously evolving, it is characterised by complex harmonies, syncopated rhythms and relies heavily on improvisation. Salvant, who describes herself as a contrarian, is at the forefront of innovation in jazz.

She is known for both breathing new life into classics while still exploring uncharted musical territories and seamlessly traversing genre and culture – from jazz, blues, baroque and folkloric music. While her performance at the Melbourne International Jazz Festival this October promises to be an unforgettable night, we wanted to know what lies behind Salvant’s performances and fuels her creativity.

Salvant has back-to-back shows for the remainder of 2023 and when she is not performing, she continues to immerse herself in all things creative. “I think whenever I feel a little bit of a slump I listen to music, read, consume whatever art I can get my hands on. I go into research mode. I fill the well,” Salvant confides, revealing the secret to maintaining her inspiration. “When I’m not performing, I like to write, embroider, walk, draw, read,” she says. It is this pursuit of artistic enrichment that fuels the captivating performances for which she is well known.

As jazz relies heavily on improvisation, so too does Salvant before her shows. Staying emotive and raw each night and being vulnerable within her performances can be contributed to by a genuine connection with her band members. “I don’t have any preshow tactics. For a while I meditated, and that was actually great. I want to go back to doing that. Usually, I just hang out with the band,” she contemplates.

Earlier this year, Salvant expressed that popular culture making fun of jazz drew her to it. People not liking jazz made her love it even more, so her relationship with jazz can be described as reverence. “I said that because I am a contrarian, I think. But what I love about the genre is not the genre in abstraction. It’s specific musicians that I’m drawn to like Charlie Parker and Betty Carter and James P Johnson and Blossom Dearie,” she says. Her admiration for these jazz legends is evident in the way she crafts her own music; Salvant is known for her own brand of charismatic storytelling.

Whether it be a rich interpretation of a familiar song or a rarely performed treasure when reimagining a song, she seeks out songs that challenge her but also translate to a dramatically charged performance. “I want to be surprised by a song. My reasons for not pursuing a song are usually more related to fear and self-censorship,” she admits.

It’s beautiful to see that the most accomplished jazz vocalist of her generation is still vulnerable when it comes to exploring music. Although she is known for pushing the boundaries of jazz, she still holds herself back when reflecting that the thoughts in her head are wilder than the music she currently creates. Wondering what it would look like if she surrendered to those thoughts, she said…

It’s hard to picture the multi-award-winning artist doing anything other than jazz today, but there was a time in which Salvant, like many of us, didn’t know what her true calling was. “I only studied law because I was unsure what to do after high school. What interested me the most was the history of law. Music was always in my life, but I still am unsure it’s something I was ‘meant to do’, but it is something that I feel extremely lucky I get to do. From the moment I started singing professionally, I always thought I’d just take it one step at a time and see where it led.”

As Melbourne is the unofficial cultural capital of Australia, and the city is beaming with diverse arts, architecture, culture, and even natural beauty, we can expect Salvant to be in her element and inspired. “If I get time to walk around the cities I am in, and see people interact, eavesdrop, that’s where I get the most inspiration,” she admits. So, as she graces the stage of Arts Centre Melbourne, we can expect to be both electrified and thrilled by the inspiration found in the bustling streets of our very own city.

CÉCILE MCLORIN SALVANT AT MELBOURNE INTERNATIONAL JAZZ FESTIVAL

WHERE: ARTS CENTRE MELBOURNE

WHEN: SUN 29 OCT

“I have no idea! Hopefully little by little, time will tell.”

FESTIVAL GUIDE

Festivals to experience this month

WORDS BY JACOB MCCORMACK

THE EIGHTY-SIX

The 86 tramline is a mainstay in both the functionality of its transport and the folklore of Naarm/Melbourne’s norther suburbs. This year in an ode to the music community that resides on High Street from Northcote to Preston, The Eighty-Six have curated a potent and eclectic lineup. With free events, parties curated by 1800 lasagna and percussionist/dancer Bez from ‘80s band the Happy Mondays in conversation you won’t be let down.

HIGH STREET 23–31 OCT

MELBOURNE INTERNATIONAL GAMES WEEK

Following its most successful year yet in 2022, Melbourne International Games Week is back bigger than ever from 30 September – 8 October 2023, with beloved home of screen culture, ACMI, at its vibrant heart.

MELBOURNE UNTIL 8 OCT

MELBOURNE INTERNATIONAL JAZZ FESTIVAL

Assembling the best jazz acts and most expansive jazz minds from around the world and Australia has Melbourne International Jazz Festival taking over the streets of Naarm in the latter parts of October. This year Chaka Khan, Nile Rodgers and Chic, GoGo Penguin and William Barton are featured on the program. It’s going to be huge.

MELBOURNE 20–29 OCT

JAPANESE FILM FESTIVAL

Japanese cinema is coming to Melbourne, and with a wealth of interesting and enticing narratives dispersed across the multiple films screening it is set to be a riveting festival. Tales from fishmongers inheriting large sums of money, to scientists investigating mysteries steeped in ancient shamanic rites and everything else in between will be screened at Kino, ACMI and Palace Balwyn.

MELBOURNE FROM 23 OCT

MELBOURNE FRINGE FESTIVAL

2023 sees the return of the globally acclaimed Melbourne Fringe Festival. This year’s event will bring over 450 events to various pockets of the city. Spanning 20 days from October 3 to October 22, expect comedy, cabaret, dance, drag, music and more. Groundbreaking and cutting edge performance is set to fill out the bill, while this year’s festival homes in on the importance of play - a notion we often forget to engage with as adults.

MELBOURNE 3–22 OCT

ITALIAN FILM FESTIVAL

Live La Dolce Vita with this year’s Italian Film Festival. 24 years running and the Italian film industry is still churning out captivating movies that sit within a range of genres. Whether you’re looking for a romance, drama, thriller or historical blockbuster the Italian Film Festival has you covered.

PALACE CINEMAS UNTIL 18 OCT

MELBOURNE FASHION WEEK

Spread out across workshops, expert panel talks, pop-up fashion extravaganzas, immersive experiences and much more, Melbourne Fashion Week boasts a program that celebrates and supports Australian fashion. The very best will be on display, as we have come to recognise with Melbourne Fashion Weeks of the past. This year’s event will be no exception.

MELBOURNE 23–29 OCT

GRAPEVINE GATHERING

Indie rock sensations Spacey Jane, UK festival favourites The Wombats, Hayden James, King Stingray, Vanessa Amorosi, Cannons, The Rions, Teenage Joans and Bella Amor are all playing this wine-soaked festival in the Yarra Valley.

ROCHFORD ESTATE 7 OCT

MCCLINTOCK

Growing up in North America

WORDS BY JOANNE BROOKFIELD

Æ Hollywood told her. Oprah told her. The Californian politician who is credited with starting the self-esteem movement told her. “It was just in the zeitgeist,” recalls the ex-pat Canadian stand-up. “It permeated everything.”

Even church led her to believe that if she just prayed hard enough, all her dreams would come true.

As a result, the young, impressionable primary school version of McClintock wanted to be “an actor, an astronaut, and a doctor”. The slow-dawning realisation during her teen years she was afraid of heights knocked out NASA as an option.

Instead, she enrolled in medicine at university “and had a little menty-bee,” she says cheerily, making a mental breakdown sound a lot more cute and fun than it actually would have been. “I didn’t cope and I had some depression and anxiety issues,” she adds more soberly.

The bubble had officially burst. While in real-time it forced McClintock to change her life course, for the innately bubbly adult version on the phone with Beat, looking back on these formative years has given her a rich and complex vein of comedy to explore in her Melbourne Fringe Festival stand-up show Burst.

While she has yet to make it to space, and eventually became a nurse instead of a doctor (“so I could still help people”), she couldn’t shake the lifelong creative urge that her original desire to act represented. A move to Tasmania saw her trying to “find any creative outlet I could in that space” and gravitating towards film and screenwriting as a result. Being a “huge fan” of American sketch comedy institution Saturday Night Live, McClintock was more attracted to the comedy side of the spectrum.

Then she stumbled upon the work of the fabulous English stand-up Sarah Millican, who can deliver a filthy line with the sweet lilt of a saint. “I started to think, ‘oh, wow, there’s somebody who looks like me, who has a similar sense of humour as me, maybe it’s something that I could do’. I had never thought I could do it,” she says, lamenting her lack of self-esteem in her 20s.

After the birth of her second child in her thirties, McClintock spotted an ad for Raw Comedy, the Melbourne International Comedy Festival’s national amateur comedy contest, and decided to give it a go. “So the first time I ever got up on stage was for Raw Comedy and I went through to the state final. I was hooked immediately,” she recalls.

