Architectural Portfolio 2019 | Gaye KARBEYAZ

architectural portfolio| Gaye Karbeyaz| 2015-2019 SELECTED WORKS

academic, at MSFAU

cover image - drawing and modelling from ‘contents’ 2015-2019 selected works at MSFAU.

about | Gaye Karbeyaz

Architect

born live mobile e-mail linkedin

Feb. 26, 1995 in Turkey in Istanbul, Turkey +90 545 637 4342 gayekarbeyaz@gmail.com

online portfolio and the other works

be.net/gayekarbeyaz

linkedin.com/in/gayekarbeyaz

Please visit the this page to see more works.

GAY E KARBEYAZ Architect

AWA R D

J u n e, 2018

born live mobile e-mail linkedin

Feb. 26, 1995 in Turkey in Istanbul, Turkey +90 545 637 4342

Aura-Istanbul* Participation Grant under the Aura-Istanbul Special Award Program for MSFAU Architecture Faculty 2018 Spring Semester Graduation Project “Macka Student Social Center”

online portfolio and the other works

be.net/gayekarbeyaz

This project was exhibited at MSFAU under the title of ‘Graduation Projects Exhibition’ in the 2018 Spring and 2019 Fall semesters.

gayekarbeyaz@gmail.com linkedin.com/in/gayekarbeyaz

Please visit the this page to see more works.

*Istanbul Architecture and Urban Planning Research Academy link: aura-istanbul.com

E XP E R I E N CE S The current study of philosophical aspects in architecture has inspired the interests of spatial meaning which beyond the physical settings.

Architectural context redirects our gazes back to ourselves and the transients that provokes the meaningful information from spaces and objects. If the perception of space is an interpretation, architecture is the structure of our scripts of which imperfection will be accepted, and for those who practice it are the directors of our life.

INTER ESTED I N history of art and architecture architectural theories of design visual communication design and matter of representation interior and spatial design contemporary art practices art and architecture relationship digital media arts interdisciplinary relations with architecture

SOCI AL

be.net/gayekarbeyaz linkedin.com/in/gayekarbeyaz issuu.com/gayekarbeyaz

For details of these projects and other projects or works please visit my online portfolio.

2018-2019 Aura-Istanbul

research academy many workshops and seminars, design research competitions, and teamwork, also Individual Research Project

2016

internship

2016

workshop exhibition

iki design group

Position: Design Intern office in Istanbul, Turkey

Third Istanbul Design Biennial

A reminder in Sariyer: Color https://renkatolye.wordpress.com/

This work was exhibited at Petra The Flooring Co. and MSFAU.

2016

workshop exhibition

Third Istanbul Design Biennial

Space, Play and Architecture “to make the city a toy”

This work was exhibited at ITU and MSFAU.

2015

internship workshops

Koyunu Yasat

Position: Construction Intern Construction Site and Academic Camp

The process and workshop productions in Bilecik were exhibited at MSFAU and Tas Han, Gölpazarı.

R E F E R E N CE S

Yılmaz Deger - architect academician, MSFAU founding member at AURA-Istanbul founder of DEGER Architectural Design E: yilmazdeger@gmail.com Sinan Logie - architect and artist academician, Istanbul Bilgi University E: sinan.logie@gmail.com

EDUCATI ON 2018-2019 Aura Istanbul

5 months Istanbul Architecture and Urban Planning Research Academy Certificate Program Researcher

2013-2018 Mimar Sinan Fine Arts University in Istanbul, Turkey Bachelor of Architecture GPA 3.31/4.00

2016-2017 Wall Street English

2016

B2 - Certificate Upper Waystage

CAD ISTANBUL

Technical Education and Consultancy Center Certificate AutoDesk Revit Architecture

2009-2013 Kastamonu Science High School in Kastamonu, Turkey

GPA 88/100

S O FT WAR E Mac Os and Windows

Advanced

AutoCAD SketchUp Sketchbook Pro Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Lightroom Revit Architecture Lumion MS Office Google Doc.

Graphic Design Illustration Laser Cutting - CNC Model-Making Rendering Hand Drawing Photography

LA NGUAG ES Turkish | Native Language

English | B2 Certification - 2019 Yokdil Score: 77.5

PUBLICATIONS

- The Space Atlas of the Periphery of Istanbul: “Kağıthane’nin İstilası”

This study is the final product of a two-week workshop process under the heading ‘The Space Atlas of the Periphery of Istanbul’ at the beginning of the Aura 2018 Fall semester. At the same time, this work was presented and exhibited at Studio-X Istanbul in April 2019 at the panel entitled “City Dialogues”.

