Mixdown 220 Drum Special

AUGUST GIVEAWAY

T

his month we delve behind the scenes and to the back of the stage where often the most integral player of any band can be found, hitting, tapping and foot-stomping away.

That’s right, this month we shine the limelight on the rhythmic pulse behind all music and explore the world of drums and percussion.

For your chance to win the Mapex Black Panther Cherry Bomb 13 x 5.5” snare as reviewed visit pg. 6 for entry details

Our team of experienced drummers and percussionists had an absolute field day this month testing out all the latest in full drum kits (as can be found in our Road Test section) and all the individual snares, hardware, skins, sticks and accessories that make up this years Drum & Percussion Special.

All the featured gear was put through rigorous testing and written about in a way to spur your creativity, imagination and ultimately help point you in the right direction for your next drum and percussion purchase.

TO WIN THIS ENTIRE PEDAL BOARD GO TO PAGE 6!

DRUMCRAFT LIGNUM MAPLE 14 x 6.5” SNARE

RRP: $459

DRUMCRAFT LIGNUM BIRCH 13 x 6.5” SNARE

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: DYNAMIC MUSIC

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: DYNAMIC MUSIC

RECOMMENDED FOR: Jazz, Rock, Pop, Fusion, Country.

Studio or live work.

SOUND AND VERSATILITY: Warm and refined you get a mix of frequencies and some overtones that add a bit of edge and sweetness to the overall tone. Extremely versatile too, I could see it sitting in for a range of uses thanks to its deeper shell and choice of woods.

USABILITY: Being a bit of a chameleon the Maple 14 x 6.5 is super easy to get a good sound out of. A wide tuning range, plenty of variation and quality components make this a very usable snare.

CONSTRUCTION: Quality German design and construction, serious hardware and built to be played. More goodness from Drumcraft, this time in Maple.

OVERALL: The Maple is warm and full of body yet contains enough overtones to makes things interesting and sit it out in the mix a little. Plenty of volume and a wide tuning range mean you’ll get plenty of mileage from it and all with the knowledge that its well built and designed. A very nice snare indeed!

RECOMMENDED FOR: Funk, rock, fusion or even jazz players looking for a tight, drier sounding snare.

SOUND AND VERSATILITY: With this 13” snare, the size really does make a different with a controlled woody crack anywhere from mid to higher tuned pitches. Birch makes for a smooth, dry tone in this instance and you can really tweak this drum for that pitched funk sound too. I could see this being a nice studio weapon also.

USABILITY: Like any of the Drumcraft gear its ready to go almost straight away and thanks to the feel of the lugs and snare assembly it’s easy to tune and tweak.

CONSTRUCTION: Going down another interesting look Drumcraft have matched Remo Black X batter and Black suede resonant heads for looks as well as tone giving the whole drum a slick sinister look reinforcing the Birch shell’s dark characteristics.

Rock solid.

OVERALL: A really sweet snare the 13 x 6.5 has a tighter higher pitched vibe but still with plenty of room for other tones thanks to its depth. Great midrange and projection really helps with this drum being heard even though it’s slightly smaller. Dig the black aesthetics for a change too - another quality snare from Drumcraft.

DRUMCRAFT SERIES 8 14 x 5” STEEL SNARE

RRP: $399

DRUMCRAFT SERIES 8 14 x 6.5” BRONZE SNARE

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: DYNAMIC MUSIC

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: DYNAMIC MUSIC

RECOMMENDED FOR: Perfect for the gigging musician who is tired of their old snare sound and wants something that looks, feels and sounds the part.

SOUND AND VERSATILITY: The steel shell offers a bright tone and ringing decay that you do not get from wood. But, the design of this snare ensures that it still has plenty of punch to keep your kit sounding full of life. If you want your snare to stand out in the mix, this is going to be the best place to start.

USABILITY: Obviously, it will fit in with just about any kit.

It may not suit all metal or rock players, but then again, it offers a diverse tone that could fit in with just about any style of music. The steel shell has a certain something to its sound, which is why they continue to be so popular.

CONSTRUCTION: What can I say; German design never lets anything down on construction. This snare is built to take the pounding you intend to give it and more.

OVERALL: It looks great with a polished steel shell and black nickel hardware. It sounds great, like a good steel snare that has punch. And it’s priced really well. What more do you need?

RECOMMENDED FOR: This snare is just right for the drummer who wants something a little special in their kit and doesn’t mind carrying the extra weight. Great for a variety of styles, it really stands out in the mix compared to a wooden shell.

SOUND AND VERSATILITY: The heavy brass shell truly has a sound of its own. A bright top end that rings long after the strike and a smooth mid range and low end that stops it from becoming too bright overall. Best of all, it has volume with some seriously big punch.

USABILITY: This is really something special and may not suit the needs of all drummers. You really have to hear it to understand how it will fit into your sound, but if you do go with brass, you will not look back. It will change your kit forever.

CONSTRUCTION: This snare is built like the proverbial. It is seriously heavy and seriously tough. The brushed brass shell and satin chrome hardware looks great but will stand the test of time.

OVERALL: I loved this snare right from the moment I took it out of the box. It looks great and sounds even better. All you would really need to add to it is a roadie to carry the thing around for you.

PG. 38 MIXDOWN NO. 220

AUGUST 2012

Remember to visit your local music retailer to test, try and buy and most importantly keep on drumming!

RRP: $269

RRP: $899

DRUM & PERCUSSION SPECIAL DRUMCRAFT SERIES 8 14 x 6.5” ALUMINIUM SNARE

RRP: $749

DRUMCRAFT SERIES 8 14 x 5” ALUMINIUM SNARE

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: DYNAMIC MUSIC

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: DYNAMIC MUSIC

RECOMMENDED FOR: Rock, pop, metal, country players.

Live and studio work where some extra oomph is needed.

SOUND AND VERSATILITY: Cracking, thick and punchy the aluminium shell houses some cool overtones from wild to funky and fat. Tuned mid to low you get great projection and a snare that could work well in many live situations.

USABILITY: Easy to crack open and get stuck into without any fuss. The Nickel Drumworks feels super smooth and strong too so you’ll have no problems tuning this 14 x 6.5.

CONSTRUCTION: I love the look of the brushed aluminium and satin hardware - understated, slick and modern.

Drumcraft’s rounded tension rod casings are tough and look good to boot also. A tough looking snare that feels rock solid too.

OVERALL: Drumcraft may seem like a newish player on the drum scene but they’re definitely heading in the right direction with instruments of this high quality. An interesting take on the Aluminium drum sound and I like it.

RECOMMENDED FOR: Rock, pop, funk, jazz or country players. Studio guys needing a different take on the metal type snare or live guys that maybe want something a little louder with hints of overtones.

SOUND AND VERSATILITY: A great sounding snare that will give you a range of tones. With the ability to be tweaked up in pitch and tension and also controlled a little with gels or a ring, you’re getting plenty of variation in one classy package.

USABILITY: Straight out of the box this bad boy comes alive and even more when you tune it to your preference.

