PORTFOLIO_2010-13 by Giovanna Astolfo

a IS+AI office

GIOVANNA ASTOLFO PORTFOLIO

a|S+A|Office www.a-sa.it giovanna@a-sa.it Permanent address: via Molinato 7, 30016, Jesolo, Venice, ITALY Phone and Fax: +39 0421 952196 Mobile: +39 339 8605097 E-mail: giovanna.astolfo@gmail.com Brazil contact (mobile): +55 11 984238068

Born 1980. Graduated with honors as Architect at IUAV, School of Architecture, University of Venice, IT (2006) with graduation project “Places of silence”; supervisor: prof. R. Sordina. In 2007, after the license exam, became a registered architect. In the same year started the Ph.D. program with the research “Declination of density in m-sized city”, supervisors: prof. L.Tramontin, prof. P. Pellegrini. The research is focused on the relationship between density and sustainable development of m-sized cities in Europe. From July 19, 2010, is Ph.D. in Architecture and Urbanism. From the graduation to date is teaching assistant in Architecture and Urban Design courses, focusing on the reuse of abandoned areas in medium and large cities and collaborates to several researches on the same topics as research fellow at DICA, Department of Engineering and Architecture, University of Udine, IT. In 2012 was visiting scholar at FAU USP, Faculty of Architecture, University of São Paulo, BR, for a research project on mobility and density. Since the end of Doctoral studies, began to combine academic research and professional practice; in 2011-12 works as architect at Ciruzzistudio (Treviso, IT), following several architectural projects and renovations and their construction phases. In 2012 works as architect at e-DAU Arquitetos em rede (São Paulo, BR). In the same year is co-founder of a IS+AI office (Venice, IT), working on national and international projects for the reuse of buildings, urban regeneration and interior design.

GIOVANNA ASTOLFO, ARCHITECT PH.D. resume

URBAN DESIGN2010-PRESENT

Sistema idrografico, rete stradale, ferrovia ed edificato/ Hydrographic system, road network, railway and built area

The Environmental Management Plan of the UNESCO site of Aquileia is divided into different stages: analysis of the institutional urban design and spatial planning efforts done in the past for the city at regional, county and municipal levels; draft of thematic maps, to describe Aquileia and define its context; draft of scenarios. Since now, I have been collaborating in the collection of background information and drafting of thematic maps, at territorial scale with different zoom frames (20x30 km, 15x15 km, 3x3 km), such as the water system and areas related to waters, the accessibility to the site, land use evolution and current built areas, landscapes, protected natural areas and other natural environments, main elements of the rural land.

AQUILEIA, UDINE, ITALY/2013 CHERPLAN - ENVIROMENTAL PLAN

Environmental plan: 2013 Situation: Ongoing Team: prof. P.Pellegrini (senior urban designer), G.Astolfo (urban designer)

Project area Walkways Cycle paths Archeological sites

Area via Salvemini

Area via XXIV Maggio

Area Piazza San Giovanni

aquileia, udine, italy/2012-13 Urban renewal: road SYSTEM, PARK AND PLAZA project Design: 2013 Construction: Situation: Preliminary Study Area: 50.000 sq.m. Team: F.Steccanella, G.Astolfo, F.Foresto (urban designers), R.Galasso, G. Zanin (engineers)

Archipelago Aquileia

The landscape of the city of Aquileia is composed of a vertical stratification of different historical periods (the Roman Aquileia, the early Christian, the Byzantine, the medieval and the contemporary) to which is added a horizontal layer of segregated urban, rural and archaeological areas. The archaeological ruins emerge in the middle of urban fabric and agricultural areas, forming a sort of archipelago, where excavation sites are inaccessible islands. This is because they are in constant transformation, or for reasons of safety and environmental protection. Approaching the “archipelago Aquileia” one has a spontaneous desire to open such fences, to make excavation areas accessible, not only to the tourist itineraries, but for the citizens. Unlike the excavation areas, that are like landlocked rooms, the archaeological site extension of Aquileia is much larger than what appears, far beyond the municipal boundaries, not definable and without an edge. In this unexplored potential lies the magic and playful dimension of this city, well rooted in human desire for discovery and in pleasure of collecting (the discoveries). Given the large extension of the archaeological site, Aquileia can be considered as urban archaeological park, containing some Indian reservoirs: the housebuildings of its citizens. Within the excavation areas the landscape is composed of two materials: stone and grass. Despite the size and importance of the city of Aquileia in history, today most of the ruins are foundations of buildings and few parietal elements (and the mosaic heritage that has not been the subject of spoliation). The landscape mainly consists of meadows where the visitor can sometimes discover a Roman stone hidden in the fold of the soil. The archaeological sites are places of absence rather than presence, where it is difficult to even talk about “aesthetics of the ruin”.

2010

1970

1950

The maps show the tribute of the social housing buildings to the growth of the city

The tradition of social housing in Udine starts at the end of the XIX century as a result of socio-economic transformation of the industrial period. The Social Housing Institution was founded in 1921 with the construction of neighborhoods within the dense fabric of the city and in the suburbs, it led the current â&#x20AC;&#x153;forma urbisâ&#x20AC;?. The first interventions (1923) are placed close to the historic center, after the war the city expands radially (INA-CASA 1949-1956) in 1985, with the implementation of PEEP, the city saturated areas vacated by the previous expansion.

AN ATLAS - RESEARCH/2012 Short story of social housing in Udine Research: 2011-12 Situation: Exhibition and publication (March 2012) Host university: Civil and Environmental Engineering Department, School of Architecture, University of Udine, IT Team: prof. G.Tubaro (scientist in charge), prof. A.Indrigo (researcher), G.Astolfo (researcher)

giardino d’inverno

Scenari _97 tetto giardino

geotermico

pannelli solari

alberature

Winter giardino

garden

d’inverno

Green roof

tetto giardino

Geothermal heating

geotermico

bacini

Phytoremediation

di fito-depurazione basins

serra bioclimatica

Bioclimatic greenhouse

granny’s flat: possibile Granny’s

flat

densificazione pannelli solari

Solar panels

alberature

bacini di fito-depurazione

serra bioclimatica

Community

orti urbani gardens

2015 quartiere sostenibile

Azioni / demolizione di tutti i fabbricati e costruzione di case a schiera e un interno e di connessione con il contesto. L’obiettivo è di costruire un quartie impronta ecologica, impianti di produzione di energia da fonti rinnovabili, ser depurazione delle acque reflue e dell’acqua piovana con riutilizzazione per u

Map of military areas in the Friuli region

TRICESIMO, UDINE, ITALY/2011 Farewall to arms - PATUSSI BARRACKS Research and feasibility study: 2011 Situation: Feasibility study and publication (December 2011) Host university:Civil and Environmental Engineering Department, School of Architecture, University of Udine, IT Team: prof.L.Tramontin (scientist in charge), prof.P.Pellegrini (scientist in charge), G.Astolfo (researcher) Developed for: Municipalities of Tricesimo and Reana del Rojale, Udine, IT

6 officers’ quarters 5870 mc

3 headquarters 6400 mc

7 gym 5300 mc

1 troops’ accomodation 19000 mc

4 refectory 16500 mc

24_ Ricognizione fisica

5/Casermetta A

Data degli elaborati di progetto: 1965 Superficie coperta: mq. 1237.8 Superficie lorda: mq. 6189.2 Numero di piani: 5 Altezze di gronda: mt. 15.3 Volume dell’edificio: mc. 18938.9

4 Ricognizione fisica _29

2 11/Capannone Plotone Sussistenza

Volume mc. fisica 3403.7 20_dell’edificio: Ricognizione

3 1/Comando Data degli elaborati di progetto: 1965 Superficie coperta: mq. 533.6 Superficie lorda: mq. 2134.4 Sezione trasversale Numero di piani: 4 ProfiliAltezze sud, ovest ed estmt. 12.0 di gronda: Pianta Volume dell’edificio: mc. 6403.2

28_ Ricognizione fisica

9/Sala proiezioni Data degli elaborati di progetto: assente Superficie coperta: mq. 548.4 Superficie lorda: mq. 588.4 Numero di piani: 1+2 Altezze di gronda: mt. 3.8; 7.4 Volume dell’edificio: mc. 3639.1

Sezione trasversale Profilo principale Pianta piano rialzato

Piano rialzato Profilo principale e laterale Sezione trasversale e longitudinale

After the fall of the Berlin Wall and the end of the Cold War, in North East Italy many military areas were dismantled: about 103 km2. More recently they were transferred to the municipality. We were asked to rethink one of them. In the first phase we prepared an amount of basic knowledge on the project area (in-depth study of the character of the military buildings and the settlement status quo), preparatory to its transformation.