- Urban-Coastal Relationship in the Context of Time: The Bosphorus

This booklet is the product of my research studies conducted on the topic of ‘Urban-Coastal Relationship in Istanbul’ at AURA-İstanbul.

- The Research Projects of Fall 2018, Aura-Istanbul

This booklet includes the Research Based Design Studio Projects lead by Sinan Logie, produced in Fall 2018 term of AURA-İstanbul’s Certificate Program.

04

01

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contents

2015-2019 SELECTED WORKS

academic, at MSFAU

01 02 03

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05

06 07

U R B A N - C O A S TA L R E L AT I O N S H I P I N T H E C O N T E X T OF TIME: THE BOSPHORUS

Research Study September 2018 - February 2019 | Aura Istanbul in I.T.U MACKA CAMPUS Graduation Project | award-winning 2018| Spring

in KADIKOY Architectural Design Studio IV 2017| Spring

H O S P I TA L H O T E L

for OKMEYDANI EDUCATION AND RESEARCH HOSPITAL Architectural Design Studio III 2017| Fall

in HASKOY Architectural Design Studio II 2016| Spring

ARCHITECTURE OFFICE

PHOTOGRAPHY STUDIO AND HOME OFFICE in KUZGUNCUK

Architectural Application Project I-II 2015| Fall and Spring

HOME OFFICE

on The Roof in GALATA Interior Spatial Organization and Design II 2016| Spring

in KADIRGA Architectural Survey and Conservation Project I-II 2016| Fall and Spring

FA C U LT Y O F F I N E A R T S

MACKA STUDENT SOCIAL CENTER

LITTLE HAGIA SOPHIA MADRASAH IN KADIRGA

U R B A N - C O A S TA L R E L AT I O N S H I P I N T H E CONTEXT OF TIME:THE BOSPHORUS The research study was published in Aura Istanbul as of February 2019. The printed publications and posters of the study are still being exhibited. |research study|

This study is research which examines the urban-coastal relationships through history by taking the Bosphorus as the center. During the research process, in Istanbul, the relationship between the city and the sea has been investigated through scientific researches, statistical data on the subject and theses and texts on the subject in different disciplines. On the other hand, in order to include experiences and current practices, a reading of subjective and fictional data and the city-coastal relationship was made by using the old and new newspaper news, such as paintings, photographs, legends, memoirs, novels. The factors that caused the changes in this relationship are presented in several sub-headings. The process was completed with original collages prepared to support the literary background.

The coasts are a threshold shaped between urban life and natural life. And in the spatial sense, the coasts define a habitat between the city and the water.

The sea or coast is one of the most remarkable elements that determine the vital and spatial identity of the city when the city’s ecological balance, economy, ancient symbols and values, architecture, urban lifestyle and culture of the city are considered. The coasts played an important role in shaping the lifestyle of societies as well as determining the urban identity and morphology. In the historical process, the citizens tried to include the coast of Istanbul into urban life in different periods with different purposes and functions.

Especially when the data on daily life is examined, it shows that social meanings that have been uploaded to the coast for many years are extremely strong. However, because of the effect of globalization, unconscious and unplanned practices or misuse almost abandoned coastal areas have become urban spaces that are separated from the city. When the development and change of the city are evaluated in historical and morphological context, it is seen that the coastal culture disappeared in time and the relationship between the city and the sea has weakened.

Aura Istanbul Certificate Program Instructor : Sinan Logie (September 2018 - February 2019)

This research presents a preview of the change and development of Istanbul’s urban-coastal relationship in the context of time, as well as predictions about the future coastal uses. How the increasingly disappearing sea culture and the urban identity fed by this culture should be strengthened is a problem of planning and design. Considering the future scenarios that await the city, such as ongoing urbanization, natural disasters, and climate conditions, the relationship of the city with the coast should be guided in a healthy way. Planning and design processes of the coast of Istanbul that are of such importance should be handled with a holistic approach with different disciplines. Strategies and spatial policies for the future should be produced.

Today, this process is quite uncertain for the coasts of Istanbul.

Contents of the Publication Abstract Technique and Metod Introduction Contact with the Sea The Way the Citizens Use the Sea: Sea Baths and Beaches The Port of Istanbul Maritime Trade and Transportation Filling Areas and Urbanization Future Scenario: Climate Issue and Natural Disasters Conclusion All the collages used in the publication were produced by me during this research process.

