Numai poetul for oboe and piano (2007)

Page 1

Gabriel Mălăncioiu

pentru oboi şi pian for oboe and piano


This score is protected by S.A.C.E.M. and U.C.M.R.-A.D.A. Before any public performance a declaration must be sent to your national author’s society.

© Gabriel Mãlãncioiu www.gabrielmalancioiu.org


Numai poetul

q=160 =160 Senza misura

Oboe



Piano

Ob.

Pno.

Ob.

Ob.

    con rigore

     





      

   

      

p

  



www.gabrielmalancioiu.org

 

   

     

   

   

  

  

 

 

  

  

 

  

 

 

 

    

, 

[e]

[a]

mp

 

        [u]

    

,

change oral cavity







         



  

Pno.

 

     pp leggiero



Pno.

Gabriel Mãlãncioiu

, 

     

 

                  

   

audible ingresive and exgrasive sound

        

,

© Gabriel Mãlãncioiu

        

 

 

 

IN EX IN



  

  


2

Ob.



[o]

[a]

pp

           

Pno.

,

 

 

         

       

sempre pp

  

           

      

mf

       

     

 timbral trill - trill with the same pitch

Ob.

Pno.

Ob.

Pno.

Ob.



 , ,                                            





   

 

 

 

IN EX IN

,         

          

  

EX IN non vibr.





p

            

Pno.



           





  

 

  

  

 

molto vibr.

          

,

 

mf

                       

  

, 


Ob.

Pno.

Ob.

             





f

  

Ob.

 

 



Ob.

Pno.

  , 



   

 

 

             

, 

  

  

 

  





   

IN EX

    

 IN

 

  

sf

   

  

 

          [a]

   

  

mp

Pno.

 



                 



Pno.



    

sempre pp



3

  

 

 

[o]



          

 



 

mf



,      

,

      

   



  

 

 

 

  

[u]

 

 

 



   

,

 


4

Ob.





  

Pno.

Ob.

 

 



 

    



          

  





f

  



 

  sf     

 double trill            ff

Pno.

Ob.

sf

IN EX IN









pp











ppp



Pno.



 

p



Ob.

  

non  vibr.

   ppp

mf



Pno.

  sf

  

 

timbral trill 

         f sf    

f

 



pp

   

 

p con tristezza

 


5

 

 3     Ob.     

Pno.



3

 

  pp

f

    

 

 

Pno.

    

  



   

 



p

. . . . . . .

  Ob.      

Pno.

                   

.

.

  

  

  ff

  

 

  

 



ff

 

  

calmando

 

3

 

sf

 gliss.

poco a poco accel. e cresc. . . . . . . . . . . . . . . . . . . .

  

p





    

  

   

   

  Ob.   

gliss.



 

3





Pno.

   



    Ob.           q=60 =60



   

  

 



 

       

3

    

     ppp fluido

   

 


6

 Ob.    

 

Pno.

    

      

 

mp

smacking tone

   

   

3

  

  

 

   

   

   

    

q=100 =100 Senza misura Ob.

  

smacking tone

  

Pno.

Ob.

Ob.

Pno.





  



  





 



 



  

 

 

 

 



        

      





 

  

     

 

       

 

 

    



 

 





 

 

p con rigore

 

Pno.

stacc.   

   



  

     

   

    

 

         

 

 

p come una invocazione

  

    

mp

  

      







   

  

 

   

    

fast stacc. ..........

     

     

        






7

Ob.



Pno.

      



   



 

 

  



  



   

 

 

 

 



  

po e

  

pp







  

  pp

,

Ca

pasari ce zboara deasupra valurilor



sf

 



poco a poco agitato



 

tul



pp

,

recitando Numai



 



 







   





p

 





Pno.



 

Ob.



pp

Pno.





 

Ob.

 

timbral trill  

Pno.





Ob.

p

 

gliss.

mf



Trece peste nemarginirea

timpului

 

 

 

 

 

sff


8

             

q.=40 .=40

 Ob.    

p con delicatezza

 

   

Pno.

Ob.

   p

   

   

 

  

   

  

 

  



In ramurile gandului



 

Pno.

   

 

 



  

  







   

 



  





   



  

  

 

      espr. 





     espr. 

 

              





 

lunci

     





  

Pno.





low register

     ppp

 

Ob.

  

  

f

with fingers on strings



Pno.

   

fast and even                     





In sfintele

 

Senza misura Ob.

   



 

 

 

recitando





   

 


        Ob.          

Ob.

espr.

         

perdendosi



   

  



        espr.

mp



p



Pno.

 

  

Ob.



 

 



mf



Pno.

9



espr.

     



     

al niente

p



  

 





  

Pno.

pp



PERFORMANCE NOTES - synchronization between oboe and piano player





  

- change to - repeat pattern

pppppp Lumea toata-i trecatoare Oamenii se trec si mor Ca si miile de unde Ce un suflet le patrunde Treierand necontenit Sanul marii infinit. Numai poetul Ca pasari ce zboara deasupra valurilor Trece peste nemarginirea timpului In ramurile gandului In sfintele lunci Unde pasari ca el Se-ntrec in cantari.

Mihai Eminescu In "Senza misura" sections, the oboe and the piano player will play independent lines, except the places when synchronization is indicated.Bars serve only as means of orientation. Accents will be played only when notated.


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