Katharythmos for five percussion players (2009)

Page 1

Gabriel Mトネトハcioiu

for five percussion players


Ensemble

Percussion 1: Glockenspiel, Crotali, Wood-blocks (2), Tamburino, Bongos Percussion 2: Timpano, Crotali, Blocco di Metallo, Piatti, Simantra (2), Timbales Percussion 3: Timpano, Vibrafono, Triangolo, Tom-Toms (4) Percussion 4: Marimba, Tam-Tam, Castagnetti, Tamburo Rulante Percussion 5: Gong, Temple blocks (5), Conga, Gran Cassa

Both player 1 and 5 must have each wire brushes.

Symbols used:

N – normal position C - in the center R - on the rim

Duration 9 min. This score is registered by S.A.C.E.M. and U.C.M.R.-A.D.A. Before any public performance a declaration must be sent to your national author’s society. © Gabriel Mãlãncioiu www.gabrielmalancioiu.org


to ensemble Percutissimo

Katharythmos

Percussion I Crotali

 

q=40 =40

 CROTALI     

trem. con spazzole

le mani   con     

Percussion III Triangolo

Percussion IV Tam-Tam

TAM-TAM



GONG

Percussion V Gong

Perc. V G. C

 11

Perc. III Tom-Tom Perc. V G. C.

 15

Perc. III Tom-Tom

 

Perc. V G. C.

 21

Perc. III Tom-Tom

Perc. IV T. rulante

Perc. V G. C.

 26

Perc. I T-ino



Perc. III Tom-Tom

Perc. IV T. rulante

Perc. V G. C.



muta in TIMBALES

mf

    

 

p

 

   

 

   

             3      

 

 

 



     





  



ppp

con le mani





TAMBURINO

ppp

 



 

   

    

  

 

 

      

  

 

 



 

    

     3

            

3



 

pp

 

 

 

 

   

© Gabriel Mãlãncioiu

  

  

 

 

  

  

  





   3

 

con spazzole

  

   

  

 

       

 

 

 

GRAN CASSA con spazzole

con le mani

     

       

 

     

   

     

  

  

muta in GRAN CASSA

 

3

      

          

 

 

mf

 

 

      

3

ppp

3

        

TOM-TOM

TAMBURO RULANTE

Perc. IV T. rulante

 

pp

TRIANGOLO

Perc. III Tom-Tom

Gabriel Mălăncioiu 2009

 

muta in TAMBURINO

         ppp CROTALI on TIMPANI  trem.                

Percussion II Timpani

6

 

q=80 =80

 

   

 

 

con le mani



  

 

  

     

   







  

 

 

  

  

  

   







 

 

 



 3  

 

 


2

33

Perc. I T-ino



Perc. III Tom-Tom

Perc. IV T. rulante

Perc. V G. C.



39



 

   



TIMBALES con le mani

 



    



 



 

   

 

  



 

 

Perc. II Timb.

   

    

Perc. III Tom-Tom



  

 

Perc. IV T. rulante

Perc. V G. C.



43

Perc. I Bongos

Perc. II Timb.

Perc. III Tom-Tom

   

 

Perc. II Timb.

Perc. III Tom-Tom

 

Perc. IV T. rulante

Perc. V Conga



 



     

 

  

 

 

 

 

  

 

   



   

 

   

3



 

   







  

CONGA con le mani



ppp

3

 

 

3

  

 

 

 

  

 

   

  

 

   

  

 

 





 

         

 

  

  

  

 

3      

 

 

   

  

   



3

 

  

    

   



    

 

   

  

   

 

 

 



 

  

  

  

 

con le mani



 

  muta in CONGA    

   





   

                           

ppp



 

 

   

   





     

3

BONGOS

 

muta in BONGOS

  

  

3

  

      





48

Perc. I Bongos

 

Perc. IV T. rulante Perc. V G. C.

    

 

3

   

 

   

3

     

 

  

    ppp

      



 

   

3

Perc. II Timb.

Perc. I Bongos

 

  



 


52

Perc. I Bongos

Perc. II Timb.

Perc. III Tom-Tom

Perc. IV T. rulante

Perc. V Conga



56

Perc. I Bongos



 

 

   

  

ppp

 

   

3

    

  ppp

 

   

  

ppp

 

ppp

 

 

  

 

 

  

 

  

      

  

 

3

    

 

 

 

    

 

q=90 =90 with voice pitch not important

accel.

       

 

     

  

   

  

3

      

 

ppp

 

a

 

 

sf p

with voice pitch not important a Perc. II Timb.

Perc. III Tom-Tom Perc. IV T. rulante Perc. V Conga

     





Perc. II Timb.