Aura Istanbul Certificate Program Instructor : Sinan Logie (September 2018 - February 2019)

process

The sea or coast is one of the most remarkable elements that determine the vital and spatial identity of the city when the city’s ecological balance, economy, ancient symbols and values, architecture, urban lifestyle and culture of the city are considered. The coasts played an important role in shaping the lifestyle of societies as well as determining the urban identity and morphology.

With the effect of globalization, the unconscious and unplanned practices or misuses cause almost abandoned coasts to become undefined urban spaces that are broken out of the city. When the development and change of the city are evaluated in historical and morphological context, it is seen that the coastal culture disappeared in time and the relationship between the city and the sea has weakened.

The citizens tried to include the coast of Istanbul into urban life in different periods with different purposes and functions. However, with the population growth and the changing demographic structure caused by the rapid urbanization during last decades, most of the spatial usage practices connected to past cultures have been lost, and in this process, the urban-coastal relationship has considerably weakened.

When there is no land for new constructions within the borders of Istanbul, perhaps it will not be enough to look at the Bosporus, which we have turned into almost an ‘object of desire’ in time, through the window of our houses. Even the sea, defined as potential vacancies, will be involved in a planning process by the Council of New Lands, which is waiting for the project. Even the water will be occupied and the new islands will take their places in the Sea of Marmara.

click to see all study | behance.net/gayekarbeyaz

01 I . T. U M A C K A C A M P U S - S T U D E N T S O C I A L C E N T E R award-winning

This project is not just a mass student social center but as a part of the city and the valley in which it is located, a social center for urban people and students. |cultural architecture|

Although it is quite close to the ITU Macka campus, Gumussuyu and Taskisla campuses, the lack of communication between the campuses are so high. In fact, these three local campuses are the campuses where the student-urban relationship can be established most strongly because of its proximity to Besiktas. As Macka campus which is located between Nisantasi-Besiktas has mainly mixed-use and residences, this region is an extremely dynamic place with different user profiles.

In addition to all these evaluations in the project approach, the valley in which the campus is located is the field that has the most say in the formation of the project. In the masses that are placed on different levels, as appropriate to the landscape and topography of the valley; work areas, cafĂŠ-restaurants, exhibition areas as well as; studios for music, dance and sports are planned. It is aimed to bring together the users of different disciplines in the design of all these areas.

GRADUATION PROJECT Jurors : Asst. Prof. Nezih Recep Aysel Lecturer Nedim Erdal Ozyurt Assoc. Prof. Ahmet Tercan Assoc. Prof. Cigdem Tekin Assoc. Prof. Ayse Derin Oncel Lecturer Kutyar Ozer

(year 5, semester 10)

I . T. U G U M U S S U Y U

faculty of Mechanical Engineering

the new S O C I A L C E N T E R

faculty of Architecture

I . T. U TA S K I S L A

ITU Turkish Music State Conservatory

school of Foreign Languages

I . T. U M A C K A

faculty of Management ITU social facility

dorm

S I TE PLAN

HU

SR

con ne ct

ion

pa

th

to c

am pu

s

EV

I.T.U SOCIAL FACILITY

CORT I.T.U CONSERVATORY

DEPARTMENT OF FOLK DANCES

I.T.U CONSERVATORY

DEPARTMENT OF MUSIC TECHNOLOGIES

SECTION S4-S4

this section from the valley

DORM

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AV E

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A Street Corridor This green street corridor, which is formed between the two building axes, stretches as far as the street and incorporates the valley back into the city.

The continuity of the pedestrian flow along the valley was maintained.

In addition to the pedestrian flow along the corridor, the user is provided with a walking trail to walk through the Bosphorus view.

E1

S1

E3 E 5

S4 5

S2 5

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E5 E3

S4

FLOOR PLAN from 63.00 height 1. the lower floor of the cafe 2. service and storage 3. music studios 4. recording room 5. technical volumes and storages 6. fitness center 7. entrance and vitamin bar - cafe 8. information and check in 9. locker rooms 10. room for personnels

E1

S1

E3 E 5

S4

4

S2

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5 2 6

3

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8

13

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10 9

S3

16

11

13

S3

12

E1

E4

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S1

16

E4

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15 16

E5 E3

S4

FLOOR PLAN from 67.50 height 1. foyer 2. entrance and information 3. exhibition area 4. open social space 5. sale store of university products 6. kitchen/service and storage 7. cafe-restaurant 8. open exhibition area 9. entrance and social area 10. divisible multipurpose working areas 11. game room 12. the top floor of the cafe 13. open areas 14. terrace for activity 15. terrace for activity (multipurpose use: places for dance, sports, presentations, artwork etc.) 16. studios 17. entrance