Profili laterali Pianta piano rialzato

Data degli elaborati di progetto: 1991 Superficie coperta: mq. 694.6 Superficie lorda: mq. 694.6 Numero di piani: 1 Profilo e pianta piano rialzato Altezze di gronda: mt. 4.9

abstinence scenario 1 naturalization

portfolio giovanna astolfo What if..? To explore the possible transformations of the Patussi barracks we outlined eleven alternative scenarios for future development. This is an exercise in imagination which starts from the current conditions analyzed in the previous phase and from the expectations of use that are already known; it was used to lead to light the political and collective intentions and the economic ambitions, to evaluate each scenario and consider â&#x20AC;&#x153;what remainsâ&#x20AC;? of each idea.

conservation

titolo scenario 3 park+collective buildings

scenario 4 energy

scenario 5 parcelling plan

demolition

scenario 2 senioropolis

scenario 6 sustainable garden city

Scenario 3: park and collective buildings 2012/15 Removal of the flooring to facilitate the invasion of vegetation. implantation of trees to help the process of naturalization. Is defined a system of open spaces that connects the three facilities for public use.

Scenario 4: energy 2012/2023 Demolition of all buildings and cutting of existing trees to fill the whole area with photovoltaic panels and related plant for the prodution of electric energy. Maintenance of the original enclosure in order to protect the plant.

Scenario 5: parcelling plan Drafting a plan of public initiative for the subdivision of the area to several purpose (residential, commercial, offices, craft). Demolition of the structures and the enclosure; auctioning of the individual batches.

96_ Scenari

7/CittĂ giardino sostenibile

2012 demolizione

2015 bassa densitĂ

coca cola industry

safau gallery

â&#x20AC;&#x153;Declination of density in the medium sized cityâ&#x20AC;? is the result of the three year Ph.D. research program at the School of Architecture, University of Udine, under the supervision of prof. L.Tramontin and P. Pellegrini. The Ph.D. research was focused in the relationship between density and sustainable growth of European medium sized cities. Urban voids (former industrial areas in the urban that have been dismantled) constitute the opportunity to test a different density in medium sized cities like Udine (Italy), Graz (Austria), Lubijana (Slovenia) and more.

scaini industry

safau area

area ex macello

Ph.D. RESEARCH/2007-2010 Declination of density in medium sized cities Research: 2007-10 Situation: Ph.D. degree (19 July 2010) Host university:Civil and Environmental Engineering Department, School of Architecture, University of Udine, IT Team: L.Tramontin (Supervisor), P.Pellegrini (coSupervisor), G.Astolfo (Ph.D.student)

Bertoli sq.m. 280.747+36834

Safau sq.m. 75.810+47000+36.210+14.000*

Moretti sq.m. 91.180

Italcementi sq.m. 39.936

Bonometti sq.m. 36.308

Dormisch sq.m. 27.418+6436; covered area: 7735+5184,5 mq

Macello sq.m. 17.304; covered area: 3343,2 mq

Scaini sq.m. 14.491; covered area: 7249 mq

Telca sq.m. 13.598; covered area: 3479 mq

Frigorifero sq.m. 10.280; covered area 4280 mq

Pisulin sq.m. 3486,5; covered area: 1509 mq

Udine ABANDONED INDUSTRIAL AREA

via Peschiera

urban parks

Friuli Teatro G. da Udine

skate park

connections linear system fingers nodes-linear system nodes central places

Spaccamela

playgrounds

Caverzerani

Osoppo

bike park Prati del Cimitero

bosco Telca

Bertoli

urban ga rden s

parasitic architecture

Reginato Di Prampero

Savorgnan e Duodo

Dormisch

fi n g e r s bike parking Area addestrativa Cormor

Open space system

Syatem of open spaces MATERIALS

building in over e out

g r e e n w a y s

parasitic architecture

small points

fi n g e r s

linear system

urban parks

nodes

p l a y ground

Urban Gar dens

Open space system MATERIALS

Open space system Urban gardens ECOBOULEVAR, MADRID

Open space system Parasitic architecture Osoppo

AROS SKY SPACE, DENMARK, LIZ DILLER

mq 91500

Frigorifero mq 10.280; sup.coperta: 4280 mq

ORTI URBANI, NAEREU, DANIMARCA

BASKET BAR, UTRECHT, NL ARCHITECTS

LIZ CHRISTIE COMMUNITY GARDEN, NYC

RUCKSACK HOUSE, UTRECHT

Open space system Greenways

Open space system Urban park

HIGH LINE, NEW YORK

VICTIMS, BERLINO, J.HEJDUK

PERMANENT BREAKFAST

BUGA PLANT CITY, BERLINO, MVRDV

HIGH LINE, NEW YORK, DILLER SCOFIDIO

UNIMETAL, CAEN, C.PERRAULT

Open space system Temporary appropriation of spaces

Open space system Sprawl band and illusory density

Safau, Piave, Gervasutta mq 75.810+47000+36.210+14.000

Moretti mq 91.180

EMSCHER PARK, RHEIN RUHR

PARIS PLUS, PARIGI, MVRDV

Caverzerani mq 116000

EMSCHER PARK, RHEIN RUHR

WALLED CITY, ZOLLVEREIN, R.KOOLHAAS

GRAND PARIS, PARIS, LIN STUDIO

MELUN SENART,PARIS, REM KOOLHAAS

BUILDINGS2011-PRESENT

fachada norte interna fachada norte interna fachada norte interna Section north

fachada norte interna

fachada norte fachada norte fachada norte North facade

fachada norte

fachada oeste oeste Eastfachada facade

The proposal presented to the Municipal Government of the city of Barreiras, in the State of Bahia, is part of a master plan for an area of 400 ha. in the south-west of the city. It represents an architectural complex that includes the headquarters of the Municipality (City Hall and City Council), cultural spaces and a restaurant on the lake located on the opposite side of the avenue that links the new district to downtown. The main building has bioclimatic features, with the green roof and photovoltaic panels for energy generation, beside the use of rainwater storages. The building allows people to walk on its rooftop, thus enjoying the wide vision of the region’s beautiful urban and natural landscape.

BARREIRAS, BAHIA, BRAZIL/2012 ADMINISTRATIVE BUILDINGS

Design: 2012 Situation: preliminary study Area: 10000 sq. m Team: prof. B.Padovano (Senior Architect), G. Astolfo, B.Carreno (architects)

fachada oeste

planta térreo

Ground Floor planta térreo

planta 1 andar

Floor 1

planta 1 andar

Floor 6

This project presents the architectural and urbanistic response to the future headquarters of two major entities of the State of Santa Catarina (FATMA and FAPESC) in a privileged terrain for its splendid views over the ocean, with a steep topography, leaning toward the coast. The proposal adopts the idea of â&#x20AC;&#x2039;â&#x20AC;&#x2039;a single volume, a compact building that stands out from the slope to occupy the lower part of the lot. The building is accessed Floorthat connects the upviaMezzanine a walkway

Floor 1

Floor 4

Floor 3

Ground Floor

This project presents the architectural and urbanistic response to the future headquarters of two major entities of the State of Santa Catarina (FATMA and FAPESC) in a privileged terrain for its splendid views over the ocean, with a steep topography, leaning toward the coast. The proposal adopts the idea of a â&#x20AC;&#x2039;â&#x20AC;&#x2039; single volume, that stands out from the slope to occupy the lower part of the lot. The building is accessed via a walkway that connects the upper part of the area.

FLORIANOPOLIS, BRAZIL/2012 FATMA AND FAPESC BUILDINGS Design: 2012 Construction: Situation: Competition project Area: 10.000 sq.m. Team: prof. B.Padovano (team leader), prof. R.Righi, A.Grisanti Mausbach, G.Astolfo, B.Carreno (architects); V.Ospina, M.Ruijgrok (collaborators)

PROGRAM CIRCULATION

OPEN SPACE

PROGRAM

Beside the complex program requested, the inner space is free. Sliding walls will separate different functions, same departments will be connected vertically

Contemporary (sphelar) and “ancient”(bamboo) materials join together to outline a solar-caption system. Between the outer skin and inner space there will be glass walls that guarantee natural ventilation of the building

natural core

connects FATMA and FAPESC

flexible program

the spaces will be adaptable to future changes

sphelaboo

SUSTAINABILITY

PROGRAM

Three degrees of open space: public urban space/controlled nature/free nature enclosed between the two buildings. “Protection” is the main concept

SUSTAINABILITY

OPEN SPACE

FATMA AND FAPESC GATHER TO PROTECT A NATURAL CORE

Unlike conventional flat solar cells, Sphelar® cell takes on a spherical shape, which makes it capable of power generation with greater efficiency. This tiny solar cell, measuring a mere 1–2 mm across, holds huge potential for smart and green society.

the outer skin works as a machine to produce energy

sphelaboo

the outer skin works as a machine to produce energy

The bicycle bridge represents the first step towards the implementation of the Plan for the Urban and Social Renewal of the TietĂŞ-Pinheiros river banks in SĂŁo Paulo. The plan involves mobility (new bridges and walkways), water management (flooding areas and water quality), parks and centralities (new lighting and pavements), culture and leisure as well as legal issues, in order to recover degradated areas and bring together direct and indirect benefits to society. The bicycle bridge, which is 500 meters long, interconnects the USP campus with Vila-Lobos shopping center and park, which are two major metropolitan green areas. The project ensures priority to cyclists and pedestrians, also linking these spaces to public transport system.

