Triguna for flute, piano and percussion (2010)

Page 1

Gabriel Mトネトハcioiu

for flute, prepared piano and percussion


Performance notes Bass Flute (flute) Piano preparation 1 gong sound undetermined pitches A#3, D#4, G4 and Bb4 have a coin placed at the middle of the strings

preparation 2 drum sound undetermined pitches left on piano player’s choice (cloth, rubber)

preparation 3 woodblock sound undetermined pitches left on piano player’s choice (plastic)

Percussion (must have a bow) 2 Timpani Glockenspiel sounds two octaves higher. Vibrafono place a tin foil over the resonator of C5 note

C - center N - node

Tubular bells prepare C#4, D#4, F4 with tin foil Small Tam-Tam Wind chimes Marimba 2 Wood blocks Bongos Duration 22 min. This score is protected by S.A.C.E.M. and U.C.M.R.- A.D.A. Before any public performance a declaration must be sent to your national author’s society. © Gabriel Mãlãncioiu www.gabrielmalancioiu.org


ansamblului Trio Contraste

Tamas

Flute

 

 

Lento

Piano

cover the embouchure hole completely with the mouth, and blow as forcefully as possible directly into the instrument

 whistle jet

f

Gabriel Mălăncioiu 2010

 

 

ff

    3

 

     

   

Percussion

 

 





 Pno.

 



                

    wood mallets

Glockenspiel

 



f resonant

 

   

 

       

        



          

Timp.

  

ff

  

   

3

                

3

3

      Glk.    Perc. 

   3

  

   3        



© Gabriel Mălăncioiu 2010

   

 

 whistle jet

f

3

   3

   

 

3

7

Fl.



   

f

Timpano





 

 

       3


2 14

 

with voice

u 13

Pno.

         p

mp

p

              

     

        

       

 

 

3        

 

  

 



 

 

      

   

3

 whistle jet 21

  Fl. 

Pno.

f

p

   

 

13

   Perc. 

3

3

f

         

 Fl. 

f

ff

       

 with voice

u

    

3

     

      

p

p

mp

p

          

  

13

13

13

  Perc.  

 



mf

p 13

      

    3



   

3



3

                    3

      quasi gliss.

          

  



f

 

f

  

p

                         

3





       3

      



   

Timp.

  

 

Glk.

  


27

Fl.

 

f

      

 

Pno.

with voice

  

         

   

3

ff

f

 



 

 13

mf

p f

ff

pp

mf

34

 



13

pp f

           3

   

quasi gliss.

f

 



                     

 

          

 f

p





 p

                   13

               

13

          p

  as dense as possible  3         Perc.       

u

Fl.

p

         

 

 whistle jet

3

     3 

Perc.

 

  

Glk.

   

3



  

 

  mf  

. . . .

. .

. 3

 

. pp

  

 

3

ff

f

3

Pno.

     

Timp.

  

 whistle jet

p

 . . . . .  .  .  .

3

f 13

       3

           

  f

        

 

     3


4

air sound 40

Fl.

 

ff

   Pno.

                

                 3

3

p

ff

 Perc. 

Timp.

  

  

 whistle jet

47

 Fl.  

f

 

with voice

Glk.

 

ff

      3

p



ff

           

3

 p

            fff

     

Pno.

p

mf

p 13

      

  Perc. 



f

  3 

         p

 13

 f

            

ff

. 

    



.

p 13

13

                     

3                  

u

        

   

f

13

  

3

p

 

        

     

         

mf

 3     

. . . 3

. . .  

. . pp


 whistle jet

51

 Fl.  

  Pno.



3                      

f

 

              Perc.      3

 

58

 Fl. 

ord.

f

Pno.

with voice

        

u

mf

       3

 

 

ord.

f



13

  

ff

p

   

      3           

f

       

   

 

 

mf

 

 



  

    

p

   

     



Glk.

p

13

p

       

ff

 

 

  

13

             p

  Perc. 