So while McClintock, who became a two-time RAW Comedy State Finalist, didn’t end up living the dream life she was guaranteed in her youth, Burst is about how she started to look at those promises “with more of a critical lens”.

In her research for the show, she’s discovered that the self-esteem movement was actually spearheaded by a politician. “Realising the self-esteem movement was actually a business, and then everything related to wellness…Even religion is a business,” says McClintock, who was once a “hardcore” Baptist. (“Fire and brimstone kind of thing,” she elaborates. “I went to youth group, I went to conferences where people spoke in tongues and that kind of stuff”. Is she still religious now? “Nooooooo,” she draws out, then gives a rapid-fire: “No, no, no! No. No, mainly because of the lies.”)

“Along with Oprah, I just believed everything that was said to me, and really, I would have been a good cult recruit at that age,” she says with a laugh. “I’m glad that I woke up started thinking for myself”.

Oprah, who she calls “the original influencer”, has since been demoted in her mind. “As I’ve come to accept my body more over the years, I just look back on how many diets I went on because I was watching Oprah and she was trying something, and then realise that she actually owns a 10% stake in Weight Watchers,” says McClintock, whose material always touches on the major themes of body acceptance and chronic illness/disability, which is striking a chord online with her clips on these topics racking up over 200,000 views so far.

When McClintock was 20, she was diagnosed with a rare and incurable autoimmune disease called dermatomyositis which has “made every aspect of my life more difficult,” she explains. “I have these lesions on my skin that people can see, so I get a lot of questions about that and have a few jokes about that. They also get really inflamed and they burst open, so Burst really has a dual meaning,” she says of the show title.

For this year’s Melbourne Fringe, Burst is performing as part of the digital program, meaning you can enjoy what another critic called her “natural charisma and hilarious observations in spades” on whatever day and time suits you for the duration of the festival (3–22 October).

Recorded live when McClintock played to a sold out audience in Tasmania earlier in the year, McClintock says the digital format has many benefits, especially around accessibility as she has previously found it difficult to find wheelchair friendly venues to perform it.

Although she jokes “it’s not Netflix quality production value” it is a professionally recorded stand-up show “which I think people can still really enjoy, especially people who can’t leave the house. It will also have closed captions, so people who are hearing impaired will be able to read it,” she says, adding people interstate and overseas can also enjoy the show.

While McClintock’s life, like most of us, didn’t go the way she planned, she remains decidedly upbeat about it all, which is the energy she brings to the stage. “Delightfully deceptive” is how Geraldine Hickey described her when introducing her at a recent gig. “She said you come on with smiles and then you hit us with something that’s a bit dirty, or something that’s a little bit mean but not too mean,” recalls McClintock.

“Even though my bubble has burst in terms of being this starry-eyed kind of dreamer, somehow I’m still resilient and I’m still optimistic,” she reflects. What does she attribute that to?

“Childhood trauma!” and she has us both bursting out laughing.

WHERE: DIGITAL FRINGE

WHEN: 3–22 OCT

Catherine McClintock knew she could be or do anything.

CATHERINE MCCLINTOCK AT MELBOURNE FRINGE

STAGE GUIDE Shows to go and see this month

WORDS BY JACOB MCCORMACK

STAR WARS: THE EMPIRE STRIKES BACK IN CONCERT

The MSO are continuing their run of musical scores accompanying Star Wars movies. This time around the moving image will be the 1980 film The Empire Strikes Back. It’ll be grand and symphonic, and the optimal way to watch a cult classic film.

HAMER HALL 05–21 OCT

HOUR OF THE WOLF

This is immersive theatre on its most grand scale. Hour of the Wolf is set in the fictional location of Hope Hill, between the hours of 3am and 4am. As the play unfolds audiences are invited to roam about the space, and choose their own story to follow. It’ll be nothing short of interactive and captivating.

THE MALTHOUSE THEATRE FROM 19 OCT

VICTORIAN STATE BALLET PRESENTS THE NUTCRACKER

With Christmas looming as the next festive period after Spring, the Victorian State Ballet are celebrating the commencement on the season in classic fashion. The Nutcracker is a quintessential Christmas ballet performance, so expect all that you have come to know from its narrative with a unique twist.

THE PALAIS THEATRE 28 OCT

MANIFESTO

This dance performance comes in nines. Nine drummers play nine drumkits with nine dancers leading the movement. A symbiotic relationship is established between each dancer and drummer pronouncing the rhythmic parallels between percussion and movement. This performance has captivated audiences globally, be sure to secure tickets.

THE PLAYHOUSE FROM OCTOBER 25

CHURCH OF THE CLITORI

“Welcome people with and from the clitoris. From where we all doth cum.” Lillian Rodrigues-Pang & Malika Reese have created their body positive space in attempts to achieve true salvation, clitoral salvation. A ceremony like no other, riddled with double entandras and celebration of all things clitoris, The church of the Clitori is part of this years Melbourne Fringe Festival.

THE MOTLEY BAUHAUS 09–15 OCT

THE VISITORS

Australia’s history is fraught, but The Visitors is a production discussing the early impacts of colonialism and its affect on First Peoples. Woven together by Aboriginal customs, melody and humour at the hands of composer Christopher Sainsbury and libretto by playwright Muruwari woman, Jane Harrison, The visitors is stacked with metaphors. Told from the perspective of elders this production will feature at the Playhouse for four nights.

THE PLAYHOUSE 18–21 OCT

STARFISH THE REDACTED

Dark in its humour, Starfish The Redacted dissects the power of art and its omnipresence in the human existence. Equal parts dystopian and historical regurgitation, This production will have you questioning the censorship that governments are capable of imposing upon people.

HAMER HALL 04–15 OCT

KITTY FLANAGAN

Longstanding laugh-inducing comic Kitty Flanagan is back live with a stand-up encore performance. Recently she has come to be loved on TV shows, Fisk, Utopia and Have You Been Paying Attention, but Kitty is no stranger to the world of a stand-up, a setting she as reigned with hilarity for years.

THE STATE THEATRE 27–29 OCT

CONSTELLATIONS

Love unfolds with the possibility of countless parallel universes existing simultaneously. Navigating the fragility and sheer randomness of connection and romance, Constellations considers what might be possible and more.

FORTYFIVE DOWNSTAIRS 04–15 OCT

DIDIRRI

WORDS BY LUCY CROCK

Æ The 11-track record is dripping with unfiltered songwriting, emotive vocal tone and soothing melodies. Trademarks that established the young artist as an important Australian voice to watch after his first two EPs, Sold for Sale (2020) and Measurements (2018).

Didirri Peters already has an impressive string of accolades behind him, with sold-out local and international tours, and performances at Splendour In The Grass, The Great Escape, Latitude, and Primavera Sound, supporting Kate Miller Heidke on her Australian tour, as well as receiving over 75 million streams globally and an ARIA gold-accreditation for his release Blind You.

Now, his debut album, flourishing with introspection and nuance, proves the 28-year-old’s profound commitment to truthful storytelling, peeling back another layer of the already-authentic artist with reflections on anxiety, romance, grief, uncertainty, passion, and dread.

“The record title, Caught In The Act, came about when I was thinking about imposter syndrome. If someone were to see that I am not necessarily what they think I am, would they be okay with it?” Peters says.

“I Wanted It Easier Than This really kind of summed up the feeling I had going into the record. The song goes through the prospect of being yourself and not presenting a more palatable version of yourself to people.

Written during the global pandemic, the eleven new tracks weave together this tapestry of life lessons and sonic influences, visiting subjects and questions society steers clear of.

“The theme of death and finality is really woven through the record too. I lost two family members during Covid, and it just really put things into perspective.

“You really do have a limited amount of time to enjoy what you do on this planet. There’s a lot of contemplation on that in Obsolete Machine and Begin Again in particular.

“Obsolete Machine is about my body… a machine that’s going to one day break down and the work that you do and the love and relationships that you cultivate over your life, they’re finite – and that’s kind of what makes it beautiful.

“There’s a reason that plastic flowers aren’t as pretty as real flowers.”

“When people see my true self, I feel like I’m getting caught out and it’s actually a really pleasant experience.”

Didirri’s highly anticipated debut album Caught In The Act is finally here, and it’s his most breathtakingly honest and artistically mature work yet.

Credit: Ian Laidlaw

REVIVAL AUDIO

ATALANTE 3

BY

Æ They are the vehicle through which we experience the soundtrack to our lives, operating in the background of our homes and listening areas, providing the backbeat to parties, social events and regular old household chores, while operating as the primary playback source of the music we love and cherish. The beauty of a high quality one is that it’s a long term investment, offering pristine sound and good looks to match the curated furniture in our homes.