S達o Paulo, BRAZIL/2012 USP-VILA LOBOS BICYCLE BRIDGE Design: 2012 Situation: Preliminary Study Area: 5.000 sq.m. Team: prof. B.Padovano (scientific coordinator), prof. R.Righi, P.Bertacchini Sala (project coordinators), G.Astolfo, B.Carreno (architects); M.Ruijgrok, P.Estefania (collaborators) Project developed for: Governo do Estado de S達o Paulo, Secretaria do Desenvolvimento Metropolitano

West facade

North facade

South facade

VERONA, ITALY/2011-12 BANK BUILDING Design: 2011-12 Construction: March 2012 Situation: Restoration and refurbishment Area: 2000 sq.m. Team: prof. B.Ciruzzi (senior architect), G.Astolfo, M.Pillon, A.Pizzolato (architects); collaborators: A.Tonon

Floor 4

Floor 1

Floor -1

Floor 3

Ground Floor

Floor -2

The building â&#x20AC;&#x153;Edificio della Borsaâ&#x20AC;? was built in 1928 very close to the Arena in Verona. In 2011 the office was asked to restore it to house a bank building open to the public. The project is focused on the glass volume that contains the stairs and that crosses four of the six floors and is topped by a light jet. Most of the attentiaon was focused on the stairs system. We outlined two alternative proposals. The second one, which was built, the stairs were separated from the elevator and found place in the main volume, parallel to the wall. The skylight is made of pvc membrane; trasparent glasses run from the first to the third floor. The steps are made of white marble, the walls are covered with gres tiles.

PRATO CARRABILE

CORDOLO IN CLS

GRIGLIATO SALVA ALBERI

PRATO CARRABILE

CORDOLO IN CLS

GRIGLIATO SALVA ALBERI

pendenza

4 pendenza

pendenza

Detail of paved area

MANTOVA, ITALY/2011-12 MIXED USE BUILDINGS COMPLEX Design: 2011-12 Situation: Executive project Area: 90.000 sq.m. Team: Atelier B.Podrecca (Wien, Austria), Studio Longheu (Mantova,IT), Cirruzzistudio (Treviso, IT): prof.B.Ciruzzi (senior architect), G.Astolfo, M.Pillon, A.Pizzolato (architects); A.Tonon (collaborator)

This is the development project of a new urban area in the periphery (housing, shops, offices) with a magnificent boulevard and a park.

+16.92

+14.77

111

+9.50

62 50

+7.72

+6.60

633

668

372

62 50

1743

+8.39

136

348

211

127 72

±0.00

106

854 -0.60

105

346

Livello di riferimento : spigolo inferiore dado colonna leoni

105

216

15 30

-0.69

110

137

168

25 37

302

204 102

580

1003

-2.60

1583 37

-3.24

West facade tavola 14 rilievo geometrico-dimensionale: prospetto est



327

232

184

182

28 42

338

182

2145

tombino

marciapiede

756

50 371

41 138

764

138 125

94 138

579

144

304

28 72

71.5

15 303

119

182

118

124

41 3

355

299

283

285

7 27 34

188

24 3 10

276

114

108 90

15 39

249

252

marciapiede 16.5 39.5 15.5

112

121

1146

1149

81 11

94 3

1 3

212

139

212

4.0 43

1040

1109

739

134

paracarri

222

passo carraio

297

234

50 82

182

180

335 38

182

293

L = 202 H = 299

INGRESSO Hm = 3,28 mq = 9,35 H = +10

202

218 L = 118 H = 216

L = 98 H = 200

440

Hd = 98

L = 105 H = 207

214

CORRIDOIO Hm = 3,16 mq = 19,70

102

H = +8 alzata

621

203

761

587

138

2146

178

120 129 53

marciapiede

L = 118 H = 216

740

90 122

125 71

46 2

747

2 37

445

216 alzata

H = +18

Livello di riferimento : spigolo inferiore dado colonna leoni

277

124

18 41

57 291

288

275

278

251

250

1109 447

102

16 277

1152

128

119

1141

221

L = 94 H = 202

17 72

39 15.5

112

117

109 2

marciapiede 5

paracarri

378

180 170

138

41 104

222

284

15 10

138

71.5

6 71

16 90

4 72

110

306

302

142

174

223

665

368

506

403

1106

404

53 8

4 50

434

399

401

1111

A passo carraio

2 52

1590

370

passo carraio

1667

1666

647

427

D  403

Hm = 3,17 mq = 17,70

403

VANO 1 Hm = 3,15 mq = 19,20

Altra Proprietà

L = 105 H = 207

Hd = 92

Hd = 93 49

L = 109 H = 209

165

150

146

143

126

142

160

908

Altra Proprietà D

Altra Proprietà

tavola 5 rilievo geometrico dimensionale: pianta piano di campagna

16 74 +8.93

16 73

11 7

8 17

43 +8.93

3 119

119

2 3

18 22

16 67 11

214

305

125

110

171

323

333

157

177

214

+7.72

+6.60

255

210

180

510

372

+4.01

172

108 22

131

Livello di riferimento : spigolo inferiore dado colonna leoni

16 21 13 21 13 21 13 21 13 21 18

10 13

-0.69

117

104

±0.00

-0.70

+0.35

105

227

224

282

283

289

345

426

175

14 13

680

137

181

+3.28

116

182

108

184

109

181

115

116

Tubatura

2146

100

160

197

243

200

100

170

342

-3.66

107

Terreno sconnesso

Pavimentazione sede strada

tavola 18 rilievo geometrico-dimensionale: sezione C-C

Longitudinal sections

+16.92

ultimo livello delle nervature al monaco principale ultimo livello delle nervature al monaco principale

+10.77

9.00 30 4

84 60

187

102 1116

+6.60

210

15 165

165

+4.01

336

333

336

333

176

142 13

142

165

105 336

425

216

216 41

336 228

321

333

318

176

195

191

333

228

6 143

143

110

73 16

139

191

110

105

12 73 139

343

191 ±0.00

138

23 18

318

23 18

134 10

132

144

6 25

-0.85

158 -3.59

127

127 158

-3.59 132

-0.85

-2.04

120

120 13

134 13

-0.70

-1.63

-2.04

19 25

9 19

-1.63

-0.70

123

Pavimentazione sede stradale sconnessa Pavimentazione sede stradale sconnessa

-0.70

9 19

-0.70

-0.69

104

107

-0.69

tavola 16 rilievo geometrico-dimensionale: sezione A-A

TREVISO, ITALY/2012 SAN TOMASO GATE RESTORATION Design: 2012 Construction: 2012 Situation: Restoration Area: 2000 sq.m. Team: prof.B.Ciruzzi (senior architect), G.Astolfo, M.Pillon, A.Pizzolato (architects); A.Tonon (collaborator)

12 73

73 17

138

427

343

427

349

113

349

234

113

105

234

Livello di riferimento : spigolo inferiore Livello di riferimento : spigolo inferiore dado colonna leoni dado colonna leoni

±0.00

187

+4.01

130

313

177

1116 +6.60

180

313

102

180

15 41 102

+6.60

209

102 34

102

12 34 84

+6.60

157

177

107

107 157

+7.72

9.00

ultimo livello delle copertura ultimo livello delle copertura

+12.40

102

+10.77

+13.00

+12.40

400

+13.00

+14.77

400

+14.77

209

This is a Venetian fortification of XVI century, located in the north of the city. The office was asked to restore it

Ground floor

Floor 1

Floor 2

TREVISO, ITALY/2012 PRIVATE HOUSE REFURBISHMENT

Design: 2012 Situation: Preliminary study: refurbishment and landscape project Area: 700 sq.m. Team: prof.B.Ciruzzi (senior architect), G.Astolfo, M.Pillon, A.Pizzolato (architects)

This is a project for the transformation of a private house into a bed and breakfast. The owner collects and sells precious plants as olive trees and palms, that are exhibited in the garden

TREVISO, ITALY/2012 REDEVELOPMENT INDUSTRIAL SITE

Design: 2012 Situation: Feasibility study Area: 3000 sq.m. Team: prof.B.Ciruzzi (senior architect), G.Astolfo, M.Pillon, A.Pizzolato (architects)

The site of the former Gregorjâ&#x20AC;&#x2122;s ceramics factory is a fascinating place despite it is abandoned. Many of the buildings of the complex can be rethought to house dwellings, offices, ateliers, a museum and shops.

The Major of a small seaside city in the venetian coast asked us to outline a preliminary design for a removable bioclimatic kiosk in the beach. The project is made by successive sections; it consists of a series of timber elements that rise slowly to create the seats, the chaise longue, the tables and finally the hollow space for the bar and restaurant. During winter the pavilion is dismantled.