 

 

frull.

3            

      

   

Timp.

 

  

13

ff

f



5

   

p

  

3

f

13

           

 

 

pp

 

mf

 

 pp f



 

 

 


p

ff

6 63

 Fl. 

Pno.

Fl.

      



p





13

13

                    



3

 

 

3

Timp.

 

Glk.

  

 

            3 3

 3  



ff

            

                

    3

    

       

f

p

  Perc.   

 

ff

  

3

Pno.



13

air sound

ff

f

p

f

mp

      

 whistle jet

p

         Perc.      

68

   

          13

 

             

13

quasi gliss.

p

p

         

           

ff

fff

 

ff

p

    3

  

   3

  

 

         3

p

   

     

   

f

        3

3  

    


sweep of harmonics 75

3   

 Fl. 

 

p

        Pno.

       



 



     

mp

           

3

7

   

 

           

3



3

  Perc.  

        3

3

  

   

 

 3



sweep of harmonics 82

 Fl.     Pno.

  

        



p

   

mp

       3

   Perc.   

 

   

 

    

 

  

 

 

 

  

          pp         

        3


8

Rajas Lento Bass Flute

 

Stay still, without making any movements

Piano

Stay still, without making any movements

Timpani rubber hard sympathetic resonance Vibrafono motor off

Percussion

 

ff

on other timpani

mallets

gliss.

damp

 

             

pp

whistling voice blend with Vibrafono



Timp. sympathetic resonance Vibr.

 

ff

on other timpani

 

 

gliss.

Wind chimes

        

pp

blow towards Wind chimes

pp

pp

press a finger against the drumhead about halfway between the center and edge, then strike towards the edge Timp.

  Perc.    ff



Vibr.

Timp.

C



             

pp

N

C

ff

mp

 

 

f

 gliss.

C

   

pp

  Perc.   ff



   gliss.

 

ff

 

N

C

Wind chimes

mp

 

Vibr.

Timp.

ff

   gliss.

     

pp

blow towards Wind chimes

pp

sympathetic resonance on other timpani

Vibr. C

C

mp

sympathetic resonance on other timpani Timp.

N

        

pp

pp

Vibr.

harmonics

pp

   


9

  Perc.   ff

sympathetic resonance on other timpani

 

Timp.

ff

 

gliss.

ff



Vibr.

 

  Perc.  

Timp.

ff

 

ff

ff



ff

ff

 

ff

pp

   ff

  

 

p

gliss.

Timp.

Wind chimes

on other timpani

blow towards Wind chimes

Vibr.

ff

C

mp

Timp.

ff

N

             

pp

 

gliss.

Timp. sympathetic resonance

pp

 

f

pp

 

 

C



  Perc.  

 

Vibr.

         

f

ff

Vibr.

harmonics

bouncing mallet

               

pp

pp

 

Timp.

ff

pp

 

 

ff

ff



Vibr.

 

ff

pp



 

 

pp

poco a poco accel.

  Perc.  

Timp.

ff



 

ff

 

ff

sympathetic resonance on other timpani

 gliss.

 

ff

 

ff

Vibr.

 

 

pp

pp

 

Timp.

 

ff mp

 

ff

 

ff


10

Perc.

 

Perc.



bouncing mallet



  

f

Perc.

   f

  

Vibr.

Timp.

   f



  

  

  

  

  

  p

 

 

Vibr.

Wind chimes Timp.

  f

  

Timp.



pp

 f

 

Timp.

Vibr.



    



ff

 

Vibr.



Timp.

 

 f

mp

Timp.

  

pp

f

 

gliss.

Timp.

Vibr.

sympathetic resonance on other timpani

 

Vibr.

 

  

Timp.

   f

Vibr.

  

  

 

Timp.

p

 f



  

 

Timp.

Vibr.



f

poco a poco accel.

Perc.



pp

             pp



Vibr.

Timp.

  

 

Vibr.



