GALLERY HYUNDAI
Stand B07
Frieze New York 2023
The Shed
May 17 – 21, 2023
For inquiries and further information, please contact the gallery at mail@galleryhyundai.com
Solo Presentation of Yoo Geun-Taek
Gallery Hyundai is pleased to introduce at Frieze New York 2023 a solo presentation of works by Yoo Geun-Taek, a virtuoso artist who has been bridging the East Asian tradition of ink and color painting on hanji (Korean traditional paper) with contemporary aesthetics over the last three decades, expanding this storied genre into subjects of nature, the environment, everyday life, and society to craft a singular experimental art practice. Gallery Hyundai’s booth B07 unveils around 20 works selected from Yoo’s representative series including Fountain, Some Landscape, and Growing Room, which encompass Yoo’s artistic world that pushes the boundaries from the East and the West, to individual and the collective, to ultimately evoke the place of life and existence in the universe.
Boldly departing from traditional East Asian painting, Yoo Geun-Taek (b. 1965) has shaped a practice that places not only a thematic but also a methodological spin on the genre’s conventions, striving to fuse the medium’s materiality with the surface of painting in ways that escape the strict separation between canvas and paint in Western oil painting. The artist layers multiple layers of hanji (mulberry paper), then adds water, marks made by his own body, and physical force to deconstruct and pulverize the paper, upon which he paints while it is still wet. Through Yoo’s active intervention into surface and materiality—in both the deconstruction and amalgamation of materials—paper, ink, and pigment are rendered inseparable, and his picture plane is reborn spatiotemporally.
In his paintings, Yoo Geun-Taek closely observes reality and daily life to create a temporality made up of fluid scenes of the everyday rather than fixed, immutable images. His works stand in stark contrast to the ideological or spiritual contemplations that typically underpin traditional ink painting—at times, they examine specific themes of the prosaic, and in other instances, they reveal aspects of reality through metaphors.
Samcheong-ro, Jongno-gu, Seoul, 03062, Korea +82 2 2287 3500 www.galleryhyundai.com
Fountain, one of the artist’s most iconic series, characterizes human existence as inescapable and futile yet transient, much like the water of a fountain that inevitably falls as soon as it has risen to its peak. Yet, the forceful surge of water takes on a confident and tenacious attitude rather than one that is defeated and docile. On the other hand, Some Landscape (2022) depicts in detail the moment of a newspaper burning in flames, signaling a world of chaotic geopolitics and the global pandemic that metaphorizes our own reality of the past several years through the fictional newspaper, through which Yoo poses lyrical questions on the time and extinguishment of being.
Likewise, Yoo foregrounds the circularity of time and existence in Beginning of the World (2009), where heterogeneous objects from tables and chairs to beds and houses form a giant swirling shape as if swept up by an insurmountable force, divorcing each object from its original context and placing it in a completely alien world. As we move indoors, Growing Room (2008, 2009) similarly features an impossible panoramic space in which flowers, trees, and day-to-day objects are suspended in the air. The artist transforms the implausibility of this cosmic space into a pictorial space full of dynamic energy that draws the viewer’s eye. These two series testify to an insurmountable force of circular movement underlying a space and time that appears chaotic and paradoxical, at the same time, they evidence that macroscopic force as it influences objects on the micro-level. And we can easily position both dimensions, in extension, to questions on human existence.
Moving Life (2018) is an uncanny scene featuring objects that are stacked and tied as if in preparation for a move. As the space these objects previously inhabited is in a process of shifting, the objects exist in a jumble that interrupts their original use and form, creating a sense of motion as if they are about to meander within the canvas space. As such, the work reveals the unfamiliar context of moving in a manner that estranges everyday life into an almost theatrical scene. Likewise, Some Library (2016) depicts an intense density of stacked books that line a completely enclosed space devoid of background or order. The work achieves a degree of indeterminacy and incoherency that seems to abolish perspective itself.
In these works, Yoo Geun-Taek builds dense temporal layers from uniquely poetic narratives of the world we inhabit and the worlds within us. In the process, he uncovers expressions of poignant insight and delivers universal stories of humanity that mirror life and death as they exist within moments both serene and dynamic.