BIBIONE, VENICE, IT/2008 BB1, REMOVABLE PAVILION

Design: 2008 Construction: Situation: Preliminary Study Area: 1000 sq.m. Team: F.Steccanella, G.Astolfo (architects)

INTERIOR DESIGN2011-present

Huangzhou,China/2012-13 Corazza concept store

Design: 2012/13 Construction: April 2013 Situation: Interior design Area: 500 sq.m. Team: F.Steccanella, G.Astolfo, M.Forlese, F.Foresto (designers) Art director: M.Corazza Project developed for: CORAZZA Italia

The carved sculpture The carved sculpture is a free assembled and not modular exhibitor with niches. It can be adapted to spaces different in shape and size, such as rectangular, L-shaped or long and narrow spaces. The elements can be placed in the center in order to divide it as well as they can be placed against a wall in order to hide the dressing rooms or the warehouse in between. In this project the carved sculpture is placed in the center of the space in order to divide it into three, following the program, that requested to create an area for the luxury brand, one for the Italian fashion brand and one for the bar.

jesolo, venice, italy/2013 Via Bafile 322

Design: 2013 Construction: April 2013 Situation: Interior design Area: 100 sq.m. Team: F.Steccanella, G.Astolfo (designers)

7 6

9 8

C:\Users\Giovanna Astolfo\Desktop\2008 2012_STECCANELLA\2013_JADORE\ESECUTIVO\PE_ARCHITETTONICO_V3_08 04 13\TAV 6-7_V2_08 04 13.dwg

This is an interior design project for a jewelry shop in the seaside town of Jesolo, near Venice. The shop is located in a corner lot and has two long glass showcases. The design is based on the idea of hierarchy and geometry developed through the combination of white painted wood modular elements of 55x55x22 cm. The exhibitors are hung, individually or in group, on the walls; the same elements are hung from the ceiling for hide the lighting system.

1 /Rotated Cube 110x55x110 cm 2 /Central exhibitor 168x22x198 cm 3 /Central exhibitor 168x22x198 cm 4 /Small cube 55x55x110 cm 5 /Small carved cube 55x55x110 cm 6 /Library 330x198x22 cm 7 /Medium hung up cube 55x55x22 cm 8 /Large cube 110x110x100 cm 9 /Large hung up cube 110x110x22 cm

1/Stalactite: A â&#x20AC;&#x153;stalactiteâ&#x20AC;?, hung from the ceiling, emphasizes the Ponsi shower head, a thin blade which contains pipes, taps and eventually led lights for chromotherapy. The element can be made of chromed steel or glass, with pipes in view. 2/Concrete: A continuous element which turns from wall into floor and then into wall again, gently folding. Inside, a fiberglass structure on which a 5 mm mortar layer is fixed. The element, placed against the wall, is opened on both sides while the front wall, which can be easily drilled and is provided with a recess, can function as a support for a sink, a radiator or any other kind of furniture. All the elements can be assembled on-site. 3/Cocal: A folded metal sheet made of alluminium supports the shower head and hold in its cavity the pipes, relying on a deck made of the same material inlay worked. The deck extends into a component of wooden slats natural brushed. Designed for outdoor spaces, such as beaches and pools.

DESIGN COMPETITION/ 2012 DI CHE DOCCIA SEI?

Design: 2012 Construction: Situation: competition project Team: F. Steccanella (team leader), G.Astolfo (designer)

1 The exhibitor is placed in the center of the space and divide it into 4 spaces.

2 The exhibitor is placed against the wall, in order to hide the dressing rooms and warehouse. Suitable for narrow and L-shape spaces.

3 The exhibitor is placed in the center of the space and it hides the dressing rooms. Suitable wide open spaces.

CORAZZA FROM ITALY / THE CONCEPT STORE BOOK

1 The exhibitor is placed in the center of the space and divide it into 4 spaces. 4 The exhibitor is placed in the center of the space and it hides the dressing rooms. Suitable wide open spaces.

5 The exhibitor is placed in the center, it hides the dressing rooms. The difference between this solution and the previous one, is the possibility to cross the exhibitor.

6 The exhibitors are placed in order to define a central core (with the dressing rooms); suitable for any space.

2 The exhibitor is placed agains the wall, in order to hide the dressing rooms and warehou se. Suitable for narrow and L-shape spaces.

A concept store based on the idea of flexibility The contemporary stores are not only stores, but spaces with a mix of uses. For this reason they must be based on the idea of flexibility, being adaptable to different programs and for various events. The prototype that we present can be adapted to different spaces, such as 4 The exhibitor is placed in a wide open space, a narrow space, a L-shape space. It houses components the center of the space and it hides the dressing rooms. that can be combined, removed, adjusted, as the centralSuitable element wide open(four spaces. walls with niches) or the peripheral element (trolleys). 16

The “cubes” can be completely removed and stocked in the warehouse, when a major event will take place (such a presentation of the new collection that request a wide open space); the “sliding shelves” can be adjusted to exhibit garments with different size.

5 The exhibitor is placed in the center, it hides the dressing rooms. The difference betwe this solution and the previous one, is the possibility to cross the exhibitor.

CORAZZA FROM ITALY / THE CONCEPT STORE BOOK CORAZZA FROM ITALY / THE CONCEPT STORE BOOK

20 20

Hangzhou, China/2012 CHIROS concept store

Design: 2012 Construction: Situation: Interior design Area: 500 sq.m. Team: F.Steccanella (team leader), G.Astolfo (designer) Project developed for: CHIROS INDUSTRIE ABBIGLIAMENTO S.R.L. Italia

steel steelpanel panelpainted painted white whitecm cm110x110 110x110 STACKING/CUBE STACKING/CUBE

steel steelpanel panelpainted painted white whitecm cm110x55 110x55

steel steelpanel panelpainted painted white whitecm cm110x109 110x109 SUPER/CUBE SUPER/CUBE

SOFT/CUBE SOFT/CUBE

steel steelpanel panelpainted painted white whitecm cm110x110 110x110 LAYERING/CUBE LAYERING/CUBE

dresshanger dresshangerinin transparent transparentmetametacrylate crylate

3 One of these shelves is larger and it contains the led light system and is coated with a glass panel. Each shelf is removable and sliding.

steel steelpanel panelpainted painted white whitecm cm110x109 110x109

2 It can be divided into four parts inserting three shelves, as well as only one or two.

HANGING/CUBE HANGING/CUBE

1 The lower part is extremely flexible, it can be completely hided by a sliding door; it can be completely open to hang big coats.

LAYERING/CUBE LAYERING/CUBE

HANGING/CUBE HANGING/CUBE

CORAZZA FROM ITALY / THE CONCEPT STORE BOOK

The museum We were asked to develop the interior design project for the new museum in the capital city of Ndjamena. The museum houses the most important national archeological finding: the â&#x20AC;&#x153;Toumaiâ&#x20AC;?. About the rest of the collection, we had few informations; so we designed different exhibitors that could house objects with different sizes. The permanent exhibition occupies two levels, while the temporary one occupies the ground floor. To give continuity to the entire building we designed a wood container painted black that houses all services and separates the exhibition area from other spaces (entrance, hall, auditorium, offices).

Nâ&#x20AC;&#x2122;DJAMENA, TCHAD/2008-2009 MUSEE ET BIBLIOTHEQUE DU TCHAD

Design: 2008-2009 Construction: 2009 Situation: Interior design Area: 3000 Sq.m Team: F. Steccanella (senior designer), G.Astolfo, F.Foresto (designers); N.Sutto, D.Anzolin (collaborators)

Library We were asked also to develop the interior design of the main library in Ndjamena. The building already exists and it is very similar to the museum. At the ground floor there is the main hall with bar, cloak room, conference hall. In the underground level we placed the archives and the mediatheque, while at the first and second level there are the reading halls open to the public. Floors, ceilings and lighting system have already been made by local architects, so we choose only the colour of the walls. All the furniture is in natural wood and black painted metal designed by us, except for the chairs.

GRAPHIC DESIGN2009-PRESENT

Title: Rottami. Design courses at the School of Architecture School of Architecture, University of Udine, Italy, 2009 Team: L.Tramontin, C.Conti, P.Pellegrini, E.Olivo, A.Santarossa (authors) G.Astolfo (graphic layout)

rottami

P R O G E T T I

Esperienze dei Laboratori e Corsi coordinati 2005/2008

karim

progetti per l’ex safau e altre dismissioni, udine

purino

bearzi

christina

conti

laura denis

pippo

luigi

zanello

rottami

elena

filippo

ambrosini

Università degli studi di Udine

Christina Conti Elena Olivo Paola Pellegrini Carlo Perraro Alberto Pratelli Alessandro Santarossa Lodovico Tramontin

PROGETTI

Universita’ degli Studi di Udine Facolta’ di Ingegneria Corso di Laurea Specialistica in Architettura

Planimetria generale,viste

tramontin

quale sia la soglia al di là della quale uno spazio architettonico ampio diventi «ambiente», montagna: si permetta cioè di poter essere discusso come un dato di fatto di partenza, preesistente al di sopra della «misura umana». Si tratterebbe di una specie di soglia minima di «disinteresse funzionale»: al di sopra della quale la corrispondenza con le precedenti funzioni esiste solo in maniera relativa. Le precedenti funzioni appariranno così oggi del tutto fuori contesto. In questi casi le funzioni e le destinazioni stesse cambiano tanto da produrre altre forme, mentre le vecchie vanno a cercarsi funzioni nuove. Le vecchie Halles di Baltard a Parigi furono sostituite, intese come mercati generali della frutta e non come edificio, da mercati estremamente lontani,

dell’intervento, sezioni

longitudinali lungo il forno e

Schizzi progettuali e di

lungo il corpo aggiunto.

riferimento.

