ritualistique for bass clarinet and a pair of bongos (2011)

Page 1

Gabriel Mトネトハcioiu

for bass clarinet and a pair of Bongos


This score is protected by S.A.C.E.M. and U.C.M.R.-A.D.A. Before any public performance a declaration must be sent to your national author’s society.

© Gabriel Mãlãncioiu www.gabrielmalancioiu.org


Transposed score sounds a major 9th below 1

Bass Clarinet in Bb

   

Bongos (or other drums)

ritualistique  

Gabriel Mălăncioiu 2011

q=90 audible ingrasive or exgrasive sound

Ex In



InEx

InEx

 

mp with hands

    

 9

Ex In     B. Cl.             f       Bongos      

18

B. Cl.

Bongos

 



In

  

pp

      pp

Right foot Left foot

 

 

f

 

   

      f     

ExIn

 

 

 

Ex In

 

Ex InEx Ex InEx In

p

InExIn



Ex In

InEx InEx In

                           

ExIn

f

   

pp

ExInEx



 

 

 

  

 

highest pitch teeth directly on the reed

 



 

f

f

 © Gabriel Mãlãncioiu



ExIn

    

 

ExIn

     mp

f

 

                  

pp

ExIn

                

multiphonics

 

ExIn

  p mp p hit the floor

     

 


2 26

B. Cl.

 

 





Ex In

 

      f

Bongos

 

 34

B. Cl.

Right foot Left foot

 

 

 Bongos    43

 B. Cl.  Bongos

 

 

     

    

 

+ voice

+ voice

   

  

 

p mp hit the floor

     

p

 

 

p

mp

p

mf

       

p

ExInExInExInExInEx In Ex In

   

p

 

pp

 

   

 

teeth directly on the reed

p

f   

f

 

      sempre f

          

f

f

p

+voice

Ex In

 

               

 

mp

 

       fast undetermined pitches  f                  

    p      

f

 

In

 

highest pitch teeth directly on the reed

 

 

 

 

 

 

   

p

 

mp



        

 

   

+voice

 

     

 

 

    

 

           

f


49

B. Cl.

Voice

 

teeth directly on the reed

 

 

 

  Bongos       p

f

B. Cl.

Voice

p

f

 

Bongos

 

low register

with voice, forceful  

 

   p mf p hit the floor

Right foot Left foot

    

mp

ExIn

 

  

 

 

  

 

+voice[a]

 

 

  low register        

56 with voice, forceful

 

 

with voice, forceful  

 Voice

       f

fast undetermined pitches

In

 

       

 

 



  

 



      

 

3

     

    

 

 

 

[a]

[u]

[e]

[o]

   

     

   

   

     

mf

mp

      

          

     

    

     

         

mf

pp

mp

p

timbral change

pp

mf

 

 


4 64

B. Cl.

Bongos

 

 

 

[a]

[u]

                  mp

 72

B. Cl.

 

    

pp

Ex In

  f

mp

Bongos

 

 

      mf  mf     

 

     

 

mp

 

mf

 

ExIn



 

  

 

multiphonics

B. Cl.

Bongos

  



 

mf

   

          

 

        

 

p

     ff

     ff

 

 



ExIn

          f     

p

 

f

 

Ex InEx Ex InExIn

multiphonics

p

    

f

 

    f  p       f

mp

78

pp

     

 

 

highest pitch teeth directly on the reed



 

mf

 

 

p

        

pp

 

 

    

   

 

teeth directly on the reed



 

 

fast undetermined pitches

   

        

as dense as possible             

 


85

 

   B. Cl.      

 

Bongos

 B. Cl.

Voice

 



          

 

      

93

 [u]    





[e]

[o]

[e]

 

 

 





 Bongos       

  

 

B. Cl.

Voice

Bongos

         

 

 

 

 

          

 

 

       



   

low register



+voice [a]

ExIn

p

 



timbral change

 

   

        

  

multiphonics

  



 

 

mf



p

 

pp

  f

         



 

with voice, forceful   low register

           



 





p

 

multiphonics

 



          

ff 104

5

                  

ff as dense as possible with voice, forceful  

pp

 

       

       

f


6 113

Voice

B. Cl.

Voice

Bongos

Right foot Left foot

 

 

 

ExIn



 

with voice, forceful   low register

  

  

    

 

 Bongos  

 

 

 

       

 

[a]

 

 

        pp  

 

 

 



         

[e]

 

+voice [a]

mp timbral change

       

 

 

 

mf

p

ppp

 

 

 

[o]

 

    

p

f

    

key clicks

   

 



as loud as possible

  





f

   

  

with fingers

 

         

[u]

     

p mp p hit the floor

 

 

with voice, forceful   low register





122

Right foot Left foot

  ExIn



 B. Cl.

 

 



   


 

air sounds 129

B. Cl.

Bongos

     

  

  

  

    



 

ExIn

 

f

   

 

 

7

In

        f

 134

B. Cl.

Bongos

   

 141

 B. Cl.   Bongos  

 

        



 

  

 

     

     

 

     

   

 



p with hands

     

pp

 

 

    

 

 

       

 



     

 



        

   

 

  

        ff      ff



        

  

 

ExIn

        

  


8

148

B. Cl.

 

   Bongos      157

B. Cl.

 167

 B. Cl.  Bongos

 

 171

 B. Cl.  Bongos

 

 

 

 

  

[u]

 

         [a]

     

 

timbral change

     

    

    

[o]

   

 

[e]

[o]

     

     mp   

   

  

 

 

      

 

 

 

  

                   

mf

mf

 

mf

mf

 

       

     

     

 

 

mp

 

       

+ voice

pp

    

 

 

[a]

   

 

[u]

 

    mp

[a]

     

 

+ voice

mf

[o]

   

 

     

 

mf

[e]

 

[a]

   

mp

[o]

        

                as dense as possible          

 

     

                                         sempre pp


174

 

 

 

              Bongos    177  B. Cl.            B. Cl.

Bongos

 B. Cl.

Right foot Left foot

Voice

Bongos

   

  

sempre pp



180

   







 



 

 

 

 

9

                         







 



 



 

            



        



 



 



 





 



 



 + voice



               fff sffp fff     with voice, forceful   low register

                    fff

Right foot Left foot



  

       


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