Perc. III Tom-Tom

Perc. IV T. rulante

Perc. V Conga



 

 

  

  

 

       

   

  

 

ppp

bacch. di legno

 

  

   

Perc. III Tom-Tom

  

  

 

Perc. IV T. rulante

     

Perc. V Conga



ppp

  

 

 

  

 

    

 

bacch. di legno



sf

       

 

   

 

ppp

  

  

ppp

  ppp

 

Perc. II Timb.



 

 



 

ord.

 



3

Perc. I Bongos

 

trem

     

  

63

       



Perc. I Bongos

   

sf p

60

  

   



 

 

 

3

  

 

 

 

 

   

 

 

   



     



  

 

 

   

 

 

 

    

3       

 

 

 

 

 



    

ppp

ppp

       ppp

 

ppp

 

    

 

 


4

   

67

Perc. I Bongos

Perc. II Timb.

Perc. III Tom-Tom

Perc. IV T. rulante Perc. V Conga

 70

Perc. I Bongos

Timb. Perc. III Tom-Tom

Perc. IV T. rulante

Perc. I Bongos

   

       

 

 

 

sf

p

 

solo



  

with voice pitch not important a



 

 

     

Timb. Perc. III Timp.

parlando hu

p

hu

hu

hu

Perc. V Conga



77

Perc. I Bongos Perc. II Timb. Perc. III Timp.

Perc. IV T. rulante Perc. V Conga

hu

 



 

ppp



   





 

  



    

 

     



    

bacch. di legno

    

    

 

  

 

  

   

ppp

   

      ppp

    

 3

TIMPANI bacch. di legno

        ppp 3        ppp 

  ppp

 

  

     

bacch. di legno

 

 

      ppp

sf p

 

 



   

 

 

with voice pitch not important a

 

p

Perc. IV T. rulante

             

p

 

 

 

  

         

 

with voice pitch not important a

with voice pitch not important a Perc. II



     

sf p



muta in TIMPANI

sf p with voice pitch not important a



 

with voice pitch not important a

 



73



Perc. II

Perc. V Conga

 

  

ppp

  

 

 

  

  

 

 

 

      

 

 

 



 

     



  

                   

 


80

Perc. I Bongos Perc. II Timb. Perc. III Timp.

 

 

 

Perc. IV T. rulante

Perc. V Conga



83

Perc. I Bongos



Perc. II Timb.

Perc. III Timp.

Perc. IV Cast.

Perc. V Conga



87

Perc. I Bongos Perc. II Timb. Perc. III Timp.

Perc. V Conga



90

Perc. II Timb. Perc. III Timp. Perc. IV Cast. Perc. V Conga

 

  

 

 



 

      

 



 

  

 

 



         

 



    

 

         

 

 

 

CASTAGNETTI



 



  









 

p

 

 

   

 

      

 3       

  



 



p

 



 

 



   

 

3

  

 3

  

   

     





       

   

 

   

         

   



 

   

 



 

    

5



 

 

sf p



 

 

p with voice pitch not important a

sf p with voice pitch not important a

 

  

  

ord.

         

 

        p        p

 

  

  

muta in CASTAGNETTI

q=120 =120

 



    

 

   

    

   

accel.

   

3

         

 trem.  

   

3

         

 

Perc. I Bongos

 

Perc. IV Cast.



 



 

 

 





 





         

  

   

 

 





 

 

   

    

 



   

 



 


6

93

Perc. I Bongos Perc. II Timb.

 

 

 

p

Perc. I Bongos



Perc. II Sim.

Perc. III Timp.

 

gliss.

 

 





  

p

p

96

p

Conga

 

       

 sf   Perc. IV   Cast. p    Perc. V   Perc. III Timp.

 

 

solo



       



 

 

  



  

  

   

                  



 

     

 

         

with voice pitch not important a

Perc. IV Cast.

         

 

sf p

 

 

with voice pitch not important a

             muta in SIMANTRA         

 

 

      

 

p with voice pitch not important a

Perc. V Conga

100

Perc. I Bongos



 



 

 

sf p parlando hu

p

hu

hu

hu

hu

hu

parlando hu hu Perc. II Sim. Perc. III Timp.

Perc. IV Cast.

p

    

        

with voice pitch not important a

 

sf p

p

hu

hu

 hu

  p





p

 p

with voice pitch not important a Perc. V Conga

 103

Perc. I Bongos



Perc. II Sim.

Perc. III Timp.

Perc. IV Cast.

Perc. V Conga



 

 

sf p

  p

   

  

  

     



 



  



 



SIMANTRA bacch. di legno

p

  p   

p

   

p

  

 

   

  

 

      

  sf  

  



gliss.

   



p

                  

  

     

  



 

   



   

 

 

 

  

 

  

p

    

 

         



      

hu

 



       

 


107

 Perc. I 

 

Bongos

Perc. II Sim. Perc. III Timp.

 

Perc. V Conga



111

Perc. I W. bl. Perc. II Sim. Perc. III Timp.



