SELECTED WORKS 2016
Gianluca Bernardi Selected Works / 2016 Architecture Portfolio Graphic design, drawings & printing edited by Gianluca Bernardi Venezia, 10/04/2016 I authorise the processing of my personal data
ABOUT
GIANLUCA BERNARDI
MONTEBELLUNA (ITALY) 11 - 02 - 1993 BRNGLC93B11F443V MASER (ITALY) via Castel Zigot, 02 31010 +39 339 444 35 40 gianlucabern@hotmail.it g.bernardi1@stud.iuav.it
2016
Master of Architecture & Arts Istituto Universitario Architettura di Venezia - I.U.A.V. - (Italy)
2015
Bachelor of Science of Architecture Istituto Universitario Architettura di Venezia - I.U.A.V. - (Italy)
2012
High School Degree in Scientific Area Primo Levi High School - Montebelluna (Italy)
2015
S.A.M.T. - Studio Architettura Maurizio Trevisan Asolo (Italy)
2014
S.A.M.T - Studio Architettura Maurizio Trevisan Asolo (Italy)
2011
Summer School Paolo Veronese Elementary School Maser (Italy)
2016
ROMA 2025 - New Life Cycles for the Metropolis MAXXI_Museo nazionale delle arti del XXI secolo - ROMA (Italy)
2015
Manuel Aires Mateus Portugal
2015
Sandro Marpillero + Aldo Aymonino + Renato Bocchi U.S.A./Italy
2014
MGM Arquitectos Spain
C.A.D. Softwere 3d Modeling Rendering Graphic Design
Language
EDUCATION ON GOING GRADUATED GRADUATED
EXPERIENCE JUNIOR ARCHITECT INTERNSHIP TEACHER
EXHIBITION ARCHITECTURE EXHIBITION
WORKSHOP W.a.Ve. 15 METROPOLITAN LAB - ROMA 2025 W.a.Ve. 14
SKILLS Autocad Archicad Archicad 3d Sketchup Artlantis Studio Cinema 4d + VRay Adobe Photoshop Adobe Illustrator Adobe InDesign
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Italian English
Native Language B1 Level
TYPOLOGY
YEARS
ACADEMY
2016
SITE
LATITUDE
GPS
BRESCIA , ITALY
45.55 N , 10.25 E
TUTOR
TEAM
BENNO ALBRECHT
BERNARDI GIANLUCA - CECCONELLO DAVIDE - PERESSA LEONARDO
Mies Replication, Notes on Miesology E2A - Piet Eckert and Wim Eckert Berlin 2012 Pages 8 - 21
MIESOLOGY
“Mat Building”, this term generated by a theory that binds design experiments and theoretical investigations around an idea of the most recognizable form for the internal connections between its parts and for the overall geometric figure that such parts tend to draw, the term originates from the concept of mat, or, in mathematics, a matrix. The study and analysis of the principles of organization of urban space according to the mat building criteria will be subject to possible applications and design experiments within the research project. In recent decades, the loss of value of the open space is evident, not only in the construction of large territorial figures, but especially in the definition of the smaller figures which
should instead compose the connection system of the urban fabric and as a result of a different principle of urbanity. This is the idea of Mat-Building, delineated by Alison Smithson in 1974, in an article entitled “How to Recognize and Read Mat - Building”, in which by means of traditional and modern examples Smithson described the trawling process calling: “Mat-building can be said to epitomize the anonymous collective; where the functions come to enrich the fabric and the individual gains new freedoms of action through a new shuffled order, based on interconnection, close knit pattern of association and possibilities for growth, diminution and change”
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Myron Goldsmith, Skidmore, Owings & Merrill Arthur Keating Hall @ IIT - Chicago 1966 Photo by Ezra Stoller
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Evolution of Ivanpah Solar II Mojave desert - California (USA) Photo by Jamey Stillings
SOLAR REFLECTIONS
TYPOLOGY
YEARS
EXHIBITION
2016
SITE
LATITUDE
GPS
ROME , ITALY
41.90N , 12.49 E
TUTOR
TEAM
AYMONINO + MARPILLERO
2O STUDENTS FROM I.U.A.V. UNIVERSITY
Roma 20-25, New Life Cycles for the Metropolis MAXXI - Museo Nazionale delle Arti del XXI secolo - Roma 2016 Photo by Domus
T
he idea of - Roma 2025, New Life Cycles for the Metropolis - is inspired by the famous exhibition in 1978 “ROMA INTERROTTA”, which was attended by famous architect such as Colin Rowe, James Stirling, Aldo Rossi, Leon Krier, Paolo Portoghesi, Robert Venturi and many others. In that experience the context of reference was the city of Rome as represented in the Nolli Map in 1748 , used by the designers as the basis for an exploration project which was intended to reimagine Rome. Taking some of the suggestions of “ROMA INTERROTTA” and opening the investigation to the metropolitan area of Rome. ROMA 2025 involved 24 Italian and international Schools of Architecture to organize workshops and an exhibitions. Columbia University and I.U.A.V. designed a northern area of Rome, this area is characterized by a strong infrastructure , a ring around the city called GRA, and by a orography system called Forre. The project involves the grafting of devices that re - activate the potential of the place, through the centers of production of energy through solar panels. Furthermore, the energy is generated through the recycling of waste and accumulated in the production cluster , so as to solve a serious problem for the city as the waste. The project is presented as a Manifesto for the city of the future , it covers topics such as recycling and the production of alternative energy , which is close to the architectural world but relate much more closely the population of cities. For the exhibition held at MAXXI in January 2016, the project it was conceived and designed as a manifesto of a new possible scenario for the city of the future.
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QUADRANTE 9 - I.U.A.V. + Columbia University MAXXI - Museo Nazionale delle Arti del XXI secolo - Roma 2016
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LIVIN‘ IN THE VOID
TYPOLOGY
YEARS
WORKSHOP
2015
SITE
LATITUDE
GPS
VENICE , ITALY
45.43N , 12.32 E
TUTOR
TEAM
MANUEL AIRES MATEUS
ANDREATTA MARCO - BERNARDI GIANLUCA - CUSANNO ANDREA - FURUKAWA RYU
AM
“The desire to trasform space in a real thing; void becames the raw material of architecture� with these words Byrne explains the architectural concept of Manuel Aires Mateus. In this workshop the visiting professor talking about space and matter: the idea of house divided into living, relaxing, sharing and eating spaces. The house is designed as a large stock of matter, a huge monolith in which the spaces of the house are dug, such as inside a cave; in reference to work of Eduardo Chillida in Monte Tindaya. The spaces develop vertically, these are connected by a plastic and helical staircase runs through the 50 meters of the tower height, in this case the clear reference is to San Marco Tower-bell in Venice. The proportions between the base area and the height is 1/6 , basic rule even for the Venetian bell towers.
Atelier Manuel Aires Mateus W.a.Ve. 15 Exhibition 2015 Photo by I.U.A.V.
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