Vibr.

Timp.

 



 

mp

f

Vibr.

Timp.

  

 

 

 

mf

f

Vibr.

Timp.



  

 



ff

sympathetic resonance on other timpani



 

 

 

Timp.

 





Vibr.

Timp.

W. bl.



gliss.

  

Vibr.

Timp.

Timp.

Perc.



  

blow towards Wind chimes

  

Vibr.

Timp.

pp



Perc.

 

Vibr.

Andante

 



Vibr.

 

Timp.

  

 

Vibr.

Vibr.

 

p

Timp.



  


11

Moderato Perc.

W. bl.

 

mf

W. bl.

Timp.

Perc.

mf

 

W. bl.

W. bl. Vibr.

Timp.

Vibr.

W. bl.

 

 

 

f as fast as possible

Vibr.

Perc.

p

W. bl.

Perc.

 

mf

Vibr.

mf



Timp.

 

mp

 

Vibr.

 

mf



Vibr.



 

Timp.



Vibr.

 

 

W. bl. Vibr.

 

 

Timp.

Vibr.

 

Vibr.





Timp.

 



Vibr.

Timp.

W. bl.



W. bl.

Vibr.

Glk.

 

 

f as fast as possible

Vibr.

improvvisando

 

W. bl.

Vibr.

Timp.

Timp.

  W. bl. Timp.

 

Timp.

W. bl.

mp

W. bl.

 

 

Glk.



improvvisando

 

f as fast as possible

Timp.

Vibr.

Timp.

 

 

W. bl.

W. bl.

W. bl.

W. bl.

mf

f as fast as possible

Timp.

 

 

W. bl.

Timp.

improvvisando

mf

Glk.

Perc.

Timp.

Timp.

improvvisando

W. bl.

Vibr.

Glockenspiel

Perc.

Vibr.

W. bl.



Timp.

mf

 


12

poco a poco accel. W. bl. Timp.

Perc.

 

W. bl.

Timp.



Vibr.

Timp.



Vibr.

Timp.

W. bl.

Glk.

Timp.

improvvisando

 

 

 

 



Vibr.

Timp.

mf

f



 

A Allegro Pno.

 

Piano player starts to make slow gestures in accord with the music as if playing (pantomime), gradually involving in the musical process, until finally starts to play at rehearsal mark B

W. bl. Vibr.

   Perc.



W. bl. Vibr.

 

W. bl.

Timp.

W. bl.

mp

Glk.

Perc.

 improvvisando 

f as fast as possible

Perc.

Vibr.

Perc.

W. bl. Timp.

Timp.

Timp. Vibr. Timp. Vibr.

W. bl.

Vibr.

mp

     

W. bl.

 

W. bl. Timp.



 

 

 

f as fast as possible

W. bl.

W. bl.

Timp.

improvvisando

   

Glk.

W. bl.

 





 

Vibr.

W. bl.

 

Timp.



Vibr.

 

 

 



W. bl. Timp.

 

 

mp

Vibr. W. bl.

 



Vibr.

 

improvvisando

W. bl. Timp.

Timp.

Vibr.



Glk.

W. bl.

Vibr.

Vibr.

mp

Vibr.

f as fast as possible

W. bl.

 

Vibr.

 

Timp.

 

 

 


13 Glk.

f as fast as possible

 

mp

 

Vibr.



 

f as fast as possible

 

Glk.

Timp.

improvvisando

 

W. bl. Timp.

  

Perc.

Glk.

Timp.

 improvvisando 

Perc.

W. bl.

Timp.



 

mp

Timp. Vibr.

 

improvvisando

 



 

W. bl.

W. bl.

W. bl.

Timp.

  

mp

f

Vibr.

Vibr.

Glk.

Vibr.

improvvisando

 

W. bl.

Timp.

     

f as fast as possible

 

mp

poco a poco accel.

W. bl. Vibr. W. bl.

Perc.

 

W. bl. Vibr.

Vibr.