   

114



  

  

 





  

3

Perc. II Sim. Perc. III Timp.

 

Perc. IV Cast.

Perc. V Conga



 

 



    





p



    

3

       



 



  

 

 

  

 



  

  

  

   

  

   







  

 

   

  

   



   

  

 

  

 

 

  

 

   

 

    

   

 

p



 

    p   p 

p



 

     sf   

   

p

   

  

 



p



  

     

 

   

 

 



     

 

 

  

 

  

      

     

 

 

 

   

   

 

 

 p 

gliss.

       

 

    

WOODBLOCKS bacch. di legno



 



                

     



  

            

 

 

    

3

Conga

Perc. I W. bl.

7

        

       p

 

 

 

      Perc. II   Sim.     Perc. III        Timp.      Perc. IV   Cast.         Perc. V  

117

   

 

 

 



muta in WOODBLOCKS





  

    p   

Perc. V Conga



  

Perc. IV Cast.

Perc. I W. bl.

   

Perc. IV Cast.

 

 

 

  

  

       

 

 

 

 

 

     

  

   

 



  

 

   

  

 

     

       

 


8 121

Perc. I W. bl.



Perc. II Sim.

Perc. IV Cast.

Perc. V Conga

 124



Sim.

 128



Sim.

Perc. III Timp.



Perc. V Temple bl.

132

Perc. III Timp.



 

 

  



 

 

Perc. V Temple bl.





 



 sf  

 

 



  

 

   

 

  



 

    

  3

   

 

3

3

3

3

3

        





 

         

solo



 

p

 

gliss.



     

 

 

    

parlando hu hu

p

parlando hu hu

 

  

 

    



  

  



   

  

 

 

   

   

 

 



    

  

  



   

 

 

  

 

 

  

               

   muta in MARIMBA   

 

 

     

 with voice pitch not important

 

hu

 hu

 

hu

 hu

p with voice pitch not important a

 sf p

  

 

          

 

3

              

 

 

 

3

      

gliss.

 

muta in TEMPLE BLOCKS

        

 



with voice pitch not important a



p

   p 

3

3

  

p

3              

3



 

 

  



  

 

           

p

sf

Perc. IV Cast.



        

  

3

 

 

 

Perc. IV Cast.

Perc. II Sim.





Perc. II

Perc. I W. bl.

Perc. IV Cast.

W. bl.



   

            

Perc. III Timp.

Perc. I



Perc. II

Perc. V Temple bl.

  

Perc. III Timp.

Perc. I W. bl.

 

 

 

hu

 hu

 

hu

 hu

 

hu

 hu

 

hu

 hu

 



a

 sf p

 


136

Perc. I W. bl.

 



  

  

parlando hu Perc. II Sim.

Perc. III

mf parlando hu

hu

 mf

Timp.

parlando hu

Perc. IV Mar.

hu

hu

 mf



 



Perc. I

W. bl. Perc. II Sim. Perc. III Timp.

p

  

Perc. II Sim.

Perc. III Timp.

Perc. IV Mar.



Perc. V Temple bl.

148

Perc. I W. bl.

 

Perc. II Sim.

Perc. III Timp.

Perc. IV Mar.



Perc. V Temple bl.

p

145

Perc. I W. bl.

  

  

 

  p

  

 

  p

   

   

          

   p

sf

 

         



p

 

     



   sf



gliss. 3

3

 

  



      p





  







  

 

           3       non cresc.

 



 

     

  

3

       

 

p

  p

9

3

   

 3

3



             3     

 

 

  

 3

 

    

        



   

         p           p sf          p 





  

muta in VIBRAFONO

3

            p p

 



sf

 

 

p

    

 

  

p

       

   



 

       

      

 



     

     

 

 

                       

3

   

   

 

  



      



           

                     

 

 

  

           

TEMPLE BLOCKS bacch. di legno

 



 

MARIMBA bacch. di gomma

             

  

      

   

p

Perc. IV Mar. Perc. V Temple bl.

    

   

p



 

 



 

Perc. V Temple bl.

141



 

gliss.

 

         p

gliss.

sf



3



 


10 Perc. I W. bl.

151

Perc. II Sim.

Perc. III Vibr.

 

 

           

       

  

3

       Perc. IV  Mar. p sf 3        Perc. V    

Temple bl.

155

Perc. I W. bl.



 

Perc. III Vibr.

sf

 



Perc. V Temple bl.

159

Perc. I W. bl.



Perc. II Sim.

 



Perc. V Temple bl.

163

 

Perc. II Sim.

Perc. III Vibr.

Perc. IV Mar.



Perc. V Temple bl.

 

           

 

 

           

     

 



           

3



 

 

senza motore bacch. di gomma

          mp     

 

          

                  

 

                     

 

 

 

              



 

 

  

       

 non cresc.           non cresc.            