Enter relative newcomer Revival Audio and their awesome Atalante 3 speaker - a high quality bookshelf speaker that combines classy good looks and world-class sonics, built-in collaboration with A+A Cooren Design Studio, a Paris-based French-Japanese design studio.

Featuring a unique belt & knot design, laser-etched Revival Audio logo, and hand-picked walnut veneer, the collaboration has clearly stunning aesthetics to a masterfully designed and constructed speaker from Revival Audio. More than just a looker, the Atalante 3 is a two-way design, powered by a 7” woofer and 28mm soft-dome tweeter, as well as Revival’s back-chamber design, intended to absorb 95% resonance for pristine audio largely unaffected by the speaker’s surroundings, while offering a huge sound for such a compact speaker.

With a tight knit team that boasts decades of top tier industry experience, technological innovation, product design, development and deployment, you would expect relatively new French company Revival Audio to come launching out of the gate and you’d be right. Having recently released two flagship models, the 2-way Atalante 3 (on review here) and 3-way Atalante 5 pinned for the highest level of listener and deluxe listening experience (and all at a more than accessible pricepoint for a speaker of this quality) - there is certainly a buzz in the Hi-Fi world for Revival Audio and for good reason.

With the Atalante family of speakers all being designed, engineered and assembled in France, an immediate and genuine European connection oozes from these speakers and it’s undeniable. The Atalante 3 aesthetic seems to strike the perfect balance of retro styling with the elegance of modern French design resulting in a timeless look, sure to catch even the most critical eye.

An art piece in their own right, the Atalante 3’s cabinet consists of rich walnut wood veneer, a stunning belt and knot logo design, with meticulously crafted burned logos on the corners of each cabinet. Paired with the sleek and elegant Revival Audio Stand 3, the Atalante 3’s are a world class speaker at the visual level.

This same artisanal quality also extends to the inner workings of the speakers themselves. The offset 28mm soft-dome tweeters with ARID (Anti-Reflection Inner Dome) technology and 7” Revival Audio BSC (Basalt Sandwich Construction) woofer are, like all of Revival Audio’s components, made in-house, specifically with Revival’s small but refined product range in mind.

It’s this attention to detail that really separates Revival Audio from the pack and is something which instantly bears sonic fruit, particularly in regards to the soundstage and dispersion qualities of the Atalante 3, which are a cut above what you would normally expect to hear from a bookshelf speaker of this size.

Said to outperform larger ferrite magnet systems, the ARID high frequency driver, coupled with the specialised back-chamber design found on the Atalante 3’s, is nothing short of a masterstroke, implementing anti-resonance technology that offers a focused and detailed upper mid-range, and proving absolute magic when paired with hard panned instruments in the stereo field.

String sections pump and undulate in a way that transports you directly into the centre of the orchestral pit. Percussion instruments are textured and easily placed across the soundstage with a kind of instant directionality that is hard to replicate in other speaker setups. The immediacy of the recoil on display here is truly remarkable and holds up across a multitude of playback material, in a way that never feels strained or pushed.

In terms of LF drivers, the 7” Revival Audio BSC woofers found on the Atalante 3’s are nothing to be scoffed at either, proving the perfect running mate to the unique tweeter design and providing plenty of high quality low-end reproduction all the way down to 44Hz.

You’d be hard pressed to find a more impressive debut from a loudspeaker company than Revival Audio’s Atalante 3. The wealth of industry experience and technical nous that has clearly gone into this release, belies a company whose understanding of the industry extends far beyond their two years as a company. The Atalante 3 with its broad soundstage and attention to detail is a classy and confident release from one of the most exciting new brands in Hi-Fi.

Revival Audio are proudly distributed by Audio Marketing, for more information check out their website www.audiomarketing.com.au

This article was made in partnership with Audio Marketing.

There’s something really special about a high-quality bookshelf speaker.

WORDS

ANDY LLOYD-RUSSELL

Strange Adrenaline

“I saw her name on a Hollywood billboard/ she’s the girl with a thousand faces…” – showstopping opening lyrics introduce both this album and its opener, Rumours, during which cello adds warmth. In fact, strings also used to spectacular effect – adding sinewy background texture and heart – throughout this entire record. “Wish I knew you then/ But I was only a kid/ The rumours turned you into someone else” – such moreish lyricism! We’re already hooked, but then Benjamin Joel’s BV contribution – carefully shadowing Nat Vazer’s vocal line – adds to the intrigue. Although this song is about recurring trauma (“Something that you said/ Will probably hurt me ‘til I’m dead/ There’s a movie that’s never-ending and you’re in it”), its carefree, swaying pace and Vazer’s breathy, detached delivery camouflage sinister themes.

Bob Dylan scores a mention during the title track. Then Vazer rhymes “park” with “Holy fuck”, which is unexpected yet utterly brilliant. “Do you even care anymore?” – this question posed within Maniac is so delicately put, but Vazer’s octave dive into the final syllable (“more”) highlights vulnerability.

Classy drumming drives 2am Diner, which contains an irresistibly tormented, chiming guitar solo. “But I can’t let you in/ Or he might suspect something” – cheating or the thrill of clandestine meet-ups? The listener’s lived experiences often colour how Vazer’s lyrics are received, which is kind of the mark of a great songwriter, right? “Did you know this whole time? Or did you just find out?” – a loaded lyrical query opens Born, which reminds us to take chances in life.

Lively birdsong bookends Like A Burning Violin, with its flighty piano and lyrics unfurling like the protagonist’s internal dialogue in real time. Delicate piano playing echoes the melody of a heart-wrenching line within Fading From The Party – “There was once a window to her heart that I can’t open/ Anymore…” – underlining the hurt. Vazer’s vocals can sound so fragile, a hair’s breadth from broken.

The dreamy Wilsons Prom, which evokes Lana Del Rey, features a whistling refrain that’s accredited to Robert Muinos – spectral and melancholy, too, à la John Lennon’s Jealous Guy. Lennon and Leonard Cohen score hat-tips during All That’s Left Is Love, with this song’s title also the final words sung by Vazer to close out her stunning second set.

Vazer has described Strange Adrenaline as a collection of “unique stories told through the people, places and memories that have shaken me and stayed with me over time”. She creates entire worlds through song and it’s transfixing, emotionally impactful stuff. Strange Adrenaline is so exceptional that you’ll wanna instantly share it with your discerning, music-loving mates.

LABEL: BENDIGO RECORDS

RELEASE DATE: 6 OCT

MAPLE GLIDER I Get Into Trouble

Æ “Sometimes my own body, doesn’t feel like my body/ But definitely don’t kiss me…” – lead single Don’t Kiss Me, a song about consent “and the experience of being predated on by older men as a girl/young woman”, sets the harrowing tone for Maple Glider’s unflinching new record.

The second single to be lifted from I Get Into Trouble, Dinah references a modern ‘child-friendly’ Bible Story that Tori Zietsch, who releases music as Maple Glider, was told aged just eight. Within this loose retelling of a cautionary tale about a woman who is sexually assaulted and victim blamed, Zietsch publically processes her own trauma: “She said no, but he did not listen… The same thing happened to me when I was only 17/ Do you think I got what I deserved?” Here Zietsch uses art as an empowerment tool while her perky vocal performance and hummable melodies juxtapose distressing themes.

But optimism ultimately prevails. After finding out she was going to be an aunty for the first time, Zietsch penned companion pieces You At The Top Of The Driveway (which features vocal trills like melodic birdsong) and You’re Gonna Be A Daddy, her niece acting as “songwriting muse” while still in the womb. “We’ll go for walks/ Collect tadpoles in the rain/ Just like we did when we were the same age/ And mum was selling Avon…” – lyrics burst with nostalgic detail. At the heart of it all, Zietsch is a generous storyteller who searches for light within the darkness.

LABEL: PIEATER

RELEASE DATE: 13 OCT

NAT VAZER

One Lover Leaves

Æ Mike O’Dowd has said One Lover Leaves – an autobiographical album written during time spent in Montreal and Berlin – is “kind of like a breakup record”, during which individual songs document different stages of his recovery. With its defeated vocal melody and atmospheric drone underscoring shimmering guitars, They Walked Past A Work Of Art (“...dying on the street”) navigates ‘WTF did I just do?’ second guessing.

