Beat 1716

BRUNSWICK MUSIC FESTIVAL

Gut Health, Wednesday and WITCH headline the festival that never fails to deliver.

9

27 july national theatre 28

• CHINESE MUSEUM

19 APRIL • THE COMIC’S LOUNGE

7 AUGUST THE CAPITOL THEATRE

9 - 21 APRIL VICTORIA HOTEL

13 JULY THE COMIC’S LOUNGE

8 JUNE THE COMIC’S LOUNGE

EDITOR

Lucas Radbourne

ASSISTANT EDITOR

Talia Rinaldo

STAFF WRITER

Kaya Martin

GRAPHIC DESIGNER

Riley McDonald

GIG GUIDE

Jacob Colliver

CONTRIBUTORS

Bryget Chrisfield, Tyler Jenke, Lesleigh Luiten, Luke Carlino, Juliette Salom, Coco Veldkamp, Elijah Wraight

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DISTRIBUTION

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PUBLISHER

Furst Media Pty Ltd

FOUNDER

Rob Furst

SOCIALS

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EDITORIAL NOTE

March might be Melbourne’s biggest festival month, with Brunswick Music Festival and the supremely talented Athina Uh Oh from Gut Health gracing our cover.

Æ In this issue, we also dive into the Sydney Road Street Party, the Rocky Horror Show, Benalla Street Art Festival, Comedy Gold series at the National Theatre, Lunar New Year comedy showcase happening around Melbourne, and the new Jazz and Jaffles Thursday night parties at The Toff in Town.

We also chat to Sarah Mary Chadwick before she plays Golden Plains, Lydia Lunch before she plays Melbourne Recital Centre and C.O.F.F.I.N before they rock The Tote. Plus, we have bumper festival, stage, venue and gig guides to keep you busy this month and we review the latest releases from YIRINDA, Ricki-Lee, Middle Kids, ARSE and Shannen James.

ACKNOWLEDGEMENT OF TRADITIONAL OWNERS

Our magazine is published on the lands of the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation, and we wish to acknowledge them as Traditional Owners. We pay our respects to their elders, past, present and emerging.

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DISTRIBUTION

Beat Mag will be distributed free every month to hundreds of locations around metro Melbourne, to enquire about having it at your venue email distribution@furstmedia.com.au

COVER

Our March cover star is Athina Uh Oh from Gut Health, playing at Brunswick Music Festival this month. Photographed by Dakota Gordon.

PEARL JAM, PIXIES CONFIRM AUSTRALIAN TOUR

After a decade-long hiatus, Pearl Jam will grace the stages of New Zealand and Australia in November. The tour will kick off in NZ on November 8, before heading to Gold Coast, Melbourne and finishing in Sydney.

DOM DOLLA ANNOUNCES HIS BIGGEST AUSTRALIAN TOUR YET

Kicking off in November and running through December, Dom Dolla will take to stages in Sydney, Perth, Melbourne and Brisbane.

ANGIE MCMAHON ANNOUNCES AUSTRALIAN TOUR THIS MAY

McMahon will be hitting the road for her most extensive headline tour across Australia and New Zealand yet, treating fans to 11 intimate theatre shows in support of her captivating second album, Light, Dark, Light Again.

PUNK POET LYDIA LUNCH IS COMING OUR WAY

Lydia Lunch & Joseph Keckler – Tales of Lust & Madness takes place on March 15 and 16 at Melbourne Recital Centre’s Primrose Potter Salon.

HIGHLY CONTAGIOUS COMES TO BRUNSWICK MUSIC FESTIVAL

Highly Contagious will be a twilight musical mass in the heart of Melville Road for Brunswick Music Festival ‘24, featuring Gut Health, Sneaks, Vanessa Worm and Frenzee at Estonian House on March 9.

ANGUS & JULIA STONE ANNOUNCE TOUR AND NEW ALBUM

Their highly anticipated Living Room Sessions tour is a unique and intimate experience in support of their upcoming album, Cape Forestier. They’ll be playing the Palais in August.

JAPANESE ROCKERS BORIS ANNOUNCE AUSTRALIA TOUR

Prepare for a seismic collision of sonic forces as Japanese heavy rock pioneers Boris embark on their highly anticipated tour of Australia alongside J-Rock legend Kiyoharu this March.

PORT FAIRY FOLK FESTIVAL UNVEILS MASSIVE FULL LINEUP

Scheduled from March 8-11, highlighting the lineup are two legendary artists, Graham Nash and Judy Collins, who will grace the stage with their timeless songs and captivating stories, reflecting on the roots of folk music.

THE ROCKY HORROR SHOW BEGINS 50TH ANNIVERSARY PRODUCTION

Back by phenomenal demand, The Rocky Horror Show has returned to Melbourne after enjoying sell-out performances and rave reviews during the 2023 season of the 50th Anniversary Tour.

THIS YEAR’S PORT PHILLIP MUSSEL AND JAZZ FESTIVAL KICKS OFF

South Melbourne Market’s major annual seafood street party, which includes a panoply of ocean catches straight from Port Phillip Bay, is a free event that runs over Saturday and Sunday of the Labour Day long weekend.

LORNE THEATRE AND THE CLAM TEAM UP FOR LONG HOT SUMMER

Japanese kraut-rockers Minami Deutsch and folk diviner Leah Senior will grace the Lorne Theatre stage on the Labour Day Long Weekend (Sunday March 10).

BONES & JONES

FRI 01 MAR

JANINE

THU 14 MAR

TOM SNOWDON SAT 02 MAR

ADALITA

SAT 23 MAR

01/03

02/03

02/03

04/03

KAT EDWARDS + TAMARA & THE DREAMS (SOLO)

07/03 - CAM COLE (UK)

08/03 - ONDARA (USA)

10/03 - YOURS TRULY SELLING FAST

11/03 - ‘SOCIAL SANCTUARY’ WITH DIPPERS, SLCJH + BREAK FAST

12/03 - ‘AIRPLANE’ AKA ‘FLYIING HIGH!’ (FILM SCREENING)

14/03 - JANINE

15/03 - FULL FLOWER MOON BAND

16/03 - ZEMLJA

17/03 - THE TALKING HEADS EXPERIENCE

18/03 - SOCIAL SANCTUARY

21/03 - LOVE OF DIAGRAMS SELLING FAST

22/03 - LOVE OF DIAGRAMS SOLD OUT

23/03 - ADALITA

24/03 - ‘ME THAT YOU SEE’ BY ANNE FREEMAN BOOK LAUNCH

25/03 - DYLAN SOLD OUT

ONDARA (USA)

FRI 08 MAR

MOUNT KUJO FRI 29 MAR

28/03 - AUTUMN EQUINOX FT. MARTHA VAN STRAATEN (DE)

29/03 - MOUNT KUJO

01/04 - SOCIAL SANCTUARY

06/04 - STUMPS

07/04 - JOSH OWEN

08/04 - SOCIAL SANCTUARY

13/04 - CODEINE (USA) SOLD OUT

15/04 - SOCIAL SANCTUARY

20/04 - NOAH DILLON

24/04 - SETH SENTRY SELLING FAST

25/04 - CHARM OF FINCHES

26/04 - SETH SENTRY SOLD OUT

27/04 - CORDRAZINE

02/05 - THE DREGGS

03/05 - BABY BLUE

04/05 - OUR CARLSON

07/06 - ALEKSIAH

08/06 - VAULTBOY (USA) ALL AGES - ALCOHOL FREE MATINEE

14/06 - ANDY GOLLEDGE BAND

22/06 - ALAIN JOHANNES (USA/CHL)

STICKING AROUND FOR A BEV AFTER THE GIG?

FLASH YOUR STAMP OR TICKET FOR 10% OFF POST-SHOW DRINKS.

PLUS, FREE GIGS EVERY MONDAY NIGHT AT SOCIAL SANCTUARY.

18/04 -

19/04 - SPOEGWOLF (ZAF)

21/04 - SUFFOCATION

26/04 - KITA ALEXANDER SELLING FAST

04/05 - KIRIN J. CALLINAN

11/05 - THE CLOUDS SELLING FAST

24/05 - THE BAMBOOS

15/03

16/03

06/04

25/05 - SAMANTHA FISH + JESSE DAYTON (USA)

01/06 - CIRITH UNGOL (USA) + NIGHT DEMON (USA)

08/06 - MARK SEYMOUR & THE UNDERTOW

23/06 - ECHOES OF PINK FLOYD

21/07 - BON BUT NOT FORGOTTEN (MATINEE)

BAND

Sun 3 March

Nina Lim

Tue 5 March

Scott Cook

Tue 12 March

Moulin Beige Cabaret

Thu 14 March

John Cragie

Fri 15 March

Clyde

Hayfitz + Lucas Laufen

Sat 16 + Sun 17 March

Melbourne Ukelele Festival

Fri 22 March

Freight Train Foxes

Sat 2 March

Georgia Rodgers

Thu 7 March

Scott Mickelson

Sun 10 March

Jesse Lawrence

Thu 14 March

Adam Pavitt

Thu 21 March

Fri

Rosario

Sun

Jenna

Sat

THE HERB AND CHILLI FESTIVAL RETURNS

Set against the picturesque backdrop of the Yarra Valley, this sizzling event promises two days packed with mouth-tingling experiences, live music, and spicy delights on March 16-17 in a celebration of all things hot.

Ç TELENOVA ANNOUNCE AUSTRALIAN HEADLINE TOUR FOR MAY

Melbourne-based trio Telenova is set to ignite stages both at home and abroad with the announcement of their highly anticipated Australian tour dates in May to celebrate their latest single Teardrop.

ROOFTOP BAR FLEET TO OPEN THIS APRIL

Nestled 68 meters above ground atop Vibe Hotel Melbourne, Fleet promises a panoramic spectacle of the Yarra River and beyond, offering a modern retreat with a nod to Melbourne’s rich heritage when it opens this April.

Ç FLOODLIGHTS ANNOUNCE EAST COAST TOUR FOR MARCH

Following a stellar performance at the Meredith Music Festival and two packed coastal shows, the Naarm/Melbourne fivepiece band embarks on a journey across Kabi Kabi Country/Eumundi, Meanjin/Brisbane, Eora/Sydney, and Naarm/Melbourne this March and April.

XZIBIT, D12 AND OBIE TRICE UNITE FOR AUSTRALIAN TOUR

Three iconic figures in hip-hop history – Xzibit, D12, and Obie Trice – join forces for the 3 TWENTY Australian tour this June.

Ç SOPHIE MCCARTNEY ANNOUNCES DEBUT AUSTRALIAN TOUR

Renowned British comedian and bestselling author, Sophie McCartney, is bringing her hilarious comedy tour down under in June.

THE ANDY GOLLEDGE BAND ANNOUNCE NATIONAL ALBUM TOUR

The album, titled Young, Dumb & Wild, is set to drop on April 19 and promises to be a profound exploration of life’s transitions. He’ll be playing Northcote Social Club in June.

Ç TENACIOUS D ANNOUNCE FIRST AUSTRALIAN TOUR IN 10 YEARS

The rock gods have spoken, and Tenacious D is gracing the lands down under with their presence once again. After a string of soldout shows across Europe, the UK, and the USA, Jack Black and Kyle Gass are set to embark on their Spicy Meatball Tour, hitting Australia and New Zealand in July 2024.

Ç MINISTRY OF CRAB IS POPPING UP IN MELBOURNE

One of the world’s best crab restaurants, Ministry of Crab, is returning to Crown Towers with an expanded menu from March 28 to April 27.

ARVO

HY-LO

JOB JOBSE ANNOUNCES MELBOURNE HEADLINE SHOW

The star producer is back for headline show at The Third Day on Saturday, March 16, following his highly anticipated performance at Pitch Music & Arts.

Ç DOUGHNUT KITCHEN IS OPENING A NEW SHOP IN PRAHRAN

The beloved American Doughnut Kitchen are bringing their beloved hot jam doughnuts to a brick and mortar store at Prahran Market this autumn.

Ç SCOTTISH INDIE ROCKERS THE SNUTS ANNOUNCE TOUR

Scottish sensations The Snuts are making their grand return to Australia with the announcement of the Millennials Tour scheduled for May 2024.

UK BOY-BAND TAKE THAT ARE RETURNING TO AUSTRALIA

This marks the trio’s first live shows in the region since 2017, and they are set to bring their magnetic energy to seven dates across both countries for headline shows and special A Day on the Green dates.

Ç TOM GRENNAN ANNOUNCES MELBOURNE HEADLINE SHOW

Platinum-selling, multi-Brit Award nominee Tom Grennan is set to grace Australian shores this May. The UK sensation, known for his extraordinary live performances, will play Melbourne’s 170 Russell.

THE ANIMALS, DRAGON LEAD WANSTOCK LINEUP

Come March 2, hard blues icons The Animals, New Zealand hitmakers Dragon and Aussie legends Ted Mulry Gang will make an appearance at Doncaster’s Shoppingtown Hotel for an afternoon turned evening of timeless guitar anthems.

Ç GROUNDHOG DAY THE MUSICAL OPENS TO RAVE REVIEWS IN MELBOURNE

Co-created by the film’s original writer Danny Rubin (alongside the national treasure that is Tim Minchin), Groundhog Day runs at Princess Theatre until 7 April.

AUSTRALIAN INTERNATIONAL DOCUMENTARY CONFERENCE ARRIVES AT ACMI

Melbourne’s ACMI is set to host the highly anticipated Australian International Documentary Conference (AIDC) from March 3 - 6, featuring a vibrant line-up of 70 stimulating speakers.

Ç KATIE MELUA DROPS FIRST TOUR DATES IN 19 YEARS

Katie is one of Britain’s most successful musical artists, having sold more than 11 million albums and received over 56 platinum awards. Katie will perform three shows at Bluesfest and headline shows in Sydney and Melbourne.

Ç COMEDIANS RINGING IN THE LUNAR NEW YEAR

From Atsuko Okatsuka to Leslie Liao and Vivek Mahbubani, over the coming two months some of the world’s best comedians will be celebrating Lunar New Year with Australian tours.

Ç DO THE POP RETURNS TO PORT CAMPBELL

Do The Pop is back bringing a two-day rock n roll music festival to the Port Campbell Hotel this April with The Meanies, Bob Log III and more.

Ç THE BLACK SEEDS, KORA ANNOUNCE DOUBLE HEADER TOUR

Prepare for an electrifying fusion of sounds as two of New Zealand’s musical powerhouses, The Black Seeds and Kora, embark on a co-headlining tour across Australia this April.

AROOJ AFTAB COMES TO MELBOURNE

The groundbreaking Brooklyn-based Pakistani musician will bring her Vulture Prince album to Melbourne Recital Centre for a headline show on March 8.

Ç ROCKWIZ’S REALLY REALLY GOOD FRIDAY RETURNS

The gang are back with hometown favourite RocKwiz’s Really Really Good Friday at Hamer Hall on March 29.