   

   

  

                  

 

 

            

     

 

      

       



mp

 

    

  

mp

   

 

  

  

  

  

    

 

       

                       

mp

 

 





mp

 

 

               

Mar.

Perc. I W. bl.

 accel. 

mp

Perc. IV

3

mp

Perc. III Vibr.

 p

VIBRAFONO

mp

Perc. IV Mar.

sf p with voice pitch not important a

Perc. II Sim.



 

q=150 =150

3

        

with voice pitch not important a

         

 

   

 

  



 

 

 

   

        

 


167

Perc. I W. bl.

   

Perc. II Sim.

Perc. III

   

Vibr.

Perc. IV Mar.



171

     

   

mp

Perc. III Vibr.

 

  



 

 

 

  

 

    non cresc.



   

     non cresc.

    

 

    

  

Mar.



175

 

Perc. II Sim.

mp

 

Vibr.

Perc. IV Mar.



Perc. V Temple bl.

  

parlando hu

p

parlando hu

p

parlando hu Perc. III

    

      

Perc. IV

Perc. I W. bl.

    



 

 

 

 

 

   

   

 

 



 

  

 

 

 

   





 

11

 

           

      

 

    

 

Perc. II Sim.

Perc. V Temple bl.



 

  

Perc. V Temple bl.

Perc. I W. bl.

   

 

 p

parlando hu

 p

hu

 hu

hu

 hu

  

 

  hu

 hu

    

 

    

hu

 hu

  

  hu

 hu

hu

 hu

3

gliss.



 

 

 



    

 

with voice pitch not important a

      

 

sf p

parlando hu

mf

with voice pitch not important a

 

sf p

mf

 mf hu

          3

3

3

 mf

 3

    

      



   

hu

hu

parlando hu

hu

3             3 3

solo

 

    

hu

hu

 hu

 hu

hu

 hu

 3

hu

 hu

hu

 hu

 3

             3

 


12

178

Perc. I W. bl.

 

 

f

f hu

Perc. III Vibr.

Perc. V Temple bl.

hu



183

Perc. I W. bl.



Perc. II Sim.

 

Vibr.

 



Perc. I W. bl.



Perc. II Sim.

Vibr.

 



hu

3

 

hu

hu

 hu



    



mp



3

3

 

      



  



 f



    

     

    

     

gliss.



 

    



 

      

  

 

    

 

 

 

trem.

  

f

   f     

  



 

 

 

3

 

 

 

  

mp

mp

hu

      

        

hu

        

 

mp

hu





 

3

 3

        

         





 

 3

 



3

3

 3

        

          3

3

3

 

 

 

 

 

  

 

     

      

3

 

3

 3

mp



 ss.   gli     mp       

3

    

 3

mp

     

mp

3

  

3

 

3 3 3 3            

 

 

  

  

  

muta in BLOCCO di METALLO

      3

 

        

ord.

mp

     

 

 

trem.

        

191



mp

Perc. V Temple bl.

 

     



Perc. IV Mar.

hu

hu

3

3

Perc. V Temple bl.

Vibr.

            

ord.

Perc. IV Mar.

Perc. III

  

3

      

Perc. III

Perc. II Bl. di met.

3

 

hu

f

187

Perc. I W. bl.

     

3

Perc. IV Mar.

f

        

 

Perc. III

Perc. V Temple bl.

 f

Perc. IV Mar.

parlando hu hu

Perc. II Sim.

parlando hu hu

 

 



 

          

  

    3

 

 

   

 

 

3

     

  

             

 

 


194

Perc. I W. bl.



 

 

 

  

 

 

 

 

   

 

 

mp

   

  

              



BL. di METALLO bacch. di metallo

Perc. III

Perc. IV Mar.

 198

Perc. I W. bl.



Perc. II Bl. di met.



  

Vibr.

Temple bl.

Perc. I W. bl.



 

Vibr.

Perc. IV Mar.

f



Perc. I W. bl.



Perc. II Bl. di met.

Perc. IV Mar. Perc. V Temple bl.

 

mp

 

      mp

  

       

  

  

ord.





3



    

3

   

   



    

        

      

 gliss.

    

 

 



    

 

 



 

3

 

 

in relievo

in relievo

  

    

  

  

        

 

    

mp

 

 

    



 

 

    

 



3

3

   

  

       

   

               

3

 

   

   

  

      

 

 

 

                               

 

 





  

mp

          

     

     

mp

 

 

13

        

 f

         

Piatti

        

       

 

 

     



  

       

 

  

         mp in relievo       



mp

   

  

    

 

   

  



  

                

Perc. V Temple bl.

Vibr.



mp 3

205

mp non cresc.

Perc. III

Perc. III

  mp trem. 

Bl. di met. Perc. II Piatti

 

   

 

    

 

    



202

 

Perc. IV Mar.