E1

S1

E3 E 5

S4

S2

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10 8

S3

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10 9

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E5 E3

S4

FLOOR PLAN from 73.50 height 1. bookstore information 2. reading area and service 3. bookstore and cafe 4. terrace 5. seating area 6. service bar and seating area 7. seminar and workshop areas 8. social area 9. study hall 10. studios for dancing and sports 11. terrace

E1

S1

E3 E 5

S4

S2 1

2

S3

E1

E4

S3

S1

E4

S2 E5 E3

S4

FLOOR PLAN from 79.50 height 1. seminar and workshop areas 2. terrace (for meetings, workshops, invitations, celebrations, project presentations, activities etc.)

Integration with Urban Spaces and The Valley The extensions of the masses at different levels in the landscape and topography of the valley are planned in the green corridor as open spaces allowing different activities and interactions.

ELEVATION E1-E1

ELEVATION E5-E5

SECTION K2-K2

SECTION K1-K1

ELEVATION E3-E3

ELEVATION S3-S3

ELEVATION E4-E4

CONTINUES

CONTINUES

CONTINUES

ELEVATION S3-S3

ELEVATION E4-E4

02 FA C U LT Y O F F I N E A R T S a ‘handshake’ between urban with creek and green spaceintegrating this landscape with the educational building. |educational building|

Hasanpasa Gazhanesi, which will be re-functioned as Gazhane Energy Systems Museum in the near future, will revive this region which is now very dynamic. The relationship between the Gazhane and the faculty of fine arts is also very important in this sense. The main design decision in the planning process was to integrate the creek that divides the area into two and the faculty mass to be designed.

The designed faculty buildings found the opportunity to dance with the water and speak the same language as the water and shake hands with the city along with the green corridor that runs along the creek. Another reason for the movement between the floors of the masses is that they reflect their topography curves. The departments of the faculties were planned together or separately according to their function and necessities.

Architectural Design Studio IV Instructor : Prof. Nevzat Oguz Ozer (year 4, semester 8)

KADIKOY, ISTANBUL

IS IT POSSIBLE TO DESIGN A GREEN CORRIDOR ?

HOW DID THE HISTORICAL PROCESS CHANGE ?

Haydarpasa-Izmit train station opens to public transportation.

With the establishment of the Sirket-i Hayriye, the first ferry services are launched.

Haydarpasa Train Station opened for service.

A new development plan is prepared for Kadikoy. Yogurtcu park and some big parks were opened for use.

Bus lines opened.

Electricity came to Kadikoy.

Haydarpasa-Altiyol and Kadikoy-Suadiye tram lines were opened.

WHERE DOES THE CREEK BED MEET THE PEOPLE ?

VEHICLE DENSITY

PEDESTRIAN CIRCULATION

A new Haydarpasa - Pendik road was built in place of Bagdat Street, which is used as an intercity road.

Sirkeci - Kad ferry line op

HOW THE GREEN AREAS CHANGED IN THIS PROCESS ?

dikoy car pened.

Bosphorus Bridge opened.

Nostalgic tram service was opened in Kadikoy-Moda line. (T3)

Marmaray project is started.

Avcilar-Sogutlucesme metrobus line opened to service.

Marmaray Project completed.

Kadikoy-Kartal metro line opened to service.

Kurbagalidere valley and its surroundings will be arranged. The car park in Kusdili Cayiri will be removed and a new focus will be given to the city.

The green areas will be expanded and the parks will be rearranged.

At the intersection of Metrobus and Marmaray lines, Transfer Center will be built. And around the Transfer Center, routes suitable for walker and bikes will be designed.

HOW CAN THE PLANNED FINE ARTS FACULTY BECOME PART OF THE DESIGNED GREEN CORRIDOR ?

CIRCULATIONS AND INTEGRATION

FINAL SITUATION

This image is an excerpt.

Haydarpasa Cove was filled and expanded. Kalamis and Fenerbahce yacht harbors were built. Green areas were expanded by filling the sea between Iskele-Muhurdar.

This area is where the pedestrian traffic will greatly increase with the opening of the Marmaray-Sogutlucesme subway line.

Within the framework of the urban transformation projects in Fikirtepe, both the number of motor vehicles and the intensity of pedestrian traffic will increase greatly.

GREEN CORRIDOR AND BEACH CONNECTION

The new

CULTURAL Socio-cultural axis intersecting

Acibadem Street is a street where commercial areas are concentrated between Akasya shopping center and Altiyol-Kadikoy market.