CONSTRUCTION: I dig the German design aesthetic and this snare seems pretty darn bullet proof to me. Strong shell, tough looking hoops, tension rods and covers and a quality snare throw off give you the feeling it’s going to go the distance.

OVERALL: A tad drier and perhaps more responsive than it’s deeper 6.5” brother this 14 x 5” snare has a lot of the ring and overtones of a steel snare yet carries that little extra body and warmth. Killer!

MAPEX BLACK PANTHER CHERRY BOMB 13 x 5.5” SNARE

RRP: $499

MAPEX MPX HAMMERED STEEL 14 x 5.5” SNARE

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: ELECTRIC FACTORY

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: ELECTRIC FACTORY

RECOMMENDED FOR: RnB, Funk, Soul and jazz styles or players wanting a snare that can cater for a range of tunings. This Mapex will actually cater for almost anything though.

SOUND AND VERSATILITY: The cherry bomb can yield a super focused crack or a broader, deeper tone not usually characterised by a snare drum of this size depending on what you’re after. It’s super sensitive all round with little overtones and a great rim shot.

Very well behaved.

USABILITY: Pleasing to the ear straight out of the box, all you need to decide is how you want to tune it. High and open = crack, funky and pop. Low and muffled slightly with some Gaffa = old school, focused and perfect for recording. Fell in love with it straight away.

CONSTRUCTION: Cheery Wood shell has a beautiful finish with all the usual great Black Panther hardware and fittings – butter like piston throw off with dual tension knobs, premium snare wires and the stick friendly sonic saver hoops for great feel.

OVERALL: Great snare. Mapex are really kicking goals with the Black Panther range. The price is pretty right with this guy too so not just pros are likely to get involved. I reckon it’ll deliver a great sound and good manners for years to come.

RECOMMENDED FOR: MPX are aimed at beginners, people getting in the game or like me, anyone wanting a good priced snare that can kick it with some other much higher priced models.

SOUND AND VERSATILITY: This is a great sounding snare for the money. It’s slightly drier thanks to the hammered shell. There are overtones but it’s all pretty standard steel snare stuff here.

There’s a good defined crack and some real depth to the sound, particularly when played dead centre. I loved it cranked up or likewise, tuned low.

USABILITY: Very well behaved, easy to operate and get playing quickly. No need for super accurate tuning, the snare isn’t temperamental. Just produces a good sound at any tension.

Really performed well considering it’s the “budget” range MPX. CONSTRUCTION: Looks awesome! The hammered shell gives it real presence. The throw off and fittings aren’t Mapex pro grade or anything, but all functions well. Perhaps if I’m niggling, the throw is smooth but the plastic tension knob is a little stiff.

OVERALL: It’s a winner. Considering you can pay $1000+ for snares these days, the MPX presents great value for money and a sound versatile for just about anything. Why not have one in the collection for that rainy day? It’s affordable!

NATAL BLOCK MAPLE STAVE 14 x 5.5” SNARE

RRP: $769

NATAL HAMMERED DARK BRONZE 14 x 6.5” SNARE

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: ELECTRIC FACTORY

PRODUCT TYPE: SNARE DRUM DISTRIBUTOR: ELECTRIC FACTORY

RECOMMENDED FOR: Intermediate to professional players.

This is a pretty serious snare drum and will suit a bunch of different styles.

SOUND AND VERSATILITY: The snare has a really focused sound with a great rim shot and super sensitive touch. The shell is extremely thick and therefore the sound isn’t probably as deep as the size suggests but this snare would be a great all-rounder.

USABILITY: Out of the box onto the stand and wham. Good sounding snare drum. Plenty of volume, low overtones and fuss free usability – throw off, smooth tension rods.

CONSTRUCTION: The signature to this Natal snare is the construction. Made from thick, solid block maple staves and joined together to form a shell, the bearing edge is cut across the grain of the wood rather than with it promoting a more natural resonance and good volume. The snare also features a beautiful natural finish and lovely detailed fittings such as Natal’s Tri-Throw throw off.

OVERALL: The block maple stave is a bit of a beast really. I love the exotic nature of the construction, the way it looks and the way it sounds. It would be a great snare to own to get to know and experiment with.

RECOMMENDED FOR: Drummers of any style or for anyone looking for a fat, dark and dry sounding snare drum. Choice of skin will determine how you use the available tone.

SOUND AND VERSATILITY: Dark Bronze is the right name of this drum because it’s just that. It has a dark, focused and dry sound that is usable for pretty much anything. This drum likes all ranges of tuning, is super sensitive, requires no dampening and constantly gives a fat tone.

USABILITY: Natal have equipped this drum with an Aquarian Polaris head, which features an internal dampening ring it’s this that highly contributes to the dryness of this snare. The throw off and tension knob is smooth.

CONSTRUCTION: Made from fully hand hammered bronze, this drum looks amazing. The drum also features standard (and excellent) hardware/fittings such as 2.3mm chrome hoops, the very cool ‘tri-throw’ throw-off that allows for three instant tension settings and all Natal budging. Interesting also how the hammering deliberately avoids all fittings so they remain flush to the shell.

OVERALL: What a beast! I’d love to own this drum just to see how it reacts to different rooms, heads and styles of gig. Pretty cool piece of kit.

EVANS EMAD CLEAR HEAD

RRP: $85

EVANS EMAD 2 CLEAR HEAD

PRODUCT TYPE: BASS DRUM HEAD DISTRIBUTOR: D’ADDARIO AUSTRALIA

PRODUCT TYPE: BASS DRUM HEAD DISTRIBUTOR: D’ADDARIO AUSTRALIA

RECOMMENDED FOR: It is more suited to the jazzypop rock/blues end of the spectrum playing lighter, but could probably be used for heavier styles as well, as it can be tuned to have a more aggressive attack.

SOUND AND VERSATILITY: Quite versatile, and can be tuned and dampened to suit most musical settings, from jazz to pop to metal. The muffle rings, and the choice they provide, are one reason for this versatility.

USABILITY: The skin looks and feels beautiful straight out of the box, and tunes up very nicely, with minimal tweaking required, which is of course exactly what the busy touring musician needs.

CONSTRUCTION: The EMAD is single ply, which makes for a slightly brighter tone and a little more attack. It is a clear head, has the plastic damping sleeve on external side holds 1/2 in. thick foam damping rings (included – your choice of 1/2 inch. or 1-1/2 inch wide). It will take a beating.

OVERALL: The EMAD is sound and performance personified.

The dampeners are a great innovation, and assist to make the drummer’s job easier overall. Versatility is key here.

RECOMMENDED FOR: Anything that requires a dark tone and lots of low end, but still with great attack. So, the darker forms of rock and metal, dark pop and jazz.

SOUND AND VERSATILITY: The tone is slightly darker, no matter which way it is tuned, which may possibly lessen its versatility overall. The dampening rings allow for increased definition for a very focused sound.

USABILITY: Again it tuned up beautifully straight from the packaging, and gave a defined sound straight off the bat. This is a clean, nice looking head that is ready to rock and roll.