Yoo Geun-Taek received his B.F.A. and M.F.A. from Hongik University, Seoul, and he has taught Oriental Painting at Sungshin Women’s University since 2003. The artist has held solo exhibitions at numerous galleries and institutions, including the Savina Museum of Contemporary Art, Seoul (2004); OCI Museum of Art, Seoul (2014); Sungkok Art Museum, Seoul (2017); Tama Art University Museum, Tokyo (2016), and Daegu Art Museum, Korea (2022), among others. He has also participated in group exhibitions at the National Museum of Modern and Contemporary Art, Korea (MMCA) (2019); Daejeon Museum of Art, Korea (2017, 2019); and Parkview Museum, Singapore (2019). His works are in the permanent collections of Leeum, Samsung Museum of Art, Seoul; MMCA, Korea; Seoul Museum of Art; Gyeonggi Museum of Art, Korea; and Busan Museum of Art, Korea. The artist will present an upcoming solo exhibition at Gallery Hyundai in October 2023. He is also represented by Newchild Gallery in Antwerp, Belgium.
Fountain, 2022
Black ink, white powder and tempera on Korean paper
114.2 × 79.5 in / 290 × 202 cm
No. 107578
Yoo Geun-TaekFountain, 2022
Black ink, white powder and tempera on Korean paper
114.2 × 79.5 in / 290 × 202 cm
No. 107580
Yoo Geun-TaekFountain, 2023
Black ink, white powder and tempera on Korean paper
81.1 × 56.9 in / 206 × 144.5 cm
No. 107920
Yoo Geun-TaekFountain, 2023
Black ink, white powder and tempera on Korean paper
81.1 × 71.5 in / 206 × 181.5 cm
No. 107918
Yoo Geun-TaekFountain, 2022
Black ink, white powder and tempera on Korean paper
80.7 × 56.9 in / 205 × 144.5 cm
No. 107922
Yoo Geun-TaekFountain, 2022
Black ink, white powder and tempera on Korean paper
79.9 × 57.5 in / 203 × 146 cm
No. 107923
Yoo Geun-TaekFountain, 2023
Black ink, white powder and tempera on Korean paper
65 × 57.7 in / 165 × 146.5 cm
No. 107924
Yoo Geun-TaekFountain, 2023
Black ink, white powder and tempera on Korean paper
56.7 × 38.2 in / 144 × 97 cm
No. 107925
Yoo Geun-TaekFountain, 2023
Black ink, white powder and tempera on Korean paper
56.7 × 38.2 in / 144 × 97 cm
No. 107926
Yoo Geun-TaekFountain, 2021
Black ink, white powder and tempera on Korean paper
57.7 × 39.2 in / 146.5 × 99.5 cm
No. 107927
Yoo Geun-TaekFountain, 2021
Black ink, white powder and tempera on Korean paper
58.1 × 39.2 in / 147.5 × 99.5 cm
No. 107928
Yoo Geun-TaekFountain, 2023
Black ink, white powder and tempera on Korean paper
56.9 × 40.4 in / 144.5 × 102.5 cm
No. 107929
Yoo Geun-Taek Yoo Geun-Taek Reflection, 2022 Black ink, white powder and tempera on Korean paper 58.5 × 36.2 in / 148.5 × 92 cm No. 107930Yoo Geun-Taek
Some Landscape, 2022
Black ink, white powder and tempera on Korean paper
71.7 × 80.7 in / 182 × 205 cm
No. 107932
Some Room, 2012
Black ink, white powder and tempera on Korean paper
57.5 × 50 in / 146 × 127 cm
No. 107983
Yoo Geun-TaekBeginning of the World, 2009
Black ink, white powder and tempera on Korean paper
78.7 × 83.5 in / 200 × 212 cm
No. 107984
Yoo Geun-TaekGrowing Room, 2008
Black ink, white powder and tempera on Korean paper
53.1 × 53.1 in / 135 × 135 cm
No. 105559
Yoo Geun-TaekGrowing Room, 2009
Black ink, white powder and tempera on Korean paper
53.1 × 53.1 in / 135 × 135 cm
No. 105558
Yoo Geun-TaekGrowing Room, 2012