Languorous fingerpicking adds timeless appeal throughout O’Dowd’s accomplished debut record and he certainly loves a waltz rhythm! Featuring O’Dowd’s signature poetic lyricism – “In pain the sidewalk screams/ All your lover’s shattered dreams…” – opener Game Of Love’s sweeping tempo and lively, swinging drum pattern conjure Jeff Buckley’s Grace. The scene that unfolds during Early Morning Rain, which finds our protagonist raining bullets (“In the early morning rain with a gun in my hand/ I shot my woman down…”), is startlingly at odds with O’Dowd’s soul-achingly sweet, earnest delivery. “Women like flowers can wither and die…” – the yearning title track temporarily blooms with intricate, swirling drum patterns – midway through the arrangement – before resuming its melancholy, feet-dragging pace.

One Lover Leaves is a soothing listen, somewhat like watching slow TV. An appealing, itinerant troubadour, O’Dowd certainly is a worldly wordsmith (see: Mona Lisa, during which “courtesans” even score a mention). He’s one to watch, for sure.

TEEN JESUS & THE JEAN TEASERS

I Love You

Æ As well as being a clear contender for Best Band Name Ever, Teen Jesus & The Jean Teasers also boast a super-cute origin story: aged 15, they formed a band the day after a sleepover during which they watched School Of Rock, which also inspired guitarist Scarlett MaKahey to later purchase a Gibson SG (Jack Black’s instrument of choice in the film).

Featuring jangly guitar (McKahey sure loves distortion!), playful bass, singsongy gang vocals and exuberant drumming, barnstorming opener I Used To Be Fun is a bop. The band moved into producer Oscar Dawson’s home in the seaside town of Rye to create I Love You – collaboratively, over the course of a few months – and the giggles we hear at various points throughout their debut record counter this song title’s tongue-in-cheek claim.

Never Saw It Coming, their first fully acoustic tune – just vocals, guitars and strings – is also the first song drummer Neve van Boxsel wrote for the band. Through writing this song, on which she also takes lead vocals, Boxsel found a way to reclaim control following a sexual assault. Elsewhere: raunchy standout track Lights Out (“Touch me/ I want you only with the lights out”) is a perfect vehicle for vocalist Anna Ryan’s belting; Cayenne Pepper – a blink-and-you’ll-miss-it, 40-second interlude – sounds entirely spontaneous; and Kissy Kissy deals a satisfying closing slapdown:

“‘Cause you’re a selfish, sexist narcissist/ I’m glad we never became more than this…”

An inspired, dynamically varied collection, I Love You proves – once and for all – that Teen Jesus & The Jean Teasers ain’t no one-trick ponies.

TANIA DOKO

The Beauty’s In The Broken

Æ Harder Now, this EP’s opening lead single and Tania Doko’s first solo release in 25 years, features softly whispered “yes”s – an encouraging inner-voice struggling to cut through a negative-thought loop, perhaps? We feel warm in the company of Doko’s vocals, which belong front and centre: “I see you/ I love you/ Harder now…”

After stepping away from the spotlight, Doko – one half of Bachelor Girl – wrote hit songs for other artists including The Veronicas, Jessica Mauboy, Taylor Dayne, Sheppard and her buddy Tina Arena. That is until Mattias Lindblom, who produced The Beauty’s In The Broken, reminded Doko that – as an artist in her own right – she needs to release her own records.

Doko called Sweden home for a decade, but relocated back to Australia with her family in 2021. Dry air during a hotel quarantine stint caused Doko’s voice to ‘break’, which required surgery, but – as this EP’s title reflects – she’s learnt how to embrace the ‘brokenness’. Make no mistake, Doko sounds magnificent throughout, delivering vocal performances that are steeped in emotion and gritty where they need to be.

“Can I get a ‘hell yeah’?” – we see Doko’s request during standout track Hardcore, which opens in a flurry of dramatic keys not dissimilar to It’s All Coming Back To Me Now, and raise her a FUCK yeah for reclaiming the solo spotlight. The battle scars collected through life experience add grist to a songwriter’s mill and women of a certain age’s stories deserve to be heard.

MIKE O’DOWD

CAFE GUMMO

WORDS BY CAMILLE ALLEN

LIVE MUSIC : An array of sounds and artists have graced Gummo’s sticky floors. Rock ‘n’ roll, reggae, metal, balkan brass, hip hop, rembetika… just to name a few. Cafe Gummo also features karaoke and recently a ‘lip sync to death’ competition.

FAMOUS FOR: their outspoken political views. The venue is clear about being anti-fascist queen-friendly, which means it’s free from haters and bad vibes.

INFAMOUS FOR : Their dangerously inexpensive and delicious toasties, perfect for a midnight snack. There are plenty of vegan options, too.

Æ Mildly reminiscent of the underground dive bars of Berlin, all Cafe Gummo asks of you is to not be a jerk. Once you’ve got the ground rules covered, you’re good to go.

Once you’re settled in, grab yourself a beer on tap or a basic cocktail. The staff, who are famously extremely friendly, are happy to mix up whatever you’re in the mood for. If you’re after something with a bit more oomph, get a Club Mate with Vodka or a Mexikaner shot. Mexikaner shots, despite what the name suggests, have absolutely nothing to do with Mexico – instead, they’re a spicy lil’ German concoction that goes down a treat with a cheesy toasted sandwich. Not feeling a toastie? (...Weird of you, but whatever). May we suggest their locally-made-with-love Pierogi, served with a sexy pickle and dill. They keep the bar menu simple and effective, just the way we like it.

Let’s be clear, things can get wild at Cafe Gummo. Like, directed-by-Harmony-Korine wild. They love a good party – drag nights, comedy nights and punk shows are all common occurrences. The events are often raising money for a good cause, so you can give yourself a little pat on the back for your drinking efforts.

Snoop around the dingy yet electric rooms. Lick your greasy fingers. Huddle by the bar, chat to the lovely staff and watch whatever act is on. With a courtyard and a few seats out front, too, Cafe Gummo is the perfect sleazy n’ easy spot. It’s right out front of the 86 tram on High St, so you’ve got no excuse not to visit the self-proclaimed “Filthy princess of Thornbury’”.

THE PENNY BLACK

WORDS BY KAYA MARTIN

LIVE MUSIC : runs Thursdays through Sundays on the Penny stage. They don’t discriminate – everything from sweet, singer-songwriter strums to sharp art-punk synths can be heard reverberating out from the bandroom.

FAMOUS FOR : that rambunctious community vibe. With DJs and local Brunswick boys playing disgustingly late in the courtyard, The Penny Black is the place to be among all the right people.

INFAMOUS FOR : those non-stop day parties. Dance until your feet hurt, then flop out onto a patio chair for a smoke and a beer. Perfection.

Æ What hasn’t been said about the Penny? Built from of an old post office and under old management from 2010, the long-standing venue is an epicentre for live music, culture and good vibes in Brunswick. It’s somewhat of an adult playground (though kids are welcome too).

From a killer daily Happy Hour to rotating events, there will always be something to spark your interest. When there’s a game on, you can guarantee they’ll have it up. On Wednesdays, there’s free pub trivia. On Thursdays, grab a crispy, juicy, cheesy parma and wash it down with a $12 cocktail.The stuff of pub-food dreams.

On Fridays, the pub hosts its weekly Meat Raffle. Head out for a night of drinking with your friends and you might end up coming home with a massive platter of gourmet butcher’s cuts from Peter’s Meats. Time to get grilling!

If you’re a gig freak like us, you’ll be happy to hear that live music at the Penny Black is back with a vengeance. Running four nights a week, the shows feature some of Australia’s most exciting talent and the occasional international act as well – stuff for all of Brunswick’s quirky tastes.

With a luxe sound system and enough room for the crowd to jump around, the bandroom is a treat. Weekend nights usually showcase some of the more high-energy bands, while the Sunday arvo shows tend to be a little more laidback for our tender hungover heads.

Edgy but inviting, familiar but with its own distinct personality, the Penny Black is a neighbourhood pub on steroids. Check ‘em out.

THE CROXTON

WORDS BY JACK O’SHEA AYRES

LIVE MUSIC : From local indie favourites to international rock legends, The Croxton has the whole family covered. There’s even an indoor playground for the kids while you thrash your head about in The Croxton’s iconic ballroom.

FAMOUS FOR : Its legendary history. The Croxton has built its reputation on nothing but class, with a huge ballroom built in the mid-twentieth century seeing some of Australia’s most iconic bands performing. ACDC, Skyhooks, INXS and Men at Work played here!

INFAMOUS FOR : The Croxton delivers old-school pub vibes. As bustling a venue in the seventies and eighties as it is today, stepping into The Croxton is like stepping back in time – especially with its cheap drink deals on offer all day and everyday.