CONSTRUCTION: The EMAD 2 is the two ply version of the EMAD, a combination of a 6.5mm ply and a 10mm ply. Like the original EMAD, it comes with the choice of two sizes in dampening rings, lending you the control and definition you wants without stuffing, taping or cutting.

OVERALL: This is the two ply version of the original EMAD, with the double ply adding extra darkness to the tone and durability to its lifespan.

AUGUST 2012

RRP: $699

RRP: $249

RRP: $599

RRP: $85

NO. 220 MIXDOWN

PG. 39

DRUM & PERCUSSION SPECIAL EVANS EQ1 CLEAR HEAD

RRP: $70

EVANS EQ2 CLEAR HEAD

TYPE: BASS DRUM HEAD DISTRIBUTOR: D’ADDARIO AUSTRALIA

PRODUCT TYPE: BASS DRUM HEAD DISTRIBUTOR: D’ADDARIO AUSTRALIA

RECOMMENDED FOR: This head is probably for the slightly softer styles of music, maybe jazz, country, pop rock and so forth. It has a moderate attack to it and its single ply construction means it may be slightly less durable, less inclined to stand up to the relentless attack of the heavier hitters over time.

SOUND AND VERSATILITY: Its sound lies slightly towards the warmer tones, and has a moderate sustain, with the dry vents (tiny holes cut at regular intervals around the outside of the head) allowing it to be tuned higher if this is what’s required.

USABILITY: Out of the packing this skin was on the money, fit perfectly onto the drum and tuned up beautifully. A very user friendly drum skin. It has a slightly softer feel when hit.

CONSTRUCTION: It has a comparatively simple design, being a regularly constructed drum skin with the two thin muffler rings built in. The skin itself is a single ply, 10mm design.

OVERALL: This is a well made skin, and highly suitable for musical styles on the lighter end of the spectrum.

RECOMMENDED FOR: Just about anything – this is a very versatile drum head. Tune it low and leave it minimally or not dampened for a big rock slap, or tighten it slightly further and muffle for a more defined tone for precision metal. Suitable for jazz or other softer styles as well.

SOUND AND VERSATILITY: Quite defined overall, with lots of punch and warmth. This is possibly the most versatile skin in the Evans range and could be played in most musical settings, and the twin ply nature of the skin suggests increased durability.

USABILITY: Great look, strong feel, fits perfectly onto the drum and tuned up a real treat, this skin is ready for action straight out of the box.

CONSTRUCTION: This is a twin ply skin, the inner being 10mm and the outer 6.5mm. There is a built in, internal overtone control ring, removable EQ muffle ring and the vents which create a dryer tone and allow for higher tuning when required.

OVERALL: Versatility personified, this skin will stand up to most musical settings, depending on how it is tuned and muffled. This skin is the all-rounder!

EVANS EQ3 CLEAR HEAD

RRP: $77

EVANS EQ4 CLEAR HEAD

PRODUCT TYPE: BASS DRUM HEAD DISTRIBUTOR: D’ADDARIO AUSTRALIA

PRODUCT TYPE: BASS DRUM HEAD DISTRIBUTOR: D’ADDARIO AUSTRALIA

RECOMMENDED FOR: This skin is aimed more at people playing hard rock, power pop or the more groove based forms of metal, as opposed to the more precise forms of progressive, industrial and extreme metal.

SOUND AND VERSATILITY: The tone is lower end, bit still with plenty of attack. The EQ3 may possibly require further dampening if the player wishes to extract a touch more control and definition from the head.

USABILITY: This skin was actually a little easier to tune, since the rings are on the inside of the skin, and again it had the feeling that it would stand up to an absolute pounding over a long period of time, without needing to be replaced regularly.

CONSTRUCTION: The EQ3 is a clear, twin ply skin, with a thin 6.5mm each ply. There’s two internal rings build into this one, which are slightly less heavy handed in their dampening that the eternal foam ones. One is an internal overtone control ring and the other is an EQ muffle ring.

OVERALL: What this skin lacks in versatility, it makes up for in warmth of tone and attack. And it may possibly be more for live playing than studio work.

RECOMMENDED FOR: Big, fat rock styles. The sound was big and boomy, with a real ‘slap’ to it whilst still with a solid bottom end. If you want to sound like Bonham at the start of ‘When The Levee Breaks’, this may be your skin.

SOUND AND VERSATILITY: The slap and boom makes this a slightly less versatile skin, there is less definition and more sustain. This seems a real bluesy rock skin, and further dampening, either internal or external, may be required for increased definition.

USABILITY: This skin was very true in its design and fit beautifully onto the drum. Tuning wise, it required a little tweaking to hit that sweet spot, but overall a very usable skin.

CONSTRUCTION: Dead straight where it needs to be and perfectly cylindrical overall, this head is well designed. It is a 10mm single ply skin with a single overtone ring built in.

Looks sweet too, simple and effective.

OVERALL: A slightly simpler looking skin, possibly designed for the simpler styles of music. Whack it on a three or four piece kit, sit back and just wail!

EVANS GMAD CLEAR HEAD

RRP: $85

SLAM CLEAR HYDRA DRUM HEADS

PRODUCT TYPE: BASS DRUM HEAD DISTRIBUTOR: D’ADDARIO

PRODUCT TYPE: DRUM HEADS DISTRIBUTOR: JADE AUSTRALIA

RECOMMENDED FOR: This head is probably good for the more precision and extreme styles of metal. If you were playing in Fear Factory or Periphery (or their like) this skin might be for you.

SOUND AND VERSATILITY: The GMAD is for heavy playing, with much punch and attack, a balance of controlled bottom end and a touch of brightness. The tone it gives is dark but still very sharp and defined, hence for the heavy footed player.

USABILITY: Once again it is straight and solid out of the packaging and tunes up nicely. Straight and round, this is quality stuff.

CONSTRUCTION: Falling somewhere between the two EMADs is the Evans GMAD. It’s a single ply, but at 12 mil it’s almost as thick as the double ply on the EQ3. It has the externally mounted foam dampening rings, again with a choice of two sizes.

OVERALL: This skin should stand up nicely to the constant pounding of unrelenting double kicks, so if you’re slamming out the aforementioned heavy styles then this skin will definitely last the distance.

RECOMMENDED FOR: Rock, Funk, R’n’B. Anyone looking for a pretty solid, good value all-rounder hydraulic that will be durable, cut through and give that sound.

SOUND AND VERSATILITY: Most drummers who like clear heads and the sound they make will feel pretty much right at home but a hydraulic head can have more attack and less tone than a standard 2-ply. So it’s really to taste.

Adding some slight dampening can focus the tone.

USABILITY: The Slam Hydra clear provide a fat, full sound on the toms and are best tuned slightly lower. Bass drum has loads of attack but can sound fractionally thin. This is the nature of the head though.

CONSTRUCTION: 2-ply head with a thin layer of oil between the plys. Slam heads are new to the market but look and feel like very solid products.

It doesn’t feel like you’re buying a cheaper head.

OVERALL: Slam Clear Hydras give that blend of ‘ring and dead’ that hydraulics are famous for. Worth having a look at these if you are want new heads and want to save a few dollars in the process. Great bang for your buck.