KATIE NOONAN ANNOUNCES SPECIAL HAMER HALL SHOW

The five-time ARIA award winner will take to Hamer Hall for a performance like no other with Melbourne Symphony Orchestra on May 30.

Ç A BOOGIE WIT DA HOODIE ANNOUNCES AUSTRALIAN TOUR

The Australasian leg of the Better Off Alone Tour will come to Melbourne’s John Cain Arena on April 12.

Ç RISING POP STAR PEACH PRC ANNOUNCES TOUR

With a new look, Peach brings an exciting new era, set to play her biggest headline shows to date, the Secret PRC Tour will be hitting stages in Melbourne, Brisbane, and Sydney this month and next.

Ç CHRIS ISAAK ANNOUNCES AUSTRALIAN TOUR

The platinum-selling and Grammy-nominated singer and actor Chris Isaak will return to Australia for the first time since 2016 with dates throughout April.

Ç SUNSET BOULEVARD ANNOUNCES SUPERSTAR CAST

A lavish new production of Andrew Lloyd Webber’s Tony Award-winning musical masterpiece, Sunset Boulevard, will premiere in Melbourne in May at the Princess Theatre with Sarah Brightman in the leading role.

Ç ELECTRIC GARDENS DROPS FULL LINEUP

Armand Van Helden, Franky Wah, Late Nite Tuff Guy, Roger Sanchez, Sasha and The Oddness are coming to St Kilda on March 30.

Ç MOOMBA CELEBRATES 70 YEARS

A highlight of the Melbourne cultural calendar, the iconic Moomba festival is set to return to the city from March 7 to 11. Featuring fireworks, interactive art, live music, festivities, workshops, film screenings, sporting events and so much more.

THE NATIONAL THEATRE’S COMEDY GOLD CONTINUES

Lehmo, Lizzy Hoo, Rusty Berther, Urvi Majumdar, Ivan Aristeguieta, Tony Martin, Scout Boxall and so many more are coming to St Kilda this month.

GROOVIN THE MOO CANCELLED

The highly anticipated Groovin the Moo 2024 tour has announced its cancellation. The festival organisers revealed that the plug is being pulled due to insufficient ticket sales.

BRUNSWICK MUSIC FESTIVAL

For close to four decades now, the Brunswick Music Festival has been a staple of the culture within the titular Melbourne suburb.

A breeding ground for talent, creativity, and a love of the arts, the annual festival never fails to deliver, and in 2024, that dedication to quality is more prevalent than ever.

WORDS BY TYLER JENKE

Æ The origins of the Brunswick Music Festival can be traced back to the ‘80s when the Brunswick Town Hall held a series of free concerts called the Music Of Migration. A celebration of the multicultural DNA that makes up the suburb, the impact of these concerts was clearly felt, and before long, plans to instigate a larger festival was put into place.

By 1988, the building blocks for what would become the Brunswick Music Festival had fallen into place, and its annual event would officially launch in 1989. In true fashion, the lineup of its first outing is eclectic and nurturing of the local music scene. In addition to local artists, you could find names like Irish musician Andy Irvine, Australian guitarists Tommy and Phil Emmanuel, and even John McAuslan, who would go on to become Festival Director until 2013.

Continuing almost uninterrupted since its inception, COVID threw something of a spanner in the works, but the festival has remained resilient, and survived to continue its impressive reputation.

In fact, in 2024, the Brunswick Music Festival is as strong as ever with new music and performance programmer Juliette Lalli ushering in a diverse lineup that celebrates both local and international talent on a grand scale. Running for nine days from March 3rd until March 11th, the lineup is packed as ever, with its official kick-off beginning with the Sydney Road Street Party.

On March 3, punters can immerse themselves in a series free events held at a number of venues on the street, including performances by Porpoise Spit, Our Carlson, S.U.G.A.R, and Snowy at The Retreat, Brunswick Ballroom, Stay Gold, and Co-Conspirators Brewing Co. That’s, of course, without mentioning the nineband bill at The Bergy spearheaded by Poison City Records.

Throughout the nine-day affair, the Brunswick Music Festival intends to celebrate what it is that makes the creative scene in Brunswick so unique and diverse. Alongside events from the likes of Mindy Meng Weng and Sui Zhen, MZRizk X Tarabeat and Hearts and Rockets, you’ll also be able to find the inaugural Brunswick Music Festival Night Bowls, which features music from Don’t Thank Me, Spank Me!, Eggy, Kosmetika, and Obscura Hail.

There’s also label showcases from Blossom Rot Records, Psychic Hysteria, Beloved Recordings and Earshift Music. Beloved Recordings will focus on Rowena Wise, Darvid Thor, Winten, and Lewis Coleman, and Everybody Rocks will be a showcase of disabled musicians, including Rhysics, Billiam & The Split Bills, Inkrewsive HipHop Crew, and Sibyl.

The lineup also features a number of international debuts, including the likes of North Carolina five piece Wednesday (and along with MJ Lenderman & The Wind, appearing separately), and Zambian Psychrock band W.I.T.C.H.. You’ll also be able to find international names by way of US postpunker Sneaks, New Zealand’s Vanessa Worm, and Greece’s Frenzee as part of Highly Contagious, the twilight musical mass put on by locals Gut Health.

As Gut Health’s Athina Uh Oh explains, the chance to not only play a festival such as this, but curate their own lineup, is a testament to their own connection to the local music scene.

“It means playing and enjoying music in the very nooks and crannies that we met so much of our community, and saw so many of our favorite acts over the years,” says Athina.

“It also means having the resources to bring our wild ideas into fruition, because we wouldn’t be able to do this without support. We get to show people what we care about most when it comes to music and events.”

Beginning life as a zine published by Gut Health’s own bassist Adam Markmann in 2020, featuring illustrations by Rowena J. Lloyd and reviews by Fergus Sinclair, this new event as part of the festival reignites and reimagines the ethos of the zine for the live stage.

Credit Dakota Gordon

“The idea was simple: explore music and art you love, with people you love,” says Athina. “In the case of Highly Contagious’ first edition, that music and art was from outsiders; those on the fringes, be it a bedroom producer, psychedelic synth pioneer, creatrix Dominatrix, or illustrator.

“Adam had always hoped to continue this exploration of music and art they love through events when we were finally out of the pandemic, and I wanted to remind the crew of how well-loved HC was. Now that the energy is there, we can resurrect it.”

With “more events and other exciting tidbits on the horizon”, along with further issues of the zine, Highly Contagious is looking strong. In true fashion, the lineup for its debut outing hopes to cement everything that makes both it, and the wider music community special.

“Our aim was to stay true to HC: explore outsiders of music, throw genres out the door, and have fun while doing it,” says Athina. “We wanted to show through this event that these spaces should champion people on the fringes of these genres, who are marginalized and often downplayed.

“While singing songs might not solve the problems in the world so much, there’s a place for dance and punk music – one that holds space to safely let loose, process whatever you might be going through and find catharsis. We want this to be a space where people feel like they can come together through the power of community.”

However, the Brunswick Music Festival lineup doesn’t end there. First Nations programming is also a strong focus for 2024, with the legendary Yothu Yindi appearing as headliners for the event and Bumpy and Yirinda headlining the main stage at Sydney Road Street Party. Audiences will also be able to catch an album launch by Canisha, and Music For The Mob, which features Kee’ahn, DANCINGWATER, and Jada Weazel.

Additionally, International Women’s Day on March 8th will see an exhibition diving deep into Indigenous perspectives, music by SOVBLKPSSY and movement artist MaggZ performing a creative response to the Photo 2024 exhibition, “Future River: When the Past Flows,” thoughtfully curated by Kimba Thompson.

Meanwhile, March 10th comes alive with Bulleke-bek Journey which sees 15 unique spaces throughout Brunswick coming alive with free events that range from contemporary Arabic sounds in A1 Bakery to Dancehall at Vola Foods, and an interactive late-night jam session at Jazz Lab.

In keeping with the idea of ensuring an accessible approach to the arts, the vast majority of events at the 2024 Brunswick Music Festival are free, though some events are tickets. For a full rundown of the program, and for ticketing and accessibility details, be sure to visit the festival’s website for further information.

BRUNSWICK MUSIC FESTIVAL

WHEN: 3–11 MAR

Beat is an official media partner of Brunswick Music Festival.

SYDNEY ROAD STREET PARTY

This March sees the Brunswick Music Festival returning for its 36th anniversary, taking over the Melbourne suburb and turning it into a veritable hotspot of culture, artistic expression, and – above all – music.

WORDS BY TYLER JENKE

Æ It all kicks off on March 3rd and runs until March 11th, with nine days full of eclectic entertainment helping to provide something for all lovers of the arts.

Of course, one of the most important and highly-anticipated events at the Brunswick Music Festival is its premier launch event; the Sydney Road Street Party. As its name suggests, it’s a massive celebration that takes over the titular arterial and helps to mark the kick off the annual fest.

In true fashion, it’s important to ensure a huge lineup worthy of the event, and organisers have not disappointed at all with various performances spread out amongst various stages and venues. So let’s take a closer look at all of the threads that make up the tapestry that is the Sydney Road Street Party.

BIRUM DJERRING (COMING TOGETHER) STAGE

The day begins on Albert Street, with names like Norwood, David M. Western, Charlie Needs Braces, and Merpire helping to launch proceedings.

ENGAKENG-ENG (SONG) STAGE

A celebration of First Nations artists and their songs, the Engakeng-eng (song) Stage hosts Madi Colville Walker, Yirinda, and Bumpy amongst others, with a Welcome to Country and various cultural performances spread throughout the afternoon.

GAANBUN (HAPPY) STAGE

Over in Michael Street, the Gaanbun (happy) Stage, curated for children and family audiences, sees names like Zoe Fox and The Rocket Clocks, Riot Baby, and Hobsons Bay Coast Guard coming together to help get you into the evening.

TONBERANG NGARRGA (BORN TO DANCE) STAGE

Staying true to its name, the Tonberang Ngarrga (born to dance) Stage brings together acts such as Petrichor, Hot Glue, Mac And The Steeze, and more to help get you moving throughout the afternoon.

SPARKLY BEAR

Down at Barkly Square, the endearingly-named Sparkly Bear sees Plastiq, Biscotti, and Pillow Pro performing danceable alt-pop to get you in the mood for what’s to come.

STREET PERFORMERS

Numerous street performers will be spread out throughout the day, including on Merri Street, the Town Hall Podium, and Wilson Ave Park’s Grassy Knoll, collecting Proto Moro, Lily Morris, Isobel Caldwell, and more.

BRUNSWICK BALLROOM

The Brunswick Ballroom sees a varied selection of big names performing in the splendour of the acclaimed venue. Expect The Hot Machine, Greece’s Frenzee, Billiam And The Split Bills, and the ever-enigmatic Our Carlson to put on blinding sets across the day.

COCONSPIRATORS

The CoConspirators Brewing Co. will also be putting on a brief showing in the early afternoon, hosting two sets from both Nathalie Pavlovic, and her Snowy Band collaborator Snowy.

CORRESPONDENCES

A ticketed event, Octet Loves Nine Again will see Emma Ovenden showcasing electronic music from her recent Correspondences residency alongside visual artist Elyss McCleary. Dubbed Harmonious Eccentricity, it celebrates the titular concept found within abstract visual artworks, such as Mclearly’s own paintings which inspired the show’s title.

THE BERGY

The Bergy undoubtedly hosts the largest lineup of the day, spreading between its bandroom, front bar, Lane Rave Stage, and beer garden, with names like Dole Manchild, Bench Press, Screensaver, Moody Beaches, and many more on the lineup alongside DJs and more. With Poison City Records curating the bandroom, and KISS FM and Beat Repeat lining up DJs, you’re in safe hands.

THE RETREAT

The Retreat will see acts performing all through the afternoon, with DJs in the beer garden, and a front window performance from Be Kind To Other People. In the bandroom, punters will be able to witness Tamara And The Dreams, Sunfruits, Porpoise Spit, and more.

STAY GOLD

Stay Gold will raise the adrenaline a little bit, with the likes of Pizza Death, Chimers, The Maggie Pills, and S.U.G.A.R. performing on the main stage while the Social Disco Block Party rounds out the evening in the front bar.

ON3

Closing out the day at Brunswick’s On3 studio, it’s an open-house bootleg party featuring some of Melbourne’s finest selectors, including, PK, Fdluxx, Mothafunk, GloW, Africa100k, and Joey Coco.

SYDNEY ROAD STREET PARTY

WHERE: VARIOUS VENUES

WHEN: SUN 3 MAR , 12–10PM

ROCKY HORROR

ALL IMAGES CREDIT: DANIEL BOUD

After a successful first run last year, Richard O’Brien’s Rocky Horror Show returns to the Athenaeum and witnessing its delightful mayhem twice within a single year certainly doesn’t suck.

WORDS BY BRYGET CHRISFIELD

Æ Why not “Give yourselves over to absolute pleasure” – as Frank N Furter famously sings – multiple times?

Speaking of Frank N Furter, Jason Donovan owns this 50th Anniversary production and it’s kind of terrifying how convincingly he pulls off fishnets, platform heels, a leather corset, daggy bobbed brunette wig (more Joan Collins than Rihanna) and OTT makeup. Even still, he does make us feel funny in the pants, which ain’t an easy feat (especially in that get-up).

No stranger to starring in hit musical theatre shows – he played the titular role in London Palladium’s staging of Joseph And The Amazing Technicolour Dreamcoat, which enjoyed a record-breaking run in the early ’90s – Donovan completely pulls focus whenever he’s onstage. Vocally, he’s flawless and Donovan’s considered gestures and eye movements would be visible from space. Donovan’s lascivious performance alone is worth the ticket price.

Wait, you’re probably dying to know how Joel Creasey is in the Narrator role, right? Well, he was excellent! Callbacks – audience members shouting out responses, scripted or otherwise – have long been a feature of the Rocky Horror Show experience, which makes standup comedians perfectly cast in this role. Creasey also has an adorably subdued dance style, which is in keeping with his persona.

Henry Rollo (who plays Riff Raff) absolutely shone. The precision and clarity of his movements while executing this iconic choreography set the bar super-high. Rollo is one to watch and we look forward to following his career with interest.

Under the musical direction of Daniel Griffin, the brilliant band gets us jiving in our seats throughout – we totally wanna join in!

This thoroughly enjoyable, engaging, lowbrow classic romp is all about pure escapism and not one for the PC brigade. The bedroom scene made us legit blush (yep, even during this scribe’s second viewing); 50 years on and we’re still shocked by this cult-classic musical comedy (and parody of B-movies)! If you do decide to bring your kids along (the recommended age requirement is 12), you’d better be prepared for some interesting convos in the car on the way home.

And with its snappy two-hour duration, including one interval, this rock’n’roll musical is perfect for those among us with increasingly short attention spans. A snack, if you will.

PSA: Punters do jump outta their seats to get involved during the Time Warp so you might wanna brush up on the steps.

