Doğala Doğru for an adjustable microtonal guitar and a standard fretted guitar (2010)

Page 1

Gabriel Mトネトハcioiu

- for an adjustable mictrotonal guitar and a standard fretted guitar-


Performance notes Guitar 1 adjustments from the equal tempered tuning: D -30 cents,

F + 10 cents,

G# - 15 cents. For the purpose of simplification, this deviations are not

notated in the score. For the same reason, natural harmonics deviations from the equal tempered tuning are not notated in the score.

Natural harmonics chart fret

string

complex sound

Duration 6 min. This score is protected by S.A.C.E.M. and U.C.M.R.-A.D.A. Before any public performance a declaration must be sent to your national author’s society. © Gabriel Mãlãncioiu www.gabrielmalancioiu.org


to Tolgahan and Erhan

Doğala Doğru  

Lento

    

 

pp non arpeg.

 

 9

Gtr.1

  

 

  

 

 13

   

 

   

mf

sul tasto

H6/E



H1.7/E H8/E H6/E

 

   

pp

p



H6/A

H5/A

  

 

H8/E H6/E

 

p

 

   

    

 

sul pont.

   

f

H6/E

H5/A

H7/E

mf



H1.7/E

H6/E

  

 



H2.3/B

H3.3/D

3

H3.7/E  

H5/A H5/D H7/E

 

H2.3/B H2.3/E H2.7/E

       

         H6/A

     

   



H1.7/E

H6/E

 

p

 



H3.7/E

H1/E

 

 

f

ff

       bend string            

H2.3/B H2.3/E H2.7/E H3.7/E H2.3/D

H6/A H6/E



 





ff © Gabriel Mălăncioiu

 



lightly touch the string and make a gliss. with left finger

ord. H5/E

p

sul tasto



Rubato

sul pont.

H3.3/D

pp

H3.7/E



 

 

H6/A

f

sul tasto

p

p

 

 

      

mf

H1/A

 

3

f

 

p

improvvisando lightly touch the string and make a gliss. with left finger

mf

H3.7/E

 

  

        

                5

H12/A right hand

     Gtr.1           

Gtr.2

H3.7/E

p let harmonics resonate throughout

H2.7/B

Gtr.2

 

 

sul pont.

Guitar 2

always play molto sul pont. with nail



Guitar 1

sul tasto



 

Gabriel Mălăncioiu 2010

pp mp

    3


2 19

 Gtr.1   Gtr.2

  23

 Gtr.1  

 

 A tempo  sul tasto

bend string

 

Gtr.1

  

sul tasto

    p

lightly touch the string and make a gliss. with left finger

 

 35

Gtr.1

Gtr.2

    

 

 

 





   

   

H3.3/D

 

      H2.7/B 

                        

            

simile

 





   

     



   

 





 

H3.3/D

H2.3/B



H3.7/E

  

    

   

H2.7/G H5/A H5/D H3.7/E





         p



 

 

     



 

             

simile

 

   

 

    

 

                



pp poco accentuato

            

lightly touch the string fast gliss. with left hand alone and make a gliss. with left finger H1/A from fret 8 to fret 5 and back H5/A

          

 

H1.7/E   p

pizz.



3

            

pizz.

mp



 H6/AH3.3/EH6/E     

    

5

H5/A

fast gliss. with left hand alone from fret 8 to fret 5 on string  and



5

mp

 

 

H7/E

right hand gliss. from fret 18 to sul pont. thus obtaining the harmonic series of A

                



mf

H2.3/D

mp

f

artificial harmonics V



  

      

  

H3.3/D H6/A H6/E

mf

H6/E

H1/A

H5/A

       

pp



p

 

improvvisando

pp poco accentuato

Gtr.2

 

mp

Presto

26

   

pp

pp

 

                 

H2.7/B

Gtr.2

 

 

sul pont.

f



        

mp simile

 

    H5/A

 

                         simile

       

H1/A

f



mp

        

 

 


43

 Gtr.1   Gtr.2

 

 52

Gtr.1

Gtr.2

     61

Gtr.1

Gtr.2

  70

Gtr.2

    

 78

 Gtr.1   Gtr.2

      

 

      

   

  

  

   



  

 



 

       

          

      p



H1/A H5/A

 

 

    

f

  

             

 

     

 

        

    

con dolcezza ma ben ritmato

 

 

      

      

 

     

       

 

 

       

  

bend

 

  

     

      

     

        

       ord.

gl.