Æ Melbourne’s vibrant music scene has earned it the well-deserved reputation as Australia’s live music capital thanks to venues like The Croxton, reminding us Melburnians of why we choose to live in such a bustling environment of legendary music performances.f you’re heading to Thornbury, you’re probably heading to The Croxton.

Thornbury definitely lives and breathes music. With Northcote housing some of the biggest music venues in Melbourne right next door, it’s certainly a hot spot for locals, but its iconography can always be traced back to the early days of The Croxton.

It’s easy to spend a whole night out at The Croxton.ts massive bistro delivers the perfect pre-gig meal paired with a drop or two for the belated family catch-up, an intimate date night or hanging with mates. After fuelling up with the bistro’s delicious assortment of pub food, the outback ballroom is the perfect spot to dance and get loose to some of the greatest music performances you’ll ever see. Every Wednesday sees The Croxton come alive for trivia. Everyone packs into the bistro and pulls their heads together for a competitive night of testing their smarts to win the grand $100 venue voucher.

If there’s one venue to offer it all in the heart of Melbourne’s diverse music scene, it’s The Croxton in Thornbury.

THE THORN

WORDS BY JACK O’SHEA AYRES

LIVE MUSIC : The cozy and inviting interior has inducted The Thorn as a sanctuary for Melbourne’s indie music lovers and a gem in Melbourne’s music crown, but DJs are The Thorn’s specialty, seeing Fred Again. perform earlier this year.

FAMOUS FOR : The drinks. They’re delicious, they’re affordable and they’re served in a space to suit.

INFAMOUS FOR : The Thorn’s space can be described as nothing but immaculate, with a naturally light-filled setting likely to impress anyone to walk through The Thorn’s door. From laid back cocktails to electrified DJ sets in a huge bandroom decked out with lighting to match, it’s got all fronts covered.

Æ The Thorn perfectly encapsulates what Melbourne is all about. Thornbury’s latest bar and chill-out spot is fully equipped with arcade games, a pool table and table tennis. It’s family and pet friendly and a hot spot for DJs, topping it off as one of the best spots to wind down after a long work week.

The Thorn is Thornbury’s latest spot to basque in the sun and sip on a decadent cocktail to the tune of local and international DJs alike. Its setting is impressive and sure to make you feel right at home with its comfortable, stylish and intimate vibes, made suitable for the whole family.

If you’re a fan of pool, The Thorn delivers with one of the best tables I’ve ever played on – its felt top is as fresh as the vibes and the live DJ performances fit the setting to a tee. It’s classic, eclectic and inviting all in one, with something for everyone to enjoy. Arcade games and table tennis also give you something to do with a drop or two and make for a great conversation starter with The Thorn’s lovely patrons.

The Thorn is Melbourne’s hottest up-and-coming spot for warehouse parties. February saw The Thorn’s bocce courts transformed into the party of the year, with Fred Again, Hai Hai, and DJpgz providing tunes paired with a massive lightshow, making Melburnians feel like they’d been transported back to their raving days of the bustling nineties.

With a killer summer just around the corner, The Thorn is the coolest place to be.

WHERE: 607 HIGH ST, THORNBURY

OPEN: SEVEN DAYS 10AM–4PM

WHERE: 300 COLLINS ST, THORNBURY

OPEN: TUE–SUN 11AM–LATE

GIG GUIDE OCTOBER 2023

THU 5 OCT

KADINELIA. DELYRIUM

Northcote Social Club, Northcote.

8pm. $51.10

STINA TESTER

Wesley Anne, Northcote. 6pm AN

EXPERIMENTAL EVENING WITH TUSHARA ROSE & FRIENDS.

FT: Honeybeam, Bree

Marchbank, Alyssa

Sullivan, Eddy Burger

Old Bar, Fitzroy. 7pm. $15

JUICEBOX

Bar 303, Northcote.

8pm. $20

THE BOÎTE PRESENTS

LIVE MUSIC NEAR

ME: AJAK KWAI Collingwood Yards, Collingwood.

8pm. $20–30

JAZZ NIGHT Morris House, Melbourne. 7pm

ACADEMY OF ST MARTIN IN THE FIELDS WITH JOSHUA BELL

Melbourne Recital Centre, Southbank.

7:30pm. $89

BOB EVANS: WHEN KEV MET BOB - THE ANTHOLOGY TOUR Daylesford

Hotel, Daylesford. 8pm. $43.90

NIGHT SWEAT

FT: Michelle McCowage, Kyle Muir

Trades Hall, Carlton.

7:30pm. $31

BLACK CHERRY X LUNE

Cherry Bar, Melbourne. 9pm. $10

SAM BUCKLY

Lulie Tavern, Abbotsford. 8pm. Free

THE CAT EMPIRE. COTERIE, STEPH STRINGS

The Forum, Melbourne.

7pm. $79.90

SEPTEMBER Barker Retreat Hotel, Brunswick.

7:30pm. $15

SOPHIA PETRO. LARA ANDERSON, SARAH LIGHT

The Workers Club, Fitzroy. 7pm. $13

SHE WANTS REVENGE

Max Watt’s, Melbourne. 8pm

FRI 6 OCT

LANKS Northcote Social Club, Northcote. 8pm. $38

EXTRA SPICY X

PLASMA LAB:

‘THE FORMULA’

LAUNCH PARTY

FT: Assembler Code, Hedchef QQQ

ST KITCHEN, Collingwood.

7pm. $20–35

BINGO & DISCO

Edinburgh Castle Hotel, Brunswick. 8pm. Free

SANSONUS.

TIARYN, DJ HOT PANTS, SKYBELLY Bar 303, Northcote. 8pm

SOULUTATIONS. APRICITY, WOMBIES

Brunswick Artists’ Bar, Brunswick.

4:30pm. Free

GROOVERUNNER. BUSTED CHOPS, DROP KEYS, THE WINFIELD ROAD

EXPERIMENT

Bergy Bandroom, Brunswick. 8pm. $20

BINGO & DISCO

Edinburgh Castle Hotel, Brunswick. 8pm. Free

CAM BUTLER & HIS ORCHESTRA

Melbourne Recital Centre, Southbank.

7pm. $37

NICK HOWELLS + MEGAN KENNEDY

The Thornbury Local, Thornbury. 8pm

DAVE COSMA

Wesley Anne, Northcote. 6pm

THE LOVETONES. ELIZABAND, MOTH BODY

Brunswick Ballroom, Brunswick.

8pm. $33.76

GEM FEST 2023

FT: Digger & The Pussycats, DJ Steely Ann, The Breadmakers

Gem Bar, Collingwood 8pm. Free

THE PADDY

CAKES

Hotel Esplanade (aka The Espy), St Kilda 8pm. $15.85

THE WHITLAMS. CODA CHROMA

Northcote Theatre, Northcote. 7pm. $79.90

SCUD. HAIL MARY

JANE, FLYWIRE

The Last Chance Rock & Roll Bar, North Melbourne. 8pm. $15

WHOLE

LODDON LOVE: PYRAMID HILL

FT: Queenie, Dan Kelly, more

Victoria Hotel, Pyramid Hill. 6pm. Free

LE FREAK:

MELBOURNE

FRINGE 2023

Trades Hall, Carlton. 8pm. $34.50

DOLEMAN CHILD.

DAMAGED

GOODS CLUB

The Penny Black, Brunswick. 9pm. Free

DJANGO

DJANGO. RADIO

FREE ALICE

Corner Hotel, Richmond. 8:30pm.

$69.90

JOHNNY CASINO & THE SECRETS. SIMON JULIFF BAND, THE ROCKIN’ PELMETS

Old Bar, Fitzroy. 8pm. $20

NICK CARVER & THE MEAN ST BUTCHERS

Lulie Tavern, Abbotsford. 8pm. Free

BILLIAM & THE SPLIT BILLS. ITCHY & THE NITS, CAMMY CAUTIOUS & THE WRESTLERS, CHECKPOINT

JOHN Curtin Hotel, Carlton. 8pm. $22.85

THE CAT EMPIRE. COTERIE, STEPH STRINGS

The Forum, Melbourne. 7pm. $79.90

LOW MONROE & THE FUGITIVES. SID O’NEIL, CARE

Retreat Hotel, Brunswick. 7:30pm. $15

NICK BARKER. SEAN MCMAHON & THE OWLS

Shotkickers, Thornbury. 8pm. $25

LAZY GHOST. PRETTY MOI, GOODBYE

BUTTERFLY

The Workers Club, Fitzroy. 8pm. $25

BLUES DOCTOR WITH FRIENDS

Mantra Studio Kitchen & Bar, Yarraville. 7:30 pm

SAT 7 OCT

THE SOUTHERN RIVER BAND. THE MIFFS, HOT MACHINE

Northcote Social Club, Northcote. 8pm. $40.40

RIFLEBIRDS

Brunswick Artists’ Bar, Brunswick. 4:30pm. Free

SHANE HOWARD

Brunswick Ballroom, Brunswick. 8pm. $59.77

GEM FEST 2023

FT: Moody Beaches, Rot TV, Smooch, The Double Agents, The High Heaven, Metdog, Jim Lawrie, Cammy Cautious & The Wrestlers, DJ Queef Urban

Gem Bar, Collingwood. 2pm. Free

RVG. FOLK

BITCH TRIO, BRICKHEAD, WET KISS

Northcote

Theatre, Northcote.