HORROR SHOW

The Rocky Horror Show is a cult classic musical stage production

written by Richard O’Brien.

WORDS BY LESLEIGH LUITEN

Æ We spoke to the acclaimed choreographer behind numerous productions of the iconic Rocky Horror Show, Nathan Wright. We discussed the enduring legacy of this groundbreaking musical, exploring Nathan’s creative process, the universal appeal of the show and why audiences want to see the show over and over again.

For anyone who hasn’t seen the musical, it follows our protagonists Brad and Janet. Through a series of unfortunate events, the newly engaged couple seek refuge in the castle of Dr. Frank-N-Furter. Let’s just say they have a night out they were going to remember for a very long time. According to Nathan, it’s rare to find someone who hasn’t heard of the show.

“Come with an open mind and you will experience an evening of pure adulation and a show about freedom and love. It’s all in the title song really… ‘Don’t Dream It, Be It.’ It’s a show about aspiration, about being who you want to be.”

He highlights the revolutionary nature of the show, which continues to resonate with audiences worldwide. “I think one of the key reasons we’re celebrating the 50th anniversary is that it’s a show that was so revolutionary in its time in regard to the subject matter, in terms of the freedom of the show, what the show represents and the fact that the show is still connecting to people now.

“That is testament really of how incredible the show was and the show is. I think it’s a show that’s inspiring to people who can see representation on a stage that was created 50 years ago.

“I just can’t help myself because I think the great thing about Rocky is there’s always something more to discover. And for me, it’s about creating something that is really exciting for the audience to watch, but also something really exciting for the cast to perform.

“We’ll do the show eight times a week so I really try to create a show for the cast where they can still be discovering things even if they’re doing it every single night.”

Taking us through the creative process, Nathan also elaborated on the collaboration that happens behind the scenes. This is where every aspect of the production works in harmony to bring the director’s vision to life. “I want all the elements to be aligned, so I really approach everything with the storytelling point of view. I create the story and then steps come from that,” he explains.

Nathan always goes into each show with strong ideas for how it is going to work and most of the choreography in his mind. However, once he gets onto the stage the collaboration extends to the performers who contribute their ideas and skills to enhance the creative process. “When I talk about collaboration, if someone has a great idea, I’m like oh my God, that’s amazing, let’s do that. I really like people to feel that they have a voice in the room, and they feel that they’re contributing,” he said.

“Sitting in an audience where people have no idea who I am and hearing them talk about the show and what it means to them is truly special,” he shares. He admits to being a little terrified each time that the audience won’t like the show and he will hear about it.

Luckily for him the overwhelmingly positive responses reaffirm the impact of his work and the enduring magic of Rocky Horror. For Nathan, “It’s really quite special when you hear people talk about the show that you’ve created in such a positive way.”

The universal appeal of The Rocky Horror Show has seen it thrive from decade to decade. “What makes Rocky Horror so universal is its message,” Nathan emphasises. “I think it is because the language is universal because everyone, no matter where you’re from, can identify with the meaning of the show. I think everyone can identify with seeing themselves out there and releasing their fears and seeing the powerful, powerful messages that come to the show,” he said.

Finally, when asked why we should come to see the production, Nathan’s answer was simple yet compelling: “Why would you not? Life is too short not to see Rocky Horror.” With its timeless message of self-expression and exhilarating performances, The Rocky Horror Show continues to captivate audiences worldwide, inviting them to embrace the extraordinary and celebrate the power of being true to oneself.

As Nathan Wright continues to shape the legacy of Rocky Horror through his choreography, audiences eagerly anticipate the electrifying experience that awaits them, ready to give themselves over to absolute pleasure once more.

“Come with an open mind and you will experience an evening of pure adulation and a show about freedom and love.”

ROCKY HORROR SHOW

WHERE: ATHENAEUM THEATRE

WHEN: UNTIL 23 MAR

This article was made in partnership with Rocky Horror Show.

LYDIA LUNCH

The queen of no wave, Lydia Lunch, heads to Melbourne Recital Centre with Joseph Keckler for the Tales of Lust and Madness Australian debut.

WORDS BY LUKE CARLINO

Æ Lydia Lunch, the poet, actor, and self-empowerment guru, is an underground punk legend. From her famous appearance on Sonic Youth’s Death Valley ’69 to the Rowland S. Howard collaboration Shotgun Wedding, Lunch has been involved with more than her fair share of legendary, cult, punk awesomeness.

She has made a career out of speaking her mind, oftentimes quite loudly, and is once again heading to Australia to remind us that the war is not over (her mantra).

Speaking of Rowland S. Howard, Lunch feels that Joseph Keckler, her tour buddy for the upcoming run, has a similar sort of vibe to Melbourne’s own punk legend.

“In a sense, something about his sensitivity and romanticism is similar. I’m coming to Australia with some absurd stories about relationships and sexual adventures, with a bit of a revenge tale, so it’s a really good pairing, and we have a great time travelling together.”

Keckler’s operatic voice seems somewhat removed from Lunch’s swamp-rock psycho-ambient vibe, but the two do crossover when it comes to their poetic, spoken-word prowess. Lunch met Keckler when someone recommended he be a guest on her podcast, The Lydia Spin.

“The minute I started talking to him, it was just obvious that we should be performing together. He brings a great deal of humour, plus the brevity of the operatic divinity of his voice makes for a meeting of differences.”

Having discussed a lot in her long career, Lunch explains that her theme for the new tour is a “we once were warriors” type of thing. “I’m here to give voice to complications no one is addressing, whether that is political or relationships and the power imbalance, or women bucking the fuck up, excuse my language. Physical, psychological, psychic and verbal self-defence is an important message at any time.

“Let’s face it, we have enough fingers to count how many truly aggressive, philosophical, antagonistic female artists are out there at this point; somebody’s got to represent!”

Lydia continues to explain that she has a bullhorn to her mouth, whether we see it or not. “Pre-internet, I feel like I was called upon and summoned, like this was my freaking duty to express things that a minority of the intellectual, philosophical people feel but don’t have the vocabulary or the energy to express.

“I do it for the individual, not the public domain; my career is a crabwalk sideways. Why am I responsible for always talking about the fact that the war is never over? I just have to do it, and that’s how I feel about all art; if it’s not something that burns in your blood, then it’s just a hobby.”

“Let’s face it, we have enough fingers to count how many truly aggressive, philosophical, antagonistic female artists are out there at this point; somebody’s got to represent!”

Lunch’s previous works have spanned from attacking the patriarchy to melding sexual and political stories and opinions into love with fierce energy. Heavily opinionated and often controversial, she leaves us with some more thoughts before handing the book of her and Keckler’s poetry, exclusively made for Australia, in for print.

“I feel like when I say my tagline, the war is never over, there’s a trans-generational trauma in our bloodlines that a lot of people can’t read, but I, for some reason, can kind-of decode them. It’s a weird time because we have a new puritanism, and then we have Cardi B. We have, don’t look at me that’s an assault, and then we have Wet Ass Pussy.

“I’m not saying I’m the moderator in-between this, but there’s gotta be some sense made and an empowerment that isn’t solely based on vulgarity and wearing a fucking leotard. Put some pants on motherfucker.”

LYDIA LUNCH & JOSEPH KECKLER

– TALES OF LUST & MADNESS

WHERE: MELBOURNE RECITAL

CENTRE’S PRIMROSE POTTER SALON

WHEN: 15–16 MAR

This article was made in partnership with Melbourne Recital Centre.

SOFLES

Australian graffiti artist Russell Fenn, better known as Sofles, has gained widespread recognition for his self-taught artistic expertise spanning over two decades.

WORDS BY STAFF WRITER

Æ Proficient in a variety of mediums, including acrylics, aerosol, brush painting and digital illustration, Sofles has left an indelible mark on global metropolises such as Berlin, Copenhagen, and Los Angeles. After a stint in the United States, he returns to take part in the highly anticipated Benalla Street Art Festival, scheduled from March 21 to 28. In an exclusive interview, we speak with Sofles about his experiences with Benalla, often hailed as the largest regional art gallery in Victoria.

Why Benalla? It seems like an unusual place to be dubbed, ‘the largest regional art gallery in Victoria’?

:S Yes, the festival originated in 2015 under a different name. They have over 80+ murals. This year, it’s simply known as the Benalla Street Art Festival, which makes perfect sense. It’s truly gratifying to witness the positive influence murals are having on regional areas, creating a mutually beneficial scenario for both artists and the locations involved.

Last time you went to Benalla, you were opening a solo exhibition at the Benalla Art Gallery? It was only for a brief time. Tell us about that.

:S In March 2020, I opened a solo exhibition, but it was swiftly shut down due to the onset of the Covid pandemic. Despite the unfortunate timing, I acknowledge that compared to the broader challenges people faced, it wasn’t a major disaster. I’m excited to come back and contribute to the artistic scene in this town, especially given Benalla’s evident enthusiasm for art.

How did you get involved in this year’s event?

:S Eddie Zammit, the curator, and I have worked together before and collaborated on some pretty prolific projects. Eddie saw my inclusion as a perfect continuation from the closure of the 2020 exhibition to the present. I’m excited for this new opportunity and am pleased with the diverse array of artists this year, particularly those with a background in graffiti.

Do you know who else has been invited?

:S Yeah, I know that Eddie has been reaching out to artists, who possess mad mural skills but seldom have the chance to participate in street art festivals. I find this approach refreshing because it prevents us from featuring the same artists repeatedly at each festival, year after year – offering instead a unique twist each time. DXTR from Berlin, part of The Weird crew, is one standout this year for me. David Bromley’s inclusion is a genius move. It’s wild that some of these talents haven’t been thrown into projects like this more often.

What is your involvement in the festival?

:S I am doing an art installation at the entrance of the Benalla Art Gallery funded with support from the gallery. In addition, during the festival I am painting the entire carpark area underneath the library. It’s a mammoth task, not too dissimilar to the space I painted in Limitless. I can paint pretty fast but it’ll take me around two weeks to complete.

Can you provide a recap of Limitless for those who might not be familiar with it or were unaware of its existence?

:S More than a decade ago, Selina Miles and I collaborated on a project where she documented me and a group of friends painting an entire warehouse. After completing the artwork, I intentionally painted over it, emphasising the transient nature of artistic expression. Remarkably, the video has over 13 million views.

Sofles’ expansive murals, inspired by graffiti, nature, society, and traditional art, serve as emotive visual narratives. He aims to evoke strong emotions through his creations, exploring the concepts of abstract amalgamation of past experiences, dimensions, and time. His artistic journey transcends borders, leaving a lasting impression on the global art scene.

Follow Sofles at @sofles and Benalla Street Art Festival at @benallastreetartfestival

For more information, scan the QR code.

This article was made in partnership with Benalla Street Art Festival.

Credit: Nicole Reed

FEATURING

FEATURING

Arooj Aftab with special guest Mindy Meng Wang

Arooj Aftab with special guest Mindy Meng Wang

Beth Orton | Calexico | Courtney Barnett | Folk Bitch Trio

Beth Orton | Calexico | Courtney Barnett | Folk Bitch Trio

Franck Vigroux & Antoine Schmitt | Jarabi Band

Franck Vigroux & Antoine Schmitt | Jarabi Band

Lonnie Holley + Moor Mother + Irreversible Entanglements

Lonnie Holley + Moor Mother + Irreversible Entanglements

Lydia Lunch + Joseph Keckler | Michael Rother | Yirinda

Lydia Lunch + Joseph Keckler | Michael Rother | Yirinda

SARAH MARY CHADWICK

If Sarah Mary Chadwick wasn’t an artist, she’d own a bar.

WORDS BY KAYA MARTIN

Æ “It’s hard and you don’t get paid enough, but I really do like hospitality,” she tells me. “But it’d probably be the worst idea ever because I’d drink way too much.”

Instead, she makes music and paints pictures and all the things that come on the side: when I reach her, she’s in the midst of a flurry of emails, catching up after a recording trip in Hobart. This comes as a surprise, as her newest album hasn’t even hit the shelves yet.

“I think my comfort zone is always being a bit ahead of myself so I never have to get stressed out about doing work, if that makes sense,” she says. “You’re making it when you feel like doing it, opposed to when you have to.”

Eight albums and over twenty years into her career, Sarah has songwriting down to a fine-tuned art. The precision with which she melds dynamic chord progressions with poetic lyricism – heart-wrenching in its vulnerability yet cut with moments of humour – shines particularly bright in her latest work, Messages To God.

Sarah likes to make one album a year. She’s done so since 2015, with just a few gaps in between. She says it helps give structure to her year to have something to build it around.

In doing so, her work becomes something of a time capsule:

“Generally, the way that I try and write is to capture a feeling, so if I’ve captured it properly then I’ll be able to revisit it and come back, if that makes sense… If it’s there, I can always come back to it.”

Months back, she played a rare, one-off show with Batrider, the band she was in in her 20s, as part of Melbourne’s Rising Festival.

“I was like, ‘Oh God, I’m going to have to sing lyrics that I wrote when I was 25 but it was kind of fine,” she laughs.

“For the most part I remember what I was trying to do, and that was still there, so that’s okay. Because I’m 41 now and if I was singing songs that I wrote when I was 25 and if it wasn’t a little bit cringey, I’d be really worried about myself now. You want to feel like you’re changing, evolving to some extent. That feeling of it being different also makes me feel good about being a person now.”

Her writing dredges up from a well of personal traumas, from losing a friend to grieving her father. “If no one’s crying, it’s not a thing” she sings on Angry and Violent – which is sometimes how her work feels. There’s something about the warbling, stretched quality of Sarah’s voice that lends itself to the affective quality of her songs. But despite the labour of love that goes into crafting her words, she feels many people don’t even care much about them.

“Do you know what I reckon I noticed really young? People don’t pay nearly as much attention to lyrics as you think they do,” she laughs. “I think it’s also why there’s so much really average lyrics, because people don’t even care. It’s such a wasted opportunity too, because it’s really fun writing lyrics.” Even if they’re not catching all the lyrics, listeners seem to find profound connections with Sarah’s music and with Sarah herself. “When I was younger I think I would let people be too open with me about personal stuff in a way that was just a little bit too much for me,” she tells me.

“That was one of the first things I brought to therapy was just feeling drained by that. And then my therapist was like, ‘You have to be aware of the transaction. You’ve signed up to play a performance and play well, be prepared or whatever and the transaction is that people watch you and you don’t owe anyone anything more than that.”

As a listener, it’s nice to see Sarah among friends for a change. “Surely a human helped another human through it / don’t you want to help them through it?” lifts the album’s opening track, decorated by licks of flute and twangy guitar slides.

“You know when you have a really good conversation with a friend and then afterwards you just feel like enough’s been said, you feel really satisfied? I think that’s kind of like my songwriting practice. If I feel like a song’s been done properly, you just know there’s nothing really more to say.”