Pianta piano terra.

Planimetria dell’area e vista.

studente: Marco Cornelio.

studente: Andrea Catto.

Universita’ degli Studi di Udine Facolta’ di Ingegneria Corso di Laurea rottami Specialistica in Architettura

Christina Conti Elena Olivo Paola Pellegrini Carlo Perraro Alberto Pratelli Alessandro Santarossa Lodovico Tramontin

Esperienze dei Laboratori e Corsi coordinati 2005/2008

progetti per l’ex safau e altre dismissioni, udine

Università degli studi di Udine

lodovico

Pianta secondo livello interrato. Sezione longitudinale.

rottami

Viste del tunnel attrezzato.

mia dell’università di Ca Foscari. Zonemoda, Rimini. Sede della nuova facoltà, del corso di laurea in moda, dell’Università di Bologna. Urban Center, Piacenza. Una vera città nella città composta da 16 palazzine protette da una cinta muraria che ospitano: la facoltà di architettura ambientale del Politecnico di Milano, l’ordine degli architetti, infoambiente, e museo di storia naturale nell’ex fabbrica del ghiaccio. Le cittadelle dei giovani Molto spesso sono la derivazione dai centri sociale che li hanno già occupati o che cercano un luogo da occupare e che l’amministrazione vuole legittimare. La musica è in genere il legante. e-GOCS GIOVANI OGGI CITTADINI SEMPRE, Monza. Centro Polifunzionale per I Giovani, con

progettazione partecipata al progetto di ristrutturazione. Cittadella dei Giovani, Aosta Officina giovani, Prato. Cantieri culturali ex macello, spazio per chi ha proposte artistico culturali e cerca mezzi e spazi dedicati. Palcoscenico attrezzato con impianto audio e luci, sala espositiva, esterno per spettacoli live, internet gratuiti e emeroteca. Cittadella dei Giovani, Cesena Officina Culturale Ex Mattatoio, Aprilia LT. Eventi, musica, arte, produzione. Gli spazi commerciali Sono l’eccezione. Schlachthof, Offenbach. E’ stata recuperata solo una parte del macello che è stato trasformato in galleria commerciale. meatpacking district, Manhattan. Nel 1900 nel Gansevoort Market operavano 250 macelli, oggi solo una trentina. Il resto è

diventato il rione più alla moda di New York con le sue boutique, ristoranti, bar, club, hotel di lusso collegato dalle tettoie degli ex macelli e i pochi residenti che abitano loft firmati. Il matadero Promosso dall’Ayuntamiento di Madrid, raccoglie in se tutto ciò che ha a che fare con la creatività e la sua rappresentazione: cinema, letteratura, arti sceniche, architettura, design, musica, arti visive e il supporto creativo.

Università degli studi di Udine

completamente nuove. Questo era possibile anche perché in pratica, per ragioni tecniche, le convenzioni accademiche dovevano necessariamente essere accantonate in quei casi. Sono stato colpito da questo, or sono 40 anni - che le speculazioni rigorose portano a un maggior numero di stranezze e di punti di vista possibili e inattesi che la libera fantasia - che l'obbligo di coordinare produca più sorpresa del caso. P. Valéry (1931) Ecco allora che queste grandi architetture rimangono lì, come montagne, come preesistenze naturali, e come queste possono essere abitate in maniera diversa. Come le montagne esse sembrano esistere, prima ancora che sia necessario dar loro una funzione precisa. Sarebbe forse interessante indagare su

pellegrini santarossa

PROGETTI

espressioni singole, si è andata a studiare la vocazione singola: lembo per lembo, alla ricerca di un significato più «importante» di altri, in realtà alla ricerca di una soluzione, comoda perché predeterminata. Ma le soluzioni in questo caso sono più d'una. Gli spazi antichi si recuperano in molti casi con altri significati, la precedente funzione rimane, ma nel suo significato più generale, non nell'uso. Molte volte ciò è possibile proprio in quegli spazi che apparirebbero più funzionali, come ad esempio le grandi stazioni, che partendo da Liverpool, o Manchester ormai molti anni fa, a tutto il mondo, stanno subendo trasformazioni radicali. In realtà si tratta di spazi che già erano estremamente nuovi al momento della loro nascita, tanto da costringere a forme esse pure

paola

alessandro

Università degli studi di Udine

olivo

Università degli studi di Udine

unto, atto il zione, to deo con ecco «rividiverti si è cupete sul n paro alle i alla delle nificastestanti rticoenza. pinto sione, urbaando, varie

PUBLICATION/2009 Rottami

Ex macello,Udine Sarà uno spazio musicale, espositivo, didattico, culturale, commerciale, artigianale, ricettivo, associativo, ludico ricreativo.

Immagini del macello di Udine

Über die Grenzen 2006-2009

Oltre i confini 2006-2009

von Peter Nigst

di Peter Nigst

Vom Beginn weg waren es sicherlich partielle Kenntnis und

Alberto Pratelli Architetto, professore ordinario dal 1986, lavora dal 1970 presso la Facoltà di Ingegneria di Bologna e poi di Udine. Già Presidente del Corso di Laurea in Ingegneria Edile a Bologna, poi del Corso di Laurea in Ingegneria Civile e del nuovo corso di Laurea in Architettura di Udine. www.uniud.it

ITA

Ciò che ci ha spinto inizialmente ad occuparci di questa collaboAlessandro Architetto, svolge attivirazione transfrontaliera sono stati, da un lato, le reciproche conoscenze,

unserer schuhle in Kärnten das war der anfang einer zusammenarbeit

tà didattica dal 1990 al 2003 presso lo IUAV, Venezia. Dal 2003 al 2010 è dall’altro una certa fascinazione dovuta all’essere di due regioni vicine. Docente a contratto di composizione Una delegazione dell’Università di Udine, composta, tra gli altri, architettonica anche presso l’Università degli studi di Udine. Nel 1992 fonda con da Stefano Miani, è venuta nel 2004 in visita presso la nostra scuola Fabrizio Serra lo studio Ronco Serra www.roncoserra.it in Carinzia, inaugurando un rapporto che dura da cinque anni. IlArchitetti. Prof.

die schon funf jahre dauert. Professor Alberto Pratelli reist in der Folge

Alberto Pratelli si è recato anch’egli più volte in Carinzia per discutere Giovanna Astolfo Architetto, è Dotto-

abermals nach Kärnten, um mit dem Studiengang Architektur konkrete

concretamente in merito alla collaborazione, che è diventata realtà giàdi Udine; dalla laurea (2006) ad Studi oggi a partire dal secondo semestre del 2006. Il Design Workshop ha unaè collaboratore alla didattica in

telbar) benachbarten Regionen, die einen gewissen Reiz ausübten und es auch heute noch tun, sich damit zu befassen. Eine delegation der universitat Udine unter ihnen Herr Stefano Miani,besuchte im jahr 2004

Gespräche zu führen und eine erste Partnerschaft zu vereinbaren die im zweitem semester vom jahr 2006 konkretisiert wurde. Die Struktur ist die folgende: es wird jeweils durch eine inhaltliche Absprache der beiden

re di Ricerca presso l’Università degli

diversi corsi di Progettazione presso struttura molto precisa. Innanzitutto, i due docenti coordinatori l’Università (Nigst di Udine http://dricaa.uniud.it/

e Pratelli) discutono e fissano un tema e poi selezionano con atten-

OLTRE I CONFINI a scuola da

Helmut Dietrich Beny Meier Helena+Alois Neururer con

Peter Nigst Alberto Pratelli Alessandro Ronco Giovanna Astolfo Davide Mattighello Enrico Pez

leitenden Professoren Alberto Pratelli und Peter Nigst ein Themensch-

Davide zione una persona esterna che andrà a dirigere il DW. Il primo anno il Mattighello Architetto, attual-

werpunkt fixiert und eine Person für externe Workshopleitung sorgsam

in Architettura e Ingegneria Civile tema ha riguardato un quartiere residenziale passivo e la scelta èto cadu-

ausgewählt. 2006 ging es um eine Wohnsiedlung in Passivhausqualität

ta sull’architetto Dietrich del Voralberg, del noto studio internazionale ne; dal 2007 collabora presso i corsi di

in Obermillstatt und die Wahl fiel auf den Vorarlberger Architekten Hel-

Dietrich&Untertrifaller. All’interno del team dei docenti italiani da subito,

mut Dietrich des international bekannten Ateliers Dietrich&Untertrifaller

studio di architettura. e poi costantemente, è stato presente l’arch.Ronco di Tarcento; insieme

aus Bregenz. Von italienischer Seite wurde von Anfang an konstant der

a lui altri collaboratori alla didattica, sia di parte austriaca che italiana. La

Università degli Studi di Udine

Architekt Alessandro Ronco aus Tarcento zugezogen, sowie je ein Assi-

collaborazione si è svolta nella consapevolezza delle sostanziali diffe-

Fachhochschule Technicum Kaertnen

mente iscritto al XXIII ciclo di dottora-

presso l’Università degli Studi di Udi-

Università degli Studi di Udine

Facoltà di Ingegneria Corso di Laurea in Scienze dell’Architettura in collaborazione con

Fachhochschule Technikum Kärnten

OLTRE I CONFINI DesignWorkshop’06/’09 Udine/Spittal an der Drau

progettazione dell’Università di Udine; nel 2008 fonda a Udine “Archidromo!”