7:30pm. $40

KHAN + LUCID PLANET.

DEAR THIEVES, PROTOPLANET

Bergy Bandroom, Brunswick. 7:30pm. $38.25

WHOLE LODDON

LOVE: BOORT

FT: Queenie, Dan Kelly, Jess Parker Band, more Railway Hotel, Boort. 7pm. $0–15

POCKET MUSIC. APPALACH, DOT. AY, JAMATAR, TOM FOOLERY & THE FAMILY JEWELLERY, LOW STAKES, SMILEY

V1RUS, XZXXZY

Bar 303, Northcote. 7pm

NIGHT SWEAT

FT: Michelle McCowage, Kyle Muir

Trades Hall, Carlton. 7:30pm. $31

SUPERSTAR DJ’S Edinburgh Castle Hotel, Brunswick. 9pm. Free

99TH HERALD

SUN ARIA WITH MELBOURNE

OPERA

Melbourne Recital Centre, Southbank. 3pm. $49

SIMON HUDSON

The Thornbury Local, Thornbury. 8pm

THE BLUES GUITAR ROADSHOW

FT: Geoff Achison, Brett Garsed, The McNamarr Project, Fiona Boyes, Anna Scionti, Joe Creighton, Darren Jack, Liam Kealy, Shane Gilbert

The Thornbury Theatre, Thornbury. 7pm. $51

PADDY MCHUGH

Wesley Anne, Northcote. 8pm

BITCH EYES. UNSCORED, IVY BLACK

The Penny Black, Brunswick. 9pm

HUXTON CREEPERS. UPS & DOWNS, CHARLES JENKINS Corner Hotel, Richmond. 8:30pm. $51.10

ARABELLA & THE HEIST. THE VALIANTS Cherry Bar, Melbourne. 8pm. $17.48

GLEN + LA FAMIGLIA

The Last Chance Rock & Roll Bar, Melbourne. 3pm. Free

THE DOLLY SHOW

Memo Music Hall, St Kilda. 7pm. $40

JAYPAN. MAYARI, WARM NATURAL

Retreat Hotel, Brunswick.

2:30pm. $15

AFTERMATH: MELBOURNE

FT: Jack Harlon & The Dead Crows, Endless Valley, Oceanlord, Heavy Amber, The Omega Point, Astro Elevator, Honeybone, The Sinsemillian Shotkickers, Thornbury. 4pm. $33

DIVERS. FRANJAPAN, KAREN TOOK THE KIDS

The Workers Club, Fitzroy. 8pm. $23.20

MOUNT EERIE. HANA STRETTON

Max Watt’s, Melbourne 8pm. $64.50

THU 12 OCT

ROSIE & THE RABBLE Bar 303, Northcote.

7:30pm. $20

ANGUS ROBB

Wesley Anne, Northcote. 8pm.

JAZZ NIGHT Morris House, Melbourne. 7pm

MELBOURNE CHAMBER ORCHESTRA: MOZART & BEETHOVEN CONCERTOS

Melbourne Recital Centre, Southbank.

7:30pm. $70

TIMOTHY WOLF & THE BLUE ROSES The Thornbury Theatre, Thornbury. 7pm. $34.70

JENNY DON’T & THE SPURS + THE PINK STONES. THE BURES BAND Brunswick Ballroom, Brunswick. 8pm. $42.43

HASSALL Edinburgh Castle Hotel, Brunswick. 6 pm

GEORGIA RAY

Wesley Anne, Northcote. 6pm. Free

MODELS

Hotel Esplanade

(aka The Espy), St Kilda. 7:30pm

STAY GOLD

FIFTH BIRTHDAY

FT: Yours TrulyDamaged Goods Club, Vermont

Stay Gold, Brunswick. 7:30pm. $35

LE FREAK: MELBOURNE

FRINGE 2023

Trades Hall, Carlton.

8pm. $34.50

MAREYA.

HANSINI, AVA

The Penny Black, Brunswick. 7 pm

SONGER Corner Hotel, Richmond. 7:30pm.

$61.10

IT’S CAMP: DRAG SHOW

FT: Silvio Di Baci, Goo, Abeloth Adams, Izzy Inyette, Mx Lollies

Old Bar, Fitzroy. 8pm. $11.25–23.50

TAYLOR MOSS

Lulie Tavern, Abbotsford. 8pm. Free

BIG WORDS

John Curtin Hotel, Carlton. 8pm. $41.25

RADWIMPS

The Forum, Melbourne. 7:30 pm

DACY. SIDNEY, ALICE RUBY

The Workers Club, Fitzroy. 7pm. $15

YOUR WOMEN SLEEP WITH OTHERS. YELLOW HOUSE, PINK BLUE SKY TOUR

Max Watt’s, Melbourne. 7pm

FRI 13 OCT

BEN LEE VS THE COLLAPSE OF THE MUSIC INDUSTRY TOUR.

FT: DJ DadBod

Northcote Social Club, Northcote. 8pm. $49

LE FREAK: MELBOURNE

FRINGE 2023

Trades Hall, Carlton. 8pm. $34.50

BINGO & DISCO

Edinburgh Castle Hotel, Brunswick. 8pm. Free

FRIDAY 13TH SYNTH SPOOKTACULAR

FT: Živa, Roles, Cut Wire

The Bergy Seltzer, Brunswick. 8pm. Free

DANI FORSYTH TRIO

Wesley Anne, Northcote. 6pm

PORTIA & ALEXANDER

The Thornbury Local, Thornbury. 8 pm

ASLEEP AT THE WHEEL. SUMMER DEAN

The Thornbury Theatre, Thornbury.

7:30pm. $78.05

BUD WILKINS & HIS LONESOME

GUITAR

Daylesford Hotel, Daylesford. 6pm. Free

ASH GRUNWALD

Brunswick Ballroom, Brunswick.

8:30pm. $49.06

PRETTY IN PINK

+ SUDDEN DEBT

Gem Bar, Collingwood. 4pm. Free

THE CASANOVAS. THE STRIPP

Hotel Esplanade

(aka The Espy), St Kilda. 8pm. $28.05

THIRD EYE PRESENT: SHROUD OF VIRTUE: AN EVE -

NING OF TOOL.

FT: Sonic Temple

Northcote Theatre, Northcote.

7:30pm. $46

THE DEAD AMIGOS. JAG, BLOODY RIPPER

Bergy Bandroom, Brunswick. 8pm.

$16.85

STAY GOLD

FIFTH BIRTHDAY

FT: King Parrot. Totally

Unicorn, Religious Observance

Stay Gold, Brunswick.

7:30pm. $34.90

AVALANCHE. SCREAMING

EAGLE

Tates Hotel, Windsor.

7:30pm. Free

JOHNNY HUNTER.

SONIC REDUCER

Yah Yah’s, Fitzroy.

9pm. $15

SKY SYMPHONY

Yarra Promenade, Melbourne. 8pm. Free THE FAUVES. DAVID MCCORMACK

Corner Hotel, Richmond.

8:30pm. $46

EMILEE SOUTH. BAD

BANGS, KATE

ALEXANDER

BAND

Old Bar, Fitzroy.

8pm. $17.35

REDD VOLKAERT + BILL KIRCHEN

Cherry Bar, Melbourne. 8pm. $75.94

GOOD SNIFF

Lulie Tavern, Abbotsford. 8pm. Free

MOUSEATOUILLE

ANNUAL HALLOWEEN

SHOW.