SARAH MARY CHADWICK

AT GOLDEN PLAINS

WHERE: MEREDITH

SUPERNATURAL AMPHITHEATRE

WHEN: 9–11 MAR

Credit: Simon J Karis

LOVE – AN ACT OF BRAVERY

With Melbourne Youth Orchestras

30 May 7.30pm | Hamer Hall

COMEDY GOLD

This March, the National Theatre has curated a stellar lineup of all things funny and golden for their Friday Night Laughs as part of the Comedy Gold program.

WORDS BY JULIETTE SALOM

FRIDAY, MARCH 1

Ç LEHMO

A figure of Aussie comedy that needs no introduction, long-standing comedian legend Lehmo will be performing to the reception of nothing but room-filling belly-laughs at the National Theatre in March, so grab a ticket whilst they’re hot!

LIZZY HOO

Frequent star of broadcast television’s favourite unserious quiz show, this Have You Been Paying Attention? contestant and all-round funny woman is one of Australia’s most exciting and most original new voices in the local comedy scene.

RUSTY BERTHER

(SCARED WEIRD LITTLE GUYS)

One half of iconic comedy duo Scared Weird Little Guys will be gracing the St Kilda stage with his own gasping-for-air weird little material.

URVI MAJUMDAR

Rising star of observational comedy, Urvi Majumdar mixes in dark wit and sarcasm with an electrifying excitability. Self-deprecating in all the best ways, she’ll have you giggling for gold by the end of the show.

IVAN ARISTEGUIETA

Venezuelan-born Ivan Aristeguieta is bringing all his witty insights of the Australian way of life to the stage this March as he takes the piss of the country he’s found a home in, in what he has dubbed the Venez-stralian way.

FRIDAY, MARCH 8

ANNA PERRY

From behind the scenes in television production to firmly in front of the scene on the comedy stage, Anna Perry knows how to make a show work. Anna’s witty jokes are sure to bring light to even the darkest of ideas.

MATT STEWART

Podcaster, writer, actor, director and – of course – comedian Matt Stewart is hitting the National Theatre stage with all the witty remarks and serious stares that this redheaded funny guy is known for.

Ç TONY MARTIN

New-Zealand born, Australian-living legend Tony Martin of Aussie comedy television royalty will be a popular pick for Comedy Gold, and for good all-things-hilarious reasons.

FRIDAY, MARCH 15

Ç SCOUT BOXALL

Self-dubbed “comedian, writer, good egg, dumb bitch”, this winner of the Adelaide Fringe Best Comedy 2023 is widely considered one of the country’s most exciting new talents rising up the comedy ranks.

JON WALPOLE

From clown school in France to the comedy stages of Melbourne, Jon Walpole will be serving up a slice of everything funny from musical comedy, audience interaction, sketch, improvisation, and, of course, a dash of clowning.

FRIDAY, MARCH 22

HENRY YAN

The winner of the Melbourne Comedy Festival’s 2023 Raw Comedy National Final will be gracing the stage this festival season with quick-fire crowd work and thoughts that only he could think up in the shower.

JOSH GLANC

Whilst corporate lawyers aren’t normally known for their comedic abilities, Josh Glanc might be the only exception. Ditching the suits for the stage, this all-rounder has performed everywhere from Glastonbury to Adelaide. Don’t miss him when he’s down in Melbourne.

FRIDAY, MARCH 29

JAY WYMARRA

A comedian that knows how to perform to an audience of any kind – whether it be that of a Ted Talk or that of a lip sync battle – Jay Wymarra will leave you gasping for breath between laughs when he’s done with you.

MICHAEL SHAFAR

No one has their finger on the cultural pulse quite like comedian Michael Shafar. With witty takes on everything in the news cycle –from the Queen’s death to antivaxxers – you can forsake the news cycle in favour of a few jokes from this guy.

RACHEL BERGER

Trailblazer Rachel Berger will be hitting the National Theatre stage with the kind of loud and brash comedic timing she’s come to be known for. A sure-fire legend in the comedy scene that’s not to be missed.

COMEDY GOLD

WHERE: NATIONAL THEATRE, ST KILDA

WHEN: FRIDAY NIGHTS

This article was made in partnership with National Theatre.

Rusty Berther (Scared Weird Little Guys)

Kura Turawhenua (NZ)

Rachel Berger

Josh Glanc

Bart Freebairn

Jeromaia Detto

Ivan Aristeguieta

Lehmo

Lizzy Hoo

Urvi Majumdar

Michael Shafar

Tony Martin

Matt Stewart

Jay Wymarra

Milo Edwards (UK)

Lauren Bok (Boklesque)

LUNAR NEW YEAR COMEDY

This year witness the convergence of comedy and cultural festivities as we celebrate the Lunar New Year.

WORDS BY LESLEIGH LUITEN

Æ Throughout Melbourne, international comedians will blend tradition and culture into hilarious performances capturing the spirit of the New Year, celebrating community and merriment that transcends cultural boundaries. Celebrate with laughter with these eight incredible comedians.

Some of the festivities are set to take place at the Melbourne International Comedy Festival from 27 March – 21 April 2024. The festival is known for showcasing a diverse array of comedic talent and is a highlight of Melbourne’s cultural calendar, offering unparalleled joy and jubilation.

DR JASON LEONG

Dr Jason Leong’s “Why Are You Like This?” is a fusion of wit and insightful observations on human behaviour. The result is an engaging experience with relatable humour. Leong explores cultural nuances, societal absurdities and mixes in a few personal anecdotes along the way. Audiences can expect side splitting humour that proves the universal hilarity of being human – no matter where you are from. This show will leave you asking “why is HE like this?”

ATSUKO OKATSUKA

Atsuko Okatsuka’s “Full Grown” is a humorous blend of cultural insights and personal anecdotes. Get to know Okatsuka as she explores her experiences navigating her own identity, family dynamics and social expectations through the use of energetic storytelling and her infectious personality. Audiences can expect a stand out performance that is hilarious and relatable, and offers a fresh perspective on what it means to be an adult. Okatsuka has life figured out, no notes or tweaks needed!

JORDAN LEUNG

Jordan Leung’s “Low Energy World Tour” offers a uniquely laid-back view on the mundanities of existence. Leung uses deadpan delivery to provide astute observations on every day occurrences and absurdities. His clever wordplay and dry humour transform even the simplest or most mundane of topics into comical moments. Audiences can expect low-energy laughs and the brilliance of Leung who transforms monotony into comedic masterpieces. Also, did we mention his devilish good looks?

VIVEK MAHBUBANI

Vivek Mahbubani is a multi-talented performer who blends wit, cultural insights and impeccable timing to provide an unforgettable comedic experience. Mahbubani has found that since he thinks and speaks in both English and Cantonese, his life has gotten more and more weird. Throughout his shows he seamlessly navigates between different languages and cultures to ensure his take on comedy is dynamic and universally appealing. Audiences can expect a laughter-filled journey as he tries to understand his life (in both languages), and explores identity, relationships and daily life.

SAM SEE

Sam See’s “And I Can’t Feel At Home In This World Anymore” explores why See left his home country of Singapore to move to London. Witness him questioning why he would choose to live in a place that has made God (and most bank accounts) weep. The show is an insight into the absurdities of life and social commentary infused with side-splitting humour. Audiences can expect to laugh along to the relatability of finding belonging in a chaotic world through the use of clever punchlines, wit and of course the unforgettable charm of Sam See.

NORAH YANG & MEN QIANG

The humour doesn’t just begin and end with the festival, either. Venues including The Comedy Republic and The Comic’s Lounge also keeping within the theme of tradition and culture for many more laughs.

Norah Yang & Men Qiang’s show promises to be an entertaining cultural experience. Both performances guarantee a seamless combination of comedy and storytelling. The power of this pairing lies in each performer’s ability to intersect identity, relationships and everyday life in a way that is unique to their own perspectives, creating a unique but also relatable experience. Audiences can expect an engaging night filled with humour and cultural exploration. Audiences will leave the show feeling connected to both performances after gaining insights into their unique perspectives, in the most hilarious of ways.

LESLIE LIAO

Leslie Liao is fresh off the success of her hilarious debut special on Netflix late last year, and is showing no signs of slowing down. Liao provides hilarious insight into what it’s like being a single Chinese-American woman living in LA. She brilliantly mixes her observations and anecdotes to craft a performance that resonates with audiences long after the show has ended. Audiences can expect a comedic revelation about life and love.

Just like the rest of us, these comedians are still figuring it out (except Atsuko Okatsuka – she’s the perfect human). Enjoy fresh perspectives on current issues and personal experiences while they attempt to make sense of the world. Laugh with each other, and at yourself while discovering the hard-hitting truths in the most hilarious way.

Head to bohmpresents.com for the best comedy tours happening nationally.

This article was made in partnership with Bohm.

ROOFTOP

LIVE MUSIC DINING ROOM

120

STAGE GUIDE

Ç THE ROCKY HORROR SHOW

Back by phenomenal demand, The Rocky Horror Show returns to Melbourne after enjoying sell-out performances and rave reviews during the 2023 season of the 50th Anniversary Tour.

ATHENAEUM THEATRE UNTIL 23 MAR

GROUNDHOG DAY

THE MUSICAL

A gloriously joyful and heart-warming production from the award-winning minds of Australia’s one and only Tim Minchin AM, writer of the iconic 1993 film Danny Rubin and director Matthew Warchus.

THE PRINCESS THEATRE THROUGHOUT MAR

Ç THE SOUND OF MUSIC

The production is the first of three crowd-pleasing new musicals to be staged at the historic theatre as part of Theatrical’s 2024 season, with The Boy From Oz premiering in July, and A Chorus Line to grace the St Kilda stage in September.

NATIONAL THEATRE 2–17 MAR

THE HATE RACE

Based on the acclaimed memoir by Caribbean-Australian author Maxine Beneba Clarke, The Hate Race delves into the intricate dynamics of race in Australia and the universal quest for a sense of belonging.

MALTHOUSE UNTIL 12 MAR

MUCH ADO ABOUT NOTHING

The Australian Shakespeare Company will open the season with a playful rendition of the rom-com classic, Much Ado About Nothing.

ROYAL BOTANIC GARDENS UNTIL 17 MAR

Ç RENT

Following a group of friends living in New York City under the shadow of the AIDS crisis, the musical Rent is heading to Australia.

ARTS CENTRE MELBOURNE UNTIL 7 MAR

CIRQUE DU SOLEIL’S LUZIA

Written and directed by Daniele Finzi Pasca, LUZIA invites you to an imaginary Mexico, like in a waking dream, where light (“luz” in Spanish) quenches the spirit and rain (“lluvia”) soothes the soul.

FLEMINGTON RACECOURSE FROM 24 MAR

GREASE

Danny, Sandy, Kenickie, Rizzo, and the whole gang are back to give you a night out, like only Grease can.

HER MAJESTY’S THEATRE UNTIL 16 MAR

ALICE’S ADVENTURES IN WONDERLAND

Christopher Wheeldon’s extravagant Alice’s Adventures in Wonderland returns to take audiences back down the rabbit hole in 2024, thanks to The Australian Ballet.

STATE THEATRE 15–26 MAR

WICKED

Winner of over 100 major awards including the Grammy Award, the Olivier Award, six Helpmann Awards, three Tony Awards and six Drama Desk Awards.

REGENT THEATRE THROUGHOUT MAR

GASLIGHT

Gaslight is a modern adaptation of the 1940s suspenseful thriller by Patrick Hamilton, starring Geraldine Hakewill and Toby Schmitz.

COMEDY THEATRE 6–24 MAR

CHICAGO THE MUSICAL

The longest-running American musical in Broadway and West End history, this scorching hot masterpiece includes a glittering score that includes All That Jazz, Cell Block Tango and Razzle Dazzle.

HER MAJESTY’S THEATRE FROM 23 MAR

A TASTE OF IRELAND

The show features multiple world champion dancers, as well as former stars of Lord of the Dance and Riverdance.

THE PALMS AT CROWN 17 MAR

MEET ME AT DAWN

An extraordinary two-hander starring Sheridan Harbridge (Prima Facie) and JingXuan Chan (SBS’s The Family Law), Meet Me at Dawn is the dramatic collision of delicate love story and philosophical mystery.

FAIRFAX STUDIO UNTIL 16 MAR

PETER PAN: A NEVERLAND ADVENTURE

Are you ready to return to Neverland with J.M Barrie’s classic story about Peter Pan, Wendy, Nana, Tinker Bell, Pirates, Mermaids and a ticking crocodile?

FAIRFAX STUDIO FROM 29 MAR

THE DICTIONARY OF LOST WORDS

Pip Williams’ award-winning New York Times bestseller and book club favourite, The Dictionary of Lost Words, has been beautifully transformed into a hit new play.

THE PLAYHOUSE UNTIL 17 MAR

CIRCUS OZ – SMASH IT!

Smash it! is Circus Oz as unbelievable as before in resurgent form, stripped back, tent-less, dauntless and daring, where sexagenarians, millennials and Gen Zs unite in chaotic and hilarious harmony.

FAIRFAX STUDIO FROM 28 MAR

RUTHLESS THE MUSICAL

A rollicking spoof of classic shows like Gypsy, Mame and the iconic thriller The Bad Seed. It’s a wild, sidesplitting take on these beloved classics that will have you in stitches.

ALEX THEATRE THROUGHOUT MAR

YENTL

This new stage adaptation of Nobel Prize laureate Isaac Bashevis Singer’s iconic short story is the first since the 1975 Broadway play and Barbra Streisand’s iconic 1983 musical film.

MALTHOUSE 17 MAR

THE 39 STEPS

After record-breaking seasons in the West End and on Broadway, winning two Tony Awards, and the Olivier Award for Best Comedy, The 39 Steps comes to Melbourne for a strictly limited season.

CHAPEL OFF CHAPEL 8–17 MAR

37

A little sweary and very sweaty, this powerhouse new marn-grook production - featuring a cast of 10 - hits just as hard with the laughs as it does with its searing social commentary.

SOUTHBANK THEATRE, THE SUMNER THROUGHOUT MAR

FESTIVAL GUIDE

BRUNSWICK MUSIC FESTIVAL

Brunswick Music Festival is back. Yothu Yindi, WITCH, Wednesday and Gut Health lead the 2024 lineup.

VARIOUS 3–11 MAR

MELBOURNE INTERNATIONAL COMEDY FESTIVAL

The Melbourne International Comedy Festival will be back for more laughs in 2024.

VARIOUS 27 MAR–21 APR

Ç AIREYS INLET MUSIC FESTIVAL

Some of Victoria’s favourite festival acts including Matt Walker and Ashley Davies, Henry Wagons and Kylie Auldist will headline the 18th Aireys Inlet Music Festival.

AIREYS INLET 15–17 MAR

Ç KNOTFEST

Pantera, Disturbed, Lamb of God, Halestorm and more are coming back for the festival’s second year.