 

Perc. III

Perc. V

       

      

Vibr.

Perc. V Temple bl.

    

Perc. II Bl. di met.

   

 

   

     

   

    

       

    

  

    

 


14

208

Perc. I

W. bl.

Bl. di met. Perc. II Piatti

  3

 

 

 

Vibr.

3

 

   

Temple bl.

  

 

in relievo

Perc. III Vibr. Perc. IV Mar. Perc. V Temple bl.

            

 

Perc. II Bl. di met.

mp hu

Perc. III Vibr.

Perc. IV Mar.

Perc. V Temple bl.

 

 mp  mp



 mp

hu

parlando

hu

 

parlando hu hu

parlando hu hu

hu

 hu

  

3

3

 

mp

 



  

  

  

 

   

 

 

   



   

3

  

            

mp

 

 

  

muta in GLOCKENSPIEL



   

  

 

 hu

 hu

hu

 hu

  

  hu

 hu

 

     

  





 





 

       



 

 

  

 

           

 

  



    

   

  

  



mp

 

mp

 

in relievo

    

ord.

trem.

      



 gliss   mp   .

f

   

 

 

  

     

 

  

           

         

hu

hu

 hu

  

  hu

 hu

hu

 hu

  

 

f

mp

GLOCKENSPIEL bacch. di metallo

mp parlando hu

Glk.

3

3

      

Piatti

 

ord.

 

                 

 solo             Perc. I  219

               

   

 

3

   

3

  

  



 

 

 

trem.



3



215

3

 



in relievo

   

Mar.



3



   

Perc. IV

Perc. II Bl. di met.



 

  

Perc. III

 

Perc. II Bl. di met.

Perc. I Glk.

  

3

3

211

Perc. V

  

 

                        

Perc. IV Mar.

W. bl.

Vibr.

Perc. I

 

Perc. III

Perc. V Temple bl.

 

  hu

 hu

hu

 hu

  

  hu

 hu

hu

 hu

  

  hu

 hu

 hu

  

  hu

 hu

hu

 hu

  

  hu

 hu

hu

 hu

  

  hu

 hu

hu

 hu

  

  hu

 hu

 


    

Perc. I Glk.

 

Perc. IV Mar. Perc. V

 

Perc. III Vibr.

 mp



mp

 

mp

 

 trem.     Perc. I  Glk.

mp trem.

Perc. II Bl. di met.

Vibr.

Perc. IV Mar.

Perc. III

Perc. V Temple bl.

      mp     f         

        Perc. I  Glk.

 mp

Vibr.

   

Perc. IV Mar. Perc. V Temple bl.

in relievo

Perc. III

Bl. di met. Perc. II Piatti

Perc. III

Perc. IV Mar.

Perc. V





3

Temple bl.



ord.

  

  

 

 

 

 

    

 

  

 



 





       



 

   

             

   

     

    

in relievo

mp

mp

  



mp

   

 3









3



3

3

 

 

 

     

 

 

mp

 



3

mp

  

 



       

  

  

mp

  

 



 





  





   

   

   

   

   

  

 f

 



       

 

mp

in relievo

        

           

   

 

 

               

    mp  

Piatti

 

3

                        

Vibr.

     

   

  



    

   Perc. I  Glk.

         

 

   



232

          

 

mp

pp



Perc. II Bl. di met.

 

ord.

 

f

228

    mp

 

15

ord.

mp

 

 

 

mp

 

 

Temple bl.

225

  trem.

Perc. II Bl. di met.

 

trem.

222





3

  mp   mp

 

mp

  

    

 

  

      

            

   

    


16

         Perc. I 

   

235

Glk.

Perc. II Bl. di met. Perc. III Vibr.

Perc. IV Mar. Perc. V Temple bl.

 

      





3

            

f

 

3      



 

 

Bl. di met. Perc. III Vibr.

Perc. IV Mar. Perc. V Temple bl.



  

 

         

 



   Perc. I  243

Glk.

Perc. II Bl. di met. Perc. III Vibr.

Perc. IV Mar.

Perc. V Temple bl.

       

   

   

 

  



   

  

 

  

     



 

 

   

 

    

   



 

  

     

   

 

       

         

  

 

 

pp

     





pp

 

 

 

 

pp



  pp

 

 



 

 

   

  

trem.

 

 

   

  

ord.

 

 

 

  

   

  



  

 



 

     

     

 



pp

 

             

      



 

     

 

 

        

   

  



     

 

mp

 

   



  



mp

 



 

mf

Glk.

Perc. II

 

  

 

3

    Perc. I  239

     3

 

  



   

 


17

    Perc. I  247

  

   

    

  

  

Glk.

  

Perc. II Bl. di met.

Perc. III Vibr.

           

Perc. IV Mar.