NOME CASA EDITRICE

100

101

DW 2008

DW 06/09

http://dricaa.uniud.it

DW 2008

DEU

persönlich vorhandene Bezüge zum dem jeweils Anderen in den (unmit-

Peter Nigst Architetto, docente responsabile dei programmi del corso di studi in architettura alla F.H.Schule in Carinzia. www.fh-kaernten.at

Progetti 1999-

Gruppo 4 Ares Colloredo Paolo Corazza L’area di progetto presenta alcune problematiche legate alle periodiche esondazoni del fiume: il progetto sarà al contempo “argine ed edificio”. La pista ciclabile richiesta dal programma passa sopra l’edificio; l’interno dell’atelier presenta un unico grande spazio aperto con ampie vetrate che si affacciano sui piccoli corsi d’acqua e sul giardino interno. Vani di servizio e una grande superficie adibita ad archivio completano la distribuzione in pianta. L’argine inclinato, con struttura in calcestruzzo armato, è rivestito di pannelli in acciaio corten; l’altezza massima dell’edificio è poco superiore ai 5 metri, con precisa intenzione di rimanere “piatto e schiacciato” rispetto agli edifici preesistenti.

H.Dietrich, A.Ronco e P.Nigst con gli studenti, Gmünd. Foto di Alberto Pratelli.

Alessandro Architetto, svolge attività didattica dal 1990 al 2003 presso lo IUAV, Venezia. Dal 2003 al 2010 è Docente a contratto di composizione architettonica presso l’Università degli studi di Udine. Nel 1992 fonda con Fabrizio Serra lo studio Ronco Serra Architetti. www.roncoserra.it

a scuola da

Helmut Dietrich Beny Meier Helena+Alois Neururer con

Peter Nigst Wir als Betreuende stellen uns die Frage, warum die Zusammenarbeit

Giovanna Astolfo Architetto, è Dottore di Ricerca presso l’Università degli Studi di Udine; dalla laurea (2006) ad oggi è collaboratore alla didattica in diversi corsi di Progettazione presso l’Università di Udine http://dricaa.uniud.it/

Alberto Pratelli Alessandro Ronco

Davide Mattighello Architetto, attualmente iscritto al XXIII ciclo di dottorato in Architettura e Ingegneria Civile presso l’Università degli Studi di Udine; dal 2007 collabora presso i corsi di progettazione dell’Università di Udine; nel 2008 fonda a Udine “Archidromo!” studio di architettura. http://dricaa.uniud.it

Davide Mattighello

Università degli Studi di Udine

Facoltà di Ingegneria Corso di Laurea in Scienze dell’Architettura in collaborazione con

Fachhochschule Technikum Kärnten

OLTRE I CONFINI

so läuft, wie wir sie beobachten können und warum sie doch unterschei-

DesignWorkshop’06/’09

dbare Charakteristika zutage fördert? Wahrscheinlich bieten die beiden

Udine/Spittal an der Drau

Giovanna Astolfo unterschiedlichen Hochschulsysteme, die auf Technisches und detailmäßige Ausführung mehr orientierte Enrico Pez Architekturschule in Spittal und die konzeptioneller orientierte Ausbildung an der Universität Udine, eine einander nicht schlecht ergänzende Ausrichtung. Università degli Studi di Udine

Eine der nächsten Schritte zur Weiterentwicklung einer Zusammenarbeit Fachhochschule Technicum Kaertnen

Il presente volume raccoglie gli esiti progettuali degli workshop tenutisi tra Udine e Spittal dal 2006 al 2009, organizzati all’interno dei diversi anni e corredati da brevi interviste agli architetti stranieri e di fama internazionale che hanno coordinato, insieme a docenti e assistenti italiani e austriaci, gli ex-tempora progettuali. La collaborazione Italia-Austria, resa possibile grazie all’incessante lavoro di Peter Nigst e Alberto Pratelli, direttori dei reciproci corsi di laurea in Architettura, e Alessandro Ronco, docente di Progettazione all’Università di Udine, è iniziata nel 2005 e continua tutt’oggi, con proficui risultati da ambo le parti e godendo di grande popolarità tra gli studenti delle due facoltà. La prossimità fisica (“appena” oltre i confini) e contemporaneamente le diverse culture formative/formazioni culturali hanno reso l’esperienza da un lato praticabile, dall’altro profonda. La formula del D.W. è una sorta di invenzione, con un proprio modus operandi, non identificativo di una strategia invariata, ma piuttosto frutto di un metodo che si è affinato e adattato nel tempo: costruita in due fasi per questioni di necessità (di luoghi e di tempi), vede un primo periodo di soggiorno a Spittal (in primavera) in cui gli studenti italiani e austriaci lavorano in ensamble sul progetto ed un secondo momento (prima delle vacanze estive) in cui gli studenti presentano gli elaborati finali a Udine. Due fasi estremamente diverse: la prima caratterizzata da una forte compressione temporale (quel lavoro incessante, quell’accanimento matto e disperatissimo sul progetto), mentre la seconda costringe ad una riflessione più lenta, più lucida e accurata sul progetto. A questa seconda fase, originale ed atipica, appartengono i progetti presentati, che, nel loro insieme, costruiscono un articolato mosaico. In un momento di sintesi quale è la pubblicazione del presente volume, si possono rintracciare le logiche sottese o i fili conduttori, spesso inconsapevoli, che legano i progetti: la piccola scala degli interventi proposti, il rapporto con il paesaggio alpino, la reiterazione di temi come l’acqua o la musica.. Scrive Peter Nigst all’interno del volume: “Un obiettivo mancato, almeno finora, è la collaborazione nell’ambito scientifico di ricerca fra le due scuole; sarebbe infatti interessante poter collaborare con l’Università di Udine, al di fuori del D.W., su alcuni temi di ricerca..In questo modo la collaborazione OLTRE I CONFINI potrebbe intensificarsi”. Ed è ciò che ci auguriamo.

DW 2007

OLTRE I CONFINI

DW 2007

DW 06/09

Peter Nigst Architetto, docente responsabile dei programmi del corso di studi in architettura alla F.H.Schule in Carinzia. www.fh-kaernten.at

NOME CASA EDITRICE

könnte nach gewisser Abgleichung der Studienstruktur im Bereich des Masterstudium die wahlweise Erarbeitung von Diplomen an jeder der

Gruppo 6 Arianna Bazzaro Martina Pontoni

beiden Architekturschulen sein. Die Betreuung würde dann von je einem Mitglied der beiden Hochschulen erfolgen. Diese Arbeiten könnten in Englisch oder zweisprachig (Deutsch und Italienisch) abgefasst sein. Das noch nicht wirklich ausgelotete Feld ist die Einbindung von Forschungsfragen sowohl in die studentische Zusammenarbeit als auch direkt in eine wissenschaftliche Zusammenarbeit zwischen den Hochschulen. Dabei sind die Felder der Bauphysik, der Passivhaustechnologie, des konstruktiven Holzbaues, der Holztechnologie, ebenso zu

Design Workshop 2009, gli studenti al lavoro, Spittal. Foto di Alberto Pratelli.

PUBLICATION/2011 Beyond the border

Title: Beyond the border. Design workshop Spittal an der Drau/Udine Spittal an der Drau, Austria, FachHochSchule Udine, Italy, School of Architecture, 2011 Team: A.Pratelli, P.Nigst, A.Ronco, G.Astolfo, E.Pez, D.Mattighello (authors)

Basato su un principio di estrema adattabilità e trasformabilità sia nell’involucro che nello spazio interno, legato alle esigenze acustiche di una sala polivalente, questo prisma colorato si installa a ridosso del confine del lotto, a filo strada, in corrispondenza dell’angolo, chiudendo cosi la prospettiva di tutte e due le strade che si intersecano e conducono rispettivamente al castello e alla chiesa. Il dislivello di quota fra le due strade è risolto attraverso una attenta modellazione del terreno.