FLEMINGTON RACECOURSE 21 MAR

MELBOURNE FASHION FESTIVAL

A 15-day program of runways, talks, exhibitions and performances, workshops and tours, shopping and screenings.

VARIOUS UNTIL 9 MAR

Ç TREATY DAY OUT

A huge celebration of First Nations music and culture, with Jessica Mauboy, Electric Fields and Mo’Ju leading a packed lineup.

BALLARAT CENTRAL PARK 2 MAR

TOUCH BASS

Flowdan, Kanine and Wilkinson lead Touch Bass’ 2024 lineup.

MELBOURNE PAVILION 29 MAR

Ç ESOTERIC

Over 105 international and local artists across seven stages with jaw-dropping visuals.

DONALD 8–12 MAR

GOLDEN PLAINS

The Streets, Yussef Dayes, King Stingray, Jeff Mills and more.

MEREDITH SUPERNATURAL

AMPHITHEATRE 9–11 MAR

Ç MELBOURNE FOOD & WINE FESTIVAL

300 events across Melbourne spanning a 10-day program packed with adventures in eating and drinking.

VARIOUS 15–24 MAR

PHOTO 2024

An art trail of 100 free photography exhibitions and outdoor art installations to explore across Melbourne and Victoria.

VARIOUS 1–24 MAR

SUMMERSALT

James Bay, Matt Corby, Ziggy Alberts, Thelma Plum, Kita Alexander, and Mia Wray.

CATANI GARDENS 16 MAR

THE HERB AND CHILLI FESTIVAL

Two days packed with mouth-tingling experiences, live music, and spicy delights.

YARRA VALLEY 16–17 MAR

BENALLA STREET ART FESTIVAL

An annual arts festival that seals Benalla as the street art capital of Australia.

VARIOUS 22–24 MAR

PITCH MUSIC & ARTS

Gerd Janson, Patrick Mason, I Hate Models, Job Jobse, 999999999, Marcel Dettmann, VTSS and so many more.

MOYSTON 8–12 MAR

Ç PORT FAIRY FOLK FESTIVAL

Over 90 artists across six stages, with many more performances scattered throughout the charming village of Port Fairy.

PORT FAIRY 8–11 MAR

PORT PHILLIP MUSSEL & JAZZ FESTIVAL

A two-day seafood street party celebrating our favourite mollusc, set to a soundtrack featuring the city’s best in jazz and soul musicians.

SOUTH MELBOURNE MARKET 9–11 MAR

NEW BLOOM FEST

A new alt-rock and punk day festival featuring Citizen, Movements, Touche Amore and more.

MELBOURNE PAVILION 17 MAR

ELECTRIC GARDENS

Armand Van Helden, Franky Wah, Late Nite Tuff Guy, Roger Sanchez, Sasha and The Oddness are coming to St Kilda.

SOUTH BEACH RESERVE 30 MAR

C.O.F.F.I.N

C.O.F.F.I.N (Children Of Finland Fighting In Norway) are perhaps Australia’s busiest punk band.

WORDS BY ELIJAH WRAIGHT

Æ The boys have been full throttle since last year, with a new album out and successful tours of the US and the UK in the rearview window.

“C.O.F.F.I.N has this belief for how we move through the world, which is two steps backward and three steps forward,” says lead singer and drummer Ben Portnoy. “We always seem to get the rough end of the stick in situations, but then our perseverance finds us coming good in the long run.”

Their early sound was, like most local high school rock bands, heavily influenced by Australian music, such as AC/DC and The Divinyls. As Portnoy puts it, a “mish-mash of all these genres and then putting together in a fully stitched quilt”.

“The rare thing with C.O.F.F.I.N is, we have been together since we were kids. We didn’t break up and start new bands, and figure out what was cool, what we’re into.”

It wasn’t until their On the Gronk EP that came out in 2016 that C.O.F.F.I.N really found their groove, though Portnoy says their sound is always changing. “It was just a matter of where you’ve figured out what you like, what your strengths are and what you feel good playing.”

In past interviews, Portnoy has claimed that they had never envisioned being a political band, but they didn’t necessarily not want to be one either. Simply, they’re a band commenting on issues and events they care about. They’re writing about their realities.

“If you’re pissed off about something, whether it’s someone at work giving you a hard time, or it’s about the political stubbornness of a country you live in, for us those things that jump out at us or make us feel something – most of the time frustration – that is what C.O.F.F.I.N’s written about.”

C.O.F.F.I.N

WHERE: THE TOTE

WHEN: 14 APR

JAZZ & JAFFLES

There’s a new Thursday night party in town and we guarantee it’s unlike anything else out there.

WORDS

BY STAFF WRITER

Æ Every week, Moor Music’s Jazz and Jaffles takes over the Toff, offering a blast from the past in the best way. Bringing together a rotating cast of local musicians and a nostalgia-tinged menu, the event makes for the ultimate date night or get-together with friends.

We love a high/low mix, and there’s something about the intricate art of jazz paired with the simplicity of a childhood snack that just works.

To make it even better, entry is free, although RSVPing is strongly recommended – it’s been known to get pretty busy. To find out more, we caught up with musician and events producer Josh Olave of Moor Music, the father of the exciting new series.

“To be honest it still feels like a fever dream and, I guess, to keep it simple, it’s just a really wholesome, sexy time filled with legends, good vibes, and some of the wildest jazz and soul I’ve seen to date,” he explains. “My friend described it like walking into the Mad Hatter’s tea party recently, which I loved and is holistically what we’re going for here.

“I actively brief the musicians each week and remind them that this is not a background jazz gig. I encourage them to have fun and lean into the dark arts of jazz and soul. So far, they’ve done just that.

Jazz and Jaffles is a feast for the senses: toasty bread and melty cheese wafting out from the kitchen, sweet grooves echoing from the stage, the warm and inviting atmosphere in the Toff’s cozy lounge… chef’s kiss.

“With the luxury of this new weekly residency, we are so excited to try all kinds of new things. Each week’s vibe is gonna be similar in atmosphere but also completely different and subject to the artists performing and the punters in the room at any given time.

“The demand for this experience has seen The Toff filled to the brim each night with so many interesting and beautiful people.”

JAZZ AND JAFFLES

WHERE: TOFF IN TOWN

WHEN: THURSDAY NIGHTS

This article was made in partnership with Moor Music.

MARSHALL ACTON III WIRELESS BLUETOOTH SPEAKER

If there’s one thing the iconic Marshall brand name is synonymous with, its power. Their updated range of Bluetooth speakers is a fine example of this concept in practice.

WORDS BY ANDY LLOYD-RUSSELL

Æ Bringing over six decades of guitar amplifier design prowess into their bespoke family of Bluetooth speakers, Marshall have three updated models in their already popular Home Line, all packed full of exciting improvements over their predecessors.

The three updated models (from largest to smallest) include the Woburn III, Stanmore III and Acton III, each packing that signature Marshall punch, with pristine top end and gutsy lows. The Acton III is a particular standout in this updated lineup with its upfront and commanding sound profile - impressive given its humble size. But given that iconic Marshall script badge strapped across the front grille, one shouldn’t be all that surprised at the mighty power the Acton III has available on tap.

A two-way design, the 4” woofer and two 3/4” tweeters are behind the Acton III’s full range sound, with some significant improvements made from the previous model, giving the Acton III an impressive overall sound, particularly as it pertains to dispersion and projection. Some clever design refinements such as the two tweeters being angled slightly outwards as well as an improved waveguide give a wider soundstage and very immersive sound experience from a small footprint Bluetooth speaker. It just goes to show that seemingly small tweaks can go a long way to making very real improvements in a speaker of this size. Pumping out 60 watts of power with a max SPL of 95dB @ 1m and broad frequency range of 45Hz - 20kHz (another improvement from the previous model), the Acton III has no trouble with filling a room at home with a full sound stage, delivering classic Marshall quality tone in a compact speaker format.

In terms of DSP, some brilliant refinement has taken place underthe-hood of this updated line, which further enhances the overall listening experience. In-built dynamic loudness produces the most detailed and accurate playback possible at any given volume with subtle adjustments made to the tonal balance - an absolute dream for anyone who’s experienced an underwhelming listening experience across the frequency spectrum from a speaker at lower volumes. In addition to this, the all new placement compensation feature helps correct for any nearby reflective surfaces that may hinder the listening experience. The combination of these two new features ensure Acton III produces its signature sound consistently, wherever it is set up in the home.

Striking the perfect balance of pair and play convenience and tactile control, each speaker in the range makes for a seamless experience when connecting devices remotely via Bluetooth 5.2LE and/or wanting to make on the fly adjustments on the unit itself. Alleviating the need to constantly dive for a connected device for basic control, the conveniently located tone controls for treble and bass as well as volume are located on the top of the speaker with iconic brass knobs which ooze that Marshall amp style class. Selecting between aux 3.5mm or Bluetooth connectivity is as simple as a single button, as is the three-way switch for controlling play/pause plus backward and forward skip. Both the Stanmore III and Woburn III offer RCA connectivity and the latter model also spouts HDMI input. Just for the tactility available on the top panel alone is a refreshing level of control made available directly from the unit itself, which a lot of other Bluetooth speakers don’t offer and many users may not fully appreciate until having it at their disposal.

Connectivity to the Marshall Bluetooth app and Over-The-Air (OTA) updates made possible to the line ensure all the latest software and features are available - a delightful reassurance that Marshall are committed to the exciting future Bluetooth, which for this range of speakers includes the soon to come Multi-Stream feature for connectivity to multiple speakers from one device and well as Auracast TM broadcast audio.

Keeping in line with other recent Marshalls releases like the Motif II ANC headphones, Marshall’s new look home line is also environmentally/sustainability conscious, with each model being PVC free, and with 70% recycled plastic being used as well as all vegan materials.

Classy, iconic looks and signature Marshall sound, the updated Home Line of Bluetooth speakers from Marshall are an impressive update of an already solid product line - providing some truly impressive sound quality from a speaker of this size, as well as a bevy of intelligent and practical digital features, and of course, a tasteful nod to the brands rock and roll past in the aesthetics department.

WORDS BY BRYGET CHRISFIELD

YIRINDA

Yirinda

Æ Not for casual listening, Yirinda – which means ‘Now’ in Butchulla language – whispers sacred secrets and ancient wisdom in an endangered language.

The importance of documenting the Butchulla language, which is currently only spoken by a handful of people, cannot be overstated. As a song and language custodian for the Butchulla people from Queensland’s Fraser Coast region, which includes K’gari (formerly known as Fraser Island), Fred Leone – who lends his voice to this project – is one of just three Butchulla Songmen.

Leone sings all of these songs in Butchulla as well, with voice the primary instrument. Although, according to Yirinda, this record was specifically designed “to give the listener an overwhelming sensory journey”: “We’re painting with sound in an emotional landscape.”

Drawing from a sonic palette of strings, horns, double bass, synth, piano and percussion, internationally acclaimed contrabassist/producer Samuel Pankhurst composes Yirinda’s evershifting, visceral sonic landscapes. Soothing moments luxuriate, momentarily, before they’re suddenly interrupted – like bird alarm calls warning of danger lurking in the shadows – by discordant pizzicato strings, yidaki or clap sticks. We totally get why Pankhurst, who has synaesthesia, is regularly commissioned to compose contemporary dance scores.

Backed by elongated strings, Yuangan (Dugong) opens the record like a consoling ritual. Leone has said that reimagining “this migrational song of hunting and feasting on dugong” –the original version of which was recorded circa 1960 and is currently stored at the University of Queensland Anthropology Museum – was his “deliberate reclamation of such materials”.

Aunty Nay Nay Bird, an Elder of the Butchulla people and the Wonnamutta clan, gifted Leone the lyrics for Thurum Voi (Look Here) “shortly before the visit from the Duke and Duchess of Sussex to K’Gari in 2018”. This clap sticks-driven track, he reveals, “is a song calling Biral (Butchulla God) down to earth to guide the Butchulla people. Biral is the great sky spirit who ordered the creation of Butchulla country, sea and people”.

Something about the ominous, descending bass chords of Nyun (Brother) call Björk’s Hyper-ballad to mind, before incantations and sawing strings usher in an unsettling intensity. Twinkling chimes that evoke fish flapping about in shallow waters open Guyu (Fish). Later, vast, enveloping brass drone and layered vocals represent deeper waters.

The penultimate Ba Gi Lam (Fighting) – with its arrhythmic instrumental elements, Leone’s chanting and rolled ‘rrrrrrrrrrrrrrr’ vocalisations – is an energetic shift. Don’t get any ideas about popping Yunma (Sleep) on your bedtime playlist! This instrumentally twitchy closer agitates, with repeated synth melodies bringing playground taunts to mind.

Thousands of generations of songlines and culture inform Yirinda, which can be deeply felt and also visualised. Don’t try to multitask, just listen intently to this Meanjin/Brisbane duo’s debut self-titled album. Preferably in nature.

LABEL: CHAPTER

RELEASE: OUT NOW

ARSE KAPUTT.

Æ Check out this contender for best opening line of a presser ever: “ARSE is done screwing around…” One of the songs is called PRICK IN THE FRANGA, ferchrissakes! Also, the band’s Insta handle: @ bandofarse – LOL.

“I WANNA GO HARD EVERY DAY!” –BOOM! You’ll immediately hear why ARSE exist in ALLCAPS. Ooft, drummer Tim Watkins (whose kit of choice is a no-frills three-piece) even POUNDS in ALLCAPS. And every syllable Dan Cunningham emits is obviously ALLCAPS as well. Although sometimes he just, “BLERGH!”s into the mic. Apparently Cunningham’s “secret string tuning” informs his signature sound (see: SHAME BOMB’s explosive, twisted solo).

This Sydney punk trio is rounded out by Party Dozen’s Jonathan Boulet on bass (see also: his brilliant self-titled debut solo record of 2009 to get some idea of this extraordinary artist’s stylistic breadth).

It’s all about the title track, though: “MY HEAD’S IN A VICE/ AND IT DOESN’T FEEL NICE…” – ha, quelle surprise! They then rhyme “KAPUTT” with “GOOOOOD” (but kinda with a German accent like guuuuuuuuuuut, so it totally works). Sauntering in at a contained if slightly tipsy pace, KAPUTT incorporates a coupla doomy freak-outs. And ARSE leave us with this closing line: “THE WORLD’S BIG AND IT’S VAST/ AND IT’S UP MY ARSE,” repeating, “IT’S UP MY ARSE,’ just in case you missed it the first time.

This six-track EP is all over in under 20 minutes, there’s likely only one hummable melody (NIGHTSHIFT BLUES) and it’s a sweaty, in yo’ face listen. Yep, we’ll be back for more ARSE.

LABEL: GRUPO RECORDS

RELEASE: OUT NOW

MIDDLE KIDS

Faith Crisis Pt 1

Æ Most of Middle Kids’ upcoming third record was penned under the shadow of Covid, during which new parents Hannah Joy and her bandmate hubby Tim Fitz (bassist/ producer) raised their newborn, Sunny.