Black ink, white powder and tempera on Korean paper
54.7 × 54.3 in / 139 × 138 cm
No. 107982
Yoo Geun-TaekSome Library, 2016
Black ink, white powder and tempera on Korean paper 82.3
No. 107985
Yoo Geun-TaekYOO GEUN-TAEK
b. 1965, Asan, Korea
Lives and works in Seoul, Korea
EDUCATION
1997 MFA, Oriental Painting, Hongik University, Seoul, Korea
1988 BFA, Oriental Painting, Hongik University, Seoul, Korea
SELECTED SOLO EXHIBITIONS
2023 Solo exhibition at Gallery Hyundai, Seoul (forthcoming)
2022 Growing Room, Newchild Gallery, Antwerp
Yoo Geun-Taek: Dialogue, Daegu Art Museum, Daegu, Korea
2021 Layered Time, Savina Museum of Contemporary Art, Seoul
The Walkers, Nook Gallery, Seoul
2017 A Walk Through Time, Sungkok Art Museum, Seoul
Promenade, Gallery Hyundai, Seoul
2016 Yoo Geun-Taek, Gallery 21+Yo, Tokyo
The Whole Gravity of Painting, Summoned, Tama Art University Museum, Tokyo
Breath of Life, The Korea Society, New York
Life on the Corner, Shinsegae Gallery, Busan, Korea
2015 Everlasting Tomorrow, Force Gallery, Beijing
A Passage – The Scenery Outside the Window, Bongsan Cultural Center, Daegu, Korea
2014 Everlasting Tomorrow, OCI Museum of Art, Seoul
2013 Wind·Landscape – Drawings by Yoo Geun-Taek, Gallery Hyundai Dugahun, Seoul
2012 The One Day, Gallery Hyundai, Seoul
2010 Yoo Geun-Taek, Gallery Bundo, Daegu, Korea
Depiction of the Universe, Artside Gallery, Beijing
2009 Depiction of the Universe, Savina Museum of Contemporary Art, Seoul
Yoo Geun-Taek, LA Artcore Gallery, Los Angeles
2008 Yoo Geun-Taek, Gallery 21+Yo, Tokyo
2007 Skin of Life – Drawings on the Diagonal Lines that Sustain Me, Dongsanbang Gallery, Seoul
2005 Yoo Geun-Taek, Millennium Gallery, BeijingYoo Geun-Taek, Gallery 21+Yo, Tokyo
2004 Between Scenes and Events, A Deviation Beyond the Routine, Savina Museum of Contemporary Art, Seoul
2003 A Scene, Artforum Newgate, Seoul
Velocity of Landscape, Kwanhoon Gallery, Seoul
2002 Figure – The Internal Reason: Drawing for Grandmother, Gallery Doll, Seoul
Yoo Geun-Taek, Dongsanbang Gallery, Seoul
East Wind, Kwanhoon Gallery, Seoul
2001 Yoo Geun-Taek, Gallery 21+Yo, Tokyo
2000 Yoo Geun-Taek, The 19th Suk Nam Arts Award Exhibition, Moran Gallery, Seoul
1999 Yoo Geun-Taek, Wonseo Gallery, Seoul
1997 Yoo Geun-Taek: Recent Works, Kumho Museum of Art, Seoul
1996 The Power of Everyday Life, Reform an Experience, Kwanhoon Gallery, Seoul
1994 Yoo Geun-Taek, Kumho Gallery, Seoul
1991 Yoo Geun-Taek, Kwanhoon Gallery, Seoul
SELECTED GROUP EXHIBITIONS
2021 Day & Night Part II, Gallery Hyundai, Seoul (Online)
2020 How to Create a Landscape, National Museum of Modern and Contemporary Art (MMCA), Cheongju, Korea
Serendipity, Savina Museum of Contemporary Art, Seoul
2019 Disturbing Narrative, The Parkview Museum Singapore, Singapore
Acquisition 2017-2018, MMCA, Gwacheon, Korea
2017 The Painting Show, Goyang Aram Nuri Arts Center, Goyang, Korea
The Red Brick House, OCI Museum of Art, Seoul
2016 Ways of Seeing Nature, nook gallery, Seoul
Being in Nature, Museum SAN, Wonju, Korea
Eating Tools, Nam-Seoul Living Arts Museum, Seoul
Between People and People, Jeju Museum of Art, Jeju, Korea
2015 The Flame of Seoul, 63 Art Museum, Seoul
Same Difference, Space BM, Seoul