 

   

W. bl.

 

Glk.

W. bl. Timp.

Timp.

improvvisando

f as fast as possible

 

mp

Glk.

Timp.

improvvisando

 

f as fast as possible

mp

B Presto  B. Fl.  Flute player starts to make slow gestures in accord with the music as if playing (pantomime), gradually involving in the musical process, until finally starts to play at rehearsal mark C   continue improvising in the same manner in the range Pno.                            p

W. bl. Timp.

Perc.

   

 

p

Pno.

  

 

Vibr.

W. bl.

Bgs.

Timp.

   

 

W. bl.

Bongos

    

Timp.

  

continue improvising in the same manner

Vibr.

Perc.

W. bl. Timp.

W. bl.

Vibr.

W. bl.

Timp.

Bgs.

Bgs.

W. bl.

Vibr.


14

Pno.

 

continue improvising in the same manner W. bl.

Perc.

 

Pno.

 

Timp.

Bgs.

W. bl.

Pno.

 

 

Timp.

Pno.

 

improvvisando

f as fast as possible



Pno.

 

W. bl.

p

W. bl. Bgs.

W. bl. Bgs.

Timp.

Bgs.

Vibr.



 

Vibr.

Bgs.

Glk.

Bgs.

Timp.

improvvisando

 

f as fast as possible

p

mp improvvisando

 

Vibr.

W. bl.

Timp.

Bgs.

    

Bgs.

p

       

Timp.

p

f as fast as possible

W. bl.

Vibr.

Bgs.

continue improvising in the same manner

Timp.

Vibr.



Bgs.

W. bl.

Vibr.

W. bl.

Timp.

Bgs.

continue improvising in the same manner mf W. bl. Timp.

Perc.

Vibr.

continue improvising in the same manner

W. bl.

Perc.

Bgs.

Glk.

Perc.

continue improvising in the same manner Glk.

Perc.

Vibr.

   

W. bl. Timp.

 

W. bl. Timp.

Vibr.

Vibr.

Bgs.

p

W. bl.

Vibr.

W. bl.

Bgs.


15 Pno.

 

continue improvising in the same manner Timp.

Perc.

Pno.

 



W. bl.

Bgs.

Vibr.

Timp.

Bgs.



W. bl. Bgs.

     

W. bl. Bgs.

 

 

Vibr.

 

 

Vibr.

Bgs.

Glk.

Bgs.

 

Pno.

 

Pno.

Perc.

   

Timp.

W. bl.

 

 

 

Vibr.



Timp. Vibr.

p

 

Vibr.

Bgs.



 

Vibr.

Bgs.

Vibr.

Bgs.



W. bl.

Bgs.

  

W. bl. Timp.

W. bl. Timp.

Vibr.

Timp. Vibr.

W. bl.

 

Vibr.

continue improvising in the same manner W. bl.

Perc.

continue improvising in the same manner Timp.

Perc.

Timp.

improvvisando

f as fast as possible Pno.

Vibr.

continue improvising in the same manner Bgs.

Perc.

Vibr.

Bgs.

W. bl.

Vibr.

Timp.

Timp.

Bgs.

Bgs.

W. bl.

Timp.

W. bl.

Timp.

Timp. Vibr.

 

Timp. Vibr.

continue improvising in the same manner p

f

Glk.

Timp.

 

f as fast as possible

Vibr.

improvvisando

W. bl.

Bgs.

  

Timp.

  p


16

poco a poco accel.

 Pno. 

continue improvising in the same manner W. bl.

Perc.

 

C  B. Fl.   Pno.



   Pno.  B. Fl.

Vibr.

Bgs. Timp.

W. bl.

Prestissimo air sound slap

 

  mp

p



mp

air sound slap

 

p

    

Bgs.

Perc.