In a previous interview with this scribe, Joy poetically revealed that she found songs for Faith Crisis Pt 1 “along the coastline” during solo staycations. She rented a little beachside apartment in Bondi and, following a bout of writer’s block, Bootleg Firecracker crystalised. This mellow, contemplative lead single also unlocked some more album tracks, ushering in “the new wave” of Middle Kids.

Second single Highlands – “I can’t keep waiting… I need a change…” – is a sweeping jig inspired by Joy’s Scottish ancestry. Nostalgic guitar opens Dramamine, with its cute whistling refrain and elated tempo skipping blissfully along under an infatuated spell: “You are the only reason I believe in anything/ I hope you don’t take this the wrong way…”

At Bend’s conclusion, Joy’s quivering, impassioned vocals repeat, “Maybe you’ve gotta break me to see what I’m made of” –manifesting acceptance that life is flux.

All In My Head feat. Dave Le’aupepe (Gang Of Youths) closes Faith Crisis Pt 1 with a question: “Is it all in my head?” But this piano ballad’s ascending melodies dispense hope rather than paranoia.

The record’s overall sonic palette is vast and echoey – we visualise Julie Andrews twirling around, arms outstretched feeling free AF, on a mountaintop. Feeding parking metres, teetering “one step away from the precipice of crazy”, the world’s general fucked-upness – Faith Crisis Pt 1 searches for meaning and purpose following adversity.

RICKI-LEE

On My Own

Æ “I’m not afraid to lose it all/ I’m not afraid to walk alone/ I’m gonna find these fields of gold/ On my own…” – Ricki-Lee dropped On My Own’s title track back in March, 2023 alongside the announcement that she’d founded her own record label and would therefore own her own masters (cue: Independent Women, Pt. 1 by Destiny’s Child).

This first intimate-yet-powerful taste of her upcoming fifth album immediately reminded us that Ricki-Lee boasts an elastic vocal range and staggering interpretive ability; whether a sweet or gutsy tone is required, Ricki-Lee delivers. Be sure to check out this song’s music video, for which Ricki-Lee had to jump from a hovering helicopter to be filmed atop a glacier in Queenstown (sporting a strapless gown, no less!).

Earworm alert: Ricki-Lee’s Gloria Gaynor-esque diva anthem, Point Of No Return – that key change, though! – is a welcome addition to this scribe’s mental jukebox.

Built from a throbbing beat, the universally relatable Ghost calls out relationship ‘Houdinis’ (we’ve all been there, huh?). “Doo doo doo doo-doo doo-doo doo doo…” – wait, it can’t be. It IS! I Was Made For Loving You reimagines KISS’s disco-infused classic of the same name.

Elsewhere: Magic is for dancin’, romancin’ and making eyes with sexy prospects across the d-floor; Real Love conjures a spontaneous street party; and the fierce, danceable Talkin’ shows off Ricki-Lee’s sassy side (“If you’re talkin’/ Keep my name out your mouth…”).

Written and produced alongside lauded Australian production duo DNA, On My Own captures Ricki-Lee embracing the joy of her boundless artistry.

SHANNEN JAMES

Patchwork

Æ Old Mixtapes, all-consuming romantic obsessions, giving yourself permission to remain in your PJs all day, things left unsaid, being left “on read” – these are just a few of the themes stitched into Patchwork, the enchanting debut record by Melbourne’s own Shannen James.

“In your headlights I go blind/ ‘Cause I’d risk it all to see you one more time” –built from a clap-happy beat, which was inspired by The Cure’s Close To Me, opener Headlights contemplates the possibility of a rendezvous with the one who got away.

(“I don’t wanna have…”) Breakfast With You – talk about a cheeky twist on what we expected from the title! During this song’s opening verse, softly strummed acoustic is Shannen’s sole accompaniment, which perfectly showcases her breezy vocal style resplendent with winsome country lilt.

Inspired by the TV series The End Of The F***ing World, Get Go is a duet with Fergus James (unrelated). He totally embodies The Romantic Love Interest throughout this snapshot of “straight through the gates from the get-go” chemistry and their creamy vocal blend makes us swoon.

A rolling piano ballad, Longest Light evokes endless summer beach holidays where the only decision to be made is which flavour of ice cream to go for midway through your sunset stroll.

Elsewhere, the Haim-inspired No Fix’s clickety-stick drumming is for getting your dance on, come-hither track Come Calling is enhanced by a coquettish riff and I Don’t Mind celebrates sloth days as an antidote for overwhelm.

Rich with meticulously crafted sonic textures, Patchwork is as comforting as an heirloom quilt.

LABEL: EMI

RELEASE: OUT NOW

LABEL: INDEPENDENT

RELEASE: 8 MAR

IVY LEAGUE

LABEL:

RELEASE: OUT NOW

THE BEAST

LIVE MUSIC: is always free and spans all genres and vibes on an intimate stage that faces the restaurant and bar.

FAMOUS FOR: their food – from dedicated vegan soul food night to their beef burgers, which are premium Mayura Station Wagyu, The Beast is perfect for lovers of burgers and bites alike

INFAMOUS FOR: their self-described “hot as fuck” $1 Wing Wednesdays, great for masochists.

Æ The Beast is Brunswick East in a bottle.

Lively, great eats and just the right amount of sleaze – The Beast is an effortless choice no matter what’s on (and there’s always something on).

They’ll also be hosting their tried-and-true weekday favourites including Big Stick Energy Mondays with chargrilled skewers and beer, Trivia Tuesdays and the aforementioned wing Wednesdays.

They’ve hosted over a thousand free shows in the past decade while slinging house cocktails and indie brews alongside some of the best burgers in Melbourne. They’re a night out that spills music and revelry into Lygon Street, and your local hangover cure (spicy bloody Maria and a double Ron Swanson burger will always do the trick.)

Their promise? Always free entry, always great vibes. On Fridays and Saturdays, it’s bands galore, and entry is free (that’s more money you can spend on beers).

In March, get ready to spice up your life as well, because the 9th Annual Melbourne Chilli Championship is back on Saturday, March 2.

Hosted by The Beast, in collaboration with Melbourne Hot Sauce, the competition is set to be fierce, with 24 brave competitors battling it to win merch, booze, cash and the coveted title of Melbourne’s premier chilli-eating champion.

Think you can handle the heat? Entries are now open, but beware: this competition isn’t for the faint of heart. Imagine chillies that surpass the 2 million mark on the official Scoville scale – the Trinidad Scorpion, Ghost Chillies, the Naga Viper and the notorious Carolina Reaper.

FERDYDURKE

LIVE MUSIC: from some of Melbourne’s best local and international underground acts. With regular events from Tuesday through to Saturday, Ferdydurke provides an upbeat soundtrack to the city.

FAMOUS FOR: their open fireplace, floor-to-ceiling walls plastered with stunning art, and cosy nooks.

INFAMOUS FOR: being as surreal and interesting as the book by Witold Gombrowicz that Ferdydurke takes its namesake from

Æ Located in a historic 1860s gem, Ferdydurke’s facade features a mural piece called ‘Bending Brick’ by celebrated Melbourne artist George Goodnow. With a panoramic view of street art, an open-air balcony, and a New York-style loft, this intimate space is characterised by grand arch windows and high ceilings.

Ferdydurke’s loft is known for its cosy corners and chilled atmosphere, making it a popular date spot. Amongst the manufactured hustle and bustle of the CBD, Ferdy is a refuge from the pretence that can weigh a night of drinking in the city down.

It’s a more relaxed environment than their sister venue Section 8 downstairs, but still serves up big vibes. This bar tucked up a flight of stairs in Tattersalls Lane is the perfect place for both a relaxed night out and a boogie. All that’s left to sort out is the choice between the Lo Mismo cocktail and the Rizz Fizz one…gosh, it’s a hard life. Head up the stairs at 31 Tattersalls Lane in the CBD for a surprising experience.

WHERE: 80 LYGON ST, BRUNSWICK EAST

OPEN: 7 DAYS, 12–11PM WEEKDAYS, 1AM FRI, SAT

WHERE: 31 TATTERSALLS LANE, MELBOURNE

OPEN:

TUE–THU 5PM–1AM FRI–SAT 5PM–2AM SUN 7PM–1AM

THE SUBSTATION

WORDS BY ELIJAH WRAIGHT

LIVE MUSIC: meets experimental art at The Substation, a venue known for hosting music festivals like The Melbourne International Jazz Festival and Newport Folk Festival. Beyond the grand events, it also caters to more intimate music performances.

FAMOUS FOR: its transformation from a derelict industrial building to a haven for the experimental and contemporary.

INFAMOUS FOR: the ability to surprise. Outside you feel like you’re standing outside some European nightclub, but inside you’re immersed in abstract art or enjoying eccentric jazz.

Æ Steeped in rich history, culture and art, The Substation, which once powered Melbourne’s suburban railway system over a century ago, now stands as a not-for-profit multi-arts centre.

The venue takes pride in producing art that defies easy categorisation, placing a strong emphasis on community engagement. The Substation regularly curates community exhibitions showcasing local artists, such as the Inner West Art Fair and the Williamstown High School Graduate Art and Design Exhibition.

The venue’s focus on the outside-of-the-box art has earned it international recognition. The support provided to artists and their ambitious endeavours keeps the venue consistently interesting and exciting. The Substation’s stellar reputation is evident in its numerous sold out shows, premiere performances and visual arts programs, leading to major solo exhibitions such as Phuong Ngo, Yandell Walton and many more.

Situated in Melbourne’s inner west in Newport, The Substation is hard to miss – an enormous brick building with long arched windows right next to the train station. The decor inside reflects a neoclassical refurbished industrial look.

The main space, fitting up to 500 guests, features exposed brick walls, timber floors and large red curtains, perfectly complementing the venue’s urban, artistic and laid back personality. The space is also available for hire, whether for weddings, performances, or other events. If you find yourself hungry after indulging in the art, head to the cafe downstairs.

The Substation is open from 12-6pm, Wednesdays through Saturdays. For those seeking art and performances that prompt questioning, admiration and ultimate entertainment, The Substation is the ideal choice.

WHERE:

1 MARKET ST, NEWPORT

OPEN: WED–SAT, 12–6PM (PLUS EVENTS)

THE JAZZLAB

LIVE MUSIC: A 200+ capacity concert venue with a wonderful atmosphere.

FAMOUS FOR: sustaining the legacy of Bennetts Jazz Club, which was regarded by many as the greatest jazz club in the world.

INFAMOUS FOR: it’s a self-described “hardcore jazz club”. The Jazzlab pushes sonic boundaries, it’s not a lounge, folks.

Æ The Jazzlab may have only opened in 2017, but it has a long proud legacy courtesy of its owner, Michael Tortoni. The previous owner of Bennetts Jazz Club (which hosted the likes of Prince, Maceo Parker and Harry Connick Jnr, just to name a few), Tortoni is also a legend in the scene for helping save the Melbourne International Jazz Festival back in 2002 when its funding was cut (he’s been the artistic director since).

It’s no surprise then, that The Jazzlab is one of the places to be during October every year, but its real influence is sustaining Melbourne’s proud jazz culture all-year-round. It’s been invaluable for the careers of so many incredible Australian musicians, but it’s equally known for attracting world-class internationals as well.

The JazzLab also holds some strong aesthetic similarities to Bennetts Lane, with the furniture and long bar relics from the iconic venue. It also has a strong community ethos, regularly hosting schools and other organisations.

During the week, the venue caters to serious jazz aficionados and can be a hub of experimentalism. On the weekends things can be a little more accessible - they host an impressive array of talent and it’s the perfect time to drop by and acquaint yourself with the venue.

WHERE:

27 LESLIE ST, BRUNSWICK

OPEN: MON–SUN, 7–11PM

GIG GUIDE MARCH 2024

THU 29 FEB

THE VEILS

Northcote Social Club. Northcote. 8pm. $50.

PAT TIERNEY. CHRIS CAVILL, LAURA LUCAS

Wesley Anne. Northcote. 8pm.

MARK HOWARD. BLOOMING, SUNNY MOO

The Penny Black. Brunswick. 7pm.

OPEN MIC @ RAGTIME TAVERN

Ragtime Tavern. Preston. 7pm. Free.

OSCAR LADELL TRIO

Edinburgh Castle Hotel. Brunswick. 4pm.

BUSINESS

PROPOSITION

Wesley Anne. Northcote. 6pm.

JAZZ NIGHT

Morris House. Melbourne. 7pm.

BUENA VISTA SOCIAL CLUB TRIBUTE NIGHT Brunswick Ballroom. Brunswick. 8pm. $49.06.

KICKIN THE B HAMMOND SESSIONS

Bar 303. Northcote. 8pm. $20.

THE SLEEP-INS. LUNIC, MALIBU SPACEY, BREAKFAST

Bergy Bandroom. Brunswick. 7.30pm. $16.85.

100% TRIMETHYLXANTHINE

FT: Bitter Vics, The Bluntts, Caifein

Old Bar. FItzroy. 8pm. $10.

MATT WICKING

The Merri Creek Tavern. Northcote. 8pm. $12–15.

FRI 1 MAR

Barely Legal: Day 2 of Section 8’s 18th Birthday

FT: Tinika, DJ Freshxprincess, Olita, Haus Of Ralph, Neesha, Garfie

Section 8. Melbourne. 6pm. Free.

ONE LAST BATTLE: RATTLEBACK VS SUSAN VS NEPHALEM. MUNDANE JANE, PARAQUAY

Whole Lotta Love. Brunswick East. 7.30pm. $10.

PATRICK WILSON

Lulie Tavern. Abbotsford. 7pm. Free.

ANDREW DARLING & SZARA FOX

Wesley Anne. Northcote. 6pm.

THE FOUR SCOOPS

Bar Open. Fitzroy. 6pm. Free.

COG.

YOMI SHIP, KODIAK EMPIRE Northcote Theatre. Northcote. 7.30pm. $79.90.

MACH PELICAN. GRINDHOUSE, LEATHERMAN, HOT MACHINE

The Tote Hotel. Collingwood. 7pm. $42.35.

MOURNFUL CONGREGATION + FACELESS BURIAL. MALIGNANT AURA, VILE APPARITION

The Curtin. Carlton. 8pm. $43.80.

MICHAEL ROTHER & FRIENDS PLAY THE MUSIC OF NEU!

Melbourne Recital Centre. Southbank. 7.30pm. $55.

DIESEL

Athenaeum Theatre. Melbourne. 8pm. $97.62.

BOOF!

Ragtime Tavern. Preston. 8pm.

BOO SEEKA

Corner Hotel. Richmond. 6pm. $40.

NEIL MURRAY & HIS BAND

Memo Music Hall. St Kilda. 7pm. $40.

MIDNIGHT

Max Watt’s. Melbourne. 7pm. $59.20.