Expressions and Gestures, Seoul Olympic Museum of Art, Seoul
STOP, and SEE, MMCA, Gwacheon, Korea
Walking in the Spring, Summer, Fall and Winter, Seoul Museum, Seoul
Beyond the Borders, Culture Station Seoul 284, Seoul
Artist’s Portfolio II, Savina Museum of Contemporary Art, Seoul
2014 Garden, MMCA, Seoul
A Form of Thinking – Rediscovery of Drawing, Museum SAN, Wonju, Korea
The Moment, We Awe: Korean Contemporary Art, Sanshang Contemporary Art Museum, Hangzhou
The East Bridge: In the Absence of Avant-Garde Reading, 798 Art Factory, Beijing
2013 We, Now Here: Today’s Korean Painting Self-reflection and Self-awareness, Gallery Santorini Seoul, Seoul
Awful landscape, Force Gallery, Beijing
Neo-Mōrōism, Tokyo Gallery + BTAP, Beijing
Real Landscape, True Reflection, OCI Museum of Art, Seoul
House & Home: Finding Myself, Jeju Museum of Art, Jeju, Korea
Korean Art: An Age of Grand Navigation, Busan Museum of Art, Busan, Korea
2012 Manner and Landscape – The Vitality of Art, Daegu Art Factory, Daegu, Korea
KOREA TOMORROW 2012, Hangaram Art Museum, Seoul
Flower in the Moment, OCI Museum of Art, Seoul
Discovery of Landscape, Shinsegae Gallery, Seoul
GROWTH, Force Gallery, Beijing
Manner in Korean Paintings, HITE Collection, Seoul
2011 The Harmony – The More, The Better, Gallery Maum, New York
Nature, Life, Human, Daegu Art Museum, Daegu, Korea
Seoul, City Exploration, Seoul Museum of Art, Seoul
Self Camera: Repositioning Modern-Self, Sungsan Art Hall, Changwon, Korea
2010 21 & Their Times, Kumho Museum of Art, Seoul
Korean Avant-Garde Drawing: 1970-2000, Seoul Olympic Museum of Art, Seoul
Gangjin Celadon Art Project 2010_Meeting Celadon at Gangjin, Gangjin Celadon
Museum, Gangjin, Korea
Free Style: A Dialogue between Art and Design, Hongik Museum of Art, Seoul 30th Anniversary of the Young Korean Artists, MMCA, Gwacheon, Korea
2009 Flare: A Brand New Start in Art, MMCA, Seoul
Korea on the Rocks, Art Seasons Gallery, Zurich
Cross Animate, Coreana Museum of Art, Seoul
2008 Beyond Definition, Interalia Gallery, Seoul
Form, Idea, Essence and Rhythm: Contemporary East Asian Ink Painting, Taipei Fine Arts Museum, Taipei
Art in Busan 2008: Welcome to Busan, Busan Museum of Art, Busan, Korea
One Fine Spring Day, Gwangju Museum of Art, Gwangju, Korea
Interviewing Paintings, Seoul Olympic Museum of Art, Seoul
2007 Beyond Art Festival, Daejeon Museum of Art, Daejeon, Korea
The Way of Seeing Art, Savina Museum of Contemporary Art, Seoul
Asia Modern Art Project – City_net Asia 2007, Seoul Museum of Art, Seoul
The 3rd Chengdu Biennale, Chengdu Contemporary Art Museum, Chengdu
Hommage 100: Korean Contemporary Art 1970-2007, Korea Art Center, Seoul
Korean Paintings 1953-2007, Seoul Museum of Art, Seoul
2006 Drawn to Drawing, Seoul Olympic Museum of Art, Seoul
Korea and China Ink Paintings Exchange Exhibition, Uijae Museum of Korean Art, Gwangju, Korea
2005 Feng Shui, Sungshin University Museum, Seoul
Echo of Daily Life, Park Soo Keun Museum, Seoul
Landscape Full of Nature, Chungmu Arts Center Gallery, Seoul
Ink Paintings of Korea and China, Seoul Museum of Art, Seoul
New Trends in Traditional Paintings, Gyeonggi Museum of Art, Ansan, Korea
2004 Modernism Art in Korea, Kumho Museum of Art, Seoul