FT: Jezebel Duo, Giant Hammer

John Curtin Hotel, Carlton. 8:30pm. $17.75

MONOLIYTH. NOTHING, MALEFICIUM, HABITUAL DEPRAVITY

The Last Chance Rock & Roll Bar, Melbourne. 8pm. $20

RADWIMPS

The Forumm Melbourne. 7:30 pm

GALLIE & BAND Memo Music Hall, St Kilda. 7pm. $30

MARVELL Retreat Hotel, Brunswick. 7:30pm. $20

BAD MANNERS Max Watt’s, Melbourne. 8pm. $69.90

SAT 14 OCT

KEITH PARTY. SIMO SOO, SWANBIRD Bar 303, Northcote. 8pm

BASEMENT SPACEMAN

The Thornbury Local, Thornbury. 8pm

SUPERSTAR DJ’S Edinburgh Castle Hotel, Brunswick. 9pm. Free

MAL WEBB & KYLIE MORRIGAN Bar 303, Northcote. 2pm

JOSHUA BATTEN. KAYLAH THOMAS Hotel Esplanade (aka The Espy), St Kilda. 7pm. $22.95

HOLLOW COVES. GARRETT KATO, MADDY Northcote Theatre, Northcote. 7:30pm. $50

SOWETO GOSPEL CHOIR: HOPE

Melbourne Recital Centre, Southbank. 7:30pm. $109.90

SHOTA IKEDA TRIO

Wesley Anne, Northcote. 6pm

SOCIAL DISCO

FT: Bec Bartlett, LaPorgretta, Sharyn Brand

Stay Gold, Brunswick 11pm. $15

THE BOÎTE PRESENTS LIVE MUSIC

NEAR ME: SARITA

MCHARG & BAND. JENNA CAMPBELL

Lyre Room @ Burrinja Cultural Centre, Upwey. 8pm. $30–35

GUSTO GUSTO. 8 FOOT FELIX

Bergy Bandroom, Brunswick. 8pm. $20–30

PETER BAYLOR’S ULTRAFOX QUARTET

Lido Jazz Room, Hawthorn. 8pm. $25–30

EVAN

CARYDAKIS: THE CHERRY POPS TOUR

Paris Cat Jazz Club, Melbourne. 6pm. $40

LOVI DID THIS + DOUBLE VANITY

Gem Bar, Collingwood. 8pm. Free

ROBOTS IN LOVE. DEATH OF ART, DEVIL MONKEY, DJ DAN BRUNSWICK

Gasometer Hotel, Collingwood. 8pm. $20

WHOLE

LODDON LOVE: BRIDGEWATER

FT: Jess Parker Band, Valley Road, more Bridgewater Hotel, Bridgewater. 7pm. $0–15

SKY SYMPHONY

Yarra Promenade, Melbourne. 8pm. Free

LE FREAK: MELBOURNE FRINGE 2023

Trades Hall, Carlton. 8pm. $34.50

ARCHSPIRE. INGESTED, WEREWOLVES

Corner Hotel, Richmond. 8:30pm

STREET LEGAL. HOBSON’S BAY

COAST GUARD, POLLY & THE POCKETS

Old Bar, Fitzroy.

8pm. $15

MONROE.

RYU JOHN

Curtin Hotel, Carlton.

8pm. $14.30

AARDVARK. FLY!, TECHNO 666

The Last Chance Rock & Roll Bar, Melbourne.

8:30pm. $16.35

FURNACE & THE FUNDAMENTALS

The Forum, Melbourne.

7:30pm. $59.70

BILL KIRCHEN + REDD VOLKAERT

Memo Music Hall, St Kilda. 7pm. $65

HEATHER FIONA

BAND. ALICE ANDERSEN

Retreat Hotel, Brunswick. 2:30pm. $16–20

CHOOF. CARNAL VISCERA

Shotkickers, Thornbury. 8pm. $10–15

ASHWARYA.

R.L. KING, JUPITA

The Workers Club, Fitzroy. 8pm. $23.20

THU 19 OCT

LUKE HOWARD X RESPONSVE

Melbourne Recital Centre, Southbank.

7.30pm. $45.

STELLA ANNING TRIO

Wesley Anne. Northcote. 6pm.

JAZZ NIGHT Morris House. Melbourne. 7pm.

LIVE AT THE COUNT’S: SHANNON BARNETT + SIR ZELMAN COWEN SCHOOL OF MUSIC

The Ian Potter Centre for Performing Arts. Clayton.

7.30pm. $10 - 25.

JACK DANIEL’S BASEMENT

SESSIONS: LEGMOUTH Hotel Esplanade (aka The Espy). St Kilda. 8pm.

SAMMY FROM HELL. MANI BLÜ, REX, HAYLEY

CRYMBLE

Bergy Bandroom. Brunswick. 8pm. $16.85.

LE FREAK: MELBOURNE

FRINGE 2023

Trades Hall. Carlton. 8pm. $34.50.

OSCAR

LADELL. SIMON

HUDSON, PETER VADIVELOO

The Penny Black. Brunswick. 7pm.

A SPRING

GARDEN PARTY

FT: Grevillea Hedge, My Giddy Aunt, Max Aurora & The Southern Lights

The Last Chance Rock & Roll Bar. Melbourne. 7pm. $11.25.

WILLIE WATSON

Memo Music Hall. St Kilda. 7pm. $65. Fri 20 Oct

ROCKET SCIENCE

Northcote Social Club. Northcote. 8.30pm. $35.30.

BB SABINA

The Thornbury Local. Thornbury. 8pm.

YESTERDAY’S

GONE: THE FLEETWOOD

MAC LEGACY

Northcote Theatre. Northcote. 7pm. $76.37.

BOLLARD. IT THING, FAUN

HAUS, 00_ Bergy Bandroom. Brunswick. 8pm. $20.

BELGRAVE

SOUND WAVE

FT: The Velvet Club, Majak Door

Sooki Lounge. Belgrave. 8pm. $27.

WEEKEND RAGE. THE INSTITUTE FOR GOOD

GIRLS, GECKO

Gasometer Hotel. Collingwood.

7.30pm. $10 - 15.

THE BELAIR

LIP BOMBS

Brunswick Ballroom. Brunswick. 8pm. $23.05.

DAN SULTAN

Melbourne Recital Centre. Southbank. 7.30pm. $54.55.

WILLIE WATSON. MELISSA CARPER

The Thornbury Theatre. Thornbury. 7pm. $72.45.

GEORGIA RAY

Bar Open. Fitzroy. 6pm. Free.

BINGO & DISCO

Edinburgh Castle Hotel. Brunswick. 8pm. Free.

KOSHEEN

Hotel Esplanade (aka

The Espy). St Kilda. 7.30pm. $54.90.

LE FREAK: MELBOURNE

FRINGE 2023

Trades Hall. Carlton. 8pm. $34.50.

20 YEAR

ELLIOTT SMITH ANNIVERSARY SHOW

Corner Hotel. Richmond. 8.30pm. $26.05.

WHO BASTARD. VAMPIRE, ROMANSY, JAHAT

Old Bar. Fitzroy. 8pm. $15.

METDOG

Lulie Tavern. Abbotsford. 8pm. Free.

DRAPHT. DAZASTAH, 5PAST

John Curtin Hotel. Carlton. 8pm.

KAI FEST #1

FT: Hail Mary Jane, Slim Jeffries, Kai Cult, Limp Biz

The Last Chance Rock & Roll Bar. Melbourne. 8pm. $22.95.

THORNHILL. HOLDING ABSENCE, THOUSAND BELOW, BLOOM

The Forum. Melbourne. 7.30pm. $64.90.

THE WILBURY LEGENDS CELEBRATE THE TRAVELING

WILBURYS

Memo Music Hall. St Kilda. 7pm. $45.

SIN CITY

Shotkickers. Thornbury. 8pm. $10 - 12.50.

RIDZY RAY

The Workers

Club. Fitzroy. 8pm. $18.10 - 23.20.

MELBOURNE

INTERNATIONAL

JAZZ FESTIVAL

PRESENTS HOT

8 BRASS BAND Max Watt’s. Melbourne. 8pm. $67.35.

SAT 21 OCT

CHARLES MAIMAROSIA

Melbourne Recital Centre. Southbank. 7pm. $37.

LEE JONES TRIO

Wesley Anne. Northcote. 6pm.

THE BOÎTE PRESENTS LIVE MUSIC

NEAR ME: ZULYA & THE CHILDREN OF THE UNDERGROUND

Collingwood Yards. Collingwood. 8pm. $20 - 30.

SUPERSTAR DJ’S Edinburgh Castle Hotel. Brunswick. 9pm. Free.

HISTORY OF HOUSE: GROOVE TERMINATOR + SOWETO GOSPEL CHOIR Brunswick Ballroom. Brunswick. 9pm. $79.90.