SAT 2 MAR

Barely Legal: Day 3 of Section 8’s 18th Birthday

FT: Dree The Beatmaker, Jazmine Nikitta, Anitra, DJ Daphné, Antagonize, PK, Dijok, Mrs Wallace, Lorena Lee

Section 8. Melbourne. 6pm. Free.

TOM SNOWDON

Northcote Social Club. Northcote. 8.30pm. $24.90.

POP WILL EAT ITSELF. JESUS JONES

The Croxton. Thornbury. 8pm. $79.90.

A GAZILLION ANGRY MEXICANS. PLANET OF THE 8S, THE BALLS

Whole Lotta Love. Brunswick East. 7.30pm. $15.

THE PORKERS. KRACKERS & KOOLAID, GET JAXXED, LUCID AUX

The Tote Hotel. Collingwood. 8pm. $34.20.

SCARECROW: THE MELLENCAMP SHOW

Yarraville Club. Yarraville. 8pm. $35.

SUPER CONCERT: SERGIO VARGAS & OSVALDO ROMAN

Northcote Theatre. Northcote. 6pm. $112.30–132.70.

DOPPLERHAUS.

FAIRTRADE NARCOTICS, THE CARP FACTORY

Bergy Bandroom. Brunswick. 8pm. $16.85.

SOWETO GOSPEL CHOIR: HOPE

Brunswick Ballroom. Brunswick. 7.30pm. $79.90.

ROSARIO DE MARCO

Edinburgh Castle Hotel. Brunswick. 6pm.

CLIENT LIAISON

Hotel Esplanade (aka The Espy) St Kilda. 8pm. $44.40.

MADELEINE TUREWICZ

Ragtime Tavern. Preston. 8pm.

THE MIDNIGHT Forum Theatre. Melbourne. 8pm.

VOXNEON

Memo Music Hall. St Kilda. 7pm. $35.

MODELS Shotkickers. Thornbury. 8pm. $47.

ROYALE WITH CHEESE - THE ULTIMATE 90’S ROCK SHOW

Max Watt’s. Melbourne. 8pm. $35.70.

CHAPEL SESSIONS: KATY STEELE

Chapel Off Chapel. Prahran. 8pm. $40.

THU 7 MAR

ONE PERCENT

FT: A.Well, J-OK, Just Alice, Bohn Ritcher, Bluntside, Sharpe

Section 8. Melbourne. 6pm. Free.

OSCAR LADELL BAND: ‘KICKIN

THE B’ HAMMOND SESSIONS

Bar 303. Northcote. 8.30pm. $20.

MIGUEL BROOKING

Bar Open. Fitzroy. 8pm. $17.35.

THE BETHS Corner Hotel. Richmond. 8pm.

CAM COLE. RUBEN REEVES

Northcote Social Club. Northcote. 8pm. $44.

TAYLOR BELL & THE DING DONG DADDIES

Lulie Tavern. Abbotsford. 8pm. Free.

OPEN MIC

Ragtime Tavern. Preston. 6.30pm.

PSYCHIC HYSTERIA VS IT RECORDS

FT: Double Vanity, Vacuum, Hearts & Rockets, Cong Josie & The Hell Racers

Brunswick Ballroom. Brunswick. 8pm. $23.05.

THEE SACRED SOULS

The Night Cat. Fitzroy. 7.30pm. $70.24.

RAW COMEDY

2024: VIC SEMI FINAL #1

Howler. Brunswick. 7.30pm. $17.34.

MIA WRAY

Bergy Bandroom. Brunswick. 8pm. $28.05.

JAZZ NIGHT Morris House. Melbourne. 7pm.

BINGO WITH TINA DEL TWIST

Daylesford Hotel. Daylesford. 7pm. Free.

WILHELMINA. MAIZIE, KILL BELL

The Last Chance Rock & Roll Bar. North Melbourne. 7.30pm. $11.25.

GREEK FRINGE: NIKOTEINI

Open Studio. Northcote. 6.30pm. $35.

RILEY CATHERAL Shotkickers. Thornbury. 8pm. $23.45.

TAYLOR ACORN

Stay Gold. Brunswick. 7.30pm.

YUSSEF DAYES Forum Theatre. Melbourne. 7.30pm. $79.90.

WANTOK MUSIK’S SING SING

FT: Telek, Radical Son, Tio, Frank Yamma, David Bridie Memo Music Hall. St Kilda. 7pm. $50.

THE CRYSTAL METHOD. INFUSION

Max Watt’s. Melbourne. 8pm. $69.90.

PETER O’MARA QUARTET

Paris Cat Jazz Club. Melbourne. 7pm. $40.

BMF PRESENTS:

EARSHIFT MUSIC SHOWCASE

FT: Koi Kingdom & Maddison Carter’s ‘Polymorphic’

The Jazzlab. Brunswick. $20 - 30.

THE VIRGIL DONATI BAND

Bird’s Basement. Melbourne. 7.30pm. $35.

POP CRIMES: THE SONGS OF ROWLAND S. HOWARD

The Thornbury Theatre. Thornbury. 7pm. $66.30.

RANSOM REVUE. OUTER WORLDS, TRAUMA TIES, COMMON EVIL

Gasometer Hotel. Collingwood. 7pm. $17.85.

SURFEROSA. THE GROUNDSWELL, PAINT FOR WALLS

Evelyn Hotel. Fitzroy. 8pm. $20.

FRI 8 MAR

BIG BAO PRESENTS: Formation (International Women’s Day)

FT: Mendoza, Small Fry, Fei, Jex Wang

Section 8. Melbourne. 6pm. Free.

AROOJ AFTAB. MINDY MENG WANG

Melbourne Recital Centre. Southbank. 7.30pm. $55.

ROBYN HITCHCOCK. HEAVY AMBER

The Tote. Collingwood. 8pm. $39.30.

CHAPERONE. AMONG THE RESTLESS, TAX EVADERS

Bar Open. Fitzroy. 8.30pm. $17.35.

BORIS + KIYOHARU: CELEBRATING THREE DECADES OF SONIC INNOVATION

Corner Hotel. Richmond. 8.30pm. $75.15.

DJANABA

Yah Yahs. Fitzroy. 7.30pm. $15.

ONDARA

Northcote Social Club. Northcote. 8.30pm. $51.10.

TERRA ROUGE

The Toff In Town. Melbourne. 7.30pm. $23.46.

FRENZEE. STAR/TIME, PERSECUTION BLUES

The Beast. Brunswick East. 9pm. Free.

EYEROLL

Lulie Tavern. Abbotsford. 8pm. Free.

BINGO & DISCO

Edinburgh Castle Hotel. Brunswick. 8pm.

CANDICE ALISHA

The Thornbury Local. Thornbury. 8pm.

JUMPIN’ JACK JORDAN & FRIENDS

Ragtime Tavern. Preston. 8pm.

WILSN

The Night Cat. Fitzroy. 8pm. $29.46.

BEYONCE RENAISSANCE

ALBUM PARTY

Hotel Esplanade (The Espy) St Kilda. 9pm. $15.85 - 20.

MIA WRAY

Bergy Bandroom. Brunswick. 8pm.

FROM THE

JAM - THE FINAL TOUR: THE GREATEST HITS

Northcote Theatre. Northcote. 7.30pm. $79.90.

PRIDE DRAG BINGO WITH AMANDUH

Pride Of Our Footscray Nightclub & Bar. Footscray. 7pm. $0 - 10.

FIVE + SISTER2SISTER + DJ LEVINS 170 Russell. Melbourne. 8pm.

BETH WINTER & LOUISA RANKIN. HATTIE EVANS

Open Studio. Northcote. 6.30pm. $20.

SCARES. BELLIGERENT GOAT, DOGGEREL

Stay Gold. Brunswick. 7.30pm. $17.50.

ISABELLE DAVIS

Wesley Anne. Northcote. 6pm.

Joondalup Festival

2024: ARETHAA Love Letter To The Queen Of Soul

FT: Jada Alberts, Mahalia Barnes, Emma Donovan, Thandi Phoenix, Karen Lee Andrews, Black Country, New Road Forum Theatre. Melbourne. 8pm.

FRED AGAIN APPRECIATION NIGHT

Max Watt’s. Melbourne. 9pm. $16.35 - 20.

NORIA ET LES PARIGOTS: COMME À PARIS…

Paris Cat Jazz Club. Melbourne. 6pm. $45.

BMF PRESENTS: EARSHIFT MUSIC SHOWCASEMICHELLE NICOLE QUARTET & HOLD THE LION’S PAW

FT: Sunny Kim

The Jazzlab. Brunswick. 8pm. $30 - 40.

THE VIRGIL DONATI BAND Bird’s Basement. Melbourne. 9.45pm. $35.

BULLHORN. LANEOUS

Evelyn Hotel. Fitzroy. 8pm. $20.

SAT 9 MAR

GROOVE VOYAGE

FT: Lay Down The Groove, Genki Tanaka, Mabel

Section 8. Melbourne. 6pm. Free.

RUDI SOUND. BRONX

Bar 303. Northcote. 8pm. Free. HOSS. BLOWERS, DJ CENTIPEDE & THE EARTHWORMS

The Tote. Collingwood. 7.30pm. $23.50.

RYLAND

NEWSTEAD & THE MCGS. MADE AUSTRIA, DAISY CORMAC

Bar Open. Fitzroy. 8.30pm. $20.

1927 + BOOM CRASH OPERA Corner Hotel. Richmond. 8.30pm. $59.

PRETTY MOI. PEACH FUZZ, ECHO SOCIAL CLUB

The Beast. Brunswick East. 9pm. Free.

MINAMI DEUTSCH Leadbeater Hotel. Richmond. 8pm. $63.25.

SUPERSTAR DJ’S: DJ TONE DEAF

Edinburgh Castle Hotel. Brunswick. 9pm.

RONAN NICHOLSON + THE HUNTER EXPRESS

The Thornbury Local. Thornbury. 8pm.

REDSPENCER

Brunswick Artists’ Bar. Brunswick. 8pm. Free.

SWEETHEARTS

Brunswick Ballroom. Brunswick. 2pm. $17.95.

PENNY IKINGER’S MARBLES + JJ MCCANN TRANSMISSION Gem Bar. Collingwood. 8pm. Free.

BAREFOOT SPACEMEN. RAMONA SKY, TRAD UKIYO Bergy Bandroom. Brunswick. 8pm. $22.95.

MIC CONWAY & ROBBIE LONG

Wesley Anne. Northcote. 8pm.

Whole Lotta Love

March-O-Ween…

The Last Hurrah

FT: Dougie & The Dougies, I Am Duckeye, Kmart Warriors, Beat Panic, Murderballs, Rub, Susan, Luke William Ward

Whole Lotta Love. Brunswick East. 5pm. Free.

CONVICT CLASS. WOT ROT, RESOLVER

The Last Chance Rock & Roll Bar. North Melbourne. 12pm. Free.

FUNDRAISER DJISKO PARTY! WITH TANIA BOSAK

Open Studio. Northcote. 9pm. $15.

SALIAH. NAYCAB, JJJJJALE

The Night Cat. Fitzroy. 9pm. $34.90.

TEENAGE FANCLUB

Croxton Bandroom. Thornbury. 7pm.

MILKSICK. SCUD, LICKLASH, LEGMOUTH

Shotkickers. Thornbury. 8pm. $15.

ON REPEAT:

LIL PEEP

Stay Gold. Brunswick. 11pm. $18.40 - 20.

DEADLY DANCEHALL (TOVCH 6TH BDAY)

FT: Ras Jahknow Band, Shottaz

Howler. Brunswick. 4.20pm. $23.46.

MORCHEEBA. MOODY Forum Theatre. Melbourne. 7.30pm. $99.90.

CHAIN Memo Music Hall. St Kilda. 7pm. $35.

SEASIDE. MAJAK DOOR, LOOSE CONTENT

The Workers Club. Fitzroy. 8pm. $25.

SANGUISUGABOGG + DISENTOMB.

ALGOR MORTIS

Max Watt’s. Melbourne. 7pm. $59.90.

ELLY POLETTI SINGS MOTOWN

Paris Cat Jazz Club. Melbourne. 8.30pm. $45.

BMF PRESENTS:

EARSHIFT MUSIC SHOWCASE - HELEN

SVOBODA’S THE ODD RIVER & JEREMY ROSE QUARTET

The Jazzlab. Brunswick. 8pm. $30 - 40.

GRAACE Gasometer Hotel. Collingwood. 8pm. $34.70.

MUNCHY DOLPHIN. ALYSIA RAE, HEY SPIRO Evelyn Hotel. Fitzroy. 8pm. $20.

THU 14 MAR

BUBBLE

FT: Murder He Wrote. Tinika, Ransom, Bubble DJs

Section 8. Melbourne. 6pm. Free.

COUNCIL OF WAR 2054. PALLIATIVE, EN_ZO

The Tote. Collingwood. 7.30pm. $16.35.

JANINE

Northcote Social Club. Northcote. 8pm. $39.90.

BUDDHADATTA.

VELVET PARADE

The Beast. Brunswick East. 8pm. Free.

TITUS O’REILYSPORT: THE UNAUTHORISED HISTORY

Leadbeater Hotel. Richmond. 7pm. $30.

THE TRYOUTS

Lulie Tavern. Abbotsford. 8pm. Free.

OPEN MIC Ragtime Tavern. Preston. 6.30pm.

CROCODYLUS

Hotel Esplanade (The Espy) St Kilda. 7.30pm. Free.

HOLLY HEBE.

SAN JOSEPH, ALISYA RAE

Bergy Bandroom. Brunswick. 7pm. $19.40.

JAZZ NIGHT

Morris House. Melbourne. 7pm.

LET’S GET TRIVIAL

Pride Of Our Footscray Nightclub & Bar. Footscray. 7.30pm. $10.

JOHN CRAIGIE & CAT CLYDE

Wesley Anne. Northcote. 8pm.

CHANGMO, PAUL BLANCO, KEEM HYOEUN

170 Russell. Melbourne. 6pm. $106.39.

MACHINE HEAD. FEAR FACTORY

Forum Theatre. Melbourne. 7pm. $99.90.

CHARLIE LANE

The Workers Club. Fitzroy. 7pm. $13.

THE RADIOHEAD PROJECT

The Jazzlab. Brunswick. 7.30pm. $20 - 30.

EMILY WILLIAMS: WOMAN OF COLOUR

Bird’s Basement. Melbourne. 7.30pm. $30.

SONS OF THE EAST

Sooki Lounge. Belgrave. 7pm. $41.85.

SIR ARCHER. KAITLIN KEEGAN, ALEX WEYBURY

Gasometer Hotel. Collingwood. 7pm. $23.50.

SURFEROSA

Evelyn Hotel. Fitzroy. 8pm. $10.

FRI 15 MAR

THE OPERATIVES WITH JPS X NAM + FRIENDS Section 8. Melbourne. 6pm. Free.

JEFF MILLS: TOMORROW COMES THE HARVEST Hamer Hall. Melbourne. 7.30pm. $79.90 - 89.90.