SLAM CLEAR RINGER DRUM HEADS

RRP: $13.95 - $14.95 (SINGLE), $90.00 - $99.00 (PACK)

SLAM DOUBLE CLEAR SINGLET DRUM HEADS

PRODUCT TYPE: DRUM HEADS DISTRIBUTOR: JADE AUSTRALIA

PRODUCT TYPE: DRUM HEADS DISTRIBUTOR: JADE AUSTRALIA

RECOMMENDED FOR: Hard hitters, drummers with stubborn toms that don’t tune easily and need/want a great, focused sound with very little effort. Will suit styles like Rock, R’n’B, Gospel, Fusion, Funk.

SOUND AND VERSATILITY: These clear ringers from Slam are frankly awesome. They will cut just about any style bar maybe jazz and provide a great pre-dampened tone that is super focused, easy to attain and would pretty much make any drum sound good. Still plenty of attack though, and a slightly softer volume due to the internal dampening.

USABILITY: I barely had to muck around at all to get a good sound from the toms and the Clear Ringer bass drum head put a smile on my face with it’s deep, fat thud with nothing in the drum. Tunes well at all tensions.

CONSTRUCTION: Clear Ringers are a 2-ply construction with a dampening ring attached under the head. This automatically focuses the sound. The other variant the White ringer (coated) provides an even dryer sound.

OVERALL: Slam drumheads are great bang for your buck and I think if you want a fat sounding kit straight off, the Clear Ringers are a great place to start looking.

RECOMMENDED FOR: Any drummer looking for a solid, all round useable clear drum head that can provide a good blend of fat and attack. Will suit styles like Rock, Funk, R’n’B etc.

SOUND AND VERSATILITY: Being 2ply, the sound is fuller than a single ply and I found these heads easy to tune. They really sing out when you get it right. The bass drum head has lots of attack. This is not necessarily a bad thing but you need to be into this kind of sound. Toms will be a more familiar sound.

USABILITY: As mentioned, the tuning was pretty easy and you can vary the tension depending on the sweet spot of your drums. Mine preferred a medium tension. The tom heads are pretty much standard affair in terms of a good blend of thick and thin. Anyone familiar with 2-ply heads should feel at home. They cut through and provide volume.

CONSTRUCTION: These 2ply heads look the part and feel great. They certainly don’t give you the impression you’re buying a discount brand of heads.

OVERALL: These heads present great value for money, a solid, familiar sound and the durability of 2ply construction.

It’s all good from this angle.

PG. 40 MIXDOWN NO. 220

AUGUST 2012

RRP: $77

RRP: $77

RRP: $13.95 - $39.95 (SINGLE), $90.00 - $99.00 (PACK)

RRP: $15.95 - $34.95 (SINGLE), $90 - $99 (PACKS)

DRUM & PERCUSSION SPECIAL SLAM SINGLE CLEAR SINGLET THIN DRUM HEADS

RRP: $8.95 - $22.95 (SINGLE), $63 - $70 (PACK)

REMO POWERSTROKE PRO BASS DRUM HEAD

PRODUCT TYPE: DRUM HEADS DISTRIBUTOR: JADE AUSTRALIA

PRODUCT TYPE: BASS DRUM HEAD DISTRIBUTOR: MUSIC LINK

RECOMMENDED FOR: Being a thinner head, the sound will appear to Jazz heads (albeit they are clear not coated) but thin heads have their place in the studio, for drummers who like tone and ring in their drums and even Metal players who want maximum slap sound – and who can afford to change heads a lot.

SOUND AND VERSATILITY: The clear singlet thins are heads that will be good for the majority of styles. They give loads of tone with a lot of attack, but can produce overtones so you need to decide if you like a wide open sound or prefer a little dampening to help focus the tone.

USABILITY: I initially found it hard to find the sweet spot on the toms and it takes a little bit of care when tuning because they’re thin but get it right and you have tone. They prefer higher tuning ranges.

CONSTRUCTION: The single clear singlet thins are a clear one ply head. They appear well made and don’t give you the impression of a lower priced drum head.

OVERALL: You have to like thin heads to begin with and also clear heads to like the singlets. But they will please with a wider range of tones. The attack is always prominent but this will please some players.

RECOMMENDED FOR: The Powerstroke Pro is a new type of bass drum skin recently released by Remo. It features 10 mil film, a pressure dampening profile and permanently mounted acoustic foam that adds a more controlled, muted sound, and virtually makes internal bass drum dampening a thing of the past.

SOUND AND VERSATILITY: When attached to a 22” bass drum of the new Pearl Reference series of kits, was still quite fat and boomy, but in a warm, nice manner that puts one in mind of John Bonham circa 1972.

USABILITY: If a more defined sound is required, for example when playing fast, precise double bass in a metal or heavy fusion setting, then further dampening may be needed. That said, the skin tuned up beautifully.

CONSTRUCTION: Whether it was hit soft or hard, you can feel it will have a long life and it retained a beautiful tone across the sonic range which was impressive.

OVERALL: Everything feels and sounds right here and it’s this type of innovation from companies such as Remo that makes the drummer’s job just that little bit easier.

KAHZAN BULLET CYMBAL PACK

RRP: $269 - $329

KAHZAN CLASSIC ROCK CYMBALS

PRODUCT TYPE: CYMBALS DISTRIBUTOR: JADE AUSTRALIA

PRODUCT TYPE: CYMBALS DISTRIBUTOR: JADE AUSTRALIA

RECOMMENDED FOR: Beginners and drummers getting into the game. The Khazan Bullet cymbal pack is an excellent way to get cracking and actually get a decent sound.

SOUND AND VERSATILITY: The ride especially is very versatile with a nice wash and crash. Bell isn’t too loud. Hats are crisp, the splash is short and more bell like but quite soft.

USABILITY: The Bullets are a budget range of an already extremely well priced cymbal brand but the sound of these cymbals is still very good for the cash. As far as getting yourself set up in the game, these Bullets are an option as they have a reasonably predictable sound straight away.

CONSTRUCTION: Kahzan cymbals are constructed from a unique alloy and lathed/hammered specifically to result that unique, slightly angry sound that is Khazan. The cymbals look the part.

OVERALL: Compared with other budget cymbal packs on the market, the Bullets are really worth considering because frankly, I think they’re better. You even get the splash and bag for free. Bonus!

RECOMMENDED FOR: Heavy hitters, drummers playing Rock/Metal, people needing more projection and basically lovers of the loud!

SOUND AND VERSATILITY: These Classic Rock cymbals are designed to cut through. The sound itself is actually more dirty and trashy rather than the more traditional brighter, glassy rock type sound – particularly the crashes. Versatile? Not really the greatest adjective for these cymbals. They have one job to do – Rock out.

USABILITY: Splashes are short, effective and usable. Hi-Hats are crisp and cut through, particularly the actual Rock hats, which are even louder with more ‘chick’. The Rides are soooo loud. Any of the regular cymbals in this series have some response at lower volumes but anything labled Rock are so thick their basically unusable at lower volumes. Must be struck hard.