At the same time this street is public bus and minibus route.

CONNECTION with creek and green corridor -

Kadikoy Hasanpasa Market and Parking Project; Around the new market place, it will be arranged as a 3 meter wide road, bicycle path and treadmill.

Hasanpasa Gazhane, which was closed in 1993 and not used after that day, is being transformed into an Energy Museum and Cultural Center by the Istanbul Metropolitan Municipality.

After restoration, there will be a museum of energy systems and information tunnels, an international exhibition hall, an open market place, a workshop, a multipurpose hall for 300 people, a children’s information center, 3 mobile cinemas, a 3D cinema and foyer area for 40 people, a library, cafeteria and 300 car parking lot.

The user is surprised by the surprises provided by place and shape changes dancing with water, speaking the same language with water, to design an amorphous form inspired by water flow The masses directly associated with the Gazhane are designed as common social areas of the faculty, such as the exhibition hall, auditorium, library.

The departments of the faculties were planned together or separately according to their function and necessities.

For example, the sculpture studios are designed as a single mass together with the green space behind the main faculty building, as it is noisy and needs more open work areas.

Directional, non-directional The continuity of the pedestrian flow along the Kurbagalidere was ensured, so that common social areas such as the library and the exhibition hall were opened for use by people outside the university.

a ‘handshake’ between urban with creek and green space fluid Amorphous forms

rational-irrational form association -

HASANPASA GAZHANE

UZU

NCA YIR

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H IZ IRB EY

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9 11

S2 16

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S3

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S1

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POYRA

GROUND FLOOR PLAN Social Areas of University - 1. auditorium 2. foyer 3. art gallery 4. foyer 5. service 6. dining hall 7. storage 8. canteen 9. entrance and foyer 10. open exhibition area 11. student office 12. infirmary 13. stationery 14. classrooms 15. open exhibition area 16. academy offices Department of Ceramic and Glass - 17. lathe studios 18. oven room 19. glass studios 20. plaster studio 21. design studios Department of Cinema-TV - 22. cinemas 23. recording studios 24. classrooms Department of Sculpture 25. academy offices 26. wood studio 27. design studio 28. metal studio 29. small object studio 30. mud studio 31. stone studio

SECTION S1-S1

SECTION S2-S2

SECTION S3-S3

HASANPASA GAZHANE

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11 13

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FIRST FLOOR PLAN Social Areas of University - 1. auditorium 2. foyer 3. lower foyer 4. entrance 5. library 6. bridge Department of Painting 7. open studios 8. painting studios 9. practice studios 10. academy offices Department of Textile and Fashion Design 11. weawing studio 12. studio 13. sewing studio Department of Photography - 14. darkroom 15. photo studios 16. classrooms 17. meeting room

Form of Building While an amorphous structural form was designed with the effect of landscape elements, a modular system was used against it in the interior.

HASANPASA GAZHANE

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SECOND FLOOR PLAN Administrative Units of The University - 1. academic and administrative offices 2. meeting room Department of Stage and Costume Design - 3. studios 4. classrooms 5. open exhibition area

Integration with Urban Spaces and Landscape The Faculty of Fine Arts has become a new socio-cultural center that integrates with urban elements and landscape.

The continuity of the pedestrian flow along the Kurbagalidere was maintained. Public space usage limits have been expanded and some areas of the faculty have been made open to external use.

03 O K M E Y D A N I E D U C AT I O N A N D R E S E A R C H H O S P I TA L H O S P I TA L H O T E L accommodation in different room types for patients and patient relatives who are treated at hospital |hotel|

The location of the project area near the Okmeydani Education and Research Hospital was very important in terms of ease of access to the hospital main building and other additional buildings. On one side of the project area there are hospital laboratories, on the other side there is a private dental hospital.

Opposite the project area is the main building which houses all the units of the hospital. Therefore, accessibility to the area is quite easy and with the designed hospital hotel this area becomes a hospital campus.

Transportation between the hospital units and the hotel is easy. And the metro, the Metrobus line, and bus stops nearby make it very easy to get here from other areas.

In the hospital design, different room types were planned according to the needs for patients and relatives; common social areas such as study rooms, seminar rooms, cafes, restaurants, hairdressers, boutiques etc. were planned for special needs of people and for their social life.