LYDIA LUNCH + JOSEPH KECKLER:

TALES OF LUST & MADNESS

Melbourne Recital Centre. Southbank. 9pm. $60.

THE NEUROTICS

Cherry Bar. Melbourne. 8.30pm. $12.

PHIL & THE TILES. HOT TUBS TIME MACHINE, LOTHARIO, MERCY PLEASE, GOUTLAW

The Tote. Collingwood. 7pm. $23.50.

BRAD KEEGHAN

Bar Open. Fitzroy. 8.30pm. $17.35.

MIA DYSON

Corner Hotel. Richmond. 8pm. $46.

FULL FLOWER MOON BAND. SUNFRUITS, THE VOVOS

Northcote Social Club. Northcote. 8.30pm. $35.30.

TITUS O’REILYSPORT: THE UNAUTHORISED HISTORY

Leadbeater Hotel. Richmond. 7pm. $30.

THE EXILES

Lulie Tavern. Abbotsford. 8pm. Free.

BINGO & DISCO

Edinburgh Castle Hotel. Brunswick. 8pm.

J.C.LEE

The Thornbury Local. Thornbury. 8pm.

JUMP THE SUN Ragtime Tavern. Preston. 8pm.

THE OPERATIVES & 100% PHAT PRESENTS

DJ KOCO AKA SHIMOKITA

The Night Cat. Fitzroy. 8pm. $49.96.

THE SCREAMING JETS

Hotel Esplanade (The Espy) St Kilda. 7.30pm. $45.

CITRUS. GREAT FALLS, PAT DEVLIN

Bergy Bandroom. Brunswick. 7.30pm. $16.85.

VILLE VALO

Northcote Theatre. Northcote. 7.30pm. $94.96.

HAYFITZ + LUCAS LAUFEN

Wesley Anne. Northcote. 8pm.

GEORGIE BROOKS TRIO

Open Studio. Northcote. 6.30pm. $20.

EILS & THE DRIP. LORETTA MILLER, FREYA JOSPEHINE HOLLICK

Shotkickers. Thornbury. 8pm. $20.

GUTTERMOUTH. WOLFPACK, CATHOLIC GUILT

Stay Gold. Brunswick. 7pm. $49.99.

JOE CAMILLERI & THE BLACK SORROWS

Horsham Town Hall. Horsham. 7.30pm. $69.

ROSS WILSON & THE PEACENIKS. ALANA WILKINSON

The Thornbury Theatre. Thornbury. 7.30pm. $59.90.

MACHINE HEAD. FEAR FACTORY

Forum Theatre. Melbourne. 7pm. $99.90.

JOAN & THE GIANTS. RAMONA SKY, SOPHIA PETRO

The Workers Club. Fitzroy. 8pm. $18.10.

PLINI. SUNGAZER, JAKUB ZYTECKI

Max Watt’s. Melbourne. 8pm. $59.90.

SONS OF THE EAST. DON WEST 170 Russell. Melbourne. 7pm. $55.90.

THE MENDOZA TANGO QUARTET

Paris Cat Jazz Club. Melbourne. 5.30pm. $45.

THE SONGBIRDS

The Jazzlab. Brunswick. 8pm. $60.

THE VAMPIRES WITH CHRIS

ABRAHAMS

Bird’s Basement. Melbourne. 7.30pm. $32.

FIELDSY

Prince Bandroom. St Kilda. 7pm. $29.60.

ALEX LLOYD

Sooki Lounge. Belgrave. 8pm. $58.15.

BREADCLUB LOVEGAMES.

GEMMA NAVARRATE

Gasometer Hotel. Collingwood. 7.30pm. $14.30.

SAT 16 MAR

DR SURE’S UNUSUAL PRACTICE. SCREENSAVER, IT THING, O.M.R, DJ

SILICONE PRAIRIE

The Tote. Collingwood. 8pm. $28.60.

WINTERBOURNE

Corner Hotel. Richmond. 8pm. $51.10.

ZEMLJA

Northcote Social Club. Northcote. 8.30pm. $56.80.

OSBO. HACKER, SWAB, PHANTASM

Old Bar. Fitzroy. 8pm. $23.50.

WICKED SMILE. ELM STREET, FLITCRAFT, AARDVARK

Leadbeater Hotel. Richmond. 7pm. $28.85.

SUPERSTAR

DJ’S: DJ JAY

Edinburgh Castle Hotel. Brunswick. 9pm.

WOBBYGONG

The Thornbury Local. Thornbury. 8pm.

ALEX LLOYD. JOSH CASHMAN

Brunswick Ballroom. Brunswick. 8.30pm. $54.67.

HUANCHACO

Ragtime Tavern. Preston. 8pm.

DIGGER & THE PUSSYCATS + SPUNK

Gem Bar. Collingwood. 8pm. Free.

AURUS + BLACK JESUS EXPERIENCE

The Night Cat. Fitzroy. 7.30pm. $44.86.

HORNS OF LEROY. LORETTA MILLER BAND, MZRIZK

Howler. Brunswick. 8pm. $33.66.

HY-LO AND FRIENDS VOL.2

FT: SwimGood, Jordane, OX4ORD, Voldy, Ijale Bergy Bandroom. Brunswick. 8pm. $22.95.

FLEETING PERSUASION. USER, INU-JIMA

The Last Chance Rock & Roll Bar. North Melbourne. 3pm. Free.

Whitehart 7th Birthday Party

FT: Now Here

This All-Star Band, Halo Vocal Ensemble, Lady Erica, Taijae, Carl Os Whitehart Bar. Melbourne. 4pm. Free.

HY-LO & FRIENDS VOL. 2

FT: Ijale, Voldy, OX4ORD, Jordane, DJ Swimgood

Bergy Bandroom. Brunswick. 8pm. $22.95.

ENDOVIT Fest

FT: The Vovos, Romanie, Ambulance, Terra Rouge, Paraquay, Love Me Not, Outta Time, Speccy, Grevillea Hedge, Caity Watsøn, DJ Funk Ya

Gasometer Hotel. Collingwood. 4pm. $34.80.

WILCO. LEAH SENIOR Forum Theatre. Melbourne. 7pm. $109.55.

HARRY MANX

Memo Music Hall. St Kilda. 7pm. $49.

NICK CUNNINGHAM. ROD COOTE, TOM MAC

The Workers Club. Fitzroy. 8pm. $23.20.

BEST OF BOTH WORLDS:

HIGH SCHOOL MUSICAL PARTY

Max Watt’s. Melbourne. 9pm. $15.30 - 23.67.

SOUL CHIC: CELEBRATING WOMEN OF JAZZ & SOUL

Paris Cat Jazz Club. Melbourne. 9pm. $45.

INTO THE MYSTIC: THE MUSIC OF VAN MORRISON

Bird’s Basement. Melbourne. 6pm. $35.

YACHT ROCK REVIVAL

Evelyn Hotel. Fitzroy. 8pm. $30.

THU 21 MAR

COCO JUMBO. SUBORDINATES, CHLOE HOLMES

The Tote. Collingwood. 8pm. $16.35.

IZZY SUMMERS.

SYDNEY MILLER, ROD COOTE

Bar Open. Fitzroy. 8pm. $17.35.

DRAX PROJECT.

VETTA BORNE, CHARLEY Corner Hotel. Richmond. 7.30pm. $40.40.

LOVE OF DIAGRAMS

Northcote Social Club. Northcote. 8pm. $35.30.

TITUS O’REILYSPORT: THE UNAUTHORISED HISTORY

Leadbeater Hotel. Richmond. 7pm. $30.

OPEN MIC

Ragtime Tavern. Preston. 6.30pm.

PSYCHEDELIC PORN CRUMPETS

The Night Cat. Fitzroy. 7.30pm. $49.85.

THE SOUTHERN RIVER BAND

Hotel Esplanade (The Espy) St Kilda. 7.30pm. $38.25.

RAW COMEDY

2024: FINAL

Howler. Brunswick. 7.30pm. $28.56.

JAZZ NIGHT Morris House. Melbourne. 7pm.

ANIA REYNOLDS

Wesley Anne. Northcote. 6pm.

GERRY KENNEDY & JASON KHAW: BACKYARD STORIES & RIVER TALES

Open Studio. Northcote. 7.30pm. $20.

OFFICIAL KNOTFEST AFTERPARTY

Stay Gold. Brunswick. 9pm. $11.90 - 25.

PEACH PRC.

CARLA WEHBE

Forum Theatre. Melbourne. 7pm. $171.75.

EVE DUNCAN & WHO ARE THESE GUYS

Paris Cat Jazz Club. Melbourne. 7pm.

ZY THE WAY

The Jazzlab. Brunswick. 7.30pm. $35 - 45.

JOE CHINDAMO TRIO

Bird’s Basement. Melbourne. 7.30pm. $28.

HARRY MANX

Sooki Lounge. Belgrave. 8pm. $63.25.

PETER GARRETT & THE ALTER EGOS

The Thornbury Theatre. Thornbury. 7pm. $89.90.

MYSTERYSHACK’S JUPITER + PILOT LAUNCH

Gasometer Hotel. Collingwood. 7.30pm. $17.85.

FRI 22 MAR

THE MINNEAPOLIS URANIUM CLUB. DUMB PUNTS, DRAGNET

John Curtin Hotel. Carlton. 8.30pm. $38.70.

SPLIT SYSTEM. THE UNKNOWNS, CONG JOSIE & THE HELL RACERS, LOTHARIO

The Tote. Collingwood. 7.30pm. $28.60.

FROSTBITE. MERAKI MINDS, OCEANS

Bar Open. Fitzroy. 8.30pm. $20.

LOVE OF DIAGRAMS

Northcote Social Club. Northcote. 8.30pm.

TITUS O’REILYSPORT: THE UNAUTHORISED HISTORY

Leadbeater Hotel. Richmond. 7pm. $30.

DEVIL ELECTRIC

Lulie Tavern. Abbotsford. 8pm. Free.

BINGO & DISCO

Edinburgh Castle Hotel. Brunswick. 8pm.

100 MOODS

The Thornbury Local. Thornbury. 8pm.

JACK BOTTS. JORDY MAXWELL, JANIE GORDON Howler. Brunswick. 7.30pm. $54.47.

GEO. FIRETAIL, SLIKNITA, SKIN THIEF Bergy Bandroom. Brunswick. 8pm. $22.95.

THE DAMNED

Northcote Theatre. Northcote. 7.30pm. $94.90.

A VERY UNEXPECTED BINGO NIGHT

Pride Of Our Footscray Nightclub & Bar. Footscray. 7pm. $0 - 10.

FREIGHT TRAIN FOXES

Wesley Anne. Northcote. 8pm.

JOE CAMILLERI & THE BLACK SORROWS

The Thornbury Theatre. Thornbury. 7pm. $59.90.

ROSARIO DE MARCO

Wesley Anne. Northcote. 6pm.

PEACH PRC. CARLA WEHBE Forum Theatre. Melbourne. 7pm.

DON WALKER. FELICITY CRIPPS DUO

Memo Music Hall. St Kilda. 7pm. $60.

LITTLE GREEN. EUCA, AMY POLLOCK

The Workers Club. Fitzroy. 8pm. $23.20.

COLD CAVE. BUZZ KULL

Max Watt’s. Melbourne. 8pm. $67.35.

RUTH RODGERSWRIGHT PRESENTS THE BOOK OF RUTH

Paris Cat Jazz Club. Melbourne. 8.30pm. $45.

FEM BELLING WITH THE JOE RUBERTO TRIO

The Jazzlab. Brunswick. 8pm. $30 - 40.

CHRIS SEBASTIAN

Bird’s Basement. Melbourne. 7.30pm. $30.

SHAKE IT OFF: THE TAYLOR SWIFT EXPERIENCE

Prince Bandroom. St Kilda. 7pm. $35.70

MORTIIS

Bendigo Hotel. Collingwood. 8.30pm. $49.66.

POISON’US: MOTLEY CRUE TRIBUTE

Sooki Lounge. Belgrave. 8pm. $28.60.

LE SHIV

Gasometer Hotel. Collingwood. 7pm. $17.85.

SELVE

Evelyn Hotel. Fitzroy. 8pm. $25.

SAT 23 MAR

RYUICHI SAKAMOTO: OPUS

Melbourne Recital Centre. Southbank. 7.30pm. $45.

STIMPIES. AUNTIE

LEO & THE BACKSTABBERS, PARAQUAY, THE RALPH ELLIOT ENSEMBLE

John Curtin Hotel. Carlton. 8pm. $22.85.

TY GRAY +

BEN SEARLE: WORKIN’ IT OUT (A COMEDY SHOW)

The Tote. Collingwood. 2.30pm. $13.80.

MAD PROFESSOR Corner Hotel. Richmond. 9pm. $25.

ADALITA. JP SHILO, AMAYA LAUCIRICA

Northcote Social Club. Northcote. 8.30pm. $46.

QUEEN OF SOUL: CELEBRATING ARETHA FRANKLIN WITH MICHAELA JAYDE. ISADORA

The Toff In Town. Melbourne. 7.30pm. $23.46.

TITUS O’REILYSPORT: THE UNAUTHORISED HISTORY

Leadbeater Hotel. Richmond. 7pm. $30.

SUPERSTAR

DJ’S: DJ GLEN

Edinburgh Castle Hotel. Brunswick. 9pm.

LIARS IN LOVE

The Thornbury Local. Thornbury. 8pm.

DON WALKER & BAND

FT: The Harmonettes Brunswick Ballroom. Brunswick. 8pm. $23.45 - 34.66.

SURUSINGHE INVITES DJ PLEAD

The Night Cat. Fitzroy. 11pm. $23.45 - 34.66.

CONRAD SEWELL

Howler. Brunswick. 8pm. $59.67.

KEAPER PRESENTS: ‘Waking Dream’ Festival

FT: Franky, Lady Fern, Paradise Valley, Norwood, Dogworld, Fonterey, Munroe, more Bergy Bandroom. Brunswick. 1pm. $37.25.

JAMES REYNE. JOSH OWEN BAND Northcote Theatre. Northcote. 7.30pm. $65.

PRIDE COMEDY

Pride Of Our Footscray Nightclub & Bar. Footscray. 7pm. $20.

WAVE JAZZ

Trio Wesley Anne. Northcote. 6pm.

DEMOLITION

JACKET. BETH CRYPT

Retreat Hotel. Brunswick. 3pm.

RITMO LATINO FESTIVAL Abbots Yard. Abbotsford. 12pm. $30.

THE DEAD SOUTH. WILLIAM CRIGHTON Forum Theatre. Melbourne. 7pm.

EUGENE HAMILTON & THE MONEY

Memo Music Hall. St Kilda. 7pm. $35.

VELVET TRIP. RUBY CANNON, IN XIRA

The Workers Club. Fitzroy. 8pm. $25.

ESCAPE THE CBD FOR THE WEEKEND