Zahira -the manifest one - for tuba and piano (2010)

Gabriel Mﾄネﾄハcioiu

for tuba and piano

This score is protected by S.A.C.E.M. and U.C.M.R.-A.D.A. Before any public performance a declaration must be sent to your national author’s society.

© Gabriel Mãlãncioiu www.gabrielmalancioiu.org

Zahira -the manifest one-



Tuba

Lively, with verve  



Piano



      mp

 f

 





    



f



Pno.





13

Tba.

 

Pno.







19

Tba.



 

      

  

 

 

   p

 

 

mp



 



       mp

    

p

  

  

  

  

      

 

 





www.gabrielmalancioiu.org

       pp



  

 

mp

     





           

  



    



mp



    © Gabriel Mãlãncioiu

        

  



  

mp

         

   

  

 

       

non stacc.

       

  

           



 



f

        



p

                                  

 



ff

p

  

       

         f      







      

p

Pno.



p

       



mp

       

     

mp



                            



ff

  



p

       subito pp     

forced harmonics gliss. to the highest possible pitch

 

mp



  

           mp

       

6

Tba.



 

Gabriel Mălăncioiu 2010

  

  

        mf

 

 non stacc.          

2 25

Tba.



 



        

 



f



Pno.







31

Tba.

 

Pno.



36

 

Pno.





 41

Tba.

 

Pno.



            

   

            mp  





  

ff

mp



 



     

  

  

 



        subito pp



   

  



mp

mf





   

 

 

subito pp

  

  

mf

     

  

mp

mf

       

   

 

mf

                



 

  

        

  

mf

      

 

  

   

 

       

mp

 

       

  

                

   

 

 

      

     mp non stacc.

     

         mp

 

mp



 

f

                 

          

             

        

  



f mp

  

ff

mp

  

     



   

f

forced harmonics gliss. to the highest possible pitch

                



  

mp





Tba.

       mf 

 

 

 



mf



    



  

  

 

         ff

            ff         ff

 

46

Tba.



 



subito pp





 Tba.









 





p

      

 

 Tba.

        mf             

senza accento subito p





 



f p

f p

                                    p p                          f f p  

 



 



 





p

 



66



 molto rall.  f

     



 







    

 





3



 

 

  

 p

Slowly, gently   

         

p

   

f

   







  



               

 

    

    

     



  

subito p

 

 

 

              







        

  

f

p 3

   

 

f











        

Pno.



3

mf non stacc.

  

non stacc.



Pno.



                             p

60

Tba.

   





f p

Pno.

           

     

  





55

Tba.

   

 

51



Pno.

            

    



Pno.

 



   

 





 

  

 

 



   

 



 











   

   

    

 

4 73

Tba.

         

Pno.



3

 

 



79

Tba.





Pno.



    

         

 

    

  

Pno.







       



f

                subito p        

      



Pno.

  

 

   

 

f

      



  

 

        

    p       p          





 

     

                                              



        



        



 



p

 





as dense as possible

                     

 



      

                            mp                      



   



 





    

            mp

 



    

                                                                                      

94

Tba.

   

 

89

Tba.



 

half valves gliss. to the highest possible pitch



84

Tba.



 

p 3

 Lively, with verve 



Pno.

 

      



     







    

        f

f

  

     

     

          

 

ff

                 ff

 

           

 

                  

 

           

 

     

           mp       mf

99

Tba.

 



       

Pno.







  

    

mp

Pno.



Pno.





Pno.





      

    







 ff

            



  

                  f mp            non stacc.            subito f

mp

              



 

       



   

mp

                        



    

  

                  



  

               ff                                                   ff                                                    



 

Pno.

subito pp

mp

                     ff                                  ff p                    

121

Tba.

     

                

    

f

5

ff

           mp                       

117

Tba.



f mp

112

Tba.



  

104

Tba.