CONSTRUCTION: Kahzan cymbals are constructed from a unique alloy and extended lathe/hammering techniques. The Classic Rock cymbals and generally thicker and look the part with circular scoring and a brilliant finish.

OVERALL: They’re called Classic Rock and they do the volume thing well but for me, they’re not quite a ‘classic’ sound. But if you like to hit hard and prefer your cymbals at high volumes, these could be just what you’re after. Good for the price.

KAHZAN VINTAGE SERIES CYMBALS

RRP: $40 - $259

KAHZAN STD SERIES 3 CYMBALS

PRODUCT TYPE: CYMBALS DISTRIBUTOR: JADE AUSTRALIA

PRODUCT TYPE: CYMBALS DISTRIBUTOR: JADE AUSTRALIA

RECOMMENDED FOR: Jazz heads, rock, alternative. The list goes on. These cymbals have a unique sound but it’s one you could apply to more applications than you might think.

SOUND AND VERSATILITY: Terms that come to mind to describe these Vintage cymbals – trashy and dark. The Hats are crisp and light in the larger sizes, the splashes are real trashy – a short effect cymbal. The rides are good too with strong definition and a useable wash. The crashes won’t be to everyone’s taste as they are fairly angry but cool in their own way.

USABILITY: Overall, the super responsive Vintage range is an interesting sound and would probably take some time to get used to. The crashes are fairly unique but the raw, dry sound these cymbals offer are very viable and usable in the real world of gigs.

CONSTRUCTION: The Vintage cymbals look the part with a raw, un-lathed top and a lathed bottom. This technique actually results in the dry, trashy sound.

OVERALL: All cymbals, even hi-hats come in multiple sizes to cater for whatever situation you need and the price is right so you can actually extend your range. Some players will inevitably mix and match these cymbals to create different textures.

RECOMMENDED FOR: Drummers that prefer to hit reasonably hard. Will suit Rock, Metal and most styles requiring projection.

SOUND AND VERSATILITY: The 18” crash was the pick for me.

Low pitch, very warm and rich. The other size crashes didn’t have the same finesse, as they’re quite thick cymbals. Ride was reasonably versatile with nice bell and a mix of wash and stick definition.

USABILITY: Overall, the cymbals do their job but a couple of things were interesting to note. The standard hi-hats were very high pitched but had a bit of a ‘ping’ on the stand. The rock hihats are much thicker, were louder too but surprisingly had less ‘chick’. You would have to try them on your stand.

CONSTRUCTION: The cymbals definitely look and feel the part being thicker and give impression that they should be very durable over time.

OVERALL: As mentioned, I loved the 18” crash but the smaller the size of the cymbal, the less richness I got. They really required a fair whack to open up meaning they’re not as versatile for every gig. But like any cymbal, you need to hear it and choose the one for you. Well priced though!

ZILDJIAN 14” K CONSTANTINOPLE HI-HATS

RRP: $819

ZILDJIAN GEN 16 CYMBALS

RRP: $69.95 (18”) $79.95 (20”, 22”)

RRP: $50 - $399

RRP: $35 - $249

RRP: CALL FOR PRICING

PRODUCT TYPE: HI-HATS DISTRIBUTOR: MUSIC LINK

PRODUCT TYPE: ACOUSTIC/ELECTRONIC CYMBALS DISTRIBUTOR: MUSIC LINK

RECOMMENDED FOR: Drummers looking for those terrific vintage ‘60s, jazz-style sound.

SOUND AND VERSATILITY: They’re what hi-hats should sound like to me. . Most of the time when I play a set of hats, I hear the good and then there’s the slight con that annoys me - a little ‘ping’, a weird note, unbalanced chick the foot compared to the hand, the list goes on. Here we have a set of hi-hats that ticks all the boxes for the pro player.

USABILITY: The hi-hats utilise new hammering techniques which allow the cymbal to open up with darker overtones.

CONSTRUCTION: The bottom cymbal is actually quite thick and the top is thin but this yields a great chick with the stick and an evenly balanced and pronounced chick with the foot.

OVERALL: Perhaps heavy players will need to find something louder and thicker but for me these are great and really worth a look.

RECOMMENDED FOR: Electronic fans and drummers who want to experience real cymbals on an electronic kit.

SOUND AND VERSATILITY: Acoustically, these cymbals actually sound like cymbals – only ridiculously high pitched and super soft.

Great for practice. Plugged in, they are acoustic sounding too because a microphone amplifies the sound. Using the brain, you can add effects to suit your liking.

USABILITY: Fantastic. I have never experienced this level of response from an electronic cymbal through a set of headphones.

In an instant, you realise that no matter how fast you play or how you do it, the sound will be transferred to your ears perfectly.

CONSTRUCTION: The Gen 16 cymbals are constructed exactly like normal Zildjian cymbals except they don’t look like normal cymbals. Each cymbal is perforated with what appears to be millions of small holes and is a high polished silver look with the trademark ‘Z’ printed in a cool blue. The cymbal’s natural acoustic sound is recorded and multiplied using a small microphone instead of a trigger.

OVERALL: I’m converted. The Gen 16 cymbals look the part, sound the part and more importantly feel the part. No other electronic cymbals perform like these do.

AUGUST 2012

NO. 220 MIXDOWN

PG. 41

DRUM & PERCUSSION SPECIAL ZILDJIAN A CUSTOM 21” MEDIUM THIN 20TH ANNIVERSARY RIDE

RRP: $519

DRUMCRAFT HH HDC DOUBLE DROP CLUTCH

PRODUCT TYPE: RIDE CYMBAL DISTRIBUTOR: MUSIC LINK

PRODUCT TYPE: HARDWARE AND STANDS DISTRIBUTOR: DYNAMIC MUSIC

RECOMMENDED FOR: Drummers of all levels and lovers of Zildjian and specifically, the traditional A-Custom sound. This is a 20th Anniversary special edition so a little bit of a collector’s item. Suit Rock, Funk, Gospel, Fusion styles.

SOUND AND VERSATILITY: There’s that slight glassy finish that comes through on most A customs but overall makes for a nice blend that balances with the rest of the drum kit sound. It’s a sound that would be really usable in a variety of applications.

USABILITY: Crashes very well and a good mix of stick definition and wash. The bell is great on this cymbal too - it’s large and cuts through well, though not ‘take your face off’ loud. Ideal for more intricate patterns.

CONSTRUCTION: This cymbal is a slightly larger than standard 21”. You also get a brilliant finish with symmetrical hammerings, an interesting overturned edge and a large bell. To make this ride a special edition Zildjian have given it a slightly different livery with cream stamping instead of the normal black.

OVERALL: Good cymbal. Perhaps not a really great cymbal for a jazz gig if you’re thinking it, more a versatile, ‘everything else’ ride. Let’s face it; we all need one of those rides in our cymbal arsenal.

RECOMMENDED FOR: This is the perfect addition for the drummer who wants to add a greater technical style to their hi-hat control. The patented double drop positioning allows the player to take control of their hi-hats like never before.

SOUND AND VERSATILITY: The hi-hat has always had the open and closed sounds, variable by the height set on the clutch.