Il presente gettuali de Spittal da terno dei interviste internazio sieme a d striaci, gli La collabo sibile graz Nigst e A proci cors sandro Ro all’Univers continua t ambo le p larità tra g prossimità e contem formative/ l’esperien tro profon La formul zione, co non ident ta, ma piu è affinato in due fas luoghi e d di soggior gli studen ensamble mento (pr gli studen Udine. Du prima cara sione tem quell’acca sul proge ge ad una e accurata fase, orig progetti p costruisco un mome cazione d rintracciar duttori, sp i progetti: proposti, no, la reit la musica. Scrive Pe “Un obiett collaboraz cerca fra l ressante p di Udine, a di ricerca. ne OLTRE si”. Ed è c

FILM FESTIVAL/2011 Altri paesaggi

Altri paesaggi. Architecture film festival Treviso, 2012 Team: B.Ciruzzi (curator), G.Astolfo (graphic layout)

PUBLICATION/2011 OPERE APERTE

Title: Opere aperte. Rethinking and reconnecting the built - 35 years later. Problems and solutions Gemona del Friuli, Udine, Italy, 2011 Team: A.Indrigo, N.Indrigo (curators), G.Astolfo (graphic layout)

PUBLICATION/2013 Scalambrin. Works 1913-2013

Title: Amilcare Scalambrin. Works 1913-2013 Exhibition: Cortino del Castello di Fratta, Venice, Italy, 2013 Team: C.Tavella, G.Astolfo (curators), M.Battiston, P.Meyer, U.Facchin (authors)

EDUCATION2000-2006

bu n k er c o d ur ant e l a II s o pr a l 'a bs i

n a vat a pr in c ipa l e: c o l s a s s o n e, a n d a a bba bba

mu r i l at er a l i mat er ia l i: piet r d 'is t r ia , l at er iz in a

f o n d a z io n i pr i

l o s pa z io f r a il c a mpa n il e e l a f a c c iat a er a pr o ba bil men t e o c c u pat o d a u nar t ce

a r ea a r c h eo l o g ic a . s t a t o a t t u a l e

Jesolo is a seaside touristic city; just outside the recent loisir center, there is the neglected and few considered archaeological site of the “Ancient Walls”, where there are the ruins of a XII century basilica. Historical documentation shows the possible presence of a Roman centuriazione. The first project idea - to create an archaeological park- was replaced by the idea to outline a path of memory (that coincides with the Roman path) to connect the church, the cemetery (recent memory) and basilica (ancient memory). The first phase: study of the project area at the borders of the city centre, that includes the Roman archeological site and a more recent town cemetery; study of burial typologies and visits to contemporary Italian cemeteries (as Rossi’s cemetery in Modena and Carmassi’s cemeteries in Pisa).

d i a l b u m

cimitero di S.Piero a Grado

pesante ed esclude mondo,l’interno invece è leggero ed aperto al cielo. Le tombe di varie epoche e di vari stili rendono il camposanto un museo,come succede nel Pere Lachaise di Parigi ( di Carmassi. La lezione pisana. I cimiteri di molto Pisa e posteriore).I bus Arezzo. ot tocenteschi,i sarcofag Dalla frequentazione di Pisa e del suo tessuto medievali,privi di iscrizione o simili a storico Carmassi estrae alcuni dei suoi principi casea(”in origine la casa e la tomba compositivi. Per una strana coincidenza si trova non si distinguevano” aldo rossi) dover progettare l’ampliamento del cimitero urbano della città e poco dopo l’ampliamento del cimitero di costituiscono un inventario S.Piero a Grado, una frazione limitrofa. tipologico Ma è eccezionale.Anche sul soprattutto nell’ultimo progetto per il cimitero di pavimento sono incastrate le Arezzo che fa suoi gli insegnamenti del camposanto di sepolture ..”sassi sepolcrali Pisa, introducendo nei muri dei corpi parallelepipedi a’templi fean pavimento” (Foscolo),a quello scarto o rotazione che si vede lungo il urban cemetery of Pisa urbano di Pisa perimetro del camposanto monumentale. volte senza cimitero epigrafe,spesso con I tre progetti sono fortemenete accomunati rappresentazioni da un macabre. certo uso del laterizio,mutuato dalle mura medievali Durante uno dei suoi viaggi in Italia pisane, come struttura portante in forma di muratura Le Corbusier visita Pisa e descrive a sacco romana. più i o meno così il complesso dei Nell’ultimo dei tre progetti,quello per Arezzo, paramenti laterizi sono incisi da aperture verticali e Miracoli: unità dell’insieme,varietà accostati a strutture leggere, di portici o coperture del dettaglio,principio che poi lo (che ricordano le case torri pisane). ispirerà nella sua architettura..

Il progetto prevede un lungo loggiato ( passaggio coperto pedonale) destinato ai vari servizi cimiteriali da cui staccano perpendicolarmente dei corpi di varie lunghezze contenenti i colombari. Anche il cimitero di S.Piero a Grado presenta una serie di volumi parallelepipedi,lievemente ruotati l’uno rispetto all’altro. Il vuoto tra i corpi accoglie piazze pavimentate in cotto, un continuum fra l’orizzontale e la verticale. La vista è sempre prospettica,sia nelle piazze che trasversalmente, nei Second phase: Development of thesui town extension tagli praticati volumi cemetery che inquadrano il vecchio project: it La composizione è racchiusa da un muro dito the Roconsists of a rectangularcimitero. enclosure that stands at right angles semicircolare alle estremità a due man path and is wedgedcinta between theincastrato two existing cemeteries. The revolumi cilindrici. ference is to the the geometric cemetery Italian traIl cimitero walled suburbano di Pisa, il dear primo to in the ordine cronologico, prevede forunthe unico grande dition. The extension contains new spaces ritual and facilities, parallelepipedo,con colombari su due livelli. La well separated, so as to respect those that J. Plecnik called “various decopertura, di materiale leggero che contrasta con il grees of mourning.” I immediately had the idea of building along the edparamento murario , è azzurra, e ricorda quasi il Modena. ges, swelling the wall to S.Cataldo house di the tombs, as in the typological tradition.

cimitero urbano di Pisa

GRADUATION PROJECT/2006 PLACES OF SILENCE

27 July 2006 “Laurea” (bachelor+master) degree in architecture Supervisor: prof. R.Sordina, Co-supervisor: prof. S.Maffioletti IUAV, School of Architetcure, University of Venice, IT

“The students’ project aimed to define the extension of the ground floor apartment of the “Meridiana House” (by Giuseppe De Finetti, Milan, 1925) containing an atelier studio and underlininig the relationship between the existing building and the “Giardino d’Arcadia”, now known as the “Giardino d’Ercole” (in B. Ciruzzi, Presentation of the students’ projects). “The projects are small extensions to six villas, constructed and designed from the beginning of the 1500’s to the mid 1900’s. The differences (of location, time and style) between them, are mitigated by the encounter with the small extension projects showing that proportion, geometry, volume and light are, as constant architectural elements, able to generate harmony and confer unity.” (in F. Venezia, Introduction). Selected students’ projects were collected in a publication and exhibition.

STUDENT PROJECT/2000 A ROOM IN THE GARDEN

Supervisor: prof. F.Venezia IUAV, School of Architetcure, University of Venice, IT Exhibition held in Venice and publication of the selected projects

EDUCATION 2006-2010

July 19, 2010

Ph.D. in Architecture Department of Civil Engineering and Architecture University of Udine, IT Research: “Declination of density in medium sized city” Supervisors: prof. Lodovico tramntin, Paola Pellegrini

July 27, 2006

Master of Architecture degree Bachelor+Master degree IUAV, School of Architecture, University of Venice Final project: “Places of silence” Supervisors: prof. Roberto Sordina, Serena Maffioletti Marks: 110/110

A.Y. 20022003

Erasmus exchange student UTL, Universidade Tecnica Lisboa, Portugal

WORK EXPERIENCE 2011-present

2012-present

aIS+AI office (co-founder) Venice, Italy 2013 Gordon’s factory, shopping center, park and towers, Huangzhou, China (competition) 2013 Corazza concept store, Huangzhou, China 2013 via Bafile 322, concept store, Jesolo, Venice. IT 2013 Urban renewal: road sysetm, Aquileia, Udine, IT 2012 “Di che doccia sei?”, Ponsi Lab in collaboration with Ottagono magazine, Milan, IT (competition) 2012 Chiros concept store, Huangzhou China (competition) 2012 Urban renewal, Aquileia, IT (competition: 1st) 2012 Interior design, private house, Venice, IT

2012

e-DAU Arquitetos em rede (architect) Alameda Franca, 708, Alphaville 4, Santana de Parnaíba, São Paulo, Brazil Environmental study of a mass transport system (monorail) in the south region of the city of São Paulo Preliminary design for administrative headquarters in the city of Barreiras, Bahia, Brazil National Competition for FATMA (Fundação do Meio Ambiente de Santa Catarina) and FAPESC (Fundação de Amparo à Pesquisa e Inovação) headquarters, Florianopolis, State of Santa Catarina, Brazil Preliminary design for a bycicle bridge, USP Villa-Lobos, São Paulo, state of São Paulo, Brazil

2011-12

Ciruzzistudio (architect) viale della Repubblica, 245/F, 31100, Treviso, Italy Bank building, reuse and renovation, Verona, Italy Private house refurbishment, Treviso, Italy Redevelopment of an industrial site, Treviso, Italy Mixed use building complex, Mantova, Italy (with Boris Podrecca Atelier, Wien, Austria) San Tomaso gate restoration, Treviso, IT