Bgs.

    mp

W. bl.



  



slap

  mp

  mp

continue improvising in the same manner using the following rhythmic patterns: e. , e in any order use any percussive sounds without definite pitch (air sound, whistle jet, slap, tongue-ram, etc.) in the dynamic range p - mp with some playing techniques, a definite pitch is audible; in this case, use always the same pitch

         W. bl.

Bgs.

  

     

  

> > continue improvising in the same manner using the following rhythmic patterns: jq , jjq in any order in the range

Vibr.

W. bl.                  W. bl.

Vibr.

W. bl.

Bgs.

         

  

Bgs.

   

 

     

Vibr.

continue improvising in the same manner

continue improvising in the same manner

W. bl. W. bl. Vibr. Vibr. W. bl. Bgs. Bgs. Bgs.            W. bl.                              Perc.                     

   Pno.  B. Fl.

continue improvising in the same manner

continue improvising in the same manner Bgs.

Perc.

    

W. bl.

  

Bgs.

       W. bl.    

Vibr.

     

Bgs.

Vibr.

Bgs.

   W. bl.               

Vibr.

                 


stop all movements 17 for 3-4 sec. B. Fl.

Pno.

   

 

continue improvising in the same manner, repeating the same pattern

ff frozen stop all movements for 3-4 sec.

 

continue improvising in the same manner, repeating the same pattern

ff frozen

                          Perc.                 W. bl.

Bgs.

W. bl.

Bgs.

  continue improvising in the same manner  p - mp Pno.  continue improvising in the same manner

Vibr.

W. bl.

Vibr.

W. bl.

repeat pattern 3 times

stop all movements for 3-4 sec.

 

ff frozen

B. Fl.

> > > using the following rhythmic patterns: o x jjq , jq , jjq in any order in the same range

mp

Bgs.         W. bl.            Perc.                                                mp W. bl.

Bgs.

   Pno.  B. Fl.

Vibr.

W. bl.

W. bl.

Bgs.

Vibr.

continue improvising in the same manner p - mp

mp - mf

continue improvising in the same manner

W. bl. W. bl. Vibr. Vibr. Bgs. Bgs. Bgs.    W. bl.                                                     Perc.        Vibr.

   Pno.  B. Fl.

Bgs.

Vibr.

continue improvising in the same manner continue improvising in the same manner mp

f

              Perc.                      W. bl.

Bgs.

W. bl.

Vibr.

W. bl. Vibr.

W. bl. Bgs.                             W. bl. Vibr.


18 B. Fl.

Pno.

Perc.

  

continue improvising in the same manner, repeating the same pattern

continue improvising in the same manner, repeating the same pattern ff

                     W. bl.

Bgs.

Vibr.

B. Fl.

  

continue improvising in the same manner

Pno.

continue improvising in the same manner Bgs.

W. bl.

B. Fl.

  

continue improvising in the same manner

Pno.

continue improvising in the same manner

repeat pattern 4 times

repeat pattern 4 times

ff

mp

Vibr.

W. bl. Vibr. Bgs. Bgs.                W. bl.                                            Vibr.

Perc.

mp

W. bl.

W. bl. Vibr. W. bl. W. bl. W. bl. Bgs. Bgs. Bgs.                                                                   W. bl.

Perc.

p - mp

f - ff


19

stop all movements for 3-4 sec. B. Fl.

  

 

continue improvising in the same manner, repeating the same pattern

ff frozen

stop all movements for 3-4 sec. Pno.

Bgs.

Perc.

B. Fl.

Pno.

 

continue improvising in the same manner, repeating the same pattern Vibr.

ff frozen stop all movement for 3-4 sec.

W. bl.

                   

repeat pattern 6 times

 

ff frozen

  continue improvising in the same manner  p - mp 

continue improvising in the same manner mp

W. bl. Vibr. W. bl. W. bl. Bgs.                                     Perc.                          mp Bgs.

B. Fl.

Pno.