Architectural Design Studio III Instructor : Prof. Zehra Kaya Dincer (year 4, semester 7)

OKMEYDANI, ISTANBUL

THE FINAL STAGE OF THE PROJECT IN THE PROJECT AREA

OKMEYDANI HOSPITAL - CENTER LABORATORIES CARDIOLOGY CENTER PRIVATE BIO-LAB POLYCLINIC PRIVATE OKMEYDANI MEDICAL CENTER PRIVATE PATOMED PATHOLOGY LABORATORY P

PHARMACIES

P

P P

OKMEYDANI EDUCATION AND RESEARCH HOSPITAL MAIN BUILDING I

During the planning stages, many criteria were considered to facilitate and qualify the social lives of patients in the treatment process.

It was planned to carry out afforestation works between the project area and the Caglayan junction - Metrobus line, so that sound barrier has been obtained.

OKMEYDANI DENTAL HEALTH HOSPITAL

CAGLAYAN JUNCTION AND METROBUS LINE

CAR PARKING

DARULACEZE AVENUE

PIYALEPASA AVENUE

OKMEYDANI EDUCATION AND RESEARCH HOSPITAL MAIN BUILDING II

House type -

For long-term stays : For patients and patient relatives who do not have the obligation to stay at the hospital, the comfort and feeling of home in long-term accommodation is very positive psychologically -

with kitchen, living and working area suit rooms -

Double rooms : Double rooms on the type of normal ‘hotel room’ for short-term treatment or medical examination days -

Rooms with two different options : single room with living and working area or double room

In addition to accommodation during treatments and medical examinations, (for example seminar attendance) daily accommodation with single or double room option -

Spirit and body health must be evaluated together.

The response of the patients to treatment varies according to the place they are in. However, happiness and morale height are very important in the treatment process.

the influence of space on the human psyche

Hospitals, unfortunately, are not a place of happiness for people. It is therefore highly necessary to design spaces that enhance communication between the patient, his / her relatives and social interaction areas.

And to stay in a hotel that gives the feeling of the home according to the wishes and needs of the people enables to interact with the people and revive their social lives; that situation it is much happier and more peaceful than staying in a soulless hospital room.

ambulance entry from NAMZET STREET

Facade Design and Selection of Facade Elements Used

Through the use of horizontal sun breakers along the south side of the facades, both the sun’s rays are controlled and the privacy of the rooms is preserved.

On the northern side of the hotel, the glass material of Profilit was used to provide controlled light reception from the north as well as sound control.

main entrance from NAMZET STREET

restaurant and terraces from DARULACEZE AVENUE

Terraces

The terraces were planned in direct connection with the rooms to provide an open living space for the users.

The sun breakers also make terraces a sheltered area.

rooms facade from DARULACEZE AVENUE

P.S. The basement floor was planned: car parking, storages, technical volumes.

E2

NAMZET S

TREET

backyard for activity 17

17

17 15

S1 16

S2

18

main entrance

4 2

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S3

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service entry 11 13

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S2 ambulance entry

E1

S1

DARULACEZE AVENUE

GROUND FLOOR PLAN Âą0.00

1. entrance 2. lobby 3. reception 4. floor service room 5. emergency room 6. storage 7. office 8. cafe 9. seminar room 10. car lift 11. hairdresser 12. stores 13. storages 14. product acceptance area 15. information 16. activity area 17. group room 18. service

E2

S1

S2

4 1

3 C

C

S3

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A

S3 2

C

E1

8 C

B

B

7 B

6 A

5

S2

B

S1

1., 2., 3. AND FOURTH FLOOR PLANS the height of each room floor +3.50

1. social area 2. room hall 3. room hall 4. floor service room 5. study room 6. double rooms (type A) 7. single or double room (type B) 8. suit room (type C)

E2

18 17

S1 16

S2

19

4 2

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15

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S1

MEZZANINE FLOOR PLAN +3.50

1. entrance 2. lobby 3. hall 4. floor service room 5. study hall 6. nursery 7. day-care 8. sleeping room 9. office 10. management 11. secretarial 12. floor service office 13. accountancy 14. purchasing office 15. office 16. activity area 17. teachers’ room 18. group room 19. management

E2

S1

S2

4 1

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S3 A

2

S3 10

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S2

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E1

6 A

S1

FIFTH FLOOR PLAN +20.65

1. social area 2. service hall 3. room hall 4. floor service room 5. study room 6. double room (type A) 7. kitchen 8. food service area 9. restaurant 10. terrace

ELEVATION E1-E1 from NAMZET STREET 24.15

20.65

17.15

13.65

10.15

6.65

3.50

0.00

-3.15

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from DARULACEZE AVENUE

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04 ARCHITECTURE OFFICE IN HASKOY a form of “communication” between architecture, people and the urban space and the architecture office as a ‘design factory’ in the industrial zone of old Istanbul |office building|

In the Ottoman period, parks and gardens were built in this area, and shipyards and piers were established. And over time, Halic has become a trade and industrial center. Haskoy, located on the northern bank of the Halic, is one of the industrial settlements.