Now, DrumCraft gives you the ability to add a further dimension with a half opened position created in a snap of a stick.

USABILITY: Once installed, the clutch is a breeze to use. Striking one of the lever arms sets the hi-hats to a half open position, striking the next arm returns the clutch to fully closed. Stepping on the pedal returns the clutch to normal operation in an instant.

CONSTRUCTION: Like all DrumCraft products, the Double Drop Clutch is designed and built to take a beating and stand up to the punishment. The components are all impeccably constructed and sit solidly once set up.

OVERALL: This may well be just what many drummers have been looking for to add something extra to their hi-hat sound.

Its clever design really opens up the versatility of the instrument and leaves it up to your creativity to make the most of it.

DRUMCRAFT HH-R8 REMOTE HI-HAT CABLE

RRP: $429

MAPEX P710TW DOUBLE PEDAL

PRODUCT TYPE: HARDWARE AND STANDS DISTRIBUTOR: DYNAMIC MUSIC

PRODUCT TYPE: HARDWARE AND STANDS DISTRIBUTOR: ELECTRIC FACTORY

RECOMMENDED FOR: This nifty setup is perfect for the drummer with too many components to their kit and needs to be flexible with their live rig. It allows you to place the hats and the pedal in separate locations to best fit your needs.

SOUND AND VERSATILITY: When set up correctly, the remote hi-hat creates the same sound and triggers at the same time any other hi-hat stand would, which is simply awesome.

USABILITY: The possibilities are endless. The extra long remote cable allows you to position the pedal right next to your kick pedal or right out to the side. You are also free to place the hats in a different location to suit playing styles or fit into tight spaces.

CONSTRUCTION: The cable design is amazing. Based on a race car accelerator cable, it is so smooth to operate and gives you a natural movement with the pedal. All the components are built so solidly, you just know this is going to last the distance.

OVERALL: This really is a great design. It takes nothing away from the feel of your hi-hats, but gives you the added flexibility to conform to restricting space requirements. The only thing to consider is where do you feel like setting up the hats now?

RECOMMENDED FOR: It’s a double pedal so Metal drummers will like it, but really this is a pedal for everyone with it’s solid build construction - perfect for touring.

SOUND AND VERSATILITY: This pedal is claimed to be an entrylevel model. But honestly, it’s really good. It’s as quick as anything I’ve played before and actually maybe quicker! Both pedals feel the same and the smaller twin head (felt/plastic) beaters provide a nice punch from the head.

USABILITY: The P710TW has all the standard adjustment you need to make your life easy. Sometimes too much choice is bad.

Best adjustment is beater angles but you can’t adjust the pedal height separately. Honestly though, Mapex has it pretty right I reckon as it feels great.

CONSTRUCTION: Solid steel and chrome everywhere gives a sense of reliability and that it’s well made. The thinner pedal/footprint means that you can get your hi-hat closer. There’s metal spurs, a base plate and rubber soles for stability and to prevent slipping.

OVERALL: Love it! For the cash this is a serious pedal. I just don’t understand how Mapex have made it so quick. It was like the pedal board was stuck to my foot. This is the entry model? Crikey.

Better than what I had as a kid.

MAPEX B1000 SERIES BOOM CYMBAL STAND

RRP: $149

MAPEX S1000 SNARE STAND

PRODUCT: HARDWARE AND STANDS DISTRIBUTOR: ELECTRIC FACTORY

PRODUCT TYPE: HARDWARE AND STANDS DISTRIBUTOR: ELECTRIC FACTORY

RECOMMENDED FOR: All drummers intermediate to professional needing reliable gear and some cool features that frankly make life easy on the gig.

VERSATILITY: As with most smart drum companies these days, boom stands can covert to straight stand. Mapex follows suit with a single wing screw to get your boom position on hide away the boom for a simple straight stand. Infinite cymbal angle comes from an all position, swivel tilter with an acculock handle. Very nice. Cymbal stem itself is longer allowing for cowbells, tambourines etc.

USABILITY: A quick lock cymbal nut can be locked with a push of a button allowing for quick removal or application of the cymbal. All boom and cymbal angle adjustment are great and really easy to use. Stand is solid but not ridiculously heavy.

CONSTRUCTION: The B1000 is a solid piece of kit. Care has been taken to ensure parts that need adjusting are constructed to last. The quick lock cymbal nut has a metal threading to prolong life.

OVERALL: A very good stand with features that will be helpful to the player for years to come. Some thought has gone into this stand. Winner!

RECOMMENDED FOR: For regular gigging drummers needing reliable, user-friendly and no-nonsense gear, hard hitters or for environments where your snare can slip on stage.

VERSATILITY: Easy and quick adjustment/set up on the gig – such as being able to adjust not only the spread of the legs but the height of the shaft meaning ultra low positioning is available for those really deep snares.

USABILITY: S1000 will fit all size snares and can adjust to any angle you like thanks to an acculock/ball joint style basket tilter. This is honestly one of the smoothest and fuss free snare angle adjustments I’ve tried. Tightening the claw is the standard wing nut affair – can be a little stiff but works well.

CONSTRUCTION: Double braced gives stability, as does the option of spikes on the feet. This is Mapex’s top line hardware and it feels like it will go the distance.

OVERALL: Like I said – no nonsense. Nothing here is unnecessary for what the player needs. Being able to lower the snare shaft to accommodate deeper snares is a great idea and getting the angle correct is so easy. Well done Mapex.

GOODWOOD 5A DRUMSTICKS BY VATER

RRP: $8.95

VATER NISAN STEWART SIGNATURE MODEL

PRODUCT TYPE: DRUM STICKS DISTRIBUTOR: ELECTRIC FACTORY

PRODUCT TYPE: DRUMSTICKS DISTRIBUTOR: ELECTRIC FACTORY

RECOMMENDED FOR: Drummers of all styles and sounds – Rock, R’n’B, even Jazz. Pricing is aimed at beginners and players on a budget but to me they really don’t feel or act like a cheaper pair of sticks.

SOUND AND VERSATILITY: Being what I call an all-rounder, these sticks will work for just about anything. The oval tip produces a slightly pronounced, clear sound on the cymbals.

It’ll depend on the shape tip you prefer.

USABILITY: Sticks performed well, with a slight top-heavy feel. There was a little too much vibration when playing the ride with the tip but overall, most players will find these 5A’s easy to get used to straightaway. Not too light either.

CONSTRUCTION: The Goodwood’s feel solid to touch and frankly every bit as solid as your regular names, which is a good thing given they are aimed at being a budget range.

Nice grain, smooth finish, nice in hand.

OVERALL: I like em! Usually go for a ball tip myself but the slightly larger oval tip gives a little more volume. Good to know beginners or players on a budget have some options.

Great bang for your buck.

RECOMMENDED FOR: Most suited to Rock, Pop, R’nB and Gospel drummers, but would be liked by anyone needing a little more length and weight in their stick.

SOUND AND VERSATILITY: Oval tip brings great clarity and tone on the drums but particularly, the cymbals and the average sizing means that for most this stick will be fairly comfortable straight away.