Resonance: Aesthetics of Korea, Hakgojae Gallery, Seoul
Artists on Journey, Seoul National University Museum, Seoul
Atelier Report, Savina Museum of Contemporary Art, Seoul
2003 Real-scape Revisited, MMCA, Gwacheon, Korea
Discovery of Seoul Life – See the Dead Zone of Life, Ssamzie Space, Alternative Space
Loop, Seoul
People Who Walk on Water, Seoul Museum of Art, Seoul
The House, Ga Gallery, Seoul
Oriental Painting Paradiso, POSCO Art Museum, Seoul
Invigorating Name - Mother, Munhwa Ilbo Gallery, Seoul
Face, Expression, Daejeon Museum of Art, Daejeon, Korea
Environmental Art – Water, Seoul Museum of Art, Seoul
2002 The Dog, Savina Museum of Contemporary Art, Seoul
Here, Is, Insa Art space, Seoul
2001 The Scent and Shape of Ink: Contemporary Ink Painting of China, Japan and Korea, MMCA, Gwacheon, Korea
People I’ve Met, Keumsan Gallery, Seoul
2001 Odyssey, Sungsan Art Hall, Changwon, Korea
2000 Young Korean Artists 2000 – Toward the New Millennium, MMCA, Gwacheon, Korea
1999 Beyond Landscape, Art Sonje Museum, Gyeongju, Korea
The Status and Prospect of Korean Art, Daejeon Museum of Art, Daejeon, Korea
1998 Rediscovery of Drawing, Whanki Museum, Seoul
1997 Status of Five Contemporary Korean Painters, Plus Gallery, Seoul
The Leading Artists of 21st Century Korean Art, Sun Gallery, Seoul
1996 The Development of Korean Modernism – Modern’s Conquest, Kumho Museum of Art, Seoul
Ink Painting after the Ink Painting Movement, Whanki Museum, Seoul
Korean Contemporary Art, Finding the Current State of Painting, Sungkok Art Museum, Seoul
Today’s Korean Painting – Context and Development, Dukwon Gallery, Seoul
1995 Representative Works by Leading Artists of 2000s Korean Art, Munhwa Ilbo Gallery, Seoul
The Way of Self-existence II, Kumho Gallery, Seoul
1994 Suggestion for Tomorrow – The New Generation’s Perspective, Hangaram Art Museum, Seoul
1993 Our Art, New Generation’s Method, Gallery Seoho, Seoul
1992 Today’s Life – Today’s Art, Kumho Gallery, Seoul
‘92 Seoul Contemporary Korean Painting Exhibition, Seoul Museum of Art, Seoul
1990 Seeking Human, Samjeong Gallery, Seoul
SELECTED AWARDS
2021 The 22nd Lee In-sung Art Prize, Daegu Art Museum, Daegu, Korea
2017 The 1st Gwangju Hwaru Artist Award, Gwangju Bank, Asia Culture Center, Gwangju, Korea
2009 The 9th Ha Chong-Hyun Art Prize, Ha Chong-Hyun Art Prize Committee, Seoul, Korea
2003 Today’s Young Artist Award, Ministry of Culture, Sports and Tourism, Sejong, Korea
2000 The 19th Suk Nam Arts Award, Suk Nam Arts and Cultural Foundation, Seoul, Korea
SELECTED COLLECTIONS
Busan Museum of Art, Busan, Korea
Chengdu Contemporary Art Museum, Chengdu, China
Daejeon Museum of Art, Daejeon, Korea
Gyeonggi Museum of Modern Art, Ansan, Korea
Hana Bank, Seoul, Korea
Jeju Museum of Art, Jeju, Korea
Jeon Deung Sa, Incheon, Korea
Kumho Museum of Art, Seoul, Korea
Leeum, Samsung Museum of Art, Seoul, Korea
Moran Museum of Art, Namyangju, Korea
National Museum of Modern and Contemporary Art, Korea
OCI Museum of Art, Seoul, Korea
Savina Museum of Contemporary Art, Seoul, Korea
Seoul Museum of Art, Seoul, Korea
Seoul Olympic Museum of Art, Korea
Sungkok Art Museum, Seoul, Korea
Sungshin University Museum, Seoul, Korea
White Rabbit Collection, Sydney, Australia
Xian Diplomat, Xian, China