2011-present

Architectural office (owner) Venice, Italy

2008-10

Ph.D candidate and full time Academic Research

2007-08

Studio Francesco Steccanella (architect) via B. Croce, 30026, Portogruaro, Venice, Italy Musee et bibliotheque du Tchad, Interior design for the National Museum and Library, Ndjamena, Tchad â&#x20AC;&#x153;BB1â&#x20AC;?, removable pavilion, project, Venice, IT Family chapel, Venice Interior design, holiday house, Cortina, IT

TEACHING ASSISTANT POSITIONS 2006-present

2012-13

Urban and Landscape design, Master of Architecture, Graduate level course, II year; professor: P.Pellegrini School of Architecture, University of Udine, IT

2012-13

Architectural Design, Undergraduate level course, II year, professors: A. Indrigo, C.Eusepi

2011-12

Urban and Landscape design, Undergraduate level course, II year; professor: P.Pellegrini

2009-11

Architectural Design, Undergraduate level course, II year, professors: M. De Mattio, A. Indrigo

2006-09

Architectural and Urban Design, Undergraduate level course, Ist year, professors: C. Battaino, P. Barbarewicz, G.Tenca Montini

LECTURES 2006-present

2012 2011 2009-13 2009 2008 2007

“Declination of density in medium sized cities” “Spazio percorso. Pianta e sezione come generatrice” “Zenithal Light” “Density-housing. Intensity-open space” “On transparency and living in motion” “Le figure del moderno in alcuni progetti di Alvaro Siza”

TITLES 2006-present

2012

Visiting Scholar NUTAU, Nucleo de Pesquisa em Tecnologia da Arquitetura e do Urbanismo, FAU-USP, São Paulo, Brazil

2012

Research fellow “Study of the evolution of urban structure generated by the policies of social housing in north east Italy” Department of Civil Engineering and Architecture, University of Udine, IT

2011

Research fellow “Definition of possible scenarios of development for the requalification of military areas in the Friuli region” Department of Civil Engineering and Architecture, University of Udine, IT

July 19, 2010

Ph.D. in Architecture Research: “Declination of density in medium sized city” Department of Civil Engineering and Architecture, University of Udine, IT

May 15, 2007

Registered architect License No. 3856, Venice Board for Architects, Planners and Landscape Architects

July, 27, 2006

Master of Architecture degree IUAV, School of Architecture, University of Venice Final project “Places of silence” Marks: 110/110

PUBLICATIONS 2006-present

2012

“Piccola guida ai temi del workshop”, in “Accessibilita’ e valorizzazione dei beni culturali. Temi per la progettazione di luoghi e spazi per tutti” C.Conti, I.Garofolo, (eds.) Franco Angeli editore, 2012. ISBN 978-88-204-1411-5

2012

A.Indrigo, G.Astolfo, (eds.), “Costruire città”, GTC Editrice Udine, 2012 ISBN 9788890096734

2011

L.Tramontin, P.Pellegrini, G.Astolfo, “Patussi: premesse per l’uso di una ex caserma”, Forum editrice, Udine, 2011. ISBN: 9788884207128

2011

“Declinazioni della materia” in: C.Conti “Progettare con le pietre arenarie, materiali, tecniche, architettura”, Maggioli Editore, Rimini, 2011. ISBN: 9788838760358

2011

“Œvres ouvertes. A laboratory in Gemona” in “Opere aperte. Rethinking and reconnecting the built – 35 years later. Problems and solutions”, A.Indrigo, N.Indrigo, G.Custoza, (eds.), Mimesis Edizioni, Milano Udine, 2011

2011

P.Nigst, A.Pratelli, A.Ronco, G.Astolfo, D.Mattighello, Beyond the border, Design Workshop, Udine/Spittal an der Drau 2005-2009, Aracneditrice, Roma, 2011 ISBN: 978-88-548-3902-1

2011

“Parasite blues. Interview with Alessandro Zorzetto” in A.R. (Architetti Regione), n.47

2011

“Vivre à l’oblique: beyond architecture as obstacle”; in C.Conti, La forma dell’accessibilità, in Costruire, 332, January 2011 ISSN: 1121633002 10332

2010

“Declination of density in medium sized cities” in: “Proceedings of the seminar IPSAPA 2010”, dvd overview attached to the review Architettura del paesaggio

2001

Publication of the project in the book “Addizioni. Laboratorio di Progettazione architettonica 1 diretto da Francesco Venezia”, B.Cirruzzi, A.Cendron, M.de Mattio, (eds.), and public exhibition at IUAV, School of Architecture, University of Venice

RESEARCH 2006-present

2013

Cherplan-Environmental Plan The Environmental Management Plan of the UNESCO site of Aquileia is divided into the analysis of spatial planning efforts done in the past; draft of thematic maps, to describe Aquileia and define its context; draft of scenarios (ongoing)

2013

SAFE, Space and fear: exclusion and inclusion dynamics in the European urban space The research was developed for Marie Curie fellowship submission, University of Udine, IT/FAU-USP, São Paulo, Brazil (ongoing)

2012

n mobility and density. Scenarios for three landscapes in the megacity of São Paulo, Brazil/Sobre a mobilidade urbana e a densidade. Cenários de transformação para três paisagens da megacidade de São Paulo The research was focused on the transformation of dense urban areas following the construction of an alternative mass transport network. The research was leaded at NUTAU-USP, Núcleo de Pesquisa em Tecnologia da Arquitetura e Urbanismo da Universidade de São Paulo, for the ATMA, Consultoria e Gestão Ambiental Ltda, Eng. Fabíola Ribeiro

2012

Study of the evolution of urban structure generated by the policies of social housing in north east Italy The research was developed at University of Udine, IT; the resarch results are published in “Costruire città”

2011

Definition of possible scenarios of development for the requalification of military areas in north east Italy The research was developed at University of Udine, IT; First phase: in-depth study of the character of the buildings and the settlement status quo. Second phase: layout of eleven scenarios of transformation.

2010

Declination of density in medium sized city The research was devolepd at University of Udine, IT, for the Ph.D. program; it is focused on the relationship between density and sustainable development of m-sized cities in Europe

2010

Research on “Design for All” and accessibility of architectural spaces; first phase: creation of technical documents and bibliography database

2009

Research on Sandstone System Design for the book “Progettare con le pietre arenarie, materiali, tecniche, architettura”, Maggioli, 2011

2007-08

Research on abandoned industrial areas, for the book “Rottami, progetti per l’ex Safau e altre dismissioni”, University of Udine

CONFERENCES, WORKSHOPS AND EXHIBITIONS 2007-present

August 26, 2012

“Geologics: geography, architecture, information”: panelist, Taiwanese Pavilion, Palazzo delle Prigioni, Venice, IT, 13th Venice Biennale of Architecture

March 2012

“Costruire città”: exhibition and conference. ATER (Azienda Territoriale Edilizia Residenziale) and University of Udine

July 2011

“Progettazione per il turismo accessibile”: workshop tutor, School of Architecture, University of Venice, Udine and Trieste, Italy

May 15, 2007

“Opere aperte. Rethinking and reconnecting the built – 35 years later. Problems and solutions”, coorganizer: conference, exhibition and publication City of Gemona del Friuli, University of Udine and “OAPCC Provincia di Udine”

2010

“Wonderland in the landscape-cultural mosaic: idea, image, illusion”: panelist, IPSAPA 2010, Udine

2009

“In bilico/Poised”, exhibition of the student projects Architectural and Urban Design course, University of Udine

May 2009

“Sadar-Vuga Architekti Formulas”, organizer: conference, video, interview

2007-2008

“Design Workshop Spittal an der Drau” international workshop tutor, conference organizer and publication editor University of Udine, Italy and FachHochSchule Technikum Kärnten, Austria

May 15, 2007

“Small airports. Infrastructures, cities and landscape in the Italian territory”, international workshop tutor IUAV, University of Venice, University of Udine, Italy and FachHochSchule Lausitz, Cottbus, Germany

SCHOLARSHIPS

2007-10

University of Udine Ph.D. program scholarship for the Academic Years 2007-10

2002-03

Erasmus exchange program scholarship of the E.U. for the Scademic Years 2002-03 at UTL Universidad Tecnica Lisboa, Portugal

SKILLS

Languages Italian (native), Portuguese (fluent), English (fluent) Softwares GIS Quantum, Cad Autodesk 2d/3d, Photoshop, Illustrator, Indesign

GRAPHIC DESIGN 2007-present

2013

Brand layout for concept store, Hangzhou, China, with Francesco Steccanella, Venice, IT

2012

“Costruire città”, publication, editing, layout, pagination, Udine, IT

2011

“Altri paesaggi” Architecture Film Festival, organization, graphic layout, pagination, Treviso, IT

2011

“Patussi”, publication, editing, layout, pagination, Udine, IT

2011

“Opere aperte”, publication, logo layout, pagination, Udine, IT

2009

“Oltre i confini”, publication, editing, layout, pagination, Udine, IT

2007

“Rottami”, publication, editing, layout, pagination, Udine, IT

2007

“Progetto Punto a capo”, Skin Cancer Awareness Campaign, brochures layout, with LILT (Lega Italiana Lotta Tumori) and Rotaract Club, Venice,IT