   

W. bl.

Vibr.

continue improvising in the same manner mf - f

p - mp

continue improvising in the same manner

W. bl. Vibr. Vibr. W. bl. W. bl. Bgs. Bgs.                                         Perc.                   Vibr.


20

B. Fl.

Pno.

   

continue improvising in the same manner

continue improvising in the same manner mp

f

Vibr. W. bl. Vibr. W. bl. Bgs. Bgs.    W. bl. Vibr.    W. bl. Vibr.                              Perc.                            

B. Fl.

Pno.

Perc.

  continue improvising in the same manner for 20 seconds 

> > > continue improvising in the same manner using the following rhythmic patterns: jq , jjq , jjjq in any order for 20 seconds 



> > > improvise in the same manner using the following rhythmic patterns: jq , jjq , jjjq in any order for 20 seconds use Wood blocks, Bongos and Vibrafone (just C5 and C6)

stop all movements for 1 sec. B. Fl.

Pno.

Perc.

    

continue improvising in the same manner, repeating the same pattern for 10 seconds

 

ff frozen stop all movements for 1 sec.

continue improvising in the same manner, repeating the same pattern for 10 seconds

 

remove preparation 2 and 3

ff frozen stop all movements Glk. for 1 sec. improvvisando

continue improvising in the same manner, repeating the same pattern for 10 seconds

 

ff frozen

 

f as fast as possible

Timp.

ff


Sattva  Bass Flute  

Lentissimo 

 

Piano

let vibrate

21

air sound

    p 

3

 

   

3

    p

 

 

 

 

     p

 

     p

 

    p

   

 

 

p

3

p Pedal pressed Tubular Bells

Percussion

with soft yarn mallets



let vibrate

   



p with Pedal

 diffuse tone quality  -- breathy, normal

11

B. Fl.

   





       7

 

p

 



mp

   

p



noisy  

sweep of harmonics

            pp p pp

   



3

Pno.

3



  

3

    p

 

   

sf p

pp

sfp

pp

 

 

       7

   pp

 

mp

 

Timpani

  

with soft yarn mallets Perc.



pp

gliss.

 

T. B.

   

3

p

  

3

 

sweep of harmonics


22

18

B. Fl.

Pno.

 

whistle tone

 

         3



 

 

. . more air than sound

  

try to find harmonics of Piano's resonance

p

 

  

Timp.

gliss.

pp

  

with bow

 

  

 

Pno.

Perc.



  

ff

sf p sf



 sf

pp

     p

pp

Timp.

sf

3

       



pp

 

  T. B.

  p

sf

 

 



 

 

  

 

 

p



.

  p

  

 p

f

 

3

       pp

    

p

   

  

  

f

 

  

pp

 

   p

  more air than sound

6

     6    

with bow

  

1234 2345#

p



p

      3                    

pp

with bow

 

   

p

Mar.

B. Fl.





  Perc. 

 

sf p

mp

23

p

  

 

noisy  

 gl g  gliss.    iss.   liss.    mp pp pp

 Release Pedal

         

mp without Pedal Improvise following the melodic contour suggested by the graphic (any rhythm, any register) Mar. accel. towards C# with wire brushes

   

pp given pitches



mp

 



with bow

  

with bow

   p


23

 

29

B. Fl.

   

p

pp

 

    

sf p

pp

  

p

mp

 

  

        

pp

   

  

air and whistle tone



  





mp



 p

3

.  more air than sound gliss.

  

 



gliss.

 

pp

pp try to find harmonics of Piano's resonance 3      p

Timp.

Glk.

  pp

with wire brushes gliss.



   

 

    

 

    

  

3

  

pp

sf



   

1234 2345# 6

ff



p

pp

    

                 

3

      

T. B.

try to find harmonics of Piano's resonance

sf

  



mp Pedal pressed

mp

 

7

1234 B

12345 A

     

    

sweep of harmonics

 

with bow

 

sfp

 6 6               p

 1 2 3 B4 36        B. Fl.  

Pno.

 

Pno.

Perc.