USABILITY: Being slightly longer and thicker, the Nisan Stewart signature model feels great in hand and really does the work for you, providing projection from the drums.

CONSTRUCTION: Nisan’s stick is a 5B or .605” in diameter. But crucially has a ¼ inch more length than a regular 5B for added reach and weight. Vater’s excellent stick manufacturing techniques shine through with a great feeling, pitch matched stick made from hickory for durability.

OVERALL: I personally like 5B sticks so I instantly found this stick to be comfortable. But the best reason I liked it was the fact that I’m not the hardest hitter so the extra length provided a hint more volume and that’s a good thing on those louder gigs.

PG. 42 MIXDOWN NO. 220

AUGUST 2012

RRP: $49.95

RRP: $399

RRP: $139

RRP: $16.95

DRUM & PERCUSSION SPECIAL HARDCASE COLOURED SNARE DRUM CASE

RRP: $129

HARDCASE HARDROCK STYLE SNARE DRUM CASE

PRODUCT TYPE: CASES DISTRIBUTOR: ELECTRIC FACTORY

PRODUCT TYPE: SNARE DRUM CARRY CASE DISTRIBUTOR: ELECTRIC FACTORY

RECOMMENDED FOR: The regular gigging drummer or players that don’t want to dish out heaps of dollars for heavy flight cases. Also recommended for players that are a little rough with loading gear.

VERSATILITY: Hardcase’s original design remains the way to go.

Oversized, overlapping lids mean one case can cater for a variety of depth drums. They also all have nesting capabilities for storage.

USABILITY: All clips are wide and strong and give a sense of confidence when used. The handles are better made than previous years models with rubber housing that feel good in hand. This is important particularly with bigger cases but if you happen to have that crazy heavy snare – the same goes. Cases are designed also to stack well if you have a few with out falling over.

CONSTRUCTION: Like a Tonka truck. You can basically throw these cases over a cliff and they won’t break. Extremely durable, with foam pieces lining where the drum sits. This case was in a funky bright green so unlike before, drummers can personalise the look of their gear. Available colours are: Blue, Green, Bright Blue, Bright Green, Red, Pink, Yellow and White.

OVERALL: Basically the industry standard for drum hard carry/ protection these days. If you have the space in the car, you can’t go wrong.

RECOMMENDED FOR: The working drummer who needs ultimate protection for their gear – either just around town or more particularly for flying.

VERSATILITY: The hardrock case features the same famous features as the orginials with an oversized, overlapping lid to cater for a variety of depth snares, nesting capabilities for storage and a design that allows for safe stacking.

USABILITY: No mucking around with zips means quick unpack and repack. Also, no need to wrap the drum, get fiddly with the perfect fit etc. Just whack it in and go.

CONSTRUCTION: Very similar to the standard Hardcase models, this ‘Hardrock’ model features some extras such as full foam lining inside the case as well has a grey granite look exterior giving real presence for those drummers looking for a good looking case as well as a functional one. Build tough as nails, the case itself is super durable with wider clips and comfortable carry handles.

OVERALL: As good as it gets? Basically. The full foam lining is actually very welcomed as this protects even the fittings and hardware on your snare drum. The drum won’t move inside the case and has guaranteed protection from impact – such as being loaded onto a plane or dropped off stage, down stairs. Just need a big boot for a full set.

RHYTHM TECH DRUM KIT PACK ONE (RTDK1)

RRP: $139

RHYTHM TECH DRUM KIT PACK 2 (RTDK2)

PRODUCT TYPE: ACCESSORIES DISTRIBUTOR: AUSTRALASIAN MUSIC SUPPLIES

PRODUCT TYPE: ACCESSORIES DISTRIBUTOR: AUSTRALASIAN MUSIC SUPPLIES

RECOMMENDED FOR: For every drummer that has ever thought, “I need more cowbell”, and haven’t you all at some point, and wouldn’t mind a tambourine to compliment it, the Drum Kit Pack houses both neatly together.

SOUND AND VERSATILITY: The DPK allows you to expand the sound of your kit with just a simple addition.

The tambourine is full sounding and the 5 inch cowbell has enough presence and edge to cut right through the rest of the kit’s sound.

USABILITY: It takes a few minutes to assemble and then the DKP is ready to go. It can live on any stand that allows easy access to the tools included and fits into even the most compact of kits where additional stands isn’t an option.

CONSTRUCTION: These sets are not made for look, but for sound. Because of this, they are built really tough to take the beating they require to get that sound. You could hammer on the tambourine all day and it isn’t going to budge.

OVERALL: Yes, we all need more cowbell and a of-course a solid tambourine is always handy too. So, putting both together in a kit at a great price ticks all the boxes for adding that extra kick and dynamic edge to your sound.

RECOMMENDED FOR: Just about any drummer who wants to expand the array of sounds available to them on their kit.

It doesn’t matter what style of music you play, the Drum Kit Pack is going to allow you to further explore your sound.

SOUND AND VERSATILITY: Comprising of a Drum Set Tambourine and a Moon Block, you can achieve a variety of tones and sounds to bring extra life to your kit. The Moon Block especially allows you to create a variety of clave hits and accents.

USABILITY: The set comes with mounting arms, so it is simple to set up and attach to your kit. Once installed, you’ll wish you had sooner as it provides some of those extra special tricks that will add to your performance.

CONSTRUCTION: Basically, these things are built to take just about anything you throw at them. I cannot see how the Moon Block could ever wear or get damaged and the tambourine is built will take a solid beating, built tough.

OVERALL: This is a simple addition to any kit that ticks all the boxes. It gives you a variety of tones without taking up too much space and will fit into just about any kit with some spare space on the arm of the stands for mounting.

RHYTHM TECH HAT TRICK G2 (RT721)

RRP: $49.95

RHYTHM TECH DOUBLE HAT TRICK (RT742)

PRODUCT TYPE: ACCESSORIES DISTRIBUTOR: AUSTRALASIAN MUSIC SUPPLIES

PRODUCT TYPE: ACCESSORIES DISTRIBUTOR: AUSTRALASIAN MUSIC SUPPLIES

RECOMMENDED FOR: Although quite similar to the Hat Trick G2 with nickel bells, this brass bell version gives a mellower tone that might be suited to a wider range of players who do not want the sizzle of a typical Hat Trick added to their hi-hat sound.

SOUND AND VERSATILITY: What you get with this model is a subtle, deeper sound that doesn’t resonate quite so long or as harshly. The bottom mounted bells are free to move cleanly for added chime, but with more depth due to their brass construction.

USABILITY: Being in the G2 range of Hat Tricks, the range of use with the RT721 is limited to your laziness really. It is so simple to add or remove it to your hats; you have no excuse for not using one when a certain song calls for that added tone.

CONSTRUCTION: Although it is made from a plastic frame, this unit is designed to be hit with your sticks, so it is strong and sturdy.

You don’t have to worry about wearing the threads out on the locking nut either as there are none!

OVERALL: The light weight design means you don’t feel the added weight on the pedal when you open the clutch for your hats making it easy to adapt to using the G2. It is going to open your sound right up and give your kit added tone in a matter of moments.