           



 

forced harmonics gliss. to the highest possible pitch











        p      



                   



      

 



     

                          f                     ff









          f

           

mf



      

6

                                                                                                       

127

Tba.

Pno.



 





f

  

 Tba.



   



 

137

p



  

as dense as possible

 

 

                          

                      





  

Pno.







149

Tba.

 

Pno.







 

 

  

 

 







 

144

Tba.

  



                            

                  pp

 

 

 

   

   

 



 

 

 

 

mp

mf



 

mf

3

p



   

 

   



         

    

p

 

                     

    



3

            pp



3

   



                     

 

 

3

pp

 

         3





      

 

ff

p

Pno.

 molto rall.  

                         

 Slowly, gently 



          

ff

 



      



         

     

                                  mp

Pno.



    

f                

132

Tba.





 

 

   

 

155

Tba.



 

 



p



Pno.







162

Tba.



    p

   





p

Pno.







167

Tba.



p









 



Tba.



  

 



  





    

    

            

mp

 

Pno.







   

 

mp

 

p

mp



  

          f 

 

 

       

 

f

   

 

 f

       

  

forced harmonics gliss. to the highest possible pitch









 



 

mp

   



  

 ff

 

      subito pp

   

    

  

    

 

mp

f

ff





  

  



non  stacc.   

      



 

        

       

mp

  

  

      

         

 



                    

   

 

   

       

 

mp



 

      



p

       



    

177



       p mp          

       





 

mp

       

Pno.

  

       

172

Tba.



7

f

     mp   

       





 

                   





 

        

f

         





     

p

          p

Pno.



 

  







mp





Lively, with verve   

 

mf

   

 

 



    

f

 

 

          

     







  

    

8 182

Tba.



          



Pno.









     

Pno.









          





                      





 



f

Pno.







      

Tba.

Pno.

   



   







        

          mp                    

         

     

        

 

  

           

    

 



      





                          



      

mp

      mp

         

     

  

  

 

         



      

                

       



as dense as possible

               

             

              



   

          



      

                         

 

  

                                          mf   

ff

198

             

p

  

                    



f

      

ff



  

192

Tba.

          

f

187

Tba.

  

 

   

   

           



  

 



  

 

 

   

          

       fff

                              

fff                            

Zahira

Tuba

Gabriel Mălăncioiu 2010

-the manifest oneforced harmonics gliss. to the highest possible pitch

Lively, with verve

 

                                 mp f mp

9

 

 

 

ff

                                            mp p mp   mp    mp p   mp p p p

 

                                      p mp f p

16

23

 

 

                                 f  mf mp

 

forced harmonics gliss. to the highest possible pitch

30

              mp

           

  ff

mp

      f

               mp

mf

                                                  

36

mf

mp

mf

mp

mf

                                 mp ff

 

mp

mf

mp

mf

43

 

 

 

50

             mf p









f p



 



f p

55

 



  f p

 





  f © Gabriel Mãlãncioiu

 

 

 

2

61 molto rall.

 

Tuba

Slowly, gently

          p

               

          

69

            74

 

              3

 

p

Lively, with verve 79

       

   

half valves gliss. to the highest possible pitch

 

 



 



  

 

  

                                       mp 



 f 88                                                 f mp ff   93                                   p mp f forced harmonics gliss. to the highest possible pitch

100

             mp

                     mp f



  ff

                                          mp ff mp 117                                                 ff 123                                             110

ff

  

    

f

                                          f mp  133                            

129

ff

Tuba 136

molto rall.



            

3

     

p

144

152

 

       

3

 

   

 



  mf

Lively, with verve



 

3

           

 

 

3

Slowly, gently

    p



 



 

 

 

 

 

f

162

                                             p mp p mp p mp p mp p mp

168

                                                      p

mp

f

forced harmonics gliss. to the highest possible pitch

174

              mp 181

 

 

                 f mp

   

 

 

 

ff

                                        f

                                                    f mp

187

                                             ff mp

192

                     

198

     

                   fff