Those closest to the project area from these industrial structures along the coast are: Rahmi Koc Museum and Lengerhane (place where anchors are made), Halicioglu Yarn Factory, an old Hat Factory (used today as a design office) Architecture offices are also one of the production areas of today, just like a factory. Therefore, a “design factory” was designed considering the renewal of these industrial structures in the region.

Architectural Design Studio II Instructor : Assoc. Prof. Abdullah Alp Sunalp (year 3, semester 6)

HASKOY, ISTANBUL

thought production office reproduction of architectural theories in today’s consumer society space design as architectural production adaptive reuse The effect of renewing of old industrial structures in taking the main design decisions of the architectural office : Architecture offices are also one of the production areas of today, just like a factory.

The design of this office mass began with the idea that it was a closed box with brut concrete walls, just like a hangar.

Like an industrial structure, the four sides were surrounded by heavy concrete walls.

And then it was assumed that the walls of mass were valuable. The boxes that did not touch these walls were placed in the empty space using steel structure materials. ‘as in the understanding of adaptive reuse’

conversion of produced information to product / prototype On the ground floor, the park in front of the project area was integrated into the office.

The space between the boxes was planned as an inner garden and circulation area.

The upper working office was torn off from the massive mass by using glass and steel building material both in terms of lightening the structure and to see the sea view better. These two masses are connected to each other by a circulation volume and a cafe. At the same time, this break between the two masses formed a terrace for various workshops and invitations.

a Design Factory on Architecture

production of architectural thought -

main entrance from KUMBARAHANE AVENUE

Facade Design

Against the lightness and transparency of the open office floor, the ground floor and the mezzanine floor are very massive.

The different height windows in this massive sub-mass are designed using the proportions of Piet Mondrian’s ‘Blue Red Yellow’ composition.

interior space from the reading area

general rendering of the project from the Park of Pirimehmetpasa

Selection of Facade Elements Used

The brut concrete walls and steel construction elements were used in the structure of the project. The floor, which is the open office, was designed with steel construction elements and glass along the entire facade to create a highly transparent place.

facade detail from the office floor

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1. main entrance 2. information and waiting area 3. seminar room 4. model workshop 5. workshop material store 6. technical volume 7. project archive

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1. kitchen 2. cafe 3. terrace (for meetings, workshops, invitations, celebrations, project presentations, activities etc.)

workshop of design office

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(the old Hat Factory) now a design office “Dream Design Factory”

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1. main antrance (±0.00) 2. reading area 3. multipurpose open space (for the meetings, workshops etc.)

4. the founding architect’s room 5. secretary 6. entrance

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1. freely-planned open office 2. archive and library 3. resting area

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05 PHOTOGRAPHY STUDIO AND HOME OFFICE reflect the function of the space in the form of structure take the place of the building material of the work-related material |studio + home office|

The purpose of Architectural Application Project is developing the student’s analytical thinking, synthesis, evaluation, problem-solving skills in both technical and graphic expression, from the final design stage of the process of architectural design, project implementation, system details to the detail.

The project’s main design decision was based on a studio material used in photography. It was the studio backdrop made of white paper. To form an infinite depth, this form of material, which is used as a background during photo-taking, is integrated into the form of the structure.

In the studio area, brut walls are used to provide light control for photo shoots. The welcoming space with the main entrance and the accommodation space on the upper floor was designed as more transparent spaces.

And all the system details were solved specifically for this project.

Architectural Application Project I-II Instructor : Lecturer Nedim Erdal Ozyurt (year 2, semester 3-4)

Form of Building The project’s main design decision was based on a studio material used in photography.

It was the studio backdrop made of white paper.

Selection of Facade Elements Used Brut concrete walls are used in the building structure. To ensure full transparency, a special detail has been resolved without using profiles in the glass. Zinc coating was used along the roof and the wooden coating was used in some of the facade parts.

a view of zinc coating detail from the render

DETAILS OF THE ZINC COATING AND THE GLASS The zinc coating provides the integrity of the mass by covering the roof from the roof to the back garden.

To ensure full transparency, a special detail has been resolved without using profiles in the glass.