  



Perc. V Temple bl.

   Perc. I  250

Perc. III Vibr.

Perc. IV Mar.

Perc. V Temple bl.

 

      

 

 

3

 

 

3



 

 

3

         3 3



 

trem. 

 

     

Glk.

Perc. II Bl. di met.



ord.

    

  





 











 

poco a poco accel.



 

  

 

 





 

  

ff

 

 

 

ff

  

 

         





ff

 ff

 

       

  

    

   

25 sec.

  

 

   

presto possibile

10 sec.









*each player will accelerate to the maximum tempo( ! different tempos)

   

ff



 

  

 

     repeat pattern *      Perc. I   Glk. p f  3 repeat pattern     Perc. II    Bl. di met. p f repeat pattern  Perc. III         Vibr. f    p repeat pattern    Perc. IV      Mar. f  p    repeat pattern   Perc. V           Temple bl.  f p 253

  

  

   

 

 

        

   

 

10 sec.

 

stop all movements

 

fff

 

fff

   fff    fff    fff

       


to ensemble Percutissimo

Katharythmos

Percussion I CROTALI trem. con spazzole

=40  q=40     ppp 8

  

q=80 =80

  

 

 

15

  

 

 

22

        

 

  

  

 

 



 

 

 

 

 

 

 

 

 

TAMBURINO

      

   

 

      

 

ppp

               

 

BONGOS

muta in BONGOS           

          

   

con le mani

 

36

43

 

 

 

 

29

     

muta in TAMBURINO

Gabriel Mălăncioiu 2009

  

                 ppp

3                         

                                          ppp 

48

3                                

53

    

with voice pitch not important a

q=90 =90

           

58

accel.

sf p

 

© Gabriel Mãlãncioiu

 

 

 


Percussion I 2 bacch. di legno

                              ppp

63

ppp

with voice pitch not important a

 

 

69

  

sf p

 

parlando hu hu hu

      p

       

 

hu hu

           ppp

                                        

76

ppp

                                 

80

q=120 =120

                                        accel.

83

p

  

88

                                      with voice pitch not important a

                                

93

p

 

99

sf p

parlando hu hu

hu

hu

         p

hu

hu

hu

hu

   

 

 

                p p muta in WOODBLOCKS

                      

104

 

111

 

 

 

p

 

                   

WOODBLOCKS bacch. di legno

p

                                  

117

 


Percussion I 3

                     3  3                   

122

p

3 3 3 3                                                 

127

solo                                                

132

                                          

135

                                               

140

p

                                                 

145

p

                                                

149

p

q=150 =150

with voice pitch not important a

      

154

accel.

sf p

 

159

 

        mp

 

 

 

 

 

 

 

 


Percussion I 4

                                           

166

mp

                      

171

mp

with voice pitch not importantparlando a hu hu

   

176

sf p

hu

parlando hu hu hu

hu

               p

parlando hu hu

hu

           mf

hu

hu

           f

                                               

180

f

mp

trem. ord. trem.ord.                                                  

186

mp

                                                    

192

                             

197

in relievo

mp

     

                                                mp

202


Percussion I

5        trem.                                               ord.

207

mp

      

muta in GLOCKENSPIEL

212

in relievo

 

    

  

 

 

 

GLOCKENSPIEL

bacch. di metallo solo

218

 

                       

mp

  trem.      

222

ord.                           trem.



mp

            

229

mp



 

in relievo

mp

                 mp

                                        



235

            

241

   

                           

                 

246

pp

 

      

                  

250

3

3



 

        

 

   

10 sec. presto possibile

    repeat pattern   *      p f 



poco a poco accel.

   

ff

25 sec.

253

 

*each player will accelerate to the maximum tempo( ! different tempos)

10 sec.

 movements    stop all

fff


to ensemble Percutissimo

Katharythmos

Percussion II q=40 =40

q=80 =80

 muta in TIMBALES               

CROTALI on TIMPANI

  trem.   pp

Gabriel Mălăncioiu 2009

 

 

 

9

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

17

  25

  34

TIMBALES 3

 



con le mani

                                       ppp 3                                       

40

3                                       

45

51

       

 

               ppp

accel.

56

       

  

             

with voice pitch not important a

=90 59 q=90

   sf

 p

 

© Gabriel Mãlãncioiu

 


Percussion II 2 61

                                  ppp with voice pitch not important a

66

  73

  

 

 

sf p with voice pitch not important a bacch. di legno

 

 p

with voice pitch not important a



  

sf p

 

  3

                                ppp ppp

3                                              

79

83

q=120 =120

accel.