RECOMMENDED FOR: The Double Hat Trick really jumps out with added volume and added weight too. It is more suited to players who really want to liven up their kit and stand out on the stage.

SOUND AND VERSATILITY: For hard hitting players who want maximum impact, the Double Hat Trick is going to give you just that. It gives you a richer sound with more punch and less sizzle than the standard Hat Trick.

USABILITY: As with the Hat Trick, the double belled version does tend to overtake your hi-hat sound, in fact even more so. It can be limiting in use at times, but can also be used to achieve really great results when you want that effect.

CONSTRUCTION: The locking nut grips the hi-hat top rod firmly and doesn’t usually need adjustment throughout a set, just like the single unit. The bells run both up and down from the support frame, securely fastened enough to suffer stray hits from your sticks.

OVERALL: This is a real powerhouse of sound when used with a heavy hitting drummer. It brings your hi-hats forward in the mix and makes them stand up with the rest of your cymbals in volume whilst adding a very different tone at the same time.

RHYTHM TECH HAT TRICK (RT740)

RRP: $45

RHYTHM TECH HAT TRICK G2 (RT720)

PRODUCT TYPE: ACCESSORIES DISTRIBUTOR: AUSTRALASIAN MUSIC SUPPLIES

PRODUCT TYPE: ACCESSORIES DISTRIBUTOR: AUSTRALASIAN MUSIC SUPPLIES

RECOMMENDED FOR: Great for jazz and fusion players who want a little something extra on their hi-hats. The Hat Trick mounts easily to your hi-hats and gives you the added sparkle and life of a tambourine to your kit.

SOUND AND VERSATILITY: Opening and closing the clutch will give you the tambourine sound, the more aggressive action you use, the more prominent it becomes. It allows you to add this sound without needing to actually hit a separate tambourine.

USABILITY: Not for everyone, the Hat Trick does become a fixture on your hi-hat sound. Although it can be removed between songs, it doesn’t really have a muting option, so your hats will always have that extra sizzle.

CONSTRUCTION: The single layer of bells is secured onto the welded frame firmly, with long shafts to allow for maximum movement. The locking nut grips the hi-hat top rod firmly and doesn’t usually need adjustment throughout a set.

OVERALL: Obviously, the Hat Trick gives a very specific sound, but for those drummer who want to add some extra life to their kit without breaking the bank, it does give you a very different dynamic in the sound of your hats.

RECOMMENDED FOR: The Hat Trick G2 is really something that could be used for all players and all styles. The added versatility with easy mounting means you can add it to your sound when you want, allowing any song to have some added sparkle.

SOUND AND VERSATILITY: With the bells mounted below the frame for ease of movement, you have the added option of striking the rubber padded frame ring to create an even greater range of sounds with the G2.

USABILITY: The quick release locking mechanism means the G2 Hat Trick can now be brought in and out of your sound quickly and easily. I think a number of drummers would like to use one, now that they aren’t stuck with the sound for every song.

CONSTRUCTION: The quick release mechanism feels sturdy enough and firmly locks onto the hi-hat top rod without slipping when stuck with a stick. The plastic frame keeps the unit lighter, allowing it to move more freely with the action of the clutch.

OVERALL: Rhythm Tech have taken a great product and made it all the more usable. Suddenly, the Hat Trick can be opened up to an even greater range of uses and sounds to further enhance your performance.

AUGUST 2012

RRP: $149

RRP: $139

RRP: $55

RRP: $49.95

NO. 220 MIXDOWN

PG. 43

DRUM & PERCUSSION SPECIAL EVANS EQ BASS DRUM MUFFLING PAD

VATER 12” CHOP BUILDER SINGLE SIDED SPLIT

RRP: $45

PRODUCT TYPE: ACCESSORIES DISTRIBUTOR: D’ADDARIO AUSTRALIA

PRODUCT TYPE: ACCESSORIES DISTRIBUTOR: ELECTRIC FACTORY

RECOMMENDED FOR: Great for use in any style of music, allowing the kick drum to be dampened and tonally adjusted for solid low end. Whether you are using a cocktail kit or a big rock rig, it will serve a purpose.

SOUND AND VERSATILITY: This handy addition to any sized kick drum reduces unwanted snap in the kick drum to tighten the sound and emphasise the thump. It allows the kick drum to attain a very distinct sound from the rest of the kit.

USABILITY: The EQ PAD is so simple to use. You do not need to be an engineer to get it to work well, just place it inside your kick drum as per the instructions and try a few positions to see which works best for the tone you’re after.

CONSTRUCTION: Made with a felt outer and soft padding, the EQ PAD doesn’t bear the brunt of the beater, so it is going to work year after year without ever getting worn out.

Once installed, you won’t need to upgrade or repair anything.

OVERALL: For a simple solution to a booming kick drum that washes out the mix, the EQ PAD couldn’t be easier. You could spend hours tuning your heads and countless dollars replacing skins, or you can save all that time and money and get an EQ PAD.

RECOMMENDED FOR: All drummers needing a solid pad for practice and something that can provide a couple of rebound surfaces to simulate different parts of the drumkit.

SOUND AND VERSATILITY: Split surface provides two levels of rebound. One side is very hard, more like playing a cymbal and the other is more your standard pad feel. Bigger size is welcomed given the surface is split up. Also, it depends on what sort of pad feel you like as to whether you’ll be into this or not.

USABILITY: The regular surface felt like home immediately, good rebound and nice feel coming back through the stick.

The harder surface wasn’t as comfortable – however, this is probably deliberate, as it’s designed to give you the challenge of being comfortable on any surface. Non-slip cut out additions underside means no movement on tables and there’s a screw housing for mounting on a cymbal stand.

CONSTRUCTION: Solid wood build with metal mounting hole and durable rubber rebound surfaces – the Vater looks and feels the biz.

OVERALL: The only downside is the bigger size pad is fairly weighty and makes it less portable. I can imagine players leaving this pad set up for home practice only. Good solid product.

THE DRUM KEY

Crash/Ride Cymbal

RRP: $62.95

Crash Cymbal

Hi-Hat Clutch Tom Skins

High & Middle Toms

Hi-Hats Boom Cymbal Stand

Snare Drum

Tom Mount Bracket

Floor Tom

Bass Drum

Hi-Hat Pedal

Bass Drum Skin

DISTRIBUTION DETAILS DISTRIBUTOR:

PHONE:

WEBSITE:

AUSTRALASIAN MUSICAL SUPPLIES DYNAMIC MUSIC ELECTRIC FACTORY JADE AUSTRALIA D’ADDARIO AUSTRALIA MUSIC LINK AUSTRALIA

(03) 9549 1500 (02) 9939 1299 (03) 9474 1000 1800 144 120 (03) 8761 6293 (03) 9765 6565

www.austmusic.com.au www.dynamicmusic.com.au www.elfa.com.au www.jadeaustralia.com.au www.daddario.com www.musiclink.com.au

PG. 44 MIXDOWN NO. 220

AUGUST 2012