Please zoom in on the page for more details.

SOME DETAILS In some sections on the facade, the wooden coating was used.

Opening doors and windows were detailed according to this surface.

Roof joint details were solved specifically for each different application.

Please zoom in on the page for more details.

06 H O M E O F F I C E O N T H E R O O F I N G A L ATA building structure and interior minimalism the mass design, the interior space, and the furniture have the same style |home office| The aim of the studio is focusing on the interior space concept working on a Project beginning with the physical context analysis of the place, the constitution of physical and psychological elements forming it and the study and design of all the finishing properties enhancing the interior space.

The main focus of the project was on minimalism. The design process began with the question of how daylight would describe a place. Light slits were opened in the box to get the daylight in. And then the light defined an architectural space.

According to the movement of the light during the day, the main space was divided into different functional slices. The furnishings in these ‘minimal’ planned areas are also designed with minimal details and colors.

Interior Spatial Organization and Design II Instructor : Assoc. Prof. Aziz Ridvan Kutlutan (year 3, semester 6)

floor plan of the apartment

project site plan on the roof

project roof plan

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FLOOR PLAN OF THE HOME OFFICE

with furniture and structure detail The furnitures have been designed and modeled under this project.

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with furniture and structure detail

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SOME INTERIOR DETAILS FROM THE PROJECT

The furnitures have been designed and modeled under this project.

06 LITTLE HAGIA SOPHIA MADRASAH IN KADIRGA architectural survey and conservation project of a madrasah built in the 19th century |religious buildings|

The aim of the lecture is to make the student learn the spatial and structural properties of a cultural heritage and to survey and documentation of the present condition of the cultural heritage with drawings and photographs.

Little Hagia Sophia Mosque and Madrasah stands in Istanbul, in the district of Fatih and in the neighborhood of Kumkapi, at a short distance from the Marmara Sea, near the ruins of the Great Palace and to the south of the Hippodrome. It is now separated from the sea by the Sirkeci-Halkali suburban railway line and the coastal road, Kennedy Avenue.

The building is one of the most beautiful Byzantine structures in the city despite being converted into a mosque in the early 16th century and having many of its original features obscured during an extensive restoration in 2007.

Architectural Survey I-II Instructor : Assoc. Prof. Burcu Buken Cantimur (year 3, semester 5-6)

FATIH

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Kadirga BEYOGLU

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This Byzantine building with for Hagia Sophia (“H

After the Ottoman conquest II. Then (between 1506 custodian of the Bab-ı-Saad

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ABOUT LITTLE HAGIA SOPHIA MOSQUE AND MADRASAH

h a central dome plan was erected in the sixth century by Justinian, likely was a model Holy Wisdom”), and is one of the most important early Byzantine buildings in Istanbul.

It was recognized at the time as an adornment to the entire city.

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t of Constantinople in 1453, the church remained untouched until the reign of Bayezid and 1513) it was transformed into a mosque by Hüseyin Ağa, the Chief Black Eunuch, det (literally The Gate of Felicity in Ottoman Turkish) in the Sultan’s residence,the Topkapı Palace. At that time the portico and madrasah were added to the church.

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INNER DOOR DETAIL NO: 4

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DOOR DETAIL NO: 2

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WINDOW DETAIL NO: 5

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The roof is not domed but vaulted and covered with lead.

The porticos are covered with tiles.

THE ROOF PLAN OF THE MADRASAH

DOOR DETAIL NO: 1

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A PART FROM THE PLAN Material Detection Analysis MAP KEY FOR MATERIAL TILE MARSEILLE ALATURKA SOIL ROOF REED ROOF LEAD COPPER WOOD STONE LIMESTONE KUFEKI (IST. STONE) OD RUBBLE BRICK BLEND BRICK

AIR BRICK ADOBE STUCCO BAGDADI LIME-BASED HORASAN

MUD STUCCO

CEMENT STUCCO IRON GLASS PLASTER ZINC PLASTIC MARBLE CONCRETE ALUM FOR BUILDING MOSAIC HEXAGON SQUARE GILDING HANDIWORK OIL PAINT

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Material Detection Analysis

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Material Detection Analysis

from Little Hagia Sophia Mosque

from Little Hagia Sophia Madrasah

Thank you. about | Gaye Karbeyaz Architect

mobile +90 545 637 4342 e-mail gayekarbeyaz@gmail.com online portfolio and the other works

be.net/gayekarbeyaz Please visit the this page to see more works.

SELECTED WORKS academic at MSFAU

2015-2019