                                p                 3                                             

88

 muta in SIMANTRA                   

93

p

99

 

parlando hu hu

 

hu

 

 

SIMANTRA

hu

   

p

  bacch. di legno

               p

105

                                                

110

                                              3 3 p

114

                                                  

118

                                               p 3


Percussion II 3 124

                                               3 p 3

3

with voice pitch not important a

129

                       

 

p

 

 

 

parlando hu hu

136

                                      

 

mf

p

p

142

                                        3

147

                                    p p

151

     

154

                      3

q=150 =150

accel.

sf p

 

3

with voice pitch not important a

        160

3

   

 

 

 

 

 

                                       mp

mp

166

                   

 

170

 

 

 

 

 

 


Percussion II parlando hu hu

4 175

with voice pitch not importantparlando a hu hu hu

hu

             parlando hu hu

179

hu

hu

           mf

sf p

p

hu

 

hu

                                   f

mp

184

in BLOCCO di METALLO           muta                           f

191

BL. di METALLO

 

 

 

bacch. di metallo

             

 

mp

197

                                       in relievo

mp

trem. ord. 202                                               mp mp non cresc.

  

Piatti

      f

 

 

 

207                                                     mp

  

 

 

Piatti

    f

 

 

trem. ord.

212

          in relievo

mp

                     

parlando hu hu hu hu

hu hu hu hu

                 

       

218



mp

hu hu hu hu

        

 


Percussion II 5 trem.

223

     mp

trem. ord.

ord.

            pp mp

                 in relievo

mp

228

      mp

                                   mp

234                                               mp Piatti

   



 

f

 

 

 

240

                              pp

ord.

trem. ord.                                                  

245

trem.

250

                                        ff

poco a poco accel.

25 sec.

presto possibile

10 sec.





 3 repeat pattern          p f

253

*each player will accelerate to the maximum tempo( ! different tempos)

10 sec. stop all

 movements   

fff


to ensemble Percutissimo

Percussion III

Katharythmos

q=40 =40

                                    

  

TOM-TOM con le mani

TRIANGOLO

mf

7

Gabriel Mălăncioiu 2009

q=80 =80

3

ppp

3         3                                        3                                       

12

          3                                        3

16

3                                         

22

28

 

      

  

  3  

 

               

3   3                                             3

34

                                           

40

   3                                            

45

3

                                                  ppp

51

© Gabriel Mãlãncioiu

V.S.


2

Percussion III

   

58

3                                          

=90 trem accel. ord. q=90

3

ppp

                              

        

63

ppp

       

68

77

 

muta in TIMPANI

 

 



 

 

TIMPANI bacch. di legno                                               ppp accel.

82

 

           

trem.

q=120 =120

ord.                                    p

 3         3                                                

88

93

          gliss.                                        sf p solo

97

                             

101

                              gliss.     p p sf p

106

            

                                   


Percussion III

3

111

                                                   p

115

              gliss.                                            sf p p

121

             sf

                                  p

gliss.

127

            3   3   3                                   parlando hu hu hu

132

hu

hu

                sf

hu

hu

with voice pitch not important parlando hu a hu hu

             sf p

p

        mf 

138

                                                   p p

143

                    sf

148

gliss.

                        p p muta in VIBRAFONO

                         gliss.             p sf sf

151

 

3

 

3

3

 

3

accel.

 

gliss.



 


q=150 =150

4

Percussion III

VIBRAFONO

155

                 mp                             

160

                                   

 

 

senza motore bacch. di gomma

non cresc.

164

                                                  non cresc.

170

 

 

                                     

175

 

parlando hu hu

hu

hu

   

 

 

p

180

 

hu

hu

   

 

hu

 

mf

hu

hu

hu

   

 

f

  3 3 3                                                 mp f 3

3

3

 

3

 

3

3

3

3

 

                            mp

   

190

hu

 

186

 

hu

    



       

         mp             

 

3

3

3

3

gliss.

      

 

    

 


Percussion III

5

                                             

195

               f

200

 

      

                  mp

204

                                              

208

 

211

 

3

3

3

           

220

 

3

3

3

        

 

        

 

                                        

216

 

3

 

 

                  

hu

hu

hu

hu

hu

f

hu

 

gliss.

hu

    mp

hu

 

parlando hu hu

mp

 

hu

 

mp

hu

 


6

Percussion III 223

 

                   f  mp

    

 

mp

   

   

 

227

                                          

232

 

236

3 3 3 3 3                                            mp 3

   

 

 

                               mp

f

241

                                              pp

246

     

249

 

         

             

 

poco a poco accel.

 

10 sec.

10 sec.

stop all movements

presto possibile



 repeat pattern           f  p 



             ff         25 sec.

253

   

*each player will accelerate to the maximum tempo( ! different tempos)

fff

    


to ensemble Percutissimo

Percussion IV

Katharythmos   

TAM-TAM

q=40 =40

 

mf

9

 

 

       

16

q=80 =80

 

 

 

 

 

 

 

Gabriel Mălăncioiu 2009

 

 

 

 

 

                                 

TAMBURO RULANTE con le mani

ppp

          

22

       

28

         

  

   

           

             

3                                       

34

                                

39

                                       

44

            

50

     

54

3

    

         

ppp

     © Gabriel Mãlãncioiu

 

 


Percussion IV 2

accel.