   

noisy  

  

   

f

 



 

    p

pp

3

 p

Small Tam-Tam Mar.

  Perc. 

with bow

  

 p

with bow

  

  p

with fingers

3    

pp

hold in one hand and strike with the other

6

 f


24

42

B. Fl.

noisy  

    sf p

    pp

   

whistle tone

 

  

 

sf p

 

try to find harmonics of Piano's resonance

  

p

     

Pno.

Timp.

  Perc. 

gliss.

p

3

 

Pno.

    



   gliss.   p

48

B. Fl.

 



 



   

pp given pitches Pedal pressed

  

mp without Pedal

Vibr.



     

       

 6  6       6         

  

34 234

       

 

   

      

mp

   

p

 

 

   

sf p

sf

sf



mp without Pedal

Timp.

 

  

noisy  

mp

 

       

mf

pp with Pedal

Improvise following the melodic mp without Pedal contour suggested by the graphic (any rhythm, any register) Vibr. accel. towards D with wire brushes Perc.

       

 1 22 33 44 5 #  

  

  p

    

p

 

 

sweep of harmonics

    7

        sf

pp

sfp

pp



 

p Pedal pressed

 p

    



  

   

mp

Small Tam-Tam

with mallet

 

pp with Pedal

hold in one hand and strike with the other 6

6

mp

 

T. B.

 3

p


whistle tone

1234 B45

   54          B. Fl.    mf Pno.

 



 

 

 

  

Perc.

 

 



60

 B. Fl.    



        

 

Glk.

 

with brushes

gliss .

pp

 6            

 

         

 more air than sound

6

p

  





 

         

p

    

3



  

             

  

pp

p

pp

mp

 6 6                  

p

 

p

7

    

  

f

 

Timp.

7

 3

 sf

 

p

25

  

sf p sf

    

3

 

     

sf p

sweep of harmonics

f

 

mp



mp

 

Pno.

 

noisy  

try to find harmonics of Piano's resonance

1234 2345#

ff

 

Timp.

         3            

pp



 mp 

5

mp 5 Pedal pressed

 

p

Vibr.

  

try to find harmonics of Piano's resonance

 

with wire brushes



air and whistle tone

  

    pp

 3



Small Tam-Tam

Perc.

  

hold in one hand and strike with the other

6

6

f

6



6

mp

6



6

p

 

6

6

pp


26

64

B. Fl.

   

Pno.

gradually change mouthpiece position

 

  

 

 

soft sound

   

 

 Release Pedal

34

 

p



pp given pitches

B. Fl.

  

 

 

 



 

with bow

        

p

 

soft sound

simile

   

1234 2345#

 

 

mp

   

         

Pno.

Perc.



      

gradually change mouthpiece position

accel. towards C#

     Perc. 

69

 

34 234

Improvise following the melodic contour suggested by the graphic (any rhythm, any register)

with brushes

  

  

      

mp without Pedal

Mar.

 

34

45  23  234     

timbral tril

     



 

 

 

 

timbral tril

mf

with bow

         

 

     

p

34 2345

 

p

3

3

3

p

3

pp

Chord 1

    

3

3

pp

  

      

Small Tam-Tam

hold in one hand and strike with the other

p

with bow



p

with bow

  

 p

 

gradually change mouthpiece position

34 234

   3          

 

3

    

        soft sound

          


B. Fl.

  

          75

Chord 2

Pno.

Perc.

     

80

 B. Fl.   Pno.

Perc.



  

pp

 

 



  

p

 

 

  

       

Chord 3

      

    

    

    

    

 



  

      

 

 

27

   

  

 



 ppp

start pattern in Piano's tempo, then gradually slow down, independent of Piano's steady tempo

 



 

ppp

air sound

 

 

gradually change mouthpiece position

  

senza rall. play chords 1, 2, 3 (in the same way) in any order as long as you feel that the audience is still involved in the musical process; finish the piece on chord 1

senza diminuendo


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