LE FREAK: MELBOURNE FRINGE 2023

Trades Hall. Carlton. 8pm. $34.50.

REWIND 80’S MIXTAPE PARTY. DJ GRAND MASTER BAITZ Northcote Theatre. Northcote. 7pm. $43.37.

ECHO BRAVO FESTIVAL 2023

FT: Deafcult, The Leap Year, Sun Run, World Sick, Gush, The World At A Glance, Silurian, Wish, Jazz Tiger, Welfare

Bergy Bandroom. Brunswick. 3pm. $28.05.

WEEKEND RAGE. THE DERRYS, ALL REGARDS

Bar Open. Fitzroy. 8.30pm. $15 - 20.

DAREBIN SONGWRITERS

GUILD

Bar 303. Northcote. 3.30pm. Free.

OLD MERVS. RA RA VIPER, SPUTNIK SWEETHEART

Corner Hotel.

Richmond.

8.30pm. $40.

BENCH PRESS. BODIES, AQUATICO

Old Bar. Fitzroy. 8pm. $17.35.

SCREENSAVER. ENOLA, CONG JOSIE & THE HELL RACERS, IT THING

John Curtin Hotel. Carlton. 8pm. $25.90.

SAVING FACE. KEEPSAKE, VERMONT, LAKEVIEW, EVERGREENER

The Last Chance Rock & Roll Bar. Melbourne. 7pm. $19.40.

HAPPY MONDAYS. GREENHOUSE

The Forum.

Melbourne. 7.30pm.

QUEEN FOREVER: A NIGHT AT THE THEATRE

Memo Music Hall. St Kilda. 7pm. $45.

CHELSEA ELDER. JEWEL OWUSU, EMMA JURY

Retreat Hotel.

Brunswick. 7.30pm. $20.

RAAVE TAPES. LUPO.THEBOY, MORE

The Workers Club. Fitzroy. 8pm. $18.10.

MELBOURNE INTERNATIONAL JAZZ FESTIVAL PRESENTS BEASTS OF NO NATION

Max Watt’s. Melbourne. 8pm. $67.35.

THU 26 OCT

BUILT TO SPILL. PROGRAM

Northcote Social Club. Northcote. 8pm.

VIVA LA FIESTA!

FT: Los Bitchos, Bananagun, Cool Sounds, Red Lab The Thornbury Theatre. Thornbury. 7pm. $54.90.

JACK DANIEL’S BASEMENT

SESSIONS: RINEHEART. AGE OF IGUANA

Hotel Esplanade (aka The Espy). St Kilda. 8pm.

BRIGHT EYES + WARPAINT

Northcote Theatre. Northcote. 6.30pm.

THE BERGY BLITZ!

FT: Dylan Cosgriff & The Omens. Danger Den, Fool Me Twice, 7 Pound Halo Bergy Bandroom. Brunswick. 7.30pm. $15.85.

JAKE MASON TRIO Bar 303. Northcote. 8pm.

VANESSA PERICA ORCHESTRA

Melbourne Recital Centre. Southbank. 7.30pm. $50.

CHRIS SKEPPER & FRIENDS

Wesley Anne. Northcote. 6pm.

JAZZ NIGHT Morris House. Melbourne. 7pm.

CHELSEA LORRAINE. MARIAH WATTS, MOONSEA

The Penny Black. Brunswick. 7pm.

THE LEMON TWIGS Corner Hotel. Richmond. 7.30pm. $79.90.

POPULAR MUSIC

John Curtin Hotel. Carlton. 8pm. $22.85.

THE AMITY AFFLICTION. SILVERSTEIN, EARTH CALLER, WINNERZ CIRCLE

The Forum. Melbourne. 6pm.

BUENA VISTA

SOCIAL CLUB TRIBUTE NIGHT

Memo Music Hall. St Kilda. 7pm. $35.

DEFINE THIS. ANTHONY BELTRAME BAND, DUSAN

The Workers Club. Fitzroy. 7pm. $20.15.

MELBOURNE INTERNATIONAL JAZZ FESTIVAL PRESENTS TEYMORI + SUPERNATURAL DIRT + ALEXANDER FLOOD

Max Watt’s. Melbourne. 8pm. $45.90.

FRI 27 OCT

BUILT TO SPILL. CHIMERS

Northcote Social Club. Northcote. 8.30pm.

MARK SEYMOUR & THE UNDERTOW

Brunswick Ballroom. Brunswick. 8.30pm. $55.

DON’T CHANGE: ULTIMATE INXS Hotel Esplanade (aka The Espy). St Kilda. 7pm. $39.

BRIGHT EYES + WARPAINT

Northcote Theatre. Northcote. 6.30pm. $92.92.

SOCIAL HIJACK + LUCKY PUNKS

Bad Decisions Bar. Fitzroy. 8pm. $20 - 25.

DENNIS BOVELL Bar 303. Northcote. 8pm.

KITTY RAE. KARLOU

Bergy Bandroom. Brunswick. 8pm. $20.

BINGO & DISCO

Edinburgh Castle Hotel. Brunswick. 8pm. Free.

ANDY MCGARVIE TRIO

The Thornbury Local. Thornbury. 8pm.

FELICITY URQUHART + JOSH

CUNNINGHAM

Wesley Anne. Northcote. 8pm.

ZEN MONKEE. COCO JUMBO, EVADE

The Tote Hotel. Collingwood. 7pm. $20.

THE RIONS Corner Hotel. Richmond. 8.30pm.

ORC. SYLVIA, ELECTRONIC GIRL EPIC

Old Bar. Fitzroy. 8pm.

GOING SWIMMING

Lulie Tavern. Abbotsford. 8pm. Free.

STEPMOTHER.

ALIEN NOSE JOB, THATCHERS

SNATCH, DOE ST

John Curtin Hotel. Carlton. 8pm. $22.85.

ENCLAVE. BITUMEN, NO

HOPER

The Last Chance Rock & Roll Bar. Melbourne. 8.30pm. $16.35.

GOGO PENGUIN. THE TAMIL

ROGEON

ELECTRIC BAND

The Forum. Melbourne. 8pm. $79.

JOHN WATERS: RADIO LUXEMBOURG

Memo Music Hall. St Kilda. 7pm. $50.

CARLA WEHBE

The Workers Club. Fitzroy. 8pm. $29.65.

MARLON HOFFSTADT

Max Watt’s. Melbourne. 9pm.

SAT 28 OCT

THE EIGHTY SIX SUPER SATURDAY (EVENING SESSION)

FT: JNETT, Ajak Kwai, 6AM at the Garage, Mouche, Kuzco, Kong, Boo Mojo

Northcote Social Club. Northcote. 6pm.

SOUL86

Bar 303. Northcote. 6pm.

ELIXIR

Melbourne Recital Centre. Southbank.

7.30pm. $71.

THE SOLSTICE INDIGO HALLOWEEN. APRICITY, DEAR JUDY, PAISLEY LACE

Bergy Bandroom. Brunswick. 8pm. $16.85.

LIVE AT THE COUNT’S:

EMMA PASK

The Ian Potter Centre for Performing Arts. Clayton.

7.30pm. $10 - 40.

SUPERSTAR DJ’S Edinburgh Castle Hotel. Brunswick. 9pm. Free.

TECHNOWEEN: A HALLOWEEN TECHNO PARTY PRESENTED BY SMORE PRODUCTIONS

Laundry Bar. Fitzroy. 9pm. $15 - 30.

THE DEVIL’S BALL

FT: Dane Blacklock & The Preachers Daughter, Neptune Power Federation, Glitoris, more Brunswick Ballroom. Brunswick. 8pm. $44.78.

RINEHEARTS. PLASTIC SECTION

Gem Bar. Collingwood. 8pm. Free.

A TRIPLE R TAKEOVER AT NORTHCOTE THEATRE

FT: Briggs, Delivery, Kaiit, Normie Rowe, Party Dozen, 1300 Northcote Theatre. Northcote. 5pm. Free.

EMOWEEN

The Penny Black. Brunswick. 8pm. $11.29.

XIRITA. RENAÉ, KENTEBEE, KN!RPS, CROPLEY, SWEATY CARL, DJ JB, MORE Grace Darling Hotel. Fitzroy. 8pm. $20.

SCOTT DARLOW Corner Hotel. Richmond. 8.30pm. $24.

DESERT HIGHWAYS PRESENTS: SPACEJUNK. BIFF, SNUB

Old Bar. Fitzroy. 8pm. HISTORY OF HOUSE: GROOVE TERMINATOR + SOWETO GOSPEL CHOIR

The Forum. Melbourne. 7.30pm. $89.90.