 

58

q=90 =90

bacch. di legno                                 ppp sf

                   

63

ppp

         

solo                                          

68

          

72

                  

 3                                     ppp

77

muta in CASTAGNETTI

                        3

80

accel.

 

with voice pitch not important a

q=120 =120

   

83

sf p

 

 

                

 

CASTAGNETTI

p

                                              

89

p

with voice pitch not important a

                  

  

94

p

 

 

with voice pitch not important a

   

100

sf p

       

p

p

                    p

 


Percussion IV

  3                                               

105

                                              

111

                                             

116

     

122

p

 

 

                                    p

muta in MARIMBA

                      

129

 

135

142



parlando hu hu

       mf

parlando hu hu hu hu

         p

hu hu hu hu

                       p

MARIMBA bacch. di gomma

 

sf

                              3

3

3

3

         

                                              p p sf 150                                  sf p accel. q=150 =150 154                           mp 147

     

                                                      

159

non cresc.

                                                     non cresc.

164

                      gliss.             

170

      


Percussion IV 4 175

 

parlando hu hu

hu

hu

   

 

 

p

hu

hu

hu

hu

   

 

hu

 

hu

hu

hu

   

mf

 

f

              gliss.                                mp f

180

                               

186

3

mp

3

              3   3   3   3                        

191

3

3

                                              

196

       

                                

201

3

3

mp

         

205

. gliss

3

3

3

3

3

                        

                                        

208

3

3

3

3

3

3

3

                                 

212

                      

parlando hu hu

217

mp

221

 

hu

hu

hu

hu

 

hu

hu

   

hu

hu

hu

hu

   

               

mp

mp


Percussion IV 5

            

224

f



                    



mp

                                         

228

3

3

3

3

                 

                  

233

mp

mf

mp

                                    

238

                                            

243

pp

               

247

 

                ff

250

25 sec. poco a poco accel.

253

 

        

        10 sec.





10 sec. stop all movements

presto possibile

        f  p repeat pattern

 

*each player will accelerate to the maximum tempo( ! different tempos)

fff

    


to ensemble Percutissimo

Katharythmos

Percussion V GONG  

q=40 =40

q=80 =80

 

p

9

muta in GRAN CASSA

  

 

GRAN CASSA con spazzole

     

 

pp

 

15

          

  

               

 

     

 

 

 

 

con le mani                       con spazzole con le mani                                                     

37

                 

             mutain CONGA      

 

  

22

30

Gabriel Mălăncioiu 2009

 

43

49

 

 

 

 

 

CONGA con le mani

                           ppp

ppp

54

      

58

          

3

       

q=90 =90

accel.

                                        ppp

62

                                     ppp with voice pitch not important with voice pitch not important a a 67

 

 

   p

 

© Gabriel Mãlãncioiu

 

    sf p


Percussion V bacch. di legno

2 74

                             ppp

ppp

                                             

79

q=120 =120

accel.

with voice pitch not important a

83

                sf p

89

 

 

 

 

 

                                     

 

p

p

with voice pitch not important a 94

                      

  

sf p

with voice pitch not important a 100

     sf p

p

 

 

                         p

3

106

                           

       

                                                   

111

p

115

                                    p

muta in TEMPLE BLOCKS

119

                      

 

 

 

126

 

 

 

 

 

 

 


Percussion V with voice pitch not important a

132

 

 

 

  sf p

 

 

3

 

TEMPLE BLOCKS

bacch. di legno                                              p p

138

143

                                            

147

     3 3 3                                          p p non cresc. accel.

accel.  3 3                                       

151

155

q=150 =150

                                                             mp                                                                              mp

       mp 160        

164

  169

  173

       

177

       

solo 3 3                                3 3 3 3 3

3 3 3 3 3 3                                                     3 3


Percussion V 4 181

 

 

 

 

    

 

3

3

mp

188

                3 3                          mp 3

193

                             mp

198

                           in relievo mp

                     

          

          

mp

203

                                             

207

                

212

       mp

216

  

                                      mp

in relievo

                             

    

         

  

        


Percussion V 5 219

parlando hu hu hu hu

         mp

hu hu hu hu

       

hu hu hu hu

                          mp

224

                                                 in relievo

229

mp

                                      mp

234

     

   

3                                             3

240

                                                 pp

245

      

   

                       

249

3                                3 3

25 sec.

ff

             10 sec.

poco a poco accel. presto possibile  repeat pattern              f p





253

*each player will accelerate to the maximum tempo( ! different tempos)

10 sec. stop all movements

   

fff


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