  

    

 

 

mp 

 

 

 



    

 

      

 

 

        

       

mf

 

 



    

               

     

mf

  

pizz.

  

3

      bend                  

        

  

 

simile

            

 

 

 

                

       

    

       

      

    

       

      

fast gliss. with finger 1 on string 

      

f

    



    

        

  

     

   

               

subito mp ord.

  

     

          

f

f

  

 

f

              

thumb flesh

          

        

p

 

                  

   

 

pizz.



 

ord.

subito p

      

 Gtr.1

 

   

      

  

     



bend

         

rasg. r a m i

gl.

ff

             

 

 


4 87

Gtr.1

  

  



     

pp senza accento molto sul pont. with nail H6/E

97

 Gtr.1   Gtr.2

106

 Gtr.1    

 





3

  

 

   

H6/E

 





 

sul pont.

  

           

 



 



  

  

      

  

   

rasg. r a m i





            

        

  

 



 

2

 

     

f

             

  

 

         

     



     

rall.

      

 

         

 

 

rasg. r a m i

 

mf



         

     



             

   

               

 

             

 

 

sul pont.

H6/E

f

      

ff secco    



H5/G H3.7/B

           

ord.

 

H6/A

 





              

 

 

rasg. r a m i

  

  

                  

  

       

ffff non arpeg.

sul pont.  molto with nail H6/E    Gtr.2         ffff non arpeg.

  

  

     

   

H6/A

H6/E

    

molto sul pont. with nail wait until the sound H5/E fades away H3.7/E

 

  

   

 



  



H2.3/D

       

   

 

     

          

        

 

H6/D

H8/E H6/E

 

 mf

 

H3.3/B H3.3/E

let harmonics resonate throughout

mf H3.7/E

H2.3/A

p ethereal

H3.7/A

 

let harmonics resonate throughout

H3.7/E

  

 

    

3

p ethereal

 

 

ord.

ff secco

Lento

113

Gtr.1

 

 

                               mf

f let harmonics resonate throughout

   

Gtr.2

 

 

H3.7

  Gtr.2        ff 

  

H3.7/A

 

 


5

Rubato

    

119

 Gtr.1   

 

  

   

lightly touch the string and make a gliss. with left finger

  



H2.3/E

 

H3.3/E

H2.7/E

    3

 

H2.7/E

H2.7/A H3.7/E

 p

 

H3.3/E



H1/E

H5/E

pp

H3.3/E H3.7/E H3.3/A

Gtr.2

 

H2.3/D H1.7/A H2.3/D H2.7/E

H2.3/B 3.7/E H2.3/D

pp



 



H2.7/E

H2.7/E H3.3/B



H5/A

 

H3.7/E

 

bend string

3

pp

 

p

bend string           

H1.7/A

H2.3/B

p

  

         

3

p

pp

A tempo

add and release pressure on string behind the nut

  

 

H2.3/B

124

 Gtr.1   Gtr.2

H5/A

H2.7/E

p

 

 

H3.7/A

 

 

H2.3/A

H2.3/B H3.7/E

 



H3.7/E

H5/E

 

H3.3/B 130

 Gtr.1  

H5/A

Gtr.2   



H3.7/A

 

H2.3/D

H5/E

 

H2.7/E

H3.7/A



 

H5/B

 H1.7/A 

H3.3/B



 

H3.3/B

 

H3.7/E

H2.3/D

H2.3/E

H3.3/B  



H3.7/A

H5/E

H5/E

 

 

H2.3/B

H3.3/E

H3.7/E  H1.7/A 

H3.7/E



H5/B



H3.3/B

   

  

H3.7/A



H2.3/A

 

H2.7/E

H3.7/E



H3.7/A

H2.3/A

H2.3/A

 H5/E


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